A sculpture of legendary Edinburgh fundraiser Tom Gilzean has been unveiled on the Royal Mile to pay tribute to his extraordinary life and continue his legacy.
Tom Gilzean was a decorated war veteran and charity stalwart who sadly died in November 2019 aged 99, having raised over £1million for good causes during his lifetime.
Now, Tom’s charity Edinburgh Children’s Hospital Charity (ECHC) and Central Taxis have teamed up to celebrate his memory with a dedicated statue, ‘Oor Tom’, displayed in his favourite city fundraising spot.
Tom became an iconic figure to both locals and tourists alike. Come rain or shine, he could be found on the Royal Mile or Princes Street, wearing his trademark tartan trews and shaking his collection cans to raise funds for the charity.
ECHC supports the Royal Hospital for Children and Young People (RHCYP). When asked why he fundraised 365 days a year in all weathers, Tom would simply say, “I just want to help the children.”
Fiona Brian, fundraiser at ECHC, said: “Tom was an exceptional and inspirational ambassador of ECHC and we are immensely proud and privileged to have been his chosen charity.
“It is wonderful to be able to bring his sculpture to the streets of Edinburgh so all those who knew and were inspired by him can remember him and ensure his legacy lives on.
“We are enormously grateful to Central Taxis, the Lord Provost and Belhaven School Pipes and Drums for helping to make the day so special.”
Oor Tom was created by local artist Chris Rutterford to honour Tom and the thousands of children and their families who have been cared for by Edinburgh’s children’s hospital. Central Taxis funded the sculpture to raise further funds for seriously ill children and donated it to the city for everyone to enjoy.
Murray Fleming from Central Taxis said: “We at Central Taxis are deeply honoured to have had the opportunity to collaborate with ECHC in commemorating the extraordinary contributions of Tom Gilzean.
“His selfless dedication to charitable causes is a testament to the spirit of community and giving that we hold dear.
“This sculpture is not just a monument; it is a call to action for all of us to continue Tom’s incredible legacy of helping those in need. We hope that his presence on the Royal Mile serves as a lasting inspiration to both residents and visitors alike.”
Oor Tom was originally on display on Princes Street as part of Oor Wullie’s BIG Bucket Trail – a nationwide art trail which raised money for Scotland’s children’s hospital charities, including ECHC.
Edinburgh Central Library, 7-9 George IV Bridge, Edinburgh EH1 1EG
A new exhibition displaying over 100 items on loan from public and private collections of world traditional dance books and artefacts, opened today as part of this year’s Pomegranates Festival in Edinburgh.
Portrait of dance artist Ella Moore wearing a Ukrainian headdress and scarf featured in the exhibition. Commissioned by the Traditional Dance Forum of Scotland for the inaugural Pomegranates festival in April 2022 by floral artist Fiona Rose Gregory. Photo by Iliyana Nedkova
Dance Around the World will feature items from over 20 different countries including Scotland, Greece, Estonia, Poland, Bali and Japan. Highlights include a Ukrainian headdress commissioned by the festival in 2022 in tribute to the millions of displaced Ukrainians around the world (pictured above); an original Estonian dance dolly ‘rescued’ from a Finnish flea market and a full outfit worn at Scottish country dances since 1978 by a lifetime member of the Royal Scottish Country Dance Society.
This year’s festival commission is a Barbie doll clad in a tartan frock by festival’s fashion designer-in-residence Alison Harm of Edinburgh’s Psychomoda brand. (Alison Harm’s solo exhibition of sustainable tartan exploring the role of tartan in Scottish trad dance is at the Scottish Storytelling Centre 23-30 April.)
Barbie in Highland Dance Dress – Commissioned by the Traditional Dance Forum of Scotland for Pomegranates Festival 2024. Outfit by Alison Harm of Psychomoda.
