The award-winning Amber Restaurant at The Scotch Whisky Experience has announced a series of food and drink offerings to celebrate its 25th anniversary. To mark the milestone, the restaurant has launched two retrospective menus featuring some of Amber’s most memorable dishes from the past 25 years, alongside a specially created anniversary cocktail, the Amber ’25.
Since opening in 2001, Amber has helped champion whisky pairing and whisky-led cooking within Scotland’s dining scene, pairing dishes with whiskies from all five whisky producing regions.
At the heart of the celebrations is the limited-edition ‘Taste of Scotland’ menu, running across two periods, 20th – 24th May and 23rd – 30th November. Curated by Executive Chef David Neave, who has led the kitchen since the restaurant opened, the menu revisits a selection of standout dishes from the past 25 years. Each course reflects the evolution of Scottish seasonal ingredients and Amber’s distinctive approach to whisky-infused cuisine.
David Neave, Executive Chef at Amber Restaurant, said: “Reaching 25 years at Amber Restaurant is a hugely proud moment for all of us. This anniversary menu, created by our team of chefs, is an opportunity to celebrate the very best of Scottish produce and revisit the dishes that have helped define who we are, as a restaurant, over the years.
“Whisky has always been central to our cooking, not only as a pairing, but also as an ingredient that can bring real depth and character to a dish. Looking back at these menus has been incredibly special and reflects the journey Amber has been on over the past 25 years.”
Amber was also the restaurant that introduced the concept of Scottish tapas, creating small plates designed to give visitors from around the world the opportunity to experience a broad taste of Scotland in one sitting. A quarter of a century on, the concept remains at the heart of the restaurant, with a celebratory Scottish tapas offering running throughout the anniversary year and featuring guest favourites from across the decades.
Wendy Neave, Head of Events and daughter of Executive Chef David Neave, said: “Amber Restaurant is extremely special to our family. My father, David, has led the kitchen with real passion since the beginning, and my brother Michael has also played an important role in the kitchen over the years, following in his father’s footsteps, so it’s something we’ve all been closely connected to.
“Our team have always been passionate about showcasing the very best of Scotland to our guests, and that’s what led to the creation of our Scottish tapas concept. We wanted visitors to have the opportunity to experience a wide variety of Scottish dishes and flavours in a small plate format.”
To find out more about The Scotch Whisky Experience’s Amber Restaurant please visit Amber Restaurant.
POLICE are appealing for information to help trace a man missing from Edinburgh.
Christopher Rodger, 53, was last seen in the Gyle area around 9am yesterday (Friday, 29 May, 2026).
He is described as being around 5ft 10in in height, of slim build, with short dark hair. When last seen he was wearing a khaki bucket hat, a khaki jacket, a black t-shirt, black trousers and white trainers.
He is known to frequent the Meadows city centre area.
Inspector George Nisbet said: “It is unusual for Christopher not to be in touch with his family and as time passes concerns are growing.
“I am appealing for anyone who has seen Christopher or who has any information on his whereabouts to contact us.
“I would also ask anyone who was in the area who may have dash cam or private CCTV footage which could assist to get in touch.”
Anyone with any information is asked to contact 101 quoting reference 3889 of 29 May, 2026.
A CELEBRATION OF THE PAST, THE PRESENT & THE FUTURE OF TRAD IN EDINBURGH
Multi-award winning Scottish folk band Session A9 closed this year’s Edinburgh Tradfest with a standout live performance, and multiple encores at the Traverse Theatre on Monday 11 May.
The festival ran from (1-11 May) and included 11 days of live music, talks, workshops, folk film screenings and storytelling, thanks to continued support from Creative Scotland and the William Grant Foundation.
This year’s programme of over 60 events, was a tremendous success, with organisers enjoying:
● A 9% increase in ticket sales to music events at the Traverse Theatre.
● Multiple sell-outs including award-winning Connemara singing sensations Séamus and Caoimhe, Kim Carnie, Eilidh Shaw and Ian Carr, The Onlies, Deiseil: Dancing in Time, Nexus Project, Dick Gaughan in conversation and Session A9.
● Standing ovations for multiple performers including: Rajasthani folk trio SAZ; and Ukrainian folk musician and live-looping artist GANNA.
● Free pop up performances from Astro Bloc at Edinburgh Airport, SAZ at the Aroma Restaurant and Bar in Broxburn, and Dauntless at Nobles Bar in Leith.
