National Theatre of Scotland launches True Story project

  • 20 years ago on 25 February, the National Theatre of Scotland staged its first production. Today, the Company launches a special project to celebrate 20 years of game-changing theatre.
  • National Theatre of Scotland is issuing a nationwide call out for stories from the public, with one chosen in 2026 to be brought to theatrical life in 2027.
  • Leading broadcaster and presenter Lorraine Kelly comes on board as a True Story Ambassador.
  • Leading Scottish cultural figures take on roles as True Story Champions with Val McDermid, Greg McHugh, Shereen Nanjiani, Len Pennie and Irvine Welsh supporting the call-out to encourage the nation to participate.

In the Company’s 20th year and for the first time ever, Scotland’s National Theatre is inviting the public to share real-life stories that deserve to be told on Scotland’s stages; be they true stories rooted in history, place, or community, the personal and family narratives that have shaped lives, or authentic tales that resonate through humour, resilience, struggle, triumph or hope.

Everyone’s got a story to tell. What’s yours?”

From a shortlist, one incredible story will be selected by public vote, and brought to life by a team of leading Scottish theatre artists, for public presentation in 2027. 

The call out will be live until 13 May 2026 with a short list announced to the public in September 2026, with the winner announced in November 2026.

Full details on how to get involved here. 

Twenty years of compelling real-life stories.

Over the last twenty years, the National Theatre of Scotland, has gained a world-wide reputation for turning compelling real life Scottish stories into unique new plays that have been shared with audiences, and earned plaudits on stages in Scotland and beyond.

The soldiers in the Black Watch regiment, deployed to Iraq, (Black Watch), the group of girls from Glasgow, who fought for their friend to be saved from deportation, (Glasgow Girls), the story of Adam who crossed borders and genders to find himself (Adam), the historical exploits of three Scottish medieval kings (The James Plays), or the story of Fred Goodwin and the rise of fall of RBS (Make it Happen); all these exceptional stories have captured the imaginations of audiences over the last 20 years.

The National Theatre of Scotland’s 20th birthday programme also includes Stand and Deliver: The Lee Jeans Sit In which will bring the powerful story of the Lee Jean’s Factory workers to life in a new piece of touring gig theatre.

The Company is delighted to have the support of celebrated Scottish cultural figures to encourage the nation to participate. 

Jackie Wylie, Artistic Director said :”It feels entirely fitting to mark the Company’s 20th birthday with a project that celebrates Scotland as a nation of storytellers.  Real life stories have become part of the DNA of NTS; ordinary people living extraordinary lives, or indeed extraordinary events in history that have resonated across time.

“These stories and characters have captured the imaginations of artists and audiences throughout NTS’s history, and I can’t wait to listen to the great Scottish public and to find out their true stories and to then support the journey of one special story onto the stage, alongside a team of brilliant Scottish artists. 

Lorraine Kelly is joining the team as a True Story Ambassador, and she will be involved in the call out and judging process. 

Lorraine is a Scottish television presenter, journalist and Sunday Times bestselling author, best known for her ITV show Lorraine.  In 2024, she was awarded a BAFTA for her outstanding contribution to the television industry, marking four-decades of service to broadcasting. She has also been awarded an OBE and a CBE.

She has made special documentaries commemorating both the tragedies in Dunblane and Lockerbie. In addition to her eponymous show, she has also presented many other TV programmes including Lorraine Kelly’s Norwegian Odyssey, The Last Leg, Queens for the Night and Have I Got News For You?

She is also a best-selling novelist with her debut novel, The Island Swimmer, set in Orkney, published in 2024.

Lorraine Kelly, True Story ambassador said: “Ever since I started out as a teenage reporter on the East Kilbride News, and later as a presenter and author, I have been fascinated by real life stories.

“I am a naturally curious person, and I have had the privilege of listening to thousands of stories over the years, allowing me insight into the personal, the extraordinary and the sometimes, dramatic.

