Curated and directed by Cora Bissett and Hannah Lavery
With visuals by Lucas Chi-Peng Kao
A one-night-only response to the times we are living through, presented by a host of leading Scottish artistic talent from the fields of theatre, music, poetry, comedy and dance.
On 1 May at Edinburgh Central Hall at 7pm.
Featuring Comedy:Sanjeev Kohli (Still Game) / Tia Rey; Music: Dala by Heir of the Cursed performed by Djana Gabrielle / Cora Bissett, Kathryn Joseph and Joan Clevillé & Kassichana Okene-Jameson of Scottish Dance Theatre/ Kitti / Loud and Proud Choir / Soapbox / Declan Welsh; Poetry: Shasta Hanif Ali / William Letford / Michael Mullen; Theatre & Dance; An artistic response to Talat Yaqoob’s International Women’s Day Speech (2026) – led by Janice Parker / Apphia Campbell / Reuben Joseph / Hannah Lavery / Uma Nada-Rajah / Sara Shaarawi / Dawn Sievewright performing It’s No a Weans Choice
Live band: Isaac Savage (keyboards/vocals) / Adam Scott (bass) / Djana Gabrielle (guitar/vocals) / Signy Jacobsdottir (drums and percussion) / MJ McCarthy (musical direction)
Two of Scotland’s leading artists and theatre-makers, Hannah Lavery and Cora Bissett, join forces to create an urgent multi‐form evening of theatre, music, poetry, comedy, film, dance and collaborative performance at Central Hall, Edinburgh, on 1 May.
Created as a rapid-response theatre project, in direct response to the turbulent social and political climate, they have curated and gathered together a constellation of Scottish artists for a one-night-only flare of short, urgent performances and interventions.
Through new work, unique collaborations and community voices, Mayday meets the “dark times” we are living through with wit, defiance, tenderness and imagination. This collective response honours the theatrical space as a place where audiences can think together, dream together and begin to imagine the futures we are still reaching for.
Co-curators/co-directors Hannah Lavery and Cora Bissett said: “Given the times we are living in—where division is being fuelled by dangerous and deliberately misinformed rhetoric— we feel deeply and personally connected to this Rapid Response Project.
“We are living through an age of fear: extreme racism and anti-migrant sentiment are being normalised, human rights attacked at every level, climate injustice accelerating, and ordinary people struggling to meet even basic needs.
“We’re thrilled to curate an event that will bring together bold, fierce, insightful and creatively galvanising voices from across Scotland – an urgent celebration of our shared humanity that challenges the rising tide of hate, calls upon solidarity, inspires change and imagines a more compassionate future.”
Highlights include:
Original short sharp plays from playwrights Apphia Campbell(The Official Version), Hannah Lavery (Patriotic Renewal), Uma Nada-Rajah (The Proposal) and Sara Shaarawi (Pandora’s Box)
Sanjeev Kohli delivers a short sketch on the cultural impact of his character Navid from Still Game
Live music from Declan Welsh, Soapbox and Djana Gabrielle, who honours Beldina Odenyo’s (Heir of the Cursed) Dala with a powerful, intimate performance that moves between vulnerability and defiance.
Cross-artform collaborations including Scottish Album of the Year (SAY) Award winner Kathryn Joseph’s powerful new collaboration with dancer Kassichana Okene-Jameson, visuals by Lucas Chi-Peng Kao, choreography by Joan Clevillé, and direction by Cora Bissett. Joseph’s haunting, fragile songs intertwine with movement in a visceral fusion of music and dance. Created in collaboration with Scottish Dance Theatre.
Collaborations between professional artists and community groups:
An Artistic Response to Talat Yaqoob’s International Women’s Day Speech, Edinburgh, March 2026 led by award-winning choreographer and dance maker Janice Parker.
Loud and Proud Choir
Dawn Sievewright (Wild Rose) performs No a Weans Choice, the defiant rallying cry from the Glasgow Girls stage show, composed by Cora Bissett
Reuben Joseph (Orphans – NTS, Hamilton the Musical) performs a new version of Robert Burns’ A Man’s a Man.
Listings information
Friday 1 May 2026, Central Halls, Edinburgh, 7pm (doors from 6.30pm)
Directed by Dominic Hill, Artistic Director of the Citizens Theatre, 1984 is a co-production between Citizens Theatre, Dundee Rep Theatre and The Royal Lyceum Edinburgh which previews in Glasgow from 29 August 2026 and receives its world premiere on 3 September 2026 before touring to Dundee, Aberdeen and Edinburgh.
The Citizens Theatre commissioned this new adaptation from writer Chris Hannan as part of its reopening programme. In recent times, 1984 has surged back up international bestseller lists, as readers return to Orwell’s stark warning about truth, power and control in today’s unsettling world politics.
Playwright Chris Hannan is one of Scotland’s leading writers. He has adapted major literary classics, including Crime and Punishment (for Citizens Theatre in 2013) and The Iliad.
This new stage adaptation of 1984 stays true to Orwell’s dystopian novel about a tightly controlled society built on surveillance, fear and the manipulation of truth – while exploring the love affair between Winston and Julia that catapults them into rebellion.
One of the defining novels of the 20th century, 1984’s Scottish connections are striking. Written largely on the Scottish island of Jura and completed while he was seriously ill in hospitals and sanatoria, George Orwell spent crucial periods in Scotland while finishing the book – including time at Hairmyres Hospital in East Kilbride as his health deteriorated.
The physical strain he was under, and the bleak post-war climate in which he was writing, echo through the novel’s stark and unsettling world.
Director,Dominic Hill said: “I am thrilled to be working once again with Chris Hannan. His version of Crime and Punishment for the Citz proved once again that he is one of Scotland’s finest playwrights but also has a great talent at making works of prose feel like immediate, living drama for the stage.
