A CELEBRATION OF THE PAST, THE PRESENT & THE FUTURE OF TRAD IN EDINBURGH
Multi-award winning Scottish folk band Session A9 closed this year’s Edinburgh Tradfest with a standout live performance, and multiple encores at the Traverse Theatre on Monday 11 May.
The festival ran from (1-11 May) and included 11 days of live music, talks, workshops, folk film screenings and storytelling, thanks to continued support from Creative Scotland and the William Grant Foundation.
This year’s programme of over 60 events, was a tremendous success, with organisers enjoying:
● A 9% increase in ticket sales to music events at the Traverse Theatre.
● Multiple sell-outs including award-winning Connemara singing sensations Séamus and Caoimhe, Kim Carnie, Eilidh Shaw and Ian Carr, The Onlies, Deiseil: Dancing in Time, Nexus Project, Dick Gaughan in conversation and Session A9.
● Standing ovations for multiple performers including: Rajasthani folk trio SAZ; and Ukrainian folk musician and live-looping artist GANNA.
● Free pop up performances from Astro Bloc at Edinburgh Airport, SAZ at the Aroma Restaurant and Bar in Broxburn, and Dauntless at Nobles Bar in Leith.
● An increase in audiences aged under 26 thanks to the festival’s £9 ticket offer for younger audiences. Under 35s up from 21% to 25%
● A more international audience than ever before with 21% of the audience from outside the UK, whilst still being popular in the local area – 73% from Scotland (55% from Edinburgh).
Copyright_Douglas RobertsonEdinburgh
This year’s music commission A’Chiad Litir, (The First Letter) also received 5-star reviews.The piece, inspired by the life of sixteenth-century lesbian love poet Marie Maitland, touched on questions of language, identity and the notion of queerness and was created and performed by renowned singer songwriter and composer Josie Duncan.
Joining Josie was a stellar line-up of musicians including; Charlotte Printer (bass and vocals), Chloë Bryce (fiddle), Eilidh Rogers (percussion), Jenny Clifford (guitar) and Ashley Douglas (spoken word) who read one of Marie Maitland’s poems addressed to another woman she loved.
Other stand-out highlights from this year included trad powerhouse RURA and newcomers Astro Bloc who played to a lively crowd on opening night at Potterrow; The Complete Recordings of Hezekiah Procter – a live vaudeville act, featuring old-time music performed on fiddles, banjos and sousaphone; Isla Ratcliff’s Scottish trad reinterpretation of Vivaldi’s The Four Seasons; and award-winning folk singer Fiona Hunter taming toddlers with her interactive music session for under 5s and above.
Further afield, the hugely successful Folk Film Gathering supported by Screen Scotland, drew in the crowds with its popular programme of Scottish and international films, many accompanied by live scores or introductory talks.
In particular, the launch of Faodail | Found Outer Hebrides Film Archive website which featured live music from acclaimed accordionist and composer Pàdruig Morrison with fiddler and Gaelic singer Claire Frances MacNeil; the world premiere of a new documentary exploring the life and work of tradition bearer Jimmy Hutchison; Celtic Utopia which celebrates Ireland’s current folk renaissance and features many bold, funny, and politically outspoken young Irish folk musicians including Lankum and The Mary Wallopers; the UK premiere of Italian documentary Canone Effimero which showcases the raw energy and some of the vibrant folk traditions of Italy; and a curated selection of early, rarely-seen silent films by Scottish legendary film maker Bill Douglas.
Over at the Scottish Storytelling Centre, crowds gathered on Living Heritage Discovery Day to hear Ireland’s folklore aficionado Michael Fortune talk about Intangible Cultural Heritage and tradition-bearing.
Plus, throughout the festival, the Centre’s popular ‘What is…’ series of talks explaining what makes traditional dance, music,crafts, Gaelic, and Scots, truly traditional, drew audiences from all over, keen to hear from the experts about what makes each artform unique.
Lauren Paterson, Head of Programming at the Scottish Storytelling Centre said: “During the year of the Scottish Storytelling Centre’s 20th birthday, it’s been a joy to welcome audiences, performers and tradition-bearers alike to celebrate the richness, liveliness and variety of Scotland’s living heritage as part of Edinburgh Tradfest.
“From hands-on Come and Try sessions and workshops to explorations of traditional culture and identity through conversation and performance, it’s been inspiring to see so many people engaging with traditions and making connections with their own experience.”
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “We are delighted and encouraged with how Edinburgh Tradfest went this year. To have audiences up by 9% is a real achievement especially in tough economic times.
“We are also extremely happy to see the numbers rising amongst the younger age groups. One of the many highlights for 2026 was the move into other areas of the city with some entertaining (and free) pop up performances.
“We hit Broxburn, Turnhouse and Leith this year, and are already planning to pop up in some other unusual locations for 2027.”
Edinburgh Tradfest will return from 30 April to 10 May 2027.
The Royal Ballet and Opera has announced an exciting programme of cinema screenings throughout the 2026/27 Season.
The two companies present a range of works across the Season. The Royal Ballet performs beloved favourites including Kenneth MacMillan’s Manon and Romeo and Juliet, and Liam Scarlett’s Swan Lake. Christopher Wheeldon’s Alice’s Adventures in Wonderland will be specially broadcast over the Easter period, an ideal ballet for all the family, and The Royal Ballet celebrate Christmas with Peter Wright’s enduring classic The Nutcracker.
The Royal Opera present a mixture of revivals and new works. There will be two new opera productions, including the final installment of Barrie Kosky’s acclaimed Ring cycle, Götterdämmerung.Associate Director of The Royal OperaNetia Jones makes her Main Stage debut with a new staging of Così fan tutte, screened live in February. Two celebrated productions will also return to cinemas: the first revival of Director of The Royal OperaOliver Mears’ Tosca, and a revival of Damiano Michieletto’s Carmen.
The UK cinema season also includes two new productions from The Metropolitan Opera, New York. In October, opera fans will be treated to a brand-new production of Macbeth from director Louisa Proske, who makes her debut with the company.
UK audiences will also be able to enjoy The Metropolitan Opera’s La Fanciulla del West in a new staging by British director Richard Jones.
