Asian Art Awards – Award Ceremony at MOXY Fountainbridge
Members of the Scottish Indian community were prominent among the winners of the 2025 Asian Art Awards at the Edinburgh Fringe. The awards have been running since 2014 and exist to bring Asian artists together at the Fringe and reward the best of them.
90 shows participated in 2025, up significantly from 55 in 2024.
The highly acclaimed “Kanpur: 1857”, written and co-performed by Edinburgh-based Niall Moorjani and which showed at the Pleasance, won the award for Outstanding Production.
Set at the time of the Kanpur uprising in India, this new play “comically satirises contemporary conflicts around gender, colonial violence, and making art in times of crisis”. The award was collected by the production’s musician, Sodhi.
Shows by Sanjay Lago (Love me Like a Chai Tea Latte [wearing the colourful shirt]) and Dance Ihayami, with their show Dansa Rickshaw, also won awards for Highly Commended performances (i.e. Runners Up). Sanjay is Scottish Indian while Dance Ihayami is “Scotland’s Indian dance company”. Like Sodhi, Sanjay is from Glasgow (“Ibrox, don’t judge me” he says).
Hahaha-Hamlet from Hong Kong, which played at the Paradise Green venue on George IV Bridge, won the award for Outstanding Show.
The award reviewers simply loved this “captivating reimagining of Shakespeare’s classic tale, blending original musical with dark humour [..and..] intertwining the struggles of contemporary Hongkongers with Hamlet’s timeless tale”.
Energetic, inventive and incredibly affecting with some reviewers moved to tears as the tales of Hamlet and Hong Kong coincided at the end. The whole cast were in attendance to receive the award [red and black t-shirts under their clothes] and they were delighted.
Mayuri Bhandari of the Anti “Yogi” took home the award for Outstanding Female while Jeremy Rafal won Outstanding Male for The Boy from Bantay “a heartwarming journey of growth and self-discovery”.
Mayuri was in attendance with her percussionist Neel Agrawal while Jeremy sent a video message to the audience. Both shows were hugely popular. At the Anti “Yogi” the audience were invited to “Join Mayuri Bhandari and Kali, the Goddess of Death every day as they navigate the absurdities of Western Yoga culture. Liberation, not Lululemon!”
The Outstanding Youth Performance was won by the show “Landscape of the Other Shore” from Shenzhen University which was also inspired by another European classic: Géricault’s painting and Georg Kaiser’s play The Raft of the Medusa.
The Asian Arts Special Award was shared between GENDAI TOKYO and Up-cycle Music by Creative Art of Korea. GENDAI TOKYO had a simply incredible laser show playing at WU Asia Pacific three times per night. Everyone who sees it simply loves it.
Up-cycle Music is a “response to climate change from a uniquely artistic perspective. They use waste to make music – cellos from abandoned equipment from rural areas, stringed instruments of thrown away plastic toys – and compose piano songs based on the characteristics of endangered animals, to ask vital questions about the climate crisis”.
Lyndsey Jackson from the Fringe presented the awards along with Richard Lewis and Chelsea Zhou of Asian Art Fund Scotland, the charity which runs the Asian Art Awards.
Winners – 2025 Asian Art Awards
Outstanding Show
Winner: Hahaha–Hamlet – Chai Wan Rabble (Hong Kong)
Highly Commended: 1Shoulder Pad: Galaxy Train, Japanese Musical Theatre (Japan)
Highly Commended: Practice of Zen – Theatre Ronin (Hong Kong)
The four-strong cast have completed a knockout Edinburgh Festival theatre run
A group of Edinburgh Napier University acting students have claimed an industry award for an Edinburgh Festival Fringe show that packed a punch.
Starring Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack – and directed by Lecturer David Wotton from ENU’s School of Arts & Creative Industries – Cornermen tells the story of a young boxer and the exploitation of his success.