“I am thrilled to be an Ambassador for the National Theatre of Scotland’s True Story project and to support their call out to the great Scottish public to find a special story that will resonate with Scottish audiences.

“I can’t wait to sit with the True Story submissions later this year and immerse myself in what I imagine will be a treasure trove of compelling testimonies and exceptional stories.” 

TRUE STORY CHAMPIONS

Five fabulous Scottish cultural figures have taken on the role of being True Story Champions, supporting the call out for true stories.

They are Val McDermid, crime author known for Karen Pirie and The Wire in the Blood; Greg McHugh, actor and writer who created and starred in Gary Tank CommanderShereen Nanjiani, broadcaster for the BBC, and MBE for services to broadcast in Scotland; Len Pennie, poet, Scots language performer; and writer and Irvine Welsh, novelist, screenwriter and filmmaker known for Trainspotting, Filth and Porno

Val McDermid, author, said: “We’re a nation of storytellers. Everybody’s got a story. You hear it at the bus stop, you hear it in the pub, you hear it everywhere you go. You’ve all got stories.

“We want to hear your stories. And that’s why the National Theatre of Scotland has started a campaign to gather your stories together to make new stories for the next generation and beyond.”

Greg McHugh, actor and writer, said: “They say that truth is stranger than fiction. The National Theatre of Scotland have taken this on board in a big way with their project True Story that involves the great Scottish public.

“They are choosing one brilliant true story to put on stage which I think is a great idea and a fabulously fun way to celebrate the Company’s 20th birthday.”

Shereen Nanjiani, broadcaster, said: “In my 40-year career as a news broadcaster I have reported on hundreds of Scotland’s stories, big and small.

“I was the first person of Asian heritage to become a TV newsreader in Scotland, and that’s made me acutely aware of the need to tell stories that reflect our country in all its rich diversity, and to hear from those whose voices often don’t get heard.

“I’m also passionate about the power of theatre to bring us together, to make us think, to move us, to make us laugh and cry.”

Len Pennie, poet, said: “I am a firm believer that every single person has a story that is worth telling and worth hearing.

“There’s nothing like a good story for making you feel happy, sad, scared – the full spectrum of human emotion!

“But even more special than that is sharing a story with somebody. It’s about connection, community, empathy, just knowing that you’re not alone.”

Irvine Welsh, author, said: “True stories inform everything. They inform our imagination or experience or creation of other stories or embellishment of stories or creation of fiction.

“So there’s the old saying that the truth is stranger than fiction, and generally it’s true. True stories are important because they’re the the bedrock of our creativity and our culture. 

New adaptation of George Orwell’s 1984 to headline Autumn season ahead of Scottish tour

1984 is a co-production between Citizens Theatre, Dundee Rep Theatre and The Royal Lyceum Theatre Edinburgh

Citizens Theatre29 Aug – 26 September

citz.co.uk

Dundee Rep Theatre, 30 September – 10 October

dundeerep.co.uk

His Majesty’s Theatre, Aberdeen, 13 October – 17 October 

aberdeenperformingarts.com/his-majestys-theatre/

The Royal Lyceum Theatre Edinburgh, 27 October – 07 November

lyceum.org.uk

Directed by Dominic Hill, Artistic Director of the Citizens Theatre, 1984 is a co-production between Citizens Theatre, Dundee Rep Theatre and The Royal Lyceum Edinburgh which previews in Glasgow from 29 August 2026 and receives its world premiere on 3 September 2026 before touring to Dundee, Aberdeen and Edinburgh.

The Citizens Theatre commissioned this new adaptation from writer Chris Hannan as part of its reopening programme. In recent times, 1984 has surged back up international bestseller lists, as readers return to Orwell’s stark warning about truth, power and control in today’s unsettling world politics.

Playwright Chris Hannan is one of Scotland’s leading writers. He has adapted major literary classics, including Crime and Punishment (for Citizens Theatre in 2013) and The Iliad.

