A night of festive cheer aims to raise funds for Muscular Dystrophy UK
Call for local community to join the festivities organised by Stagecoach Performing Arts
Helping to support groundbreaking research and life changing support
People in Glasgow and surrounding areas are invited to the Spirit of Christmas annual concert, an evening of uplifting performances, full of festive cheer, on Friday 1 and Saturday 2 December.
The Spirit of Christmas annual concert will take place at Broom Parish Church, Newton Mearns, hosted by Stagecoach Performing Arts. This year will be full of festive songs brought to you by the students of Stagecoach Glasgow.
Gordon Smith, ex-professional footballer and Muscular Dystrophy UK’s ambassador, will be addressing the audience on the Saturday evening to sing with the children.
Jodie Whitham, Muscular Dystrophy UK’s Regional Development Manager for Scotland and Northern Ireland said: “The Spirit of Christmas always feels like the start of the festive season.
“What a wonderful way to get into the Christmas spirit, with a night of uplifting music, in such beautiful surroundings.
“It’s truly joyful, with so many people giving their time to help us raise awareness and vital funds for people living with muscle wasting and weakening conditions. Make sure you don’t miss out on these magical nights!”
Tickets will be available to purchase on the door on each of the evenings.
Adult: £10
Child or concession £5
Family (two adults and two children) £25
For more information on Muscular Dystrophy UK visit musculardystrophyuk.org or call the free helpline on 0800 652 6352 (open Mon – Thurs 10am – 2pm).
Adapted from the memoir by Damian Barr Directed by Suba Das
Opening at the Tron Theatre, Glasgow, and touring to Eden Court, Inverness; Perth Theatre; Lanternhouse, Cumbernauld; Dundee Rep Theatre and Traverse Theatre, Edinburgh, with full tour dates and venues to be announced.
Opening performance at the Tron Theatre on Thursday 9 May 2024.
Maggie & Me, Damian Barr’s award-winning and darkly witty memoir about growing up gay in Thatcher’s Britain is coming to Scottish stages, in a bold and explosive new production.
Damian Barr is adapting his memoir for the stage, teaming up with Scottish playwright James Ley and directed by Suba Das.
This new production from National Theatre of Scotland premieres at the Tron Theatre, Glasgow in May 2024 before touring to Inverness, Perth, Cumbernauld, Dundee and Edinburgh.
“Don’t you worry. I’ll always love you. Love doesn’t run out. It’s not like the gas meter. I’ll find extra love.”
It’s October 12, 1984 – the Brighton bombing. Maggie Thatcher emerges from the rubble, dusty but defiant and somehow in the living room of 8-year-old Damian Barr in Newarthill, North Lanarkshire.
No time for turning, so buckle up for a surreal yet so-real rollercoaster ride through Damian’s painful past rediscovering who he really is. From the furnaces of the Ravenscraig Steelworks to the sanctuary of Carfin Grotto, there’s pain and joy, coming of age and coming out. And Saint Dolly Parton.
It’s about finding your voice and telling your story. Before you can move on, you have to look back…
Published in 2013, Maggie & Me was named Sunday Times Memoir of the Year, awarded Paddy Power Political Satire Award and Barr was named Stonewall Writer of the Year.
The National Theatre of Scotland will be collaborating with film and video students from New College Lanarkshire to create a short documentary about the making of the production.
Damian Barr, co-writer and author of Maggie & Me, said: “National Theatre of Scotland has given me some of my most memorable nights in the theatre so it’s a great honour to be bringing Maggie & Me to life on stage with them.
“Maggie & Me is not just my story – it’s about the community that survived Thatcher, so I’m delighted we are working with New College Lanarkshire – based on the site of the Craig where my dad worked.
“I’m a huge fan of James Ley’s plays and especially what they say about identity – writing with him has been a joy and I’ve learned so much about making the shift from page to stage.
“Director Suba Das is one of the most exciting theatre makers in the UK so I am thrilled he’s lending us his unique and uniquely engaging vision. I’m dedicating this play to my family, to my family of choice and to everyone who has ever struggled to find their place in the world.”
James Ley, co-writer, said: “I’m absolutely thrilled to be part of the team reimagining Damian’s joyous, funny, heartbreaking memoir for the stage. The chance to get to work with Damian, Suba and National Theatre of Scotland is a dream come true.
“The play is so much more than a memoir, it’s a vital check-in with the nation about what’s important to us, who we are and how we make sense of everything that’s thrown at us in life.
“Going on this journey with Damian has been as moving, hilarious and uplifting as I hope and believe the play will be when it gets in front of audiences next Spring. I can’t wait!”
Suba Das, director, said: “I’m honoured that National Theatre Scotland have stretched the border a pinch to invite a Geordie director – proudly queer and working-class – up to Glasgow to help create the world premiere of Maggie & Me.
“Damian’s account of survival and the quest for community, joy and voice resonates for any of us who know what it is to negotiate boundaries of sexuality and class. In a world that remains hostile to difference, I’m so moved to have Damian and James’s trust to now lead the creation of a production that holds hope and healing at its heart – for me, for us, and for every audience member we’ll meet on the great big adventure ahead.”
Maggie & Mewas high acclaimed upon publication and established itself as a classic Scottish memoir. This is the first time it has been adapted for the stage:
‘Funny, tender, and heartbreaking.’ The Independent
‘Certain memoirs catch a moment and seem to define it, bottle it… Hugely entertaining.’ The Sunday Times
‘A memoir which is both personally moving and a valuable historical document.’ Literary Review
Born in Bellshill and now living in Brighton, Damian Barr is an award-winning writer and broadcaster.