● An increase in audiences aged under 26 thanks to the festival’s £9 ticket offer for younger audiences. Under 35s up from 21% to 25%
● A more international audience than ever before with 21% of the audience from outside the UK, whilst still being popular in the local area – 73% from Scotland (55% from Edinburgh).
Copyright_Douglas RobertsonEdinburgh
This year’s music commission A’Chiad Litir, (The First Letter) also received 5-star reviews.The piece, inspired by the life of sixteenth-century lesbian love poet Marie Maitland, touched on questions of language, identity and the notion of queerness and was created and performed by renowned singer songwriter and composer Josie Duncan.
Joining Josie was a stellar line-up of musicians including; Charlotte Printer (bass and vocals), Chloë Bryce (fiddle), Eilidh Rogers (percussion), Jenny Clifford (guitar) and Ashley Douglas (spoken word) who read one of Marie Maitland’s poems addressed to another woman she loved.
Other stand-out highlights from this year included trad powerhouse RURA and newcomers Astro Bloc who played to a lively crowd on opening night at Potterrow; The Complete Recordings of Hezekiah Procter – a live vaudeville act, featuring old-time music performed on fiddles, banjos and sousaphone; Isla Ratcliff’s Scottish trad reinterpretation of Vivaldi’s The Four Seasons; and award-winning folk singer Fiona Hunter taming toddlers with her interactive music session for under 5s and above.
Further afield, the hugely successful Folk Film Gathering supported by Screen Scotland, drew in the crowds with its popular programme of Scottish and international films, many accompanied by live scores or introductory talks.
In particular, the launch of Faodail | Found Outer Hebrides Film Archive website which featured live music from acclaimed accordionist and composer Pàdruig Morrison with fiddler and Gaelic singer Claire Frances MacNeil; the world premiere of a new documentary exploring the life and work of tradition bearer Jimmy Hutchison; Celtic Utopia which celebrates Ireland’s current folk renaissance and features many bold, funny, and politically outspoken young Irish folk musicians including Lankum and The Mary Wallopers; the UK premiere of Italian documentary Canone Effimero which showcases the raw energy and some of the vibrant folk traditions of Italy; and a curated selection of early, rarely-seen silent films by Scottish legendary film maker Bill Douglas.
Over at the Scottish Storytelling Centre, crowds gathered on Living Heritage Discovery Day to hear Ireland’s folklore aficionado Michael Fortune talk about Intangible Cultural Heritage and tradition-bearing.
Plus, throughout the festival, the Centre’s popular ‘What is…’ series of talks explaining what makes traditional dance, music,crafts, Gaelic, and Scots, truly traditional, drew audiences from all over, keen to hear from the experts about what makes each artform unique.
Lauren Paterson, Head of Programming at the Scottish Storytelling Centre said: “During the year of the Scottish Storytelling Centre’s 20th birthday, it’s been a joy to welcome audiences, performers and tradition-bearers alike to celebrate the richness, liveliness and variety of Scotland’s living heritage as part of Edinburgh Tradfest.
“From hands-on Come and Try sessions and workshops to explorations of traditional culture and identity through conversation and performance, it’s been inspiring to see so many people engaging with traditions and making connections with their own experience.”
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “We are delighted and encouraged with how Edinburgh Tradfest went this year. To have audiences up by 9% is a real achievement especially in tough economic times.
“We are also extremely happy to see the numbers rising amongst the younger age groups. One of the many highlights for 2026 was the move into other areas of the city with some entertaining (and free) pop up performances.
“We hit Broxburn, Turnhouse and Leith this year, and are already planning to pop up in some other unusual locations for 2027.”
Edinburgh Tradfest will return from 30 April to 10 May 2027.
Gilded Balloon today announces the launch of its Show Support Fund, a new initiative designed to help artists overcome the growing financial barriers of bringing work to the Edinburgh Festival Fringe.
Delivered by Gilded Balloon Futures Ltd, the organisation’s registered charity, the fund marks a significant step in expanding Gilded Balloon’s long-standing commitment to artist development. Gilded Balloon Futures was originally established following the Cowgate fire and relaunched at the end of 2025 as part of Gilded Balloon’s 40th anniversary, with a renewed focus on supporting artists and sustaining the future of the Fringe.
