Tag: performance

Tim Minchin backs new Gilded Balloon fund to support next generation of Fringe artists

SHOW SUPPORT FUND LAUNCHED

Gilded Balloon today announces the launch of its Show Support Fund, a new initiative designed to help artists overcome the growing financial barriers of bringing work to the Edinburgh Festival Fringe.

Delivered by Gilded Balloon Futures Ltd, the organisation’s registered charity, the fund marks a significant step in expanding Gilded Balloon’s long-standing commitment to artist development. Gilded Balloon Futures was originally established following the Cowgate fire and relaunched at the end of 2025 as part of Gilded Balloon’s 40th anniversary, with a renewed focus on supporting artists and sustaining the future of the Fringe.

At its core, the Show Support Fund will raise commercial, public and charitable donations to directly support artists in Gilded Balloon’s annual Fringe programme. With the cost of participating in the Fringe continuing to rise, the fund aims to ensure that more artists, particularly those with distinct voices and limited financial means, can bring their work to Edinburgh.

The fund is designed to be flexible and collaborative, allowing donors to support the kinds of artists and projects they are most passionate about, while Gilded Balloon identifies productions that would most benefit from additional backing. Funding may contribute to a wide range of artist’s needs, including marketing, rehearsal space, creative support, travel, accommodation and wellbeing.

Alongside the Show Support Fund, Gilded Balloon Futures will also support the So You Think You’re Funny? Artist Development Programme, helping to cover the costs of the competition and providing vital opportunities for emerging comedians. This includes financial assistance for travel and accommodation for selected performers, removing one of the biggest barriers to accessing the fringe.

In its inaugural year, the Show Support Fund has been kickstarted by a generous contribution from globally acclaimed comedian, writer and composer Tim Minchin alongside his wife Sarah Minchin, their donation will support five shows selected by Gilded Balloon Artistic Directors Karen Koren and Katy Koren, focusing on solo performers with bold voices and sharing personal stories across comedy and theatre.

Tim Minchin who first found major success at Gilded Balloon at the Edinburgh Fringe in 2005 has particular interest in supporting artists who have struggled with mental health issues who may require additional support to make the Fringe achievable with their work.

In 2026, a total of £10,000 has been raised for the Show Support Fund which will be split between five supported artists as follows:

● Jamie Kilstein: Can’t Tie Knots

● Madeleine Brettingham: Legend

● Lois-Amber Toole: SLAY

● Alan Jay: Hell Hath No Humour Like A Gayboy Scorned

● Kathleen Hughes: Twig

These productions represent a mix of emerging and established voices, each facing unique challenges in bringing their work to the Fringe, from international travel costs to personal circumstances and the realities of early-career development.

Support from the fund will directly impact these artists’ ability to present their work, whether through financial relief, creative resources, or practical adjustments that make participation possible.

Karen and Katy Koren, Artistic Directors of the Gilded Balloon said: ““For over 40 years, Gilded Balloon has been a home for artists at every stage of their careers, from first-timers to global stars. But the reality now is that the financial barriers to getting to the Fringe are higher than ever.

“We are delighted to finally launch this fund which has been a long time coming and is about protecting what makes the Fringe special, taking risks on new voices and giving artists the chance to be seen – something we’ve always prioritised at Gilded Balloon. We want to work with supporters who believe in that mission and help us keep those doors open.

“Every year we meet extraordinary artists with urgent, exciting work who simply can’t afford to bring their work to the Fringe. The Show Support Fund and the So You Think You’re Funny? Artist Development programme – both delivered by Gilded Balloon Futures – allow us to raise funds for where it matters most.

“Whether that’s helping artists to cover travel or accommodation costs, giving artists proper time and space to develop their work, or supporting their wellbeing during what can be an incredibly intense month.

“It’s practical, targeted support that can genuinely change the trajectory of someone’s career and we are eternally grateful to our pal, Tim Minchin, for being the first to support the Show Support Fund.”

Tim Minchin said: “Late one night in March, 21 years ago, a furiously passionate woman with a strong Scottish accent called me up and demanded I go to the Gilded Balloon.

“I didn’t know what the fuck a Gilded Balloon was, and I was deeply cautious, because I’d spent ten years grafting away, and didn’t really believe in big breaks. But a big break is exactly what that phone call was.

“Karen Koren – and now her daughter Katy – have remained loyal friends and passionate supporters for two decades, and it’s a huge privilege to be able to support them a bit as they head into their 41st Fringe.” 

A CALL TO THE INDUSTRY

Gilded Balloon hopes that the Minchins’ contribution will inspire others, particularly alumni, industry partners and Fringe supporters, to invest in the next generation of performers.