Offering audiences a view from the best seat in the house, the RBO cinema Season shares the joy of live performance and the beauty of world-class ballet and opera with audiences in more than 1,500 cinemas and 50 countries around the world.
Cinema audiences can enjoy exclusive extra rehearsal and behind the scenes films during the intervals with specialist presenters offering an insight into the workings of the Royal Ballet and Opera.
Director of The Royal Opera, Oliver Mears said:“It is fantastic to be able to share our exhilarating productions with our cinema audiences and this season there is much to enjoy.
“Barrie Kosky’s Ring cycle continues to thrill and excite audiences, and I have no doubt that Götterdämmerung will complete the cycle with breathtaking wonder.
“Our Associate Director Netia Jones makes her Main Stage debut with a contemporary spin on Mozart’s Così fan tutte whilst enduring classics such as Tosca and Carmen also demonstrate why opera is the most captivating and visceral artform out there.”
Director of The Royal Ballet, Kevin O’Hare said:“Sharing The Royal Ballet’s live cinema relays with audiences across the globe is always incredibly special, and this Season we are delighted to bring you a wonderful selection of ballets to delight and entertain.
“Our magical productions of The Nutcracker and Alice’s Adventures in Wonderland will enchant families and audiences of all ages, while the dramatic tension of Kenneth MacMillan’s Romeo and Juliet contrasted with the pure classicism of Swan Lake make for a brilliant showcase of the artistry and virtuosity of our dancers. I very much look forward to sharing these special moments with you all.”
2026/27 Cinema Season
Macbeth | The Metropolitan Opera In cinemas: Tuesday 20 October 2026 UK only
With hair-raising drama and spectacular singing, two of opera’s most extraordinary artists star in Macbeth, Verdi’s thrilling take on the immortal Shakespearean tale of the scheming couple determined to seize power at any cost.
Following past triumphs in many of Verdi’s signature baritone roles, Quinn Kelsey is the Scottish king haunted by the ghosts of his murderous ascent to the throne, opposite Lise Davidsen—the world’s reigning dramatic soprano—as the power-mad Lady Macbeth, whose ruinous ambition damns them both.
Met Music Director Yannick Nézet-Séguin takes the podium for a penetrating production by Louisa Proske, a brilliant young director making waves around the world. Rounding out the all-star cast are tenor Freddie De Tommaso as the heroic Macduff and bass-baritone Ryan Speedo Green as Macbeth’s friend-turned-victim Banquo.
Manon | The Royal Ballet Live in cinemas: Tuesday 27 October 2026
In the seedy underbelly of 18th-century Paris, money is king. Nothing is sacred – even love itself can be bought for the right price. A native of this hedonistic underworld, Manon is caught between twin desires when she falls in love with the student Des Grieux. Steadfast and devoted, he offers the possibility of an honourable life. Yet, the riches promised by the world of Parisian society remain tempting…
In this signature work of The Royal Ballet, Kenneth MacMillan’s nuanced understanding of human psychology makes for an unflinching look into the moral degradation of Manon’s Paris, while all its decadence and decay are brought to life through Jules Massenet’s score and Nicholas Georgiadis’ designs.
Carmen | The Royal Opera Live in cinemas: Tuesday 10 November 2026
Damiano Michieletto’s searing production returns, casting scorching light on the lust, violence and destructive desire of Bizet’s ever-popular opera.
An all-star cast brings this white-hot drama to life, with Ginger Costa-Jackson in the fiery title role, alongside Russell Thomas as the jealous and despairing Don José.
The Nutcracker | The Royal Ballet In cinemas: Tuesday 1 December 2026
Nothing says Christmas quite like The Nutcracker, and this year, The Royal Ballet celebrates the festive season with Peter Wright’s beloved ballet. Since its premiere in 1984, this much-loved production has become a Christmas classic. With Tchaikovsky’s stunning score and Julia Trevelyan Oman’s sumptuous designs, this festive favourite is a treat for the whole family, bringing the spirit of the original fairy-tale to life.
La Fanciulla del West | The Metropolitan Opera In cinemas: Tuesday 26 January 2027 UK only
Puccini’s exhilarating drama of the Wild West returns in a new staging by celebrated British director Richard Jones, marking the company’s first new production of La Fanciulla del West in more than 30 years. Soprano Sondra Radvanovsky adds to her already remarkable Met repertoire, making her role debut as the larger-than-life Minnie, the tough tavern owner with a heart of gold who finds love when she least expects it. Tenor SeokJong Baek is the dashing bandit who rambles into the remote California mining town to steal her heart, opposite baritone Christopher Maltman as the lawman determined to deliver rough justice—and win Minnie for himself. Maestro Keri-Lynn Wilson takes the podium to conduct one of opera’s most action-packed adventures.
Götterdämmerung | The Royal Opera Live in cinemas: Wednesday 3 February 2027
For the long-awaited finale of Wagner’s epic saga, director Barrie Kosky situates the rich apocalyptic drama in a contemporary world of dream-like turmoil. Antonio Pappano, Conductor Laureate of The Royal Opera, returns to take on the impassioned, otherworldly music – including Siegfried’s transporting Funeral March and Brünnhilde’s electrifying Immolation Scene.
The brilliant cast is led by Elisabet Strid, Andreas Schager and Mika Kares, who together with the full forces of the Orchestra of the Royal Opera House and the Royal Opera Chorus bring opera’s greatest journey to its shattering end.
Così fan tutte | The Royal Opera Live in cinemas: Tuesday 23 February 2027
In her Main Stage debut, Netia Jones, Associate Director of The Royal Opera, reimagines Mozart’s comedy of manners through a sharp contemporary lens, where 18th-century romantic trickery meets deeply satirical high-tech deceit. Taking on the roles of the lovers is an exciting young cast led by Louise Alder, Simone McIntosh, Mingjie Lei and Huw Montague Rendall, with Gerald Finley as their manipulative game-master Don Alfonso and Emily Pogorelc as Despina. Thomas Hengelbrock conducts, bringing out the exquisite melodies that underpin the provocative, and resolutely modern, themes at the heart of the opera.
