With the summer festivals season just around the corner, the city council is making temporary changes to the way some of our city centre streets operate between Sunday 19 July and Monday 7 September 2026.
During this busy period the population of our city effectively doubles, which brings challenges for our residents, businesses and visitors.
These temporary changes, which include removing or restricting vehicle traffic, are designed to make our streets easier and safer to walk around.
There is also specific advice for blue badge holders, home deliveries, loading and services for businesses, places of worship and special arrangements.
Transport and Environment Convener, Councillor Stephen Jenkinson said: “We’re ready to welcome the world back to the Capital, and as always, we’re making sure that these higher visitor numbers are managed properly.
“These temporary changes to our city centre streets have proven very successful for many years and I’m sure that this summer will be no different. The planned full reopening of the North Bridge in time for the festivals will also be a great boost for people getting around the city.
“Our residents and businesses have my thanks for their understanding and patience as we prepare to showcase and enjoy our city’s unparalleled cultural offering once again.”
Underbelly George Square – Udderbelly: 6 – 31 August: 6:00pm
For the first time ever, Sumo Wrestling comes to the Edinburgh Festival Fringe this summer.
Following a successful run in Osaka and an international debut, selling over 10,000 tickets, at the Adelaide Fringe Festival in Australia, The Sumo Show HIRAKUZA will make its Edinburgh Festival Fringe debut this summer, bringing audiences an introduction to one of Japan’s oldest sporting traditions through a live theatrical experience.
The Sumo Show HIRAZUKA gives audiences the chance to see Sumo demonstrated and performed by former professional sumo wrestlers, whilst offering audiences the chance to discover the history, rules, rituals and techniques behind sumo, Japan’s national sport.
Performed in a dohyo, or sumo ring, the production combines authentic demonstrations of the sport with theatrical staging, dramatic visuals and immersive sound, giving audiences an opportunity to experience the athleticism, discipline and traditions of sumo up close.
Alongside competitive bouts between former professional wrestlers, audiences will learn about the customs and etiquette that surround the sport, from its ceremonial traditions to the techniques used inside the ring.
“We’re excited to bring the weight of more than 1,500 years of Japanese tradition to Edinburgh this summer.
“Our performers have competed at the highest level of sumo, and this show is an opportunity to share the history, rituals and excitement of Japan’s national sport in a way that’s accessible and fun.
“We hope audiences will laugh, learn, cheer and maybe even discover they have what it takes to step into the ring themselves.” Sumo Hall HIRAKUZA
Sumo has been practised in Japan for more than 1,500 years and remains an important part of the country’s cultural heritage and is recognised as the country’s national sport. Originating in ancient Shinto rituals, it developed from ceremonial contests performed to pray for good harvests into the professional sport seen today.
While modern tournaments attract audiences from around the world, many of the traditions established centuries ago remain unchanged, from the purification rituals before each bout to the use of the traditional dohyo, or sumo ring.
The Edinburgh production gives audiences the opportunity to experience both the athletic competition and the rich cultural heritage that continue to define the sport
HIRAKUZA is a Japanese entertainment company dedicated to presenting live sumo performances and cultural experiences featuring former professional sumo wrestlers.
Based in Osaka, the company was created to introduce visitors from around the world to the history and traditions of Japan’s national sport in an accessible way.
Reflecting Osaka’s reputation as a city known for its entertainment culture, HIRAKUZA combines authentic demonstrations with a welcoming and engaging presentation, making the experience suitable for audiences with little or no previous knowledge of sumo while remaining rooted in the sport’s traditions.
What the press have said about The Sumo Show HIRAKUZA:
“Culture, entertainment, and the overwhelming strength of the sumo wrestlers. An unforgettable experience that exceeds expectations in every aspect.” ★★★★★ My Adelaide Tribe
“Authentic, incredibly powerful, and outstandingly entertaining. Definitely a must-see show at this year’s Adelaide Fringe.” ★★★★★ What’s On In Adelaide
“It flamboyantly conveys the power and intensity of sumo while also deepening the understanding of tradition and culture.” ★★★★★ Glam Adelaide
Dunard Centre welcomed The Duke of Kent as its first royal visitor last week
The visit celebrated Dunard Centre’s artistic partnership with Wigmore Hall
Royal Conservatoire of Scotland musicians offered a glimpse of the venue’s future programme
The visit followed a major milestone in the venue’s construction programme
Dunard Centre welcomes The Duke of Kent for landmark first royal visit
The Dunard Centre, Edinburgh’s first new concert hall in over 100 years, welcomed its first royal visitor, The Duke of Kent, to its St Andrew Square site last week.
