For the next 3 weeks we are inviting you along to attend our P7/S1 youth club on a Monday night at Royston Wardieburn Community Centre 5pm – 6:15pm.
Primary 6’s going into primary 7 can also attend our summer program (which launched last night)
Hope to see some new faces soon,
Gy xx
Families, visitors and supporters are invited to celebrate generations of memories as the Royal Zoological Society of Scotland (RZSS) Edinburgh Zoo opens the doors to its past this June. The rare archive material, much of it unseen for over 100 years, goes on public display during a special Memories Week from 13 – 21 June 2026.
The week-long celebration will shine a spotlight on the wildlife conservation charity and the generations of people who have grown up visiting Edinburgh Zoo, from first family days out and school trips to encountering some of its most loved animals.
Highlights include children’s letters addressed to “Mr Zoo Man”, photographs and memorabilia from community events such as a 1927 carnival, and early records from the Zoo’s opening on 22 July 1913, when visitors reportedly left with mud on their finest shoes due to ongoing construction.
The exhibition also reveals how founder Thomas Haining Gillespie described creating Edinburgh Zoo as “an obsession”, despite many believing Scotland’s climate made it impossible to house animals from around the world. Determined to create something different from the time, Gillespie championed a revolutionary “open-air zoo” concept, giving animals more natural spaces and room to retreat from public view.
The early meetings did not always run smoothly. At RZSS’s first annual meeting in July 1909, attendance was reportedly so low that organisers had to call in a passerby from the street to make up the numbers needed to pass motions. Despite this, the focus of these early gatherings remained the creation of a new zoological garden in Scotland.
David Field, CEO of RZSS said; “Edinburgh Zoo holds a special place in the hearts of so many people. Memories Week is a chance to celebrate those connections and the role the Zoo has played across generations.
“We want people to come along, reminisce, share their stories, bring in their keepsakes and be part of preserving this incredible history for the future.
“Some parts of the archive reflect a very different time and understanding of animal care and conservation than we have today.
“We would not attempt to defend everything from the past, but it is important to acknowledge how much has changed over more than a century and how those lessons have helped shape the conservation and welfare values we continue to build on today.”
SATURDAY 6 JUNE from 5 – 7.30pm
THE SCOTTISH ENGINEER, TELFORD ROAD
Our Amazing Parents have some great news!
Hiya!
Pig Race Fundraiser event is this Saturday!
There are very few tickets remaining at £2.50 per head. The event starts at 5pm and will last around 2.5 hours, hosted by The Scottish Engineer, Edinburgh .
Kids are welcome but need to be out by 8pm.
For those already coming, please ensure you bring change. Pig totes will be £2 so the more change you have the better!
Raffle tickets are available now and on the night with some amazing prizes (attach the square).
If you are unable to attend, can you support the night by buying some raffle tickets?!
ALL money raised is going towards the Summer Programme 
All funds can be sent to the following link;
https://www.justgiving.com/page/tracy-gaven-4…
Please leave your name and what you want (event tickets or raffle tickets) and drop Traci a message on 07961751617
Thank you in advance
Pig Race Fundraiser Team
An annual conference for the Games sector and a pilot matching film and TV producers with business angels are among new initiatives that will be supported as part of record Scottish Government investment in innovation, enterprise and entrepreneurship this year.
A total of 44 projects will share £1.75 million through the Scottish Government’s Ecosystem Fund to help entrepreneurs and businesses emerge and grow.
It brings together three existing funds – together with a new, community-focused initiative – creating a simpler application process and faster decision-making on successful projects.
Economy Secretary Stephen Flynn visited Edinburgh Food & Drink Academy, which has been awarded nearly £40,000 to deliver a series of events for business founders from the food & drink sector to pitch products to buyers and investors.
He said: “It is an economic imperative that Scotland’s business founders receive the right help to establish, grow and flourish – and the Scottish Government is committed to backing them at every stage of their business journey.
“Scottish Government support for our entrepreneurs has continued to evolve in response to direct feedback from business founders and owners.
