Major new Scottish play The Ferry announced for world premiere and 2027 tour

  • Written by Linda McLean, inspired by an original idea by Paul Rattray, and directed by Jemima Levick, The Ferry explores county lines exploitation and its damaging impact on communities across Scotland
  • Co-produced by Dundee Rep Theatre, Tron Theatre, Traverse Theatre and ETT, the production opens in Dundee in February 2027 before touring to Glasgow and Edinburgh 

Dundee Rep Theatre, Tron Theatre, Traverse Theatre and ETT today announce the world premiere of The Ferry, a powerful new play by acclaimed Scottish playwright Linda McLean (The Long Drop, Citizens Theatre), inspired by an original idea by Paul Rattray, and directed by Tron Theatre Artistic Director Jemima Levick (Stand & Deliver: The Lee Jeans Sit In, Tron Theatre and National Theatre of Scotland).

Opening at Dundee Rep Theatre in February 2027 before touring to the Tron Theatre, and Traverse Theatre, The Ferry explores what happens when opportunity comes with a price, and when the line between being looked after and being controlled becomes dangerously blurred.

Fifteen years old, newly orphaned, and trying to keep his head above water, Freddy is offered a job and a train ticket from Glasgow to Dundee from a new acquaintance, Chris. At the end of the line is Broughty Ferry, a place his mum always spoke about, somewhere life might have been different.

Darren is a recovering heroin user caring for his dad Rab, whose dementia is getting worse, while his aunt June is doing what she can to look out for them. When Freddy arrives, their lives are pulled together and the world around them starts to close in.

The Ferry explores family, grief, exploitation and at its heart is the relationship between care and control, and the ways vulnerability can be exploited under the guise of opportunity and support.

Accompanying the production will be a programme of outreach activity, engaging with young people and communities within each of the touring cities. Further details will be revealed prior to the production opening.

The Ferry previews at Dundee Rep Theatre from Saturday 6 February, ahead of its world premiere on 11 February, and runs until 20 February, before touring to Tron Theatre, Glasgow from 23 February to 6 March, and Traverse Theatre, Edinburgh from 9 to 20 March.

Andrew Panton, Artistic Director of Dundee Rep Theatre, said: “When Paul and I first spoke about this project, I knew immediately that this was a story that needed to be told on the Dundee Rep stage.

“Linda McLean is one of Scotland’s most powerful theatrical storytellers, and working with her and the brilliant Jemima Levick on this extraordinary piece feels like a very special coming together of creative talent. With an amazing creative team and cast alongside us, I’m thrilled to bring this visceral and deeply affecting play to audiences in Dundee and across Scotland.”

Jemima Levick, Director of The Ferry, and Artistic Director of the Tron Theatre said: “The Ferry is one of the most captivating and important new plays I’ve read in years. I’ve always known what an exceptional craftswoman Linda is but I’ve never actually directed any of her work.

“When Andrew, and later, Linda and Paul talked to me about the project it was a no brainer that the Tron should be involved. County lines and the impact of this world is something that surrounds all of us, and yet it remains sheltered and underground.

“The Ferry gives us an opportunity to point a spotlight at that world, to raise awareness, and pull the people that occupy it into focus. This play does all of that, with power and humour, and heart and poetry.”

Playwright, Linda McLean said: “There is a staggering number of vulnerable young boys, some not even teenagers, who are being lured into criminal gangs by unscrupulous men who tempt them with smart clothes, fast money, and membership of an elite gang. However, once inside this closely-knit criminal network, they find it well-nigh impossible to escape. 

“I grew up in the kind of housing schemes where this is happening, so when I was made aware of the scale of this problem, I felt passionately about bringing it to light.”

Paul Rattray said: “This story is particular to Dundee. Its voice, its spirit, its energy and its people will be known to local audiences. However the story is also one which reaches out of Dundee, across Scotland, the UK. So while the play’s soul is of Dundee, its story resonates beyond.  

“It is also a national story about the devastation that is happening to young people and communities and neighbours throughout the country.  

“In a post-industrial landscape, what use is youth?”

Tickets for Dundee Rep Theatre performances are on public sale from 11am on 25 September and on sale now for priority members. Tickets for all Tron Theatre and Traverse Theatre performances are on public sale now. 

Cast details will be announced in due course. 