Following a successful run at theSpace on the Mile throughout this month, the cast have been presented with the coveted ‘Bright Spark’ award by The Scottish Theatre Awards on the Fringe.
Awarded every year by the Scottish Arts Club, the prize recognises Scottish actors or theatre-makers just embarking on their career, with the winner selected by a panel of expert judges.
Put on by in-house company Authentically False Productions, Cornermen stood out from the crowd of theatre acts on show across the city during August, drawing praise for its assured performance.
Responding to their award win, Daniel, Liam, Arran and Ruairi said: “We are all absolutely thrilled to have won the ‘Bright Spark’ award at our first foray into the professional theatre world after our training at Edinburgh Napier University.
“The hard work and dedication we put into Cornermen has paid off and we couldn’t be prouder to represent Edinburgh Napier and the Scottish theatre scene in this way.
“Hopefully, this award will be a great kick start to our career. We’ll always remember this moment, this award and this training.”
Cornermen director David Wotton said: “It’s awards like this that highlight our department and the hard work we do to make sure our training actors thrive in such a competitive market.
“This award marks a year of dedication by the cast of Cornermen, Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack, and our department.
“Year upon year our course has exceptional National Student Survey results, and industry recognition like this shows that Edinburgh Napier University is a great place for an actor to train.
“Directing these four talented actors has been so very rewarding. It’s great that the industry sees and appreciates the work and dedication shown by both our talented actors and staff alike.”
Cornermen was one of many theatre productions put on by ENU students during the Edinburgh Festivals, which draw to a close this week.
It also follows previous shows such as Everything Under the Sun in being recognised by the industry.
Curious about performing and creating a small show this summer? Join our Drama Summer Camp at NEA!
Whether you’re a budding actor, curious about the stage, or just want to try something new, this is a fun, supportive space to explore drama. We’ll play games, try improvisation and stagecraft, and work together to create a brand-new piece of theatre to share with family and friends.
No experience needed — just bring your imagination!
Monday 4 to Friday 8 August
10am–1pm (Friday starts at 10.30am, with a sharing at 12noon)
For local young people (ages 7–14) living in Muirhouse, Pilton, Drylaw & Telford
NEA Drama Summer Camp will be led by Marilyn Blyth Wilson who is a performer, director and acting teacher. She works with various theatre companies and runs her own company Blythwood Theatre, focusing on collaboration with young people to bring new writing and performances that focus on what matters to them.
Marilyn will be with us at NEA as part of EPAD’s Supported Residency programme, which aims to support the creation of new work and to build connections between Edinburgh-based performing arts creatives and venues across the city
“Come freely. Go freely. And leave some of the happiness you bring”
Fringe theatregoers this summer are being encouraged to take up Count Dracula’s sinister invitation and experience a production of Liz Lochhead’s take on the classic horror tale by the Edinburgh Makars.
This theatrical version of Dracula had its premiere at the Royal Lyceum Theatre in Edinburgh 40 years ago, but it’s unique approach to Bram Stoker’s timeless story of history’s most infamous vampire is still just as fresh and relevant today.
Bee Parkinson-Cameron, a Fife-based writer, performer and director, is making their Edinburgh Makars directorial debut and the talented cast consists of actors from across the city and the central belt.
Of their decision to direct Dracula at the Fringe, Bee said: “After the recent success of Robert Egger’s Nosferatu, it became clear to me that this was the opportunity and the moment to bring to life in one of the largest arts festivals in the world, the wonderful, engaging and dark adaptation of Dracula by Liz Lochead.
“Dracula was a deeply disturbing, unsettling and fantastical, thrillingly erotic tale when it was released, a testament to the skill of Bram Stoker to tap into the tensions and fears of the time period. My intention in this production is to bring forth this aspect, to return this quality of disturbance back to Dracula that can sometimes be neglected for the sake of parody (amusing though they may be).
“Vampires and the appreciation of vampire lore and vampires featuring in literature, film and television has coloured many of the years of my life. I have a deep and enduring passion for the articulation and exploration of the darker elements of human existence and the moments where we brush against the preternatural.”