“This latest round of funding delivers an even more tailored package of initiatives and programmes to ensure we are supporting existing and future business owners from across sectors, across the country, and across all walks of life.”
Executive Chair at Edinburgh Food & Drink Academy Lucinda Bruce-Gardyne said: “Securing this grant from the Scottish Government will allow us to further our goal of supporting Scotland’s food and drink entrepreneurs, connecting them with investors, producers and industry experts, and enabling collaboration across the industry.
“Our Cooking Up Growth programme will directly align to our mission to create, connect and elevate Scotland’s food and drink industry.
“Since our relaunch earlier this year, we’ve welcomed entrepreneurs, the business community and emerging culinary talent, working together to support a sustainable future for the industry. We look forward to launching Cooking Up Growth and continuing to shine a spotlight on Scotland’s larder while supporting Scotland’s entrepreneurial ecosystem.”
Full list of Ecosystem Fund recipients 2026-27.
EVOC: THIRD SECTOR CONNECTS
Third Sector Connects
Join us on Thursday 18 June (10am – 12noon) at the Edinburgh Futures Institute to connect, learn about the Third Sector Reference Group’s restructure and future priorities, and share your views.
Book here:
GRANTON WATERFRONT PHASE 1 – COMMUNITY DROP-IN EVENT
Local residents are invited to meet the Council’s Granton Waterfront project team and find out more about the construction works.
Developer Cruden will be available to answer questions, provide updates on the programme of works and discuss what the community can expect during the different stages of the development.
Monday 22 June 2026, 4 – 7pm at Granton Station
Today, Thursday 4 June, the Edinburgh Festival Fringe Society is delighted to launch the 2026 Edinburgh Festival Fringe programme.
This year’s programme celebrates the diverse range of creativity at the Fringe and includes work from 71 countries – reinforcing the Fringe’s place within the world’s cultural landscape, with performers hailing from around the globe.
The programme features 3,649 shows across 258 venues, making up 53,884 performances, with themes tackling some of the most topical issues being discussed in the world today. Prominent themes include artificial intelligence, cults, the manosphere, identity crisis, social class, Y2K nostalgia, the state of the world and resilience and hope.
Launching the 2026 Edinburgh Festival Fringe programme, Tony Lankester, Chief Executive of the Edinburgh Festival Fringe Society, said:‘Programme launch is an exciting moment for everyone involved in making the Festival Fringe happen. Thank you to the artists, venues, producers, technicians, promoters, support staff and audiences that bring their unique creative lens and exceptional energy to Edinburgh each August.
‘Within the number of productions registering this year, we’ve seen a notable increase in artist registrations from overseas. This tells us that, despite the economic and political headwinds the world is facing, the Fringe continues to be relevant and important to our artists, and taking part marks, for them, a significant moment and investment in their careers.
‘This year’s Fringe programme is packed with every kind of performance, so we’re asking audiences to mix it up and explore the unique, creative performances available at this Fringe.
“From theatre or circus, or the best of comedy, music, dance, children’s shows, magic or cabaret, there is something for everyone in Edinburgh this August.’
Key themes and sections:
New and interesting venues at Fringe 2026
Thanks to Fringe Society supporters and partners
In Cabaret and Varietyat theSpaceUK,Confirmation Sponsor Variety Hour presents ‘the best damn talent show ever’ that is ‘sponsored by God.’ Head to artSpace@St Marks for a Piano Recital of Dvořák’s Suite, with ‘much variety and richness.’show
In Dance and Physical Theatre, Korean Tightrope Walking explores the ‘edge of balance and freedom’ through the traditional theatrical form of jultagi at Meeting Point at the Meadows.
There are a range of new shows at the Scottish Storytelling Centre. In Children’s Shows, Romeo and Juliet for Bairns portrays ‘an immersive, theatrical, comical version of the love story of Romeo and Juliet’ just for children. Exhibition: Craigmillar Tapestry showcases ‘a community initiative to create a series of tapestry panels representing the rich history of Craigmillar.’ The Scottish Storytelling Centre also presents Spoken Word performances such as Traditional Tales, which explores ‘folk tales, fairie tales, myths and legends, stories which have been handed down to inspire and entertain across generations.’