This new stage adaptation of 1984 stays true to Orwell’s dystopian novel about a tightly controlled society built on surveillance, fear and the manipulation of truth – while exploring the love affair between Winston and Julia that catapults them into rebellion. 

One of the defining novels of the 20th century, 1984’s Scottish connections are striking. Written largely on the Scottish island of Jura and completed while he was seriously ill in hospitals and sanatoria, George Orwell spent crucial periods in Scotland while finishing the book – including time at Hairmyres Hospital in East Kilbride as his health deteriorated.

The physical strain he was under, and the bleak post-war climate in which he was writing, echo through the novel’s stark and unsettling world.

Director, Dominic Hill said“I am thrilled to be working once again with Chris Hannan. His version of Crime and Punishment for the Citz proved once again that he is one of Scotland’s finest playwrights but also has a great talent at making works of prose feel like immediate, living drama for the stage.

“His new adaptation of Orwell’s chilling classic is equally brilliant. We live in a world that is increasingly called ‘Orwellian’; Chris’s adaptation takes us back to the original story – an appeal for truth, love and moral courage within a system designed to crush. It is a classic story, told for our times, and I can’t wait for audiences across Scotland to experience it later this year.”

Opening in Glasgow in August 2026, it will mark one year since the Citz returned to its home in the Gorbals, following a major redevelopment of the building.

Further creative and cast credits to be announced.

On sale dates are as follows:

Citizens Theatre, Glasgow

Presale to Theatre Pass Members and Supporters on Wednesday 25 February

Public on sale on Wednesday 4 March

Dundee Rep Theatre, Dundee

Friends priority on sale on Wednesday 25 February
Public on sale on Friday 27 February

His Majesty’s Theatre, Aberdeen

Friends priority on sale 03 March

General bookers on sale 04 March

The Royal Lyceum Theatre, Edinburgh

Tickets on sale June 2026.

The best of British theatre takes centre stage at Vue venues in Edinburgh this Spring

There’s lots for theatre lovers to be excited about at Vue this year, with several productions taking over the big screen in the first quarter of 2026. 

Kicking things off is the Royal Ballet and Opera’s La Traviata, arriving on screens from 14 January. Audiences can enter a world of seductive grandeur, experiencing the tender and devastating beauty of Verdi’s opera, directed by Richard Eyre. 

Also heading to Vue from the Royal Ballet and Opera is Woolf Works (from 9 Feb), Giselle (from 3 March) and Siegfried (from 31 March). In the former, resident choreographer Wayne McGregor leads a luminous artistic team to evoke Woolf’s signature stream of consciousness writing style in this immense work that rejects traditional narrative structures.  

Meanwhile, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption with Peter Wright’s 1985 production of the quintessential Romantic ballet – set to Adolphe Adam’s evocative score with atmospheric designs by John Macfarlane. 

The latter is brought to life under Barrie Kosky’s inspired eye, following his spectacular Das Rheingold (2023) and Die Walküre (2025). Andreas Schager, in his much-anticipated debut with the productions house, stars as Siegfried’s titular hero, with Antonio Pappano conducting, drawing out the unspoken tensions and ethereal mysticism of Wagner’s dynamic score. 

Fans of Shakespeare can enjoy two of the world’s greatest playwright’s productions at Vue, with Othello heading to Vue from 4 March after being filmed at the Theatre Royal Haymarket in London especially for the big screen. 

Directed by Tony Award-winner Tom Morris OBE (War HorseDr SemmelweisThe Grinning Man) with music by PJ Harvey, this epic story of manipulation, jealousy and toxic masculinity explores the darker side of power, rage and desire. 

Meanwhile, the National Theatre’s Hamlet will be arriving from 22 January. Olivier Award-winner Hiran Abeysekera (Life of Pi) takes on the titular role in this fearless, contemporary take on the famous tragedy. 

Also returning from the National Theatre is Academy Award-winner Helen Mirren in The Audience (from 26 February), where she plays Queen Elizabeth II in Olivier Award–winning hit production that inspired Netflix’s The Crown.  

