Curated and directed by Cora Bissett and Hannah Lavery
With visuals by Lucas Chi-Peng Kao
A one-night-only response to the times we are living through, presented by a host of leading Scottish artistic talent from the fields of theatre, music, poetry, comedy and dance.
On 1 May at Edinburgh Central Hall at 7pm.
Featuring Comedy:Sanjeev Kohli (Still Game) / Tia Rey; Music: Dala by Heir of the Cursed performed by Djana Gabrielle / Cora Bissett, Kathryn Joseph and Joan Clevillé & Kassichana Okene-Jameson of Scottish Dance Theatre/ Kitti / Loud and Proud Choir / Soapbox / Declan Welsh; Poetry: Shasta Hanif Ali / William Letford / Michael Mullen; Theatre & Dance; An artistic response to Talat Yaqoob’s International Women’s Day Speech (2026) – led by Janice Parker / Apphia Campbell / Reuben Joseph / Hannah Lavery / Uma Nada-Rajah / Sara Shaarawi / Dawn Sievewright performing It’s No a Weans Choice
Live band: Isaac Savage (keyboards/vocals) / Adam Scott (bass) / Djana Gabrielle (guitar/vocals) / Signy Jacobsdottir (drums and percussion) / MJ McCarthy (musical direction)
Two of Scotland’s leading artists and theatre-makers, Hannah Lavery and Cora Bissett, join forces to create an urgent multi‐form evening of theatre, music, poetry, comedy, film, dance and collaborative performance at Central Hall, Edinburgh, on 1 May.
Created as a rapid-response theatre project, in direct response to the turbulent social and political climate, they have curated and gathered together a constellation of Scottish artists for a one-night-only flare of short, urgent performances and interventions.
Through new work, unique collaborations and community voices, Mayday meets the “dark times” we are living through with wit, defiance, tenderness and imagination. This collective response honours the theatrical space as a place where audiences can think together, dream together and begin to imagine the futures we are still reaching for.
Co-curators/co-directors Hannah Lavery and Cora Bissett said: “Given the times we are living in—where division is being fuelled by dangerous and deliberately misinformed rhetoric— we feel deeply and personally connected to this Rapid Response Project.
“We are living through an age of fear: extreme racism and anti-migrant sentiment are being normalised, human rights attacked at every level, climate injustice accelerating, and ordinary people struggling to meet even basic needs.
“We’re thrilled to curate an event that will bring together bold, fierce, insightful and creatively galvanising voices from across Scotland – an urgent celebration of our shared humanity that challenges the rising tide of hate, calls upon solidarity, inspires change and imagines a more compassionate future.”
Highlights include:
Original short sharp plays from playwrights Apphia Campbell(The Official Version), Hannah Lavery (Patriotic Renewal), Uma Nada-Rajah (The Proposal) and Sara Shaarawi (Pandora’s Box)
Sanjeev Kohli delivers a short sketch on the cultural impact of his character Navid from Still Game
Live music from Declan Welsh, Soapbox and Djana Gabrielle, who honours Beldina Odenyo’s (Heir of the Cursed) Dala with a powerful, intimate performance that moves between vulnerability and defiance.
Cross-artform collaborations including Scottish Album of the Year (SAY) Award winner Kathryn Joseph’s powerful new collaboration with dancer Kassichana Okene-Jameson, visuals by Lucas Chi-Peng Kao, choreography by Joan Clevillé, and direction by Cora Bissett. Joseph’s haunting, fragile songs intertwine with movement in a visceral fusion of music and dance. Created in collaboration with Scottish Dance Theatre.
Collaborations between professional artists and community groups:
An Artistic Response to Talat Yaqoob’s International Women’s Day Speech, Edinburgh, March 2026 led by award-winning choreographer and dance maker Janice Parker.
Loud and Proud Choir
Dawn Sievewright (Wild Rose) performs No a Weans Choice, the defiant rallying cry from the Glasgow Girls stage show, composed by Cora Bissett
Reuben Joseph (Orphans – NTS, Hamilton the Musical) performs a new version of Robert Burns’ A Man’s a Man.
Listings information
Friday 1 May 2026, Central Halls, Edinburgh, 7pm (doors from 6.30pm)
20 years ago on 25 February, the National Theatre of Scotland staged its first production. Today, the Company launches a special project to celebrate 20 years of game-changing theatre.
National Theatre of Scotland is issuing a nationwide call out for stories from the public, with one chosen in 2026 to be brought to theatrical life in 2027.
Leading broadcaster and presenter Lorraine Kelly comes on board as a True Story Ambassador.
Leading Scottish cultural figures take on roles as True Story Champions with Val McDermid, Greg McHugh, Shereen Nanjiani, Len Pennie and Irvine Welsh supporting the call-out to encourage the nation to participate.
In the Company’s 20th year and for the first time ever, Scotland’s National Theatre is inviting the public to share real-life stories that deserve to be told on Scotland’s stages; be they true stories rooted in history, place, or community, the personal and family narratives that have shaped lives, or authentic tales that resonate through humour, resilience, struggle, triumph or hope.
“Everyone’s got a story to tell. What’s yours?”
From a shortlist, one incredible story will be selected by public vote, and brought to life by a team of leading Scottish theatre artists, for public presentation in 2027.
The call out will be live until 13 May 2026 with a short list announced to the public in September 2026, with the winner announced in November 2026.
Over the last twenty years, the National Theatre of Scotland, has gained a world-wide reputation for turning compelling real life Scottish stories into unique new plays that have been shared with audiences, and earned plaudits on stages in Scotland and beyond.
The soldiers in the Black Watch regiment, deployed to Iraq, (Black Watch), the group of girls from Glasgow, who fought for their friend to be saved from deportation, (Glasgow Girls), the story of Adam who crossed borders and genders to find himself (Adam), the historical exploits of three Scottish medieval kings (The James Plays), or the story of Fred Goodwin and the rise of fall of RBS (Make it Happen); all these exceptional stories have captured the imaginations of audiences over the last 20 years.
The National Theatre of Scotland’s 20th birthday programme also includes Stand and Deliver: The Lee Jeans Sit In which will bring the powerful story of the Lee Jean’s Factory workers to life in a new piece of touring gig theatre.
The Company is delighted to have the support of celebrated Scottish cultural figures to encourage the nation to participate.
Jackie Wylie, Artistic Director said :”It feels entirely fitting to mark the Company’s 20th birthday with a project that celebrates Scotland as a nation of storytellers. Real life stories have become part of the DNA of NTS; ordinary people living extraordinary lives, or indeed extraordinary events in history that have resonated across time.
“These stories and characters have captured the imaginations of artists and audiences throughout NTS’s history, and I can’t wait to listen to the great Scottish public and to find out their true stories and to then support the journey of one special story onto the stage, alongside a team of brilliant Scottish artists.”
Lorraine Kellyis joining the team as a True Story Ambassador, and she will be involved in the call out and judging process.
Lorraine is a Scottish television presenter, journalist and Sunday Times bestselling author, best known for her ITV show Lorraine. In 2024, she was awarded a BAFTA for her outstanding contribution to the television industry, marking four-decades of service to broadcasting. She has also been awarded an OBE and a CBE.
She has made special documentaries commemorating both the tragedies in Dunblane and Lockerbie. In addition to her eponymous show, she has also presented many other TV programmes including Lorraine Kelly’s Norwegian Odyssey, The Last Leg, Queens for the Night and Have I Got News For You?
She is also a best-selling novelist with her debut novel, The Island Swimmer, set in Orkney, published in 2024.
Lorraine Kelly, True Storyambassador said: “Ever since I started out as a teenage reporter on the East Kilbride News, and later as a presenter and author, I have been fascinated by real life stories.
“I am a naturally curious person, and I have had the privilege of listening to thousands of stories over the years, allowing me insight into the personal, the extraordinary and the sometimes, dramatic.
“I am thrilled to be an Ambassador for the National Theatre of Scotland’s True Story project and to support their call out to the great Scottish public to find a special story that will resonate with Scottish audiences.
“I can’t wait to sit with the True Story submissions later this year and immerse myself in what I imagine will be a treasure trove of compelling testimonies and exceptional stories.”
TRUE STORY CHAMPIONS
Five fabulous Scottish cultural figures have taken on the role of being True Story Champions, supporting the call out for true stories.
