In times of crisis, access to the arts is not a luxury — it is essential. It gives young people a voice, builds resilience and offers joy and connection when the future feels uncertain.
For over 18 years, Leith-based charity Strange Town has provided life-changing access to the arts for hundreds of young people across Edinburgh each year.
Through youth theatre groups, holiday programmes, film skills workshops, stage management experience, a Young Company and professional agency support, the organisation nurtures the next generation of Scotland’s creative talent — many of whom would not otherwise have access to these opportunities.
Strange Town is committed to creating meaningful professional pathways for early-career artists — opportunities that are increasingly rare in today’s funding landscape. All artists and practitioners are paid fairly and supported throughout.
The charity also extends its impact beyond Edinburgh, enabling local performers to progress to stages in London’s West End and onto the small screen and major streaming platforms.
This March, the charity shines a spotlight on its Young Company (18–25), returning to Summerhall following previous sell-out runs with a newly commissioned production:
Aphrodite Rogue
by Eleanor McMahon
Set in a near-future Edinburgh, Aphrodite Rogue follows four flatmates navigating heartbreak, climate dread and a flat that is quite literally falling apart. When one of them begins to suspect that something — or someone — is quietly sabotaging their lives, tensions rise in this sharp, timely comedy about love, uncertainty and the importance of trying again.
Strange Town’s December 2025 performances are the perfect way to celebrate the festive season. With seven shows across three days — Friday 12th to Sunday 14th December — at the Scottish Storytelling Centre on the Royal Mile, there’s something for everyone. Why not book a ticket and see for yourself?
In challenging times, access to creativity, connection and the arts is a necessity, not a luxury. Leith-based charity Strange Town works to ensure no young person misses out on the chance to get creative, offering free and subsidised opportunities to those who need them most.
Recently affected by the well-publicised funding cuts from the Edinburgh Integrated Joint Board (EIJB), Strange Town is working hard to sustain its vital support for young people.
Local people and businesses are encouraged to get involved — by buying a ticket to the show, joining ‘15 for 15’, Strange Town’s regular giving programme, or getting in touch to discuss other ways to help.
This support is crucial in securing the future of accessible arts opportunities, ensuring young people continue to benefit from high-quality creative experiences regardless of financial circumstance. Regular contributions also provide the stability needed during these uncertain times.
This December’s shows promise festive energy, fresh stories, lots of laughter and a brilliant showcase of young talent. Audiences can enjoy something new, feel festive, and know they are supporting a good cause — all at a family-friendly price.
Thank you to everyone who has donated already this year, it is much appreciated.
Leith-based charity Strange Town returns this October with their acclaimed play ‘HER’ a bold and urgent performance about consent, gender inequality, and the pressures young people face today.
Established in 2008 by Steve Small and Ruth Hollyman, Strange Town has spent 17 years creating life-changing arts experiences for young people across Edinburgh.
Long before the groundbreaking series Adolescence hit screens, Strange Town was already producing daring, original theatre in schools, giving pupils their first-ever experience of live performance while opening conversations about difficult topics such as knife crime, mental health, and social pressures.
HER, written by Jennifer Adam and directed by Steve Small, follows HIM and HER, childhood friends who have grown apart by the age of 17.
Loosely reconnecting at high school, they confront the challenges of teenage life, gender inequality, and the truth about consent. Through bold, honest storytelling, the play asks: how can you be the change you want to see in the world when it feels like the world is working against you?
‘This is such an important play — all parents, grandparents, and really anyone who wants to understand the challenges young people face today needs to see it, urgently. Our young people are navigating a world that many older people are completely unaware of and unprepared for.
‘Watching this performance helped me start conversations at home that I wouldn’t have known how to begin, and I am incredibly grateful for that.” — Audience Member
Open to audiences aged 14+, HER runs for two nights: Thursday 2nd and Friday 3rd October at 7pm at the Traverse Theatre, 10 Cambridge Street, Edinburgh EH1 2ED
Strange Town has been hit by the well publicised funding cuts imposed by the Edinburgh Integration Joint Board (EIJB), leaving the future of its Touring Company — which brings bold, original theatre into schools across the city — under threat.