Alongside the numerous books on display selected from five private collections, as well as the catalogue of the Edinburgh City Libraries, visitors will revel in rare artefacts, including a pair of exquisite lacquer Geta shoes and an Obi bow and sash worn as part of the traditional wrap-around costumes for the Bon Odori summer dance festivals in Japan, and at the inaugural Pomegranates festival in Scotland.
Amongst the heirlooms in the exhibition is a silver brooch with a Viking ship motif which used to adorn the trad dance and song costume of the Estonian grandmother of the festival’s artist-in-residence Mare Tralla.
Mare, who co-curated Dance Around the World is a Scottish Estonian artist and activist currently working and living in Edinburgh. Her professional art career started in Tallinn in the early 1990s, where she became one of the leading interdisciplinary artists of the younger generation, conducting a feminist revolution in the field of contemporary art in Estonia.
Mare combines a variety of media in her work, from video, photography and painting to performance and interactivity. She also often utilises traditional crafts like knitting and weaving in her practice, including through her long-term craft projectNatty Peeps.
Artist-in-residence and co-curator Mare Tralla said: “I am so grateful for the opportunity to co-curate the Dance Around the World exhibition in collaboration with this year’s Pomegranates Festival and Edinburgh City Libraries and to offer hands-on craft workshops.
“I hope that any craft enthusiasts will join me to seek inspiration from the new exhibition to make our own costume jewellery and homeware while tracing the importance of tassels and pom-poms across the trad dance costumes from all corners of the world, including the sporran in the show”.
Edinburgh-based dance artist and art historian who is one of the major contributors to the exhibition Agnes Ness said: “I was so excited to go through my own library, photo albums and memorabilia and select a range of books, postcards and medals for the Dance Around the World exhibition.
“A wee testimony of my lifelong passion for art history and dance which dates back to my childhood spent in competitive Highland dance in the 1950s, leading to my current adventures as a teacher in Dance History at Dance Base, Scotland’s National Centre for dance where I am a founding member of the 24 Carat Gold Dance Group for those aged 60 and above.”
Iliyana Nedkova and Wendy Timmons, Pomegranates Festival Co-curators said: “Our collaboration with Edinburgh Libraries began in June 2023 when we brought live trad dance to the library, possibly for the first time, while celebrating the feisty women-tradition keepers and dance innovators as part of the 10th anniversary of the Harpies, Fechters and Quines Festival.
“We even recorded live in the George Washington Browne Room one of our Trad Dance Cast video podcast episodes with the legendary trad dance artist and costume designer Margaret Belford, 85.
“It was then when we pencilled and penned our love letter to the library – this very dance exhibition and all the related festival activities, including the craft workshops and walking tours.”
Dance Around the World
3rd to 30th April 2024, Open Mon-Wed 10am-8pm, Thu-Sat 10am-5pm, Closed Sun Central Library, 7-9 George IV Bridge, Edinburgh EH1 1EG
This exhibition is part of the Traditional Dance Forum of Scotland and TRACS’s programme of events showcasing Scotland’s traditional arts and cultural heritage alongside international collections.On display are over 100 items on loan from public and private collections of world traditional dance books and artefacts.
Co-curator Mare Tralla‘s festival residency follows in the footsteps of the artists-in-residence in the Pomegranates festivals 2022 and 2023: Claudia Nocentini (Italy / Scotland) and Gabriel Schmitz (Germany/Spain). Likewise, Mare will create a new commission in her media of choice in response to the festival activities – a new screen dance that will be premiered at the festival finale.
10th, 17th and 30th April at 6pm Central Library, (George Washington Browne Room) George IV Bridge, Edinburgh EH1 1EG Led by artist-in-residence Mare Tralla, these hands-on craft workshops, inspired by the new exhibition include crafting your own costume jewellery and homeware while exploring the role of tassels and pom-poms across trad dance costumes. All materials such as natural fibres and up-cycled fabric will be provided. Suitable for anyone aged 18+.