The Duke, who is the Patron of Wigmore Hall, enjoyed live music and heard more about the vision for the world-class venue, following the announcement of Wigmore Hall’s new artistic partnership with the Dunard Centre earlier this year.
The visit began with a short performance by two students at the Royal Conservatoire of Scotland, piper and whistle player Hamish Martindale and guitarist Anja Maclennan, giving a glimpse of the venue’s future multi-genre programme.
His Royal Highness also met representatives from some of the Dunard Centre’s key partners, including Edinburgh International Festival, Scottish Chamber Orchestra and the Royal Bank of Scotland, alongside Wigmore Hall Director John Gilhooly.
Dunard Centre welcomes The Duke of Kent for landmark first royal visit
Jo Buckley, Chief Executive of the Dunard Centre, said: “It’s not every day you get the honour of welcoming a royal visitor to site, and it was a particular pleasure to welcome The Duke of Kent to the Dunard Centre, marking the start of our new partnership with London’s Wigmore Hall.
“Together, we took a moment to reflect on our mutual commitment to world-class programming and to the warm welcome afforded to our audiences by the intimacy of our design.
“His Royal Highness is a huge music lover, and it was a joy to see him tapping his foot to traditional jigs performed by two students from the Royal Conservatoire of Scotland – just a small taste of the breadth and calibre of music that will be heard on our stage in years to come.”
Dunard Centre welcomes The Duke of Kent for landmark first royal visit
The high-profile visit comes shortly after the project celebrated a major construction milestone, with piling works concluding in June and excavation of the 10-metre-deep, two-storey basement now underway.
Designed by David Chipperfield Architects with Reiach and Hall Architects, the Dunard Centre will be the first concert hall in the UK to be designed by world-leading Japanese firm Nagata Acoustics.
Supported by Royal Bank of Scotland, and located behind its Head Office building at No. 36 St Andrew Square, the ‘Hall for All’ will be a vibrant hub for all kinds of musical performance, events, learning and community activities, as well as the new permanent home of the Scottish Chamber, and a new venue for the Edinburgh International Festival.
Dunard Centre welcomes The Duke of Kent for landmark first royal visit
The collaboration between the Dunard Centre and London’s Wigmore Hall, announced in March this year, was one of a series of unprecedented academic and artistic partnerships to be launched by the globally-renowned Wigmore Hall in celebration of its 125th anniversary.
The collaboration will see Wigmore Hall Director John Gilhooly leading the Dunard Centre’s new artistic advisory committee, as well as a range of shared programming and commissioning initiatives.
A lifelong supporter of the arts and a passionate music fan, The Duke has been Patron of Wigmore Hall for 10 years, regularly attending concerts at the venue.
In October 2025, at a recital marking his 90th birthday celebrations, His Royal Highness was presented with the Wigmore Medal by mezzo-soprano Dame Janet Baker in recognition of the contribution to the hall’s musical life.
A new City Centre Policing Unit, supported by funding from the Visitor Levy, has officially launched in Edinburgh.
In January 2025, the City of Edinburgh Council formally agreed to introduce a 5% charge on overnight accommodation within the Capital for those visiting on or after 24 July 2026.
It is anticipated that £50m revenue will be raised each year to sustain and enhance Edinburgh’s reputation as one of the most beautiful and enjoyable destinations in the world.
Following the announcement of the visitor levy’s introduction, Edinburgh Division has been liaising with the Council, and an agreement was reached to fund the City Centre Policing Unit (CCPU).
The new team, which begins duties on Thursday, 2 July, will provide additional police officers dedicated to proactively patrolling the Capital’s city centre thanks to investment from the Council’s Visitor Levy over the next three years, which has been match-funded by Police Scotland.
The CCPU comprises of an Inspector, three sergeants and 45 constables.
Having an expanded city centre resource will also allow Edinburgh Division to provide an early and effective response to spontaneous challenges, as well as reducing demand on frontline officers from other areas of the city – allowing them to increase their focus on serving other neighbourhoods across the city.
The CCPU will play a pivotal role in supporting planned city-centre events and will work alongside specialist units such as The Retail Crime Taskforce and Scottish Violence Reduction Unit to ensure specific crime-types affecting the city-centre community are affectively addressed.