“His new adaptation of Orwell’s chilling classic is equally brilliant. We live in a world that is increasingly called ‘Orwellian’; Chris’s adaptation takes us back to the original story – an appeal for truth, love and moral courage within a system designed to crush. It is a classic story, told for our times, and I can’t wait for audiences across Scotland to experience it later this year.”
Opening in Glasgow in August 2026, it will mark one year since the Citz returned to its home in the Gorbals, following a major redevelopment of the building.
Further creative and cast credits to be announced.
On sale dates are as follows:
Citizens Theatre, Glasgow
Presale to Theatre Pass Members and Supporters on Wednesday 25 February
Public on sale on Wednesday 4 March
Dundee Rep Theatre, Dundee
Friends priority on sale on Wednesday 25 February Public on sale on Friday 27 February
Dundee Rep Theatre today launches its 2026 season, a celebration of community, world premieres, new voices, classics, and fresh work that invites audiences to connect with the life of the building and far beyond.
To introduce the season, we asked our community participants to make a special film at locations across Dundee, reflecting and solidifying the theatre’s place within the city and inviting audiences to join them in the year ahead.
The season takes flight with the much-anticipated brand-new musical production of The High Life, co-produced by Dundee Rep Theatre and National Theatre of Scotland in association with Aberdeen Performing Arts and Capital Theatres.
After a thirty-year delay in the departure lounge, the full original cast of Alan Cumming, Forbes Masson,Siobhan Redmond and Patrick Ryecart reunites for a landmark world premiere directed by Dundee Rep Theatre Artistic Director Andrew Panton. Co-written by Johnny McKnight, Alan Cumming, and Forbes Mason, the production opens in Dundee from 27 March to 4 April before touring Scotland and returns to the Rep 6 to 9 May.
April sees the return of our Rep Stripped Festival, Dundee Rep Theatre’s platform for fresh work, new voices and bold ideas – this time under the creative direction of Fraser Scott.
Built on the success of previous editions, which have included early stagings of No Love Songs and A History of Paper, the festival continues to celebrate creativity, innovation and the future of performance, offering audiences the chance to be the first to discover new work. Call-outs for submissions open in January 2026.
Willy Russell’s award-winning modern classic Educating Rita follows, in a funny, tender and life-affirming new production directed by award-winning director Debbie Hannan. This story of self-discovery, second chances and the power of learning brings together Rita, a spirited hairdresser hungry for change, and Frank, a disillusioned academic who has lost faith in his work and in himself.
First performed in 1980 and later adapted into the acclaimed film starring Julie Walters and Michael Caine, the piece has won multiple BAFTAs and received three Academy Award nominations. This fresh revival promises a heartfelt return to one of Britain’s most loved plays from 23 May to 13 June.
An exciting and original collaboration hits the stage next summer. Dundee Rep Theatre and Solar Bear, in collaboration with Aberdeen Performing Arts and the Traverse Theatre, present The Singer, written by Cora Bissett with Jamie Rea. With songs multi-award-winning KT Tunstall, featuring Deaf artist Jamie Rea and directed by Cora Bissett, The Singer is a thrilling new gig-theatre drama about Joe, a deaf artist who “sings” with his hands, and Andy, a washed-up musician hungry for a comeback. As their unlikely partnership ignites something extraordinary, ambition, betrayal and belonging collide in this powerful story of music, identity and the fight to be heard.
The Singer previews at Dundee Rep Theatre in late July, premieres at the Traverse Theatre during the Edinburgh Festival Fringe and plays the Citizens Theatre Studio in Glasgow and the Lemon Tree in Aberdeen before returning to Dundee in September.
Tony Roper’s much-loved Scottish classic The Steamie then returns for a nationwide tour in a new production from Rerr Terr Productions in association with Neil Laidlaw Productions and Dundee Rep Theatre.
From 27 August to 12 September, audiences are invited into a 1950s Glasgow washhouse on Hogmanay where hot water, lively chat, laughter and secrets accompany the final wash of the year.
One of the most anticipated productions of 2026, A History of Paper, by Oliver Emanuel and Gareth Williams (creators of The 306 Trilogy, National Theatre of Scotland),returns in a major new production starring Alan Cumming and Shirley Henderson.
This musical about unbounding joy, impossible grief and the small pieces of paper that shape a life first captivated audiences at the 2024 Edinburgh Fringe, where it won a Fringe First, the Music Theatre Review Best Musical Award and the CATS Award for Best Director for Dundee Rep Artistic Director Andrew Panton.
This new co-production with Pitlochry Festival Theatre brings back a work that moved audiences and critics alike. The production runs from 8 August to 12 September at Pitlochry Festival Theatre and from 16 to 19 September at Dundee Rep Theatre.
Following the success of The Glass Menagerie, Dundee Rep Theatre will once again collaborate with The Citizens Theatre, Glasgow, and Royal Lyceum Theatre, Edinburgh, with full details of the Autumn 2026 production to be announced early next year.
The season comes to a glittering finale with a magical new production of Dundee Rep Theatre’s 2018 Christmas hit The Snow Queen, created by Noisemaker, the partnership of award-winning writing duo Claire McKenzie and Scott Gilmour (Oor Wullie, Ceilidh, Scots)and directed by Emily Oulton. This snow-stopping musical celebrating friendship, courage, and festive spirit is set to delight audiences of all ages from November 28 to December 30.
Dundee Rep and Scottish Dance Theatre remain committed to making theatre and dance accessible to as many people as possible and are expanding our pricing to offer greater choice, flexibility and affordability in 2026.