Alice’s Adventures in Wonderland | The Royal Ballet In cinemas: Tuesday 23 March 2027
Christopher Wheeldon’s Alice’s Adventures in Wonderland bursts onto the stage in an explosion of colour, stage magic and inventive, sophisticated choreography.
Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. The result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment and ingenious music and design.
Swan Lake | The Royal Ballet Live in cinemas: Thursday 22 April 2027
Princess Odette is bound by a curse, turned into a swan by the evil sorcerer Von Rothbart. The spell can only be broken by a pledge of eternal love. When she meets Prince Siegfried, he is immediately enamoured by her fragile beauty and pledges to free her. but freedom is not promised for Odette as Von Rothbart conspires to thwart the lovers’ plans.
Liam Scarlett’s production for The Royal Ballet brings together Tchaikovsky’s towering score and John Macfarlane’s picturesque designs to create an enduring ballet spectacle of love, treachery and forgiveness.
Tosca | The Royal Opera Live in cinemas: Wednesday 5 May 2027
Floria Tosca and Mario Cavaradossi live for each other and for their art. But when Cavaradossi helps an escaped prisoner, the lovers make a deadly enemy in the form of Baron Scarpia, Chief of Police.
Oliver Mears’ acclaimed production returns, setting Puccini’s operatic thriller in a contemporary, war-torn Rome. Daniel Oren conducts Aleksandra Kurzak, who returns to the title role, joined by Saimir Pirgu as Cavaradossi and Christopher Maltman as Baron Scarpia.
Romeo and Juliet | The Royal Ballet In cinemas: Tuesday 25 May 2027
Shakespeare’s great love story is brilliantly retold through this modern ballet classic. The fervent longing of the star-crossed lovers is perfectly captured by Kenneth MacMillan’s impassioned choreography.
The flourishing of young love is just as present in Romeo and Juliet’s meeting on the balcony as in their final moments when they desperately cling to life in the tomb.
The nation’s finest young musical talent came together on Sunday 24 May at Glasgow’s Royal Conservatoire of Scotland, where 33 top musicians, representing each of Scotland’s 32 local authorities and the independent school sector, competed in the fifth prestigious Solo Performer of the Year Final.
Hosted by Ian Mills, the fifth annual Solo Performer of the Year competition showcased inspiring performances from Scotland’s finest young musicians, captivating the packed Stevenson Hall at the Royal Conservatoire of Scotland (RCS). With a lifelong commitment to education and a deep-rooted passion for music, Ian brought warmth, insight and enthusiasm to the role.
The winning performance was by singer Kai Fitzharris (age 18) from Greenock, who who was representing the Inverclyde region. His beautiful performance of The Roadside Fire by Ralph Vaughan Williams and Die Nacht by Richard Strauss wowed the audience and judges and saw him taking home not just the overall Winner’s trophy but also winning the voice category and the collaboration award for his interaction with his accompanist Claire Haslin.
Kai Fitzharris receives £1,000 to further his musical career and the Maid of Morven trophy crafted by Alexander Stoddart FRSE, the King’s Sculptor in Ordinary in Scotland.
As part of his prize package from the Royal Conservatoire of Scotland, Kai will benefit from a professional coaching session, the opportunity to participate in a masterclass, and a studio recording session to help develop his performance skills.
The judges awarded two runners-up. Bass guitarist Jake Kenny from North Ayrshire had the hall jumping with his virtuosic performance of Muse’s Hysteria and Primus’s Tommy the Cat.
And accordionist Daniel Small from Falkirk gave a brilliant performance of Yuri Dranga’s The Seagull, written by his tutor’s tutor, and Scottish traditional tune the Millers Reel in his own version of Ryan Corbett’s arrangement.
Both outstanding musicians will receive £250 towards their musical development, along with exclusive opportunities including a professional coaching session and masterclass placement at the prestigious Royal Conservatoire of Scotland (RCS).
The audience was treated to inspiring performances by young musicians from Shetland to Moray to Dumfries and Galloway as every area of the country was represented. A full array of instruments was also on display from marimbas to clarinets and trombones, accordions and bass guitar to piano and voice, creating a rich and diverse musical programme.
Continuing the competition’s traditions, the winners of each specialist category were announced live during the final ceremony which was dedicated this year to John Wallace CBE, who as a champion of music education was an inspiration to so many and a valued supporter of Scottish Young Musicians from the very beginning.
This year’s category winners were; violinist Robert SJ Hutchinson from Fife for strings, flautist Zuzanna Kujawa from South Lanarkshire for woodwind, trombonist Patrick Summer from East Renfrewshire for brass, Marimba player Murray McLachlan from Angus for percussion, Jaiden Weideman from Aberdeen for piano, and overall winner Kai Fitzharris for vocals.
They will all receive career-enhancing opportunities generously provided by some of the UK’s leading music organisations, including Scottish Opera, RCS, Dunedin Consort, Live Music Now Scotland, the Cumnock Tryst, St Mary’s Music School, Stringers, Ursula Jones, Greg Bailey and Trinity Laban, supporting their development as emerging musical talents.
In addition, accordionist Daniel Small received the Trad music prize, cellist Eleanor Winter the Early Years Music prize and again the overall winner Kai Fitzharris the Collaborative Performance Prize.
The esteemed judging panel included MILOŠ, one of the world’s leading classical guitarists; Fraser Gordon, Principal Contrabassoon at the Royal Philharmonic Orchestra; Jane Irwin, Head of Vocal Performance at the Royal Conservatoire of Scotland; Carol Main, Founding Director of Live Music Now Scotland; and Professor Arron Shorr an international piano soloist, chamber musician and educator.
The grand finale also featured spectacular performances by this year’s award-winning ensembles: Ensemble of the Year the Perth & Kinross Big Band, and Brass Ensemble of the Year the Campbeltown Brass Quintet from Argyll and Bute. Their electrifying and energetic performances provided a fitting conclusion to an unforgettable celebration of Scotland’s young musical talent.
Alan Kerr, Chair of Scottish Young Musicians said: “What an inspirational day! Scottish Young Musicians is Scotland’s only festival of competitions connecting every Scottish school and offering students the chance to achieve their ambitions through their talent in music, develop their life-skills and have fun.