Cllr Margaret Graham, Culture and Communities Convener at the City of Edinburgh Council, said:The Visitor Levy is already helping to deliver real, tangible benefits for our Capital city ahead of its full introduction on 24 July.
“By working closely with our partners at Police Scotland to support this new policing unit, we’re ensuring that the people who live, work and visit Edinburgh feel safer and better supported – not only in our bustling central streets, but in neighbourhoods across the city by reducing demand on existing officer resources.
“The results of this partnership demonstrate exactly what the levy is designed to do: reinvest in the services and infrastructure that keep our city welcoming, vibrant, and successful.
“We will now see the levy’s first investments making a visible difference on the ground, and there’s much, much more to come in the years to come.
“From investing more in our public spaces, parks, and greenspaces to restoring cultural heritage like the Royal High School and Leith Theatre, our visitor levy projects stand to benefit everyone.”
Chief Superintendent David Robertson, Divisional Commander for Edinburgh, said:“Edinburgh’s city-centre is a unique and vibrant destination for residents, businesses and visitors, and it is absolutely vital that we have appropriate resources in place to ensure it remains a safe place to live, work, and visit.
“Our partners at the City of Edinburgh Council recognised the importance of having a dedicated policing team to serve the specific needs of the city-centre and the Visitor Levy revenue was identified as an ideal opportunity to achieve this.
“Almost 50 officers will now support policing operations and activity within the city-centre, and I am delighted that our council partners have shared our vision of how the CCPU can provide immense benefits to the city.
“With the Edinburgh International Festival and Fringe only a few short weeks away, and the festive celebrations emerging on the horizon, the CCPU will have to hit the ground running. However, I am confident that the team will quickly demonstrate their value to not only the city-centre, but to the Division as a whole.”
A 34-year-old man has been sentenced for the attempted rape of a woman that happened in the Thistle Street North East Lane area in November, 2025.
Olaksandr Dupik was sentenced to four years at the High Court in Edinburgh on Wednesday, 1 July, 2026, having previously pled guilty.
Detective Inspector Stephanie Garnett said: “Dupik’s actions were appalling and he will now have to face the consequences of his behaviour.
“We take all reports of sexual crime extremely seriously and I would encourage anyone who has experienced this kind of abuse to contact us on 101. You will be listened to and supported.”
Join us at the Nepali Mela on 13 July at Ross Bandstand, Princes Street Gardens
We warmly welcome people from all communities, cultures, and backgrounds to come together, celebrate diversity, enjoy great food, music, and cultural performances.
Bring your family and friends and be part of this wonderful event.
We are thrilled that this year’s Edinburgh Festival Carnival will return to the streets!
Thanks to funding from the City of Edinburgh Council and Edinburgh Visitor Levy, the 2026 Carnival will see over 1,000 performers parading down The Mound and along Princes Street in a breath-taking display of music, dance and carnival costumes from local, national and international artists.
Following the parade, the party continues with performances across West Princes Street Gardens.
Underbelly is bringing some of the most exciting names in comedy to the Fringe this summer with a programme spanning improv, musical comedy, standup and character comedy.
Award-winning author, actor and comedian Sara Pascoe (Taskmaster, Live at the Apollo, QI, Mock the Week) will be performing at McEwan Hall in Sara Pascoe: For One Night Only. Comedian, actor, presenter and author Russell Kane (Big Brother’s Big Mouth, Freak Like Me, Geordie Shore: The Reunion) brings his high-energy show Russell Kane: HyperActive to the Fringe 16 years after winning an Edinburgh Comedy Award. BAFTA winner Jack Rooke (creator of Hulu/C4’s Big Boys) revives and updates his debut show Jack Rooke: Good Grief, a decade on from its first Fringe run.
Acclaimed comedian and ventriloquist Nina Conti brings Nina’s C*nti Cabaret to McEwan Hall, joined by her masks and by some of her favourite acts from across the Fringe. Stealing voices in a different way, Britain’s foremost political impressionist Rory Bremner blends sharp comedy, pitch-perfect impressions and surprising revelations in Rory Bremner: Making an Impression.
Following his sold-out London run, Simon Amstell brings his show Simon Amstell: I Love It Here to the Fringe. Just after finally finding inner peace at his friend’s California beach house, Simon receives an invitation from the man who first ignited his teenage desire, throwing his newfound calm into chaos.
