theSpaceUK has announced the first wave of shows on sale for the 2026 Edinburgh Festival Fringe, offering an early snapshot of a programme rooted in bold new writing, distinctive solo performance and genre-spanning cabaret and musicals.
Elsa Jean McTaggart marks 15 years of touring with #SHORN, a music-led theatre piece that combines original songs and spoken reflections, performed with long-time collaborator Gary Lister. Triple Lutz Productions’ Dear Michelle Kwan is a darkly comic coming-of-age story set inside a hyper-competitive figure skating rink, where teenage rituals, obsession, and girlhood collide.
Solo storytelling features prominently. In A Cat in a Box, Tom Nemec delivers an autobiographical play exploring love, trauma and recovery within a dysfunctional family, while Raising Cain Productions’ award-winning thriller The Night Ali Died reconstructs a single catastrophic evening through multiple perspectives.
Julie Flower returns following a five-star Fringe run with Grandma’s Shop, a multi-character solo show blending family history, subculture and community, set in a Sheffield second-hand clothes shop in the late 1980s.
Dark ensemble work is represented by Minotaur Theatre Company’s And The Little One Said, a late-90s-set black comedy in which a summer holiday unravels into violence and moral collapse. Political satire arrives in January 6th The Musical, where two aspiring performers attempt to sing and dance their way out of alleged involvement in the US Capitol insurrection.
From Italy, Action Theatre presents Democrazy, a physical-theatre, mask-led examination of populism and dictatorship, dedicated to Alexei Navalny.
The first on-sale announcement also includes cabaret and musical theatre. Canada’s The Cheesecake Burlesque Revue, winners of Best Large Group at the 2024 Burlesque Hall of Fame Awards, celebrate 20 years with a body-positive variety spectacular. Vocal trio The Sundaes return with Diva Las Vegas, a short-run cabaret celebrating iconic divas, while Thank You for the Muesli offers an ABBA-inspired musical comedy with pun-heavy exuberance.
Musical theatre highlights include Music & Murder By…, a darkly comic new musical set at a writers’ retreat that turns fatal, and Spraywatch: A Beautiful Rescue, an unauthorised 90s-inspired seaside musical comedy from Low Fat Productions.
I Made You a Mixtape by Response Theatre Company is a movement-led dance theatre piece set at a 1990s dorm party, using popular music to explore friendship, identity and memory, with each performance shaped live in response to sound.
Summerhall Arts announce first seven shows of Edinburgh Festival Fringe 2026 programme – now on sale – including premieres from acclaimed company Wonder Fools, in collaboration with Theatre SAN, and award-winning company YESYESNONO
Clockwise from top left: PUTTANA (Credit: Stefano Pradel), LANDSFRAU (Credit: Cornelius Reitmayr), Tether 인연 (Credit: Kaugain Jang), SAND
Acclaimed Glasgow-based theatre company Wonder Fools (Òran; Alright Sunshine) premieres Tether 인연, a vibrant Scottish-Korean collaboration with Theatre SAN
Award-winning London company YESYESNONO (We Were Promised Honey!; Nation) returns to Summerhall to premiere new storytelling show by Sam Ward
Leading Danish queer art company HIMHERANDIT (Mass Effect; Champions) brings new physical theatre show, GOOD ENOUGH?
Keith Alessi’s much-loved show, Tomatoes Tried to Kill Me but Banjos Saved My Life, returns for a fourth festival in a row after three sell-out runs
Acclaimed Devon-based company Kook Ensemble explores lives of people living with Dementia with non-verbal circus theatre show, SAND
Fringe debutant Beatrice Festi and TeatroE ETS premiere bold immersive solo performance with PUTTANA
Mariann Yar brings moving feminist perspective on Afghanistan and its diaspora with solo show, LANDSFRAU
Home of boundary-pushing performance at the Edinburgh Festival Fringe, arts charity and year-round cultural hub, Summerhall Arts has announced the first seven shows of its 2026 festival programme on sale NOW.
Following a hugely acclaimed and multi-award-winning inaugural festival programme last year, the first batch of shows in Summerhall Arts 2026 programme spans theatre, dance, circus, music and storytelling from artists and companies hailing from Scotland, Afghanistan, Denmark, England, Italy, and the United States.