“Huge congratulations to our winner Kai Fitzharris , and to our two runners up Jake Kenny and Daniel Small. We hope that this is a wonderful moment in their long journeys with music.
“I must recognise the enthusiasm of teachers who’ve embraced SYM, our incredible hard-working team that has made it happen, and the generosity of our supporters who have provided funds, prizes, and assistance.
“It’s been especially poignant would like to dedicate this year’s solo final to John Wallace CBE who, as a champion of music education, was an inspiration to all, especially students and a valued supporter of Scottish Young Musicians from the very beginning.”
The Scotland-wide competition is run by The Music Education Partnership Group who work with every school and local authority to support music education and opportunities.
AND THE SUN IS SHINING ON WEST PILTON PARK ONCE AGAIN!!
North Edinburgh Community Festival is back TODAY – Saturday 16 May, taking over West Pilton Park for a full day of music, food, activities, sports, arts and crafts and proper community spirit.
Expect live performances, family fun, local groups showcasing what they do best, and plenty of free things to get stuck into. It’s a celebration made by the community, for the community, and everyone’s invited to come along, get involved and make the park buzz.
The festival parade will set off from North Edinburgh Arts at 1030am and wind its way to West Pilton Park arriving for 12noon. It’ll be led in vibrant style by local groups, organisations, schools and performers – a wonderful colourful collaboration with Edinburgh Carnival.
Expect colour, music and a proper burst of energy as the community walks, dances and drums its way into the heart of the festival.
Six new mainstage productions: The Galloping Cure, Turandot, Alcina, Fidelio, Madama Butterfly, and Così fan tutte
Commitment to bringing opera right across Scotland with a new touring production of Hansel & Gretel with local children’s chorus, threePop-up Opera shows and a newly commissioned Primary Schools Tour, visiting over 80 locations in total
Season championed by female creative talent with a world premiere by Grammy-nominated Missy Mazzoli, and productions directed by Olivia Fuchs, Ruth Knight, Daisy Evans, Rebecca Meltzer and Lucy Bradley
Britten: Music for Voice and Orchestra concert marks the 50th anniversary of the composer’s death
Scottish Opera General Director, Alex Reedijk OBE, celebrates 20 years with the Company
BUILD brings together a range of initiatives for young people, nurturing the creative arts in Scotland and developing the professionals of tomorrow, on stage and behind the scenes
Tickets on general sale from 28 May for mainstage productions with affordable pricing from £23, £15 for under-26s and £12.50 for Access Opera
WATCH THE 2026/27 TRAILER, READ THE SEASON BROCHURE AND LISTEN TO THE SCOTTISH OPERA PODCAST HERE
In its 2026/27 Season, which is unveiled today (7 May), Scottish Opera presents seven new productions spanning almost 300 years of operatic innovation. Ambitious, outward-looking, socially committed and artistically uncompromising, the Company remains as devoted as ever, holding its artistic nerve in challenging times, producing exceptional work at every scale and creating opera for everyone in Scotland.
As Scotland’s largest arts organisation and an industry leader which currently employs 188 staff, and 450 freelancers, it is also dedicated to cultivating the creative arts pipeline of audiences and professionals for the next era of opera. This includes new initiatives such as BUILD, and a new collaboration with Royal Conservatoire of Scotland.
Alex ReedijkOBE, Scottish Opera General Director said: ‘Opera is not a luxury, it is a necessity. At Scottish Opera, we believe in the power of music, drama, and great art to provoke thought and move people to their core, and in my 20th year as General Director, that conviction has never been stronger. Nothing matters more to us than bringing opera to everyone across Scotland.
‘The mainstage shows at the centre of the Season centre on brilliant, complex, powerful female characters. We also make a concrete, visible commitment to the women shaping the next era of opera including the work of composers and directors Missy Mazzoli, Olivia Fuchs, Ruth Knight, Daisy Evans, Rebecca Meltzer and Lucy Bradley.
‘There are new co-productions and co-commissions with Irish National Opera, Opera Ventures Productions, NorrlandsOperan, Canadian Opera Company, San Francisco Opera, State Opera of South Australia, and Edinburgh International Festival.
‘Our impact and reach will also be evident as we tour the country, visiting 34 communities with Opera on Your Doorstep, as well as Pop-up Opera, schools shows and outreach and education projects.
‘We are immensely grateful to everyone who buys a ticket and generously supports the Company as a Patron or a Friend, and indeed all our funders. We look forward to welcoming you to one of our performances.’
Stuart Stratford, Scottish Opera Music Director said: ‘Our unwavering dedication to new work and opera’s future comes to the fore with the world premiere of Missy Mazzoli and Royce Vavrek’s The Galloping Cure – a dazzlingly inventive and urgent opera exploring the human toll of the opioid crisis – at the Edinburgh International Festival.
“Our five subsequent mainstage productions – Puccini’s Turandot and Madama Butterfly, Handel’s Alcina, Beethoven’s Fidelio, and Mozart’s Così fan tutte in collaboration with the new Advanced Artist Diploma in Opera programme at Royal Conservatoire of Scotland – are no less vibrant and urgent for today’s audiences.
‘These works are not museum pieces. They ask us difficult questions about identity, freedom and betrayal – questions that constantly re-emerge in our own world. We hope you find something to treasure here.’
SEASON 2026/27
At the core of the new Season are remarkable tales of transformation and transcendence, love and loss, finding oneself, and standing up for truth and goodness in the face of seemingly insurmountable odds.
At Edinburgh International Festival this August is the world premiere of Grammy-nominated composer Missy Mazzoli’sThe Galloping Cure. Co-commissioned with Opera Ventures Productions, it is directed by Tony Award-winning Tom Morris and conducted by Stuart Stratford. Mazzoli’s score blends orchestral and choral writing with club rhythms and DJ textures, and it is performed by a cast including Daniela Mack, Justin Austin and Susan Bullock with Gabrielle Turgeon joining the cast as Noy. This ambitious production has already been picked up by opera houses on three continents for future performances.