The charity depends on fundraising to sustain accessible arts opportunities for young people who might otherwise miss out.
Local people and businesses who want to help protect this vital work are encouraged to donate online or get in touch to explore other ways of support.
Established in 2008, Leith-based charity Strange Town was set up to ensure that everyone, no matter their experience or their background, gets the opportunity to access life-changing activities in the arts.
Founded by local Directors Steve Small and Ruth Hollyman, the organisation has expanded across the last 15 years and now reaches 2,000 local young people every year through youth theatre classes, holiday programmes, a touring company and agency support for young actors helping to develop the careers of some of Scotland’s best-known local talent including Tallulah Greive and Lewis Gribben.
Across all the charity’s activities, Strange Town creates high quality work that is daring and entertaining, tackling subjects of importance to young people’s lives, such as consent, knife crime and climate change anxiety.
The organisation tours local schools with educational performances that spark discussion, debate and often provides local young people with their first experience of a theatrical performance.
This week the charity’s Young Company (18-25) returns to the Scottish Storytelling Centre after their sold out shows there last year. ‘The Dark Up Close’ by local writer Jack MacGregor has been specially commissioned for Strange Town’s Young Company.
Open to everyone age 12+ the play will run for two nights Wednesday 26th and Thursday 27th March.
‘Two teenagers digging graves, an island full of conscripts and puffins, the guns are silent on the eve of World War III.
‘These are scenes from a near future Britain, a country in crisis, with national service reinstated for all young people. The old world is dying, and the new world has been delayed indefinitely.’
Venue: The Scottish Storytelling Centre, 43-45 High Street, EH1 1SR
Arts activities enrich lives, but organisations such as Strange Town are seriously under-funded, and the future is uncertain. Strange Town relies on its fundraising activities to deliver fully accessible activities for local young people.
Funders include the Backstage Trust, the Garfield Weston Foundation, the Cordis Trust, Crerar Trust and others.
The charity also runs the 15for15 fundraising initiative where local people can donate monthly to support their life-changing work.
Established in 2008, Leith-based charity Strange Town uses theatre and the arts as a creative catalyst to nurture talent and increase access to opportunities for all children and young people, whatever their background or experience.
Founded by local Directors Steve Small and Ruth Hollyman, together they set up Strange Town with a mission to increase access to life-enriching experiences in the arts for everyone, offering accessible activities, a range of bursaries and financial assistance for young actors who are at an early stage in their careers but often find the financial outlays prohibitive to launching their careers.
The organisation has expanded across the last 15 years and now reaches over 2,000 local young people every year. Activities include youth theatre classes, holiday programmes, a touring company and agency support for young actors.
The charity has helped develop the careers of some of the Capital’s best-known local talent including Tallulah Greive and Lewis Gribben.
Strange Town proudly creates work of the highest quality that is both daring and entertaining, tackling subjects of importance to young people’s lives, such as consent, climate change anxiety and knife crime, vitally involving and commissioning emerging writers.
The charity will mark the finale of their fifteenth year with a special three-night run of their acclaimed play ‘HER’, written by award-winning playwright Jennifer Adam.
Initially touring secondary schools across the city, HER is an important play about the damaging effects of gender inequality, the truth about consent and asks; “how can you be the change you want to see in the world when you feel like the world is fighting against you?”
Steve Small, co-Founder of Strange Town, said: “We are so proud of the activities and support we have delivered across the last fifteen years.
“Edinburgh is well-known as an epicentre for creative talent and opportunity; we have just had one of the busiest ever Fringe festivals where our city comes alive with performance and celebration of the arts, yet for many young people living here all year round these opportunities just do not exist.
“Arts organisations are struggling to sustain their support. We are seriously under-funded in this country and without programmes like ours, young people, especially those from socio-economically deprived backgrounds would be unable to benefit from the life-enriching experiences of participating in youth theatre.
