Union Theatre presents Pride and Prejudice by Kate Hamilladapted from the novel by Jane Austen
Tue 17 – Sat 28 November 2026Norton Park, Edinburgh
Union Theatre Company concludes its inaugural season with Pride and Prejudice by Kate Hamill, adapted from the novel by Jane Austen. The joyful, big-hearted adaptation will enjoy a two week run at Norton Park, selected dates Tuesday 17 – Saturday 28 November 2026.
Early 19th century. Regency England. The Bennet family live on Longbourn estate in Hertfordshire. The estate must pass to a male heir, of which the Bennets have none. In order to save the family from destitution upon the death of Mr Bennet, at least one daughter must make an advantageous match.
Despite this grim outlook, the clever and outspoken second daughter, Lizzy, is determined to never marry. But her plans for independent spinsterhood are put to the test when the wealthy, mildly handsome, vaguely amusing and entirely irritating Mr. Darcy arrives in Hertfordshire with his best friend, Mr. Bingley.
Bold, surprising and boisterous, Kate Hamill’s Pride and Prejudice brings the satire and playfulness of Austen’s novel to the fore, creating a timely new take on a classic love story. Originally premiered at the Primary Stages and Hudson Valley Shakespeare Festival in New York in summer 2017, the play went on to critical acclaim and was selected by the Wall Street Journal and Huffington Post as one of the best theatre pieces of the year.
Kate Hamill is an actor/playwright, and one of the most produced playwrights in America for the last nine years (2017 – 2026). Hamill has adapted a number of Austen’s and other classic works, including Sense and Sensibility (2014), Little Women (2018), Dracula (a feminist revenge fantasy) (2020), and The Scarlet Letter (2024).
Her work has been produced in all 50 US states and internationally, including Australia, Canada, Indonesia, Ireland, Japan, Kenya, Norway and the UK.
Union Theatre’s production of Pride and Prejudice will be directed by Hannah Fitzpatrick, and performed for selected dates Tuesday 17 – Saturday 28 November at Norton Park in Edinburgh’s Leith neighbourhood.
For further information about Union Theatre Company, its production of Pride and Prejudice and to book tickets visit www.uniontheatre.co.uk.
Pride and Prejudice by Kate Hamill Adapted from the novel by Jane Austin
Collective Gala is a free family-friendly day of celebration with creative activities for all ages. Explore newly commissioned artworks and performance by Scottish artists, join behind-the-scenes tours, shop with local makers, and enjoy creative play sessions for children.
The day will culminate in a celebratory procession inspired by Gala traditions. Saturday, 5th of September, from 11 am to 4.30 pm. FREE ENTRY!
Following its Fringe First Award win last week, critically acclaimed one-man show ‘The Bridge’ will extend its Edinburgh Fringe run with a limited series of three additional performances from 28-30 August at 8pm.
Written and performed by Palestinian artist Alaa Shehada, who also secured the prestigious accolade last year for ‘The Horse of Jenin’, and produced by the Palestine Comedy Club, ‘The Bridge’tells the extraordinary story of the only route Palestinians in the West Bank have to the outside world.
It originally opened for a limited run at Assembly Roxy. Following its major award win and strong audience response, the production will now move to Assembly George Square Studios, Studio Two, for three additional performances.
The Fringe First Award recognises outstanding new work at the Edinburgh Festival Fringe. The additional performances give audiences another opportunity to catch one of this year’s award-winning productions before its Fringe run comes to an end.
The Palestinian Circus, a circus troupe who train and live in Gaza’s West Bank, are performing their show A Step and a Half at Underbelly Circus Hub on the Meadows throughout Edinburgh Fringe 2026.
On Saturday August 1st from 2pm staff and residents at Queens Manor care home in Barnton will be hosting an afternoon of exciting contemporary performances as part of the Edinburgh Fringe Cares Fest, now in its fifth year.
Taking to the stage at 3pm will be Lai Yee, an acrobat and contemporary street performer from Hong Kong who specialises in flow arts which include juggling, Cyr wheel and light dancing.
Then at 4pm, talented and versatile vocalist Anna Vanosi will showcase some of her broad repertoire working across jazz, contemporary and storytelling-led live performance. Her work ranges from intimate jazz sets to theatrical interpretations of songs, always focused on character, rhythm, and emotional connection.