The cast includes many actors whose names will be familiar to regular patrons of Edinburgh theatre, but the titular role is being brought to life by newcomer Sonido Kofi Sewornu, an 18-year-old student from Perth who is studying Fashion Design at Glasgow School of Art.
On being cast as one of the most famous names in literature, Kofi said: “I am terrified to play this role, but I couldn’t be more excited. I hope some of that terror translates onto the stage!”
Dracula is something of a departure from the kind of productions that the Edinburgh Makars have usually put on at the Fringe, but President John Scott Moncrieff and the rest of the club’s committee were convinced by Bee Parkinson-Cameron’s obvious enthusiasm for the project.
Edinburgh has long had an association with the gothic, and retelling Liz Lochhead’s version in the city 40 years after its debut was too exciting an opportunity to resist.
Whether you’re a die-hard vampire aficionado, a lover of all things gothic or just have an appreciation for classic literature, this production guarantees an exciting and chilling evening at the Fringe.
Director Bee added: “I hope that you will enjoy the invitation we extend to you to join us in this exploration of the insidious nature of gothic horror and of Dracula himself, a titan of vampire lore whose shadows are still creeping over and caressing our souls and our fears.”
The Edinburgh Makars’ production of Dracula by Liz Lochhead will be performed at the Royal Scots Club on Abercromby Place (Venue 241) from Monday 18th to Saturday 23rd August at 7:30pm each evening. Tickets are £15 or £12 for students and can be purchased in advance from the Edinburgh Makars or Fringe websites.
CAST:
Sonido Kofi Sewornu as Dracula
Craig Gell as Jonathan Harker
Phillipa Roy as Mina Westerman
Bunny Steven as Lucy Westerman and vampire bride
Chris Eyett as Van Helsing
Emma Swift as Florrie and vampire bride
James Gray as Renfield
James Cameron as Arthur Seward
Liza Greenhalgh as Mrs Manners/Doctor Goodman/vampire bride
Carol Davidson as Nurse Grice
Georgia Smith as Nurse Nisbett
Ben Carey as Drinkwater
The Makars was founded in 1932 by Christine Orr, the well-known Scottish actress, broadcaster and playwright, with the intention of performing her own plays.
During the winter of 1933/34 the name “The Makars” was adopted, an old Scots word for the makers of poetry and drama.
The present club was formed in May 1996 by the amalgamation of two long standing Edinburgh drama clubs – The Makars and Davidson’s Mains Dramatic Club (DMDC). In 2002 the new club formally adopted the name The Edinburgh Makars.
Previous Fringe productions have included Amy’s View by David Hare, A Comedy of Tenors by Ken Ludwig, Barefoot in the Park by Neil Simon and the five-star production of Perfect Wedding by Robin Hawdon.
Tinderbox Collective and Granton Youth new launch youth-powered festival, showcasing the city’s most exciting emerging artists at The Pitt Granton on World Music Day.
The Tinderbox Collective and Granton Youth come together to ignite Granton with the NxNW All-Dayer at The Pitt – a festival-style celebration of Edinburgh’s thriving youth music scene.
Taking place on World Music Day, 21st June 2025, this packed one-day event will showcase nine exceptional young acts, all aged between 15-21, across indie rock, folk, alt-pop and more, all united by their development through Tinderbox and Granton Youth’s transformative Mixtape programme.
Following multiple sold-out NxNW nights at Leith Depot and The Mash House, this All-Dayer version expands the format to meet overwhelming demand, offering both established followers and new audiences the chance to discover Scotland’s most exciting emerging artists in one electrifying location.
The Lineup: A Showcase of Edinburgh’s Rising Stars
The lineup features an electrifying mix of emerging talent, each with their own unique story. Kicking off the day at 3:15 PM is Kieran Crosbie, a singer-songwriter whose journey into music began through Tinderbox’s hospital outreach programme. Later in the day, The Citrines take the stage, led by 16-year-old Abi, whose band are fast becoming a staple of Edinburgh’s grassroots scene.