His debut novel, You Will Be Safe Here, was Book of the Year in the Observer, Guardian and Mail. He has written several plays for radio, with Maggie & Me marking his first stage play. In 2019, Damian brought books back to television with the BBC’s Big Scottish Book Club, now in its fifth series.
James Ley is an award-winning writer living in Glasgow.
‘One of Scotland’s most exciting, early-career writers.’ Exeunt
He wrote and directed Ode to Joy (How Gordon got to go to the nasty pig party), winner of a Scotsman Fringe First in 2022 and nominated for a Critics Award for Theatre Scotland Award 2023 for Best New Play which will tour next year.
His other plays include Wilf (Traverse Theatre) and Love Song to Lavender Menace (Royal Lyceum Theatre Edinburgh, Summerhall, SoHo Playhouse, New York). James is currently under commission with the Royal Lyceum Theatre Edinburgh, and is an alumnus of the BBC Writersroom Scottish Voices 2022/2023 and Edinburgh Film Festival Talent Lab.
Suba Dasis an award-winning theatre maker from the North East of England. Previously Creative Director at the Liverpool Everyman; and Artistic Director/CEO of the internationally acclaimed new writing company HighTide; Suba trained at Cambridge and on the prestigious Birkbeck MFA in Theatre Directing. He is a 2023 graduate of the National Film and Television School’s Director’s Series.
His directing credits include major revivals of Top Girls (Liverpool Everyman), East Is East (Northern Stage and Nottingham Playhouse) and The Importance of Being Earnest (Bolton Octagon); in addition to the world premieres of Ravi Shankar’s Sukanya (with The Royal Opera and London Philharmonic Orchestra), Pink Sari Revolution by Purva Naresh, and Wipers by Ishy Din (all as Associate Director at Leicester Curve). This is his first time working with the National Theatre of Scotland.
Touring to Tron Theatre, Glasgow (previews Wed 8 May) Thurs 9 May – Sat 11 May; One Touch, Eden Court Tues 14 May – Wed 15 May; Perth Theatre Fri 17 May – Sat 18 May; Cumbernauld Theatre Thurs 23 May – Sat 25 May; Dundee Rep Theatre Thurs 30 May – Sat 1 June; Traverse Theatre, Edinburgh Tues 11 June – Sat 15 June
The National Theatre of Scotland’s popular Theatre for a Fiver scheme will be available for 14 to 16 year-olds and those on Universal Credit.
Full tour information and creative biogs to date here.
Scottish Ensemble presents the first of two specially-commissioned performance films with Glasgow production company Forest of Black: Anna Meredith’s “Tull”
The musical score comes alive when a forest of pink plinths – each with their own independent character – grows homogeneously in response to the music.
Scottish Ensemble musicians – as if museum objects on display – balance precariously on top, whilst performing Anna Meredith’s gripping piece with laser focus.
Released in partnership with Delphian Records, Tull joins Scottish Ensemble’s growing catalogue of visually-striking music videos, from Philip Glass’ Symphony No. 3, to a gripping excerpt from Shostakovich’s Chamber Symphony, the second film of their partnership with Forest of Black which will be released in Spring 2024.
“Through creative video techniques, carefully styled set design, and compelling performances, I sought to introduce the audience to a whole new way of experiencing a Scottish Ensemble performance.
“The music’s rich interplay of light and shadow, as well as a sense of spontaneity and playfulness, played a pivotal role in shaping the overall creative direction of the video.
“The final product is a testament to the creative collaboration and dedication of the entire team. Considering the high level of ambition and the numerous technical challenges we faced, I am really pleased that we successfully brought this concept to life!” – AINS Director, Forest of Black
Key Dates:
NOW – single pre-add links live across 20+ streaming services: https://orcd.co/tull
17 November 2023 – Single and Music Video released on Scottish Ensemble YT channel and becomes widely available
Produced by Imaginate and National Theatre of Scotland
Theatre in Schools Scotland brings MESS by Tenterhooks to ASN schools in Scotland as part of its touring schools programme of live dance and theatre productions
MESS is visiting ASN schools in Edinburgh, Livingston, Dundee, Tain, Dingwall, Inverness and Aberdeen in September and October 2023 with a first performance at Oaklands School in North Edinburghon Monday (25 September 2023).
Theatre in Schools Scotland (TiSS), the National Theatre of Scotland and Imaginate’s successful schools touring project is, for the first time, touring a show exclusively to ASN schools in Scotland, as part of its new 23/24 schools programme.
TiSS is bringing the playful, bold show, MESS by Scottish company Tenterhooks, to schools for young people with complex additional support needs in September and October 2023. The show will be touring to ASN schools in Edinburgh, Livingston, Dundee, Tain, Dingwall, Inverness and Aberdeen. Following the tour to schools as part of TiSS, Tenterhooks will bring MESS to CHAS children’s hospices Rachel House in Kinross and Robin House in Balloch.
Created by Tenterhooks and produced by Scottish Theatre Producers, MESS is a bold, playful and emotionally engaging theatre performance made especially for young audiences (age 5-18) with complex additional support needs. In the performance, an ordinary day in the life of a team of caretakers turns unpredictable when, for the first time ever, they attempt to clean a space which has people in it. MESS features comedy, surprise, celebration and mild peril!
Tenterhooks is led by Diane Thornton, Suzie Ferguson, and Fergus Dunnet, two theatre clowns and one visual artist putting audiences at the heart of their bold and playful performances. MESS was co-devised by the cast and creative team from an original idea by Ben Winger.
The MESS company includes performers/devisers: Ben Winger, Diane Thornton, Suzie Ferguson, Kerry Cleland, Ronan McMahon, Carmen Pieraccini and Lucy McGreal.