They are Val McDermid, crime author known for Karen Pirie and The Wire in the Blood; Greg McHugh, actor and writer who created and starred in Gary Tank Commander; Shereen Nanjiani, broadcaster for the BBC, and MBE for services to broadcast in Scotland; Len Pennie, poet, Scots language performer; and writer and Irvine Welsh, novelist, screenwriter and filmmaker known for Trainspotting, Filth and Porno.
Val McDermid,author, said: “We’re a nation of storytellers. Everybody’s got a story. You hear it at the bus stop, you hear it in the pub, you hear it everywhere you go. You’ve all got stories.
“We want to hear your stories. And that’s why the National Theatre of Scotland has started a campaign to gather your stories together to make new stories for the next generation and beyond.”
Greg McHugh, actor and writer, said: “They say that truth is stranger than fiction. The National Theatre of Scotland have taken this on board in a big way with their project True Story that involves the great Scottish public.
“They are choosing one brilliant true story to put on stage which I think is a great idea and a fabulously fun way to celebrate the Company’s 20th birthday.”
Shereen Nanjiani,broadcaster, said: “In my 40-year career as a news broadcaster I have reported on hundreds of Scotland’s stories, big and small.
“I was the first person of Asian heritage to become a TV newsreader in Scotland, and that’s made me acutely aware of the need to tell stories that reflect our country in all its rich diversity, and to hear from those whose voices often don’t get heard.
“I’m also passionate about the power of theatre to bring us together, to make us think, to move us, to make us laugh and cry.”
Len Pennie, poet, said: “I am a firm believer that every single person has a story that is worth telling and worth hearing.
“There’s nothing like a good story for making you feel happy, sad, scared – the full spectrum of human emotion!
“But even more special than that is sharing a story with somebody. It’s about connection, community, empathy, just knowing that you’re not alone.”
Irvine Welsh,author, said: “True stories inform everything. They inform our imagination or experience or creation of other stories or embellishment of stories or creation of fiction.
“So there’s the old saying that the truth is stranger than fiction, and generally it’s true.True stories are important because they’re the the bedrock of our creativity and our culture.”
National Theatre of Scotland and NHS Lothian Charity: Tonic Arts present
Trolleydarity
Scratch n Sniff Staycation for the Discerning Static Traveller
At Western General Hospital, Edinburgh; St John’s Hospital, Livingston; and East Lothian Community Hospital, Haddington
December 2025 to March 2026
Co-curated by Alan Grieve and Shona Reppe
Designer – Danny Krass
Facilitators for St John’s Hospital and East Lothian Community Hospital – Minnie Crook and Dan Brown
Supported by: The Weir Charitable Trust and The William Grant Foundation
Trolleydarity lead artists Shona Reppe (lilac top) and Alan Grieve (Green Top) engage with staff and patients at the Western General Hospital in Edinburgh. Photography by Peter Dibdin
Trolleydarity’s Scratch n Sniff Staycation for the Discerning Static Travelleris an innovative new project by artists Shona Reppe and Alan Grieve co-curated for patients and staff across NHS Lothian presented by National Theatre of Scotland andNHS Lothian Charity: Tonic Arts.
Shona and Alan will present Scratch n Sniff Staycation for the Discerning Static Traveller across Western General Hospital wards with Minnie Crook and Dan Brown facilitating the Staycation in St John’s Hospital, Livingston and East Lothian Community Hospital, Haddington, from December 2025 to March 2026.
Scratch n Sniff Staycation for the Discerning Static Traveller is a series of artistic one-to -one encounters with hospital patients, visitors and staff presented by Shona and Alan (Trolleydarity.) These unique and surprising interventions will offer discerning travellers an opportunity to explore the world in a way that feels both real and magical, through the power of sound and scent. Participants will be transported on a journey without having to catch a plane or even leave their beds.
Shona Reppe and Alan Grieve’s Trolleydarity’s “immersive sensory micro adventure” will be brought to hospital bedsides, wards and waiting areas by trolley; all that will be required to explore the world is a pair of headphones and a complimentary postcard.
This brand new project transforms the everyday into the extraordinary, from the scent of a luxurious spa to the sound of crisp snow underfoot, all brought to life through the magic of sound and smell. Participants are invited to stay where they are, close their eyes, scratch, sniff and go!
This project is part of an ongoing partnership between National Theatre of Scotland and NHS Lothian Charity: Tonic Arts, the Charity’s arts in health programme which improves and supports the health and wellbeing of NHS Lothian patients and staff.
It follows on from an existing collaboration on the hosting of Portraits of an LGBTI+ Generation exhibition, at the Charity’s Tonic Galleries in both St John’s Hospital Livingston and the Western General Hospital.
Trolleydarity lead artists Shona Reppe (lilac top) and Alan Grieve (Green Top) engage with staff and patients at the Western General Hospital in Edinburgh. Photography by Peter Dibdin
Len McCaffer, NHS Lothian Charity’s Tonic Arts Manager: “We are thrilled to be partnering with the National Theatre of Scotland to bring these magical sensory adventures to patients in hospital – for the patients themselves, it gives them a gentle escape during their hospital stay and for staff, it provides a joyful shared moment to brighten a long shift.
“”Trolleydarity reminds us that care is more than clinical — it’s sensory, human and about making connections. And this is exactly what our Tonic Arts programme is all about.”
Theatre in Schools Scotland (TiSS), National Theatre of Scotland and Imaginate’s schools touring project, was delighted to welcome Ian Murray, MP for Edinburgh South, to its final school performance of 2025, at James Gillespie’s Primary School in Edinburgh.
TiSS was at James Gillepsie’s Primary School with three performances of A Home for Hamish, by Just Us, presented by Scottish Theatre Producers.
Created and performed by Deaf Dance Artist, Clare Adam and Autistic Dance Artist, Lesley Howard (Just Us), A Home for Hamish is a colourful, immersive, interactive adventure playfully merging dance and British Sign Language and is made for younger audiences.
Across a two day visit to James Gillespie’s Primary School over 170 pupils from Nursery through to P3 enjoyed the performances in the school hall.
Following the final performance Ian Murray MP was joined by performers Clare Adam and Lesley Howard, representatives from National Theatre of Scotland, Imaginate and Scottish Theatre Producers along with pupils from the school to fly paper aeroplanes in the school hall.
Ian Murray MP for Edinburgh Southsaid: “It was delightful to see the young people completely captivated by, and participating in, the performance.
“The performers were utterly superb. The impact of the school’s programme was encapsulated in the questions from their audience at the end.
“The interest in British Sign Language, the challenge of the story, and the “can we play more with you” were all testament to the power of the show. Well done to all involved.”
Ben Horsburgh, Head Teacher, James Gillespie’s Primary Schoolsaid: “We were delighted to welcome Theatre in Schools Scotland to James Gillespie’s Primary School. A Home for Hamish was a truly memorable experience for our younger learners.
“It brought theatre right into the heart of the school and gave the children a chance to engage with themes of belonging and community in a fun, imaginative way.
“Opportunities like this enrich our curriculum and inspire our young people to see themselves as part of Scotland’s vibrant cultural story.”
Belinda McElhinney, Chief Executive, Imaginatesaid: “It was lovely to watch the children fully absorbed into the world of Hamish. The performers beautifully integrated British Sign Language into the work and kept the children focused on their every move.
“The excited response from the children encapsulates for me the importance of bringing performance into schools as a key step to ensuring every child accesses their right to culture.”
Liam Sinclair, Executive Director and Joint CEO, National Theatre of Scotland, said: “It was a delightful experience watching the inspiring A Home for Hamish at James Gillespie’s Primary School, Edinburgh and being part of such an engaged and enthused audience. We appreciated Ian Murray MP attending and sharing this occasion with us.
“TiSS is a vital project for National Theatre of Scotland, enabling children across Scotland to benefit from the joy and enrichment that live performance can bring, and we are looking forward to celebrating the Theatre in Schools Scotland 10th year anniversary in 2026”
The performances at James Gillespie’s Primary School concluded a busy autumn term for the Theatre in Schools Scotland project which tours inspiring, live theatre and dance performances to primary schools across Scotland. A Home for Hamish toured to schools from Shetland to Slamannan and will be back on the road with TiSS in March 2026.
Next year will mark ten years of touring world class theatre and dance directly into schools across the country. To celebrate a decade of creativity every Theatre in Schools Scotland performance will be free of charge for participating schools from August 2026 to June 2027, as part of a special TiSS at 10 anniversary programme. Visit the Theatre in Schools Scotland website for more info.