This October, Sir David McVicar, who first directed for Scottish Opera in 1996, returns to the Company to stage a new, visually opulent production of Puccini’s Turandot, featuring the more expansive Alfano One ending. Stuart Stratford conducts Trine Bastrup Møller in the title role, alongside Victor Starsky, Insung Sim, and Hye-Youn Lee in what promises to be a production like no other. Reuniting with the creative team behind 2023’s award-winning Il trittico, McVicar confronts the darkness of Puccini’s work head on.
In February 2027, Olivia Fuchs directs Handel’s romantic fantasy, Alcina. For the Company’s first Handel in over a decade, renowned conductor Dmitri Jurowski is on the podium, and the cast includes Madeline Boreham, 2026/27 Emerging Artists Charlotte Clapperton, Charlotte Jane Kennedy, and Luvo Maranti; and Emerging Artist alumni Chloe Harris and Edward Jowle.
In the same month, Ruth Knight directs Beethoven’s Fidelio, to mark the 200th anniversary of the composer’s death. Beethoven’s only opera, conducted by Kensho Watanabe, features a cast including Julia Sporsén and Thorbjørn Gulbrandsøy. Fidelio has been designed on the same set as Alcina, demonstrating how the Company is consistently thinking of more sustainable and innovative ways to present opera.
In May 2027, Daisy Evans directs Puccini’s heartbreaking masterpiece, Madama Butterfly. Stuart Stratford conducts a cast led by Sunyoung Seo, with Andrés Presno, Lea Shaw and Phillip Rhodes. Hailed in the press as a ‘Butterfly for the ages’, it reimagines Cio-Cio-San’s story as a journey through memory and identity. There are also two relaxed Access Opera performances of Madama Butterfly, in Glasgow and Edinburgh, which make coming to a favourite title as easy and stress-free as possible.
Rebecca Meltzer directs Mozart and Da Ponte’s biting social satire, Così fan tutte, also in May of next year. In this first opera presented in collaboration with the RCS Advanced Artist Diploma in Opera, John Butt conducts The Orchestra of Scottish Opera and a cast of hand-picked, international singers in the final stages of their training.
At the mainstage shows, those who are visually impaired can also take advantage of audio-described performances, free Touch Tours and pre-show talks, all of which enhance the audience enjoyment and extend their knowledge of the piece.
CONCERTS
Britten: Music for Voice and Orchestra this September marks the 50th anniversary of the renowned British composer’s death. The concert at Lammermuir Festival features Arvo Pärt’s Cantus in memoriam Benjamin Britten, and Britten’s Les Illuminations, Our Hunting Fathers and Phaedra. Douglas Boyd conducts 2026/27 Emerging Artists Charlotte Jane Kennedy, Avery Lafrentz and Charlotte Clapperton.
This November,to celebrate 120 years of His Majesty’s Theatre, Aberdeen, The Orchestra of Scottish Opera and soloists including Jamie MacDougall unite for a one-off concert. The programme includes the Great American Songbook and opera and operetta’s best-loved composers.
Presented in November by much-loved broadcaster and tenor Jamie MacDougall, and with the full forces of The Orchestra of Scottish Opera is an evening at Eden Court Inverness, which celebrates its 50th year. From Missy Mazzoli’s Breaking the Waves to iconic arias from Carmen, Madama Butterfly, and The Magic Flute, this is opera at its most vivid. As a special treat, Jamie also performs a collection of irresistible songs popularised by Harry Lauder.
TOURING
Opera On Your Doorstep returns with a staged production of Humperdinck’s Hansel & Gretel, directed by Lucy Bradley. Thanks to a new funding partnership with Laidlaw Opera Trust, it istouring to 34 locations across Scotland in Autumn 2026 and Spring 2027.
The Music Director/Pianists JoséJavier Ucendo and Alistair Burton are joined by Charlotte Clapperton, Charlotte Jane Kennedy, Holly Teague, Avery Lafrentz, Rosie Lavery, Alexey Gusev, Ross Cumming, Emily Wishart and Audrey Tsang. In each location on the tour, local children will have the unique opportunity to perform in the production.
Pop-up Opera tours to audiences all over the country from May, with performances of A Little Bit of The Elixir of Love,A Little Bit of Rigoletto, and children’s opera,Be a Sport, Spike!, for children aged four to eight. Directed by Darren Brownlie,these 30-minute, miniaturised classics are ideal for anyone new to the artform. There will also be free school performances plus free illustration workshops for kids at select venues. Storytellers Marc MacKinnon and Dani Heron, along with singers Holly Teague, Marie Claire Breen, Ross Cumming, Colin Murray, cellist Andrew Drummond Huggan and guitarist Sasha Savaloni — present the story.
EMERGING ARTISTS, NATIONAL OPERA STUDIO & ROYAL CONSERVATOIRE PARTNERSHIP
The Scottish Opera Emerging Artistsprogramme offers rising talent a period of full-time work with the Company to help launch their careers. The Company is delighted to welcome sopranos Charlotte Jane Kennedy, Avery Lafrentz, mezzo-soprano Charlotte Clapperton, tenor Luvo Maranti, baritone Daniel Barrett, repetiteur Alistair Burton and casting officer Joseph Hookway, with the name of the Elizabeth Salvesen Costume Trainee to be announced. The Emerging Artist singers perform in several of this Season’s productions and tours, and a recital at the Royal Conservatoire of Scotland.
Scottish Opera is once again partnering with National Opera Studio, hostingthe 2026/27 cohort – a group comprising some of the brightest rising star singers and repetiteurs from around the world, for a brand-new showcase performance of operatic scenes and extracts on the set of Alcina.
Scottish Opera’s Music Director Stuart Stratford is a regular guest tutor at Royal Conservatoire of Scotland; he and The Orchestra of Scottish Opera are helping to train the next generation of conductors studying at the Conservatoire. RCS MMus conductors enjoy concerto workshop sessions with The Orchestra of Scottish Opera and RCS student soloists, under Stuart’s guidance.
The Company also supports the Leverhulme Conducting Fellowship, facilitated through RCS, with each year’s Fellow closely involved with Scottish Opera. This Season’s Fellow, Stefano Boccacci, will receive coaching and performance opportunities, including on Così fan tutte, and other professional classical music organisations across Scotland.