Finally, from the Metropolitan Opera is Tristan und Isolde– arriving on screens from 24 March. The electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. 

To find out more or book tickets, visit www.myvue.com/tinc  

Full listings 

  • RBO: La Traviata – From 14 January 
  • NT Live: Hamlet – From 22 January 
  • RBO: Woolf Works – From 9 February 
  • NT Live: The Audience – From 26 February 
  • RBO: Giselle – From 3 March  
  • Othello – From 4 March 
  • MET: Tristan und Isolde –From 24 March  
  • RBO: Siegfried – From 31 March 

Tickets on sale for new Stef Smith production that brings Queen Margaret University history to life

QMU welcomes audiences to new Stef Smith production at Traverse Theatre

Rising stars of stage and screen will dazzle audiences next February as they perform a new Stef Smith production at the Traverse Theatre, bringing Queen Margaret University’s 150-year story to life. 

Drawing on QMU’s rich history, from its origins as a cookery school for women, through two world wars, student activism and a global pandemic, ‘Head. Heart. Hand.’ explores how generations of students responded to the challenges and changes of their times with resilience, passion and hope.  

Created by award-winning playwright and QMU graduate, Stef Smith, the production will be performed by QMU final year Acting and Performance students at Scotland’s new writing theatre, the renowned Traverse Theatre, from 19–21 February 2026.  

Stef Smith studied Drama and Theatre Arts at Queen Margaret University and won an Olivier Award for the show ‘RoadKill’ just a few years after graduating. 

Her plays include ‘Nora: A Doll’s House’, ‘Swallow’ and ‘Enough’; and her recent screen credits include ‘Float’, the BBC Scotland drama, which shines a light on the lives of LGBTQ+ teens living in rural communities and for which she won a BAFTA for Best Writer. 

Stef said: “Coming back to QMU feels a little surreal. I can hardly believe how much time has passed since I graduated, yet in many ways it feels like no time at all!

“Much of Scotland’s theatre scene is built on new writing, so it’s vital that students gain experience working directly with a living playwright.

“I hope this opportunity gives them a real sense of the professional world they’re about to enter – it has been brilliant to see the next generation of students bringing such energy and creativity to the project.” 

The development of Head. Heart. Hand. forms part of the QMU150 programme of activities marking the 150th anniversary of the founding of the institution now known as Queen Margaret University.

As part of QMU’s commitment to accessibility, the university will be offering 150 £1 tickets to its students for the Thursday afternoon dress rehearsal. These can be booked directly through QMU and are not available via the Traverse box office. 

At its core, Head. Heart. Hand. is a story of perseverance, action, and the enduring belief in education as an act of hope. It promises to be a moving celebration of QMU’s legacy – and the students who shaped it. 

Purchase your ticket on the Traverse Theatre website –

https://www.traverse.co.uk/whats-on/event/head-heart-hand-spring-26 

Performance dates:

19 Feb 7pm | 20 Feb 7pm | 21 Feb 2pm and 7pm

Venue: Traverse Theatre

Tickets: https://www.traverse.co.uk/whats-on/event/head-heart-hand-spring-26

Age recommendation: 14+

Going to the theatre could boost city’s local economy by up to £295,000 PER SHOW this winter

From pantomimes and touring productions to West End favourites, theatre remains one of Britain’s most cherished cultural experiences, and plays a vital role in local economies.

According to the Society of London Theatre, for every £1 spent on a theatre ticket, an extra £1.40 is generated for the surrounding community through dining, transport and accommodation spending, with new analysis from Twickets showing just how much could be pumped back into local economies through the support of local theatre shows.