A number of the MESS ensemble performers work together as Clowndoctors (Hearts & Minds) and their therapeutic clowning practice, which includes spontaneity, complicity and playfulness has informed the development of the performance.
Julian Almeida, Theatre in Schools Scotland Project Managersays: “We’re delighted to be touring our first ever show made especially for young people with complex additional learning needs, which will exclusively visit ASN schools.
“The opportunity for children to experience and participate in performances in their own school environment is invaluable, and TiSS is committed to creating and developing new relationships with schools and teachers throughout Scotland.”
Theatre in Schools Scotland, produced by Imaginate and National Theatre of Scotland brings inspiring live theatre and dance productions, made specially for children and young people, into schools and nurseries.
The new TiSS programme also sees the welcome return of Cloud Man by Constellation Points/Ailie Cohen & Lewis Hetherington which had its original schools tour curtailed due to Covid-19 in 2020; and an extended second tour of Going for Gold: Me and Linford Christie by Victoria Beesley/Catherine Wheels Theatre Company which was first off the TiSS blocks to great acclaim in 2022.
TiSS is excited to be offering younger primary school pupils a brand new dance theatre performance, The Last Forecast, from Catherine Wheels Theatre Company/Bridie Gane.
The TiSS programme is available for schools to book anywhere in Scotland, offering performances in primary schools for all ages. TiSS continues to offer subsidised bookings to schools and create partnerships with local support organisations, ensuring live performances reach schools not only in cities and towns but in remote and rural communities.
Three former EDA pupils return to Edinburgh for UK tour of Romeo and Juliet
Three aspiring Edinburgh dancers who landed dream roles with the internationally-renowned New Adventures Dance Company are back in the capital this week as cast members of the group’s production of Romeo & Juliet.
The local performers, Rory McLeod, Carla Contini, and Leonardo McCorkindale, all former pupils of leading dance school Edinburgh Dance Academy (EDA), are performing in the Scottish capital this week as part of the show’s international tour.
The Scottish trio have all been recruited by the iconic and ground-breaking New Adventures, set up by one of Britian’s most innovative choreographers, Sir Matthew Bourne.
22-year-old Rory joined the company in 2021 after attending Laine Theatre Arts dance school in Surrey and made his cameo appearance in New Adventure’s Nutcracker! in April last year.
Meanwhile, Leonardo, aged 20, and Carla (19) were taken on by the company earlier this year after graduating from Tring Park School for the Performing Arts in Hertfordshire. Their performance in Romeo and Juliet, which is currently on a UK tour before moving on to Europe and the US early next year, marks their New Adventures debut.
New Adventures has received numerous international awards and has won six Olivier Awards which recognise excellence in London’s professional theatre circuit. The company’s repertoire has inspired and thrilled millions of people worldwide.
During their five-day at the Festival Theatre, the three Edinburgh dancers were reunited with EDA’s Julie Mitchell and Jenny Inglis, both of whom were former dance teachers to the trio while they were growing up in the city.
Julie Mitchell said: “We are so delighted with the progress of our three former pupils, who are now part of this international production being staged by one of the world’s leading dance companies.
“While Rory, Carla, and Leonardo all developed their dance talent as youngsters, it has been their drive and commitment that has led them to becoming part of Matthew Bourne’s prestigious New Adventures company.
“We’ve very proud of all three and we wish them every success with their careers going forward.”
First look at the National Theatre of Scotland’s new production DRACULA: MINA’S RECKONING ahead of the show touring Scotland, Liverpool and Coventry in September and October 2023.
Character images of Mina Murray and Dracula released, alongside a glimpse into the rehearsal room with director Sally Cookson
Bram Stoker’s classic novel has been reimagined by writer Morna Pearson, set in the North-East of Scotland and brought to life by an all-female and non-binary ensemble
World Premiere
National Theatre of Scotland and Aberdeen Performing Arts in association with Belgrade Theatre, Coventry present
DRACULA: MINA’S RECKONING
Conceived by Morna Pearson and Sally Cookson
Story by Morna Pearson, Sally Cookson and Rosie Kellagher
Additional material devised by The Company
Written by Morna Pearson after Bram Stoker
Directed by Sally Cookson
Full cast: Natalie Arle-Toyne, Maggie Bain, Ailsa Davidson, Catriona Faint, Danielle Jam, Liz Kettle, Anne Lacey and Ros Watt.
Set and Costume Designer – Kenneth MacLeod, Composer – Benji Bower, Movement Director – Vicki Manderson, Lighting Designer – Aideen Malone, Video Designer – Lewis den Hertog, Casting Directors – Simone Pereira Hind CDG and Anna Dawson. BSL Performance interpreters Catherine King and Yvonne Strain.
Corporate Sponsor: Pinsent Masons
Touring the UK from Saturday 2 September to Saturday 28 October 2023,
Opening at His Majesty’s Theatre, Aberdeen and touring to Theatre Royal, Glasgow; Macrobert Arts Centre, Stirling; Eden Court, Inverness; Dundee Rep; Festival Theatre, Edinburgh, Belgrade Theatre, Coventry and Liverpool Playhouse from September to October 2023.
Opening Performance at His Majesty’s Theatre, Aberdeen on Thursday 7 September 2023.
“Protect your loved ains fae the claws o’ a beast.”
A thrilling new adaptation of Dracula by acclaimed Scottish playwright Morna Pearson, directed by Sally Cookson, is brought to stages across Scotland and England by the National Theatre of Scotland in a co-production with Aberdeen Performing Arts in association with Belgrade Theatre, Coventry.