OUTREACH AND EDUCATION
BUILD, supported by The William Syson Foundation, is new for the 2026/27 Season and brings together a range of initiatives for young people looking to further their knowledge of the arts industry. Through practical and transferrable experiences, the Company aims to equip budding artists and arts professionals for future employment and help them make informed and ambitious choices – to fulfil their potential and define opera’s next era with confidence, passion, and skill.
Over the years, the Scottish Opera Primary Schools Tour has inspired over 850,000 children across all 32 Local Authority areas. This year’s show is newly commissioned work, Vive La Révolution, with a live tour, supported digital package and on-demand digital packages all available to prepare for a performance in costume in front of friends and family. Music is by Alan Penman with words by Natalie Arle-Toyne, and through song and stagecraft, pupils will find out what really happened in 1789 when the people of Paris stormed the infamous Bastille.
The Elixir of Love: Three Ways to Stagean Operais a free teaching resource for teachers, where Secondary School pupils learn about music, drama, and art and design – incorporating elements of history, storytelling, and critical thinking – as they explore Donizetti’s comedy.
Disney Musicals in Schools collaborates with primary schools facing challenges in engaging with the arts. Teaching Artists guide pupils through rehearsals for special adaptations of Disney musicals and, crucially, provide training for teachers to build their pupils’ skills and confidence through the performing arts, creating a sustainable arts legacy for the future. Scottish Opera is Disney Musicals in Schools’ first Scottish partner, and this sixth successful year of the programme is the third year to engage with Additional Support Needs Schools.
Scottish Opera partners with key specialist music schools across Scotland, Aberdeen City Music School at Dyce Academy, St Mary’s Music School in Edinburgh, and Douglas Academy in Glasgow, to support and mentor young singers exploring opera as a career. In 2026/27, the Company now expands this very successful programme to engage with secondary age students at other institutions who are exploring classical music as a career, giving more students a chance to engage with the operatic repertoire. The aim is to bolster arts industry career pathways and support the classical music industry in Scotland.
Scottish Opera’s Children’s Chorus led by Chorus Director Susannah Wapshott and the Company’s Outreach & Education Department, for youngsters aged 8-11, continues, as doesEdinburgh Tonic Arts Chorusfor NHS Lothian staff.
Expanding the Company’s partnership with Tonic Arts and NHS Lothian is a new dual-strand pilot programme in West Lothian to offer extra support, build physical strength and promote emotional wellbeing for new parents. It will offer therapeutic singing for families of premature babies, to encourage bonds when the baby might still be in an incubator, and specialised yoga, stretching and breath control.
Another new project this Season is for young instrumentalists, led by The Orchestra of Scottish Opera, alongside award-winning composer Karen MacIver and renowned playwright, poet and theatre-maker Martin O’Connor. The players will mentor secondary school-aged pupils, and encourage new ways of thinking about composition, collaboration and creating new work.
Scottish Opera is once again running Memory Spinners for those living with dementia, with the free project using music, storytelling, movement, and visual arts to help Glasgow-based people living with dementia get creative and form new support networks.
The ground-breaking, online programme, Breath Cycle, winner of the 2025 Classical:NEXT Innovation Award, continues to benefit those living with conditions affecting lung health – particularly Long COVID – with free resources that introduce participants to vocal exercises and breathing techniques.
Places are available in Scottish Opera’s Community Choir, open to adults of all ages and conducted by Katy Lavinia Cooper. It gives members an opportunity to sing a wide variety of music in a supportive atmosphere, with sharings each term and chances to perform in full operas.
Resources forThe Small Magician, a trauma-aware, inclusive, accessible vocal education resource, are available online. These enable participants to healthily challenge and build their vocal technique and knowledge from the comfort of their own home or chosen space.
Further information on the 2026/27 Season can be found at:
A jam-packed, free Living Heritage Discovery Day on Sunday at the Storytelling Centre with Michael Fortune, one of Ireland’s leading folklorists, a traditional fayre, cèilidh and taster sessions.
EDINBURGH TRADFEST runs until Monday 11 May 2026
An unmissable weekend of the very best in traditional music, storytelling and film kicks off with Swedish folk trio Northern Resonance on Thursday playing explosive rhythms using a combination of viola d’amore, Hardanger fiddle and 12-string guitar.
Followed by, internationally acclaimed saxophonist Brian Molley and his quartet (Tom Gibbs-piano, David Bowden-bass, Stephen Henderson-drums) sharing tunes from their recently released album Tùs/Origin which loosely follows an 18th century journey from the Outer Hebrides of Scotland, all the way to Louisiana, and features a mix of traditional folk, Afro-Caribbean Grooves, Gospel, Sea-Shanties and Fugue.
Continuing into the weekend, on Friday night The Nexus Project led by piper Bede Patterson launch their new album Glaisvair which unites different musical voices from around the world. Plus, headliners RANT (Anna Massie, Lauren MacColl, Bethany Reid, Gillian Frame) who areat the forefront of the Scottish fiddle scene, share powerful melodies and some favourite tunes from their new album, that celebrates a decade of them performing together.
The trad tunes continue over the weekend with Isla Ratcliff’s reinterpretation of Vivaldi’s The Four Seasons released last year to mark the 300th anniversary of the work’s original publication; multi-award-winning harp and percussion duo Eleanor Dunsdon and Gregor Black; and live-looping artist GANNA Gryniva performing tracks from her new album UTOPIA which mixes Ukrainian folk tunes, with Peruvian grooves, jazz- tinged arrangements, and electronic soundscapes.
Plus, singer-songwriter and artful banjo player from Montreal Kaïa Kater performs solo, ahead of this year’s ETF Spotlight concert which will showcase threeamazing up-and-coming combos: Jeri Foreman & Ruth Eliza, Curlew and Dauntless. (Fans can also find Dauntless popping-up on stage at Nobles Bar, in Leith on Friday 8 May at 2pm.)
Other unmissable weekend highlights include:
· Folk legend Dick Gaughan in conversation with Dr Lori Watson from the University of Edinburgh’s School of Celtic and Scottish Studies. (This talk is currently sold out but will be streamed online.)