Celebrating 20 years of game-changing theatre – a year-long programme of what NTS does best.
Including three world premieres, five tours across Scotland, gig theatre and a much anticipated new musical, urgent work responding to the current climate, an adaptation of a Scots classic, a major creative response to testimony from the Cared Experienced community, a call out to the nation to inspire a show, a special free TiSS at 10 programme for schools and a wealth of world-class Scottish theatrical talent taking over Scotland’s stages in 2026.
MAJOR TOUR OF SCOTTISH CLASSIC – SCOTTISH PREMIERE
THE PRIME OF MISS JEAN BRODIE – adapted from the Muriel Spark novel by David Harrower, directed by Vicky Featherstone and featuring Gayle Rankin as Miss Jean Brodie. The Scottish premiere of a new adaptation of the Muriel Spark classic, bringing acclaimed Scottish actor Gayle Rankin back to Scotland’s stages following a high-profile screen and US stage career.
Opening at The Royal Lyceum Theatre Edinburgh and touring to The Citizens Theatre, Glasgow; His Majesty’s Theatre, Aberdeen; and Pitlochry Festival Theatre from 02 October to 07 November 2026.
A National Theatre of Scotland production in partnership with The Royal Lyceum Theatre Edinburgh and in association with Pitlochry Festival Theatre.
Stand & Deliver: The Lee Jeans Sit-Inby Frances Poet, directed by Jemima Levick. From an idea conceived by Paul English and Frances Poet. 45 years since the legendary occupation of the Lee Jeans factory in Greenock, Stand and Deliver: The Lee Jeans Sit-In tellsa powerful and personal story of political resistance, workers’ determination and lifelong friendships. Performed with a live 80’s soundtrack.
Opening at theTron Theatre, Glasgow, touring to Aberdeen Arts Centre; the Adam Smith Theatre, Kirkcaldy; Traverse Theatre, Edinburgh; Byre Theatre, St Andrews; Eastgate Theatre, Peebles; Mull Theatre, Eden Court, Inverness; Cumbernauld Theatre, Beacon Arts Centre, Greenock, from 24 April to 10 June 2026.
A National Theatre of Scotland and Tron Theatre Company co-production.
THE HIGH LIFE –The Musical, Still Living It!Story, Script and Lyrics by Alan Cumming, Forbes Masson and Johnny McKnight. Music by Forbes Masson, additional music by Alan Cumming. Directed by Andrew Panton. After a 30-year delay in the departure lounge, The High Lifereturns in a new musical spectacular featuring all four original cast members – Alan Cumming, Forbes Masson, Siobhan Redmond and Patrick Ryecart akaSebastian Flight, Steve McCracken, Shona Spurtle and Captain Hilary Duff.
Opening at Dundee Rep Theatre and touring to His Majesty’s Theatre, Aberdeen; Eden Court, Inverness; Festival Theatre, Edinburgh and King’s Theatre, Glasgow from 27 March to 23 May 2026.
A National Theatre of Scotland co-production with Dundee Rep Theatre, in association with Aberdeen Performing Arts and Capital Theatres.
THROUGH THE SHORTBREAD TIN – written and performed by Martin O’Connor and original productiondirected by Lu Kemp. Martin O’Connor’s acclaimed, playful epic returns by popular demand, tearing through Scottish history and the myths we tell ourselves.
“an entertaining and intelligent investigation into the illusions and inconsistencies of Scottish history, culture and identity.” ★★★★ – The Stage
At the Edinburgh Festival Fringe and then touring to Scottish sited locations in partnership with Historic Environment Scotland in August and September 2026.
LARGE-SCALE NATIONWIDE SOCIALLY ENGAGED AND AUDIENCE FOCUSSED PROJECTS
CARING SCOTLAND PROJECT, creatively led by socially engaged theatre artist, Nicola McCartney.
ONE HUNDRED VOICES is an interactive, audio-guided installation, bringing creative insight into living in the care system. It serves as an artistic act of recognition and celebration of the one hundred testimonies recorded through the Caring Scotland Project.
The installation will premiere at the Scottish Parliament in August ahead of touring to The Citizens Theatre, Glasgow; Millennium Centre, Stranraer; Easterbrook Hall, Dumfries; Reid Hall, Forfar; Rothes Halls, Glenrothes from 12 August to 18 October 2026.
TEN PORTRAITS – a touring exhibitionofportraits of the Care Experienced community captured by Chris Scott, Caring Scotland photographer in residence (April 2026 to February 2027).
THE SOUND COLLECTION -an audio collection of all the stories gathered from the listening project hosted as part of the archive of the National Library of Scotland from April 2026.
Supported by The Weir Charitable Trust and The Rayne Foundation.
TRUE STORY – As NTS celebrates 20 years of bringing real life stories to dramatic life, the organisation will be issuing a Scotland-wide call out for true stories from the nation. Following a public vote one of these will be brought to theatrical life in November 2027. True Story will be launched in January 2026.
TISS AT 10 – A SPECIAL FREE PROGRAMME OF WORK FOR SCHOOLS
To celebrate a decade of creativity, connection and performance magic, every Theatre in Schools Scotland performance will be free of charge for participating schools from August 2026 to June 2027 as part of a special TiSS at 10 anniversary programme. With four bold and inspiring productions already confirmed, TiSS at 10 will bring the thrill of live performance to more than 13,000 pupils across Scotland’s primary and some secondary schools.
TiSS at 10 is supported by Savendie and The Weir Charitable Trust.
Supported by: Aberdeen Baker Incorporation, Aberdeen Performing Arts, Carnegie Dunfermline Trust, David and June Gordon Memorial Trust, MEB Charitable Trust, North East Arts Touring, Russell Trust and The Tillyloss Trust.
Theatre in Schools Scotland is a National Theatre of Scotland and Imaginate partnership project.
TROLLEYDARITY – A SCRATCH N SNIFF STAYCATION at Western General Hospital in Edinburgh; St John’s Hospital and East Lothian Community Hospital from 05 January to 30 March 2026. Co-curated by Alan Grieve and Shona Reppe with facilitators, Minnie Crook and Dan Brown.
Offering patients and staff a unique Scratch ‘n’ Sniff staycation: the ultimate indoor experience for the discerning static traveller.
Supported by: The Weir Charitable Trust and The William Grant Foundation
National Theatre of Scotland and NHS Lothian Charity: Tonic Arts Project
A rapid response theatre project – creatively led by Hannah Lavery and Cora Bissett.
“In the dark times, will there also be singing? Yes, there will also be singing. About the dark times.” — Bertolt Brecht. Two of Scotland’s leading artists and theatre-makers join forces to create a project that offers Scotland’s artists and communities the opportunity to respond with resistance and hope to the “dark times” we are living through.
National Theatre of Scotland, as a theatre without walls, is ideally placed to respond creatively and nimbly to the current challenges facing individuals and communities in divided times.
CHANGE–MAKERS – Leah Byrne, Hannah Low and Andrea Ling, NTS Resident Fellows curate a programme to address sectoral inequities with workshops, surveys, a writer’s programme, call outs and research, throughout the year.
Supported by Esmée Fairbairn Foundation
SOUTH ASIAN PROJECT – NTS’s ongoing commitment to create and develop work by South Asian artists for diverse communities.
A new opportunity for South Asian playwrights, to have their work developed and programmed through the new South Asian Playwrights’ Programme with two new plays to be licensed by A Play, A Pie and A Pint for presentation in future seasons. In partnership with Bijli, A Play, A Pie and A Pint and Playwrights’ Studio Scotland.
And a South Asian Scratch Night at the Citizens Theatre Studio on 08 October 2026; Curated by Niloo-Far Khan and Kal Sabir and presented by South Asian Artists in Scotland in association with National Theatre of Scotland and the Citizens Theatre. Full application details for the South Asian Scratch Night will be announced in 2026.
National Theatre of Scotland and Grid Iron are working in partnership with Great Leap Forward to secure international touring dates in 2026 and into 2027 for June Carter Cash: The Woman, Her Music and Me, the acclaimed award-winning production, written and performed by Charlene Boyd and directed by Cora Bissett.
A year long programme of creative opportunities for schools and community groups, includingFirst Nights: free tickets and a guaranteed good night out for twenty groups across the country, the popular CreativeCareerssessions for schools, and the ever expanding Education Portal with new digital additions Make it Happen and Through the Shortbread Tin and, coming later in 2026, Stand and Deliver: The Lee Jean’s Sit In and The Prime of Miss Jean Brodie.