Strange Town: BALISONG

Strange Town Touring Company presents: BALISONG by Jennifer Adam

Touring to Edinburgh secondary schools, public performances at The Traverse Theatre, 25th & 26th Sept at 7pm

“The show deserves to be seen as many young people as possible” – Audience member reaction to HER

BALISONG is a story about Finlay Richards. A name the everyone at school knows. An average fifteen-year old boy who just wants to be seen. But you won’t see Finn. You won’t ever meet him.  

BALISONG is a play written for young adults which promotes positive and active citizenship among young people when they become aware of a pupil carrying a knife.  

Recommissioned three times, BALISONG has toured schools in every local authority in Scotland. It was nominated for the Partnership Award at the Herald Society Awards and the Collaboration Award at the Creative Edinburgh Awards in 2018.

This new production of BALISONG is part of the Knife Angel Project – raising awareness of the dangers of carrying knives and the impact of violence.

In addition to touring Edinburgh schools, BALISONG there will be two public performances on Fri 25th & Sat 26thSept at 7pm.

Listings information

Venue: The Traverse Theatre, 10 Cambridge Theatre, EH1 2ED 

Date: Fri 25th & Sat 26th Sept 2026

Times: 7.00pm (40 mins)

Tickets Prices: £13.50 / £11.50

Ticket Link: https://www.traverse.co.uk/whats-on/balisong 
Age recommendations: 14+
FB: www.facebook.com/StrangeTown
Instagram: strangetowncohttp://www.strangetown.org.uk

Strange Town – Nominated for a 2023 CATS Award for best production for children and young people for STORM LANTERN

Have I Got Fringe For You?

Political Shows at the Edinburgh Fringe

From Liz Truss and Keir Starmer to JFK conspiracies and razor-sharp satire, theSpaceUK’s political programme proves that truth is still stranger than fiction.

Politics has never been short of drama, but at this year’s Edinburgh Fringe, theSpaceUK is inviting audiences to look beyond the headlines – or, at the very least, beyond the latest Truth Social post.

Leading the line-up is broadcaster and political commentator Steve Richards, whose hugely popular Steve Richards Presents Rock and Roll Politics returns to the Fringe. With the halls of Westminster continuing to deliver twists that few could have predicted, Richards superb show combines forensic political analysis with his trademark “unreliable” predictions, making it a new show every day as events continue to unfold.

Current politics also comes under scrutiny in The Unsolvable Case of Keir Starmer, from Chasing Rainbows. Through a series of imagined therapy sessions, the play charts Starmer’s journey from respected lawyer to Prime Minister, asking where it all began to unravel.

Political history comes under the microscope in The Umbrella Man: What We Talk About When We Talk About the JFK Assassination, written and performed by Martin Fitzgerald. Rather than simply retreading old conspiracy theories, the show shines a light on the ordinary people who happened to be in Dealey Plaza on that fateful day.

A show that should last longer than a lettuce is The Last Days Of Liz Truss?, from Oxia Theatre Company and Emma Wilkinson Wright. Set on the former Prime Minister’s final morning in Downing Street, the award-winning production is part comedy, all tragedy. Following a West End transfer to The Other Palace earlier this year, the show comes to Edinburgh with Emma Wilkinson Wright’s acclaimed portrayal of one of Britain’s most extraordinary political figures

Meanwhile, The Painted Revolutionary, presented by Tip Top Theatre Collective, approaches politics from an entirely different angle. In this biting new satire, abstract political concepts become flawed, recognisable characters, with Struggle, Order and others navigating questions of responsibility, power and change. This is an imaginative examination of political ideals and the messy reality of putting them into practice

Closer to home, Cubicle Dialogue, presented by the University of York Drama Society, relocates political conflict to the fluorescent-lit offices of a struggling local authority. As Labour falters nationally and Reform rises locally, civil servants and councillors find it increasingly difficult to maintain neutrality. Part workplace comedy and all political satire.

If the news has left you bewildered, exhausted or simply looking for something different, these shows prove there’s still no better place than the Fringe to argue, laugh and wrestle with the big political questions.

Mayday Announced

A National Theatre of Scotland production  

Mayday

Curated and directed by Cora Bissett and Hannah Lavery

With visuals by Lucas Chi-Peng Kao

A one-night-only response to the times we are living through, presented by a host of leading Scottish artistic talent from the fields of theatre, music, poetry, comedy and dance.