Admission Free
Walking Tour
27th April at 11am Meet at the Scottish Storytelling Centre, 43-45 High Street, Edinburgh EH1 1SR Led by storyteller Donald Smith this is a relaxed festival walking tour exploring the dance traditions of Edinburgh’s Old Town, including their locations and social contexts. An opportunity to learn about the local folk traditions, the Scottish Court and ‘polite’ society. The tour will start from the Scottish Storytelling Centre with a preview of the festival exhibition Vengefully Changed Allegiance by Alison Harm of Psychomoda. The tour will end at Edinburgh’s Central Library with a preview of the festival exhibition Dance Around the World featuring trad dance books and artefacts from Edinburgh and beyond.
Admission Pay What You Can
Pomegranates
Established in 2022, Pomegranates is Scotland’s springtime festival of Scottish and international traditional danceproduced by the Traditional Dance Forum of Scotland and TRACS in partnership with Moray House School of Education and Sport, University of Edinburgh, Edinburgh City Libraries, Dance Base and the Scottish Storytelling Centre. The festival celebrates Scottish traditional dance and traditional dance practised by cultural migrant communities across Scotland. It provides a platform to showcase new dance commissions and residencies accompanied by live music, poetry, and art; and invites audiences to participate in ceilidhs, workshops (both in person and live streamed), tours, and talks about traditional dance from Scotland and around the world.
The Scotch Whisky Experience on Edinburgh’s Royal Mile proudly raise a glass as they achieve two Green Tourism Awards in recognition of the steps they have taken as a business to put sustainability at the forefront of strategy.
The result of this approach; The Scotch Whisky Experience are the first whisky attraction in Scotland to receive both the Green Tourism and Green Meeting Gold Awards. This accreditation highlights The Scotch Whisky Experience’s ongoing efforts to reduce its carbon footprint and to provide visitors with an immersive experience while striving to be as sustainable as possible.
Demonstrating the importance of sustainability for business growth, The Scotch Whisky Experience has also been awarded the Edinburgh Chamber of Commerce High Growth Business of the Year Award 2024.
This accolade celebrates businesses demonstrating profitability, innovation, and growth. The Scotch Whisky Experience’s performance over the past twelve months, coupled with its £3.5 million investment in the visitor experience, demonstrates their unwavering commitment to sustainable business practices while telling the story of Scotland’s national drink.
According to a report by the Scotch Whisky Association, ‘the contribution of the Scotch whisky industry reached £7.1 bn in 2022 and is the second most productive sector in Scotland, just behind energy including renewables.’*
Susan Morrison, Chief Executive at The Scotch Whisky Experience, said: “We work hard to take positive actions across the whole business with a real focus on people, their experience and our environmental impact.
“We are very proud to have achieved GOLD status with Green Tourism while being recognised for substantial growth by Edinburgh Chamber of Commerce.”
The Scotch Whisky Experience brings whisky to life, showcasing the heritage and craftsmanship behind the iconic spirit whilst actively continuing to put sustainability at the forefront of the business.
ELEGIES – Saturday 27 April, 7.30pm Scottish Storytelling Centre, 43-45 High Street
Hamish Henderson (1919-2002), was a soldier-poet and scholar-folk revivalist. Elegies is his first-hand account from the North African desert military campaign for which he won the Somerset Maugham Award.
His dedication of the book: “for our own and the others” sets the story within our own common bonds, fragility and humanity, in the setting of the ‘deadlands’ of Cyrenaica (modern-day Libya). The Elegies also reveal the shared helplessness of those loved ones at home waiting, praying – and dancing.
This production is led by a duo of dancers and choreographers Helen Gould and George Adams who together with dancers Nicola Thomson, Edwin Wen and Aimee Williamson embody and represent the characters from the ten elegies set both in the desert and the dance hall by using ceilidh, jive, swing and lindy hop – the popular social dance culture of the 1940s.