Both performances promise to be a feast for the senses.
The performances are free of charge and open to the local community, the team at Queens Manor very much hope that friends and neighbours will come along to enjoy the event and some refreshments along with the residents and their loved ones.
General Manager, Margaret-Ann Davidson said, “The Fringe Cares Fest started right here in Queens Manor five years ago and it is wonderful to watch it grow from strength to strength every year, I think there are performances in 20 Edinburgh care homes this year.
“We hope that everyone will come and join us to enjoy the performances, it will be a fantastic event and everyone is welcome.”
Queens Manor care home is run by Barchester Healthcare, one of the UK’s largest care providers, which is committed to delivering personalised care across its care homes and hospitals. Queens Manor provides residential and residential dementia care for 60 residents from respite breaks to long term stays.
Gilded Balloon today announces the launch of its Show Support Fund, a new initiative designed to help artists overcome the growing financial barriers of bringing work to the Edinburgh Festival Fringe.
Delivered by Gilded Balloon Futures Ltd, the organisation’s registered charity, the fund marks a significant step in expanding Gilded Balloon’s long-standing commitment to artist development. Gilded Balloon Futures was originally established following the Cowgate fire and relaunched at the end of 2025 as part of Gilded Balloon’s 40th anniversary, with a renewed focus on supporting artists and sustaining the future of the Fringe.
At its core, the Show Support Fund will raise commercial, public and charitable donations to directly support artists in Gilded Balloon’s annual Fringe programme. With the cost of participating in the Fringe continuing to rise, the fund aims to ensure that more artists, particularly those with distinct voices and limited financial means, can bring their work to Edinburgh.
The fund is designed to be flexible and collaborative, allowing donors to support the kinds of artists and projects they are most passionate about, while Gilded Balloon identifies productions that would most benefit from additional backing. Funding may contribute to a wide range of artist’s needs, including marketing, rehearsal space, creative support, travel, accommodation and wellbeing.
Alongside the Show Support Fund, Gilded Balloon Futures will also support the So You Think You’re Funny? Artist Development Programme, helping to cover the costs of the competition and providing vital opportunities for emerging comedians. This includes financial assistance for travel and accommodation for selected performers, removing one of the biggest barriers to accessing the fringe.
In its inaugural year, the Show Support Fund has been kickstarted by a generous contribution from globally acclaimed comedian, writer and composer Tim Minchin alongside his wife Sarah Minchin, their donation will support five shows selected by Gilded Balloon Artistic Directors Karen Koren and Katy Koren, focusing on solo performers with bold voices and sharing personal stories across comedy and theatre.
Tim Minchin who first found major success at Gilded Balloon at the Edinburgh Fringe in 2005 has particular interest in supporting artists who have struggled with mental health issues who may require additional support to make the Fringe achievable with their work.
In 2026, a total of £10,000 has been raised for the Show Support Fund which will be split between five supported artists as follows:
These productions represent a mix of emerging and established voices, each facing unique challenges in bringing their work to the Fringe, from international travel costs to personal circumstances and the realities of early-career development.
Support from the fund will directly impact these artists’ ability to present their work, whether through financial relief, creative resources, or practical adjustments that make participation possible.
Karen and Katy Koren, Artistic Directors of the Gilded Balloonsaid: ““For over 40 years, Gilded Balloon has been a home for artists at every stage of their careers, from first-timers to global stars. But the reality now is that the financial barriers to getting to the Fringe are higher than ever.
“We are delighted to finally launch this fund which has been a long time coming and is about protecting what makes the Fringe special, taking risks on new voices and giving artists the chance to be seen – something we’ve always prioritised at Gilded Balloon. We want to work with supporters who believe in that mission and help us keep those doors open.
“Every year we meet extraordinary artists with urgent, exciting work who simply can’t afford to bring their work to the Fringe. The Show Support Fund and the So You Think You’re Funny? Artist Development programme – both delivered by Gilded Balloon Futures – allow us to raise funds for where it matters most.
“Whether that’s helping artists to cover travel or accommodation costs, giving artists proper time and space to develop their work, or supporting their wellbeing during what can be an incredibly intense month.