· The Cold Heart by storyteller Franziska Droll and musician Greg Harradine which explores the terrible cost that comes with the desire for wealth and belonging. (Storytelling Centre)
· A jam-packed Living Heritage Discovery Day which will include a talk with Michael Fortune, Ireland’s folklore aficionado, to discuss approaches to Intangible Cultural Heritage (Living Heritage) and tradition-bearing. On the day there will also be a Living Heritage Fayre, Come and Try Sessions, and a traditional ‘house cèilidh’. (Storytelling Centre – Sun 10 May)
· The Folk Film Gathering’s screening of Jack Archers’ Sailm nan Daoine (Psalms of the People) fresh from its recent success at the Glasgow Film Festival, which follow’s psalm precentor Rob MacNeacail’s journey across Scotland and Ireland, to bring together communities old and new through the power of Gaelic psalm singing. (Cameo Cinema)
· A rousing performance by Edinburgh’s Ukrainian Choir who will perform live ahead of a rare screening of 1954 Ukrainian classic cinematic folk tale Andriesh. (Cameo Cinema)
· And, finally Scotland’s original folk supergroup Session A9, will close the festival with great tunes and top banter on Monday night.
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “Don’t miss the final weekend of this year’s festival, there are some amazing bands coming up, and fantastic films and storytelling events still to come.
“Shows are selling out and the 5 star reviews are rolling in. The buzz around the ETF venues is palpable, come and be part of it.”
Live Music Now Scotland will join this year’s Festival of Europe Scotland with a special performance at National Galleries Scotland: National, presented in partnership with Live Music Now Vienna.
Taking place on 7 May 2026 (18:00–18:30), the concert features Duo Winter–Djurdjevic — flautist Anna Winter and guitarist Mihajlo Djurdjević — in a programme celebrating European composers of the 18th and 19th centuries.
This event forms part of an ongoing international exchange between Live Music Now organisations, creating opportunities for emerging musicians to share their work across borders and connect with new audiences through live performance. It also builds on Live Music Now Scotland’s continuing partnership with the National Galleries of Scotland, which this year is celebrating 85 years of musical performances in the galleries.
Rooted in the vision of founder Yehudi Menuhin, Live Music Now supports musicians at the start of their careers while bringing high-quality live music into communities and settings where it can have real impact.
Jude Anderson, Chief Executive, Live Music Now Scotland, said: “At this concert we will be treated to some brilliantly talented musicians in a programme celebrating European artists; it is a real pleasure to be presenting in partnership with the Festival of Europe.
“Artists hold such an important role in our society, exploring new ways of thinking while providing moments for joy, peace and togetherness.’
Set within the informal surroundings of the National gallery, the performance invites audiences to experience live music in a relaxed and welcoming way — offering a moment to pause, listen, and connect through a shared cultural experience.
This event is supported by the NGS Foundation and the Festival of Europe (Scotland). Elaine Ballantyne, the festival’s Trustee and Director, said: ‘Scotland has a rich heritage of European connections and the Festival of Europe (Scotland) is delighted to support Live Music Now and the National Galleries of Scotland in furthering new European opportunities for young musicians.
“We very much look forward to the Duo Winter–Djurdjevic concert on the opening of our 2026 Festival programme on 7 May.”
Event details Duo Winter–Djurdjevic will perform a varied programme of chamber music by European composers of the 18th and 19th centuries. Date: 7 May 2026 Time: 18:00–18:30 Location: National Galleries Scotland: National, The Mound, Edinburgh Admission: Free – booking required via the National Galleries of Scotland
A former business executive is swapping spreadsheets for songs to perform for people with dementia at the Edinburgh Fringe in memory of his father.
Johnny Collington, 62, who lives in the capital, first picked up the instrument in a bid to connect with his dad Stan, who had recently been diagnosed with dementia. Stan, originally from Motherwell, passed away in February aged 99.
Johnny is now registered to perform a series of shows at the Fringe in August to raise funds for Alzheimer Scotland.
The married dad-of-two, who was born in Irvine but grew up in Lanarkshire, said: “I had been living and working in London for many years, but I took early retirement and moved back to Scotland, to Edinburgh, about six years ago. My mum Betty had passed away and my dad was in his early 90s and needed more support.
“My dad was diagnosed initially with severe cognitive impairment but his condition progressed quickly to dementia. He moved into a care home and soon could no longer communicate.
“I’d never been much of a musician in the past, but I owned a guitar and knew a few chords. By chance I took the guitar with me to visit dad and tried to play and sing a couple of traditional Scottish songs that I knew he liked.
“Amazingly, as soon as I started playing I could see him connect with me and start singing along. It was remarkable how he suddenly came to life. I realised then that music is a great connector.
“From that point I started seriously teaching myself how to play the guitar and looked for more songs to sing – anything quite traditionally Scottish with a good beat is always a winner.”
Before long, Johnny was asked by the manager of his dad’s care home if he would play for all the residents – many of whom also had dementia. Word soon spread and he now plays at 12 care homes, centres and other venues from Perth to North Lanarkshire and across the east coast, including at Alzheimer Scotland’s outdoor dementia resource centre at Lauriston Castle.
Johnny said: “I get the same reaction from the other people with dementia who I play for as I did from my dad. It’s fantastic how everyone brightens up when they hear the music and join in.
“One chap who was non-verbal and would usually seem quite disconnected, suddenly sat up, took a tambourine and started hitting it in time with the music.
“I’m a bit nervous about the Fringe but also really looking forward to performing and being part of such a world-famous festival. My shows are aimed at people with dementia but also to anyone who enjoys traditional Scottish music. It feels great to be on a new journey now and to be able to give back to the community.
“I want to keep doing what I can to bring music to people living with dementia and to support the amazing work of Alzheimer Scotland for as long as I can.”
Johnny Collington will be performing his show, Singalong for Scotland, at the LifeCare Centre in Cheyne Street, Stockbridge, each day from August 7 to 14, from 3pm to 4pm. Find out more at: www.edfringe.com/tickets/whats-on/sing-a-long-scotland
Find out more about Alzheimer Scotland at www.alzscot.org, or call their 24 hour Freephone Dementia Helpline at 0808 808 3000.