The evening crescendos with two acts fresh from Hit The Road, Scotland’s national youth music tour: Ace & All The Other Animals and Low Tide, whose recent tour together has cemented their reputation as ones to watch. Edinburgh-born singer songwriter Lewis McLaughlin and psychedelic pop duo Logan’s Close also join the bill in support of the day.
The lineup for the day spans alt-rock to intimate folk, with the following performances:
For some, like Kieran, getting involved with Tinderbox has been hugely impactful, offering opportunities they would not have found elsewhere: “I started playing guitar at 12 years old and got involved with Tinderbox through my guitar teacher.
“From that I joined Tinderbox’s ‘Sparks’ project and played at Dynamic Earth performing a collaborative piece of music we had been working on.
“I’m really looking forward to playing the NxNW All Dayer because its such a nice venue and the atmosphere at NxNW is always amazing!”
For others, like The Citrines, working with Tinderbox has provided the launchpad for their first major gigs and recordings.
Reflecting on her experience with Tinderbox, Lead singer of The Citrines, Abi said: “The first gig we played that I was really properly proud of was the NxNW at the Mash House last year.
“I was buzzing when I got off that stage. It’s helped us branch out, meet other musicians, and build our confidence performing.
Discussing the Pitt All Dayer further, Abi added: “This line-up is amazing – rock music, folk music, rap – and so many talented people I know through Mixtape and Tinderbox. It’s going to be such a good day in such a cool venue.”
The event builds on the growing success of Tinderbox’s NxNW (North by Northwest) series, a community-rooted platform for young artists that champions creativity, collaboration and the power of live performance.
The NxNW All Dayer is a rare chance to experience the future of Scottish music in its rawest, most exciting form.
Dance Base and Assembly announce 2025 Edinburgh Festival Fringe Programme
31 July – 24 August, Edinburgh
Dance Base Festival 2025 in partnership with Assembly Festival will present the landmark venue’s 24th Festival programme, welcoming dance companies from across the globe to Edinburgh, as well as showcasing Scottish talent.
Prepare to be moved by movement at Dance Base this summer, as Scotland’s National Centre for Dance announces its 2025 Edinburgh Festival Fringe Programme.
Delivered in partnership with Assembly Festival, a collaboration now in its third year, the 2025 programme will present 29 shows from 13 countries, forging connections and new narratives in the home of dance at the Fringe.
As well as continuing to celebrate and nurture Scottish artists, including Tess Letham and Malcolm Sutherland, Dance Base is yet again set to become a microcosm of international culture this summer.
2025’s diverse, multi-genre programme explores connection in its many forms; to home, across cultures, self-identity, nationality, history and technology – with Isaiah Wilson’s pioneering work score pushing physicality to the limit with the latter.
The programme brings choreographers from leading European companies in Luxembourg and Denmark together with artists from as far afield as Brazil, Hong Kong and the USA.
This summer’s Festival also strengthens relationships between year-round dance organisations in Scotland, providing a platform for the likes of award-winning youth dancers YDance and contemporary company Barrowland Ballet.
Fringe Fragments returns for its second year with a flavour of fresh tour-ready works set to take flight around the globe. This is complemented by showcases including Made in Scotland, Hong Kong Showcase, Kultur LX, Basque Showcase, Here & Now, São Paulo Showcase, Taiwan Season, #DANISH and Culture Ireland.
Artistic Director of Dance Base, Tony Mills said: “This year’s programme presents the variety, diversity and complexity of dance that exists both right here in Scotland and around the world.
“Witness late-night curiosities and concerts. Calls to action and invitations to reflect. Find that age is only a number and that any body can dance. In short – we invite our audiences to be moved by movement.