Through their movement directorship Gould and Adams weave into the dance, the reading of the Elegies for the Dead in Cyrenaica by spoken word artists Morag Anderson and Stephen Watt; and specially composed and newly arranged trad music and song by Cera Impala.
Wendy Timmons and Iliyana Nedkova,Elegies co-curators and producers from Traditional Dance Forum of Scotland said: “Elegies is a dance poem of serious reflection – a lament for all lives lost not only in WWII but in our world of conflicts, oppression and inequality.
“We were delighted by the positive reaction we received when it was first performed on Remembrance Day last year, and very proud of everyone who has worked with us on this revised adaptation as part of this year’s Pomegranates Festival.”
Elegies was originally commissioned for the Scottish International Storytelling Festival 2023, then extended and revised for Pomegranates Festival 2024.
Trad Dance Session
There will be a post-performance lindy hop social dance session, led and accompanied by Pomegranates 2024 resident musicians from the Castle Rock Jazz Band, in the main atrium at the Scottish Storytellling Centre. All welcome. Tickets are Pay What You Can £5, £10 or £15 and available through the Scottish Storytelling Centre Box Office here
The Real Mary King’s Close offers new immersive holiday to live like a 17th century local
Live like a local in 17th century Edinburgh with a stay that sees technology taken away, a visit from the Plague Doctor, and a bucket for a toilet
History lovers now have the chance to live like a 17th century Edinburgh local with a new week-long experience staying in the underground streets of The Real Mary King’s Close that are frozen in time.
You would have to be a ‘fool’ to stay on this immersive experience, as guests see their phones taken from them on arrival, as well as having to use a bucket as toilet, and avoid waste being thrown on them from other guests as they shout ‘Gardyloo!’
The new immersive experience from The Real Mary King’s Close is all about offering an authentic experience as visitors learn what it is like to be a former resident of the close. Edinburgh experienced the worst outbreak of the plague due to the crowded living conditions and over the week-long experience guests can expect visits from the Plague Doctor in their terrifying outfit designed to protect them, including a long cloak and beak-like mask.
As well as visits from the Plague Doctor, guests will live in cramped conditions sharing a bucket for a toilet, however there is no room service in this experience as guests will have to throw their waste out with a shout of ‘Gardyloo!’ so other guests know what is about to wash the streets.
Paul Nixon, General Manager at The Real Mary King’s Close, said: “As one of the UK’s top-rated experiences on TripAdvisor we are always looking for new ways for guests to immerse themselves in 17th century Edinburgh. What better way to learn what it was like to live on these streets nearly 400 years ago than to actually live on these streets?
“That is why we are set to offer a new week-long experience where guests can stay on the Close and learn what it was really like to live here day-to-day, from having no phones to using a bucket as a toilet, this is set to be an experience like no other, you’d be a fool to miss it!”
A sword made for George IV’s historic visit to Edinburgh and other rare surviving items of Georgian clothing are among almost 100 works from the Royal Collection are now on show as part of Style & Society: Dressing the Georgians.
It is the first exhibition to open at The King’s Gallery at the Palace of Holyroodhouse, formerly known as The Queen’s Gallery, following an 18-month closure for essential maintenance work.
Throughout the exhibition, the fashions recorded in portraiture are used as a lens to explore the many social, political and technological changes that characterised Georgian Britain. Paintings, prints and drawings by artists including Gainsborough, Zoffany and Hogarth are accompanied by a selection of clothing and accessories to tell the story of fashionable dress from George I’s accession in 1714 to the death of George IV in 1830.
Style & Society: Dressing the Georgians takes a closer look at George IV’s 1822 visit to Scotland, the first by a reigning monarch in almost 200 years.
Visitors will see the set of accoutrements specially supplied to the King for the visit by George Hunter & Co, purveyors of Highland dress based on Princes Street in Edinburgh, including an ornate broadsword, made of blued steel inlaid with gold and decorated with Scottish emblems, a belt and a dirk.