VENUETOP SHOW via TwicketsVENUE CAPACITYMIN TICKET PRICEMAX TICKET PRICEMIN SOLD OUT SHOWLOCAL ECONOMY BOOST PER SHOWMAX SOLD OUT SHOWLOCAL ECONOMY BOOST PER SHOW
Edinburgh PlayhouseFawlty Towers – The Play3059£36£69£108,595£152,032£211,071£295,499
MK TheatreMiss Saigon1400£65£75£91,000£127,400£105,000£147,000
Bristol HippodromeMamma Mia!1951£35£80£68,285£95,599£156,080£218,512
Swansea Building Society ArenaMamma Mia!3500£20£25£68,250£95,550£85,750£120,050
The AlexandraMiss Saigon1347£50£74£67,350£94,290£99,678£139,549
Empire TheatreMiss Saigon2348£20£40£46,960£65,744£93,920£131,488
Donald Gordon TheatreMiss Saigon1897£22£95£41,734£58,428£180,215£252,301
Palace TheatreMamma Mia!1998£20£70£38,961£54,545£138,861£194,405
Grand TheatreThe Book Of Mormon1550£25£91£38,750£54,250£141,050£197,470
Sunderland EmpireFawlty Towers – The Play1860£20£20£37,200£52,080£37,200£52,080
New TheatreMiss Saigon1785£20£62£35,700£49,980£110,670£154,938
King’s TheatreMiss Saigon1785£20£40£35,700£49,980£71,400£99,960

Based on the minimum ticket prices and the maximum capacity of some of the UK’s favourite local theatre venues, research shows that between £50,000 and £295,500 could be generated for surrounding businesses per show.

With many venues facing tighter budgets and rising production costs, it’s never been more important for audiences to show their support. A third of UK theatres are expected to report a financial deficit this year, according to The Stage (2025), as they continue to recover from pandemic-related challenges and inflationary pressures.

Richard Davies, founder of the fan-to-fan ticket resale platform Twickets, said: “Theatre is one of Britain’s greatest creative strengths, it inspires communities, supports jobs, and brings people together.

“Every ticket sold helps sustain local venues and the creative talent behind them. This winter is a brilliant time to rediscover live theatre, and there are still plenty of affordable ways to do it.”

Twickets, which partners officially with a growing number of theatres and touring productions, allows fans to buy and sell genuine tickets at face value, ensuring that seats don’t go to waste and that more people can enjoy live performances at fair prices.

Davies added: “Because plans change, tickets come back on sale all the time. Through Twickets, fans can find verified, face-value seats, sometimes just hours before curtain up, without worrying about scams or inflated resale prices.

“Whether it’s a midweek matinee in Manchester or a last-minute night at a West End show, there are brilliant options available for every budget.”

How to make theatre affordable this winter

  • Set up alerts: Create a free Twickets account and follow favourite shows to get instant email notifications when tickets appear.
  • Check 24–72 hours before: Many listings appear last-minute when sellers realise they can’t attend.
  • Be flexible: Matinees, weekday performances and regional theatres often offer the best-value seats.
  • Combine discounts: Look out for local access schemes and key-worker discounts.
  • Make an offer: Lots of listings on Twickets accept offers, allowing you to secure tickets at less than face-value.
  • Use verified platforms: Always use trusted resale sites like Twickets that cap prices at face value and verify every ticket.

Ten of the most in-demand theatre shows on Twickets this Winter:

  1. Disney’s Hercules
  2. Inside No. 9 Stage/Fright
  3. Sleeping Beauty
  4. Miss Saigon
  5. Fawlty Towers – The Play
  6. Mamma Mia!
  7. Paddington The Musical
  8. Back To The Future In Concert
  9. The Book Of Mormon
  10. Here & Now – The Steps Musical

Founded in 2011, Twickets has grown into one of the UK’s most trusted fan-to-fan resale platforms, partnering officially with artists, promoters and venues across music, comedy and theatre.

Every ticket sold through Twickets is verified, and transactions are protected, ensuring buyers get real tickets, not inflated prices or scams.

Theatre in Schools Scotland welcomes local MP to performance at James Gillespie’s Primary School

Theatre in Schools Scotland (TiSS), National Theatre of Scotland and Imaginate’s schools touring project, was delighted to welcome Ian Murray, MP for Edinburgh South, to its final school performance of 2025, at James Gillespie’s Primary School in Edinburgh.