As one of the Fringe’s longest-running venues, Gilded Balloon has played a pivotal role in launching the careers of countless comedians and theatre-makers. The Show Support Fund represents a new chapter in that legacy, ensuring that talent, not financial means, remains the driving force behind who gets to take part.

By contributing to the fund, supporters will play a direct role in shaping the future of the Fringe, enabling more artists to take risks, share their stories, and reach new audiences on one of the world’s most important cultural stages.

For more details and how to contribute visit: 

https://gildedballoon.co.uk/contact/support-us/

Getting Along with Gran: Royston Wardieburn community stories coming to North Edinburgh Arts

Getting Along with Gran is coming to North Edinburgh Arts!

This brilliant dark comedy from Citadel Arts Group is inspired by real stories and memories from the Royston Wardieburn community. Expect hard-hitting, funny and deeply human performance by a professional cast alongside local community performers and pupils from Granton Primary School.

📅 Tuesday 16 June & Wednesday 17 June at 1.30pm

📍 North Edinburgh Arts, 12C Macmillan Square, EH4 4AB

🎟️ Free tickets

https://www.eventbrite.co.uk/o/121309918564?_gl=1*hdtc7l*_up*MQ..*_ga*MTA3NDMwMDY4My4xNzc5ODc2ODQ4*_ga_TQVES5V6SH*czE3Nzk4NzY4NDckbzEkZzAkdDE3Nzk4NzY4NDckajYwJGwwJGgw&aff=ebdsshcopyurl

A limited number of tickets is available from the NEA Welcome Desk (offered on a first come, first served basis)

Royal Ballet and Opera announces 2026/27 Cinema Season

  • Cinema Season shares the very best of The Royal Opera and The Royal Ballet with audiences around the world
  • Programme includes new productions of Götterdämmerung from Barrie Kosky and Così fan tutte from Netia Jones
  • Beloved favourites return, including The Royal Ballet’s Manon and Swan Lake, and The Royal Opera’s Carmen and Tosca
  • UK audiences can also enjoy Macbeth and La Fanciulla del West from The Metropolitan Opera
  • Tickets on sale from 27 May at rbo.org.uk 

The Royal Ballet and Opera has announced an exciting programme of cinema screenings throughout the 2026/27 Season.  

The two companies present a range of works across the Season. The Royal Ballet performs beloved favourites including Kenneth MacMillan’s Manon and Romeo and Juliet, and Liam Scarlett’s Swan Lake. Christopher Wheeldon’s Alice’s Adventures in Wonderland will be specially broadcast over the Easter period, an ideal ballet for all the family, and The Royal Ballet celebrate Christmas with Peter Wright’s enduring classic The Nutcracker. 

The Royal Opera present a mixture of revivals and new works. There will be two new opera productions, including the final installment of Barrie Kosky’s acclaimed Ring cycle, Götterdämmerung. Associate Director of The Royal Opera Netia Jones makes her Main Stage debut with a new staging of Così fan tutte, screened live in February. Two celebrated productions will also return to cinemas: the first revival of Director of The Royal Opera Oliver Mears’ Tosca, and a revival of Damiano Michieletto’s Carmen.  

The UK cinema season also includes two new productions from The Metropolitan Opera, New York. In October, opera fans will be treated to a brand-new production of Macbeth from director Louisa Proske, who makes her debut with the company. 

UK audiences will also be able to enjoy The Metropolitan Opera’s La Fanciulla del West in a new staging by British director Richard Jones. 

Offering audiences a view from the best seat in the house, the RBO cinema Season shares the joy of live performance and the beauty of world-class ballet and opera with audiences in more than 1,500 cinemas and 50 countries around the world.

Cinema audiences can enjoy exclusive extra rehearsal and behind the scenes films during the intervals with specialist presenters offering an insight into the workings of the Royal Ballet and Opera. 

Director of The Royal Opera, Oliver Mears said: “It is fantastic to be able to share our exhilarating productions with our cinema audiences and this season there is much to enjoy. 

“Barrie Kosky’s Ring cycle continues to thrill and excite audiences, and I have no doubt that Götterdämmerung will complete the cycle with breathtaking wonder. 

“Our Associate Director Netia Jones makes her Main Stage debut with a contemporary spin on Mozart’s Così fan tutte whilst enduring classics such as Tosca and Carmen also demonstrate why opera is the most captivating and visceral artform out there.” 

Director of The Royal Ballet, Kevin O’Hare said: “Sharing The Royal Ballet’s live cinema relays with audiences across the globe is always incredibly special, and this Season we are delighted to bring you a wonderful selection of ballets to delight and entertain.