New initiatives include £15 tickets for every Dundee Rep and Scottish Dance Theatre production and £5 preview tickets for under 30s, designed to welcome and inspire the next generation of theatre-goers, and focusing on the future of the arts here in Dundee and Scotland.
Alongside this, a new free ticket initiative will allocate tickets across the season to individuals and communities with limited access to the arts, ensuring they can experience live performance, feel at home in the building, allowing us to open our doors to even more people.
Scottish Dance Theatre celebrates its 40th anniversary in 2026, and the full programme will be announced on 20 January.
Complementing Dundee Rep and Scottish Dance Theatre’s own work, the venue will present a vibrant programme of visiting companies throughout Spring 2026.
These include ABBA Forever on 7 February, Macbeth from 19 to 21 February, BalletLORENT’s Snow White on 27 and 28 February and the musical satire SCOTS by Scott Gilmour and Claire McKenzie, directed by Jemima Levick,from 7 to 11 April. The Rep also welcomes What I am Here For on, an immersive multilingual collaboration from Vanishing Point and Teater Katapult, followed by family fun with There is a Monster in Your Show and many more.
This season also marks the arrival of Kath M Mainland CBE as Executive Director, bringing more than two decades of international cultural leadership to Dundee Rep and Scottish Dance Theatre.
Mainland joins the organisation after senior roles at Adelaide Festival, RISING Melbourne, Melbourne International Arts Festival and the Edinburgh Festival Fringe Society. Originally from Orkney, she returns to Scotland to help lead the organisation’s next chapter, marking an exciting moment for the organisation.
This new season is announced at a time when Dundee faces proposed cuts to arts funding, and Dundee Rep and Scottish Dance Theatre continue to demonstrate how essential its work is to the cultural, social and economic life of the city.
The Rep provides opportunities for Dundonians of all ages to experience connection, learning and belonging as well as contributing significantly to the well-being of communities across Dundee and playing a key role in Dundee’s tourism and global cultural identity.
As consultation begins, the organisation encourages residents to share their views and to champion the vital role that the Rep and other cultural organisations play in the life and future of their city.
Artistic Director Andrew Pantonsaid: “We are proud to be a creative home for our community and a national stage for new voices, major productions and collaborations.
“Our 2026 season celebrates Dundee, Scotland and beyond and celebrates the people who shape our work. The Rep plays a central role in the cultural life of this city while contributing greatly to the wider Scottish and international cultural landscape, and this programme is a testament to that reach and responsibility.
“As Dundee enters consultation on proposed arts cuts, we are reminded of the importance of protecting the creativity, opportunity and connection that cultural organisations provide.
“I hope audiences across Dundee and Scotland will continue to stand with us, take part in the consultation and help ensure a vibrant future for the arts.”
We are the lions, Mr Manager! is the story of the Grunwick Film Processing Factory Strike (1976–78) and the inspirational strike-leader Jayaben Desai, one of many newly arrived Gujarati women workers from East Africa.
“The story of Jayaben Desai… makes you laugh, feel and think… a powerful story, powerfully told.” – Clare Brennan, The Guardian
Leith-based charity Strange Town returns this October with their acclaimed play ‘HER’ a bold and urgent performance about consent, gender inequality, and the pressures young people face today.
Established in 2008 by Steve Small and Ruth Hollyman, Strange Town has spent 17 years creating life-changing arts experiences for young people across Edinburgh.
Long before the groundbreaking series Adolescence hit screens, Strange Town was already producing daring, original theatre in schools, giving pupils their first-ever experience of live performance while opening conversations about difficult topics such as knife crime, mental health, and social pressures.
HER, written by Jennifer Adam and directed by Steve Small, follows HIM and HER, childhood friends who have grown apart by the age of 17.
Loosely reconnecting at high school, they confront the challenges of teenage life, gender inequality, and the truth about consent. Through bold, honest storytelling, the play asks: how can you be the change you want to see in the world when it feels like the world is working against you?
‘This is such an important play — all parents, grandparents, and really anyone who wants to understand the challenges young people face today needs to see it, urgently. Our young people are navigating a world that many older people are completely unaware of and unprepared for.
‘Watching this performance helped me start conversations at home that I wouldn’t have known how to begin, and I am incredibly grateful for that.” — Audience Member
Open to audiences aged 14+, HER runs for two nights: Thursday 2nd and Friday 3rd October at 7pm at the Traverse Theatre, 10 Cambridge Street, Edinburgh EH1 2ED
Strange Town has been hit by the well publicised funding cuts imposed by the Edinburgh Integration Joint Board (EIJB), leaving the future of its Touring Company — which brings bold, original theatre into schools across the city — under threat.
The charity depends on fundraising to sustain accessible arts opportunities for young people who might otherwise miss out.
Local people and businesses who want to help protect this vital work are encouraged to donate online or get in touch to explore other ways of support.
Asian Art Awards – Award Ceremony at MOXY Fountainbridge
Members of the Scottish Indian community were prominent among the winners of the 2025 Asian Art Awards at the Edinburgh Fringe. The awards have been running since 2014 and exist to bring Asian artists together at the Fringe and reward the best of them.
90 shows participated in 2025, up significantly from 55 in 2024.
The highly acclaimed “Kanpur: 1857”, written and co-performed by Edinburgh-based Niall Moorjani and which showed at the Pleasance, won the award for Outstanding Production.
Set at the time of the Kanpur uprising in India, this new play “comically satirises contemporary conflicts around gender, colonial violence, and making art in times of crisis”. The award was collected by the production’s musician, Sodhi.