“It is a privilege to be able to curate, host and share so many different perspectives under one roof, celebrating dance and its unique ability to move you through feeling, imagination and action.
“We can’t wait to share our programme with the world this August.”
William Burdett-Coutts of Assembly Festival affirmed: “We are delighted to be working again with Dance Base, which is such an important flagship for the wonderful, varied world of Dance.
“The range of work on offer is inspirational and a hugely important part of the festival that is the Fringe. As part of the wider dance programme, look out for Barrowland Ballet’s second Assembly Festival offering Chunky Jewellery at the Assembly Rooms. For our audiences, have fun with this feast”.
Programme Highlights
Celebrating their 10th anniversary year in 2025, PRIME, Dance Base’s in-house company for over 60s, presents PRIME at 10(1 – 3 August).
They will showcase new commissions by Robbie Synge, alongside a revival of sections of Steinvör Palsson’s Carry on Dancing which premiered in 2016. PRIME will once again be teaming up with Lothian Youth Dance Company (LYDC), Dance Base’s in-house company for young dancers, for a double-bill performance DOUBLE TAKE (5 – 10 August) which showcases new works from both companies including Dance Base’s own Artistic Director Tony Mills.
Another intriguing collaboration to catch is Evolution (5 – 10 August), a celebration of dance that unites Scotland and Estonia’s next generation of talent. Presented by YDance, this international collaboration features the National Youth Dance Company of Scotland, Estonia’s ETA Kompanii, and the 2025 Project Y Evolution Company. Don’t miss this vibrant fusion of movement and culture in an unforgettable performance of innovation, energy, and global collaboration.
Following a successful limited run at the 2024 Festival, Christine Thynne, aged 82, and Robbie Synge return to Dance Base this August to present These Mechanisms (1 – 20 August), as part of the Made in Scotland Showcase. These Mechanisms is a performance of persistence and joy, celebrating the beautiful functions and limits of a human body and the desire to make things happen. Proving, once again, that age can neither limit nor defy us.
Also crossing generational divides is Wee Man (5 – 17 August) by Barrowland Ballet, created by the company’s award-winning choreographer Natasha Gilmore. A highly physical and dynamic dance-theatre performance by an all male cast of men and teenagers, this candid and compelling work explores the shifting, and unshifting, rules of masculinity across the ages. Inspired by Gilmore’s experience of being a mother of teenage boys, it combines raw movement with evocative sound by Luke Sutherland and poetry by Kevin P Gilday, to unpack the ‘rulebook’ of accepted male behaviour, from the seemingly benign to the dangerous.
A frequent collaborator with Dance Base, Edinburgh-based artist Tess Letham returns to the Fringe with the World Premiere of What ever happened to Harmony Banks? (5 – 10 August). Tracing her story from media darling to public downfall, this playful and poignant new show portrays the rise and fall of a fictional icon, Harmony Banks, through a vibrant blend of dance-theatre and live documentary. In a similar vein, Norwegian company, 71BODIES’, NORMAL ∞ (31 July – 3 August), is an interdisciplinary production merging dance, storytelling and film. NORMAL∞ is about people, bodies and stories that do not belong to mainstream society.
Also fusing text with movement and situational absurdity, Malcolm Sutherland’s evocative work Solitude Without Loneliness (2 – 10 August) delves into the, often misunderstood, distinction between solitude and loneliness. Meanwhile, Lithuanian artist Vilma Pitrinaite presents similar themes in When you’re alone in your forest always remember you’re not alone (31 July – 10 August). This solo performance is a raw cry against the brutality of our times. With indignant voices rising one after another, fragmented movements evolve into a ritual against helplessness.
In an increasingly tech-driven world, Isaiah Wilson’s thought-provoking piece, score (12 – 24 August) examines the relationship between the human body and technology, questioning how advancements meant to simplify life may disconnect us from free will and cognitive abilities. Using electric muscle stimulation (EMS), three performers’ muscles are involuntarily activated, allowing choreography to be driven by computational code.