At its core, the Show Support Fund will raise commercial, public and charitable donations to directly support artists in Gilded Balloon’s annual Fringe programme. With the cost of participating in the Fringe continuing to rise, the fund aims to ensure that more artists, particularly those with distinct voices and limited financial means, can bring their work to Edinburgh.
The fund is designed to be flexible and collaborative, allowing donors to support the kinds of artists and projects they are most passionate about, while Gilded Balloon identifies productions that would most benefit from additional backing. Funding may contribute to a wide range of artist’s needs, including marketing, rehearsal space, creative support, travel, accommodation and wellbeing.
Alongside the Show Support Fund, Gilded Balloon Futures will also support the So You Think You’re Funny? Artist Development Programme, helping to cover the costs of the competition and providing vital opportunities for emerging comedians. This includes financial assistance for travel and accommodation for selected performers, removing one of the biggest barriers to accessing the fringe.
In its inaugural year, the Show Support Fund has been kickstarted by a generous contribution from globally acclaimed comedian, writer and composer Tim Minchin alongside his wife Sarah Minchin, their donation will support five shows selected by Gilded Balloon Artistic Directors Karen Koren and Katy Koren, focusing on solo performers with bold voices and sharing personal stories across comedy and theatre.
Tim Minchin who first found major success at Gilded Balloon at the Edinburgh Fringe in 2005 has particular interest in supporting artists who have struggled with mental health issues who may require additional support to make the Fringe achievable with their work.
In 2026, a total of £10,000 has been raised for the Show Support Fund which will be split between five supported artists as follows:
These productions represent a mix of emerging and established voices, each facing unique challenges in bringing their work to the Fringe, from international travel costs to personal circumstances and the realities of early-career development.
Support from the fund will directly impact these artists’ ability to present their work, whether through financial relief, creative resources, or practical adjustments that make participation possible.
Karen and Katy Koren, Artistic Directors of the Gilded Balloonsaid: ““For over 40 years, Gilded Balloon has been a home for artists at every stage of their careers, from first-timers to global stars. But the reality now is that the financial barriers to getting to the Fringe are higher than ever.
“We are delighted to finally launch this fund which has been a long time coming and is about protecting what makes the Fringe special, taking risks on new voices and giving artists the chance to be seen – something we’ve always prioritised at Gilded Balloon. We want to work with supporters who believe in that mission and help us keep those doors open.
“Every year we meet extraordinary artists with urgent, exciting work who simply can’t afford to bring their work to the Fringe. The Show Support Fund and the So You Think You’re Funny? Artist Development programme – both delivered by Gilded Balloon Futures – allow us to raise funds for where it matters most.
“Whether that’s helping artists to cover travel or accommodation costs, giving artists proper time and space to develop their work, or supporting their wellbeing during what can be an incredibly intense month.
“It’s practical, targeted support that can genuinely change the trajectory of someone’s career and we are eternally grateful to our pal, Tim Minchin, for being the first to support the Show Support Fund.”
Tim Minchinsaid: “Late one night in March, 21 years ago, a furiously passionate woman with a strong Scottish accent called me up and demanded I go to the Gilded Balloon.
“I didn’t know what the fuck a Gilded Balloon was, and I was deeply cautious, because I’d spent ten years grafting away, and didn’t really believe in big breaks. But a big break is exactly what that phone call was.
“Karen Koren – and now her daughter Katy – have remained loyal friends and passionate supporters for two decades, and it’s a huge privilege to be able to support them a bit as they head into their 41st Fringe.”
A CALL TO THE INDUSTRY
Gilded Balloon hopes that the Minchins’ contribution will inspire others, particularly alumni, industry partners and Fringe supporters, to invest in the next generation of performers.
As one of the Fringe’s longest-running venues, Gilded Balloon has played a pivotal role in launching the careers of countless comedians and theatre-makers. The Show Support Fund represents a new chapter in that legacy, ensuring that talent, not financial means, remains the driving force behind who gets to take part.
By contributing to the fund, supporters will play a direct role in shaping the future of the Fringe, enabling more artists to take risks, share their stories, and reach new audiences on one of the world’s most important cultural stages.
The nationwide search is on to find 9,000 volunteers across the country who will be at the heart of the historic Tour de France Grand Départs in summer 2027.