Sally Cookson’s sweeping, atmospheric production of Morna Pearson’s bold new adaptation is relocated to Aberdeenshire and the wild beauty of North-East Scotland, acknowledging the area’s recently reported inspiration for Bram Stoker’s classic novel. To mark this, Dracula: Mina’s Reckoning opens at His Majesty’s Theatre in Aberdeen in September 2023 before touring to Glasgow, Stirling, Inverness, Dundee, Edinburgh, Coventry and Liverpool.
Set in a psychiatric hospital in Aberdeenshire in 1897, this unique Scottish adaptation places the character of Mina Murray at the centre of the action.
Mina seeks refuge at the hospital to escape the horrors she has experienced, retelling her encounters with the most terrifying of beasts: Dracula. Mina is joined by the patients, an all-women and non-binary ensemble, and together they tell a unique version of Bram Stoker’s legendary tale.
We are transported to a world where immortality and ultimate power is possible, even for women – but with terrible consequences.
The lead character of Mina is played by Danielle Jam, who recently toured with Kidnapped (National Theatre of Scotland) and James IV: Queen of the Fight, (Raw Material and Capital Theatres, in association with National Theatre of Scotland) and appeared in Wings Around Dundee (Dundee Rep) and is known to TV audiences for her roles in Scot Squad (BBC) and Molly and Mack (CBeebies).
She will be joined by Ailsa Davidson (Lucy and Elsie). Ailsa has performed in Heathers the Musical (Bill Kenwright & Paul Taylor-Mills) in London’s West End, Lipsync at the Edinburgh Festival Fringe (Cumbernauld Theatre), Elegies for Angels Punks and Raging Queens (Union Theatre) and Grease (UK & International Tour).
Liz Kettle takes on the role of Dracula, she was most recently seen on Scottish stages in Macbeth – An Undoing (Royal Lyceum Theatre Edinburgh) and has appeared in numerous roles on TV including Unforgotten IV, The Secret Life of Mrs Beeton, Doctors (BBC), Fracture (20th Century Digital / Disney), Honoria Glossop in Jeeves & Wooster, Inspector Morse, Rosemary & Thyme and Poirot.
They are joined by Natalie Arle-Toyne (Van Helsing and Titchy). Natalie’s recent theatre work includes Mrs Puntila and Her Man Matti, Arabian Nights, Rhinoceros (CATS Ensemble Award) at the Lyceum Theatre and The Lost Lending Library (Punch Drunk/Imaginate). Maggie Bain (Dr Seward and Georgina) has appeared in roles in theatre, TV, film and radio most recently on stage in Linck & Mülhahn (Hampstead Theatre), We’ll Meet in Moscow (Traverse Theatre), Dream (RSC) and on TV in I Hate Suzie (Sky) and Luther: The Fallen Sun (Netflix).
Catriona Faint (Jonathan and Annie) most recently performed in Enough of Him (National Theatre of Scotland). Anne Lacey (Mr Swails and Bella), who has worked extensively in theatre, film, TV and radio was recently on stage in Medea (National Theatre of Scotland at the Edinburgh International Festival), and Earthquakes In London (National Theatre); and on TV in Shetland (ITV). Ros Watt’s (Renfield and Katherine) previous includes Godot is a Woman (Silent Faces) at the Pleasance, Edinburgh.
Dracula is dripping with Morna Pearson’s trademark humour, theatricality, and her taste for the strange, the shocking and the grotesque. The production celebrates the novel’s gothic horror origins while, in a radical twist, it allows audiences to view the story through the eyes of Mina and the patients. Elements of the piece will be devised by the company.
The production features atmospheric, Gothic-inspired set and costumes designed by Kenneth MacLeod with video design by Lewis den Hertog, a dark, distinctive score from composer Benji Bower and visceral movement from Vicki Manderson.
Writer Morna Pearson said: “I was excited to adapt Dracula and place it in the familiar setting of the North-East, the place where my writing feels at home. I wanted to examine themes of our times – fear, trauma, and powerlessness – in ways the horror genre lends itself to.
With Stoker drawing influence from Cruden Bay, it felt appropriate to relocate the narrative to Aberdeen and Aberdeenshire, exploring the area and characters I find most inspirational.
There is room for more horror and stories from the North-East in theatre, so I am thrilled that my first large scale production is a bold retelling of Dracula set there.”
Morna Pearson was born in the North-East of Scotland, in Elgin, and is an award-winning Edinburgh-based playwright and screenwriter. Morna’s work for National Theatre of Scotland includes Darklands written as part of Interference trilogy and Clearing for Scenes for Survival. Other theatre work includes Let’s Inherit the Earth (Dogstar/Profilteatern); How to Disappear (Traverse) and Dr Stirlingshire’s Discovery (Lung Ha/Grid Iron). She was a recipient of the Meyer-Whitworth Award and her first short film, I Was Here, gained BAFTA Scotland and EIFF nominations for Best Short Film.
“One of the freshest, most fearless and taboo-busting voices to be heard anywhere right now” The Herald on The Artist Man and the Mother Woman
Sally Cookson is an Olivier award-winning director (A Monster Calls), an associate director at Bristol Old Vic and a collaborator with Travelling Light Theatre Company. Her theatre credits include Wonder Boy (Bristol Old Vic); A Monster Calls (The Old Vic/UK tour); The Lion, The Witch and The Wardrobe (West Yorkshire Playhouse/Bridge Theatre/UK Tour/Gillian Lynne) and Jane Eyre and Peter Pan (Bristol Old Vic/National Theatre).
“Audaciously inventive” *****The Guardian on Wonder Boy
Bram Stoker’s Dracula was first published in 1897 and has since been adapted into numerous films and plays. Stoker himself wrote the first theatrical adaptation, which was presented at London’s Lyceum Theatre on 18 May 1897 under the title Dracula, or The Undead. For years Dracula has been associated with Whitby and Transylvania, but recent research suggests that Aberdeenshire played a significant part in shaping the novel, and in particular Slains Castle which features an octagonal room like the one described by Stoker in Dracula’s Castle.