Set against a backdrop of flowing white sheets, dancers move through ever-changing spaces, exploring new states of being and new homes in Kathryn Gordon: A Journey of Flight (12 – 17 August). Created in Shetland, this visually stunning piece, inspired by the migration of birds, invites audiences to reflect on the delicate balance between nature, movement and our emotional ties to place and each other. Meanwhile, playful and poetic Fields (Extract) by In the Fields Project (5 – 24 August), draws the audience into a textured landscape of stone, where patterns of dwelling are made and unmade, shaped by land, time and human hands. Supported by Dance Base, City Moves, and Tramway.
Exploring the power of nature, caring for ourselves, and reconnecting with the body, through warm temperatures (12 – 24 August) – Mele Broomes’ latest work, affirms castor oil’s legacy as a natural remedy, an elixir, and a historic source that transcends boundaries. Presented as part of the Made in Scotland Showcase, Mele Broomes’ choreography and vocals combine with Simone Seales’ live cello and electronic soundscapes, as performers shift between solos, duos and collective movements; building towards a place of warmth, self-acceptance, release and renewal.
Fresh from his recent residency at Dance Base, Mark Bleakley’s Stepping in… Spilling out… (12 – 17 August), a collaboration with French percussionist Rémy Gouffault, takes a walk back through Mark’s personal history of dance practice. A stroll through the foundational act of stepping; the different people, communities, histories, places and politics that Mark encounters through these movements. Presented as part of the Made in Scotland Showcase.
The merging of cultures and ancient traditions with contemporary innovation is also showcased in Dance Ihayami’s Dansa Rickshaw’s (31 July – 10 August), which invites audiences to experience the universal language of movement and music. Choreographer Priya Shrikumar’s artistry reflects her dual heritage creating a dialogue between cultures in this vibrant performance which weaves Bharatanatyam’s intricate footwork and expressive storytelling with the soul-stirring melodies of bagpipes and the lively pulse of traditional reels.
Energetic movement inspired by music is further exemplified in Blue Violin’s Candlelight: Classic Rock in the Round (31 July – 24 August), a realm in which candlelight dances with defiance. Among 1,000 flames, Blue Violin shatters musical boundaries, breathing fierce new life into rock’s greatest anthems.
Watch as contemporary dancers emerge from shadows and smoke, their movements painting emotional landscapes through AC/DC’s Thunderstruck and Lynyrd Skynyrd’s Free Bird.
Wakati is a Swahili word for time. Shelmith Øseth’s Wakati (31 July – 3 August) explores how past, present, and future affect the development of a culture and the life of a human. By using her own experience of immigrating to Norway from Kenya, Shelmith examines the expectations, ideas and limits that come with being an immigrant and multicultural in Norway.
Presented as part of #DANISH, AVIAJA Dance’s Soil (1 – 17 August) is a powerful dance performance about identity, language, and belonging. Through movement and the rhythms of the Greenlandic language it explores how we connect to culture – without words, across borders, and beyond expectations.
This August, Dance Base is set to welcome two performances as part of the Basque Showcase. Created by DAB Company, NOEUD (19 – 24 August) is a proposal, in which we delve into the working methodologies shared by Eduardo Chillida and Cristobal Balenciaga.
The creation of spaces and curvilinear figures are the concepts of both artists that guide the movement of their time towards freedom. Née (19 – 24 August), by Cielo rasO is a work that; moves us, gives roots to the human, caresses loneliness, stratifies loss, accompanies disillusionment, emancipates disenchantment, energises absence, fights for love, virtualises the nearby, sustains magic, frightens off demons, humanises the inanimate, returns from the dark, attacks the imagination, separates fears and puts them in order, crosses the air and strives.