Shows by Sanjay Lago (Love me Like a Chai Tea Latte [wearing the colourful shirt]) and Dance Ihayami, with their show Dansa Rickshaw, also won awards for Highly Commended performances (i.e. Runners Up). Sanjay is Scottish Indian while Dance Ihayami is “Scotland’s Indian dance company”. Like Sodhi, Sanjay is from Glasgow (“Ibrox, don’t judge me” he says).
Hahaha-Hamlet from Hong Kong, which played at the Paradise Green venue on George IV Bridge, won the award for Outstanding Show.
The award reviewers simply loved this “captivating reimagining of Shakespeare’s classic tale, blending original musical with dark humour [..and..] intertwining the struggles of contemporary Hongkongers with Hamlet’s timeless tale”.
Energetic, inventive and incredibly affecting with some reviewers moved to tears as the tales of Hamlet and Hong Kong coincided at the end. The whole cast were in attendance to receive the award [red and black t-shirts under their clothes] and they were delighted.
Mayuri Bhandari of the Anti “Yogi” took home the award for Outstanding Female while Jeremy Rafal won Outstanding Male for The Boy from Bantay “a heartwarming journey of growth and self-discovery”.
Mayuri was in attendance with her percussionist Neel Agrawal while Jeremy sent a video message to the audience. Both shows were hugely popular. At the Anti “Yogi” the audience were invited to “Join Mayuri Bhandari and Kali, the Goddess of Death every day as they navigate the absurdities of Western Yoga culture. Liberation, not Lululemon!”
The Outstanding Youth Performance was won by the show “Landscape of the Other Shore” from Shenzhen University which was also inspired by another European classic: Géricault’s painting and Georg Kaiser’s play The Raft of the Medusa.
The Asian Arts Special Award was shared between GENDAI TOKYO and Up-cycle Music by Creative Art of Korea. GENDAI TOKYO had a simply incredible laser show playing at WU Asia Pacific three times per night. Everyone who sees it simply loves it.
Up-cycle Music is a “response to climate change from a uniquely artistic perspective. They use waste to make music – cellos from abandoned equipment from rural areas, stringed instruments of thrown away plastic toys – and compose piano songs based on the characteristics of endangered animals, to ask vital questions about the climate crisis”.
Lyndsey Jackson from the Fringe presented the awards along with Richard Lewis and Chelsea Zhou of Asian Art Fund Scotland, the charity which runs the Asian Art Awards.
Winners – 2025 Asian Art Awards
Outstanding Show
Winner: Hahaha–Hamlet – Chai Wan Rabble (Hong Kong)
Highly Commended: 1Shoulder Pad: Galaxy Train, Japanese Musical Theatre (Japan)
Highly Commended: Practice of Zen – Theatre Ronin (Hong Kong)
The four-strong cast have completed a knockout Edinburgh Festival theatre run
A group of Edinburgh Napier University acting students have claimed an industry award for an Edinburgh Festival Fringe show that packed a punch.
Starring Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack – and directed by Lecturer David Wotton from ENU’s School of Arts & Creative Industries – Cornermen tells the story of a young boxer and the exploitation of his success.
Following a successful run at theSpace on the Mile throughout this month, the cast have been presented with the coveted ‘Bright Spark’ award by The Scottish Theatre Awards on the Fringe.
Awarded every year by the Scottish Arts Club, the prize recognises Scottish actors or theatre-makers just embarking on their career, with the winner selected by a panel of expert judges.
Put on by in-house company Authentically False Productions, Cornermen stood out from the crowd of theatre acts on show across the city during August, drawing praise for its assured performance.
Responding to their award win, Daniel, Liam, Arran and Ruairi said: “We are all absolutely thrilled to have won the ‘Bright Spark’ award at our first foray into the professional theatre world after our training at Edinburgh Napier University.
“The hard work and dedication we put into Cornermen has paid off and we couldn’t be prouder to represent Edinburgh Napier and the Scottish theatre scene in this way.
“Hopefully, this award will be a great kick start to our career. We’ll always remember this moment, this award and this training.”
Cornermen director David Wotton said: “It’s awards like this that highlight our department and the hard work we do to make sure our training actors thrive in such a competitive market.
“This award marks a year of dedication by the cast of Cornermen, Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack, and our department.
“Year upon year our course has exceptional National Student Survey results, and industry recognition like this shows that Edinburgh Napier University is a great place for an actor to train.
“Directing these four talented actors has been so very rewarding. It’s great that the industry sees and appreciates the work and dedication shown by both our talented actors and staff alike.”
Cornermen was one of many theatre productions put on by ENU students during the Edinburgh Festivals, which draw to a close this week.
It also follows previous shows such as Everything Under the Sun in being recognised by the industry.
Curious about performing and creating a small show this summer? Join our Drama Summer Camp at NEA!
Whether you’re a budding actor, curious about the stage, or just want to try something new, this is a fun, supportive space to explore drama. We’ll play games, try improvisation and stagecraft, and work together to create a brand-new piece of theatre to share with family and friends.
No experience needed — just bring your imagination!
Monday 4 to Friday 8 August
10am–1pm (Friday starts at 10.30am, with a sharing at 12noon)
For local young people (ages 7–14) living in Muirhouse, Pilton, Drylaw & Telford
NEA Drama Summer Camp will be led by Marilyn Blyth Wilson who is a performer, director and acting teacher. She works with various theatre companies and runs her own company Blythwood Theatre, focusing on collaboration with young people to bring new writing and performances that focus on what matters to them.
Marilyn will be with us at NEA as part of EPAD’s Supported Residency programme, which aims to support the creation of new work and to build connections between Edinburgh-based performing arts creatives and venues across the city
“Come freely. Go freely. And leave some of the happiness you bring”
Fringe theatregoers this summer are being encouraged to take up Count Dracula’s sinister invitation and experience a production of Liz Lochhead’s take on the classic horror tale by the Edinburgh Makars.