On 1 May at Edinburgh Central Hall at 7pm.

Featuring Comedy:Sanjeev Kohli (Still Game) / Tia Rey; Music: Dala by Heir of the Cursed performed by Djana Gabrielle / Cora Bissett, Kathryn Joseph and Joan Clevillé &  Kassichana  Okene-Jameson of Scottish Dance Theatre/ Kitti / Loud and Proud Choir / Soapbox / Declan Welsh; Poetry: Shasta Hanif Ali / William Letford / Michael Mullen; Theatre & Dance; An artistic response to Talat Yaqoob’s International Women’s Day Speech (2026) – led by Janice Parker / Apphia Campbell / Reuben Joseph / Hannah Lavery / Uma Nada-Rajah / Sara Shaarawi / Dawn Sievewright performing It’s No a Weans Choice

Live band: Isaac Savage (keyboards/vocals) / Adam Scott (bass) / Djana Gabrielle (guitar/vocals) / Signy Jacobsdottir (drums and percussion) / MJ McCarthy (musical direction)

Two of Scotland’s leading artists and theatre-makers, Hannah Lavery and Cora Bissett, join forces to create an urgent multi‐form evening of theatre, music, poetry, comedy, film, dance and collaborative performance at Central Hall, Edinburgh, on 1 May.

Created as a rapid-response theatre project, in direct response to the turbulent social and political climate, they have curated and gathered together a constellation of Scottish artists for a one-night-only flare of short, urgent performances and interventions.

Through new work, unique collaborations and community voices, Mayday meets the “dark times” we are living through with wit, defiance, tenderness and imagination. This collective response honours the theatrical space as a place where audiences can think together, dream together and begin to imagine the futures we are still reaching for.

Co-curators/co-directors Hannah Lavery and Cora Bissett said: “Given the times we are living in—where division is being  fuelled by dangerous and deliberately misinformed rhetoric— we feel deeply and personally connected to this Rapid Response Project.

“We are living through an age of fear: extreme racism and anti-migrant sentiment are being normalised, human rights attacked at every level, climate injustice accelerating, and ordinary people struggling to meet even basic needs. 

“We’re  thrilled to curate an event that will bring together bold, fierce, insightful and creatively galvanising voices from across Scotland – an urgent celebration of our shared humanity that challenges the rising tide of hate, calls upon solidarity, inspires change and imagines a more compassionate future.”  

Highlights include: 

  • Original short sharp plays from playwrights Apphia Campbell (The Official Version), Hannah Lavery (Patriotic Renewal), Uma Nada-Rajah (The Proposal) and Sara Shaarawi (Pandora’s Box) 
  • Sanjeev Kohli delivers a short sketch on the cultural impact of his character Navid from Still Game
  • Live music from Declan Welsh, Soapbox and Djana Gabrielle, who honours Beldina Odenyo’s (Heir of the Cursed) Dala with a powerful, intimate performance that moves between vulnerability and defiance. 
  • Cross-artform collaborations including Scottish Album of the Year (SAY) Award winner Kathryn Joseph’s powerful new collaboration with dancer Kassichana Okene-Jameson, visuals by Lucas Chi-Peng Kao, choreography by Joan Clevillé, and direction by Cora Bissett. Joseph’s haunting, fragile songs intertwine with movement in a visceral fusion of music and dance. Created in collaboration with Scottish Dance Theatre.
  • Collaborations between professional artists and community groups:
    • An Artistic Response to Talat Yaqoob’s International Women’s Day Speech, Edinburgh, March 2026 led by award-winning choreographer and dance maker Janice Parker.
    • Loud and Proud Choir 
    • Dawn Sievewright (Wild Rose) performs No a Weans Choice, the defiant rallying cry from the Glasgow Girls stage show, composed by Cora Bissett
    • Reuben Joseph (Orphans – NTS, Hamilton the Musical) performs a new version of Robert Burns’ A Man’s a Man.