“Our magical productions of The Nutcracker and Alice’s Adventures in Wonderland will enchant families and audiences of all ages, while the dramatic tension of Kenneth MacMillan’s Romeo and Juliet contrasted with the pure classicism of Swan Lake make for a brilliant showcase of the artistry and virtuosity of our dancers. I very much look forward to sharing these special moments with you all.” 

2026/27 Cinema Season

Macbeth | The Metropolitan Opera 
In cinemas: Tuesday 20 October 2026 
UK only 

With hair-raising drama and spectacular singing, two of opera’s most extraordinary artists star in Macbeth, Verdi’s thrilling take on the immortal Shakespearean tale of the scheming couple determined to seize power at any cost.

Following past triumphs in many of Verdi’s signature baritone roles, Quinn Kelsey is the Scottish king haunted by the ghosts of his murderous ascent to the throne, opposite Lise Davidsen—the world’s reigning dramatic soprano—as the power-mad Lady Macbeth, whose ruinous ambition damns them both.

Met Music Director Yannick Nézet-Séguin takes the podium for a penetrating production by Louisa Proske, a brilliant young director making waves around the world. Rounding out the all-star cast are tenor Freddie De Tommaso as the heroic Macduff and bass-baritone Ryan Speedo Green as Macbeth’s friend-turned-victim Banquo. 

Manon | The Royal Ballet 
Live in cinemas: Tuesday 27 October 2026 

In the seedy underbelly of 18th-century Paris, money is king. Nothing is sacred – even love itself can be bought for the right price. A native of this hedonistic underworld, Manon is caught between twin desires when she falls in love with the student Des Grieux. Steadfast and devoted, he offers the possibility of an honourable life. Yet, the riches promised by the world of Parisian society remain tempting…  

In this signature work of The Royal Ballet, Kenneth MacMillan’s nuanced understanding of human psychology makes for an unflinching look into the moral degradation of Manon’s Paris, while all its decadence and decay are brought to life through Jules Massenet’s score and Nicholas Georgiadis’ designs.

Carmen | The Royal Opera 
Live in cinemas: Tuesday 10 November 2026 

Damiano Michieletto’s searing production returns, casting scorching light on the lust, violence and destructive desire of Bizet’s ever-popular opera.

An all-star cast brings this white-hot drama to life, with Ginger Costa-Jackson in the fiery title role, alongside Russell Thomas as the jealous and despairing Don José. 

The Nutcracker | The Royal Ballet 
In cinemas: Tuesday 1 December 2026 

Nothing says Christmas quite like The Nutcracker, and this year, The Royal Ballet celebrates the festive season with Peter Wright’s beloved ballet. Since its premiere in 1984, this much-loved production has become a Christmas classic. With Tchaikovsky’s stunning score and Julia Trevelyan Oman’s sumptuous designs, this festive favourite is a treat for the whole family, bringing the spirit of the original fairy-tale to life. 

La Fanciulla del West | The Metropolitan Opera 
In cinemas: Tuesday 26 January 2027 
UK only 

Puccini’s exhilarating drama of the Wild West returns in a new staging by celebrated British director Richard Jones, marking the company’s first new production of La Fanciulla del West in more than 30 years. Soprano Sondra Radvanovsky adds to her already remarkable Met repertoire, making her role debut as the larger-than-life Minnie, the tough tavern owner with a heart of gold who finds love when she least expects it. Tenor SeokJong Baek is the dashing bandit who rambles into the remote California mining town to steal her heart, opposite baritone Christopher Maltman as the lawman determined to deliver rough justice—and win Minnie for himself. Maestro Keri-Lynn Wilson takes the podium to conduct one of opera’s most action-packed adventures. 

Götterdämmerung | The Royal Opera 
Live in cinemas: Wednesday 3 February 2027 

For the long-awaited finale of Wagner’s epic saga, director Barrie Kosky situates the rich apocalyptic drama in a contemporary world of dream-like turmoil. Antonio Pappano, Conductor Laureate of The Royal Opera, returns to take on the impassioned, otherworldly music – including Siegfried’s transporting Funeral March and Brünnhilde’s electrifying Immolation Scene.

The brilliant cast is led by Elisabet Strid, Andreas Schager and Mika Kares, who together with the full forces of the Orchestra of the Royal Opera House and the Royal Opera Chorus bring opera’s greatest journey to its shattering end. 