TiSS was at James Gillepsie’s Primary School with three performances of A Home for Hamish, by Just Us, presented by Scottish Theatre Producers.

Created and performed by Deaf Dance Artist, Clare Adam and Autistic Dance Artist, Lesley Howard (Just Us), A Home for Hamish is a colourful, immersive, interactive adventure playfully merging dance and British Sign Language and is made for younger audiences. 

Across a two day visit to James Gillespie’s Primary School over 170 pupils from Nursery through to P3 enjoyed the performances in the school hall.

Following the final performance Ian Murray MP was joined by performers Clare Adam and Lesley Howard, representatives from National Theatre of Scotland, Imaginate and Scottish Theatre Producers along with pupils from the school to fly paper aeroplanes in the school hall.

Ian Murray MP for Edinburgh South said: “It was delightful to see the young people completely captivated by, and participating in, the performance.

“The performers were utterly superb. The impact of the school’s programme was encapsulated in the questions from their audience at the end.

“The interest in British Sign Language, the challenge of the story, and the “can we play more with you” were all testament to the power of the show. Well done to all involved.”

Ben Horsburgh, Head Teacher, James Gillespie’s Primary School said: “We were delighted to welcome Theatre in Schools Scotland to James Gillespie’s Primary School. A Home for Hamish was a truly memorable experience for our younger learners.

“It brought theatre right into the heart of the school and gave the children a chance to engage with themes of belonging and community in a fun, imaginative way.

“Opportunities like this enrich our curriculum and inspire our young people to see themselves as part of Scotland’s vibrant cultural story.”

Belinda McElhinney, Chief Executive, Imaginate said: It was lovely to watch the children fully absorbed into the world of Hamish. The performers beautifully integrated British Sign Language into the work and kept the children focused on their every move. 

“The excited response from the children encapsulates for me the importance of bringing performance into schools as a key step to ensuring every child accesses their right to culture.

Liam Sinclair, Executive Director and Joint CEO, National Theatre of Scotland, said: “It was a delightful experience watching the inspiring A Home for Hamish at James Gillespie’s Primary School, Edinburgh and being part of such an engaged and enthused audience. We appreciated Ian Murray MP attending and sharing this occasion with us.

“TiSS is a vital project for National Theatre of Scotland, enabling children across Scotland to benefit from the joy and enrichment that live performance can bring, and we are looking forward to celebrating the Theatre in Schools Scotland 10th year anniversary in 2026”

The performances at James Gillespie’s Primary School concluded a busy autumn term for the Theatre in Schools Scotland project which tours inspiring, live theatre and dance performances to primary schools across Scotland. A Home for Hamish toured to schools from Shetland to Slamannan and will be back on the road with TiSS in March 2026.

Next year will mark ten years of touring world class theatre and dance directly into schools across the country. To celebrate a decade of creativity every Theatre in Schools Scotland performance will be free of charge for participating schools from August 2026 to June 2027, as part of a special TiSS at 10 anniversary programme. Visit the Theatre in Schools Scotland website for more info.

QMU graduate to champion new talent at Gateway Writing Festival

Queen Margaret University graduate James Wood is set to champion a new wave of Scottish theatre talent as he leads the fourth annual Gateway Writing Festival across 3 – 5 November 2025. 

Founded by James in 2022, the Gateway Writing Festival celebrates bold new writing and supports early-career artists in developing their work for the stage. This year’s event will feature nine brand new plays and engage around 70 emerging creatives, offering a vital platform for collaboration and creativity within Scotland’s theatre community. 

James developed the idea for the festival while studying at QMU, where he credits the University’s supportive and collaborative environment for giving him the confidence and skills to bring the project to life.

He also received funding through QMU’s Vice-Chancellor’s Fund, the Santander Universities Enterprise Fund and the Emerging Creatives Fund -support that enabled him to establish and grow the festival and his theatre company beyond graduation. 