Part ceilidh, part storytelling, and an all-round good night out; acclaimed Glasgow-based theatre company Wonder Fools (Òran; Alright Sunshine; The Kelton Hill Fair) premieres Tether 인연 – a bold new collaboration with South Korea’s Theatre SAN. Spanning sixty years and three generations, Tether 인연 weaves together folk songs, love letters and war stories – tracing the invisible threads that bind two nations together in a shared experience of music and memory.
Award-winning company YESYESNONO (We Were Promised Honey!; Nation) returns to Summerhall with a brand new prophetic storytelling show. Written and performed by Sam Ward, the show is a hallucinogenic journey through a world of anomalies – about holes appearing in the ground and about prices that go up and up. Sam urges audiences to continue trying to understand what’s going wrong in a world that refuses to be understood.
Award-winning Danish queer art company HIMHERANDIT (Mass Effect; Champions) returns to Summerhall with a brand new performance celebrating imperfection, queer joy, and the courage to find your tribe. GOOD ENOUGH? is a queer, quirky and boisterous physical theatre performance about reclaiming your story and having the courage to be loud, awkward and unapologetically yourself.
Fringe legend Keith Alessi returns to Edinburgh with his much-loved comedy-musical-storytelling show, Tomatoes Tried to Kill Me but Banjos Saved My Life, for a fourth festival in a row after back-to-back-to-back sell-out runs. Told with warmth, humour and banjo music, this highly awarded, internationally toured, and inspirational true story is about overcoming obstacles, pursuing passions and the healing power of the arts.
Through donations, including 100% of all artist fees, Keith has raised over $1.2m dollars as of December 2025 for various charities including cancer charities and arts organisations, and all proceeds from the 2026 run will contribute to Summerhall Arts.
Acclaimed Devon-based company Kook Ensemble brings SAND – a new non-verbal circus theatre show exploring the lives of people living with Dementia.
Set against Devon’s dramatic coast line, SAND combines exceptional acrobatics with meticulously crafted storytelling to create a profoundly moving and resonant theatrical experience.
Fringe debutant Beatrice Festi and TeatroE ETS bring a bold new immersive solo performance with PUTTANA. A work that questions the things society has normalised and the boundaries between body and commodity, PUTTANA sees a single actress give voice to five characters, through a uniquely delivered combination of music and words, to tell an uncomfortable and cruel story.
Afghan theatremaker Mariann Yar brings her solo show, LANDSFRAU, a story of a life shaped by war and distance.
Moving between 9/11 and 2021, Mariann dismantles images of Afghanistan and builds her own counter-archive through songs, dance and memories – exposing a feminist perspective on Afghanistan and its diaspora. LANDSFRAU is about attempting to let go of inherited guilt without taking on more, offering an intimate of diasporic life, marked by both deep fractures and undeniable privilege.
This is the first of three programme announcements ahead of this year’s Edinburgh Festival Fringe from 7th – 31st August. The remainder of Summerhall Arts’ festival programme will be announced on 31st March and 6th May.
Today, 12 March 2025,the first batch of shows that will be staged at the 2025 Edinburgh Festival Fringe have been announced, and over 556 shows will be available to view and book on edfringe.com from 12:00 today.
The 556 shows span many genres, including cabaret and variety; children’s shows; comedy; dance, physical theatre and circus; music; musicals and opera; spoken word; and theatre. The shows announced today will take place across 100 venues. More shows will be revealed in the run-up to August.
In a continuing trend, this year more Fringe artists than ever have chosen to make their show available at this early stage, giving them longer to promote their show, grow their audiences and capitalise on all the opportunities available when taking part.
It is the artists, companies and venues who come to the Fringe who take the risk in bringing work here every August. Fringe-makers all need help to mitigate these complexities, manage rising costs and make sure this August is the best it can be for residents, visitors and the thousands of arts industry and media that come to the city each Fringe for the world’s largest arts expo.
The Fringe Society continues to advocate and lobby for more support for the festival community – support such as affordable and available accommodation, to the continuation of the Keep it Fringe fund, and anyone in a position to support is encouraged to get in touch with the team.
With over 500 shows on sale from today, the Fringe Society also asks audiences from near and far to start booking tickets now, to take a chance on an emerging artist, to plan a visit to a venue you’re unfamiliar with, and to dive into the first batch of shows.
Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘It is always an exciting moment to see the first shows that will be performing at the Edinburgh Festival Fringe.
“The 2025 Edinburgh Fringe feels more real than ever and being able to browse the first batch of shows adds another level of excitement. It’s incredible to see the range and themes of work as well as the talent and creativity that artists are bringing to the festival this year.
‘More artists than ever have chosen to put their shows on sale at this early stage, allowing more time to plan their trip to Edinburgh this August.
“The cost of putting on a Fringe show can be a barrier to attending and the Fringe Society is working to support artists in any way that we can, whether that’s sourcing artist accommodation, keeping registration fees affordable, seeking out funding opportunities, or simply providing advice to any artist that needs it. Our Artist Services team is on hand to offer support, so please do reach out to the team.’
Below is a small representative sample of shows available to book from today.The full list of shows released today can be found at edfringe.com.
Cabaret and variety
In 1954: Ella, Etta, Eartha (The Jazz Bar) Melissa Western and her musicians pay tribute to Ella Fitzgerald, Etta James and Eartha Kitt and their ‘swinging jazz, powerful soul and cheeky kitsch’.
Returning this year is La Clique, being staged this year in The Famous Spiegeltent – which is returning to St Andrews Square, while Sexy Circus Sideshow 2.0 brings ‘alternative circus’ to ‘the dark arts of underground burlesque and cabaret’ at Assembly.
Alex Love: How to Win a Pub Quiz 2025 is ‘part stand-up, part actual pub quiz’ at The Stand Comedy Club.
At theSpaceUK, Dan Bastianelli: Identity is providing ‘a brand-new magic experience which uses sleight-of-hand, personal stories and honest deception’, while ‘rock’n’roll’s greatest magician’ Arron Jones is at PBH’s Free Fringe with #1 Greatest Hit Rock’n’Roll Magic Show.
Children’s shows
Join Baby Shark and the Mystery of the Sphinx (Gilded Balloon) at for ‘fin-tastic show packed with music, magic and mayhem’ or skip, clap and march together’ to traditional Scottish music at CeilidhKids at the Fringe (Laughing Horse).
‘Experience magical illustrations and amazing new music’ as you follow Milly’s Musical Adventure (Greenside). At School’s Out Comedy Club with Philip Simon (Le Monde),expect ‘children (and maybe even a few parents)’ to ‘take to the stage to share their favourite jokes’.
Among returning shows for children and their families are The Listies: Make Some Noise at Assembly and Doktor Kaboom: Under Pressure! at Pleasance.
Comedy
Dungeons & Dragons fans will want to join Tartan Tabletop: A Dungeons & Dragons Comedy (Gilded Balloon) for ‘improvised comedy at the roll of a dice’. At Laughing Horse, Chonk hosts a ‘body-positive buffet of comedians from across the Fringe’. Hasan Al-Habib, 2025 Keep it Fringe recipient, ‘was born to Iraqis that moved to Birmingham after deciding Baghdad wasn’t dangerous enough’ in Hasan Al-Habib: Death to West (Midlands) (Pleasance).
Join the ‘longest-running panelist from BBC Scotland’s Breaking the News’ Stuart Mitchell at Hoots or head to Planet Bar for Settle! for ‘a whirlwind of laughter, infectious tunes, and a good old-fashioned roasting’. At theSpaceUK, Chan Lok Tim ‘navigates life as a Hong Konger preparing to become a husband’ in Congratulations, Good for You – Cantonese Stand-Up Comedy.
At Scottish Comedy Festival, enjoy ‘dark, unfiltered and unapologetic takes on the topics most comedians are smart enough to avoid’ at Michael Shafar – Inappropriate. At The Royal Scots Club, Ian Wood relates anecdotes to show ‘being visually-impaired and a wheelchair user, one can get round most barriers in life’ in Living with Mitochondria Against All Odds.
Familiar faces at this year’s Fringe include Nish Kumar and Jason Byrne at Assembly, Andy Parsons, Chloe Petts, Deirdre O’Kane, Elf Lyons, Kiell Smith-Bynoe, Marjolein Robertson and Rhys Darby at Pleasance, Paul Sinha and Richard Herring at The Stand, and Geoff Norcott and Ali Woods at Underbelly.