Inspired by Romulus and Remus’ legend and the symbolic meaning of Rome’s city walls, Hani Dance’s Inlet (1 – 23 August) explores the significance of borders throughout history. Raising thought-provoking questions about walls and their timely relevance, Inlet examines their role as boundaries, fortifications and barriers that influence human interactions and perceptions. Presented as part of Kultur LX.
Presented as part of Hong Kong Soul, artists Blue Ka Wing, Justyne Li, and Panda Waack team up for a triple bill, each exploring different approaches to navigate conflict, similarity, vulnerability and beauty in Hong Kong Soul – Triple Bill (12 – 24 August). Blue Ka Wing’s re-do re-do questions; how can we create changes in repetitions, and can we find certain routines in a series of change?
Beautiful Chaos sees Panda Waack trying to anchor herself in different cultural and social contexts through exploring the beauty in disorder and confusion. Justyne Li’s Does My Body Represent My Whole Self is a work of exploration and whispered secrets, unfolding in a delicate collaboration with the choreographer.
Choreographer Hsieh Yi-Chun makes an impressive international debut with a brand-new ensemble dance about collective ritual and individual will in Chun Dance’s Taiwan Season: Trace of Belief (31 July – 24 August). Inspired by temple processions and childhood memories, her mesmerizing sextet uses a flow of dynamic movement to pose a key question: ‘What anchors our faith in an ever-changing world?’
Ireland’s dance theatre vanguards CoisCéim Dance Theatre are back in Edinburgh this Fringe with Co-Founder and Artistic Director, David Bolger’s latest hit, Dancehall Blues (12 – 24 August). Presented as part of Culture Ireland’s Edinburgh Showcase this August, the show captivated audiences and critics alike during its premiere at Dublin Fringe 2024. This bold, gripping, and unmissable duet unfolds in a surreal dancehall at dusk, blurring the lines between reality and imagination.
Part of the São Paulo Showcase, Brazilian company, São José dos Campos Dance Company present Voyeur/ Samba and Love (31 July – 24 August), a double-bill by choreographer Lili de Grammont, which explores vulnerability, control, tenderness and tension.
Voyeur opens the evening, inviting the audience into a charged, intimate space where private gestures unfold under the weight of being watched. Samba and Love closes with intensity – a visceral response to the burnout of modern life, where samba rhythms become a physical expression of exhaustion, desire, and resistance in a world that demands too much.
Also from Brazil, choreographer Alice Ripoll and dancer Hiltinho Fantástico present the premiere Puff (19 – 24 August). Puff explores disguise in African Diaspora dances, where silenced cultures, messages, and traditions are transmitted. Samba, capoeira, and passinho showcase speedy footwork and body dissociation, creating illusions that suggest something is being concealed. Presented as part of the São Paulo Showcase.
Two dancers specialized in acrobatics and floor technique have become tools of the classical artist’s genius, but inspiration is running low, and the choreography is not progressing in Kinetic Orchestra’s Bolero (12 – 23 August). The pressure is high, and emotions are heating up as they struggle to create something final. This duet is a combination of black comedy and skilled fast-paced dance, full of techniques from different acrobatic disciplines.
Presented as part of the Here & Now Showcase, SERAFINE1369’s IV (19 – 24 August) considers cycles, time, divination and decomposition. A quartet that fractures and unfolds from calm tranquillity into moments of blissed out dancing, four dancers engage in a detailed and expansive practice of constant movement, energetic tuning and impossible stillness. SERAFINE1369 is a dancer, choreographer and body-focused researcher. Cycles, time and haunting are recurring themes in their work.
Dance Base’s unique pitching platform showcaseFringe Fragments returns for the second year on 18 –19 August. Designed as both a public event and industry showcase, audiences can see excerpts from tour-ready performances from artists from Scotland and abroad.
Whether you’re an industry professional or simply a lover of dance, this is not one to be missed! This year’s showcase features a line-up of all-female creators from across the world including Luxembourg and Quebec.
The return of the showcase also affirms Dance Base’s commitment to working towards a more sustainable Festival for both artists and venues alike, helping to strengthen bonds and facilitate new connections.