Listings information

Friday 1 May 2026, Central Halls, Edinburgh, 7pm (doors from 6.30pm)

2 West Tollcross, Edinburgh, EH3 9BP

Pricing: Pay What You Can

Full info and Box office: https://www.nationaltheatrescotland.com/events/mayday

Running time: 2 hours 50 mins approx. with interval

New adaptation of George Orwell’s 1984 to headline Autumn season ahead of Scottish tour

1984 is a co-production between Citizens Theatre, Dundee Rep Theatre and The Royal Lyceum Theatre Edinburgh

Citizens Theatre, 29 Aug – 26 September

citz.co.uk

Dundee Rep Theatre, 30 September – 10 October

dundeerep.co.uk

His Majesty’s Theatre, Aberdeen, 13 October – 17 October 

aberdeenperformingarts.com/his-majestys-theatre/

The Royal Lyceum Theatre Edinburgh, 27 October – 07 November

lyceum.org.uk

Directed by Dominic Hill, Artistic Director of the Citizens Theatre, 1984 is a co-production between Citizens Theatre, Dundee Rep Theatre and The Royal Lyceum Edinburgh which previews in Glasgow from 29 August 2026 and receives its world premiere on 3 September 2026 before touring to Dundee, Aberdeen and Edinburgh.

The Citizens Theatre commissioned this new adaptation from writer Chris Hannan as part of its reopening programme. In recent times, 1984 has surged back up international bestseller lists, as readers return to Orwell’s stark warning about truth, power and control in today’s unsettling world politics.

Playwright Chris Hannan is one of Scotland’s leading writers. He has adapted major literary classics, including Crime and Punishment (for Citizens Theatre in 2013) and The Iliad.

This new stage adaptation of 1984 stays true to Orwell’s dystopian novel about a tightly controlled society built on surveillance, fear and the manipulation of truth – while exploring the love affair between Winston and Julia that catapults them into rebellion. 

One of the defining novels of the 20th century, 1984’s Scottish connections are striking. Written largely on the Scottish island of Jura and completed while he was seriously ill in hospitals and sanatoria, George Orwell spent crucial periods in Scotland while finishing the book – including time at Hairmyres Hospital in East Kilbride as his health deteriorated.

The physical strain he was under, and the bleak post-war climate in which he was writing, echo through the novel’s stark and unsettling world.

Director, Dominic Hill said: “I am thrilled to be working once again with Chris Hannan. His version of Crime and Punishment for the Citz proved once again that he is one of Scotland’s finest playwrights but also has a great talent at making works of prose feel like immediate, living drama for the stage.

“His new adaptation of Orwell’s chilling classic is equally brilliant. We live in a world that is increasingly called ‘Orwellian’; Chris’s adaptation takes us back to the original story – an appeal for truth, love and moral courage within a system designed to crush. It is a classic story, told for our times, and I can’t wait for audiences across Scotland to experience it later this year.”

Opening in Glasgow in August 2026, it will mark one year since the Citz returned to its home in the Gorbals, following a major redevelopment of the building.

Further creative and cast credits to be announced.

On sale dates are as follows:

Citizens Theatre, Glasgow

Presale to Theatre Pass Members and Supporters on Wednesday 25 February

Public on sale on Wednesday 4 March

Dundee Rep Theatre, Dundee

Friends priority on sale on Wednesday 25 February
Public on sale on Friday 27 February

His Majesty’s Theatre, Aberdeen

Friends priority on sale 03 March

General bookers on sale 04 March

The Royal Lyceum Theatre, Edinburgh

Tickets on sale June 2026.

Dundee Rep Theatre unveils a 2026 Season driven by community and collaboration

Dundee Rep Theatre today launches its 2026 season, a celebration of community, world premieres, new voices, classics, and fresh work that invites audiences to connect with the life of the building and far beyond.

To introduce the season, we asked our community participants to make a special film at locations across Dundee, reflecting and solidifying the theatre’s place within the city and inviting audiences to join them in the year ahead.

The season takes flight with the much-anticipated brand-new musical production of The High Life, co-produced by Dundee Rep Theatre and National Theatre of Scotland in association with Aberdeen Performing Arts and Capital Theatres.

After a thirty-year delay in the departure lounge, the full original cast of Alan Cumming, Forbes Masson, Siobhan Redmond and Patrick Ryecart reunites for a landmark world premiere directed by Dundee Rep Theatre Artistic Director Andrew Panton. Co-written by Johnny McKnight, Alan Cumming, and Forbes Mason, the production opens in Dundee from 27 March to 4 April before touring Scotland and returns to the Rep 6 to 9 May.