In theatre,the Scottish Storytelling Centre’s Irrational explores the balance between mathematics and storytelling to ‘reflect on the role of mathematics in Western culture.’ In Marjolein Robertson: Shetland Folklore at Traverse, Robertson takes audiences ‘across the sea to the UK’s most northerly isles for an hour of immersive tales.’ Meanwhile, over at theSpaceUK, Until Hope Fades Away ‘follows Ali, a young man anxiously waiting at an old harbour for the return of his father.’
At Pleasance, Copycat features Fringe First winner Joe Sellman-Leava as he explores whether ‘AI spells the end of humanity, or a dawn of a new utopia?’ At Hoots, Australian freestyle comedian Stian Macshane challenges a custom-built AI controlled entirely by the audience to a fully improvised rap challenge in RapGPT: Macshane.
Head to Assembly for An Echo in the Void, ‘a darkly funny, emotionally charged chamber thriller’ about four strangers who must choose between a painful reality and a perfect world designed by AI.
At Just the Tonic, Improbotics Presents: Artificial Reality, letting ‘audiences become producers of a reality show… Because of budget cuts, “celebrities” are recreated using questionable artificial reality methods (deep fakes, video generation and AR glasses to send lines from a chatbot to control the “celebrity”).’
‘Can you create a new and exciting innovative business and still be ethical?… The Provocateurs: Ethical Innovators? / Satellites Destroy Privacy at The Stand Comedy Club explores if new ideas and technologies – including AI – can still be ethical and inclusive’. Over at Venue 13, ‘step into an intimate, immersive campfire where mythical forces of nature meet in the shadow of a changing world. Once again guided by AI database, Symbiolene, as she conjures figures from her past: The Green Man, Brigid and the Cailleach’ in AI Campfire (return).
At Laughing Horse, The Buddha Wears Prada is ‘a dark stand-up comedy hour about Sofia May’s experience as a former member of a Buddhist cult’s inner circle.’ All Religions Explained – The Cabaret Musical is ‘a piano-pounding cabaret musical celebrating faith and the human comedy of belief’ at PBH’s Free Fringe.
Taking place at Gilded Balloon, Brit Barron: CHURCH explores stand-up, storytelling and gospel music about Barron’s experience as a former megachurch pastor. Meanwhile, Prophets from Fringe First-winning writer Jack MacGregor is at Assembly,travelling to Saint John to research the ‘dangerous theology of the cult’ that has taken over.
At Laughing Horse, Eat Pray Cult is ‘ a stand-up comedy about getting divorced and joining a cult’ in a ‘seasonal, off-grid, techo-futurist protopia and decentralized intentional community’.
Sex, Drugs and Conscious Souls at PBH’s Free Fringe explores the unlikely love story built upon polyamorous throuples between a pastor and a prostitute. It focuses upon ‘healing from religious trauma and mental illness while exploring society’s stigmas around sex, drugs and new age consciousness.’
Audiences can also join Jonas and Sylas, who tell their experiences of escaping a cult in Oh My Jehovah! at Hoots.
At Pleasance, MAN!FEST: The Drag Boyband Musical is the ‘riotous drag musical that exposes toxic masculinity and its effect on boybands and fangirls.’
At Monkey Barrel Comedy, Finlay Christie: Champagne Casanova provides an hour of stand-up discussing ‘the myths constructed by incels, billionaires and even human people, that mean we don’t have to admit we’re ordinary, rejected or wrong. There’s also a strong section on air fryers.’ Alice Fraser: Oh Man! is alsoat Monkey Barrel Comedy, with some ‘stuff to say’ about masculinity, featuring ‘a sentient Roomba and some Ancient Greek philosophy’.
In Aideen McQueen: Wo-Manosphere at Gilded Balloon,McQueen ‘finally understands dating, boundaries, attachment and the male loneliness epidemic’ in a stand-up show exploring masculinity and female delusion.