Così fan tutte | The Royal Opera 
Live in cinemas: Tuesday 23 February 2027 

In her Main Stage debut, Netia Jones, Associate Director of The Royal Opera, reimagines Mozart’s comedy of manners through a sharp contemporary lens, where 18th-century romantic trickery meets deeply satirical high-tech deceit. Taking on the roles of the lovers is an exciting young cast led by Louise Alder, Simone McIntosh, Mingjie Lei and Huw Montague Rendall, with Gerald Finley as their manipulative game-master Don Alfonso and Emily Pogorelc as Despina. Thomas Hengelbrock conducts, bringing out the exquisite melodies that underpin the provocative, and resolutely modern, themes at the heart of the opera. 

Alice’s Adventures in Wonderland | The Royal Ballet 
In cinemas: Tuesday 23 March 2027 

Christopher Wheeldon’s Alice’s Adventures in Wonderland bursts onto the stage in an explosion of colour, stage magic and inventive, sophisticated choreography.

Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. The result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment and ingenious music and design.   

Swan Lake | The Royal Ballet 
Live in cinemas: Thursday 22 April 2027 

Princess Odette is bound by a curse, turned into a swan by the evil sorcerer Von Rothbart. The spell can only be broken by a pledge of eternal love. When she meets Prince Siegfried, he is immediately enamoured by her fragile beauty and pledges to free her. but freedom is not promised for Odette as Von Rothbart conspires to thwart the lovers’ plans. 

Liam Scarlett’s production for The Royal Ballet brings together Tchaikovsky’s towering score and John Macfarlane’s picturesque designs to create an enduring ballet spectacle of love, treachery and forgiveness. 

Tosca | The Royal Opera 
Live in cinemas: Wednesday 5 May 2027 

Floria Tosca and Mario Cavaradossi live for each other and for their art. But when Cavaradossi helps an escaped prisoner, the lovers make a deadly enemy in the form of Baron Scarpia, Chief of Police. 

Oliver Mears’ acclaimed production returns, setting Puccini’s operatic thriller in a contemporary, war-torn Rome. Daniel Oren conducts Aleksandra Kurzak, who returns to the title role, joined by Saimir Pirgu as Cavaradossi and Christopher Maltman as Baron Scarpia. 

Romeo and Juliet | The Royal Ballet 
In cinemas: Tuesday 25 May 2027 

Shakespeare’s great love story is brilliantly retold through this modern ballet classic. The fervent longing of the star-crossed lovers is perfectly captured by Kenneth MacMillan’s impassioned choreography.

The flourishing of young love is just as present in Romeo and Juliet’s meeting on the balcony as in their final moments when they desperately cling to life in the tomb.

Buy a Ticket. Back New Writing. Keep Arts Alive in Edinburgh

In times of crisis, access to the arts is not a luxury — it is essential. It gives young people a voice, builds resilience and offers joy and connection when the future feels uncertain. 

For over 18 years, Leith-based charity Strange Town has provided life-changing access to the arts for hundreds of young people across Edinburgh each year.

Through youth theatre groups, holiday programmes, film skills workshops, stage management experience, a Young Company and professional agency support, the organisation nurtures the next generation of Scotland’s creative talent — many of whom would not otherwise have access to these opportunities. 

Strange Town is committed to creating meaningful professional pathways for early-career artists — opportunities that are increasingly rare in today’s funding landscape. All artists and practitioners are paid fairly and supported throughout.

The charity also extends its impact beyond Edinburgh, enabling local performers to progress to stages in London’s West End and onto the small screen and major streaming platforms. 

This March, the charity shines a spotlight on its Young Company (18–25), returning to Summerhall following previous sell-out runs with a newly commissioned production: 

Aphrodite Rogue

by Eleanor McMahon

Set in a near-future Edinburgh, Aphrodite Rogue follows four flatmates navigating heartbreak, climate dread and a flat that is quite literally falling apart. When one of them begins to suspect that something — or someone — is quietly sabotaging their lives, tensions rise in this sharp, timely comedy about love, uncertainty and the importance of trying again. 

  • TechCube0, Summerhall, EH9 1PL 
  • Friday 27th & Saturday 28th March 
  • 7.30pm (1 hour) 
  • £14 / £12 
  • Open to ages 14+ 

Tickets: https://strangetown.org.uk/styc-aphrodite-rogue-by-eleanor-mcmahon/

Summerhall Arts announces first shows of 2026 festival programme

Summerhall Arts announce first seven shows of Edinburgh Festival Fringe 2026 programme – now on sale – including premieres from acclaimed company Wonder Fools, in collaboration with Theatre SAN, and award-winning company YESYESNONO