James said: “Without this generosity, the Gateway Writing Festival, a project I started at QMU, or any of my companies’ commissioned shows would not have had a chance to flourish.” 

The festival will run from 3–5 November 2025 at Capital Theatres’ Studio Theatre, offering audiences a chance to experience a dynamic programme of new writing and connect with the next generation of Scottish theatre talent. 

Book tickets: The Gateway Writing Festival – Capital Theatres 

Shotput presents Arlington by Enda Walsh at Traverse Theatre

6 – 8 November, Traverse Theatre | Tickets Here

Arlington by Enda Walsh

Directed by Lucy Ireland and Jim Manganello

Scottish premiere

Touring 17 October – 8 November

6 – 8 November, Traverse Theatre | Tickets Here

Starring Aisha Goodman, Alex Austin, and Jack Anderson


Scottish dance-theatre company Shotput are delighted to announce the Scottish Premiere of Arlington by legendary contemporary playwright Enda Walsh. The show will tour across three venues this autumn – Cumbernauld Theatre; Tron Theatre, Glasgow; and Traverse Theatre, Edinburgh. 

Set in a dystopian world dominated by surveillance and control, Arlington follows Isla, a young woman held inside a mysterious high rise facility, waiting for her number to be called.

Telling stories of her dreams for the world outside, her only human interaction is with an anonymous man on the other side of the wall. Today there is a new listener. Their encounter sparks a fragile connection that defies the cold mechanisms of the world around them, and what starts as a seemingly small human interaction turns into something much more terrifying and sublime. 

Arlington explores themes of love, freedom, and the enduring power of human connection in the face of oppression. This show about telling stories slyly activates our human impulse for narrative, questioning present realities and imagining new ones. Told in three acts, Arlington sees theatre and dance combine in a tale for two actors and one dancer. 

Jim Manganello and Lucy Ireland said: “We are so thrilled that Shotput gets to have a go at this play with dance by Enda Walsh, a writer who we’ve been obsessed with for many years.

“Enda’s wicked sense of humour, his slant take on the world, and the space he opens for athleticism and dance feels like a perfect fit for all the things we love to do.

“Arlington is a hidden masterpiece and we’re delighted to be bringing it to Scottish audiences for the first time. Whatever you think this play is at the beginning – a dystopian satire, a dream, a love story – we promise that it will mutate and defy expectations over the course of its running time and as you think and talk about it after.

“Funny, difficult, terrifying, beautiful. We’re honoured that we get a go at capturing all that and sharing it.” 

Known for their experimental investigations into the darker sides of contemporary life, this is Shotput’s first Scottish tour since they were awarded multi-year funding.

It is directed by the company’s Co-Artistic Directors Lucy Ireland and Jim Manganello, with a creative team made up of Shotput’s associate artists, Lighting Designer Emma Jones; Video Designer Rob Willoughby, and Scenic and Costume Designer Anna Yates, as well as Sound Designer Garry Boyle and Composer Cat Myers returning from Shotput’s maverick Totentanz

Enda Walsh is one of the most renowned contemporary playwrights of our time. Winning multiple Fringe First awards throughout his career, his work has a long history in Scotland, with multiple productions at the Traverse Theatre, including Medicine, Disco Pigs, Ballyturk and more.

Shotput’s production of Arlington will mark its Scottish Premiere. 

Instagram: @shotputtheatre

Facebook: @ShotputTheatre

Twitter: @ShotputTheatre

Website: https://www.shotput.org/

Creative Team: 

Co-directors | Lucy Ireland and Jim Manganello

Producer | Isy Sharman

Scenic and Costume Designer | Anna Yates

Video Designer | Rob Willoughby 

Lighting Designer | Emma Jones

Sound Designer | Garry Boyle Composer | Cat Myers

An Evening with Gregor Fisher

Stories, Laughs And “A Wee Bit Of Nonsense”

National Tour in 2026. Tickets on Sale from today – Friday 17 October

04.10.25 Gregor Fisher © released for artiste promotion/ publicity must credit Graeme Hunter Pictures m. 07811946280 e. graemehunter@mac.com w. www.stills.tv

Scottish acting legend Gregor Fisher invites audiences to an intimate evening of memories, laughter and the kind of behind-the-scenes tales you won’t find on IMDb.

