We are thrilled that this year’s Edinburgh Festival Carnival will return to the streets!
Thanks to funding from the City of Edinburgh Council and Edinburgh Visitor Levy, the 2026 Carnival will see over 1,000 performers parading down The Mound and along Princes Street in a breath-taking display of music, dance and carnival costumes from local, national and international artists.
Following the parade, the party continues with performances across West Princes Street Gardens.
Underbelly is bringing some of the most exciting names in comedy to the Fringe this summer with a programme spanning improv, musical comedy, standup and character comedy.
Award-winning author, actor and comedian Sara Pascoe (Taskmaster, Live at the Apollo, QI, Mock the Week) will be performing at McEwan Hall in Sara Pascoe: For One Night Only. Comedian, actor, presenter and author Russell Kane (Big Brother’s Big Mouth, Freak Like Me, Geordie Shore: The Reunion) brings his high-energy show Russell Kane: HyperActive to the Fringe 16 years after winning an Edinburgh Comedy Award. BAFTA winner Jack Rooke (creator of Hulu/C4’s Big Boys) revives and updates his debut show Jack Rooke: Good Grief, a decade on from its first Fringe run.
Acclaimed comedian and ventriloquist Nina Conti brings Nina’s C*nti Cabaret to McEwan Hall, joined by her masks and by some of her favourite acts from across the Fringe. Stealing voices in a different way, Britain’s foremost political impressionist Rory Bremner blends sharp comedy, pitch-perfect impressions and surprising revelations in Rory Bremner: Making an Impression.
Following his sold-out London run, Simon Amstell brings his show Simon Amstell: I Love It Here to the Fringe. Just after finally finding inner peace at his friend’s California beach house, Simon receives an invitation from the man who first ignited his teenage desire, throwing his newfound calm into chaos.
Instagram sensation Depths of Wikipedia (1.6 million followers) will be bringing to light some of Wikipedia’s murkiest depths (think ‘list of sexually active popes’), and celebrating the beautiful monster that is an encyclopedia run by anonymous but extremely human volunteers. Viral American comedian Gianmarco Soresi (1.2 million followers on Instagram) celebrates the theatre kid in all of us in his show Gianmarco Soresi: Theatre Adult.
Palestine Comedy Club presents Hanna Shammas Takes It To Heart, a combination of storytelling and stand-up exploring the complexities of everyday life as a Palestinian living in Haifa, in the 1948 territories. In Sammy J: Hero Complex, acclaimed Australian comedian Sammy J details the true story of how swapping comic books with his school gardener set off a chain of events leading to both the birth of his daughter and to him committing a crime.
The programme also features some of the UK’s biggest improv acts: America’s Got Talent runner-up Christ Turner creates jaw-dropping freestyle rap from audience suggestions in Chris Turner: In the Moment. Internet sensation improv troupe Shoot From The Hip (3 million followers across Instagram and Tiktok) will be taking the stage at McEwan Hall.
The classics provide fertile ground for comedy. The smash-hit West End Austentatious: An Improvised Jane Austen Novel returns for its 13th year at the Fringe, an all-star cast improvising a new Jane Austen novel every day. Sh!t-faced Shakespeare returns this year with Sh!t-faced Shakespeare: Hamlet: an entirely serious adaptation arguably the Bard’s most famous tragedy, other than the fact that one member of the cast is, well, sh!tfaced.
The programme also features some fantastic LGBTQ+ comedians. Drag king Roger Prick brings his debut Fringe hour Roger Prick: Sexopolis, in which the 1970s pornographer, erotic novelist, and lecherous casanova relaunches his dirtiest novel, revised to make it completely appropriate for modern feminism. Catch (and maybe kiss?) Alex Franklin (Channel 4, HBO Max) exploring love, romance, and kissing as a trans womanin Alex Franklin: Kiss Me x. Justin Elizabeth Sayre is a 40-Year-Old Woman explores what it means to be a 40 year old woman – a category not necessarily tied to either age or gender.