Representing Scotland’s comedy scene, Susie McCabe is at Assembly, while Connor Burns, Craig Hill and Daniel Sloss are at Just the Tonic and Robert Grainger is at The Stand.
Dance, physical theatre and circus
At Greenside, Tales From Your Queer Elder ‘blends movement and spoken word’ while ‘creating a powerful testament to living authentically while encouraging others to follow their dreams’.
Australian circus company Gravity & Other Myths return to Assembly with Ten Thousand Hours, bringing ‘an ode to the countless hours of sweat and joy needed to achieve great things’.
Art of Andalucia brings a must-see flamenco spectacle to YOTEL Edinburgh, while at theSpaceUK, Sole to Soul ‘blends the physical language of traditional Chinese opera with the expressive symbolism of modern dance’.
Music
For an ‘evening of classics from the silver screen’, check out Tutti Orchestra: At the Movies at Canongate Kirk, or ‘experience the beauty of Italian and Neapolitan love songs’ at La Dolce Vita: A Celebration with Philip Contini(Valvona & Crolla).
MASSAOKE has two runs at Underbelly this year, 90s Live – ‘everything from rock to rave, girl power to grunge and Britpop to boybands’ – and Sing The Musicals – ‘Mamma Mia, Hamilton, Frozen, The Greatest Showman, Dirty Dancing, Les Mis, Jungle Book, We Will Rock You, Phantom, Mary Poppins and many more’.
Ali Affleck comes to the Fringe with five shows this year: she’s with her band The Vagabond Jacks playing Hot Roots Jazz, Highway Honky-Tonk, Rags and Blues at the Argyle Cellar Bar; paying tribute to Billie Holiday with Sophisticated Lady at The Jazz Bar; and revisiting both venues with Ali Affleck Presents: A Hot Time in the Old Town – Celebrating the Wild Trailblazers of Blues and Jazz; Ali Affleck and the Traveling Janes – Bringing Bold, Brassy Bedlam to Swing, Blues and Trad Folk/Roots Jazz; and Ali Affleck’s Queens of Swing.
Head over to Footstomping: Live Scottish Music (WHISKI Bar & Restaurant) for a ‘vibrant foot-stomping good time’ or listen to ‘up-and-coming young musicians’ at Marchmont Music (Marchmont St Giles Church).
Journey to Stolen Identity (Saint Stephen’s Theatre) explores ‘women’s rights through a blend of musical genres, starting with classical but evolving into jazz and rock’. At Edinburgh New Town Church,Andrii Kymach: Ukraine is a ‘new recital, Ukraine, specially devised for 2025’s Day of Ukraine Independence’.
There are a number of tribute acts across venues, including Billy Joel, Fleetwood Mac and Celine Dion at theSpaceUK, Abba at Greyfriars Hall at Virgin Hotels Edinburgh andJoni Mitchell at Le Monde.
Musicals and opera
Check out Charles ii: Living Libido Loca atPBH’s Free Fringe for a ‘raunchy adult historical comedy centered around the life and libido of Charles ii’ or head to Rock of Ages at Paradise Green for ‘powerhouse vocals, epic guitar solos, and all your favorite 80s rock anthems’.
How to Win Against History is a ‘tragi-gorgeous comedy musical’ and ‘a true story about expectations, masculinity, privilege and failure on an epic scale’ at Underbelly.
At Greenside, the prince breaks free of the fairytale to ‘sing his very own songs and complain about what his life could be’ in To Be a Prince. At theSpaceUK, ‘ancient Silk Road meets the present, and centuries-old murals come alive’ in Dunhuang.
Updated for 2025 with new songs, I Wish My Life Were Like a Musical the ‘musical comedy revue revealing all about musicals and the people who love them’ is back at Gilded Balloon.
If you fancy a ‘murder-mystery comedy musical’, head to The Detective’s Demise at Just the Tonic for ‘showstopping songs and devilish twists’.
Spoken word
At The Stand, ‘elected MP for Islington North, former Labour leader, and Peace and Justice project founder’ Jeremy Corbyn is in conversation.
For ‘an amusing take on life, with the added hint of truth’, check out What Are You Laughing At? at theSpaceUK, while ‘Peter gives a stirring and passionate account of his great-grandmother’s hard-fought campaign for the right to vote over 100 years ago’ in Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre.