Touring from September to October 2023 to His Majesty’s Theatre, Aberdeen (previews Sat 2, Tues 5, Wed 6 Sept) Thurs 7 – Sat 9 Sept; Theatre Royal, Glasgow Wed 13 – Sat 16 Sept; Macrobert Arts Centre, Stirling Thurs 21 – Sat 23 Sept; Eden Court, Inverness Thurs 28 – Sat 30 Sept; Dundee Rep Thurs 5 – Sat 7 Oct; Festival Theatre, Edinburgh Wed 11 – Sat 14 Oct, Belgrade Theatre, Coventry (18 to 21 October) and Liverpool Playhouse (24 to 28 October).
Full tour information and creative credits and biogs here.
The cobbled streets of Edinburgh have been brought to life by the colour and vibrancy of The Trinidad and Tobago Defence Force Steel Orchestra.
The Orchestra are creating a carnival atmosphere each night with their performances at The Royal Edinburgh Military Tattoo and did the same at Victoria Street, wowing passersby with their spectacular outfits.
Set against the colour of the iconic Edinburgh street, the performers gave locals and tourists alike a glimpse of the colour of their performance at this year’s Tattoo Show, Stories.
The Tattoo is running until 26 August 2023 and tickets can be purchased at edintattoo.co.uk, on the phone on 0131 225 1188 or in person at the Tattoo Box Office at 1 Cockburn Street, Edinburgh.
THE ICONIC PURPLE COW AND ITS MOO-VELLOUS PROGRAMME RETURN FOR THE 23rd YEAR
Underbelly has officially opened the doors to its incredible venues and line-up at the Edinburgh Festival Fringe 2023, set to entertain locals and visiting crowds alike.
Last night, Underbelly’s iconic McEwan Hall got the party started with the official programme launch. Lucky guests sampled a flavour of what’s on offer this year with a spectacular mix of comedy, dance and circus.
The event was hosted by comedian Sooz Kempner and comedy crime podcasters Kathy and Stella opened the show with a number from their hit musical Kathy and Stella Solve A Murder.
Also performing were stand-up comic Emmanuel Sonubi, Untapped Theatre Award winners Dugsi Dayz, family entertainer Mario The Maker Magician, comedy dance act TUTU, circus troupe Sophie’s Surprise 29th, visionary acrobatics from Circa’s Peepshow, US Drag Race winner Monét X Change and world-class circus performers The 7 Fingers.
An eclectic programme of over 150 shows across the four venues offers everything from dazzling circus performers, awe-inspiring cabaret, captivating theatre, vibrant dance, fun-filled family entertainment, and side-splitting comedy – there’s truly something for everyone at Underbelly.
Underbelly’s Co-Directors Charlie Wood and Ed Bartlam said: “What a wonderful night for our opening event! It’s brilliant to be back in Edinburgh for 2023 and we’re so excited to open the doors to another incredible Underbelly programme.”
For those looking for a good deal, 2-for-1 tickets are available now for a range of shows on the 7th and 8th of August. Families can also make the most of a Book 2 Tickets get 1 Free deal on weekday viewings of the family programme (Aug 16 -28th).
Highlights include:
For one night only in McEwan Hall Underbelly’s fifth Big Brain Tumour Benefit will host a massive line-up of Fringe stars in a raucous evening of comedy to help the fight against brain cancer. This year’s performers include Frank Skinner, Ivo Graham, Chloe Petts, Adam Kay, Hal Cruttenden, Lara Ricote and Emmanuel Sonubi, with more acts still to be announced! All box office income goes directly to The Brain Tumour Charity.
At McEwan Hall, join TUTU on a “hugely entertaining and hilarious” (BroadwayBaby) tribute to dance, where comedy and incredible dance skills intertwine seamlessly to delight crowds of all ages. Featuring an all-male cast of six dancers decked out in flamboyant costumes, this show is a humorous celebration of dance in all its glory… Yes, a bare-chested tutu-clad man can perform a stunningly graceful pointe solo!
Taking over McEwan Hall, Havana Street Party is an exhilarating explosion of urban movement direct from Cuba; Sara Pascoe’s Success Story flies in for one night only; Foil Arms and Hog: Hogwash, the Fringe favourites returns with a five-star comedy for an exclusive limited run; Drag Race double crown winner Monét X Change shares anecdotes and opinions on life in the tireless comedy Life Be Lifein’; and You Can’t Stop the Beat the Fringe’s ultimate musical theatre party night out.
In the iconic upside-down purple cow, the Udderbelly, Mario The Maker Magician brings robot magic direct from New York, with a wild and original family show; Choir! Choir! Choir! is a show where the crowd is the star and you’ll be harmonising to well-known classics in no time and a home-grown Drag Race winner joins the line-up in their debut solo tourDanny Beard & Their Band.
At Cowgate, Underbelly’s new, late night comedy experience is BATSU!Currently a hot ticket in New York and Chicago, audiences join comedy warriors testing their wits to avoid electric shocks, paintballs, giant chickens and other jaw-dropping punishments. Bill’s 44th – a poignant puppet tragicomedy for adults, called “Buoyant, mesmerizing, joy-inducing” as the New York Times Critics Pick; and identical twins Patrick and Hugo McPherson return with Pear: But Braver, after the smash-hit success of Pear in 2022.
The winners of the Untapped award, in partnership with New Diorama Theatre, Concord Theatricals and Nouveau Riche; It’s A Motherf**king Pleasure at Bristo Square, a witty satirical delight straight off the back of a smash-hit London run; Dugsi Dayz is a heart-warming tribute to The Breakfast Club, subverting Somali folktales and exploring friendships; and One Way Out, a powerful drama about four friends on the cusp of adulthood, exploring young British Caribbeans’ experiences of the Windrush crisis.