The comedy programme features a number of people you may have seen on your TV – Sapphire McIntosh, bringing her football-inspired show Sapphire McIntosh: Squeaky Bum Time, appeared as a footballer on the most recent season of Ted Lasso. Edinburgh Comedy Award Nominee Freya Parker, who’s appeared in Jurassic World: Dominion, Wonka, One Day (Netflix), and as one half of sketch duo Lazy Susan (Amazon, BBC3)brings her new show Frey Parker, An Hour of Decay! tackling the terrifying subjects of ageing, AI and Vinted.
Two annual highlights of the Fringe also return. Underbelly’s Big Brain Tumour Benefit brings together a massive line-up of comedy stars to raise money for The Brain Tumour Charity, who do vital research in treatment for the most deadly cancer to children and adults under 40. Edinburgh Comedy Allstars brings together the biggest, brightest comedians at the Fringe in the iconic purple cow, Udderbelly – this year celebrating its 20th year as a venue.
This summer, the City Art Centre will present Start from the Level, the largest exhibition ever staged of the work of Sandra George (1957–2013).
Start from the Level is produced in partnership with Craigmillar Now, an arts and heritage centre based in Craigmillar, who hold Sandra’s collection in their community archive, and is part of the Edinburgh Art Festival.
Opening on 27 June and running until 27 September 2026, the exhibition brings together photographs spanning more than two decades, many of which will be shown publicly for the first time. Drawn from Sandra’s extensive archive, the exhibition offers a powerful portrait of Edinburgh’s communities and explores themes of identity, activism, motherhood, belonging, and social justice.
Born in Nottingham and raised between Jamaica and the UK before settling in Edinburgh, she became widely known for her work as a community organiser and advocate. Alongside this, she developed a prolific photographic practice, documenting everyday life across Edinburgh and beyond from the late 1970s through to the early 2000s.
Through her lens, she captured both intimate personal moments and wider social movements, creating a remarkable visual record of the city and the people who shaped it. Her photographs are united by a deep sense of humanity and a commitment to representing people with dignity, openness, and care.
The exhibition takes its title from Sandra’s own words: her desire to “start from the level people are based”. This guiding principle informed her work throughout her life, resulting in an extraordinary body of photography that remains as relevant and resonant today as ever.
Culture and Communities Convener Margaret Graham said: “Sandra George’s photographs offer an invaluable record of Edinburgh and its communities, seen through the eyes of someone deeply committed to social justice, equality, and human connection.
“This landmark exhibition celebrates not only her extraordinary talent as a photographer, but also her lasting contribution to the cultural and community life of our city.
“We are proud to bring this important body of work to audiences and ensure that Sandra’s legacy continues to inspire future generations.”
In addition to the exhibition at City Art Centre, a special outdoor presentation of Sandra’s work will be displayed on street-side billboard and poster sites across Edinburgh from 22 June for three weeks in partnership with BuildHollywood.
Featuring photographs taken throughout the city, the displays will appear in Fountain Park, Teviot and Meadowbank, bringing George’s images directly into the public spaces she documented.
Their Majesties The King and Queen will join MSPs at the official opening of the Scottish Parliament, taking place on Saturday 27 June.
The Opening Ceremony will include an address by His Majesty, to formally open the Parliament’s Seventh Session.
The event will also include several performances that celebrate Scotland and our rich culture and heritage. They include aspecially commissioned poem for the day delivered by Scotland’s national poet, Makar Pàdraig MacAoidh.
The poem Let This Hall Be Full of Noises will be read by the Makar in Gaelic with an English translation. The National Theatre of Scotland and the NYCOS BSL Youth Choir will also perform.
Their Majesties will then join a reception to meet with “local heroes” who have been chosen to represent constituencies and regions across the country.
Our “local heroes” have been nominated to attend as a special guest of their MSP for making an extraordinary contribution to their community.
Presiding Officer Kenneth Gibson MSP said: “The start of a new Parliament is all about optimism, hope and a renewal of what the Parliament means to the people of Scotland.
“Their Majesties’ support for this institution has been steadfast.
“It’s an honour to have The King and The Queen join us at the start of that journey alongside people from across Scotland, who are at the centre of our plans to commemorate this milestone.