April sees the return of our Rep Stripped Festival, Dundee Rep Theatre’s platform for fresh work, new voices and bold ideas – this time under the creative direction of Fraser Scott.

Built on the success of previous editions, which have included early stagings of No Love Songs and A History of Paper, the festival continues to celebrate creativity, innovation and the future of performance, offering audiences the chance to be the first to discover new work. Call-outs for submissions open in January 2026.

Willy Russell’s award-winning modern classic Educating Rita follows, in a funny, tender and life-affirming new production directed by award-winning director Debbie Hannan. This story of self-discovery, second chances and the power of learning brings together Rita, a spirited hairdresser hungry for change, and Frank, a disillusioned academic who has lost faith in his work and in himself.

First performed in 1980 and later adapted into the acclaimed film starring Julie Walters and Michael Caine, the piece has won multiple BAFTAs and received three Academy Award nominations. This fresh revival promises a heartfelt return to one of Britain’s most loved plays from 23 May to 13 June.

An exciting and original collaboration hits the stage next summer. Dundee Rep Theatre and Solar Bear, in collaboration with Aberdeen Performing Arts and the Traverse Theatre, present The Singer, written by Cora Bissett with Jamie Rea. With songs multi-award-winning KT Tunstall, featuring Deaf artist Jamie Rea and directed by Cora Bissett, The Singer is a thrilling new gig-theatre drama about Joe, a deaf artist who “sings” with his hands, and Andy, a washed-up musician hungry for a comeback. As their unlikely partnership ignites something extraordinary, ambition, betrayal and belonging collide in this powerful story of music, identity and the fight to be heard. 

The Singer previews at Dundee Rep Theatre in late July, premieres at the Traverse Theatre during the Edinburgh Festival Fringe and plays the Citizens Theatre Studio in Glasgow and the Lemon Tree in Aberdeen before returning to Dundee in September.  

Tony Roper’s much-loved Scottish classic The Steamie then returns for a nationwide tour in a new production from Rerr Terr Productions in association with Neil Laidlaw Productions and Dundee Rep Theatre. 

From 27 August to 12 September, audiences are invited into a 1950s Glasgow washhouse on Hogmanay where hot water, lively chat, laughter and secrets accompany the final wash of the year.

One of the most anticipated productions of 2026, A History of Paper, by Oliver Emanuel and Gareth Williams (creators of The 306 Trilogy, National Theatre of Scotland),returns in a major new production starring Alan Cumming and Shirley Henderson.

This musical about unbounding joy, impossible grief and the small pieces of paper that shape a life first captivated audiences at the 2024 Edinburgh Fringe, where it won a Fringe First, the Music Theatre Review Best Musical Award and the CATS Award for Best Director for Dundee Rep Artistic Director Andrew Panton. 

This new co-production with Pitlochry Festival Theatre brings back a work that moved audiences and critics alike. The production runs from 8 August to 12 September at Pitlochry Festival Theatre and from 16 to 19 September at Dundee Rep Theatre.

Following the success of The Glass Menagerie, Dundee Rep Theatre will once again collaborate with The Citizens Theatre, Glasgow, and Royal Lyceum Theatre, Edinburgh, with full details of the Autumn 2026 production to be announced early next year.

The season comes to a glittering finale with a magical new production of Dundee Rep Theatre’s 2018 Christmas hit The Snow Queen, created by Noisemaker, the partnership of award-winning writing duo Claire McKenzie and Scott Gilmour (Oor Wullie, Ceilidh, Scots)and directed by Emily Oulton. This snow-stopping musical celebrating friendship, courage, and festive spirit is set to delight audiences of all ages from November 28 to December 30.

Dundee Rep and Scottish Dance Theatre remain committed to making theatre and dance accessible to as many people as possible and are expanding our pricing to offer greater choice, flexibility and affordability in 2026.

New initiatives include £15 tickets for every Dundee Rep and Scottish Dance Theatre production and £5 preview tickets for under 30s, designed to welcome and inspire the next generation of theatre-goers, and focusing on the future of the arts here in Dundee and Scotland.

Alongside this, a new free ticket initiative will allocate tickets across the season to individuals and communities with limited access to the arts, ensuring they can experience live performance, feel at home in the building, allowing us to open our doors to even more people.