Theatre
Shakespeare for Breakfast is back at C Venues, offering a ‘sensational Shakespearience, perfect for hardened fans and blank-verse virgins alike’ while former Chelsea FC trainee Alfie Cain delivers a ‘raw and powerful solo performance … exposing the brutal reality of football’s unforgiving system’ in Dropped at Easter Road Stadium.
Timestamp at Dovecot Studios is a ‘performance duet of sonic verse, dance, and audience experience that challenges the expectations imposed upon us in society.’ A Period of Faith follows Faith’s ‘battle against Premenstrual Dysphoric Disorder in a moving and thought-provoking way’ at Hill Street Theatre.
Brown Girls Do It Too: Mama Told Me Not to Come (Underbelly) explores ‘messy realities, fantasies, sexpectations and navigating life and relationships as British Asian women’.
Experience the beauty of Italian literature and the terror of looming deadlines at Valvona & Crolla with No Shakespeare. At theSpaceUK, The Boy from Bantay takes us on Jeremy’s ‘heartwarming journey of growth and self-discovery’.
Miriam Margolyes is back this August with Margolyes and Dickens: More Best Bits, bringing ‘more characters, more Dickens and more fascinating stories about the man behind the classics’ to Pleasance. More familiar favourites returning this year are Trainspotting Live atPleasanceand Xhloe and Natasha with three shows at theSpaceUK – A Letter to Lyndon B Johnson or God: Whoever Reads This First, And Then the Rodeo Burned Down and What If They Ate the Baby?
Head to Robot Vacuum Fight Club (Outhouse Bar) to ‘form a team, select a knockoff Roomba, customise it, then pit it against a dozen rivals in a series of knockout competitions’, or check out Tomatoes Tried to Kill Me but Banjos Saved My Life (Summerhall), an ‘inspirational true story … about overcoming obstacles, pursuing passions, and the healing power of the arts’.
Initial batch of shows available to book months in advance of August festival, giving artists a longer lead-in to promote their work
Today, Thursday 22 February 2024, the first batch of shows that will be staged at the 2024 Edinburgh Festival Fringe have been revealed. All shows will be available to view on edfringe.com from 12:00 today.
The 276 shows span many genres of the Fringe programme, including cabaret and variety; children’s shows; comedy; dance, physical theatre and circus; music; musicals and opera; spoken word; and theatre. They will take place across 31 venues, with more shows to be revealed in the run-up to August.
It’s Fringe artists themselves who choose which date their show listing will go live on edfringe.com. For many, the reason to go live at this early stage in the year is to have a broader window in which to finance the show, sell tickets and promote their work.
This year, more than ever, the Fringe Society encourages audiences to start planning their Fringe experience as early as possible; to support the artists, venues, producers, promoters and all the participants of this world-renowned festival. It is a serious investment to put on a show at the Edinburgh Fringe and the only way that Fringe-makers can get a return is if audiences come out, see the shows and support the creatives who are the beating heart of this festival.
Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “It is always special to see the first batch of shows that will be performing at this year’s Edinburgh Festival Fringe.
“Those working across the Fringe have been preparing for this moment for months – laying the groundwork for artists to come to this year’s festival and the creative explosion that is August in Edinburgh. Being able to browse the first set of shows always adds an extra level of excitement.
“It’s a reminder that the 2024 Fringe is just around the corner, and it feels a lot more real for the whole Fringe community. I encourage audiences to support those performing at the Fringe this August by browsing shows and booking tickets as early as you can.
“It’s no secret that the cost of putting on a Fringe show can be a barrier to attending, and our role is in supporting artists in every way that we can, whether that’s keeping registration fees affordable, sourcing low-cost accommodation, seeking out direct routes to funding, or simply providing advice and information. Our Artist Services team is on hand to offer advice around every aspect of putting on a show, so please do reach out to us.”
Below is a small representative sample of shows available to book from today. The full list of shows released today can be found at edfringe.com.
Cabaret and variety
Cameron Young: The Scottish Magician (Gilded Balloon) offers ‘mind-bending illusions, captivating mind reading, and uproarious comedy’, while Ben Hart: HeX (Assembly) is a collection of Ben’s ‘most exciting material from the last decade alongside new ideas fresh from his laboratory, guaranteed to put a spell on you’.