Clockwise from top left: PUTTANA (Credit: Stefano Pradel), LANDSFRAU (Credit: Cornelius Reitmayr), Tether 인연 (Credit: Kaugain Jang), SAND

  • Acclaimed Glasgow-based theatre company Wonder Fools (Òran; Alright Sunshine) premieres Tether 인연, a vibrant Scottish-Korean collaboration with Theatre SAN
  • Award-winning London company YESYESNONO (We Were Promised Honey!; Nation) returns to Summerhall to premiere new storytelling show by Sam Ward
  • Leading Danish queer art company HIMHERANDIT (Mass Effect; Champions) brings new physical theatre show, GOOD ENOUGH?
  • Keith Alessi’s much-loved show, Tomatoes Tried to Kill Me but Banjos Saved My Life, returns for a fourth festival in a row after three sell-out runs
  • Acclaimed Devon-based company Kook Ensemble explores lives of people living with Dementia with non-verbal circus theatre show, SAND 
  • Fringe debutant Beatrice Festi and TeatroE ETS premiere bold immersive solo performance with PUTTANA
  • Mariann Yar brings moving feminist perspective on Afghanistan and its diaspora with solo show, LANDSFRAU

Home of boundary-pushing performance at the Edinburgh Festival Fringe, arts charity and year-round cultural hub, Summerhall Arts has announced the first seven shows of its 2026 festival programme on sale NOW.

Following a hugely acclaimed and multi-award-winning inaugural festival programme last year, the first batch of shows in Summerhall Arts 2026 programme spans theatre, dance, circus, music and storytelling from artists and companies hailing from Scotland, Afghanistan, Denmark, England, Italy, and the United States.

Part ceilidh, part storytelling, and an all-round good night out; acclaimed Glasgow-based theatre company Wonder Fools (Òran; Alright Sunshine; The Kelton Hill Fair) premieres Tether 인연 – a bold new collaboration with South Korea’s Theatre SAN. Spanning sixty years and three generations, Tether 인연 weaves together folk songs, love letters and war stories – tracing the invisible threads that bind two nations together in a shared experience of music and memory.

Award-winning company YESYESNONO (We Were Promised Honey!; Nation) returns to Summerhall with a brand new prophetic storytelling show. Written and performed by Sam Ward, the show is a hallucinogenic journey through a world of anomalies – about holes appearing in the ground and about prices that go up and up. Sam urges audiences to continue trying to understand what’s going wrong in a world that refuses to be understood.

Award-winning Danish queer art company HIMHERANDIT (Mass Effect; Champions) returns to Summerhall with a brand new performance celebrating imperfection, queer joy, and the courage to find your tribe. GOOD ENOUGH? is a queer, quirky and boisterous physical theatre performance about reclaiming your story and having the courage to be loud, awkward and unapologetically yourself.

Fringe legend Keith Alessi returns to Edinburgh with his much-loved comedy-musical-storytelling show, Tomatoes Tried to Kill Me but Banjos Saved My Life, for a fourth festival in a row after back-to-back-to-back sell-out runs. Told with warmth, humour and banjo music, this highly awarded, internationally toured, and inspirational true story is about overcoming obstacles, pursuing passions and the healing power of the arts.

Through donations, including 100% of all artist fees, Keith has raised over $1.2m dollars as of December 2025 for various charities including cancer charities and arts organisations, and all proceeds from the 2026 run will contribute to Summerhall Arts.

Acclaimed Devon-based company Kook Ensemble brings SAND – a new non-verbal circus theatre show exploring the lives of people living with Dementia.

Set against Devon’s dramatic coast line, SAND combines exceptional acrobatics with meticulously crafted storytelling to create a profoundly moving and resonant theatrical experience.

Fringe debutant Beatrice Festi and TeatroE ETS bring a bold new immersive solo performance with PUTTANA. A work that questions the things society has normalised and the boundaries between body and commodity, PUTTANA sees a single actress give voice to five characters, through a uniquely delivered combination of music and words, to tell an uncomfortable and cruel story.

Afghan theatremaker Mariann Yar brings her solo show, LANDSFRAU, a story of a life shaped by war and distance.

Moving between 9/11 and 2021, Mariann dismantles images of Afghanistan and builds her own counter-archive through songs, dance and memories – exposing a feminist perspective on Afghanistan and its diaspora. LANDSFRAU is about attempting to let go of inherited guilt without taking on more, offering an intimate of diasporic life, marked by both deep fractures and undeniable privilege.

This is the first of three programme announcements ahead of this year’s Edinburgh Festival Fringe from 7th – 31st August. The remainder of Summerhall Arts’ festival programme will be announced on 31st March and 6th May.