Officially known as JOY Makers, named in line with the Grand Départs’ social impact programme, volunteers will be the heartbeat of both races, bringing the joy of cycling to fans and communities throughout the six stages, and helping to ensure the sport’s most iconic races runs seamlessly.
You can apply now to be a JOY Maker for any of the six stages of the 2027 Grand Départs via www.letourgb.com/volunteer with registrations open from Wednesday 27 May until Tuesday 1 September 2026.
Anyone aged 16 and over is encouraged to apply to be a JOY Maker, with no prior volunteering experience needed to share in this once-in-a-lifetime experience – playing a part in what is set to be Britain’s most-attended sporting event, whilst making lasting memories and developing new skills.
A range of roles to support event operations and enhance spectator experience are available on both the Tour de France and Tour de France Femmes avec Zwift, with full training provided.
To mark the opening of applications and launch the programme, TV presenter and broadcaster Radzi Chinyanganya joined a group of current volunteers getting behind the Grand Départs.
Radzi Chinyanganyasaid: “I wouldn’t be where I am today if I wasn’t a volunteer when I was in my teens. I was a media volunteer and now I’m working in media – I’m living proof that volunteering can lead to something amazing. I’m so excited for everyone to get involved – it will truly be an unforgettable experience.
“Knowing what you want to do when you’re young can be intimidating and it’s also unprecedently hard to get work experience at the moment. Applying to be a JOY Maker can help you explore new opportunities and navigate your career path, all whilst being part of making history.
“Whoever you are, whatever your age or your background – JOY Makers is open to everyone – if you want to bring joy, we want you.”
The JOY Makers programme is designed to be accessible to all, from those with experience volunteering at major events and British Cycling activities to first-time volunteers, in particular from underrepresented groups in volunteering, including 16–25-year-olds.
Those aged 18 to 25 years old will be eligible to join the Readiness to Work scheme, that will be launched as part of the JOY social impact programme. The scheme will provide a comprehensive package of employability skills training and career-focused mentoring across multiple sectors. Coupling this with the volunteering experience will provide young people with a well-rounded and practical work experience offer.
Together, the volunteer programme and Readiness to Work scheme aim to leave behind a passionate and skilled collective of volunteers, creating a lasting legacy for the Grand Départs in communities across the country. In addition to this legacy, British Cycling – supported by partners across the three nations – is urging government to commit £30million critical capital investment to deliver a range of new and upgraded cycling facilities across Britain, reaching underserved communities.
Culture and Communities Convener Margaret Graham said: “The Tour de France Grand Départ is a landmark moment for Edinburgh and a chance to share the beauty of our city with millions of people across the world.
“Beyond the excitement of the race itself, the event will bring lasting benefits by supporting local businesses, improving health and wellbeing, and helping strengthen our commitment to active travel.
“We know how valuable volunteering is to make sure major events and festivals run safely and smoothly, as they have done so often here in Edinburgh, but also how rewarding it is for the volunteers themselves.
“I’d urge anyone interested to get involved and apply – and to play a part in this incredible occasion.”
Commenting on the launch of the application portal, Tracy Power, on behalf of JOY, the Grand Départ GB 2027 social impact programme, said: “This is a truly unique volunteering offer and a once-in-a-lifetime opportunity to feel the buzz of being a part of a history-making event, while meeting new people and celebrating your local community.
“The JOY Makers programme will create a core of engaged volunteers across Britain, who are willing to show up and get stuck in, dedicating their time to bring local events and activities to life. This will not only benefit the cycling community but also help our local communities to thrive and bolster employability.
“Whether you have volunteered before, are a regular on a bike or are completely new to volunteering and the world of cycling, everyone is welcome as a JOY Maker. We can’t wait to have you join the team, help us celebrate the joy of cycling and showcase your communities through the Grand Départs.”
To stay up to date with the 2027 Grand Départs and find out more about all six stages, visit letourgb.com
Holyrood will see a mass gathering of citizens on bicycles, tandems, hand-cycles, cargo bikes, recumbent cycles and trikes, riding a closed route from the Meadows to the Scottish Parliament calling for a cycle-safe Scotland.
Riders will join the mass demonstration from ‘feeder rides’ leading in from all over the city, with many supporters coming in from across the country by train and bus with their cycles in tow.
Returning for its fourteenth action since its inception in 2012, Pedal on Parliament has consistently called for safer conditions for walking and cycling in Scotland through mass rides in Edinburgh and beyond, demonstrating the demand and scale of support for everyday cycling.