“I look forward to celebrating the very best of Scotland, reflecting on our heritage, acknowledging our traditions but most importantly with a focus on our future.”
Young people from across Scotland will also be represented in various roles throughout the day.
Further details of what to expect from the Opening Ceremony and all those who will be contributing to the event will be announced shortly.
St John Scotland has unveiled its 300th Public Access Defibrillator (PAD) in Edinburgh city centre, marking a major milestone in the charity’s work to improve access to lifesaving equipment across the city.
The defibrillator was officially unveiled by the Lord Provost of Edinburgh during Volunteers’ Week (1-7 June 2026), a fitting moment to recognise the dedication and commitment of St John Scotland’s Edinburgh volunteers, whose efforts help make communities in the city safer every day. St John Scotland is now working with the local area to identify the best location for it.
PADs play a crucial role in improving survival rates from out‑of‑hospital cardiac arrest. Having a defibrillator nearby, and people confident enough to use it, can make the difference between life and death while emergency services are on their way. For every PAD St John Scotland help place, volunteers provide CPR and defibrillator training to the hosts.
The installation of the 300th defibrillator in Edinburgh reflects years of sustained effort by St John Scotland volunteers in the city, working alongside local partners, communities and supporters to identify gaps in provision and help make lifesaving equipment more accessible.
The unveiling also recognised the long‑standing support of Mike Pinkerton, whose work with St John Scotland has raised over £20,000 to support the expansion of community lifesaving initiatives across Edinburgh.
The Lord Provost of Edinburgh, Robert Aldridge, said:“This impressive milestone is a testament to the power of community action and the incredible long-standing support for St John Scotland.
“Reaching 300 Public Access Defibrillators across Edinburgh is a fantastic achievement that the city can be truly proud of. It reflects the dedication and generosity of volunteers, partners, and supporters who give their time to help protect lives in their communities. Across the city St John Scotland public access defibrillators have been used to save lives.”
“I hope this success inspires even more organisations and community groups to get involved and explore hosting a Public Access Defibrillator at their building. “
John Craig, Edinburgh Chair of St John Scotland, said:“Reaching 300 Public Access Defibrillators in Edinburgh is a huge milestone for us, but it’s one that simply wouldn’t be possible without our amazing volunteers.
“From installing and maintaining defibrillators to delivering training and raising awareness in their communities and much more, their commitment saves lives every day. It’s especially fitting to celebrate this during Volunteers’ Week.”
Mike Pinkerton said: “I know how lucky I am to still be here and to be able to do my bit for such a worthwhile cause. I’m also lucky to have had such great support from St John Scotland and their incredible team of volunteers.
“Of course, we hope these defibrillators are never needed but the truth is they will be and, when they are, we know we’re giving someone suffering a cardiac arrest the best possible chance of survival.”
St John Scotland’s volunteers give thousands of hours each year to support communities across Edinburgh and the rest of Scotland, delivering essential CPR education, transporting vulnerable patients to and from vital treatment and helping to build confidence in lifesaving skills.
With the support of existing host organisations across the city, St John Scotland has been able to expand access to lifesaving equipment in local communities. The charity is aiming to inspire more businesses, community groups and local organisations to host future defibrillators.
The charity continues to work towards its goal of safer, more resilient communities, ensuring that defibrillators are not only available, but visible, accessible and supported by training.
Don’t miss these 30 minute shows as part of your Dynamic Earth admission, or as a standalone experience.
What’s Up: Summer Skies | Presenter-led Show
In the latest version of our flagship live Planetarium show ‘What’s Up?’ we’ll go stargazing in the summer sky, and take a look at the incredible Artemis II mission! In our Planetarium, we’re going to (temporarily!) delete the Sun so we can stargaze in summer skies of perfect darkness to spot stars, planets and galaxies.
Under Pressure | Presenter-led Show
Come with us as we take a deep dive into the global ocean; we’ll explore dark, hidden ecosystems and see the collective efforts of hundreds of marine scientists and engineers. We’ll also ponder on our ability to shape the future of this global ocean we all depend on.
We Are Guardians | Dome Film
Explore the ecosystems of our world that are intrinsically connected. Discover how, with the help of satellites, we can examine the links between human activities and climate change.