Tickets now on sale: festival.summerhallarts.co.uk

Enjoy an original, fun Christmas show and make a difference this festive season

Strange Town’s December Shows Are On Sale!

Strange Town’s December 2025 performances are the perfect way to celebrate the festive season. With seven shows across three days — Friday 12th to Sunday 14th December — at the Scottish Storytelling Centre on the Royal Mile, there’s something for everyone. Why not book a ticket and see for yourself?

In challenging times, access to creativity, connection and the arts is a necessity, not a luxury. Leith-based charity Strange Town works to ensure no young person misses out on the chance to get creative, offering free and subsidised opportunities to those who need them most.

Recently affected by the well-publicised funding cuts from the Edinburgh Integrated Joint Board (EIJB), Strange Town is working hard to sustain its vital support for young people.

Local people and businesses are encouraged to get involved — by buying a ticket to the show, joining ‘15 for 15’, Strange Town’s regular giving programme, or getting in touch to discuss other ways to help.

This support is crucial in securing the future of accessible arts opportunities, ensuring young people continue to benefit from high-quality creative experiences regardless of financial circumstance. Regular contributions also provide the stability needed during these uncertain times.

This December’s shows promise festive energy, fresh stories, lots of laughter and a brilliant showcase of young talent. Audiences can enjoy something new, feel festive, and know they are supporting a good cause — all at a family-friendly price.

Thank you to everyone who has donated already this year, it is much appreciated. 

Buy tickets now at https://strangetown.org.uk/december-2025-show-now-on-sale/

For fundraising enquiries or information about 15for15, contact:

fundraiser@strangetown.org.uk

Give the gift of creativity this winter — support young people, support local talent, and support a charity that gives everyone the chance to shine.

Theatre in Schools Scotland welcomes local MP to performance at James Gillespie’s Primary School

Theatre in Schools Scotland (TiSS), National Theatre of Scotland and Imaginate’s schools touring project, was delighted to welcome Ian Murray, MP for Edinburgh South, to its final school performance of 2025, at James Gillespie’s Primary School in Edinburgh.

TiSS was at James Gillepsie’s Primary School with three performances of A Home for Hamish, by Just Us, presented by Scottish Theatre Producers.

Created and performed by Deaf Dance Artist, Clare Adam and Autistic Dance Artist, Lesley Howard (Just Us), A Home for Hamish is a colourful, immersive, interactive adventure playfully merging dance and British Sign Language and is made for younger audiences. 

Across a two day visit to James Gillespie’s Primary School over 170 pupils from Nursery through to P3 enjoyed the performances in the school hall.

Following the final performance Ian Murray MP was joined by performers Clare Adam and Lesley Howard, representatives from National Theatre of Scotland, Imaginate and Scottish Theatre Producers along with pupils from the school to fly paper aeroplanes in the school hall.

Ian Murray MP for Edinburgh South said: “It was delightful to see the young people completely captivated by, and participating in, the performance.

“The performers were utterly superb. The impact of the school’s programme was encapsulated in the questions from their audience at the end.

“The interest in British Sign Language, the challenge of the story, and the “can we play more with you” were all testament to the power of the show. Well done to all involved.”

Ben Horsburgh, Head Teacher, James Gillespie’s Primary School said: “We were delighted to welcome Theatre in Schools Scotland to James Gillespie’s Primary School. A Home for Hamish was a truly memorable experience for our younger learners.

“It brought theatre right into the heart of the school and gave the children a chance to engage with themes of belonging and community in a fun, imaginative way.

“Opportunities like this enrich our curriculum and inspire our young people to see themselves as part of Scotland’s vibrant cultural story.”

Belinda McElhinney, Chief Executive, Imaginate said: “It was lovely to watch the children fully absorbed into the world of Hamish. The performers beautifully integrated British Sign Language into the work and kept the children focused on their every move. 

“The excited response from the children encapsulates for me the importance of bringing performance into schools as a key step to ensuring every child accesses their right to culture.”

Liam Sinclair, Executive Director and Joint CEO, National Theatre of Scotland, said: “It was a delightful experience watching the inspiring A Home for Hamish at James Gillespie’s Primary School, Edinburgh and being part of such an engaged and enthused audience. We appreciated Ian Murray MP attending and sharing this occasion with us.

“TiSS is a vital project for National Theatre of Scotland, enabling children across Scotland to benefit from the joy and enrichment that live performance can bring, and we are looking forward to celebrating the Theatre in Schools Scotland 10th year anniversary in 2026”

The performances at James Gillespie’s Primary School concluded a busy autumn term for the Theatre in Schools Scotland project which tours inspiring, live theatre and dance performances to primary schools across Scotland. A Home for Hamish toured to schools from Shetland to Slamannan and will be back on the road with TiSS in March 2026.