Also on display is a full-length portrait of George IV by Fife-born artist Sir David Wilkie, showing the monarch in Royal Stewart tartan and wearing the accoutrements.
The growing textile industries presented artists with fresh challenges as they strived to depict the latest fabrics. A rarely displayed, full-length portrait byThomas Gainsborough of Queen Charlotte is paired with an embellished Indian muslin sacque gown on loan from Historic Royal Palaces, a close match in shape and style to the delicate white dress that glitters with silk netting and tasselled bunches of gold lace in Gainsborough’s painting.
An essential fabric for centuries in Britain, linen was used in a variety of ways in items from washable undergarments to delicate lace, and even shoes, as demonstrated by a pair of baby shoes which belonged to Princess Charlotte, George IV’s only child.
The age of Enlightenment saw ideas about childhood evolve, and this materialised in childrenswear becoming more comfortable and practical. Benjamin West’s portrait of three-year-old Prince Octavius, the 13th child of George III and Queen Charlotte, shows him wearing a skeleton suit – a new style of children’s dress inspired by the functional clothing of working-class sailors. With a toy horse on the floor behind him as he carries his father’s cavalry sword, displayed nearby, it is as if the young prince is pretending to be a hardworking king.
Clothes and undergarments such as bonnets and stays were used to teach children good posture or provide protection. An embroideredbonnet thought to have been worn by Princess Charlotte is on display for the first time after being bequeathed to the Royal Collection in 2022 by a descendant of the then young Princess of Wales’s Preceptress (teacher), Miss Mary Hunt.
All four Georgian monarchs took great interest in military clothing, and the 18th century saw a proliferation of uniform styles.
A preliminary work by Sir Joshua Reynolds of Lord Eglinton, a respected military leader and patron of Robert Burns, demonstrates the finesse of 18th-century portraiture, with headdress feathers appearing to flutter in the Highland breeze.
A deep blue uniform jacket designed by George IV and captured in the monarch’s portrait by Sir William Beechey shows first-hand the richness of military dress.
Georgian jewellery was often highly personal, and much like clothing, was regularly repurposed – even by the royal family. Pearl-adorned buttons from a dress coat belonging to George III were reused to create an eye-catching necklace for the Duchess of Clarence, later Queen Adelaide, shown alongside items of Queen Charlotte’s impressive jewellery collection.
Anna Reynolds, curator of Style & Society: Dressing the Georgians, said: ‘The 18th century was an incredibly innovative period, and the Georgians were responsible for ushering in many of the cultural trends we recognise today.
“From the rising influence of practical working-class dress to the practice of recycling and reusing fabric wherever possible, fashion from this period tells a broader story about what was happening in society.
“It is fascinating just how much we can learn from the paintings, clothing, and accessories on display. And, thanks to our new scheme of £1 tickets, we are looking forward to sharing it with as many people as possible.’
Following a successful run in London, Style & Society: Dressing the Georgians at The King’s Gallery, Palace of Holyroodhouse is the first Royal Collection Trust exhibition to offer £1 tickets to visitors receiving Universal Credit and other named benefits.
The King’s Gallery will also continue to offer concessionary rates, including reduced tickets for Young People, and the option to convert standard tickets bought directly from Royal Collection Trust into a 1-Year Pass, allowing free re-entry for 12 months.
An accompanying programme of events at The King’s Gallery includes:
Style Natters: Free short talks for visitors will be held weekly on Thursdays at 11:00, each taking an in-depth look at a work of art in the exhibition.
Powder and Pomade: Exhibition curator Anna Reynolds will give a lunchtime lecture on Friday, 3 May on 18th-century wigs and hairstyles, an essential aspect of Georgian style.
Dressing Children in the 18th Century: Assistant Curator Lucy Peter will give a lunchtime lecture on Friday, 21 June exploring new ideas around childhood in the Georgian period, including attitudes towards education and the importance of playing outside.