Experience our We are Guardians show with BSL interpretation as part of our daily schedule, with additional BSL interpreted screenings available upon request.
Find out more about our Planetarium, and explore the full schedule of shows here:
Adventure, swashbuckling and intrigue will take centre stage as Crown Square at Edinburgh Castle is transformed into an outdoor theatre for a production of The Three Musketeers later this month (Friday 19 and Saturday 20 June).
Visitors are invited to experience a rip-roaring adventure that will see the Musketeers cross swords with the scheming Cardinal Richelieu and the dastardly Milady de Winter.
Caught up in a whirlwind of excitement and romance in 17th century France, will D’Artagnan and the Musketeers be able to recover the Queen’s jewels and restore Her Majesty’s honour in time?
The production, based on the 1844 novel by Alexander Dumas and staged by theatre company Illyria, will be the first outdoor theatre performance at Edinburgh Castle in recent times. Visitors can take in the views of Edinburgh as they make their way to the top of the castle for an evening of thrilling entertainment in Crown Square.
Theatregoers should bring their own seating and are encouraged to dress accordingly for forecasted weather conditions. Theatre company Illyria specialises in outdoor performances, and the show will go on, rain or shine.
Shona Burns, Assistant Visitor Events Manager at Historic Environment Scotland said: “We cannot wait to get swept up in adventure by The Three Musketeers here at Edinburgh Castle. Visitors are in for a fantastic show, and there is no better backdrop to the dazzling storytelling on display than the walls of this iconic heritage site in the heart of the city.
“Live theatre is just one of the incredibly exciting ways that visitors and locals alike can experience Edinburgh Castle during the warmer months, with a variety of outdoor events and performances scheduled throughout the summer.”
Oliver Gray, Artistic Director of Illyria said: “Outdoors, with good company, good food and a glass of something bubbly is a much less formal way to enjoy theatre, and there’s something truly unifying about actors performing, and audiences listening, all under the same sky.”
Further information about The Three Musketeers and how to buy tickets can be found at edinburghcastle.scot.
Police Scotland is appealing to the public to help trace 15-year-old Hollie Thompson, who is reported missing from Grangemouth.
Hollie was last seen walking in the North Bridge and West Regent Street areas of Edinburgh city centre around 5pm on Friday, 5 June, 2026.
She is described as around 5ft 1 in height, of slim build with long brown hair. When last seen, Hollie was wearing a grey leather jacket, a pink top with cherries on it, black leggings and leopard print shoes.
Inspector Thomas Gorman said: “We are looking to trace Hollie who hasn’t been seen for around 24 hours now.
“She was last seen in Edinburgh city centre however several hours have passed so she could have travelled away from that area.
“I would ask anyone who may have seen Hollie, or has any information on her whereabouts to contact Police Scotland, on 101, quoting reference 2912 of 5 June, 2026.”
Living Streets Edinburgh to host special speakers and community discussion on 11 June
Residents from across Edinburgh are being invited to attend Living Streets Edinburgh’s annual public meeting on Thursday 11 June, bringing together campaigners, community leaders and local people passionate about making the city safer, healthier and more accessible for walking.
The event will take place from 6pm to 7.30pm at the Friends Meeting House, Victoria Terrace, Edinburgh (EH1 2JL), and is free and open to all.
Attendees will hear from two guest speakers who have made significant contributions to creating people-friendly places and improving public health:
Malcolm Fraser, architect, cyclist and pedestrian advocate, known for championing the renovation of existing buildings and promoting development that serves local communities.
Helga Rhein, former GP and trustee of B Healthy Together, who has campaigned extensively for healthier neighbourhoods and improved pavements in Broomhouse.
The meeting will also provide an opportunity for Edinburgh residents to share their experiences, identify walking-related problem hotspots across the city, and help shape Living Streets Edinburgh’s priorities for the coming year.
The organisation will celebrate a number of recent successes, including helping secure reduced waiting times at 24 standalone pedestrian crossings and supporting the pedestrianisation of the Lawnmarket in Edinburgh’s Old Town.