Over in Circus Hub, East London’s The Revel Puck Circus make their Fringe debut with an exhilarating new show The Wing Scuffle Spectacular; Aloft returns with Brave Space after selling out their innovative 2022 season and also presents Sanctuary, a punk-rock cabaret with a revolving line-up of internationally renowned circus artists backed by a live band.
For six dates only, McEwan Hall hosts An Afternoon with Anton Du Beke and Friends. The Strictly Come Dancing legendary judge takes to the stage with a live band, a guest singer and his dancers. Performing some of his favourite songs and dances that have inspired his career, expect behind the scenes stories from Anton’s time on Strictly.
Matt Forde will bring his hugely successful podcast The Political Party to McEwan Hall for one show only on Friday 18th August. Matt will be joined by one of the most charismatic, compelling, and outrageous politicians in Britain – Deputy Labour Leader Angela Rayner as she delves into her political career during this special live podcast.
CIRCUS, CABARET + VARIETY
Underbelly’s Circus Hub celebrates the daring and the different. The 7 Fingers present their world premiere of Duel Reality – circus on a whole new theatrical level – a must for fans of Romeo and Juliet and wondrous acrobatics.
Alongside Sanctuary and The Wing Scuffle Spectacular is Brave Space, a stunning, all-female piece of physical theatre that paints a picture of the world we want to live in and Reclaim which draws the audience close to examine life and imagine a sustainable future. Set in Circus Hub’s Spiegeltent, The Beauty, it features circus and acrobatics interwoven with two cellists and a live opera singer.
In addition to their debut solo tour showDanny Beard & Their Band, join RuPaul’s Drag Race UK winner Danny Beard and their best friend, DJ Billy Andrew for a very special live recording of their hilariously camp podcast Gossip Gays for one night only in Bristo Square. And, for four dates only (4th – 8th Aug), get involved with Drag & Draw, the art class with a difference, featuring lip syncs, audience interaction and drag queens.
Experience the extraordinary as Suhani Shah, the world’s highest-subscribed mentalist, brings her Edinburgh debut Spellbound to Bristo Square. India’s most famous mind reader has captivated global audiences with her charismatic persona, linguistic deception and comedic charm – an unforgettable evening is guaranteed!
MUSIC & MUSICALS
There is exciting music and musical programming, across all four venue hubs. You Can’t Stop The Beat is a party for musical theatre fans, turning McEwan Hall into a sing-along celebration of all your favourite shows; The Magnets, famously the UK’s number one acapella group; catch the sensational five-voice sound machine to relive the magic of the greatest musicians of all time; and one part sermon, one part purge and three parts house party, House Of Life is a travelling musical cult collective with one mission; to get you happy, at any cost.
With a host of 5-star reviews in their wake, the acclaimed Sheep Soup company promise to achieve their goal.
Debut show 2020 The Musical is a joyful new musical, celebrating human resilience in every form, depicting the true, uplifting stories of everyday heroes and turning the events of 2020 into a heart-warming party (and unlike Downing Street, everyone’s invited); God Catcher reimagines the story of a woman turned to a spider as punishment from the Ancient Greek Gods, exploring the legacies of truth and bravery through catchy tunes and heartfelt lyrics; tender musical Fabulett 1933, sees a liberal queer society in Berlin protest as the authorities close off every opportunity for freedom and expressionism; We’ll Have Nun Of It is a masterpiece, blending contemporary pop, soul and funk music into a unique new musical that navigates the angst and joy of Ireland in the sixties; and Tinkisa nostalgic love-letter to our past selves through the eyes of a very familiar fairy.
THEATRE
Joining Bill’s 44th and the Untapped award winners; The Way Way Deep, blends bold storytelling, spoken word and original music, by sell-out playwright Patrick McPherson, previous writing includes The Man and Colossal; in his Fringe debut, star of stage and screen Declan Bennett brings Boy Out The City, telling a raw survival story of a man in his search for identity, throwing us into a turbulent world of toxic masculinity, homophobia and men’s mental health.
The programme also pioneers wonderfully current topics with shows such as; PLEASE LEAVE (A Message), a devised piece set in a karaoke bar on Yucca Mountain, where a group of scientists are experimenting with time travel, in which ClusterFlux can give a fearful yet joyous address of the impending climate crisis; Temporarily Yours, a journey into sexuality and prostitution, a show made from true stories and earnest questions, pondering our body, soul and relationships; and The Brilliance of Broken Glass, a true story about rising from rock bottom, exploring the aftershock of a medical crisis and championing laughter as the ultimate medicine.
Solo show, Pleasure Little Treasure, takes us back to the downfall of the Soviet Union; a story about growing up in the first strip club in Estonia during the tumultuous 1990; My Dad Wears A Dress is a hilarious yet sincere one-woman show about growing up with a trans female parent; Life With Oscar is a tragicomic satire set in the underbelly of Hollywood (no pun intended); and Looking For Giants is a perplexing and seductive tale about self-discovery, from emerging theatre company That What’s Wild.
In Bristo Square, The Gaffer explores how the beautiful game can turn ugly quickly. Football manager Shaun Woods discovers his private life is set to make the back and front pages. For Shaun, the game doesn’t last 90 minutes, it’s a battle with no full-time whistle. Performed by Fringe First Award winner Chris Larner, this new short play written by acclaimed journalist Rob Crossan is not to be missed.