Scottish Dance Theatre celebrates its 40th anniversary in 2026, and the full programme will be announced on 20 January.

Complementing Dundee Rep and Scottish Dance Theatre’s own work, the venue will present a vibrant programme of visiting companies throughout Spring 2026.

These include ABBA Forever on 7 February, Macbeth from 19 to 21 February, BalletLORENT’s Snow White on 27 and 28 February and the musical satire SCOTS by Scott Gilmour and Claire McKenzie, directed by Jemima Levick,from 7 to 11 April. The Rep also welcomes What I am Here For on, an immersive multilingual collaboration from Vanishing Point and Teater Katapult, followed by family fun with There is a Monster in Your Show and many more.

This season also marks the arrival of Kath M Mainland CBE as Executive Director, bringing more than two decades of international cultural leadership to Dundee Rep and Scottish Dance Theatre.

Mainland joins the organisation after senior roles at Adelaide Festival, RISING Melbourne, Melbourne International Arts Festival and the Edinburgh Festival Fringe Society. Originally from Orkney, she returns to Scotland to help lead the organisation’s next chapter, marking an exciting moment for the organisation.

This new season is announced at a time when Dundee faces proposed cuts to arts funding, and Dundee Rep and Scottish Dance Theatre continue to demonstrate how essential its work is to the cultural, social and economic life of the city.

The Rep provides opportunities for Dundonians of all ages to experience connection, learning and belonging as well as contributing significantly to the well-being of communities across Dundee and playing a key role in Dundee’s tourism and global cultural identity.

As consultation begins, the organisation encourages residents to share their views and to champion the vital role that the Rep and other cultural organisations play in the life and future of their city.

Artistic Director Andrew Panton said: “We are proud to be a creative home for our community and a national stage for new voices, major productions and collaborations.

“Our 2026 season celebrates Dundee, Scotland and beyond and celebrates the people who shape our work. The Rep plays a central role in the cultural life of this city while contributing greatly to the wider Scottish and international cultural landscape, and this programme is a testament to that reach and responsibility.

“As Dundee enters consultation on proposed arts cuts, we are reminded of the importance of protecting the creativity, opportunity and connection that cultural organisations provide.

“I hope audiences across Dundee and Scotland will continue to stand with us, take part in the consultation and help ensure a vibrant future for the arts.” 

North Edinburgh Arts: We are the Lions, Mr Manager!

SATURDAY 11th OCTOBER at 7.30pm

We are the lions, Mr Manager! is the story of the Grunwick Film Processing Factory Strike (1976–78) and the inspirational strike-leader Jayaben Desai, one of many newly arrived Gujarati women workers from East Africa.

⭐⭐⭐⭐“The story of Jayaben Desai… makes you laugh, feel and think… a powerful story, powerfully told.” – Clare Brennan, The Guardian

📅 Saturday 11 October, 7.30pm

🎭 Creative Captioning

🎟️ Tickets: £7 – £14

💜 Discounted tickets available for NEA Members

👉 Book your tickets now: https://northedinburgharts.co.uk/…/we-are-the-lions-mr…/

Presented by Townsend Theatre Productions

Strange Town presents HER – a play all parents should see

Leith-based charity Strange Town returns this October with their acclaimed play ‘HER’ a bold and urgent performance about consent, gender inequality, and the pressures young people face today.

Established in 2008 by Steve Small and Ruth Hollyman, Strange Town has spent 17 years creating life-changing arts experiences for young people across Edinburgh.

Long before the groundbreaking series Adolescence hit screens, Strange Town was already producing daring, original theatre in schools, giving pupils their first-ever experience of live performance while opening conversations about difficult topics such as knife crime, mental health, and social pressures.

HER, written by Jennifer Adam and directed by Steve Small, follows HIM and HER, childhood friends who have grown apart by the age of 17.

Loosely reconnecting at high school, they confront the challenges of teenage life, gender inequality, and the truth about consent. Through bold, honest storytelling, the play asks: how can you be the change you want to see in the world when it feels like the world is working against you?

‘This is such an important play — all parents, grandparents, and really anyone who wants to understand the challenges young people face today needs to see it, urgently. Our young people are navigating a world that many older people are completely unaware of and unprepared for.