Explore a single mother’s ‘real-world encounter with the Manosphere that stokes her rage’ in SLAYERS by Corinne Salisbury at Assembly.Also, No Hard Felix follows Felix as his ‘chaotic quest to “fix” himself spirals into an accidental journey into vulnerability and the scared parts of himself he’s spent a lifetime avoiding’ at Just The Tonic.
Over at Greenside, Shinjuku follows a woman’s unfinished business in a ‘darkly funny exploration of women’s choices in a man’s world.’
In Extraordinary Alien at Le Monde, a Jewish actress and mum new to New York must prove she’s exceptional in a stand-up about ‘ambition, impostor syndrome and never quite fitting in.’ In Why English?, an Indian woman ‘questions her life in the post-colonial era’ through physical theatre at Assembly.
At Greenside, Chloe Campbell Bites Back explores Campbell’s move from County Down to London and tackles her Irish/British identity. Also at Greenside,Abby tells the story of her ‘immaculate-conception-adjacent origin story’ featuring ‘gay divorce, coming out as straight, OCD, Jewishness and Germans who fetishise it, and career heartache’ in Most of My Moms Are Gay.
Former astrophysics researcher Rao explores being ‘a brown Australian navigating family expectations, creative work and burnout in a confusing world, whilst clinging to a sense of joy’ in How Now Brown Rao at Laughing Horse.
Tap Out! (Or I’ll Hit You Again) at Gilded Balloon is a ‘dramedy story about violence, masculinity and morality; an examination of identity, purpose and male loneliness.’ Lance Mao: The Pig with the Dragon Tattoo at Hoots offers ‘a dark confessional hour about racism, mental health, fear, and embracing your crazy’ as ‘a perpetual foreigner’
‘Expect class clashes, romantic disasters and the familiar feeling of trying to do the right thing, and rarely succeeding’ in Gareth Mutch Means Well at The Stand Comedy Club. Follow a portrayal of ambition, social mobility and culture shock featuring ‘pink shell suits, Playboy garms, and Britpop’s parting cries’ in comedy Giro Baby at Greenside.
Drag performance I AM JOHNNY explores the ‘fragile power dynamics, performative masculinity and ownership of the female body’ at Summerhall.
Irene Cleans Up tells the story of an unlikely partnership between a London cleaner and a successful competitive sommelier, exploring reinvention, friendship and the ‘courage to redefine yourself’ at Paradise Green.
haim. teeth. CLUB. explores the story of a ‘working class Scottish young woman at the centre of her own narrative – as a living, breathing, contradictory person’ at Underbelly.
At Pleasance, Emmeline Downie: Gail ‘gives a voice to the voiceless: vivacious middle-aged women from Milton Keynes’.
A&E at theSpaceUK ‘invites the audience to sit in the A&E waiting room and participate in humanity’s favourite activity: voyeurism’ while meeting hospital regulars.
At Pleasance,Cecily Hitchcock: Family Recipe dives into ’00s Britain where ‘Blair and Brown played in her child mind like a Greek tragedy’.
They’re Just Small Town (Northern) Lads at Summerhall explores boyhood, masculinity and the moments young boys must decide what kind of men they will become in a Northern UK working-class town in 2000.
At Underbelly, Saving Britney, inspired by the #FreeBritney movement, returns to the Fringe to explore how the princess of pop, Britney Spears, influenced millennials’ lives and led to ‘an unbelievable moment of self-discovery.’ Over at Laughing Horse,00s Throwback Party explores Noughties’ iconography of ‘Fad diets. Flip phones. MySpace. MSN.’ through a multimedia performance.
YUCK Circus: Naughties is celebrating a decade not to be forgotten, featuring ‘high-flying acrobatics, comedy and absolute bangers’ at Assembly. Based on the film, Brassed Off shows ‘the value of solidarity and friendship and the power of music’ at Inverleith St Serf’s Church Centre.
We Were Young is at theSpaceUK, telling ‘a powerful and hilarious story about the realities of gang culture and young team mentality in Glasgow during the 90s’.