Continuing Dance Base’s commitment to providing a home for Edinburgh’s thriving dance community throughout the Festival, the venue will also host a vibrant programme of public dance classes from 28 July – 24 August.
Members of Edinburgh’s professional and public dance communities can also dance alongside several artists from the programme including Kinetic Orchestra and Alice Ripoll Company in a series of Masterclasses running from 2 – 23 August.
The Return of Gordon to The Corstorphine Astoria Centre.
This time, Gordon will be joined on stage by his wife, professional singer Cherly Forbes, for a truly special evening!
For the very first time, the last remaining 2/4 Ingram in the world will be paired with a voice.
Enjoy an entertaining evening of music, Broadway hits, light hearted character songs and favourite melodies on instruments both conventional and less so…, as well as tales and reminiscences from two fascinating careers.
The Royal Edinburgh Military Tattoo has announced they will be touring the Show The Heroes Who Made Us in Australia and New Zealand in 2026.
The dazzling spectacle, a key part of the Scottish events calendar, will be performed in Brisbane and Auckland in February next year, and will include performances by national military forces from Australia and New Zealand as well as from the UK.
2025 marks the 75th Anniversary of the organisation and these events further extend the international reach of the Tattoo that traditionally takes place on the stunning Edinburgh Castle Esplanade every August with a global cast.
The Shows will take place 12 and 14 February at Brisbane’s Suncorp Stadium and in Auckland’s Eden Park, home of the All Blacks national rugby team, on 19 and 21 February. The Australian Defence Force will play a key role at the Brisbane Show, and the New Zealand Defence Force will do the same in Auckland.
The Shows will incorporate elements of this year’s Tattoo theme, The Heroes Who Made Us, spotlighting the individuals who have shaped and supported the iconic performances over the past 75 years. Top Secret Drum Corps will join the line-up, alongside other performer groups from New Zealand, Australia, the UK and from throughout the globe.
The Royal Edinburgh Military Tattoo has previously travelled down under to delight audiences with performances in Wellington, Syndey and Melbourne in 2000, 2005, 2010, 2016 and most recently in 2019 at the ANZ Stadium in Syndey. This tour will be the first time the spectacular event has been performed to Brisbane and Auckland audiences.
While The Royal Edinburgh Military Tattoo Show has been screened at more than 150 cinemas across Australia and New Zealand in recent years, in 2026 people across the countries have the opportunity to once again truly experience the iconic spectacle in person.
If down under is too far to travel, tickets for The Royal Edinburgh Military Tattoo 2025 75th Anniversary Show at Edinburgh Castle Esplanade are available at edintattoo.co.uk/tickets or by calling 0131 225 1188. For the Australia and New Zealand 2026 Show, tickets can be purchased tickets can be purchased from 21 May 2025 from Ticketek.
Jason Barrett, Chief Executive of The Royal Edinburgh Military Tattoo, said: “We are thrilled to be bringing The Royal Edinburgh Military to Australia and New Zealand once again in 2026.
“Throughout the 75-year history, the Tattoo has proudly crossed oceans, continually reaching new audiences and connecting Tattoo fans in the unique Tattoo spirit. This upcoming tour will blend our Scottish traditions with the distinctive military heritage of Australia and New Zealand all set against the backdrop of two spectacular venues.
“We eagerly anticipate hosting new audiences and welcoming back Tattoo fans to witness a truly remarkable spectacle.”
Join us for an unforgettable evening of music with the incredibly talented Carla Coste -a renowned cellist who has performed as soloist and chamber musician at prestigious festivals across Europe, England and Asia.
On the day, Carla will be performing Suite numbers three and four by Johann Sebastian Bach, and a contemporary French piece by Graciane Finzi entitled “A strange Dream”
Don’t miss this chance to experience her captivating performance live at Stockbridge library on Wednesday 4th June at 6 pm!