Instagram sensation Depths of Wikipedia (1.6 million followers) will be bringing to light some of Wikipedia’s murkiest depths (think ‘list of sexually active popes’), and celebrating the beautiful monster that is an encyclopedia run by anonymous but extremely human volunteers. Viral American comedian Gianmarco Soresi (1.2 million followers on Instagram) celebrates the theatre kid in all of us in his show Gianmarco Soresi: Theatre Adult.
Palestine Comedy Club presents Hanna Shammas Takes It To Heart, a combination of storytelling and stand-up exploring the complexities of everyday life as a Palestinian living in Haifa, in the 1948 territories. In Sammy J: Hero Complex, acclaimed Australian comedian Sammy J details the true story of how swapping comic books with his school gardener set off a chain of events leading to both the birth of his daughter and to him committing a crime.
The programme also features some of the UK’s biggest improv acts: America’s Got Talent runner-up Christ Turner creates jaw-dropping freestyle rap from audience suggestions in Chris Turner: In the Moment. Internet sensation improv troupe Shoot From The Hip (3 million followers across Instagram and Tiktok) will be taking the stage at McEwan Hall.
The classics provide fertile ground for comedy. The smash-hit West End Austentatious: An Improvised Jane Austen Novel returns for its 13th year at the Fringe, an all-star cast improvising a new Jane Austen novel every day. Sh!t-faced Shakespeare returns this year with Sh!t-faced Shakespeare: Hamlet: an entirely serious adaptation arguably the Bard’s most famous tragedy, other than the fact that one member of the cast is, well, sh!tfaced.
The programme also features some fantastic LGBTQ+ comedians. Drag king Roger Prick brings his debut Fringe hour Roger Prick: Sexopolis, in which the 1970s pornographer, erotic novelist, and lecherous casanova relaunches his dirtiest novel, revised to make it completely appropriate for modern feminism. Catch (and maybe kiss?) Alex Franklin (Channel 4, HBO Max) exploring love, romance, and kissing as a trans womanin Alex Franklin: Kiss Me x. Justin Elizabeth Sayre is a 40-Year-Old Woman explores what it means to be a 40 year old woman – a category not necessarily tied to either age or gender.
The comedy programme features a number of people you may have seen on your TV – Sapphire McIntosh, bringing her football-inspired show Sapphire McIntosh: Squeaky Bum Time, appeared as a footballer on the most recent season of Ted Lasso. Edinburgh Comedy Award Nominee Freya Parker, who’s appeared in Jurassic World: Dominion, Wonka, One Day (Netflix), and as one half of sketch duo Lazy Susan (Amazon, BBC3)brings her new show Frey Parker, An Hour of Decay! tackling the terrifying subjects of ageing, AI and Vinted.
Two annual highlights of the Fringe also return. Underbelly’s Big Brain Tumour Benefit brings together a massive line-up of comedy stars to raise money for The Brain Tumour Charity, who do vital research in treatment for the most deadly cancer to children and adults under 40. Edinburgh Comedy Allstars brings together the biggest, brightest comedians at the Fringe in the iconic purple cow, Udderbelly – this year celebrating its 20th year as a venue.
This summer, the City Art Centre will present Start from the Level, the largest exhibition ever staged of the work of Sandra George (1957–2013).
Start from the Level is produced in partnership with Craigmillar Now, an arts and heritage centre based in Craigmillar, who hold Sandra’s collection in their community archive, and is part of the Edinburgh Art Festival.
Opening on 27 June and running until 27 September 2026, the exhibition brings together photographs spanning more than two decades, many of which will be shown publicly for the first time. Drawn from Sandra’s extensive archive, the exhibition offers a powerful portrait of Edinburgh’s communities and explores themes of identity, activism, motherhood, belonging, and social justice.
Born in Nottingham and raised between Jamaica and the UK before settling in Edinburgh, she became widely known for her work as a community organiser and advocate. Alongside this, she developed a prolific photographic practice, documenting everyday life across Edinburgh and beyond from the late 1970s through to the early 2000s.
Through her lens, she captured both intimate personal moments and wider social movements, creating a remarkable visual record of the city and the people who shaped it. Her photographs are united by a deep sense of humanity and a commitment to representing people with dignity, openness, and care.
The exhibition takes its title from Sandra’s own words: her desire to “start from the level people are based”. This guiding principle informed her work throughout her life, resulting in an extraordinary body of photography that remains as relevant and resonant today as ever.
Culture and Communities Convener Margaret Graham said: “Sandra George’s photographs offer an invaluable record of Edinburgh and its communities, seen through the eyes of someone deeply committed to social justice, equality, and human connection.