In Broken Planet Show at Just the Tonic, ‘comedy, circus and indie cosmic lunacy collide in an ever-changing nightly riot of world-class weirdos, hellbent on healing our planetary divide.’ Also at Just the Tonic, Meka Mo uses New York as a lens to comedically explore the multicultural world in ‘an age of political chaos and cultural contradiction’ in New York City Dreams.
Lorraine Hoodless: Mean at PBH’s Free Fringe tells Hoodless’ account of ‘burnout, billionaires, consumer guilt, the myth of meritocracy, and the slow collapse of society.’ The Last Funny Womanat PBH’s Free Fringe features Kate, who thinks ‘it is time to burn [the world] down.’
Political comedian Matt Forde ’embarks on finding joy amid global political turmoil, the rising tide of populism and his own ongoing health challenges’ in Matt Forde: Project Holy Moly at Pleasance.
At Paradise Green, The Pod is a comedy play about grief, the state of the world and the importance of human connection, as Kaia and Adam move to a ‘doomsday bunker that might jettison into space when the world ends in eight minutes and 19 seconds’.
Will Adamsdale tell his robo-bromance about finally embracing his old enemy technology in Will Adamsdale: AI, AI, Oh… (Or How I Wrote a Hit Sitcom with ChatGPT But We’re Not Talking Now) at Underbelly.
Part of the Made in Scotland showcase, FLOWERCORE by Siobhan Wilson at The Gilded Saloon is a celebration of ‘preservation, belonging and resilience through music and immersive imagery featuring flower videography and flower art by Scottish artists’.
In his first show in 25 years, Bruce Devlin: Mummy Loves M&S at The Stand Comedy Club explores ‘the four Ds: death, dyslexia, divorce and Dundee’, as well as the need for resilience and the power of laughter in the face of life’s challenges.
At the Ukrainian Community Centre, the Solo Way Ukrainian Choir ‘connects audiences to the passion, resilience and joy of Ukrainian music.’ At the Scottish Storytelling Centre, The Dark Pool explores ‘disability and resilience in the face of trauma and societal expectations’.
Jessies at theSpaceUK ‘dives into the highs and lows of queer life’ between 1980 and 1995 for ‘three unforgettable drag queens.’ Also at theSpaceUK, A Forgotten Woman: Mrs Oscar Wilde explores Constance Lloyd’s life ‘told through letter excerpts written in her own hand’ which reveal her ‘wit to rival Oscar [Wilde’s]’.
At The Speakeasy at The Royal Scots Club, Alan Bennett’s Talking Heads, a ‘multi-generational company of Edinburgh-based women, perform four of Alan Bennett’s iconic Talking Heads monologues’ exploring loneliness, desperation and resilience through humour.
Gilded Balloon Teviotreopens for the Fringe after being closed for renovations since September 2023, featuring Brit Barron: CHURCH, Fab Goualin: Mixed Messages, Aideen McQueen: Wo-Manosphere and many more.
Sauna Theatre @ Summerhall is a working sauna and will feature shows such as Morning Sauna Rave, Mysteries of the Picts and Bubble Schmeisis (Remixed). Sauna Theatre will be a hub for relaxing and recharging, as well as experiencing choreography and storytelling through traditional sauna rituals.
Brown’s of Leith is hosting a ‘site-specific adaption of Andrew O’Hagan’s best-selling novel’ Mayflies, part of the Made in Scotland showcase, within Leith’s unique Victorian engineering works.
Pianodrome’s new, second location at St Oswaldsshares ‘the world’s first amphitheatre made entirely from disused pianos’ which will feature free shows, evening events and workshops such as Golden Beryl: Special Oblivion, Piano Dismantling Action and Vroni’s Streetpiano Party.
The Fringe Society is grateful to the many partners, supporters, funders and sponsors this year. They would like to thank Cheez-It, The Magnum Ice Cream Company, Edinburgh Gin, Baillie Gifford, Cirrus Logic, Apex Bars & Events, Binks Trust, Bloomberg Philanthropies, PPL, EventScotland, VisitScotland, and Young Start – The National Lottery Community Fund.