Musicians Juliette Pochin and James Morgan promise ‘outlandish musical mashups (who knew Meatloaf worked with Mozart) and the entire history of Western music in just under four minutes’ in Music, Mayhem and a Mezzo at theSpaceUK. All-Stars Burlesque is a ‘celebration of bodies, tradition and inclusivity by award-winning, world-class artists and rising stars on the scene’ – it’s at Just the Tonic. At Laughing Horse, Stacey Clare and Gypsy Charms return with their adult Q&A session, Ask A Stripper: No Holes Barred.
Children’s shows
A Bee Story (Assembly) is ‘a uniquely Australian physical theatre show for children and families incorporating a kaleidoscope of circus, acrobatics, dance and live music’. Doktor Kaboom: Man of Science! returns to Pleasance with a combination of ‘astonishing live science experiments, stand-up comedy and lessons in empowerment’. The Amazing Bubble Man, Louis Pearl, is at Underbelly, ‘thrilling audiences… with the art, magic, science and fun of bubbles’.
All-New Crazy Puppet Magic Show at Frankenstein Pub promises ‘crazy puppets, lots of magic and audience participation – young kids and older ones alike will love it’. Fever Pitch Academy Showcase 2024 (theSpaceUK) is an Edinburgh Fringe debut, ‘featuring music from Charlie and the Chocolate Factory, SpongeBob, Legally Blonde, Grease and loads more’.
Comedy
Gilded Balloon hosts ‘the top three acts from the 2023 edition of So You Think You’re Funny?’ – Samira Banks, Christopher Donovan and Lizzie Norm – at their Best of So You Think You’re Funny? line-up show. ‘Transatlantic middle-aged Jewish atheist divorcee’ Leslie Gold brings A Chip Off the Gold Block (WIP) to Laughing Horse.
Canada’s Ajahnis Charley dies and ‘awakens at the gates of Gay Heaven’ where he faces ‘a mighty, flighty and unabashedly white-y God’ in Thots and Prayers (theSpaceUK). Kemah Bob brings their debut stand-up show, Miss Fortunate, to Pleasance. Character creation Frank Sanazi returns to the Fringe, once again ‘engaging in a spirited battle against the forces of political correctness’ in Frank Sanazi’s Mein Way (Le Monde).
At Greenside, Laura Rose will perform ‘an autobiographic comedic feast following stories from growing up on an Australian pineapple farm, misadventures abroad, Laura’s crazy family, and her forever loving husband’ in BUSHPIG. Polish-Cockney comedian Dickie Richards is at PBH’s Free Fringe with his show, Sexual Tyrannosaur 2024. Among the comedians representing Scotland at this year’s festival are Adele Birkmyre (Boteco de Brasil), Connor Burns (Just the Tonic), Jo Caulfield (The Stand Comedy Club), Kathleen Hughes (Gilded Balloon), Susie McCabe (Assembly) Raymond Mearns (Hootenannies) and Stuart Mitchell (Scottish Comedy Festival).
All of the above will be joined by some familiar famous faces at the Fringe: Jason Byrne, Jessie Cave, Rob Auton are at Assembly; Fern Brady is at the Edinburgh Playhouse; Jimeoin is at Just the Tonic; Catherine Bohart is at Monkey Barrel; Catherine Cohen, Chloe Petts and Rosie Jones are at Pleasance; and Geoff Norcott and Rhys Nicholson are at Underbelly.
Dance, physical theatre and circus
At theSpaceUK, ‘Hong Kong veteran community theatre company, Art Home, masquerade in masks and physical theatre to confuse the definitions of what is a human and who is a dog’ in Hound in the Light. Caller Ken Gourlay and his ceilidh band are hosting Ceilidhs (Scottish Dancing) at Royal College of Physicians, ‘an authentic Scottish experience in a historic building’. The Black Blues Brothers (Assembly) are returning to the Fringe ‘for the last time’, inviting audiences to join them for ‘the farewell season of this acrobatic celebration joining the energy of Africa with a R’n’B sound’.
Online, Displaced ‘explores contemporary challenges such as culture, place, race and imperialism’, while Odyssea ‘follows the epic journey of a curious sea traveller as she encounters flora and fauna in fantastical realms’ – both courtesy of C venues.