Their renewed manifesto for 2026 calls for a wide range of interventions for cycling and road safety, ranging from adequate funding allocation and building on the successes of protected infrastructure already built, to calls for greater enforcement powers for police to tackle unsafe driving, and presumed liability for motorists in the event of collisions.
Alex Robertson, Pedal on Parliament co-organiser, said:“Cycling for everyday journeys can be an accessible and healthy option for folks young and old alike, provided action is taken on adequate funding, protected infrastructure and addressing road dangers.
“More people choosing to travel by cycle provides all manner of benefits: for mental and physical wellbeing, taking pressure off our health service; enabling quicker and more enjoyable commutes; but also in reducing congestion, wear on our roads and air pollution along the way.
“We know from the Scottish Walking and Cycling Index that many people would like to cycle more, but nearly half of those surveyed didn’t believe their local area was safe enough. And in the countries and cities where these matters are addressed, real economic and social benefits are being realised that Scotland is currently missing out on. We think everyone should have a real choice in how they travel.”
The ride will end outside the Scottish Parliament with a gathering on the grass to hear speeches from MSPs and organisers, along with the departure of other cycle rides and a fundraising bake sale.
A NEW partnership between leading beauty education provider The Academy Glasgow and One Spa at Sheraton Grand Hotel & Spa Edinburgh is set to create a fresh pathway into the wellness industry, helping tackle therapist shortages while developing the next generation of spa professionals.
The initiative will see aspiring therapists undertake a structured scholarship-style training programme delivered by The Academy Glasgow, combining recognised qualifications with practical, hands-on experience within the live spa environment at One Spa.
Designed to support people entering the profession from a range of backgrounds, the programme blends classroom learning, practical assessments and workplace immersion to provide trainees with the skills, confidence and commercial understanding needed to build lasting careers in spa and wellness.
Fiona Young, Spa Director at One Spa, said: “This is about building careers, not filling vacancies. By combining high-quality education with genuine hands-on experience in a real spa environment, we’re creating a more modern pathway into the profession.
“Traditional three-year routes are not always realistic for everyone, but at the same time, one-day courses are not the answer either. Delivering treatments professionally requires far more than simply learning techniques, therapists need a proper understanding of anatomy and physiology, health and safety, client care and the guest experience.
“Partnering with The Academy Glasgow allows us to create a genuine pathway into the profession, giving people the highest standard of training alongside real-world experience from day one.”
Through the programme, trainees will work towards a globally recognised CIBTAC qualification in massage and facial therapy, delivered by The Academy Glasgow, while employed by Sheraton Grand Hotel & Spa Edinburgh throughout the process.
Founded as one of Scotland’s leading specialist training providers in beauty and wellness education, The Academy Glasgow is known for delivering industry-recognised qualifications and preparing students for successful careers across the spa and aesthetics sectors.
The Academy’s practical-led teaching model ensures trainees graduate with both the technical expertise and professional standards expected by premium wellness employer like the Sheraton.
Jenny Storey, Director of The Academy said: “We are absolutely delighted to welcome One Spa at Sheraton Grand Hotel as one of our new spa partners and incredibly grateful that such a prestigious spa has placed their trust in our Spa Therapist Traineeship programme.
Over the years, we have built multiple successful spa partnerships and have remained committed to delivering highly skilled, professional therapists who are truly prepared for the industry.
At the heart of everything we do is a genuine passion for raising standards within the spa and wellness sector. We care deeply about setting our learners up for long-term success, not only by developing their technical ability, but by inspiring confidence, professionalism, and a true passion for the industry.
By training our learners through globally recognised CIBTAC qualifications, we are able to give aspiring therapists the strongest possible foundation at the very beginning of their careers. We are excited to work alongside One Spa to help shape the next generation of exceptional spa professionals.”
Among the first to join the programme are Gaia and Poppie, two aspiring therapists entering the profession from very different backgrounds.
Originally from Milan, Gaia previously worked in marketing and has long held an interest in wellness, having grown up around alternative therapies through her mother’s work as an Ayurvedic therapist.
She said: “Wellness has always been something I’ve been passionate about, so having the chance to turn that into a career in such a supportive environment is incredibly exciting.
“It feels like the perfect opportunity to build something long term.”