The Fringe Society would also like to thank the UK Government, Foyle Foundation, SP Energy Networks, and the Changing Places Toilets Scotland Fund for their support of Fringe Central. The Scottish Government and City of Edinburgh Council for strategic funding support, the Scottish Government’s Festivals EXPO Fund support for the Made in Scotland programme; and Screen Scotland for supporting Screen Fringe.
The Fringe Society works with accommodation partners who provide much needed affordable accommodation to artists – they would like to thank Queen Margaret University, the University of Edinburgh and Theatre Digs Booker.
Health in Mind are also returning in 2026 to support the delivery of mental health and wellbeing services within Fringe Central.
Edinburgh Festival Fringe in numbers
There are 935 Scottish shows.
This year’s Edinburgh Festival Fringe will run from 07 – 31 August 2026.
The Court of Session has issued a ruling which finds that the Scottish Ministers’ failure to comply with the compliance timescale set out in a December FOI Decision amounted to a contempt of court.
The Decision – Decision 281/2025 – concerned a request for communications and information relating to the James Hamilton Report and published legal advice.
In the Decision, the Commissioner found that the Scottish Government had not been entitled to withhold some of the requested information, and required disclosure. Compliance with the Decision was required by 15 January 2026.
Following a failure to comply, the Commissioner issued a warning letter on 16 January, requiring that the Scottish Government comply by 22 January or the matter would be referred to the Court of Session. When this deadline was not complied with, the Commissioner referred the matter to the Court.
Commenting on the case, Scottish Information Commissioner David Hamilton said: “I welcome today’s ruling from the Court of Session that the Scottish Ministers’ failure to comply with the timescales set out in my FOI decision amounted to a contempt of court.
“This was the first time in more than 20 years of FOI that a Commissioner has had to refer non-compliance with one of their decisions to the court. It was not a step taken lightly, and was all the more disappointing given that Scottish Ministers have a role in making the law and an assumed respect for the rule of law.
“Failing to comply with my decisions undermines the fundamental principles of FOI and damages the information rights of individuals. I trust that the Scottish Ministers will now reflect carefully on this ruling and review their broader legal approach to certain aspects of FOI compliance – and particularly those relating to the Hamilton Inquiry.
“If Scotland’s FOI rights are to remain robust, effective and valued, the timescales for both the provision of information and compliance with my rulings must be respected by every public authority.
“People make FOI requests when the information they seek is important to them, and any inappropriate delay is a direct denial of their rights. We must work to ensure that this does not happen again.”
One of the largest ever investments in the UK tourism sector has been agreed between the government and Comcast NBCUniversal to build an entertainment resort complex, the Universal United Kingdom Resort, in Bedfordshire that will employ thousands and entertain millions of people.
Featuring a world-class theme park and resort, the project will be developed by the company’s Universal Destinations & Experiences segment and is the brand’s first major destination in the UK and Europe.
Comcast NBCUniversal’s investment will also bring nearly 20,000 jobs during construction and a further 8,000 jobs when it opens in 2031. With immersive storytelling, thrilling attractions and hospitality, Universal expects the site to generate nearly £50 billion of economic benefit for the economy by 2055.
The government’s investment unlocks regional transport and infrastructure improvements that will maximise the benefits of the development and enable wider growth across the region. The theme park and resort is expected to attract millions of visitors each year including more than a million additional overseas visitors.
With enabling works on the site now in progress and construction soon to begin, today marks a significant milestone in Universal advancing this landmark project. Over 100 people in the UK have been employed to work on the project, with Universal receiving expressions of employment interest from over 33,000 individuals. Approximately 80% of employees at the theme park and resort are expected to come from Bedfordshire and the surrounding regions.
To mark this milestone, Chancellor Rachel Reeves and Culture Secretary Lisa Nandy hosted Brian Roberts, Chairman of Comcast Corporation, and Mark Woodbury, Chairman and CEO of Universal Destinations & Experiences, at 11 Downing Street to unveil the name and logo for the theme park and resort.