David Hunter, Convenor of Living Streets Edinburgh, said:“Walking is the most accessible form of transport and one of the simplest ways to improve our health and strengthen communities.
“We’re delighted to welcome Malcolm Fraser and Helga Rhein to this year’s meeting, and just as importantly, we want to hear directly from Edinburgh residents about their experiences and ideas.
“We’ve seen real progress over the past year, from shorter waiting times at pedestrian crossings to more space being given over to people rather than traffic. But there’s still much more to do.
“Whether you’re a regular campaigner, a local resident concerned about a particular street, or simply interested in making Edinburgh a better place to walk, I’d encourage you to come along and join the conversation.”
Living Streets Edinburgh is the local branch of the UK’s charity for everyday walking and works to improve conditions for pedestrians across the city.
Event details:
Living Streets Edinburgh Annual Public Meeting Thursday 11 June 6.00pm – 7.30pm Friends Meeting House Victoria Terrace Edinburgh EH1 2JL
Today, Thursday 4 June, the Edinburgh Festival Fringe Society is delighted to launch the 2026 Edinburgh Festival Fringe programme.
This year’s programme celebrates the diverse range of creativity at the Fringe and includes work from 71 countries – reinforcing the Fringe’s place within the world’s cultural landscape, with performers hailing from around the globe.
The programme features 3,649 shows across 258 venues, making up 53,884 performances, with themes tackling some of the most topical issues being discussed in the world today. Prominent themes include artificial intelligence, cults, the manosphere, identity crisis, social class, Y2K nostalgia, the state of the world and resilience and hope.
Launching the 2026 Edinburgh Festival Fringe programme, Tony Lankester, Chief Executive of the Edinburgh Festival Fringe Society, said:‘Programme launch is an exciting moment for everyone involved in making the Festival Fringe happen. Thank you to the artists, venues, producers, technicians, promoters, support staff and audiences that bring their unique creative lens and exceptional energy to Edinburgh each August.
‘Within the number of productions registering this year, we’ve seen a notable increase in artist registrations from overseas. This tells us that, despite the economic and political headwinds the world is facing, the Fringe continues to be relevant and important to our artists, and taking part marks, for them, a significant moment and investment in their careers.
‘This year’s Fringe programme is packed with every kind of performance, so we’re asking audiences to mix it up and explore the unique, creative performances available at this Fringe.
“From theatre or circus, or the best of comedy, music, dance, children’s shows, magic or cabaret, there is something for everyone in Edinburgh this August.’
In Cabaret and Varietyat theSpaceUK,Confirmation Sponsor Variety Hour presents ‘the best damn talent show ever’ that is ‘sponsored by God.’ Head to artSpace@St Marks for a Piano Recital of Dvořák’s Suite, with ‘much variety and richness.’show
In Dance and Physical Theatre, Korean Tightrope Walking explores the ‘edge of balance and freedom’ through the traditional theatrical form of jultagi at Meeting Point at the Meadows.
There are a range of new shows at the Scottish Storytelling Centre. In Children’s Shows, Romeo and Juliet for Bairns portrays ‘an immersive, theatrical, comical version of the love story of Romeo and Juliet’ just for children. Exhibition: Craigmillar Tapestry showcases ‘a community initiative to create a series of tapestry panels representing the rich history of Craigmillar.’ The Scottish Storytelling Centre also presents Spoken Word performances such as Traditional Tales, which explores ‘folk tales, fairie tales, myths and legends, stories which have been handed down to inspire and entertain across generations.’
In theatre,the Scottish Storytelling Centre’s Irrational explores the balance between mathematics and storytelling to ‘reflect on the role of mathematics in Western culture.’ In Marjolein Robertson: Shetland Folklore at Traverse, Robertson takes audiences ‘across the sea to the UK’s most northerly isles for an hour of immersive tales.’ Meanwhile, over at theSpaceUK, Until Hope Fades Away ‘follows Ali, a young man anxiously waiting at an old harbour for the return of his father.’