“It’s practical, targeted support that can genuinely change the trajectory of someone’s career and we are eternally grateful to our pal, Tim Minchin, for being the first to support the Show Support Fund.”
Tim Minchinsaid: “Late one night in March, 21 years ago, a furiously passionate woman with a strong Scottish accent called me up and demanded I go to the Gilded Balloon.
“I didn’t know what the fuck a Gilded Balloon was, and I was deeply cautious, because I’d spent ten years grafting away, and didn’t really believe in big breaks. But a big break is exactly what that phone call was.
“Karen Koren – and now her daughter Katy – have remained loyal friends and passionate supporters for two decades, and it’s a huge privilege to be able to support them a bit as they head into their 41st Fringe.”
A CALL TO THE INDUSTRY
Gilded Balloon hopes that the Minchins’ contribution will inspire others, particularly alumni, industry partners and Fringe supporters, to invest in the next generation of performers.
As one of the Fringe’s longest-running venues, Gilded Balloon has played a pivotal role in launching the careers of countless comedians and theatre-makers. The Show Support Fund represents a new chapter in that legacy, ensuring that talent, not financial means, remains the driving force behind who gets to take part.
By contributing to the fund, supporters will play a direct role in shaping the future of the Fringe, enabling more artists to take risks, share their stories, and reach new audiences on one of the world’s most important cultural stages.
Getting Along with Gran is coming to North Edinburgh Arts!
This brilliant dark comedy from Citadel Arts Group is inspired by real stories and memories from the Royston Wardieburn community. Expect hard-hitting, funny and deeply human performance by a professional cast alongside local community performers and pupils from Granton Primary School.
Tuesday 16 June & Wednesday 17 June at 1.30pm
North Edinburgh Arts, 12C Macmillan Square, EH4 4AB
The Royal Ballet and Opera has announced an exciting programme of cinema screenings throughout the 2026/27 Season.
The two companies present a range of works across the Season. The Royal Ballet performs beloved favourites including Kenneth MacMillan’s Manon and Romeo and Juliet, and Liam Scarlett’s Swan Lake. Christopher Wheeldon’s Alice’s Adventures in Wonderland will be specially broadcast over the Easter period, an ideal ballet for all the family, and The Royal Ballet celebrate Christmas with Peter Wright’s enduring classic The Nutcracker.
The Royal Opera present a mixture of revivals and new works. There will be two new opera productions, including the final installment of Barrie Kosky’s acclaimed Ring cycle, Götterdämmerung.Associate Director of The Royal OperaNetia Jones makes her Main Stage debut with a new staging of Così fan tutte, screened live in February. Two celebrated productions will also return to cinemas: the first revival of Director of The Royal OperaOliver Mears’ Tosca, and a revival of Damiano Michieletto’s Carmen.
The UK cinema season also includes two new productions from The Metropolitan Opera, New York. In October, opera fans will be treated to a brand-new production of Macbeth from director Louisa Proske, who makes her debut with the company.
UK audiences will also be able to enjoy The Metropolitan Opera’s La Fanciulla del West in a new staging by British director Richard Jones.
Offering audiences a view from the best seat in the house, the RBO cinema Season shares the joy of live performance and the beauty of world-class ballet and opera with audiences in more than 1,500 cinemas and 50 countries around the world.
Cinema audiences can enjoy exclusive extra rehearsal and behind the scenes films during the intervals with specialist presenters offering an insight into the workings of the Royal Ballet and Opera.
Director of The Royal Opera, Oliver Mears said:“It is fantastic to be able to share our exhilarating productions with our cinema audiences and this season there is much to enjoy.
“Barrie Kosky’s Ring cycle continues to thrill and excite audiences, and I have no doubt that Götterdämmerung will complete the cycle with breathtaking wonder.
“Our Associate Director Netia Jones makes her Main Stage debut with a contemporary spin on Mozart’s Così fan tutte whilst enduring classics such as Tosca and Carmen also demonstrate why opera is the most captivating and visceral artform out there.”
Director of The Royal Ballet, Kevin O’Hare said:“Sharing The Royal Ballet’s live cinema relays with audiences across the globe is always incredibly special, and this Season we are delighted to bring you a wonderful selection of ballets to delight and entertain.