“This landmark exhibition celebrates not only her extraordinary talent as a photographer, but also her lasting contribution to the cultural and community life of our city.
“We are proud to bring this important body of work to audiences and ensure that Sandra’s legacy continues to inspire future generations.”
In addition to the exhibition at City Art Centre, a special outdoor presentation of Sandra’s work will be displayed on street-side billboard and poster sites across Edinburgh from 22 June for three weeks in partnership with BuildHollywood.
Featuring photographs taken throughout the city, the displays will appear in Fountain Park, Teviot and Meadowbank, bringing George’s images directly into the public spaces she documented.
Virgin Money to offer Safe Spaces across 42 of its branches to support those impacted by domestic abuse
Nationwide Group provides more Safe Spaces on the high-street than any other financial services organisation as it pledges to keep all branches open until at least 2030
Research shows alcohol-related domestic abuse reports rose by 47 per cent on the day of an England victory at a World Cup or European Championship
Nationwide backs Hestia’s #SupportIsATeamSport campaign and urges anyone experiencing abuse to reach out for support
Nationwide is rolling out domestic abuse Safe Spaces across 42 Virgin Money branches as part of a commitment to tackling physical and financial abuse. It will bring the total number across Nationwide’s branch network – the UK’s largest – to 475.
Safe Spaces are private, confidential areas in branches where anyone experiencing domestic abuse can access support, make calls to specialist charities, and find safety away from their abuser.
Hestia, the specialist domestic abuse charity that runs the safe space initiative nationally, has confirmed Nationwide now leads the financial services sector in physical safe space provision, with 475 locations available across Nationwide and Virgin Money branches, and 82 of these in locations where Nationwide are the last branch in town.
The announcement comes as England prepares for its first FIFA World Cup 2026 game this evening against Croatia. Statistics show that during Euro 2024, police forces recorded 351 domestic abuse incidents classified as football-related – an 82 per cent increase on the 193 recorded during Euro 2021.
Researchers at Warwick Business School separately found that alcohol-related domestic abuse reports rose by 47 per cent on the day of an England victory at a World Cup or European Championship – meaning a win offers no protection for survivors.
Support for people impacted by domestic abuse:
Throughout the World Cup, Nationwide is backing Hestia’s #SupportIsATeamSport campaign, which encourages people to recognise the signs of abuse and download Bright Sky – a free, confidential app offering practical advice and access to local and national support services. The app also helps users find their nearest Nationwide or Virgin Money Safe Space and provides guidance on how to support someone safely. Customers can also locate their nearest Nationwide Safe Space using Nationwide’s Branch Finder.
Alongside its expanded Safe Spaces network, Nationwide offers a comprehensive package of support for those experiencing abuse, including a partnership with leading domestic abuse charity Refuge, providing specialist advice and emergency support. People can also access Shout, a free 24/7 confidential mental health text service, available around the clock.
For those experiencing financial and economic abuse – one of the most controlling forms of domestic abuse – Nationwide has introduced a pioneering in-app payment reference blocking feature, enabling survivors to stop seeing abusers threatening or coercive messages through bank transfers.
Mandy Beech, Director of Retail Services at Nationwide, said:“We urge anyone experiencing abuse to reach out – our in-branch Safe Spaces are here to support you.
“We know that a bank or building society might not be the most obvious or conventional place to turn in a moment of crisis, but through our charity partners and the tools we have built, there are real, practical things we can do to help people get the support they need.
“Colleagues across more than 600 branches have participated in our domestic abuse awareness training, because no one should face this alone.”
Sue Harper, Deputy Director | Domestic Abuse & Sexual Violence Prevention at Hestia said: “Hestia’s Support is a Team Sport campaign shines a light on domestic abuse during men’s football tournaments.
“While football does not cause abuse, we know that existing abusive behaviour often intensifies on match days. Heightened emotions and increased alcohol consumption can escalate harm, leaving victim-survivors dreading match days and feeling unsafe in their own homes.
“This summer, we all have a role to play. We can help people feel less alone and ensure they get the support they need. That means being alert to the signs of abuse, downloading the Bright Sky app, and checking in on those who may be at risk- before, during and after games”.
Anyone concerned about themselves or someone they know can visit a Nationwide or Virgin Money branch Safe Space, text Shout – the free mental health text service – on 85258, contact Refuge at nationaldahelpline.org.uk, or call them on 0808 2000 247.