Poppie, who has worked across a variety of hospitality roles, previously completed massage training through evening classes before deciding to pursue spa therapy professionally.
She said: “I always knew I enjoyed this kind of work, but I wanted the opportunity to explore it properly and develop real expertise.
“This gives me the chance to learn in a hands-on environment while building towards a genuine career.”
Alongside formal teaching at The Academy Glasgow, trainees will receive mentorship from senior One Spa therapists and gain exposure to every aspect of spa operations, including guest journeys, reception and behind-the-scenes service delivery.
This holistic training approach is designed to create well-rounded professionals equipped for long-term success within the sector.
Fiona added: “What sets this apart is the depth of experience. This is not simply a qualification — it’s a full introduction to the profession, delivered through expert education and immersive workplace learning.
“We want people to leave this programme feeling confident, capable and proud of the standards they’ve been trained to uphold.”
As demand for premium wellness experiences continues to grow, partnerships between education providers and employers are expected to play an increasingly important role in strengthening the future workforce of the spa industry.
Located in the shadow of Edinburgh Castle, Sheraton Grand Hotel & Spa Edinburgh blends contemporary Scottish style with five-star hospitality, while One Spa remains one of Scotland’s leading luxury wellness destinations.
Fruitmarket opens an exhibition championing the creativity of Edinburgh primary school pupils
Fruitmarket’s Creative Connections exhibition marks the culmination of a pioneering three-year programme that places artists in schools to embed creative learning in the classroom. This year’s Creative Connections exhibition will be open to the public on 29.05.26–31.05.26 from 11am–6pm at Fruitmarket, Edinburgh.
The exhibition features artwork inspired by Fruitmarket’s programme, created by Primary 5–7 pupils across six primary schools in South Edinburgh: Craigour Park, Gracemount, Gilmerton, Liberton, Prestonfield and St Catherine’s R.C. Primary.
Since 2023, Fruitmarket has worked in close partnership with classes across the six primary schools in South Edinburgh. The schools have been paired with practising visual artists who have been in residence at the schools, working with pupils on creative projects supported by regular visits to the gallery.
The six artists are Alice Dansey-Wright, Coral Brookes, Georgie Fay, Greer Pester, Kate Temple and Lorna Gallagher. Through regular professional development sessions, Lead Artist Louise Fraser has supported teachers to develop new skills and the confidence to embed arts pedagogy in the classroom across the three years.
Creative Connections was created by Fruitmarket, in close collaboration with participating schools, in response to a demand for creative provision in Primary schools and a focus on pupil wellbeing and confidence following the Covid-19 Pandemic. The project was made possible at this scale and depth through a multi-year grant from Paul Hamlyn Foundation and now has set a benchmark for educational visual arts programmes in Scotland.
Over three years, 757 pupils aged 8 – 11, 23 classroom teachers and six headteachers have participated.
Artists worked with the same classes across the academic year, providing consistent mentoring for pupils and ongoing support for classroom teachers. At the end of each year, pupils showcased their work in a public exhibition celebrating achievement and strengthening connections between schools, families and the gallery.
This year’s cohort has drawn inspiration from recent Fruitmarket exhibitions including What Is Us and What Is Earth, by Glasgow-based artist Ilana Halperin and Wilding, by the Indigenous American artist Jaune Quick-to-See Smith.
One Headteacher said: “I think what’s really made the difference in this project is the fact that we have had the opportunity to work over a number of years. It is not unusual for us to be able to have a project that comes in for a term or a couple of lessons and children enjoy it and they go away afterwards, but it’s that sustainable impact that we don’t necessarily see to the same degree.
“The chance to build up a relationship with an actual artist, to build up a relationship with a gallery has a huge impact for the staff, for the school, also for the children as well, who really, I think, feel that the Fruitmarket is their gallery because of this extended time they’ve had together.
“That depth of the project has been something I’ve not actually seen that before in a project I’ve worked with in my 30 years in education.”
Fiona Bradley, Fruitmarket Director, said: “Over the course of three years, though our ongoing project evaluation, we have seen how working closely with artists in the inclusive context of contemporary art spaces –where there are no right or wrong answers – can help both pupils and teachers express themselves and grow in confidence.
“The annual exhibitions of pupils’ and teachers’ work at Fruitmarket are something we look forward to every year and give our audiences the opportunity to share in a moment of pride with pupils, teachers and families.