First Nights supported by The Northwood Charitable Trust.
Creative Careers and First Nights are supported by The Stevenston Charitable Trust.
National Theatre of Scotland’s ever-expanding repertoire of short films, features, digital and hybrid broadcast projects continue to be distributed across streaming platforms and to cinemas and festivals. Live projects include Kinaara, written and directed by Kal Sabir, Metamorphosis, written and directed by Gillian Katungi,The Strange Case of Dr Jekyll and Mr Hyde, directed by Hope Dickson Leach (streaming on Sky Arts and Marquee TV), Finding Seaglass by Hannah Lavery (BBC Sounds), The Fifth Step, by David Ireland, directed by Finn Den Hertog (NT Live). Further projects to be announced in 2026.
Jackie Wylie, Artistic Director/Joint CEO said: “I am delighted to share our special 20th birthday season, which celebrates all that makes us a unique national theatre.
“The year encapsulates what National Theatre of Scotland (NTS) does best, with our special without walls model; a truly national theatre. We are touring widely across Scotland in 2026, taking work to wherever audiences are to be found.
“We are a National Theatre that has never played by the rules. This means we can present work in castles and hospitals, in community centres and schools as well as on the largest stages in Scotland.
“We have a packed programme of productions featuring incredible Scottish talent, world premieres, exhilarating musicals, exceptional new plays, much loved classic texts, illuminating community projects and joyous gig theatre.
“We passionately believe in the power of theatre and its place in the cultural heart of the nation. In our 20th birthday year, we must continue to innovate to ensure the vitality and relevance of Scotland’s national theatre.
“We are so proud to deliver a programme that wrestles with the issues of our times, brings real stories to theatrical life and embodies the narrative of a nation – its past, present and future.”
New musical announced – touring in Spring 2026, based on the legendary 1990’s TV show.
The High Life reunites Alan Cumming and Forbes Masson with original cast members Siobhan Redmond and Patrick Ryecart
Acclaimed artists join the creative team including writer Johnny McKnight and director Andrew Panton
The first production announced, for the National Theatre of Scotland’s 20th anniversary programme in 2026.
National Theatre of Scotland and Dundee Rep Theatre in association with Aberdeen Performing Artsand Capital Theatres present
WORLD PREMIERE
The High Life. The Musical. Still Living it!
Story, Script and Lyrics by Alan Cumming, Forbes Masson and Johnny McKnight
Music by Forbes Masson, additional music by Alan Cumming Directed by Andrew Panton
Cast includes Alan Cumming, Forbes Masson, Siobhan Redmond and Patrick Ryecart.
Colin Richmond – Set & Costume Designer; Emily Jane Boyle – Choreographer; Musical Supervisor – Sarah Travis; Lighting Designer – Grant Anderson
Touring Scotland from Saturday 28 March until Saturday 16 May 2026.
Touring to Dundee Rep Theatre, His Majesty’s Theatre, Aberdeen, Festival Theatre, Edinburgh and King’s Theatre, Glasgow.
After a 30-year delay in the departure lounge, The High Life returns in a new musical spectacular featuring all four original cast members – Alan Cumming, Forbes Masson, Siobhan Redmond and Patrick Ryecart akaSebastian Flight, Steve McCracken, Shona Spurtle and Captain Hilary Duff.
The production will tour Scotland in Spring 2026, with previews and opening performance at Dundee Rep Theatre from 28 March, then onward touring to HMT Aberdeen, Festival Theatre, Edinburgh, Eden Court Theatre and King’s Theatre Glasgow until 16 May 2026.
The High Life is a creative collaboration between trailblazing, multi-award-winning artist Alan Cumming (US Traitors, X2 and Avengers: Doomsday and Cabaret on Broadway) and his long-time writing and performing partner, prolific stage and screen actor and writer Forbes Masson (Only Child, The Crown, Eastenders).
The creative team is joined by celebrated writer, performer and panto-maker Johnny McKnight (Wendy Hoose, Radiant Vermin, River City) and the award-winning and internationally acclaimed Artistic Director of Dundee Rep, Andrew Panton (August: Osage County, No Love Songs, A History of Paper).
Oh deary me! Air Scotia has been sold, and unless our intrepid cabin crew can prove they’re still fit for purpose it looks like the future destination for Air Scotia is the scrap heap. In this flight for their lives, our cut-price cabin crew must get themselves (and their passengers) to their destination safely, testing their mettle and putting decades old friendships and rivalries finally to rest.
The High Life was first commissioned and broadcast by the BBC, created by and featuring Alan Cumming and Forbes Masson. It was a launchpad to its creators’ long and illustrious careers. Since airing in the 90s it has attracted cult status for its sharp wit, farcical storytelling and joyous buffoonery. Taking place in the fictional Air Scotia airline, it centres around air stewards Steve, Sebastian and Shona – the most useless cabin crew ever to push a drinks trolley while asking ‘U Fur Coffee?”.
This revival sees our iconic characters finding themselves growing older in an ever-changing world. It will feature new and original music, is stuffed full of camp silliness and is cleared for take-off.
Siobhan Redmond reprises her TV role as the iconic Shona Spurtle on stage. Siobhan has worked extensively in theatre, film and television and is known most recently for appearances in Two Doors Down, Death in Paradise and Rain Dogs. She is joined on board by Patrick Ryecart as the absent-minded Captain Hilary Duff. Patrick’s screen credits include The Crown, Poldark and The King’s Speech.
Cumming and Masson met at the Royal Scottish Academy of Music and Drama in 1982 and formed the beloved comedy double act Victor and Barry. This momentous showbiz event was recently chronicled in the book Victor and Barry’s Kelvinside Compendium – A Meander Down Memory Close, a 40th anniversary celebration of their birth.
The pair later transmogrified Victor and Barry into Steve and Sebastian when they wrote the BBC sitcom, The High Life.
The High Life was first introduced to TV audience in an initial pilot in 1994 and then in a series of six episodes which were broadcast in early 1995. The series is currently available to watch on BBC iPlayer.
Alan Cumming andForbes Massonsaid: “Never say never! We are both beyond excited to be donning those nylon slacks and crimpelene blazers and connecting with our inner trolly dollies after all these years.
“Returning to these characters alongside the genius that is Johnny McKnight has been a joyful experience and we can’t wait to share what madness we’ve come up with around Scotland!”
Johnny McKnightsaid: “I am absolutely thrilled to join the Air Scotia cabin crew. I grew up watching The High Life, wishing that one day I could get to fly thirty thousand feet with Alan, Forbes, Siobhan and Patrick.
“I never believed that a reunion show would happen, let alone that I would get to be part of the team working on it. The bags are packed, the tena-man pants on, and I am ready for check in. Fasten your seatbelts and get ready for the flight of a lifetime.”
Andrew Panton said: “Having been a High Life fan right from take-off in 1994, it’s been a total joy to work with this amazing team of pure talent.
“Our development time together has been a riot of creative energy, hilarity and brilliant music and songs and I feel sure our new stage musical will appeal to both fans of the TV show and folks new to The High Life!
“I’m thrilled that we’re creating the show at Dundee Rep Theatre before it jets off to entertain audiences across Scotland.”
Touring to Dundee Rep Theatre; His Majesty’s Theatre, Aberdeen; Festival Theatre, Edinburgh and King’s Theatre, Glasgow in Spring 2026.
New cast, musicians, and creatives announced for KELI, the debut play from Ivor Novello Award-winning composer Martin Green (Lau).
Based on personal stories from the critically acclaimed BBC Radio 4 series ‘Love, Spit and Valve Oil’
WORLD PREMIERE
National Theatre of Scotland and Lepus Productions present
KELI
A play by Martin Green
Written and music composed by Martin Green
Directed by BryonyShanahan
Cast: Liberty Black (Keli), Karen Fishwick (Jayne), Olivia Hemmati (Amy/Saskia), Billy Mack (Willie Knox)and Phil McKee (Brian).
Performing Musical Director – Louis Abbott and small brass ensemble –
Stacey Ghent, Flugelhorn; Hanna Mbuya, Tuba and Karen Fishwick, Euphonium
Set and Costume Designer – Alisa Kalyanova, Sound Designer – George Dennis, Lighting Designer – Robbie Butler, Casting Director –Anna Dawson
Touring Scotland from Saturday 10 May to Saturday 14 June 2025.