Joined on stage by long-time friend and director Nigel West, Fisher promises “an evening of reminiscences, stories and things you’ve never heard before” with a wink, a grin and maybe a few surprises he probably shouldn’t tell.

From Rab C. Nesbitt to Para Handy, from Mr Squeers to Love Actually, Fisher’s career has spanned decades, genres and wigs. Expect reflections on the highs, the lows and the “probably best forgotten” moments of a life spent in the wonderfully unpredictable world of show business.

“We’ll be talking about everything from adoption to acting, from The Baldy Man to Mr Bumble, from cocaine to Christmas movies (the cocaine’s a lie, by the way, but I’m trying to sell tickets),” says Fisher.

“It’s not a grand performance, more of a friendly chat. There’ll be stories, laughs and maybe a few moments that make you think, ‘I did not know that about him.’”

Far from a formal retrospective, this is Fisher at his best: candid, sharp and effortlessly funny. A night where the stories come with a pint’s warmth, the humour lands close to home and the man himself reminds us why he remains one of Britain’s most beloved and enduring screen personalities.

Celebrated for his versatility and comic talent, Fisher has built a career that balances heart and humour with ease. His credits include the iconic Rab C. Nesbitt, Michael Radford’s Merchant of Venice1984 (1984), Naked Video (1986), The Railway Children (2000), Love Actually (2003), Oliver Twist (2007) and The Cockfields (2019). Known for his distinctive wit and grounded performances, he continues to bring warmth and humanity to every role. Most recently, he completed filming the second series of BBC One’s Only Child, following rave reviews for his performance in the first.

Relaxed, honest and a bit daft at times, the evening promises laughter, nostalgia and a genuine peek behind the curtain of a life in this mad old business.

What the press have said about Gregor Fisher

“Fisher’s a great storyteller” – The Scotsman


“This is a man who could make reciting the alphabet uproarious” – The Guardian


“Irresistibly funny” – The Herald  

Tour Listings: 

15 March 2026                Dunfermline: Alhambra

27 March 2026                Greenock: Beacon Arts Centre

29 March 2026                Aberdeen: Music Hall

13 April 2026                     Bury St Edmunds: Apex

15 April 2026                     Leeds: City Varieties Music Hall

17 April 2026                     Milton Keynes: The Stables

23 April 2026                     Glasgow: Pavilion 

With Further Dates To Be Announced

Full listings info: www.fieryentertainment.com

Vue marks a decade of award-winning musical Hamilton with big screen anniversary

To celebrate the 10th anniversary of the beloved Broadway phenomenon, Vue is bringing the award-winning Hamilton to the big screen this September.

From 26 September, for three days only, the global stage sensation heads to the big screen at Vue venues in Edinburgh, telling the story of one of America’s foremost founding fathers Alexander Hamilton. The screening brings the show straight from the Richard Rodgers Theatre on Broadway and features the original cast.

Created by and starring Lin-Manuel Miranda, the production first hit stages back in 2015 and since has toured the world, winning over worldwide audiences with iconic and award-winning songs such as Alexander Hamilton and My Shot.  

This groundbreaking musical, which packs a score of more than 40 songs in total, can be experienced on the big screen, allowing theatre fans to enjoy all of their favourite moments in this fully immersive experience, all from the comfort of their local Vue. 

Ian Chester, General Manager at Vue Edinburgh Ocean, said: “Since it rocked the theatre world over 10 years ago, Hamilton has gone on to be a legendary musical that fans always eagerly want to see.

“At Vue this month, we’re thrilled to provide audiences a fantastic way to watch this iconic production, complete with the original Broadway cast, up on the big screen for a limited time.”

Tickets are available at www.myvue.com.