“We are very proud that the project has become so valued by the schools, and we have committed to continue to deliver the programme in the new school year in a sustainable form. We are actively fundraising for the continuation of the project and we are very grateful to the funders who are already help make this possible.”
Kevina Khan, Grants Manager, Paul Hamlyn Foundation, said: “Creative Connections shows the incredible things that can happen when artists, teachers and pupils collaborate.
“Through the programme, artists-in-residence and teachers have been building meaningful relationships and finding ways to bring the expressive arts into the curriculum for excellence.
“The impact on children’s educational outcomes, confidence, wellbeing and engagement is powerful.
“The professional learning element of the programme means that these creative approaches to teaching and learning will have a lasting legacy.”
ACROSS JUNE AND JULY, SCOTLAND’S FLAGSHIP CINEMA, FILMHOUSE IN EDINBURGH CELEBRATES ONE YEAR OF ITS DOORS BEING REOPENED
SPECIAL EVENTS INCLUDE IAN RANKIN AND JUSTIN JOHN DOHERTY IN CONVERSATION ON NIC ROEG’S ICONIC DON’T LOOK NOW
SPECIAL SCREENINGS OF BIG SCREEN CLASSICS 2001 A SPACE ODYSSEY IN 70MMAND CINEMA PARADISO AND NEW HOMEGROWN GEMS INCLUDING THE FALL OF SIR DOUGLAS WEATHERFORD
A FILM LOVERS PARADISE WITH PROJECTION BOX TOURS, LIVE MUSIC AND SPECIAL DISCOUNTS ACROSS THE CINEMA’S BIRTHDAY WEEKEND
Edinburgh’s landmark cinema Filmhouse is marking one year of its doors being reopened to the public with a special series of birthday events which celebrate the big screen experience.
Across June, the cinema’s 1st birthday day weekend of 26th – 28th June and into July, Filmhouse will screen an extra special selection of films and events showcasing all that the cinema has to offer and is loved for.
Stanley Kubrick’s seminal 2001 A Space Odyssey (1968) will screen from 5 June in eye-popping 70mm alongside new cinematic visions screening in June including the darkly funny and eccentric new feature The Fall of Sir Douglas Weatherfordfrom Edinburgh-born filmmaker Sean Robert Dunn starring Scottish screen legend Peter Mullan.
Other new films coming to the cinema soon include Steven Spielberg’s hotly anticipated Disclosure Day, Rohan Kanawade’s beautifully romantic Cactus Pears and back on the big screen, Paul Thomas Anderson’s cult hit Boogie Nights.
Audiences will also be treated to the first film that screened at the cinema when it reopened in June last year: an ode to the beauty of the cinemagoing experience, Giuseppe Tornatore’s Cinema Paradiso (1988).
On 3 July, Filmhouse is excited to present a special screening of Nic Roeg’s iconic film Don’t Look Now followed by novelist Ian Rankin in conversation with writer Justin John Doherty to discuss Justin’s new book described as a ‘literary love letter’ to the film, Don’t Look Now and Then.
The discussion will not only touch upon their mutual love and fascination for the film, but also the detective work behind putting this sort of book together, finding the people who were there 50 years ago and uncovering never before seen archive and images that were thought lost to time.
The cinema’s recently launched We’ve Got a Cinema and We’re Not Afraid to Use It strand will see members vote on classic films that they are most excited to see on the big screen alongside the Team Birthday Picks strand which showcases staff favourites as well as highlights from across the programme since the cinema’s doors reopened.
Across the birthday weekend, cineastes can also get a glimpse into the hallowed ground of the Filmhouse’s projection boxes and there will be evening birthday party celebrations with live music. There will be special discounts on food and drink over the birthday weekend to coincide with the launch of a brand-new menu in the Filmhouse Bar Café.
Exclusive rewards will also run up to and across the birthday weekend for Filmhouse members, including the chance to be entered into a draw to win a Filmhouse lifetime membership. Special themed children’s screenings, craft activities, family face painting and games will take place as well as lots of birthday cake!
Filmhouse reopened to the public on 27 June 2025 after a remarkable three-year campaign to save the historic cinema backed by film lovers in Scotland and around the world and by A-list film talent including patrons Jack Lowden and Charlotte Wells, as well as Dougray Scott, Brian Cox, and Emma Thompson.