Recycled Fashion: Family Workshop: The King’s Gallery’s Learning team will hold a fun family workshop on Saturday, 10 August exploring embroidery and other fashions in Georgian Britain. Children will have the chance to create a cape inspired by the exhibition, using recycled paper materials.
Newly Relaunched Marriott Hotel supports Local Edinburgh charity with over £11,000 worth of recycled items following major refurbishment
The recent redevelopment of the former Holyrood Hotel to the new Edinburgh Marriott Hotel Holyrood has resulted in the property donating more than £11,000 worth of quality furniture, from armchairs and artwork to televisions and desks to Edinburgh-based charity Scottish Veterans Residences (SVR), following the completion of an extensive refurbishment.
The charity – a registered housing support service based at Whitefoord House, within the City’s UNESCO site in the Old Town – provides supported housing for former members of the UK Armed Forces and their services are available to anyone who has served in HM Forces, Reserve Forces or Merchant Marine, regardless of age or length of service, who are homeless or at risk of homelessness.
The team have welcomed Edinburgh Marriott Hotel Holyrood’s donation as a vital contribution to their services.
Kirsty Smeaton Brown, SVR’s Residence Manager at Whitefoord House, said: “The donation is a welcome surprise and addition to the Whitefoord House site, which will enhance our communal and living areas.
“We are delighted to be able to make such good use of recycled high-quality furniture and our residents and staff are very grateful for this thoughtful and community-spirited donation.”
The hotel, also located in the heart of Edinburgh’s historic old town is now under new ownership and showcasing the renowned Marriott Hotel standards to their guests.
The hotel’s interiors have been refurbished to the tune of £10m and as a result, the existing furniture from the Holyrood property was recycled and donated to the Residences to support their community.
Michael Falla, General Manager of Edinburgh Marriott Hotel Holyrood, commented: “The relaunch of Edinburgh Marriott Hotel Holyrood marked a long and exciting development for the City and the Marriott brand.
“The hotel team’s hard work and commitment took the Hotel to the next stage of its journey, and we are delighted to have the opportunity to serve our local community.
“We are very proud to be able to play our part in the incredibly worthwhile mission Scottish Veterans Residences fulfil daily and the support they offer to former members of the UK Armed Forces by donating the furniture we replaced during the refurbishment.”
Scottish Veterans Residences also operate at Rosendael, Dundee and Bellrock Close, in the East End of Glasgow.
To learn more about Scottish Veterans Residences and to donate directly, visit https://www.svronline.org
For more information on the newly refurbished Edinburgh Marriott Hotel Holyrood, visit www.marriott.com/edimh
A new exhibition inspired by Scottish fishing communities and seascapes of the North East will go on display at the Scottish Storytelling Centre as part of the TRACS programme during Edinburgh Tradfest from 3 May to 15 June 2024.
Artist Stephanïe Vandëm imaginatively combines oils and mixed media materials salvaged from harbours, beaches and shipyards to create large-scale works that evoke the linkages between the communities of the North East of Scotland and their fishing heritage.
Drawing from the rich traditions of Renaissance and Latin American art, FISHING will present 13 semi-sculptural works that explore the pressing environmental and identity concerns of our time.
Rubber gloves, ropes, nets, buoys, and crab shells are used to give tri dimensionality and texture to the works. Plastic sushi fish drained of their soy lifeforce cling to the surfaces making us ponder their infinite life expectancy and the material’s detriment to all sea and land-living creatures.
Screws, nails, and other metal bits left by the artist’s late husband populate the paintings’ surfaces recreating the colours and textures of a busy shipyard. Pinecones turned into lobster tails; twigs turned into crab’s eyes all used to create compositions that connect us emotionally to Time, Identity, Heritage, and the Environment.
Artist Stephanie Vandëm explains: “My work is firmly rooted in classical principles, merging time-tested oil painting techniques and semi-abstraction, to pressing contemporary themes and universal human struggles, resulting in monumental semi-sculptural paintings.