This theatrical version of Dracula had its premiere at the Royal Lyceum Theatre in Edinburgh 40 years ago, but it’s unique approach to Bram Stoker’s timeless story of history’s most infamous vampire is still just as fresh and relevant today.
Bee Parkinson-Cameron, a Fife-based writer, performer and director, is making their Edinburgh Makars directorial debut and the talented cast consists of actors from across the city and the central belt.
Of their decision to direct Dracula at the Fringe, Bee said: “After the recent success of Robert Egger’s Nosferatu, it became clear to me that this was the opportunity and the moment to bring to life in one of the largest arts festivals in the world, the wonderful, engaging and dark adaptation of Dracula by Liz Lochead.
“Dracula was a deeply disturbing, unsettling and fantastical, thrillingly erotic tale when it was released, a testament to the skill of Bram Stoker to tap into the tensions and fears of the time period. My intention in this production is to bring forth this aspect, to return this quality of disturbance back to Dracula that can sometimes be neglected for the sake of parody (amusing though they may be).
“Vampires and the appreciation of vampire lore and vampires featuring in literature, film and television has coloured many of the years of my life. I have a deep and enduring passion for the articulation and exploration of the darker elements of human existence and the moments where we brush against the preternatural.”
The cast includes many actors whose names will be familiar to regular patrons of Edinburgh theatre, but the titular role is being brought to life by newcomer Sonido Kofi Sewornu, an 18-year-old student from Perth who is studying Fashion Design at Glasgow School of Art.
On being cast as one of the most famous names in literature, Kofi said: “I am terrified to play this role, but I couldn’t be more excited. I hope some of that terror translates onto the stage!”
Dracula is something of a departure from the kind of productions that the Edinburgh Makars have usually put on at the Fringe, but President John Scott Moncrieff and the rest of the club’s committee were convinced by Bee Parkinson-Cameron’s obvious enthusiasm for the project.
Edinburgh has long had an association with the gothic, and retelling Liz Lochhead’s version in the city 40 years after its debut was too exciting an opportunity to resist.
Whether you’re a die-hard vampire aficionado, a lover of all things gothic or just have an appreciation for classic literature, this production guarantees an exciting and chilling evening at the Fringe.
Director Bee added: “I hope that you will enjoy the invitation we extend to you to join us in this exploration of the insidious nature of gothic horror and of Dracula himself, a titan of vampire lore whose shadows are still creeping over and caressing our souls and our fears.”
The Edinburgh Makars’ production of Dracula by Liz Lochhead will be performed at the Royal Scots Club on Abercromby Place (Venue 241) from Monday 18th to Saturday 23rd August at 7:30pm each evening. Tickets are £15 or £12 for students and can be purchased in advance from the Edinburgh Makars or Fringe websites.
CAST:
Sonido Kofi Sewornu as Dracula
Craig Gell as Jonathan Harker
Phillipa Roy as Mina Westerman
Bunny Steven as Lucy Westerman and vampire bride
Chris Eyett as Van Helsing
Emma Swift as Florrie and vampire bride
James Gray as Renfield
James Cameron as Arthur Seward
Liza Greenhalgh as Mrs Manners/Doctor Goodman/vampire bride
Carol Davidson as Nurse Grice
Georgia Smith as Nurse Nisbett
Ben Carey as Drinkwater
The Makars was founded in 1932 by Christine Orr, the well-known Scottish actress, broadcaster and playwright, with the intention of performing her own plays.
During the winter of 1933/34 the name “The Makars” was adopted, an old Scots word for the makers of poetry and drama.
The present club was formed in May 1996 by the amalgamation of two long standing Edinburgh drama clubs – The Makars and Davidson’s Mains Dramatic Club (DMDC). In 2002 the new club formally adopted the name The Edinburgh Makars.
Previous Fringe productions have included Amy’s View by David Hare, A Comedy of Tenors by Ken Ludwig, Barefoot in the Park by Neil Simon and the five-star production of Perfect Wedding by Robin Hawdon.
Today, Tuesday 03 June, the Edinburgh Festival Fringe Society is delighted to launch the 2025 Edinburgh Festival Fringe programme. The programme celebrates the diverse selection of work at the Fringe, with performers from across the world and work from 58 countries.
This year’s programme features work from 3,352 shows across 265 venues, with themes tackling some of the most topical issues in the world today.
From rebellious women to the paranormal; the apocalypse to nostalgia; queer joy to life with illness; rave and club culture to science and technology.
Edinburgh Fringe Programme Launch 2025
Launching the 2025 Fringe programme, Tony Lankester, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘Programme launch is such an exciting moment for everyone involved making the Fringe happen.
“Thank you to all the Fringe-makers – the artists, venues, workers, producers, technicians, promoters, support staff and audiences that bring their un-matched, exceptional energy to Edinburgh in August.
‘This year’s Fringe programme is filled with every kind of performance, so whether you’re excited for theatre or circus, or the best of comedy, music, dance, children’s shows, magic or cabaret; get ready to dare to discover this August.
“Jump right in, book your favourites, shows that intrigue you and take a chance on something new.’
At Traverse Theatre,Gary McNair’s ‘award-winning show’ A Gambler’s Guide to Dying returns ‘back home for a special run to mark its 10th anniversary’.
‘Four generations of Northern Irish women, reunited’ in Consumed (Traverse Theatre), ‘a tale of twisted family dynamics and national boundaries’.
‘Inspired by his involvement in the Egyptian revolution of 2011, and experience of the counter-revolution that followed, Khalid Abdalla brings together the personal and the political’ in Nowhere (Traverse Theatre).