Hidden Door returns to The Paper Factory in June for another ambitious and unique multi artform experience marking “The Last Shift” for the iconic building.
From Wednesday 3rd – Sunday 7th June, the festival brings together the talents of over 100 creatives to offer live music, immersive art installations, dance performances, poetry and spoken word, unique collaborations and much more.
The festival will explore how spaces and objects hold memory, and how fragments of everyday activity become preserved, misremembered or reimagined over time.
Audiences will navigate deep into the site as the programme unfolds around them. Unique experiences will be shaped through individual routes, encounters and personal perspectives. No single path will reveal the whole truth as the building and performances shift around you.
Tickets are on sale now – read on for more about what to expect ….
Music
Each night of the festival offers a diverse roster of musical acts, kicking off on Wednesday with enigmatic electro-pop sensation BIG WETT and experimental artist ICHI taking the concept of a one-man band to new limits with his quirky handmade instrument inventions.
Thursday brings punk duo Cowboy Hunters along with a mystery headliner to be revealed soon, whilst Friday presents local dream pop duo Sarah/Shaun, electronic genre hopper Makeness and Norwegian singer-songwriter, producer and novelist Jenny Hval before feminist DJ collective EPiKA get the party started in the club space.
On Saturday Skye natives Valtos present their acclaimed High Water Mark show, fusing traditional Gaelic folk with club-ready electronic music. Later that night in the club space, Fred Deakin, the legend behind Lemon Jelly, will take to the decks to play us out. Then on Sunday, the last shift welcomes the endless energy of Tinderbox Orchestra, harpist Dara Dubh and the hypnotic orchestral pop of Lauren Auder.
We’ve got more musical surprises to be revealed in the coming weeks, including the ten bands selected from over 300 applications to our open call, in partnership with Creative Edinburgh and the National Centre for Music.
Visual Art
Once again, the festival’s visual art programme will make the most of its unique setting, inviting audiences to explore and discover every corner of The Paper Factory. Discover a range of work including large sculptural installations, wall-based work, projection and textiles, all curated amongst the defunct machinery and industrial spaces.
The visual artists confirmed so far include Chema Rodriguez Alcantara, Ellie Harrison, Emma Macleod, Tiphereth, Fraser MacBeath, Iris Ollier, Jamie McNeill, Jo Fleming Smith, Lilian Ptacek, Michele Marcoux, Nathan Smith, Oana Stanciu, Pandora Vaughan, Ray Downie, Rosie Aspinall Priest, Silas Thomas Parry, Stuart Stafford, Tess Glen and Holly Booth.
Poetry and Spoken Word
Thought provoking, personal, funny and moving – this year’s programme brings the power of spoken word back into a building that has fallen silent; the factory’s atmospheric chambers echoing with the voices of raw human expression.
Over the five nights, our spoken word programme will feature Iona Lee, Josh Cake, Emily Grace Briggs, RJ Hunter and Sean Wai Keung.
Dance
Once again, the Paper Factory will play host to cutting-edge dance performances, popping up around the cavernous industrial spaces.
Look out for experimental multidisciplinary artist and choreographer Ellen Crofton seeking rhythms in chaos and repetition, plus award-winning duo PCK Dance, celebrated for pushing the boundaries of contemporary dance. Elsewhere, Lothian Youth Dance Company present Flies, reimagining the classic Lord of the Flies through a raw and physical dance language, with choreography by Tough Boys Dance Collective.
Creative Collaborations
Threading throughout the 2026 programme are four newly commissioned interdisciplinary collaborations, waiting to be encountered by visitors as they explore The Paper Factory.
Artists, musicians, dancers and performers have joined forces to create something unique for this year’s former factory space. Between them they tell the Paper Factory’s story – both real and imagined – through its past, present and future.
Ghosts in the Machines is a physical theatre and roaming performance art piece featuring animal-like ghost figures emerges from the fragments and residues of the site itself. Awoken by last year’s festival, the Ghosts will return but not all is the same. They now move across the site, searching for clues, performing rituals and searching the factory for their missing pigeon companion.
Everyone Left is a live, site-responsive performance; immersive encounter between dance, architecture and moving image. Dancers navigate the industrial environment and the traces left behind when bodies disappear. The work also draws on the after-hours life of such spaces, shaped by decades of unofficial gatherings and temporary use, where activity continues beyond their original function.
The Last Worker at the Paper Factory: A Musical Tour of 7 Visual Artworks. Poet and performer Josh Cake had conversations with seven Hidden Door visual artists about the processes behind their work to be featured at the festival. Cake turned these conversations into a musical story about the work and their creators, told through song.
The Machine Stops is a celebration of factory life told as a mini symphony of words, pictures and noise across five short acts, featuring DIY film footage, archive photographs, recordings of former factory workers and bespoke live and recorded sound.
These four works form key routes through the building, shaping distinct ways for audiences to encounter the festival. Alongside these works will be a wider set of collaborative projects creating additional pathways, connections and ways of navigating the space. Expect everything from visual art pieces, community-led projects, layered sonic installations and live drumming – we’ll be sharing more on these projects very soon.
This year’s festival also welcomes back Tinderbox’s Room to Play bringing interactive experiences through sound, art and performance with their customary playful spirit.
Hazel Johnson, Director of Hidden Door, said: “We are excited to invite audiences to the Paper Factory’s “Final Shift” to witness the last, most vibrant chapter of this incredible site’s history.
“By bringing together sound, movement, performance and visual art, we are transforming these now silent warehouses into a living, breathing, shifting entity.
“It is a celebration of collaboration and the incredible artistic talent we have here in Scotland; this year’s programme has created the environment for our team to explore the story of a truly unique space. The result is going to be something entirely unrepeatable and spectacular.”
Hidden Door 2026 is possible thanks to vital support from Creative Scotland’s Multi-Year Fund, a major funding commitment that secures the future of the festival through to 2027 and enables our volunteer-run charity to embark on ambitious planning for 2026.
We look forward to welcoming you back to the Paper Factory this June!