Ringer is Hughie Shepherd-Cross’s fifth Fringe production, a comedy that sees a heartthrob actor’s reputation left in the hands of his feckless double; winner of Dublin Fringe’s Bewley’s Little Gem award, Frigid is a tender coming-of-age comedy about sexuality in early 2000s Dublin, performed alongside a live DJ; extremely silly, and extremely ruthless The Death of Molly Miller is a pitch-black satire on our world of influencers, inequality and addiction; with performers from The Wardrobe Ensemble, International House of Vape:Redefining Theatre Experience goes where no brand has gone before in a new corporate venture; The Four Worst Things I’ve Ever Done is a wild ride of confessions and consequences; and pitch-black comedy BUTCHERED is a dynamic physical theatre piece with a killer soundtrack, this absurd thriller is set in the kitchen where dreams come to die.
COMEDY
Joining Sara Pascoe in the comedy programme; Pear: But Braver sees identical twins Patrick and Hugo McPherson return after the 2022 hit show Pear, a riotous hour of sketch comedy by two brothers heralded as “like Reeves and Mortimer” (The Recs). Joining them in Cowgate is Adam Riches as hereturns to the Cow Café with a site-specific show; Adam Riches is The Guys Who, a fresh take on the guys who you meet everywhere.
Sounds Like… is a unique improvisational panel show, from Doc Brown and quick-witted wordsmith hosts, based around rhyme and rap with special guests from the world of music and comedy. It’s seriously funny, stupidly clever and addictive.
The Retreat is a camp variety number that mimics a corporate event, questioning our toxic workplace methods, brought to you by stars of Parks and Recreation and Glow including UK songstress Kate Nash and featuring a rotation of incredible and iconic comedy names.
The programme features some special limited-run shows throughout August. Mr Thing, favourites at the Fringe, returning for two nights only to celebrate all the best bits from the past five years; Drag Queens vs Zombies, as Haus of Dench’s monstrous hit returns from the dead for two nights only, as drag superstars Kate Butch and Crudi Dench try to save the audience of their cabaret show from a gruesome death in a camp comedy horror; and Werewolf: Live appears for one night only in a charity spectacular.
An all-star line-up of comedians backstab, manipulate and fight for survival in this cult gameshow; with previous guests including Rose Matafeo, Nish Kumar, Ed Gamble, and plenty more, you know it’s going to be a wonderful kind of chaos.
Meanwhile in Bristo Square, Perrier Award winning Will Adamsdale:Show of Just Songswill regale audiences with the ballad(s) of a man adrift in the modern age (though enjoying heated car seats), for tales of CD hoarding, failed citizen’s arrests and a film career playing murdered schoolteachers, medieval lookouts, and Nigel Havers’ son.
For six nights only at McEwan Hall “Broadway’s greatest comic storyteller” (Deadline) Mike Birbiglia brings his show The Old Man & The Pool to the Edinburgh Fringe. Chronicling his coming-of-middle-age story Mike presents his tale of life, death, and a highly chlorinated YMCA pool that will resonates with audiences ages 12 to 112.
Kelly McCaughan’s show exposes the impossible standards of the confines of religion in Catholic Guilt; performed by US comedian Lane Kewderis and directed by Matt Gehrin; Sex Job is an empowering show about the good, bad and often hilarious ups and downs of being a sex worker, following the inside life of a financial dominatrix; Holly Spillar’sHole is a muff-busting comedy about sex, pain and the brain, showcasing one woman’s determination in the face of a tough diagnosis.
For one night only on 24th August, Bristo Square welcomes the Straight Comedian of the Year ‘Grand Final’ where crowds will bear witness to the epic conclusion of ex-gay comedian Simon David‘s search to find the UK’s funniest heterosexual.
The biggest breeders of the Fringe will battle it out for the title and a Fiat 500. Following a sell-out run in 2022, 4 x Fringe Awards winning clown comic Garry Starr returns for five dates only (23rd-27th) with Greece Lightning. Starr will perform all of Greek Mythology – never before has Medusa been looser, Achilles more sillies, or Uranus so heinous – an anarchic masterclass not to be mythed!
Healing King Herod is a wild, interactive, drag-clown therapy session featuring improvised songs, political parody and cult-like rituals where Herod, famed for massacring innocents, now leads a self-development pyramid scheme, and; Jeromaia Detto: MUSH, nominated for Best Comedy at Sydney Fringe, is a whimsical and absurd clown show, with five stars all round; Max Norman invites you to cross the seven seas with him on a night of nautical nonsense, with piratical puns, 90’s nostalgia and the ultimate audience prize in A Pirate’s Life For Me; and award-winning MANBO is a dead-sexy action-hero mission filled with chaos.
For the theatrical comedy fans out there, Rosalie Minnitt presents Clementine, a debut character comedy-drama involving a hilariously unhinged quest to find love set roughly ‘in the past’; in Dead Dad Show Simon David tackles the ‘dead dad’ cliché, in a show, directed by Fringe First winner Chris Larner, with dangerously high levels of heart; struggling to make sense of a breakup, Sophie hires a life coachin Sophie Santos… Is Codependant and 2022 Best Comedy winner from Hollywood Fringe, A Terrible Show For Terrible People is a raunchy, absurdist physical comedy with 2 spoken words “for perverts, feminists and your mom (not mutually exclusive).”
AAA Stand up and AAA Stand Up Late, return with brand-new line-ups of comedians, including Ross McGrane, Ridwan Hussain, Josh Elton and Sachin Kumarendran, having sold out Edinburgh from 2005-2022, it’s filled with clever wordplay, whimsical observations, and mischievous twists.
For those who are intrigued by games of social deduction, Blood on the Clocktower: Liveis a night of gothic chaos and carnage, featuring a revolving cast of comedians.