Filmhouse continues to be celebrated as a cultural cornerstone, showcasing world cinema in all its brilliance and diversity, from crowd-pleasing favourites and to avant-garde arthouse works, restored classics, and curated retrospectives.
With, a total capacity of 350 seats, the four-screen cinema is a hub for film enthusiasts, offering a cutting-edge cinematic experience, a vibrant social space, and a platform for film lovers and filmmakers to engage with the very best in global cinema.
Filmhouse’s technical capabilities include 70mm, 35mm, 16mm, 8mm, and digital projection. The cinema also includes a Clipster Unit for creating Digital Cinema Packages (DCPs) required for festival and theatrical distribution.
Built in a repurposed church on Edinburgh’s Lothian Road, Filmhouse has been a cinematic landmark since 1978. Following a £2 million refurbishment, Scotland’s leading independent cinema has been thriving since its reopening under new leadership and a vision which builds on the venue’s legacy as a space for learning and discovery, and a commitment to building a sustainable future for this iconic cultural landmark.
The completely refurbished Filmhouse Bar seats 100 people for lunch and dinner, with drinks available throughout the day, catering for many different communities with a welcoming atmosphere, and an emphasis on produce from Edinburgh and Scotland, offering great food and drink alongside environmental sustainability.
The glorious story of Filmhouse continues.
Andrew Simpson, Executive Director of Filmhouse, said:”The first year of the new Filmhouse has been quite a ride. Since June 2025, 125,000 people have sat down to watch a film here, and more than 200,000 have walked through the doors of our building.
“Re-establishing Filmhouse as a place for people to meet, socialise, eat and drink, enjoy themselves, and most thrillingly of all, experience the magic of cinema in all its forms has been a very special experience for all of us here.
“We welcomed the public back to the new Filmhouse ten days after finishing the first part of a huge refurbishment project, with a lot of work, including the opening of the brand-new Screen 4, carrying on after we had opened the doors.
“That we’ve delivered an enormously varied programme of films, events, educational work, and hosted dozens of festivals – from EIFF and the BFI London Film Festival to the French and Spanish Film Festivals, the Jali African Film Weekender, Take One Action, and many more – is a massive testament to our team, all the people we work with, and our brilliant audience.
“We’ve got lots of things we want to improve and build upon, and we’ve got big ambitions for the future. The first birthday celebrations are an important marker for us on that journey, and we want to take the opportunity to say a huge thank you to everyone who has supported us over the past year, and to extend an invitation to those who are yet to try out Filmhouse, by inviting you all to party with us in June.
“There’s something for everyone, and it’s going to be a lot of fun, and we hope to see you there (we’ll bring the cake). Cinema lives. ‘mon the hoose!”
Assembly Festival has announced the return of the Edinburgh Folk & Food Festival (EFFF) for a second year, with first tickets on sale this Friday 15th May.
Taking place in the city centre’s George Square Gardens from 24 Jul – 2 August, theEdinburgh Folk & Food Fest kicks off Assembly’s festival offerings with a mix of free and ticketed events for all the family.
Taking place in the Piccolo and Palais Du Variété in George Square Gardens, the festival will welcome local street food vendors, folk musicians from across the UK, workshops, masterclasses and more.
This year’s music lineup includes performances from critically acclaimed Scottish contemporary folk band Breabach, Mercury Prize nominated Seth Lakeman, trad fusion stars An Dannsa Dub and Indie trad fusion group Dlù.
The musical evolution of the beloved Edinburgh Food Festival, back for its second year at George Square Gardens, creates an accessible space for folk fans and food lovers alike, bringing Scotland’s rich folk heritage to the capital for ten days of the very best food to a soundtrack of folk and fusion.
With additional shows catered towards children, including Fringe favourites The Greatest Magic Show, Comedy Club 4 Kids and Explosive Science Show, EFFF is the ideal summer day out for all the family.
Assembly Festival Managing Director Dani Rae said:“We’re thrilled to be bringing back the Folk to the Edinburgh Folk & Food Festival for a second year after the huge successes of 2025.
“We’ve got an incredible lineup of the best folk music in Scotland and beyond, as well as some fantastic local food vendors to announce and we can’t wait for audiences to join us for a dance and a bite to eat.”
The first tickets for the Edinburgh Folk & Food Fest are on sale from 12pm Friday 15 May at edfoodfest.com.