“Our magical productions of The Nutcracker and Alice’s Adventures in Wonderland will enchant families and audiences of all ages, while the dramatic tension of Kenneth MacMillan’s Romeo and Juliet contrasted with the pure classicism of Swan Lake make for a brilliant showcase of the artistry and virtuosity of our dancers. I very much look forward to sharing these special moments with you all.”
2026/27 Cinema Season
Macbeth | The Metropolitan Opera In cinemas: Tuesday 20 October 2026 UK only
With hair-raising drama and spectacular singing, two of opera’s most extraordinary artists star in Macbeth, Verdi’s thrilling take on the immortal Shakespearean tale of the scheming couple determined to seize power at any cost.
Following past triumphs in many of Verdi’s signature baritone roles, Quinn Kelsey is the Scottish king haunted by the ghosts of his murderous ascent to the throne, opposite Lise Davidsen—the world’s reigning dramatic soprano—as the power-mad Lady Macbeth, whose ruinous ambition damns them both.
Met Music Director Yannick Nézet-Séguin takes the podium for a penetrating production by Louisa Proske, a brilliant young director making waves around the world. Rounding out the all-star cast are tenor Freddie De Tommaso as the heroic Macduff and bass-baritone Ryan Speedo Green as Macbeth’s friend-turned-victim Banquo.
Manon | The Royal Ballet Live in cinemas: Tuesday 27 October 2026
In the seedy underbelly of 18th-century Paris, money is king. Nothing is sacred – even love itself can be bought for the right price. A native of this hedonistic underworld, Manon is caught between twin desires when she falls in love with the student Des Grieux. Steadfast and devoted, he offers the possibility of an honourable life. Yet, the riches promised by the world of Parisian society remain tempting…
In this signature work of The Royal Ballet, Kenneth MacMillan’s nuanced understanding of human psychology makes for an unflinching look into the moral degradation of Manon’s Paris, while all its decadence and decay are brought to life through Jules Massenet’s score and Nicholas Georgiadis’ designs.
Carmen | The Royal Opera Live in cinemas: Tuesday 10 November 2026
Damiano Michieletto’s searing production returns, casting scorching light on the lust, violence and destructive desire of Bizet’s ever-popular opera.
An all-star cast brings this white-hot drama to life, with Ginger Costa-Jackson in the fiery title role, alongside Russell Thomas as the jealous and despairing Don José.
The Nutcracker | The Royal Ballet In cinemas: Tuesday 1 December 2026
Nothing says Christmas quite like The Nutcracker, and this year, The Royal Ballet celebrates the festive season with Peter Wright’s beloved ballet. Since its premiere in 1984, this much-loved production has become a Christmas classic. With Tchaikovsky’s stunning score and Julia Trevelyan Oman’s sumptuous designs, this festive favourite is a treat for the whole family, bringing the spirit of the original fairy-tale to life.
La Fanciulla del West | The Metropolitan Opera In cinemas: Tuesday 26 January 2027 UK only
Puccini’s exhilarating drama of the Wild West returns in a new staging by celebrated British director Richard Jones, marking the company’s first new production of La Fanciulla del West in more than 30 years. Soprano Sondra Radvanovsky adds to her already remarkable Met repertoire, making her role debut as the larger-than-life Minnie, the tough tavern owner with a heart of gold who finds love when she least expects it. Tenor SeokJong Baek is the dashing bandit who rambles into the remote California mining town to steal her heart, opposite baritone Christopher Maltman as the lawman determined to deliver rough justice—and win Minnie for himself. Maestro Keri-Lynn Wilson takes the podium to conduct one of opera’s most action-packed adventures.
Götterdämmerung | The Royal Opera Live in cinemas: Wednesday 3 February 2027
For the long-awaited finale of Wagner’s epic saga, director Barrie Kosky situates the rich apocalyptic drama in a contemporary world of dream-like turmoil. Antonio Pappano, Conductor Laureate of The Royal Opera, returns to take on the impassioned, otherworldly music – including Siegfried’s transporting Funeral March and Brünnhilde’s electrifying Immolation Scene.