Music
At Novotel, Jazz at Lunchtime offers ‘jazz standards and melodic originals in a comfortable, intimate jazz club setting’ created by Ian Millar and Dominic Spencer. Memphis, Tennessee-born songwriter/singer/guitarist Andrea Carlson offers ‘a delicious evening of swing, jive, romance and occasional special guests’ at Andrea’s 21st-Century Speakeasy! (Argyle Cellar Bar). The Jazz Bar plays host to John Hunt Four O’Clock Afternoon Blues and Swing for his 12th year at the Fringe. Orchestra of Sound (Greenside) is ‘an electrifying one-man show seamlessly weaving unique inventive instruments, hundreds of sounds, and explosive original music into an unforgettable sonic and visual extravaganza’.
At St Giles’ Cathedral, South Australian cellist / songwriter William Jack performs ‘iconic songs (by AC/DC, Bob Dylan, Oasis and more) dismantled and reimagined for solo cello’ in This Old Cello Box. Marchmont St Giles Church is hosting Marchmont Music, a series of free afternoon concerts ‘from up-and-coming young musicians’. At Bannermans, Driven Serious play folk-rock from their new album Look On These Works, described by NARC Magazine as ‘an impressive experience’.
There are tributes to a host of popular artists across the Fringe, including (but not limited to) Johnny Cash, Neil Diamond, Elvis Presley and Roy Orbison (Frankenstein Pub); Lady Gaga, Adele and Joni Mitchell (Le Monde); Bruce Springsteen and the E Street Band, The Killers, Arctic Monkeys and Sam Fender (Liquid Room); plus Amy Winehouse, Celine Dion, Blondie, Dusty Springfield and many more at theSpaceUK.
‘Legendary 70s Tyneside folk-rock pioneers Lindisfarne present a classic five-piece line-up of long-time members fronted by founder-member Rod Clements’ at the Queen’s Hall. Edinburgh trio Curmudgeon play their Traditional Scottish Folk Music at artSpace@StMarks.
Musicals and opera
Created by Sarah Bishop, Somewhere (theSpaceUK) is ‘a brand-new fantasy musical with music and lyrics by internationally acclaimed indie-folk duo The Dunwells and other established Yorkshire singer-songwriters’. At Pleasance, Gwyneth Goes Skiing is ‘a story of love, betrayal and skiing – where you are the jury’.
Spoken word
‘The distilled 40-year career of an internationally renowned British Army doctor’ is ‘presented as a collection of original poems’ in Frontlines and Lifelines – An Army Doctor in Crisis and War (Forces @ The Fringe). Peter Barratt pays tribute to his great-grandmother in Alice Hawkins – Working-Class Suffragette at the Arthur Conan Doyle Centre.
Eileen Mahony performs a pair of thematically linked shows at Greenside, each musing on artefacts and memories from the past: Loft Clearance and Loft Luggage. Nikky Smedley, aka ‘LaaLaa (the yellow one)’, returns the theSpaceUk with Confessions of a Teletubby.
Online via C venues, Hiding Behind the Mask: Jesters, Jokers, and Clowns is ‘a rollercoaster through the joys and sorrows, comedies and tragedies of life’ with Professor Rosemary George.
Theatre
Written by Aksam Alyousef and performed by Amena Shehab, Hagar: War Mother (theSpaceUK) follows ‘one woman’s odyssey to escape Syria’s brutal war with her son, who should be having his first birthday party’. At Greenside, Purple Hat Theatre present A Time Traveller’s Life, ‘a Fringe show about the Fringe; a time-travelling odyssey through one woman’s joys, sorrows, triumphs and inability to learn from her mistakes’.
Sarah Cameron-West brings KAREN to Underbelly, ‘a powder keg of heartbreak and identity crisis which explodes in the ultimate office showdown’. ‘Familiar Chekhov themes of lost opportunity, failed love affairs, sibling rivalry and fear of a changing future are thrown into the blender with 21st-century characters and high comedy’ in Vanya and Sonia and Masha and Spike at St Ninian’s Hall.