At Scottish Storytelling Centre, join the Loud Poetsfor ‘fist-thumping, pint-drinking, side-tickling, heart-wrenching fusion of poetry and live music’ or ‘Scottish and Welsh traditional storytellers Ailsa Dixon and Ffion Phillips as they weave folk music, language and story across these isles and between worlds’ in Aderyn/Bird.
Also at Scottish Storytelling Centre, Cassandra ‘blends Greek myth, Scottish folklore and personal narrative to explore prophecy, protest and survival across time and space’.
At Summerhall, Amazons is a ‘gripping new solo show about the Amazon rainforest and the generations of women who have fought to protect it’.
‘From Parisian hysteria to the glowing Radium Girls’, Fragile Creatures at theSpaceUK ‘reveals gripping stories of women’s rebellion, resilience and their relentless fight for bodily autonomy and equality’.
In Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre, ‘Peter Barratt gives a stirring and passionate account of his great-grandmother’s hard-fought campaign for the vote’ while VOTE the Musical at Paradise Green takes a ‘gripping look at the Suffragette movement exploring imprisonment, activism and the fight for electoral freedom’.
Three resilient Scottish sex workers, dream of escaping the lives they’ve been trapped in, but the patriarchy stands in their way in Happy Ending Street at Leith Arches.
In Well Behaved Women at Gilded Balloon, in 1888 ‘three chaotic twentysomething women decide to host a séance’ and make ‘a bit of a mess of things.’
‘Get ready for a powerful performance’ at Women in Socks and Sandals at ZOO, ‘filled with quirky stunts, mental courage and celebration of the right to be oneself’.
With ‘history, sermons and singalong’, Church of the Clitori at Paradise Green aims to ‘satirise and crash-tackle anatomy, religious ads and female sexuality politics’.
At Braw Venues @ Grand Lodge, Fallen Angel by Liam Rudden tells the story of Angel, who’s been ‘tortured’ by angels for ‘500 years’, while ‘startling revelations about Edy Hurst’s relations have set him on vision quest to contact his ancestors’ in Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself at Assembly.
Do Zombies Dream of Undead Sheep? is a ‘one-man (and one puppet) musical journey through a zombie outbreak, combining live performance, puppetry and animation’ at ZOO.
‘Get to know Frankenstein’s Monster like you’ve never been able to before’ at Fatherless Monster (Paradise Green), ‘face to face with only a mic and some stage lights between you and him.’
0.1% Accurate: Magdalena the Fortune Teller Show ‘will predict the future, summon the spirits, answer your life questions and send you home smiling’ at Alchemist Cocktail Bar and Restaurant.
Listen to the tales of Haunted Edinburgh at Arthur Conan Doyle Centre ‘and discover a host of terrifying stories of hauntings from the city’s dark past’ or visit The Mother Superior to ‘unveil women’s role in shaping the history of alcohol, including sharing how some were framed as witches’ in Whisky & Witches.
A Haunted House at Assembly is a ‘hysterical, terrifying and surreal tale, about one hair-raising night in a haunted house’ ‘for those who like their laughs big and their scares spine-chilling!’
‘The world-renowned paranormal expert Baron Vordenburg and his helpers, Gothic and Grotesque, give away trade secrets and expertise on hunting the unknown’ in Baron Vordenburg’s Guide to the Paranormal at theSpaceUK.
‘A man commits the ultimate act of cowardice’ and ‘a woman’s spirit gains terrifying embodiment’ in ‘dark, twisted folk horror tale’ Tom Hiccup’s Well at Greenside.
At theSpaceUK, ‘apocalyptic anti-romcom’ Horny for the End of the World follows ‘Gen Z, try-hard, pick-me Ebeth gets dumped by the man of her dreams the day before everyone realizes the world is going to end’.
Apocalipsync is a ‘high-energy solo show blending physical theatre, mime, dance and lip-sync mastery’ ‘exploring themes of isolation, hyper-connectivity and human expression’ at Assembly.
Original musical The Real Housewives of the Zombie Apocalypse at Greenside asks if the ‘OGs of reality TV’ can ‘survive the hordes, and each other, and self-produce their way to the end?’ while 4’s a Crowd (Or What Not to Do When Stuck in a Bunker During the Apocalypse) at theSpaceUK ‘follows the idiots left behind after the world ends’.
Apocalypse Cabaret: Songs for the End of the World (Underbelly) is a ‘powerhouse Fringe debut packed with original songs, pop bangers, audience interaction, and existential musings’ following ‘a lonely karaoke jockey is the sole survivor at the end of the world and decides to go out singing.’
Scenes of Unfathomable Horror brings ‘absurd, twisted and entertaining take on modernity, celebrity and existential dread’ to Just the Tonic.
At Underbelly, A Small Town Northern Tale is a ‘Y2K coming-of-age story, charting life in a small Northern town as a mixed-race boy’ and WANTED tells the story of ‘two girls from opposite worlds’ ‘fated to meet on the 00s queer scene’.
At Club NVRLND (Assembly), ‘where the party goes on till morning’, ‘Wendy and Peter reunite for an unforgettable night of adventure, nostalgia and staying forever young, featuring the biggest 2000s anthems’
‘All set to the soundtrack of the 2000s’ Jake Donaldson Is The Fifth Weezer at Laughing Horse is set to be ‘packed with nostalgia, punchy jokes and stories about finding your place in the world’.
‘The perfect nostalgic show for pop fanatics and chart aficionados’, Margot and Martha’s Chart Show Mixtape at theSpaceUK will ‘take you on a journey from mixtapes to Spotify wrapped, celebrating pop music through what was in the charts on the 18th of August – the very week they’re performing at the Fringe’.
‘Party like it’s 1999’ at MASSAOKE: 90s Live (Underbelly) with ‘an epic 90s sing-along’.