“The pieces resemble an archaeological find sedimented in cement, sand, metal and found objects. They create puzzles, connecting the personal, political, and spiritual elements of my own life and practice. Aberdeenshire’s motto, ‘from mountain to sea’ inspired me throughout this collection.”
Sculptural pieces in the exhibition include boxes encased in sand, cement and the ‘bones’ of a metal creel looking like they have been hauled from the sea depths, bearing witness to the many lives lost across generations and continents.
The tactile and playful nature of the work invites audiences to interact with it by moving the ropes and nets, to create new images and build stories within stories to explore beneath the surface layers leaving space for personal interpretations.
Steve Byrne, Director of TRACS said: “As someone who grew up on Scotland’s east coast, I was immediately struck by the familiarity and strong imagery of Stephanie’s work.
“It resonated with me and the sense of place I feel about that part of the world. I recognised the shapes and colours of the kind of work taking place in harbours up and down the coast that have been a key part of local communities for decades.
“In celebrating the contribution of fisher folk, the exhibition gives voice to those involved in a precarious industry that has so much heritage, tradition and craft to explore, which often mean a great deal to fisher folk and their families.
“The works also challenge us to think about our impact on the environment through the inclusion of shore finds, opening up conversations around sustainability.
“At TRACS we look forward to helping safeguard that living heritage and lore, the traditions and customs of fisher communities through our developing work with Intangible Cultural Heritage (ICH) in Scotland.”
The exhibition will also be complemented by information panels on traditional craftwork related to fishing communities, in partnership with the Scottish Fisheries Museum at Anstruther.
About the artist
Brazilian by birth and educated in Paris, London, New York, and Florence Stephanïe Vandëm worked extensively abroad before settling in the Northeast of Scotland. Her style lies between realism and abstraction, painting and sculpture with a strong sense of narrative derived from the artist’s Latin American roots.
The artist’s creative practice is a fusion of videography, soundscapes, installations, social media participation and mixed-media that creates engaging and powerful contemporary pieces.
With some awards under her belt, Stephanïe Vandëm works in her studio between the mountains and the sea in the idyllic Scottish countryside. The artist’s strong background in the world of portraiture also sees her work on many private commissions, including painting the formal portrait of the Bishop of Aberdeen.
Her pieces can be found in many national and international private collections such as the luxury Fife Arms Hotel, owned by international art dealer Iwan Wirth.
FISHING is part of TRACS’ (Traditional Arts and Culture Scotland) programme of events showcasing Scotland’s traditional arts and cultural heritage.
TRACS has been recently appointed as an advisor to UNESCO on Intangible Cultural Heritage (ICH) in Scotland and this exhibition showcases ICH in practice through highlighting the unique ways of life, practices, and rich folklore of fishing communities on the east coast of Scotland.
The Real Mary King’s Close launches its brand-new Medical History Tours, a unique guided experience which takes guests on a journey through the fascinating development of medicine through time
Located beneath the Scottish capital’s iconic Royal Mile, The Real Mary King’s Close is launching a brand-new tour based on 17th century medicine this Edinburgh Science Festival.
The new Medical History Tour will explore the nature and development of Edinburgh’s last plague outbreak, as well as the stories of Scots who revolutionised medicine to make it what it is today. All whilst exploring Edinburgh’s iconic underground street.
Edinburgh has famously been a focal point for medical innovation and experimentation. The city’s medical school is the oldest in the English-speaking world and was at the heart of the Scottish Enlightenment. While many amazing discoveries and advancements came from Edinburgh, like everywhere, some ideas were slightly strange…
Guests will learn about everything from the unusual methods of diagnoses employed by local apothecaries – such as former resident of Mary King’s Close, Dr Arnott – to the city’s worst plague outbreak.
Due to overcrowding within the city walls, the plague permeated the area in 1645. Those suffering from the plague would hang a white sheet from their window to warn their neighbours to keep away, quarantining themselves while awaiting a visit from the Plague Doctor.