Previews at Macrobert Arts Centre, Stirling before opening at the Lyceum Theatre, Edinburgh and touring to Dundee Rep Theatre; Perth Theatre and Tramway, Glasgow from May to June 2025.
Opening performance at the Lyceum Theatre, Edinburgh on Thursday 15 May 2025.
Best known as the virtuoso accordionist in the visionary folk trio Lau, Martin Green has spent the past two years on an odyssey deep into the world of brass bands, culminating in this staging of KELI, marking its world premiere as a stage play. Making his professional debut as a playwright, Green was inspired by conversations he had for the BBC Radio 4 series ‘Love, Spit and Valve Oil’.
KELI will feature brass band music from Green’s acclaimed album SPLIT THE AIR. Each performance will feature a live brass band performance from a leading Scottish brass band or ensemble of leading brass band players.
National Theatre of Scotland and Lepus Productions are delighted that Whitburn band and Kingdom Brass will be part of this Scottish tour, sustaining ongoing relationships with Scottish brass bands and the communities they represent.
Whitburn Band, one of Scotland’s leading brass bands, was formed in the heart of the coal mining area of West Lothian in 1870 originally serving as an outlet for members of the mining community to perform at local parades and gala days. The Band has been Scottish Champion 22 times, competes throughout the UK and Europe, and performs regularly at major Scottish events. Recent performances include Celtic Connections and the Edinburgh International Festival.
Kingdom Brass was formed in 1999, after the amalgamation of the Cowdenbeath and the Kelty & Blairadam Bands. In the same year, the band competed for the first time at the Fife Championships and swept the boards. Since then, the band has competed locally and nationally winning numerous trophies and is established as one of Scotland’s top bands. The band performs at concerts, bandstand events, and local Gala days.
Liberty Black will play the titular role of Keli in her professional theatre debut and Karen Fishwick plays her mother Jayne. They are joined by Phil McKee as band leader Brian, Billy Mack who plays 135-year-old ex-miner and town hero Willie Knox and Olivia Hemmati playing multiple roles.
LibertyBlack is in her final year at the Royal Conservatoire of Scotland. She performs and writes music and toured the UK with a band. Royal Conservatoire of Scotland credits include: The Cosmonauts Last Message…, Uncle Vanya and Romeo and Juliet.
Karen Fishwick previously appeared in Our Ladies of Perpetual Succour, National Theatre of Scotland and Live Theatre’s smash hit musical production which toured internationally and had a run in London’s West End. Theatre credits include Romeo and Juliet and The Merry Wives of Windsor (Royal Shakespeare Company) and 101 Dalmations (Regents Park Open Air Theatre). Karen’s screen appearances include Outlander (Sony/Starz) and Call the Midwife (BBC).
Billy Mack is an award-winning actor, previously appearing in The Cheviot, The Stag and The Black, Black Oil and The Enemy (National Theatre of Scotland). Recent theatre and TV/film credits include Men Don’t Talk (Genesis Theatre Company), Only Child (Happy Tramp/BBC) and On Falling (Sixteen Films).
Phil McKee has worked extensively across theatre, film and TV. Previous work with National Theatre on Scotland includes Mary Stuart and Dunsinane (National Theatre of Scotland/RSC/Royal Lyceum Theatre). Screen credits include Clash of the Titans (Gorgon Films), The Rig (Amazon) and Deadwater Fell (Channel 4).
Olivia Hemmati trained at Bristol Old Vic Theatre School where she was a finalist for the Carleton and Hobbs Award 2024. Olivia is making her professional stage debut in KELI.
The production features a brass ensemble of musicians led by Stacey Ghent on flugelhorn with Hanna Mbuya on tuba alongside Karen Fishwick on the euphonium.
Stacey Ghent is a hard of hearing actress and musician raised in South Shields. Stacey’s TV/screen and theatre credits include a role as a teacher of the deaf in Coronation Street (ITV); A Thousand Blows (Disney+); Brassed Off and Blonde Bombshells of 1943 (Octagon Bolton/Theatre by the Lake, Keswick/Stephen Joseph, Scarborough).
Tuba player Hanna Mbuya is a member of Mercury-nominated 10-piece seed, Chineke! Orchestra and Nu Civilisation. Other collaborations have included those with artists
Anna Meredith, Jon Batiste and Soweto Kinch, in addition to appearances with horn sections alongside artists including Solange, Joy Anonymous and Arlo Parks. Recent work in theatre includes Richard III (2024) & Hansel and Gretel (2024) at Shakespeare’s Globe.
Performing Musical Director for KELI,Louis Abbott, is a multi-instrumentalist and singer and the songwriter for the chamber-pop band Admiral Fallow. Recent theatre work includes his role as co-musical director on the award-winning A Giant on the Bridge (Edinburgh Festival Fringe 2024). As a musician, drummer, engineer and producer Louis has collaborated with some of Scotland’s finest musicians including King Creosote, Camera Obscura and Eddi Reader.
“The skill, the craft, is in controlling the pressure.”
KELItells the story of a fiery, sharp-witted teenager in a former mining town. Coal means little to Keli, but the mines left music in the blood of this place.
As the best player her brass band has ever had, music is easy. Everything else is a fight. Feeling trapped in small-town life, pressure mounts.
When the chance to change everything arises, can Keli keep a lid on it all?
Marking 40 years since the miners’ strikes and featuring a sharp, hilarious script and live brass score by Ivor Novello winner Martin Green, KELI is a gripping show about community, creativity, and the power of music.
Touring Scotland in 2025, the show will reach audiences across the country who belong to communities that were hugely affected by the miners’ strike of 1984-85.
Green’s journey began by chance near his home in Midlothian. Following a poster advertising ‘BRASS IN THE PARK’, he discovered a self-sustaining world of music-making that – like the folk tradition – had retained its social function and was part of the warp and weft of the communities that performed it.
The fictional play has evolved from the critically acclaimed BBC Radio 4 series Love, Spit and Valve Oil which explored the phenomenon of modern brass banding and featured interviews with members of brass bands. These interviews have inspired aspects of the characters in the play. In 2022 KELI was commissioned by The Royal Lyceum Theatre, Edinburgh as a three-part audio drama.
“KELI is a hard story about the limitations placed on working-class lives, capturing teenage desperation, depression and fulfilment through music…forces of dialogue, music and folklore harmonise to a riveting final episode.” The Guardian (on the audio drama, KELI)
Martin Green is a multi-award-winning musician and Ivor Novello winning composer. As a member of Lau, he has won four BBC Radio 2 Folk Awards for Best Group an unprecedented four times. In 2014 he received a Paul Hamlyn Foundation Award for Artists in recognition of his talent as a composer. In 2019 he won the Ivor Novello award for his large-scale installation Aeons that was part of The Great Exhibition of the North.
Most recently Martin has gone on to create critically acclaimed work for BBC Radio 4 exploring different communities all over the UK and their relationship with music. These have reached millions of listeners and been highly commended by Association of International Broadcasters.
Martin shared the stage with Whitburn Band as part of Celtic Connections at Tramway in early 2024 – “a profoundly moving affair” ***** The Scotsman.
Martin is the Artistic Director of Lepus Productions, who are co-producing KELI with National Theatre of Scotland, marking the first time the companies have collaborated.
Bryony Shanahan directs, marking her NTS debut. Previously Bryony was Joint Artistic Director of the Royal Exchange Theatre, Manchester, and most recently directed the acclaimed, Same Team – A Street Soccer Story for the Traverse Theatre. Other notable productions include Bloody Elle (Edinburgh Festival Fringe, Soho Theatre and West End) and also for the Royal Exchange Theatre, No Pay? No Way! Beginning, Let The Right One In, Nora: A Doll’s House, Wuthering Heights, Queens of the Coal Age, Weald, and Nothing.
Martin Green, writer and composer, said: “To be making KELI with National Theatre of Scotland and Bryony Shanahan forty years on from the Miners’ Strike, feels absolutely right; an incredible team of visionary people. Perfect.”
Bryony Shanahan, director, said: “My introduction to this project was that it was about a 17-year-old called Keli – foul-mouthed, hilarious and a virtuoso flugelhorn player – who finds herself in a disused coal mine with a 150-year-old Marxist miner after the strangest night of her life.
“Oh, and that it features a live brass band. I was in! I am so thrilled to be working with National Theatre of Scotland, Lepus and Martin Green to bring KELI to life.