‘Watching this performance helped me start conversations at home that I wouldn’t have known how to begin, and I am incredibly grateful for that.” — Audience Member

Open to audiences aged 14+, HER runs for two nights: Thursday 2nd and Friday 3rd October at 7pm at the Traverse Theatre, 10 Cambridge Street, Edinburgh EH1 2ED

Times: 7pm (approx. 50 minutes)

Tickets: £15/£12/£10 https://www.traverse.co.uk/whats-on/event/her-autumn-25

Strange Town has been hit by the well publicised funding cuts imposed by the Edinburgh Integration Joint Board (EIJB), leaving the future of its Touring Company — which brings bold, original theatre into schools across the city — under threat.

The charity depends on fundraising to sustain accessible arts opportunities for young people who might otherwise miss out.

Local people and businesses who want to help protect this vital work are encouraged to donate online or get in touch to explore other ways of support.   

https://strangetown.org.uk/about-us/donations-info-page/.

Asian Art Awards winners announced

Asian Art Awards – Award Ceremony at MOXY Fountainbridge

Members of the Scottish Indian community were prominent among the winners of the 2025 Asian Art Awards at the Edinburgh Fringe. The awards have been running since 2014 and exist to bring Asian artists together at the Fringe and reward the best of them.

90 shows participated in 2025, up significantly from 55 in 2024.

The highly acclaimed “Kanpur: 1857”, written and co-performed by Edinburgh-based Niall Moorjani and which showed at the Pleasance, won the award for Outstanding Production.

Set at the time of the Kanpur uprising in India, this new play “comically satirises contemporary conflicts around gender, colonial violence, and making art in times of crisis”. The award was collected by the production’s musician, Sodhi.

Shows by Sanjay Lago  (Love me Like a Chai Tea Latte [wearing the colourful shirt]) and Dance Ihayami, with their show Dansa Rickshaw, also won awards for Highly Commended performances (i.e. Runners Up). Sanjay is Scottish Indian while Dance Ihayami is “Scotland’s Indian dance company”. Like Sodhi, Sanjay is from Glasgow (“Ibrox, don’t judge me” he says).

Hahaha-Hamlet from Hong Kong, which played at the Paradise Green venue on George IV Bridge, won the award for Outstanding Show.

The award reviewers simply loved this “captivating reimagining of Shakespeare’s classic tale, blending original musical with dark humour [..and..] intertwining the struggles of contemporary Hongkongers with Hamlet’s timeless tale”.

Energetic, inventive and incredibly affecting with some reviewers moved to tears as the tales of Hamlet and Hong Kong coincided at the end. The whole cast were in attendance to receive the award [red and black t-shirts under their clothes] and they were delighted.

Mayuri Bhandari of the Anti “Yogi” took home the award for Outstanding Female while Jeremy Rafal won Outstanding Male for The Boy from Bantay “a heartwarming journey of growth and self-discovery”.

Mayuri was in attendance with her percussionist Neel Agrawal while Jeremy sent a video message to the audience. Both shows were hugely popular. At the Anti “Yogi” the audience were invited to “Join Mayuri Bhandari and Kali, the Goddess of Death every day as they navigate the absurdities of Western Yoga culture. Liberation, not Lululemon!” 

The Outstanding Youth Performance was won by the show “Landscape of the Other Shore” from Shenzhen University  which was also inspired by another European classic: Géricault’s painting and Georg Kaiser’s play The Raft of the Medusa.

The Asian Arts Special Award was shared between GENDAI TOKYO  and Up-cycle Music  by Creative Art of Korea. GENDAI TOKYO had a simply incredible laser show playing at WU Asia Pacific three times per night. Everyone who sees it simply loves it.

Up-cycle Music is a “response to climate change from a uniquely artistic perspective. They use waste to make music – cellos from abandoned equipment from rural areas, stringed instruments of thrown away plastic toys – and compose piano songs based on the characteristics of endangered animals, to ask vital questions about the climate crisis”.

Lyndsey Jackson from the Fringe presented the awards along with Richard Lewis and Chelsea Zhou of Asian Art Fund Scotland, the charity which runs the Asian Art Awards.