“When young people join Strange Town, they are given the opportunity to connect with others in-person, to have fun, build key life skills, grow in confidence and feel a sense of belonging. Many would never contemplate a career in the arts without our support.
“Our touring company productions are carefully created to engage to spark discussion and debate around difficult subject matter. We are delighted that we’ve been given the opportunity to revive ‘HER’ this October and encourage all local people, theatre-goers and those keen to learn more about us, to come to a show and help support our work across the next 15-years.”
Strange Town’s Touring Company will perform ‘HER’ at the Tech Cube in Summerhall for three-nights only Tues 8th – Thurs 10th October.
Open to everyone age 14+, ticket can be purchased on the Summerhall website. All proceeds go towards the charity’s vital work with young people living across Edinburgh.
120 young people from Edinburgh create multi-artform production
Strange Town, one of Scotland’s leading theatre companies for young people, is delighted to announce that their large scale multi-artform project – theatre, movement, spoken word, film, sound – ‘Generation Z: The Future is Unwritten’, will culminate in a live promenade performance and video installation event at Out of the Blue Drill Hall, Dalmeny Street on Friday 18 and Saturday 19 June.
Despite the challenges of Covid-19 restrictions throughout the five-month project, Strange Town’s most ambitious production to date has involved more than 120 of Edinburgh’s young people (aged 8 -18), with support from the company’s emerging playwrights (aged 18-25) and directors; and guided and mentored by industry professionals.
Using the stimulus, ‘Can Young People Change the World?’, ‘Generation Z: The Future is Unwritten’ has been created by, and will be performed by, members of the eight Strange Town Youth Theatre Groups from across the city.
The members of Strange Town Youth Theatre responded to the stimulus with work addressing a range of topics including isolation, technology, identity, generational division, Black Lives Matter, climate change, ideal society/world, protest, kindness, having your voice heard and Covid-19.
In order to maximise the opportunities audiences will have to experience the live performance and video installation, the 60-minute promenade event will be presented to 20 socially distanced audience members three times a night in three separate spaces.
The whole audience will come together to experience a live performance from just six actors before being split into two separate groups to watch film and listen to audio material.
Additionally, a site specific eight-minute video will be projected on a wall next to the St. Andrew, Ukrainian Catholic Church of Our Lady of Pochaev, on Dalmeny Street, which will include a specially choreographed movement piece. This will also be be a ticketed event for socially distanced audiences.
On 26 and 27 June there will be an opportunity to pay to view a film of the live event together with a variety of additional video, audio and written material developed by the groups.
The eight groups have met for weekly online digital drama workshops and face-to-face creative sessions, where possible, to explore the question and to create, write, film and record material. The groups have also worked together with members of the new Strange Town Young Writers Group who have both developed the work the groups have devised and written their own additional scenes.
As well as theatre, choreography and movement has played a big part in the project. 70 young people from the company got involved in a professionally choreographed movement piece, reflecting on the stimulus. This involved Zoom rehearsals and everybody recording their final performance on their mobile phones.
Rehearsals for the live performance are now underway with a drastically reduced number of actors working to strict guidelines, while video and sound design and editing is nearing completion
The Creative Scotland funding has also enabled Strange Town to employ a full technical team and additional production staff that include film editors, projection mappers, sound designers, a choreographer and production designer.
Steve Small, co-creative director of Strange Town and producer of ‘Generation Z: The Future is Unwritten’, said: “The Gen Z project is a testament to the hard work put in by everybody involved in the company.
“Despite the challenges and difficulties of the pandemic, watching the enthusiasm, skill and pride with which the production team has undertaken this task and having seen how the young people have adapted and risen to the challenge, as well as the range and quality of the work they’ve produced, it’s impossible not to feel massively encouraged. Despite the dark days of the lockdown restrictions, we hope better days are coming. People will always find a way to be creative.
“Thanks to the funding from Creative Scotland, Generation Z: The Future is Unwritten’s mix of indoor and outdoor and digital work means that everyone will be able to enjoy it wherever they are. We hope it will create some much-needed hope and enjoyment for 2021.”