“It’s a story about community, legacy and above all, music and I can’t wait to invite audiences into Keli’s remarkable world and heart.”
KELI was developed with National Theatre of Scotland and The National Theatre, London’s Generate programme and was originally commissioned as an audio drama by The Royal Lyceum Theatre, Edinburgh. BothKELI andSPLIT THE AIRwere developed with the support of Creative Scotland and The Space.Development of KELI was also supported by Freedom Festival, Hull. The music forKELI, Split the Air, was originally commissioned by PRS Foundation for the New Music Biennial at The Southbank Centre, and UK City of Culture.
Macrobert Arts Centre, Stirling (preview Sat 10 May); Lyceum Theatre, Edinburgh (previews Tues 13 to Wed 14 May) Thurs 15 to Sat 17 May; Dundee Rep Thurs 22 to Sat 24 May; Perth Theatre Wed 4 to Sat 7 June; Tramway, Glasgow Wed 11 to Sat 14 June 2025.
On social: #KELI
Access info: There will be audio described, captioned performances and touch tours in Edinburgh, Dundee, Perth and Glasgow. There will also be integrated BSL interpreted and chilled performances on offer. All performances will be autism-friendly.
Theatre for a Fiver tickets are also available for 14-to-26 years and those on low-income benefits at the venues above.
Brian Cox (Succession, Braveheart) returns to Scottish stages in a new play by leading British playwright James Graham (Dear England,Sherwood)
The first major artwork to tell the story of Royal Bank of Scotland’s role in the 2008 financial crash
WORLD PREMIERE
A National Theatre of Scotland, Edinburgh International Festival and Dundee Rep Theatre co-production in association with Playful Productions and Neal Street Productions
Make It Happen Written by James Graham Directed by Andrew Panton With Brian Cox
Opening performance of the 2025 Edinburgh International Festival on Friday 1 August 2025, then running until Saturday 9 August. Previewing at Dundee Rep Theatre in late July and at the International Festival on Wednesday 30 and Thursday 31 July.
Make It Happen is an epic new satirical play by acclaimed playwright James Graham, directed by Andrew Panton, Artistic Director of Dundee Rep Theatre. This unique co-production between National Theatre of Scotland, Edinburgh International Festival and Dundee Rep Theatre marks the return of Brian Cox to Scottish stages for the first time in a decade.
The world premiere of Make It Happen opens the Edinburgh International Festival’s 2025 programme of theatre, music, opera, and dance. It runs for a week at the Festival Theatre from 1–9 August, with previews at the International Festival on 30 and 31 July and at Dundee Rep Theatre from late July.
‘There is no such thing – as too big.’
Behold the rise, fall and fail of the biggest bank in the world – The Royal Bank of Scotland.
Helmed by Fred ”The Shred” Goodwin, with his fervent belief in the wisdom of the ‘founder of modern capitalism’, Adam Smith, the once prudent RBS soon plummets, placing Scotland at the heart of the global financial crash of 2008.
Set in Edinburgh, Make It Happen sees legendary actor Brian Cox return to the Scottish stage for the first time in a decade as Adam Smith, the ghost of fiscal past. Written by James Graham (Sherwood, Dear England), hailed as one of the most influential and finger-on-the-pulse writers of our time, and directed by the award-winning Andrew Panton, this bitingly funny new satire delves into the unchecked growth, spiralling greed and nail-biting hubris that brought the world’s economy to its knees.
This fictionalised satire features a mixture of characters and incidents inspired by real-life events, with others entirely imagined.
James Graham, writer, said: “Like many writers, an Edinburgh stage is the first place ever I dared put a full play in front of an audience.
“To be invited to join the prestigious Edinburgh International Festival programme this summer is an honour and a thrill. And to work with the National Theatre of Scotland, the Dundee Rep, and of course – Brian Cox, whom I’ve been desperate to write for for as long as I can remember.
We still live in the long shadow of the 2008 financial crash and our inability to reset from that inheritance and its divisive legacies, so it feels right to be interrogating it artistically. But we hope to do so in a show full of music and story, larger-than-life characters, cheeky humour, and some ghosts from Scotland’s centuries’ long past thrown in as well…”
Andrew Panton, director, said: ”It’s a personal honour and huge responsibility to tell what became a global story that started in the city close to where I grew up.
“Working with an exceptionally talented cast, creative and production teams, I’m excited to be directing this new play, bringing it to audiences at Dundee Rep Theatre and Edinburgh International Festival stages.”
Brian Cox, actor, said: “I’m excited to be doing a play written by James Graham who is such a great writer.
“It’s been a long time since I played in Scotland – it’s good to be back.”
Jackie Wylie, Artistic Director of the National Theatre of Scotland said: “I am thrilled that audiences will get to experience the combined talents of James Graham and Brian Cox, taking on the collapse of Royal Bank of Scotland in this epic new play, directed by the gifted Andrew Panton, produced in partnership with the brilliant institutions, Dundee Rep and Edinburgh International Festival.
“Dealing with seismic global moments that have shaped our national psyche, at the world’s most significant arts Festival is the perfect project for the National Theatre of Scotland and we are truly proud of this special collaboration”
Nicola Benedetti, Edinburgh International Festival Director, said: “We are extremely proud to present a brand-new play by James Graham, ‘Make It Happen’, which will open the 2025 International Festival in August.
“This co-commission with the National Theatre of Scotland and Dundee Rep demonstrates our ongoing commitment to bringing vital Scottish stories to the world stage, and invites us to examine events that took place in Edinburgh but rippled across the globe.
“Illuminating this year’s festival theme ‘The Truth We Seek’, ‘Make it Happen’ exemplifies the level of ambition and thought-provoking work that defines the Edinburgh International Festival. We cannot wait to see you there.”
Paisley born Fred Goodwin was the Chief Executive Officer of the Royal Bank of Scotland Group between 2001 and 2009, presiding over RBS’s rapid rise to become the world’s largest company (by assets) and the fifth-largest bank (by stock market value), and their even more rapid fall in 2008, which coincided with the worldwide economic crisis. Make It Happen is the first major artwork exploring RBS’s role in this tumultuous period in recent history.
‘James Graham is fast becoming the pre-eminent playwright of his generation.’ The Guardian
James Graham is an award-winning screenwriter and playwright, whose recent work includes Dear England (National Theatre of GB and West End) which won the Olivier award for Best Play in 2024 and is currently being adapted into a BBC miniseries.
Other theatre work includes: This House (National Theatre of GB, West End and UK tour), which was chosen by popular vote as the best play of the 2010’s for the major theatre publisher Methuen; Punch (Nottingham Playhouse and transferring to the Young Vic in spring 2025); Best of Enemies (Young Vic, 2022), winner of the Critics’ Circle Theatre Award; Tammy Faye (The Almeida), and Ink (The Almeida), which transferred to Broadway and was nominated for six Tony Awards; Labour of Love (Noel Coward Theatre, 2018) which won the Olivier award for Best Comedy.
For television, James is the writer and creator of Sherwood which first aired on BBC One in 2022 to five star reviews, winning the Royal Television Society Award for Best Drama and two BAFTAS. Other TV includes Brexit: An Uncivil War, broadcast on Channel 4 and HBO, and was nominated for an Emmy for Outstanding Television Movie. His Channel 4 drama, Coalition won the RTS Award for Best Single Drama (2019), and Quiz (ITV and AMC), adapted from his stage play and directed by Stephen Frears, was one of the most watched UK TV dramas of 2020.
Andrew Panton is an award-winning theatre director and currently Artistic Director and Joint CEO of Dundee Rep Theatre. For Dundee Rep, his directorial credits include August: Osage County, The Children, A Christmas Carol, Oor Wullie, Passing Places and Spring Awakening.
He has previously worked with National Theatre of Scotland as director on digital lockdown short Out of the Woods with Alan Cumming and A Sheep Called Skye, and as staff director on the original UK & International tours of Black Watch. He has also directed productions for the Royal Lyceum Theatre Edinburgh, Citizens Theatre Glasgow, Royal & Derngate, Perth Theatre and The Stephen Joseph Theatre.
His recent work includes A History of Paper, which won a Scotsman Fringe First, an immersive production of Peter Greenaway’s The Cook, The Thief, His Wife and Her Lover, and the gig-theatre musical No Love Songs which will transfer to Sydney and New York in spring 2025. Andrew’s work for television includes: Children in Need, The Naked Choir and The Voice (BBC) and he was a creative director for the opening ceremony of the Glasgow 2014 Commonwealth Games.