Winners – 2025 Asian Art Awards

Outstanding Show

Winner: Hahaha–Hamlet – Chai Wan Rabble (Hong Kong)

Highly Commended: 1Shoulder Pad: Galaxy Train, Japanese Musical Theatre (Japan)

Highly Commended: Practice of Zen – Theatre Ronin (Hong Kong)

Outstanding Production

Winner: Kanpur: 1857 – Niall Moorjani Storyteller and Pleasance (Scotland / India)

Highly Commended: 1457, The Boy at Rest – Poem and Star / Korean Season by GCC & AtoBiz (Korea)

Highly Commended: Relaxing and Balancing – Ying Yang – On/Off Theatre (Hong Kong)

Highly Commended: The Time Painter – ACC, ACCF, Haddangse / Korean Season by GCC and AtoBiz (Korea)

Outstanding Male Performer

Winner: Jeremy Rafal, The Boy from Bantay (Philippines / USA)

Highly Commended: Zheng Xiaofan Dance Theatre, PERSONALLERY 4.0 (China)

Highly Commended: Kumar Muniandy – Second Class Queer (Malaysia / UK / Germany)

Highly Commended: Eden Choi – Proust Effect (Korea) [1]

Highly Commended: Sanjay Lago – Love me Like a Chai Tea Latte (Scotland / India)

Outstanding Female Performer

Winner: Mayuri Bhandari – The Anti “Yogi” (USA / India)

Highly Commended: Dansa Rickshaw – Dance Ihayami (Scotland / India)

Highly Commended: Elisabeth Gunawan and KISS WITNESS – Stampin’ in the Graveyard (UK / Indonesia)

Highly Commended: Afreena Islam-Wright – Lucky Tonight! (UK / Bangladesh)

Highly Commended: Chi-An Chen – Sole to Soul (Taiwan, China)

Outstanding Young Performer [Winner] 3

Winner: Shenzhen University School of Arts 201 Theatre Company – The Landscape of the Other Shore (China)

Highly Commended: Creative Group SSAK / Korean Season by GCC & AtoBiz – Dream Space (Korea)

Highly Commended: Jasmine Thien – I Dream in Colour (UK / China)

Asian Arts Special Award – Joint Award (two winners)

GENDAI TOKYO (Japan) and

Up-cycle Music, Creative Art (Korea)

Edinburgh Napier actors land Fringe award for boxing drama Cornermen

The four-strong cast have completed a knockout Edinburgh Festival theatre run

A group of Edinburgh Napier University acting students have claimed an industry award for an Edinburgh Festival Fringe show that packed a punch.

Starring Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack – and directed by Lecturer David Wotton from ENU’s School of Arts & Creative Industries –  Cornermen tells the story of a young boxer and the exploitation of his success.

Following a successful run at theSpace on the Mile throughout this month, the cast have been presented with the coveted ‘Bright Spark’ award by The Scottish Theatre Awards on the Fringe.

Awarded every year by the Scottish Arts Club, the prize recognises Scottish actors or theatre-makers just embarking on their career, with the winner selected by a panel of expert judges.

Put on by in-house company Authentically False Productions, Cornermen stood out from the crowd of theatre acts on show across the city during August, drawing praise for its assured performance.

Responding to their award win, Daniel, Liam, Arran and Ruairi said: “We are all absolutely thrilled to have won the ‘Bright Spark’ award at our first foray into the professional theatre world after our training at Edinburgh Napier University. 

“The hard work and dedication we put into Cornermen has paid off and we couldn’t be prouder to represent Edinburgh Napier and the Scottish theatre scene in this way. 

“Hopefully, this award will be a great kick start to our career. We’ll always remember this moment, this award and this training.”

Cornermen director David Wotton said: “It’s awards like this that highlight our department and the hard work we do to make sure our training actors thrive in such a competitive market. 

“This award marks a year of dedication by the cast of Cornermen, Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack, and our department. 

“Year upon year our course has exceptional National Student Survey results, and industry recognition like this shows that Edinburgh Napier University is a great place for an actor to train. 

“Directing these four talented actors has been so very rewarding. It’s great that the industry sees and appreciates the work and dedication shown by both our talented actors and staff alike.”

Cornermen was one of many theatre productions put on by ENU students during the Edinburgh Festivals, which draw to a close this week.

It also follows previous shows such as Everything Under the Sun in being recognised by the industry.