‘Through everyday conversation, hilarious comedy, and music-hall style songs’ at The Steamie (Gilded Balloon) ‘we learn from four working-class women about their lives, husbands, technology and the approaching New Year in this time capsule of Glasgow in the 1950s’.
A ‘love letter to the queers, the weirdoes, the trailblazers, the fringes and the night-walkers’, Anatomy of a Night at Summerhall isan ‘exploration of personal identity through a reflection of memories from queer and club spaces’.
‘Queer, chic and outrageous’ – head to the Big Gay Afterparty at Just the Tonic for the ‘biggest, gayest party at the Fringe (fun straights allowed)’.
‘A queer love story but no one dies at the end? Welcome to the world of’ Blooming at Greenside.
Join a ‘plus-sized, 72-year-old lesbian’ sharing ‘intimate stories celebrating inclusivity’ at Tales From Your Queer Elder (Greenside).
At Carpet Muncher at the Scottish Storytelling Centre, ‘the contemporary folklore of the Mothman is brought to life, using vibrant surrealist costuming to explore themes of queer alienation, metamorphosis, cross-border solidarity and homoerotic hot-hub encounters’.
Follow a young trans girl as she navigates the hilarity of rural Argentina during the 1900s at Cecilia Gentili’s Red Ink at Underbelly.
‘Expect chaos, drag, stand-up, glitter, queer joy and an ever-changing line-up of LGBTQIA+ acts’ at Comedy Queers (Laughing Horse) or check out Midnight at the Palace (Gilded Balloon) for a ‘night of radical joy and glitter-encrusted anarchy’.
3 Kidneys No Colon at Braw Venues @ Grand Lodge is ‘the medical diaries (or rather… diarrheas) of Dave who suffers from chronic kidney disease, ulcerative colitis and has had multiple organ transplants’.
Learn about ‘narcolepsy from a true-life perspective’ at theSpaceUK, Fragments of Fatigue is a ‘coming-of-age story to transform your world and prove just how much fight is required to beat the fatigue’.
‘Artfully weaving between generational trauma and chronic illness’, Robyn Reynolds: What Doesn’t Kill You at Assembly will have you ‘roaring with laughter’.
In The Nature of Forgetting at Pleasance, ‘Tom is living with early onset dementia’ and ‘we meet him as he prepares for his 55th birthday party and past memories come flooding back’. At theSpaceUK, Ah-Ma is ‘a hauntingly beautiful new play, weaving together natural and social disasters, bodily deterioration and family sorrow’.
At Assembly, Ohio tells the story of ‘when Shaun turned his back on the church’ and ‘found a new home in music’ before he is ‘confronted now with acute degenerative hearing loss’.
Yvonne Hughes: Absolutely Riddled is ‘a fresh and bold dive into the reality of living with cystic fibrosis (CF) – a journey that’s as phlegmy as it is funny’ at Gilded Balloon.
At Summerhall,TheButterfly Who Flew Into The Rave is ‘the atmosphere and culture of a three-day rave condensed into an hour’ while PUMP ‘drops you in the middle of a nightclub dance floor in a desperate search for validation, intimacy and identity’.
Her Raving Mind is ‘a Greco-British rave tragicomedy unravelling the complex mind of an abuse survivor’ at Just the Tonic.
‘Loud, lawless, and laced with naughty bits’, Watch Me Die! is ‘rave theatre: performance, film, stand-up and pounding basslines, dragging Shakespeare into a civil war where star-crossed love and vengeance make their scene’ at theSpaceUK.
At Rave, Colin and Rosie ‘are battling through their own worlds of crisis using the music of the rave club to help, encourage and solve their problems’ at Braw Venues @ Grand Lodge.
Created by an AI researcher, AI: Save Our Souls at Greenside features ‘an immersive future world of AI, polystylistic music and a dynamic plot’ while at Paradise Green, Rise of the Solar Punks asks ‘what can we learn from ancient cultures regarding climate adaptation, and how can we fuse this with technology and AI?’
As part of the Made in Scotland showcase, MUO Live at the French Institute in Scotland is ‘a unique fusion of music, science and unseen cosmic forces.’
Head to Just the Tonic, Excel Comedy and Mathem-antics for a ‘themed stand-up show for spreadsheet experts and rookies alike’ or check out Sci-larious – Science Stand-up at Laughing Horse for ‘bi-lol-ogy or pharm-ha-cy’.
Mark Thompson’s Spectacular Science Show at Gilded Balloon is ‘science like you have never seen it before’ exploring ‘the magical properties of matter’.
At PBH’s Free Fringe, Freya McGhee: Experimental blends ‘science, comedy and dating into one unforgettable experiment’ investigating ‘the chemistry of attraction to the mechanics of mixed signals’.
Check out Hot Rubber (Gilded Balloon) to see ‘eight comedians pit their homemade remote-control cars against one another in the world’s smallest demolition derby’ or ‘form a team, select a knockoff Roomba, customise it, then pit it against a dozen rivals’ at Robot Vacuum Fight Club (Outhouse Bar).
Braw Venues @ Grand Lodge ‘on busy George Street’ is new with a number of shows this August, including well-known musicals Little Shop of Horrors, High School Musical and Footloose, as well as a range of theatre, cabaret and children’s shows.
Welcome to the Fringe, Palestine, ‘a mini-festival to celebrate Palestinian art and culture’, takes place in new venue Portobello Town Hall.
Citadel Youth Centre is ‘hosting two fundraisers for the Citadel’s valuable work with young people and families in Leith’ Storm in the Citadel and Punchline on Leith.
The Bowlers Rest in Leith is home to Beggared, ‘the story of a privileged white South African whose life collapses into homelessness’.