Next year will mark ten years of touring world class theatre and dance directly into schools across the country. To celebrate a decade of creativity every Theatre in Schools Scotland performance will be free of charge for participating schools from August 2026 to June 2027, as part of a special TiSS at 10 anniversary programme. Visit the Theatre in Schools Scotland website for more info.

Asian Art Awards winners announced

Asian Art Awards – Award Ceremony at MOXY Fountainbridge

Members of the Scottish Indian community were prominent among the winners of the 2025 Asian Art Awards at the Edinburgh Fringe. The awards have been running since 2014 and exist to bring Asian artists together at the Fringe and reward the best of them.

90 shows participated in 2025, up significantly from 55 in 2024.

The highly acclaimed “Kanpur: 1857”, written and co-performed by Edinburgh-based Niall Moorjani and which showed at the Pleasance, won the award for Outstanding Production.

Set at the time of the Kanpur uprising in India, this new play “comically satirises contemporary conflicts around gender, colonial violence, and making art in times of crisis”. The award was collected by the production’s musician, Sodhi.

Shows by Sanjay Lago  (Love me Like a Chai Tea Latte [wearing the colourful shirt]) and Dance Ihayami, with their show Dansa Rickshaw, also won awards for Highly Commended performances (i.e. Runners Up). Sanjay is Scottish Indian while Dance Ihayami is “Scotland’s Indian dance company”. Like Sodhi, Sanjay is from Glasgow (“Ibrox, don’t judge me” he says).

Hahaha-Hamlet from Hong Kong, which played at the Paradise Green venue on George IV Bridge, won the award for Outstanding Show.

The award reviewers simply loved this “captivating reimagining of Shakespeare’s classic tale, blending original musical with dark humour [..and..] intertwining the struggles of contemporary Hongkongers with Hamlet’s timeless tale”.

Energetic, inventive and incredibly affecting with some reviewers moved to tears as the tales of Hamlet and Hong Kong coincided at the end. The whole cast were in attendance to receive the award [red and black t-shirts under their clothes] and they were delighted.

Mayuri Bhandari of the Anti “Yogi” took home the award for Outstanding Female while Jeremy Rafal won Outstanding Male for The Boy from Bantay “a heartwarming journey of growth and self-discovery”.

Mayuri was in attendance with her percussionist Neel Agrawal while Jeremy sent a video message to the audience. Both shows were hugely popular. At the Anti “Yogi” the audience were invited to “Join Mayuri Bhandari and Kali, the Goddess of Death every day as they navigate the absurdities of Western Yoga culture. Liberation, not Lululemon!” 

The Outstanding Youth Performance was won by the show “Landscape of the Other Shore” from Shenzhen University  which was also inspired by another European classic: Géricault’s painting and Georg Kaiser’s play The Raft of the Medusa.

The Asian Arts Special Award was shared between GENDAI TOKYO  and Up-cycle Music  by Creative Art of Korea. GENDAI TOKYO had a simply incredible laser show playing at WU Asia Pacific three times per night. Everyone who sees it simply loves it.

Up-cycle Music is a “response to climate change from a uniquely artistic perspective. They use waste to make music – cellos from abandoned equipment from rural areas, stringed instruments of thrown away plastic toys – and compose piano songs based on the characteristics of endangered animals, to ask vital questions about the climate crisis”.

Lyndsey Jackson from the Fringe presented the awards along with Richard Lewis and Chelsea Zhou of Asian Art Fund Scotland, the charity which runs the Asian Art Awards.

Winners – 2025 Asian Art Awards

Outstanding Show

Winner: Hahaha–Hamlet – Chai Wan Rabble (Hong Kong)

Highly Commended: 1Shoulder Pad: Galaxy Train, Japanese Musical Theatre (Japan)

Highly Commended: Practice of Zen – Theatre Ronin (Hong Kong)

Outstanding Production

Winner: Kanpur: 1857 – Niall Moorjani Storyteller and Pleasance (Scotland / India)

Highly Commended: 1457, The Boy at Rest – Poem and Star / Korean Season by GCC & AtoBiz (Korea)

Highly Commended: Relaxing and Balancing – Ying Yang – On/Off Theatre (Hong Kong)

Highly Commended: The Time Painter – ACC, ACCF, Haddangse / Korean Season by GCC and AtoBiz (Korea)

Outstanding Male Performer

Winner: Jeremy Rafal, The Boy from Bantay (Philippines / USA)