At Assembly, Pali and Jay’s Ultimate Asian Wedding DJ Roadshow follows an ‘uncle and nephew DJing duo’ who ‘must successfully navigate their latest gig to save the company, their future aspirations, and ultimately, their relationship’. ‘Unstoppable 82-year-old Miriam Margolyes returns to the Fringe’ with Margolyes & Dickens: The Best Bits (Pleasance), ‘combining her infectious passion for Charles Dickens with her phenomenal versatility’.
Online, Theatre Ronin of Hong Kong ‘recreates folklore and contemporary emotional landscape’ in their Wuxia-themed production, Practice of Zen (C venues).
First shows announced – and they’re udderly brilliant!
Photographed by David P Scott for Underbelly. All rights reserved.
Underbelly has revealed the first 10 shows to go on sale for this year’s Edinburgh Festival Fringe. The stellar line-up includes the cream of the comedy and circus crop. Festival goers can purchase tickets via the Underbelly website – www.underbellyedinburgh.co.uk.
Underbelly at the Edinburgh Fringe runs from the 3 – 29 August 2022 across four sites: George Square, Circus Hub on the Meadows, Cowgate and Bristo Square.
McEwan Hall
With over 500 million views online, legendary comedy group Foil Arms and Hog will be back in the magnificent McEwan Hall this year to premiere their new show ‘Hogwash’. A mix of sketch comedy, audience participation and improvisation, get ready for some side splitting laughs!
McEwan Hall will also host Fringe-favourite comedian Jason Byrne with Jason Byrne: Unblocked. Join him live on stage as he unleashes what he does best – guaranteed, pure and utterly unfiltered joy and laughter.
Udderbelly George Square
The Amazing Bubble Man is back for a 14th year with another show of spellbinding bubble tricks to keep the whole family mesmerised. The Edinburgh Festival Fringe favourite will return to Udderbelly George Square with his family friendly show, exploring the breath-taking dynamic of bubbles.
Edinburgh Comedy Allstars returns to the purple cow with weekend comedy line-ups comprised of the biggest, brightest, and most hilarious comedians at the Fringe. Previous performers include a who’s who of comedy giants, from John Bishop, Phil Wang and Fern Brady to Joel Dommett – a sell-out show since 2017 and a must see!
The Cow will also play host to The WhatsOnStage Awards 2022 winnerRob Madge forBest Off-West End Production. Rob Madge: My Son’s A Queer (But What Can You Do), is the joyous autobiographical story of social-media sensation Rob, who brings to life their childhood rendition of a very memorable performance of a Disney parade. Hopefully, this time no one will mistake Aladdin for Ursula and by all means nobody dare to rain on it.
Circus Hub at The Meadows
Five-star Fringe favourite CIRCA returns to Underbelly’s Circus Hub with Circa: Humans 2.0 – the sequel to its internationally acclaimed and sold-out Fringe 2019 show. A symphony of acrobatics, sound and light, this next chapter of Humans is a tightly woven choreography of bodies pulsing with music. Intimate, primal, and deeply engaged with the challenge of being human.
Circus for all the family, Hotel Paradiso is the irresistibly colourful, loud, and fun show, from Guinness World Record Holders, Lost In Translation Circus. Heart-stopping aerials, stunning floor acrobatics, extraordinary juggling and theatrical storytelling combine to create this follow up to international hit The Hogwallops.
Bristo Square
Bristo Square will play host to Fringe World 2019 Best Comedy Show nominee Troy Hawke: Sigmund Troy’d! and Dave’s Funniest Jokes 2019 runner-up Richard Stott: Afterparty.
Underbelly Cowgate
Paul McCaffrey: We Go Again is a hilarious new stand-up show from the star of Live at the Apollo, Russell Howard’s Good News, Impractical Jokers UK and Stand Up Central.
Underbelly at the Edinburgh Fringe runs from the 3 – 29 August 2022 across 19 venues and 4 sites; George Square, Circus Hub, Cowgate and Bristo Square. Further exciting programme details will be revealed in the coming months.
Charlie Wood and Ed Bartlam, directors of Underbelly, said: “The Fringe is where Underbelly started 23 years ago and is the place, we call home. It’s been a challenging few years for everyone – we deserve to laugh, dance, sing and gaze in awe at some of the incredible acts we have lined up for 2022.
“We are incredibly excited at the prospect of Underbelly at the Edinburgh Festival Fringe being back with a bang this year!”