Brian Cox is an award-winning Scottish actor, known for his work on stage and screen. Born in Dundee, he trained at Dundee Rep Theatre before going on to work at the Royal Lyceum Theatre, Royal National Theatre and the Royal Shakespeare Company where he first gained recognition for his portrayal of King Lear.
His numerous accolades include two Olivier Awards, a Primetime Emmy Award and a Golden Globe Award. Recent entries on his extensive list of theatre credits include Long Day’s Journey Into Night (Wyndham’s Theatre) and The Score (Theatre Royal Bath). His screen work includes Succession (HBO), Braveheart (Paramount Pictures, 20th Century Fox) and Nuremberg (TNT).
Brian returns to Scottish stages for the first time in a decade, last appearing on Scottish stages in 2015 in Waiting For Godot at the Royal Lyceum Theatre. He previously worked with National Theatre of Scotland in 2020 when he played Inspector Rebus in a special digital short, John Rebus: The Lockdown Blues written by Ian Rankin for their lockdown Scenes for Survival series, created in partnership with BBC Scotland.
Creative Team: Set Designer: Anna Fleischle; Costume Co-Designers: Anna Fleischle and Angelica Rush; Movement Director: Emily Jane Boyle; Musical Supervisor and Arranger: Martin Lowe; Lighting Designer: Lizzie Powell; Sound Designer: Tingying Dong; Video co-designers: Lewis den Hertog and Anna Fleischle; Associate Designer: Angelica Rush; Casting Director: Stuart Burt CDG
Supported by Sir Ewan and Lady Brown
Make It Happen is also supported by the Scottish Government’s Festivals EXPO Fund through Creative Scotland.
Previewing at Dundee Rep Theatre (late July); opening at Edinburgh International Festival, at the Festival Theatre, (previews Wed 30 & Thurs 31 July) Fri 1 August – Sat 9 August
It’s been another busy year taking theatre out on the road across Scotland and beyond. Moving memoirs brought to the stage, new twists on Country classics and jaw-dropping dramatic moments.
We have been touring to theatres, schools, community halls, art centres, hospitals, cinemas, libraries and festivals. As well as exhibitions, short films, documentaries, podcasts, residencies and more.
In 2024, we visited 62 venues across Scotland, and beyond.
Here are some highlights of the year from your national theatre…
We kick started the year celebrating young audiences and performers.
Cloud Man by Constellation Points/Ailie Cohen and Lewis Hetherington, presented by Scottish Theatre Producers. Going for Gold: Me and Linford Christie by Victoria Beesley, presented by Catherine Wheels.
Meanwhile Hannah Lavery’sProtestcontinued to inspire youth activism at the Traverse Theatre.
Co-commissioned and co-produced by Fuel, Imaginate and Northern Stage in association with National Theatre of Scotland.
In January we presented work in Edinburgh and toured to schools in Edinburgh, Grangemouth, Coatbridge, Bathgate, Aberfeldy, Dallas, Fort William, Kenmore, Pitlochry, Glasgow, Airdrie and Wishaw with Theatre in Schools Scotland (TiSS).
Cloud Man and Going for Gold continued their TiSS adventures.
“I’ve learnt that anything is possible. If I never came out my comfort zone I’d never have made these memories… Life changing.”
Thank U, Next participant.
We took up residency at Bellahouston Academy with 21Commoners Lucy Gaizely and Gary Gardiner to explore teen lives with a cast of 12-to-16 year olds with the extraordinary Thank U, Next.
A National Theatre of Scotland production in association with Bellahouston Academy, created by 21Common.
National Theatre of Scotland and Selkie Productions, Supported by Screen Scotland and Sky Arts.
We celebrated our 18th birthday!
We toured to Bellahouston and Glasgow, presented work in Edinburgh, Harrogate, London, Cambridge, Colchester, Coventry, Poole and Victoria, Canada and the Netherlands and visited schools in Dunkeld, South Queensferry, Cumbernauld, Grangemouth, Edinburgh, Oban, Dallas, Tain, Lairg, Orkney, Sanday, Westray and Stronsay with TiSS.
“A startling, unique, powerfully honest work.”
★★★★ – The Telegraph
Marc Brew and Sidi Larbi Cherkaoui’s raw and life affirming an Accident/a Life had its UK premiere at Tramway following a presentation in Holland.
A Marc Brew Company and Eastman co-production in association with National Theatre Scotland.
We brought the drama to Rockvilla with the BBC’s Bring the Drama creative careers event.
And we launched Caring Scotland, a wide-reaching nationwide Listening Project, led by artist and foster parent Nicola McCartney, to record the testimony of care-experienced people across Scotland.
A National Theatre of Scotland, Who Cares Scotland and National Library of Scotland project.
And Going for Gold ran its final furlongs with TiSS
In March we toured to Glasgow and presented work in Plymouth, Exeter and Newcastle and visited schools in Dumfries, Langholm, Edinburgh and Glasgow with TiSS.
“Delightfully creative and warming show.”
★★★★ – The Reviews Hub
We shō’ed up for Independent Arts Projects with our support of Shō and the Demons of the Deep, written by Zoë Bullock, adapted from the work by Annouchka Gravel Galouchko and directed by Shilpa T-Hyland, which opened at Platform Glasgow.
An Independent Arts Projects (IAP) production in association with National Theatre of Scotland.
We celebrated surviving Thatcher’s Britain at the Mitchell Library, with Damian Barr and James Ley chatting to our Artistic Director Jackie Wylie as part of the Aye Write book festival.
We launched A Big Map for the Big Yin where we encouraged folks to leave their own homages to Scotland’s most beloved comedian, Billy Connolly.
In April we toured to Glasgow, Aberdeen, Shetland and Tobermory.
“Funny, moving and powerful in equal measure, it’s an expertly told story and it deserves to be a hit.”
★★★★★ – WhatsOnStage
Maggie & Me James Ley and Damian Barr’s epic adaptation of his celebrated memoir, directed by Suba Das took the Tron Theatre, Glasgow by storm.
A National Theatre of Scotland production.
Damian Barr returned to North Lanarkshire for a sell-out event at Motherwell Library.
“A poignant, colourful and hilarious performance.”
★★★★★ – Scottish Field
The mighty Dear Billy – Gary McNair’s love letter to the Big Yin from the people of Scotland returned with a run at His Majesty’s Theatre in Aberdeen.
A National Theatre of Scotland production.
And an Accident/a Life continued to astound audiences at the Steps Dance Festival in Switzerland, visiting Sierre, Bulle and Basel and at the Norfolk and Norwich Festival.
In May we toured to Dunoon, Dunkeld, Melrose, Wick, Dumfries, the Edinburgh International Children’s Festival, Inverness, Perth, Cumbernauld, Dundee, Aberdeen, Glasgow and Inverness and presented work in Switzerland and Norwich.
Damian Barr popped over to the National Library of Scotland to talk about taking his memoir from page-to-stage with Chitra Ramaswamy.
In June we toured to Inverness, St Andrews, Dundee, Northampton, Edinburgh and Manchester.
We invited local people to take to the stage at Springburn Auditorium for a joyous celebration of the North Glasgow region, led by our community artist in residence, Eoin MacKenzie with theNeighbourhood Variety Show.
A performance project by Eoin McKenzie as part of the National Theatre of Scotland’s Neighbourhood Project.
We announced that Kal Sabir was the winner of our South Asian short film commission with his forthcoming short filmKinaara.
And we aspired to get greener by launching the second edition of the Theatre Green Book.
In July we presented work in Glasgow.
The Fifth Steppreviewed at Dundee Rep Theatre, ahead of opening at the Edinburgh International Festival.
“Highly entertaining, often very funny, and sometimes brilliantly tense.”
★★★★ – The Scotsman
We provoked audiences with David Ireland’s sizzling two-hander, directed by Finn Den Hertog, marking a homecoming to Scottish stages for Jack Lowden, alongside Sean Gilder.
A National Theatre of Scotland production.
“this production is absolutely joyous – a truly magnificent story of two remarkable women.”
★★★★★ – Broadway World
We hoe-downed with Grid Iron, for Charlene Boyd’s June Carter Cash, The Woman, Her Music and Me, directed by Cora Bissett which opened at the Edinburgh Festival Fringe enjoying a sold-out run, winning a Fringe First, with a shout out for Parents in the Performing Arts too.
A National Theatre of Scotland and Grid Iron co-production.