At Pleasance, Copycat features Fringe First winner Joe Sellman-Leava as he explores whether ‘AI spells the end of humanity, or a dawn of a new utopia?’ At Hoots, Australian freestyle comedian Stian Macshane challenges a custom-built AI controlled entirely by the audience to a fully improvised rap challenge in RapGPT: Macshane.
Head to Assembly for An Echo in the Void, ‘a darkly funny, emotionally charged chamber thriller’ about four strangers who must choose between a painful reality and a perfect world designed by AI.
At Just the Tonic, Improbotics Presents: Artificial Reality, letting ‘audiences become producers of a reality show… Because of budget cuts, “celebrities” are recreated using questionable artificial reality methods (deep fakes, video generation and AR glasses to send lines from a chatbot to control the “celebrity”).’
‘Can you create a new and exciting innovative business and still be ethical?… The Provocateurs: Ethical Innovators? / Satellites Destroy Privacy at The Stand Comedy Club explores if new ideas and technologies – including AI – can still be ethical and inclusive’. Over at Venue 13, ‘step into an intimate, immersive campfire where mythical forces of nature meet in the shadow of a changing world. Once again guided by AI database, Symbiolene, as she conjures figures from her past: The Green Man, Brigid and the Cailleach’ in AI Campfire (return).
At Laughing Horse, The Buddha Wears Prada is ‘a dark stand-up comedy hour about Sofia May’s experience as a former member of a Buddhist cult’s inner circle.’ All Religions Explained – The Cabaret Musical is ‘a piano-pounding cabaret musical celebrating faith and the human comedy of belief’ at PBH’s Free Fringe.
Taking place at Gilded Balloon, Brit Barron: CHURCH explores stand-up, storytelling and gospel music about Barron’s experience as a former megachurch pastor. Meanwhile, Prophets from Fringe First-winning writer Jack MacGregor is at Assembly,travelling to Saint John to research the ‘dangerous theology of the cult’ that has taken over.
At Laughing Horse, Eat Pray Cult is ‘ a stand-up comedy about getting divorced and joining a cult’ in a ‘seasonal, off-grid, techo-futurist protopia and decentralized intentional community’.
Sex, Drugs and Conscious Souls at PBH’s Free Fringe explores the unlikely love story built upon polyamorous throuples between a pastor and a prostitute. It focuses upon ‘healing from religious trauma and mental illness while exploring society’s stigmas around sex, drugs and new age consciousness.’
Audiences can also join Jonas and Sylas, who tell their experiences of escaping a cult in Oh My Jehovah! at Hoots.
At Pleasance,MAN!FEST: The Drag Boyband Musical is the ‘riotous drag musical that exposes toxic masculinity and its effect on boybands and fangirls.’
At Monkey Barrel Comedy, Finlay Christie: Champagne Casanova provides an hour of stand-up discussing ‘the myths constructed by incels, billionaires and even human people, that mean we don’t have to admit we’re ordinary, rejected or wrong. There’s also a strong section on air fryers.’ Alice Fraser: Oh Man! is alsoat Monkey Barrel Comedy, with some ‘stuff to say’ about masculinity, featuring ‘a sentient Roomba and some Ancient Greek philosophy’.
In Aideen McQueen: Wo-Manosphere at Gilded Balloon,McQueen ‘finally understands dating, boundaries, attachment and the male loneliness epidemic’ in a stand-up show exploring masculinity and female delusion.
Explore a single mother’s ‘real-world encounter with the Manosphere that stokes her rage’ in SLAYERS by Corinne Salisbury at Assembly.Also, No Hard Felix follows Felix as his ‘chaotic quest to “fix” himself spirals into an accidental journey into vulnerability and the scared parts of himself he’s spent a lifetime avoiding’ at Just The Tonic.
Over at Greenside, Shinjuku follows a woman’s unfinished business in a ‘darkly funny exploration of women’s choices in a man’s world.’
In Extraordinary Alien at Le Monde, a Jewish actress and mum new to New York must prove she’s exceptional in a stand-up about ‘ambition, impostor syndrome and never quite fitting in.’ In Why English?, an Indian woman ‘questions her life in the post-colonial era’ through physical theatre at Assembly.