The brilliant cast is led by Elisabet Strid, Andreas Schager and Mika Kares, who together with the full forces of the Orchestra of the Royal Opera House and the Royal Opera Chorus bring opera’s greatest journey to its shattering end.
Così fan tutte | The Royal Opera Live in cinemas: Tuesday 23 February 2027
In her Main Stage debut, Netia Jones, Associate Director of The Royal Opera, reimagines Mozart’s comedy of manners through a sharp contemporary lens, where 18th-century romantic trickery meets deeply satirical high-tech deceit. Taking on the roles of the lovers is an exciting young cast led by Louise Alder, Simone McIntosh, Mingjie Lei and Huw Montague Rendall, with Gerald Finley as their manipulative game-master Don Alfonso and Emily Pogorelc as Despina. Thomas Hengelbrock conducts, bringing out the exquisite melodies that underpin the provocative, and resolutely modern, themes at the heart of the opera.
Alice’s Adventures in Wonderland | The Royal Ballet In cinemas: Tuesday 23 March 2027
Christopher Wheeldon’s Alice’s Adventures in Wonderland bursts onto the stage in an explosion of colour, stage magic and inventive, sophisticated choreography.
Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. The result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment and ingenious music and design.
Swan Lake | The Royal Ballet Live in cinemas: Thursday 22 April 2027
Princess Odette is bound by a curse, turned into a swan by the evil sorcerer Von Rothbart. The spell can only be broken by a pledge of eternal love. When she meets Prince Siegfried, he is immediately enamoured by her fragile beauty and pledges to free her. but freedom is not promised for Odette as Von Rothbart conspires to thwart the lovers’ plans.
Liam Scarlett’s production for The Royal Ballet brings together Tchaikovsky’s towering score and John Macfarlane’s picturesque designs to create an enduring ballet spectacle of love, treachery and forgiveness.
Tosca | The Royal Opera Live in cinemas: Wednesday 5 May 2027
Floria Tosca and Mario Cavaradossi live for each other and for their art. But when Cavaradossi helps an escaped prisoner, the lovers make a deadly enemy in the form of Baron Scarpia, Chief of Police.
Oliver Mears’ acclaimed production returns, setting Puccini’s operatic thriller in a contemporary, war-torn Rome. Daniel Oren conducts Aleksandra Kurzak, who returns to the title role, joined by Saimir Pirgu as Cavaradossi and Christopher Maltman as Baron Scarpia.
Romeo and Juliet | The Royal Ballet In cinemas: Tuesday 25 May 2027
Shakespeare’s great love story is brilliantly retold through this modern ballet classic. The fervent longing of the star-crossed lovers is perfectly captured by Kenneth MacMillan’s impassioned choreography.
The flourishing of young love is just as present in Romeo and Juliet’s meeting on the balcony as in their final moments when they desperately cling to life in the tomb.
In times of crisis, access to the arts is not a luxury — it is essential. It gives young people a voice, builds resilience and offers joy and connection when the future feels uncertain.
For over 18 years, Leith-based charity Strange Town has provided life-changing access to the arts for hundreds of young people across Edinburgh each year.
Through youth theatre groups, holiday programmes, film skills workshops, stage management experience, a Young Company and professional agency support, the organisation nurtures the next generation of Scotland’s creative talent — many of whom would not otherwise have access to these opportunities.
Strange Town is committed to creating meaningful professional pathways for early-career artists — opportunities that are increasingly rare in today’s funding landscape. All artists and practitioners are paid fairly and supported throughout.
The charity also extends its impact beyond Edinburgh, enabling local performers to progress to stages in London’s West End and onto the small screen and major streaming platforms.
This March, the charity shines a spotlight on its Young Company (18–25), returning to Summerhall following previous sell-out runs with a newly commissioned production:
Aphrodite Rogue
by Eleanor McMahon
Set in a near-future Edinburgh, Aphrodite Rogue follows four flatmates navigating heartbreak, climate dread and a flat that is quite literally falling apart. When one of them begins to suspect that something — or someone — is quietly sabotaging their lives, tensions rise in this sharp, timely comedy about love, uncertainty and the importance of trying again.
Tuesday 16 June & Wednesday 17 June at 1.30pm
North Edinburgh Arts, 12C Macmillan Square, EH4 4AB
Free tickets