Pamela Carter and Stewart Laing delved into the archive and pulled out Extraordinary Trash: A Theatre Essay featuring Adura Onashile as ‘The Archivist’ at the Edinburgh International Book Festival.
Dear Billyended its 2024 World Tour of Scotland and Salford by bringing joy to audiences at the Assembly Rooms during the Edinburgh Festival Fringe.
Meanwhile, over in Glasgow, we headed down the canal to premiere Wonder Lands at Pinkston Gala Day, Roisin McLinden, our community artist in residence’s, film fusing community arts practice and cycling.
In August we toured to Edinburgh, Banchory, Glasgow and Dundee.
June Carter Cash saddled up and hit the road for a sold out tour across Scotland, including opening the Outwith Festival, and ending its journey at Findhorn Bay Festival.
We welcomed Gus Gowland as our first Resident Composer.
In September we toured to Glasgow, Dunfermline, Kirkcudbright, Stranraer, Arran, Oban, Ullapool, Findhorn Bay.
Thank U Next enriched young lives at Cumbernauld Academy with the next troupe of talented young performers taking to the stage at Lanternhouse.
A National Theatre of Scotland production in association with Cumbernauld Academy, created by 21Common.
A National Theatre of Scotland and All the Queens Men project in partnership with Eden Court Theatre and Luminate
We marked Care Experienced Week with a special in conversation event at National Library of Scotland, with artist Juano Diaz and sent our project facilitators around the country to listen and gather testimony from care experienced individuals.
We embraced Gothic horror at Halloween with a special free screening of TheStrange Case of Dr Jekyll and Mr Hyde with a post-show chat from the lead creatives at the National Library of Scotland at Kelvin Hall.
In October we toured to Cumbernauld, and presented work in Glasgow, Livingston, Sweden and Norway.
We paid tribute to the much loved and missed Beldina Odenyo with the powerful Tero Buru at Platform, Glasgow, directed by Julia Taudevin.
A Leah McAleer project, produced by Disaster Plan in association with the National Theatre of Scotland.
We Pushed the Boat Out with our support for new commissions at Edinburgh’s spoken word festival, at the Storytelling Centre.
And we made gingerbread men with pupils in schools across the country as the playful Ginger went on tour with TiSS.
Created by Tortoise in a Nutshell, created in association with Platform and Lyth Arts Centre.
In November we toured to Glasgow and Edinburgh and visited schools in the Isle of Lewis, North Uist, Kinross, Edinburgh, Glasgow, Blackridge, Livingston, Orkney, Sanday, Westray, Stronsay, Shetland, Aberdeen, Bellshill, Cumbernauld and Oban with TiSS.
Jack Hunter and his deeply personal and political One of Two ended its important TiSS tour.
Presented by Independent Arts Projects.
We celebrated Scottish playwriting by supporting Fergus Morgan’s podcast –A History of Scottish Drama in Six Plays featuring NTS shows, Black Watch, Men Should Weep and TheCheviot, The Stag and The Black, Black Oil.
Produced by the Scottish Society of Playwrights in association with Bespoken Media and the Traverse Theatre.
In December, we toured to schools in Tain, Alness and Culloden with TiSS.
A YEAR IN REVIEW
Throughout 2024 we:
Toured to 62 venues across Scotland and beyond
Visited 62 schools with Theatre in Schools Scotland
Added 2 new shows and resources to our Education Portal
Hosted 15 First Nights events connecting with 275 Participants
Delivered 74 accessible performances
Continued to reduce our carbon footprint
Won 3 awards at the UK Theatres Awards, Audio Production Awards and Scotsman Fringe First and were nominated for 12 more!
Please do read our Annual Report and Financial Statement for 2022 to 2023 here.
A standing ovation for the hundreds of actors, creatives, artists, technicians and freelancers that worked with us this year. Full creative credits are available for each project and production via the links above.
With thanks to…
Our funders, friends and followers, our audiences and allies, our participants and partners, our co-producers, cheerleaders and communities.
And all our wonderful donors and supporters.
None of this would be possible without your generosity and goodwill!
We send our thanks to the Board too for their ongoing enthusiasm, guidance and governance.
We are really looking forward to getting out round Scotland in 2025 – our full season will be announced in January 2025.
We hope to see you at your local theatre this year!
With love from all the team at the National Theatre of Scotland.
Written and performed by Martin O’Connor Directed by Lu Kemp
Musical Director and Composer – Oliver Searle, Sound and Video Designer – Rob Willoughby, Set and Costume designed by Emma Bailey and Rachel O’Neill
1 April to 2 May 2025
A Scotland-wide tour opening at Melrose, touring to Glasgow, Edinburgh, Ullapool, Stornoway (Isle of Lewis), Portree (Skye), Dornie (Lochalsh), Cumbernauld, Oban, Helensburgh, Lerwick (Shetland) and Inverness.
Opening Performance at Corn Exchange, Melrose on 2 April 2025
The story of the greatest literary hoax of all time.
In 1760 Scottish poet James Macpherson set the world ablaze with stories of the third-century Scottish bard, Ossian. This tartan-trimmed tale of Highland history spread far and wide, capturing the imagination of thousands– but was it built on a deception?
In 2025 Scottish poet Martin O’Connor decides to revisit Macpherson’s epic and begins to question his own relationship with Scottish culture. The sporrans, the stags, the shortbread – do these ‘gift-shop’ images of Scotland hold us back or bring us forward? What does it mean to be authentic, and is the truth sometimes better told in a lie?
Through The Shortbread Tin is a new show, performed in Scots, with Gaelic songs, which explores Scottish culture, myths, history and identity.
Martin will be joined on stage by three female Gaelic choral singers, singing original songs composed by Oliver Searle.
Audiences are invited to join Martin and Macpherson on an oral odyssey spanning centuries of Scottish history, exploring the myths we tell each other and the stories we tell ourselves.
BACKGROUND TO OSSIAN
In 1760 Highlander Macpherson published Fragments of Ancient Poetry to great critical and commercial acclaim. The poems were collected from oral sources around Scotland and were presented as the work of a third century bard, Ossian, soon dubbed The Homer of the North.
There soon followed two other publications, Fingal and Temora, and together they set the Scottish and European literary world alight. The ‘Ossian effect’ soon saw a rise in interest in Scottish and Highland ways of life and an increase in tourism and cultural interest.
The impact of Ossian was immediate and permanent, even if the individual poems eventually fell out of fashion. But soon after publication, debates over Ossian’s aesthetic and moral ‘legitimacy’ surfaced, which plagued the writer and the impact and legacy of the work.
Martin O’Connor is an award-winning theatre-maker, performer and poet from Glasgow. He is interested in exploring ideas of voice and identity through theatre and poetry, with particular interest in Scots, Gaelic and verbatim. He won Scots Performer of the Year Award at this year’s Scots Language Awards.
He was granted a Gavin Wallace Fellowship in 2018, hosted by Playwrights’ Studio Scotland and the Lyceum Theatre, marking the first stage in his research into James Macpherson and Ossian.
He makes work for solo performance as well as with, and for, other people. He was the National Theatre of Scotland Writer in Residence in 2020. Previous projects include Turntable (MJ McCarthy/Red Bridge Arts), Mark of the Beast (Martin O’Connor/Platform), Togail Nàisean/ Building a Nation (Glasgow Life).
Martin O’Connor, writer and performer said: “I’m looking forward to staging this work after many years of research and development, and I can’t wait to begin working with Lu and the rest of the creative team to tell this story.
“I have been fascinated with the history of Ossian and Macpherson since I started learning Gaelic and since I have rediscovered my Scots voice, and it gave me a jumping off point to explore all things linguistic, cultural and historical about Scotland, and my own upbringing.
“It seems that not many people know about Ossian and Macpherson, the hoax that he created, and the impact that it had on him and wider Scottish culture, so I am very excited to be staging this work and telling this tale at a time when we are still asking big questions about our country and identity.”
Through the Shortbread Tinis directed by Lu Kemp, a theatre director and dramaturg with a distinctive reputation for her work in new writing. Lu was Artistic Director of Perth Theatre between 2016 to 2023.
Her tenure was notable for supporting the creation of new work by Scottish artists and community engaged productions. As a freelance director, Lu has worked for The Citizens, The Royal Lyceum Theatre, National Theatre of Scotland, Artangel, London,The Tricycle, Almeida and The Royal Shakespeare Company.