At Greenside, Chloe Campbell Bites Back explores Campbell’s move from County Down to London and tackles her Irish/British identity. Also at Greenside,Abby tells the story of her ‘immaculate-conception-adjacent origin story’ featuring ‘gay divorce, coming out as straight, OCD, Jewishness and Germans who fetishise it, and career heartache’ in Most of My Moms Are Gay.
Former astrophysics researcher Rao explores being ‘a brown Australian navigating family expectations, creative work and burnout in a confusing world, whilst clinging to a sense of joy’ in How Now Brown Rao at Laughing Horse.
Tap Out! (Or I’ll Hit You Again) at Gilded Balloon is a ‘dramedy story about violence, masculinity and morality; an examination of identity, purpose and male loneliness.’ Lance Mao: The Pig with the Dragon Tattoo at Hoots offers ‘a dark confessional hour about racism, mental health, fear, and embracing your crazy’ as ‘a perpetual foreigner’
‘Expect class clashes, romantic disasters and the familiar feeling of trying to do the right thing, and rarely succeeding’ in Gareth Mutch Means Well at The Stand Comedy Club. Follow a portrayal of ambition, social mobility and culture shock featuring ‘pink shell suits, Playboy garms, and Britpop’s parting cries’ in comedy Giro Baby at Greenside.
Drag performance I AM JOHNNY explores the ‘fragile power dynamics, performative masculinity and ownership of the female body’ at Summerhall.
Irene Cleans Up tells the story of an unlikely partnership between a London cleaner and a successful competitive sommelier, exploring reinvention, friendship and the ‘courage to redefine yourself’ at Paradise Green.
haim. teeth. CLUB. explores the story of a ‘working class Scottish young woman at the centre of her own narrative – as a living, breathing, contradictory person’ at Underbelly.
At Pleasance, Emmeline Downie: Gail ‘gives a voice to the voiceless: vivacious middle-aged women from Milton Keynes’.
A&E at theSpaceUK ‘invites the audience to sit in the A&E waiting room and participate in humanity’s favourite activity: voyeurism’ while meeting hospital regulars.
At Pleasance,Cecily Hitchcock: Family Recipe dives into ’00s Britain where ‘Blair and Brown played in her child mind like a Greek tragedy’.
They’re Just Small Town (Northern) Lads at Summerhall explores boyhood, masculinity and the moments young boys must decide what kind of men they will become in a Northern UK working-class town in 2000.
At Underbelly, Saving Britney, inspired by the #FreeBritney movement, returns to the Fringe to explore how the princess of pop, Britney Spears, influenced millennials’ lives and led to ‘an unbelievable moment of self-discovery.’ Over at Laughing Horse,00s Throwback Party explores Noughties’ iconography of ‘Fad diets. Flip phones. MySpace. MSN.’ through a multimedia performance.
YUCK Circus: Naughties is celebrating a decade not to be forgotten, featuring ‘high-flying acrobatics, comedy and absolute bangers’ at Assembly. Based on the film, Brassed Off shows ‘the value of solidarity and friendship and the power of music’ at Inverleith St Serf’s Church Centre.
We Were Young is at theSpaceUK, telling ‘a powerful and hilarious story about the realities of gang culture and young team mentality in Glasgow during the 90s’.
In Broken Planet Show at Just the Tonic, ‘comedy, circus and indie cosmic lunacy collide in an ever-changing nightly riot of world-class weirdos, hellbent on healing our planetary divide.’ Also at Just the Tonic, Meka Mo uses New York as a lens to comedically explore the multicultural world in ‘an age of political chaos and cultural contradiction’ in New York City Dreams.
Lorraine Hoodless: Mean at PBH’s Free Fringe tells Hoodless’ account of ‘burnout, billionaires, consumer guilt, the myth of meritocracy, and the slow collapse of society.’ The Last Funny Womanat PBH’s Free Fringe features Kate, who thinks ‘it is time to burn [the world] down.’
Political comedian Matt Forde ’embarks on finding joy amid global political turmoil, the rising tide of populism and his own ongoing health challenges’ in Matt Forde: Project Holy Moly at Pleasance.