More stand-up includes Charlotte Fox encountering a series of crooked and macabre characters in her dark and manic comedy; Ouroboros The Return. Robo Bingo by Foxdog Studios, an interactive show for people who don’t want to talk to anyone; Alice Cockayne is unhinged and outrageously funny in the clowning drama I Showered Before I Came; Chris Turner shares stories of touring with Cirque Du Soleil and his newborn child in Vegas, Baby!; Sara Schaefer teaches how to unlock potential in this perfect mockery of a seminar, Going Up; Maggie Crane’s darkly funny Side by Side, an autobiographical story about family and disability. Internet sensation Josh Baulf with new show Bulldog; Paddy McDonnell in Paddy McDonnell Live, a show full of tales of everyday life; Dan Rath, discussing the ups and downs of neurodivergence in All Quiet Carriage Along The Inner Western Line;Ed Gaughan brings his first solo show in 18 years,Words and Music, with stories, clowning around and plenty of surprises; and award-winning comedian Leif Oleson-Cormack, who pushes confessional stand-up to its limits in The Disney Delusion.
Is laughter really the best medicine? The ‘Recovery Through Comedy Show’ sets out to prove it is, as a group of Armed Forces veterans, and a currently serving female member of the Armed Forces, bring their unique comedy to the Edinburgh Festival Fringe on 11th and 12th August at Lady Haig’s Poppy Factory.
The performers are all graduates of an innovative veterans’ programme developed by the Royal British Legion. The programme uses comedy techniques to promote resilience, and support mental health and wellbeing. Although they had no previous experience, the participants have been supported to create their own original stand-up comedy sets and received rave reviews for their earlier performances.
This will be the first time Poppyscotland, the nation’s leading Armed Forces charity, has hosted a Fringe event and follows the refurbishment of the historic Lady Haig Poppy Factory building.
Poppyscotland’s Director, Austin Hardie, said: “We’re very proud to be able to bring the ‘Recovery through Comedy Show’ to this year’s Fringe. Not only is it very funny, the show also gives a voice to veterans in a new and inspiring way that challenges preconceptions.
“At Poppyscotland, we provide support for current and former members of the Armed Forces and their families in whatever way works best for them. Initiatives like ‘Recovery through Comedy’ show that there are many ways to help them overcome whatever challenges they face.”
The free, ticketed show will be at Lady Haig’s Poppy Factory in Warriston on Friday 11th and Saturday 12th August, with performances at 2pm and 6pm each day. Capacity is limited so guests are encouraged to secure their tickets as early as possible.
Dance Base Scotland and Edinburgh International Festival have announced the 24 dance artists taking part in an Artistic Development Week this month.
Hailing from across Scotland and eight African countries, the dancers will come together at Dance Base in Edinburgh to connect, collaborate, and network with their international peers. Expertise in dance disciplines range from contemporary to hip-hop, Bhuto, to Indian classical dance.
Supported by the British Council, the development programme will take place in the run-up to the significant performance of Pina Bausch’s The Rite of Spring / common ground[s] in August.
A highlight of the Edinburgh International Festival, the performance marks the first collaboration between the Pina Bausch Foundation (Germany), École des Sables (Senegal) and Sadler’s Wells (UK).
The artistic development week will be led by Artistic Director of Dance Base, Tony Mills and will focus on daily classes and work in small groups where the participants can take part in reflections and conversations with a focus on creation and artistic devising.
The aim of the project is for the Scottish and international artists to connect and share practice, opening themselves to new techniques and creative approaches. They will have the opportunity to network with national and international peers and to create work together.
Amy Robertson, a dance artist from Edinburgh and one of the twelve Scottish participants is delighted to be involved in the international festival. She said: “Learning and sharing practice on international platforms is such a valuable part of our development and I’m really looking forward to all that comes out of this week.
“With a lot of work being made in smaller constellations of artists, working with 12 colleagues from across Scotland and artists from wider international communities is sure to be a rich and valuable experience for all involved.”
Also from Scotland, dance artist Suzi Cunningham adds:“This is an incredible opportunity to connect people from across continents and to learn from the artistry and passion of others.
“I am extremely excited about making new connections and having this opportunity to truly dance without limitations, and in ways I don’t allow myself or don’t usually seek out in my practice”.
Speaking ahead of the development week, Tony Mills, Artistic Director for Dance Base said about the collaboration:“We are beyond excited to be able to host 24 artists from Scotland and across Africa as part of a collaboration with Edinburgh International Festival and their professional artist development programme.
“Dancers who will be performing as part of the Ecole des Sables & Sadler’s Wells production of the Rite of Spring, will meet and connect with a range of Scottish dance artists to share practice and build relationships for one week.
“This is a unique moment that will be taking place under our roof at Dance Base. In Scotland, it is a rare occasion when this many professional independent dance artists can get together and get busy. I want to say a huge thanks to EIF for trusting us as collaborators. I personally cannot wait to get stuck in!”
Roy Luxford, Creative Director, Edinburgh International Festival added: “The International Festival at its core promotes the exchange of ideas to deepen understanding between cultures through performance.
“Creating this platform of exchange between Scottish professionals and dancers from The Rite of Spring company is a special Festival moment, and together with our partners the British Council and Dance Base we can continue our commitment to artistic exchange and development.
“I look forward to this exciting week at Dance Base ahead of the performances of The Rite of Spring/ common ground[s] at The Playhouse Theatre this August”.
Speaking about the artistic development week, Norah Campbell from British Council Scotland concluded:“Building platforms for international connection is at the heart of what we do at the British Council, and we’re delighted to help bring these amazing dance artists together – putting a spotlight on local and global talent, helping them all to reach new, international audiences.
“I’ve no doubt the experience will spark new ideas and will allow all the artists to build strong networks for the future.”