Easter Road Stadium joins the Fringe as a venue, hosting two shows: Dropped, in which ‘former Chelsea FC trainee Alfie Cain tells his moving story of dashed football dreams and explores the darkness and pressures young men go through trying to make it as professional footballers’ and Frankie Mack Showman – The Next Stage: The Leith San Siro ‘a high-energy, show-stopping night of swing, rock’n’roll and modern classics’.
All the way from Italy is Mirage Spiegeltent at Gyle Shopping Centre, hosting Spirit of the Favela, a ‘dynamic fusion of circus and theatre showcasing Rio de Janeiro’s vibrant culture and communities’.
Gilded Balloon have introduced a new space at Appleton Tower for twenty shows, including Frances Floats and Not My Grandmother’s Daughter.
Now in St. Andrew’s Square, The Famous Spiegeltent returns, offering theatre, cabaret, music and musicals, including La Clique – ‘the global phenomenon that redefined a genre, with its mélange of cabaret and circus’.
Josie Long: Now Is the Time of Monsters is ‘a new show about extinct, gigantic, charismatic megafauna from three-time Edinburgh Comedy Award nominee’ at Pleasance.
Gilded Balloon marks their fortieth anniversary with ‘a series of special in-conversations featuring comedy greats’ including Jenny Eclair and Michelle McManus.
Also at Gilded Balloon, Rosie O’Donnell: Here & Now ‘reflects on her life in the present, including why she moved to Ireland from the USA, and how that shift has shaped her future’ and Michelle Brasier: It’s a Shame We Won’t Be Friends Next Year is a ‘show for the theatre kids, the freaks, the queers; for anyone who’s spiralled about something they did years ago’.
Fringe favourite Nina Conti: Whose Face Is It Anyway? is back at Underbelly, with ‘an unparalleled, unscripted show that delves deep into who we are, hijacking faces to spark a bold, hysterical reality warp’.
‘Direct from a sell-out West End season’, Bill Bailey is at Edinburgh Playhouse with Thoughtifier while Miriam Margolyes brings ‘more characters, more Dickens and more fascinating stories about the man behind the classics’ to Pleasancewith Margolyes and Dickens: More Best Bits.
‘The talented comedian, writer and host of A24 late-night variety sketch show’ Ziwe brings Ziwe’s America to Pleasance.
At The Stand Comedy Club, ‘expect to hear the glorious mess of being a professional polymath – from medical school to quiz championships, comedy clubs to Parkinson’s advocacy’ at In Conversation with… Paul Sinha or ‘jokes, rants, politics, swearing and possible nudity’ at Mark Thomas: WD40.
At Monkey Barrel, there’s ‘new material from the Rose d’Or, Southbank Sky Arts and Edinburgh Comedy Award winner’ Bridget Christie. Also at Monkey Barrel, ‘the Taskmaster treasure, Live at the Apollo star and voice of Netflix’s Too Hot to Handle presents a new hour about our bodies corporeal and politic, and what remains through ascension and destruction’ with Desiree Burch: The Golden Wrath.
‘A love letter to people pleasers everywhere’, Laura Benanti: Nobody Cares at Underbelly is ‘a hilarious, heartfelt and sometimes brutally honest tribute to recovering ingenues, mothers and anybody working on themselves’.
‘Comedy veteran’ Karen Dunbar ‘returns to the Fringe for a limited run of her stand-up tour’ at Just the Tonic.
At Assembly, David O’Doherty: Highway to the David Zone has ‘has got the lot’ with ‘talking, songs, talking during songs, talking while walking around’.
There are 325 free shows and 529 Pay What You Can/Want shows in this year’s programme.
10,001 Ideas by Robyn Perkins at Laughing Horse offers a ‘uniquely different hour of critically acclaimed stand-up and storytelling’.
Huge Davies: Free Work in Progress is at PBH’s Free Fringe with ‘his wearable keyboard for a free hour-long work in progress’. Also at PBH’s Free Fringe, Escape the Rat Race is a ‘a must-see for anyone who has ever worked in an office’.
At Laughing Horse, Three Bad Sisters is a ‘cacophony of the best and darkest materials from these three female rising stars of Irish comedy: Aideen McQueen, Shinanne Higgins and Louise O’Toole’.
‘Imagine an Englishman, an Irishman and a Scotsman in the same bar as a therapist’ and you’ll imagine 5 Mugs, No Tea at Leith Depot. At the Mother Superior, you can ‘expect a fever-dream of love, loss, and existential dread’ at Crying at the Meat Raffle.
Disco Picnic at The Three Sisters is a ‘Fringe fiesta serves up a delicious mix of toe-tapping disco tunes’.
The Fringe Society are grateful to the many partners, supporters, funders and sponsors this year. In particular, they would like to thank the official Education Partner of the Fringe Anthropic, the official Beer of the Fringe Innis and Gunn, Cirrus Logic and Baillie Gifford.
They would like to thank the UK Government and the Department for Culture, Media and Sport for their Keep it Fringe Fund support, the Scottish Government and City of Edinburgh Council for strategic funding support, the Scottish Government’s Festivals EXPO Fund support for the Made in Scotland programme; and Screen Scotland for supporting Screen Fringe.
The Fringe Society would also like to thank accommodation partners who provide much needed affordable accommodation to artists – Queen Margaret University and the University of Edinburgh, Theatre Digs Booker. Health in Mind are also returning in 2025 to support the delivery of mental health and wellbeing services within Fringe Central, which is once again kindly delivered in partnership with Grassmarket Community Project.
Saturday 11 October, 7.30pm
Creative Captioning
Tickets: £7 – £14
Discounted tickets available for NEA Members
Book your tickets now: 