Highly Commended: Zheng Xiaofan Dance Theatre, PERSONALLERY 4.0 (China)

Highly Commended: Kumar Muniandy – Second Class Queer (Malaysia / UK / Germany)

Highly Commended: Eden Choi – Proust Effect (Korea) [1]

Highly Commended: Sanjay Lago – Love me Like a Chai Tea Latte (Scotland / India)

Outstanding Female Performer

Winner: Mayuri Bhandari – The Anti “Yogi” (USA / India)

Highly Commended: Dansa Rickshaw – Dance Ihayami (Scotland / India)

Highly Commended: Elisabeth Gunawan and KISS WITNESS – Stampin’ in the Graveyard (UK / Indonesia)

Highly Commended: Afreena Islam-Wright – Lucky Tonight! (UK / Bangladesh)

Highly Commended: Chi-An Chen – Sole to Soul (Taiwan, China)

Outstanding Young Performer [Winner] 3

Winner: Shenzhen University School of Arts 201 Theatre Company – The Landscape of the Other Shore (China)

Highly Commended: Creative Group SSAK / Korean Season by GCC & AtoBiz – Dream Space (Korea)

Highly Commended: Jasmine Thien – I Dream in Colour (UK / China)

Asian Arts Special Award – Joint Award (two winners)

GENDAI TOKYO (Japan) and

Up-cycle Music, Creative Art (Korea)

Edinburgh Napier actors land Fringe award for boxing drama Cornermen

The four-strong cast have completed a knockout Edinburgh Festival theatre run

A group of Edinburgh Napier University acting students have claimed an industry award for an Edinburgh Festival Fringe show that packed a punch.

Starring Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack – and directed by Lecturer David Wotton from ENU’s School of Arts & Creative Industries –  Cornermen tells the story of a young boxer and the exploitation of his success.

Following a successful run at theSpace on the Mile throughout this month, the cast have been presented with the coveted ‘Bright Spark’ award by The Scottish Theatre Awards on the Fringe.

Awarded every year by the Scottish Arts Club, the prize recognises Scottish actors or theatre-makers just embarking on their career, with the winner selected by a panel of expert judges.

Put on by in-house company Authentically False Productions, Cornermen stood out from the crowd of theatre acts on show across the city during August, drawing praise for its assured performance.

Responding to their award win, Daniel, Liam, Arran and Ruairi said: “We are all absolutely thrilled to have won the ‘Bright Spark’ award at our first foray into the professional theatre world after our training at Edinburgh Napier University. 

“The hard work and dedication we put into Cornermen has paid off and we couldn’t be prouder to represent Edinburgh Napier and the Scottish theatre scene in this way. 

“Hopefully, this award will be a great kick start to our career. We’ll always remember this moment, this award and this training.”

Cornermen director David Wotton said: “It’s awards like this that highlight our department and the hard work we do to make sure our training actors thrive in such a competitive market. 

“This award marks a year of dedication by the cast of Cornermen, Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack, and our department. 

“Year upon year our course has exceptional National Student Survey results, and industry recognition like this shows that Edinburgh Napier University is a great place for an actor to train. 

“Directing these four talented actors has been so very rewarding. It’s great that the industry sees and appreciates the work and dedication shown by both our talented actors and staff alike.”

Cornermen was one of many theatre productions put on by ENU students during the Edinburgh Festivals, which draw to a close this week.

It also follows previous shows such as Everything Under the Sun in being recognised by the industry.

Summer Drama Camp at NEA

4th – 9th AUGUST 10am – 1pm

Curious about performing and creating a small show this summer? Join our Drama Summer Camp at NEA!

Whether you’re a budding actor, curious about the stage, or just want to try something new, this is a fun, supportive space to explore drama. We’ll play games, try improvisation and stagecraft, and work together to create a brand-new piece of theatre to share with family and friends.

No experience needed — just bring your imagination!

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 Monday 4 to Friday 8 August

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 10am–1pm (Friday starts at 10.30am, with a sharing at 12noon)

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 For local young people (ages 7–14) living in Muirhouse, Pilton, Drylaw & Telford

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 FREE – book your place for a whole week or just a few days: https://bookwhen.com/blythwoodtheatre

NEA Drama Summer Camp will be led by Marilyn Blyth Wilson who is a performer, director and acting teacher. She works with various theatre companies and runs her own company Blythwood Theatre, focusing on collaboration with young people to bring new writing and performances that focus on what matters to them.

Marilyn will be with us at NEA as part of EPAD’s Supported Residency programme, which aims to support the creation of new work and to build connections between Edinburgh-based performing arts creatives and venues across the city