Visitors will also learn about key moments in history that defined 19th century medicine, such as the formation of the Edinburgh Seven – an all-female group of aspiring doctors spearheaded by Sophia Jex-Blake, who fought for women’s education and the right to practice medicine.
The story of Dr James Barry is also highlighted on the tour, a renowned military surgeon who performed the first successful caesarean section in the British Empire.
The celebrated attraction continues to provide both tourists and locals in Edinburgh with a fascinating glimpse into the city’s dark past. As a result, The Real Mary King’s Close has not only established itself as one of Edinburgh’s top tourist attractions, but as one of the UK’s most highly rated experiences on TripAdvisor.
The new Medical History Tours from part of Edinburgh Science Festival, running from the 30th March to the 14th April.
Each year, the world-class Science Festival brings science to life through an exciting array of events, workshops, shows, and talks for all ages.
Whether you’re a science enthusiast, a curious mind, a creative or a family looking for an educational adventure, the Edinburgh Science Festival promises amazing and interactive experiences.
Paul Nixon, General Manager at The Real Mary King’s Close, said: “We’re really looking forward to welcoming people to our brand-new Medical History Tours at The Real Mary King’s Close.
“On the tour, we delve into the fascinating history of the medical scene here in Edinburgh, hearing from pioneers in the field. Our team is passionate about telling powerful stories and educating people about Edinburgh’s rich history.
“We can’t wait to see new and familiar faces on the tour and look forward to inspiring the next generation of budding doctors!”
Tours are available on Saturday 30th March, Saturday 6th April and Saturday 13th April.
Mercy Cuthbertson from North Tyneside is a six-year-old girl who has enjoyed a very special experience day in Edinburgh after Newcastle-based train operator Lumo learned of her passion for the company’s bright blue trains.
Mercy is bravely fighting an aggressive paediatric brain tumour. Her parents Lorraine and Paul have already raised more than £113,000 towards a target of £120,000 for some life-saving trials abroad.
Open access train operator Lumo contacted Mercy’s parents offering a special VIP day trip to Edinburgh where the family were invited to an exclusive performance at the Scottish Storytelling Centre in the city’s Royal Mile followed by a visit to Edinburgh Castle.
Richard Salkeld, Head of Communications and Partnerships at Lumo, said: “When we heard about Mercy’s story and her love of our trains, we began to create a truly memorable experience for her and her parents.
“We teamed up with Imaginate: The Edinburgh International Children’s Festival, the Scottish Storytelling Centre and Edinburgh Castle to help organise what was a very special action-packed visit to Edinburgh.
“As a company proudly based in Newcastle, we’re committed to supporting the communities on our route so today has been a joy to help make happen for Mercy.”
As part of the visit Mercy was invited into the driver’s cab after they arrived at Edinburgh Waverley where she posed for photographs with some of the onboard team from Lumo.
Lorraine Cuthbertson, Mercy’s mother, said: “Today has been incredible. We’ve been made to feel so welcome and enjoyed some magnificent magical moments that we’ll never forget. Mercy loved her visit to the driver’s cab on the train and meeting the unicorn at the Scottish Storytelling Centre.”
The whirlwind visit to Edinburgh was Mercy’s first time travelling on the all-electric Lumo train. She posed with a specially made giant ticket as a memento of her day before boarding at Newcastle on Friday morning.
Paul Cuthbertson, Mercy’s father, said: “She’s had a brilliant day and has been treated like royalty. It’s been so special, and I think everyone had a tear in her eye when she reached out and stroked the unicorn who she named Twinkle. Thanks to everyone who helped make today so unforgettable.”
Mercy’s fundraising campaign continues to receive generous support from people in the North East but has also received donations from around the world as her parents work tirelessly to raise funds in a bid to do all they can to help Mercy.
For anyone wishing to donate to Mercy’s campaign, they can visit here.