Additionally the Chancellor visited the site this morning (Wednesday) where she met with Mr Woodbury and other senior executives from Universal Destinations & Experiences, as well as many of Universal’s new hires already based in Bedford.
The government is committed to making the UK the best place in the world for investors. Universal choosing Bedford for its first European park is a testament to the strength of the UK’s visitor offering and creative industries, a demonstration that the UK is open for business and the modern Industrial Strategy in action. The package announced today is likely to be one of the most significant investments made in the United Kingdom during this parliament.
Separately, Universal and the government are also cooperating to maximise benefits to local colleges and universities. For example, Universal has committed to world-class training opportunities for the next generation of its workforce, including through a range of apprenticeships and internships. This aligns with the government’s ongoing work to unleash the potential of the Oxford-Cambridge Growth Corridor and lay the foundations for Bedford to become an innovation hub.
As part of its total £1.3 billion investment, the government will provide a grant of £400 million through the exceptional Regional Growth Fund and the Department for Culture, Media and Sport will provide a grant of £438 million to invest in new community infrastructure to maximise the benefits of the development and support growth across the region.
These grants will only be paid once Universal has completed the community infrastructure (in the case of the DCMS grant) and officially opened the theme park and resort.
The Department for Transport is also going ahead with plans to upgrade the strategic road and rail network, on the A421 and at Wixams station, which will provide wider resilience and improved connectivity within the region, at an expected cost of £474 million.
As one of the key investment commitments in the UK’s Modern Industrial Strategy (2025), this project directly supports the government’s plan to increase business investment in the creative industries from £17 billion to £31 billion by 2035, contributing to the broader UK growth mission.
The UK’s Creative Industries are a global engine of innovation and growth – generating £124 billion for our economy and supporting over 2.3 million jobs. As a cornerstone of our modern Industrial Strategy, this sector drives creativity, competitiveness, and opportunity.
Secretary of State for Culture, Media and Sport Lisa Nandy said: This unparalleled investment is a huge vote of confidence in the UK and puts rocket boosters under our entertainment industry.
“When it comes to creating world class experiences, the UK is second to none. We’re proud to be backing British industry, investing in local talent and partnering with powerhouses like Universal to create jobs, growth and opportunities across the UK.”
Chancellor of the Exchequer Rachel Reeves said: “This landmark investment in the heart of the Oxford to Cambridge Growth Corridor will unlock nearly £50 billion of economic growth and create tens of thousands of jobs across Bedfordshire in construction, hospitality, creative and technology sectors.
“Our own investment in transport and infrastructure means that local people will benefit — improving connectivity, backing our creative industries, and bringing millions of visitors to the UK from across the world.
“We have the right economic plan — working with global investors and local leaders so we can deliver jobs, opportunity and long‑term prosperity for Britain.”
Brian Roberts, Chairman of Comcast Corporation, said: “This historic partnership is a special moment for our company as we bring our first Universal theme park and resort to Europe.
“We have a long and proud history in the United Kingdom through Sky and NBCUniversal and look forward to creating a spectacular destination that supports the UK creative industries and brings joy to millions for generations to come.”
Mark Woodbury, Chairman and CEO of Universal Destinations & Experiences, said: “Today marks a significant milestone on our journey to bring Universal United Kingdom Resort, featuring immersive storytelling, thrilling attractions and unparalleled creativity and innovation to the UK.
“This new theme park and resort will create so many new opportunities for the people of Bedford and beyond and allow us to share our distinct experiences with guests from around the world.”
Business and Trade Secretary Peter Kyle said: “This landmark investment is a powerful vote of confidence in the UK’s economy and world-leading creative industries.
“Through our modern Industrial Strategy, we are backing high-growth sectors and partnering with leading global investors to drive long-term growth, create opportunities, and ensure the benefits are felt in communities across the UK.”
TODAY is #DiscoverYourLibrary Day!
Why not pop in and see what you might discover?
2026 is the National Year of Reading – #GoAllIn