At Paradise Green, The Pod is a comedy play about grief, the state of the world and the importance of human connection, as Kaia and Adam move to a ‘doomsday bunker that might jettison into space when the world ends in eight minutes and 19 seconds’.
Will Adamsdale tell his robo-bromance about finally embracing his old enemy technology in Will Adamsdale: AI, AI, Oh… (Or How I Wrote a Hit Sitcom with ChatGPT But We’re Not Talking Now) at Underbelly.
Part of the Made in Scotland showcase, FLOWERCORE by Siobhan Wilson at The Gilded Saloon is a celebration of ‘preservation, belonging and resilience through music and immersive imagery featuring flower videography and flower art by Scottish artists’.
In his first show in 25 years, Bruce Devlin: Mummy Loves M&S at TheStand Comedy Club explores ‘the four Ds: death, dyslexia, divorce and Dundee’, as well as the need for resilience and the power of laughter in the face of life’s challenges.
At the Ukrainian Community Centre, the Solo Way Ukrainian Choir ‘connects audiences to the passion, resilience and joy of Ukrainian music.’ At the Scottish Storytelling Centre, The Dark Pool explores ‘disability and resilience in the face of trauma and societal expectations’.
Jessies at theSpaceUK ‘dives into the highs and lows of queer life’ between 1980 and 1995 for ‘three unforgettable drag queens.’ Also at theSpaceUK, A Forgotten Woman: Mrs Oscar Wilde explores Constance Lloyd’s life ‘told through letter excerpts written in her own hand’ which reveal her ‘wit to rival Oscar [Wilde’s]’.
At The Speakeasy at The Royal Scots Club, Alan Bennett’s Talking Heads, a ‘multi-generational company of Edinburgh-based women, perform four of Alan Bennett’s iconic Talking Heads monologues’ exploring loneliness, desperation and resilience through humour.
Gilded Balloon Teviotreopens for the Fringe after being closed for renovations since September 2023, featuring Brit Barron: CHURCH, Fab Goualin: Mixed Messages, Aideen McQueen: Wo-Manosphere and many more.
Sauna Theatre @ Summerhall is a working sauna and will feature shows such as Morning Sauna Rave, Mysteries of the Picts and Bubble Schmeisis (Remixed). Sauna Theatre will be a hub for relaxing and recharging, as well as experiencing choreography and storytelling through traditional sauna rituals.
Brown’s of Leith is hosting a ‘site-specific adaption of Andrew O’Hagan’s best-selling novel’ Mayflies, part of the Made in Scotland showcase, within Leith’s unique Victorian engineering works.
Pianodrome’s new, second location at St Oswaldsshares ‘the world’s first amphitheatre made entirely from disused pianos’ which will feature free shows, evening events and workshops such as Golden Beryl: Special Oblivion, Piano Dismantling Action and Vroni’s Streetpiano Party.
The Fringe Society is grateful to the many partners, supporters, funders and sponsors this year. They would like to thank Cheez-It, The Magnum Ice Cream Company, Edinburgh Gin, Baillie Gifford, Cirrus Logic, Apex Bars & Events, Binks Trust, Bloomberg Philanthropies, PPL, EventScotland, VisitScotland, and Young Start – The National Lottery Community Fund.
The Fringe Society would also like to thank the UK Government, Foyle Foundation, SP Energy Networks, and the Changing Places Toilets Scotland Fund for their support of Fringe Central. The Scottish Government and City of Edinburgh Council for strategic funding support, the Scottish Government’s Festivals EXPO Fund support for the Made in Scotland programme; and Screen Scotland for supporting Screen Fringe.
The Fringe Society works with accommodation partners who provide much needed affordable accommodation to artists – they would like to thank Queen Margaret University, the University of Edinburgh and Theatre Digs Booker.
Health in Mind are also returning in 2026 to support the delivery of mental health and wellbeing services within Fringe Central.
What’s Up: Summer Skies | Presenter-led Show
Under Pressure | Presenter-led Show
We Are Guardians | Dome Film
Experience our We are Guardians show with BSL interpretation as part of our daily schedule, with additional BSL interpreted screenings available upon request.
