Doors Open Days Can Help Us Fall In Love With Edinburgh Again

Over 100 venues across Edinburgh and East Lothian to open their doors for Scotland’s largest free heritage festival

Fall in love with Edinburgh again – that is the challenge to residents as Doors Open Day returns with its most accessible ever programme of events.

The two-day festival on Saturday 26 and Sunday 27 September 2026 will give locals free access to buildings, unique experiences and a new perspective on the spaces and stories that shape Edinburgh and East Lothian.

Coordinated locally by The Cockburn Association, Edinburgh’s civic trust, this year’s event will bring together over 100 venues spanning the length and breadth of the city, and beyond, with a programme ranging from guided walking tours, events for children and young people, novel partnerships, and rare behind-the-scenes opportunities. 

This year’s theme, Heritage at Risk: Revive, Resist, Reimagine, invites participating venues and visitors to explore how Edinburgh’s built heritage is being protected, adapted for new uses, and reimagined for the future.

As the coordinators of Doors Open Days in a region shaped by the pressures of over-tourism, The Cockburn Association believes residents should also benefit from their own city’s cultural landscape, and that engaging with local heritage brings genuine benefits to health and wellbeing.

This year’s festival builds on our digital offerings, making it more accessible than ever and giving residents more ways to take part without leaving their homes. 

Now in its 36th year locally, after beginning in France in 1984. Doors Open Days first arrived in the UK in Glasgow in 1990. It has since grown into Scotland’s largest free cultural festival, with more than 950 venues taking part nationally last year.

Unlike much of Edinburgh’s cultural offer, Doors Open Days is aimed squarely at residents, encouraging people to see their own city with fresh eyes, and it’s FREE.

Stephen Jardine, President of The Cockburn Association, said: “At a time when Edinburgh is under more pressure than ever, it’s easy to overlook what makes Scotland’s capital so special.

“Doors Open Days is a chance for us to encounter the amazing heritage we have all around us. I’d encourage everyone to use it as an opportunity to explore the city with fresh eyes….and to fall in love with Edinburgh again”

Rowan Brown, Director of The Cockburn Association, said: “I’m thrilled that the Cockburn is coordinating part of Scotland’s largest free heritage festival and delighted that it’s set to be our most accessible yet, with something for all ages, interests, and abilities.  

“There is unequivocal evidence that engaging with heritage makes you happier, and healthier, so be kind to yourself, your friends and your family and join in one or, ideally, several, free Doors Open Days events.

“I’m extremely grateful to our Doors Open Days Venue Hosts and Volunteers, my colleagues and our sponsors, the City of Edinburgh Council and the Neilson Family Foundation, whose collective civic spirit is simply inspiring.”

INVITING EVERY PRIMARY SCHOOL CHILD IN EDINBURGH, IN PARTNERSHIP WITH IMPACT ARTS

This year’s festival also includes a landmark initiative to send a Doors Open Days invitation to every primary school child in Edinburgh, extending the festival’s reach to the city’s youngest residents and helping build a lifelong relationship with the city’s heritage from an early age. 

Delivered in partnership with Impact Arts, a Scottish charity established in 1994 that uses creativity to tackle inequalities and transform young people’s lives, engaging communities across almost all of Scotland’s local authorities, the first 10,000 primary school children to attend selected venues on the 26 and 27 of September will receive a free box of Cockburn-branded coloured pencils and a monochrome artwork created by Impact Arts.

Due to a shipment delay, free boxes of Cockburn-branded coloured pencils will be available at some, but not all, participating venues.

Children are then invited to colour in their artwork and submit it as part of a competition, with prizes generously donated by Camera Obscura, Filmhouse, the National Galleries of Scotland and Contini which will be awarded by our President. Competition entries must be submitted by Friday, 9th of October.

Winners will be notified on Monday, 26th of October, ahead of our prize-giving ceremony on Thursday, 12th of November (venue to be announced).

Impact Arts will also host an exhibition at St Michael’s Parish Church, accompanied by a booklet showcasing the artwork and participating venues, available in print and online.

PARTNERING WITH INVISIBLE CITIES

This year’s festival also includes a partnership with Invisible Cities, a social enterprise that trains people with experience of homelessness to become walking tour guides.

The Cockburn Association has funded four tours over the Doors Open Days weekend, giving residents a unique perspective on the city.

PARTNERING WITH THE TRINITY NETWORK

As part of the digital offerings, The Cockburn Association is also partnering with Jill Harrison, a research associate at the Open University and the lead of the Trinity Network to curate an online exhibition on Trinity Apse, one of Edinburgh’s finest medieval structures, and all that remains of a church built in the 1460s for Mary of Guelders, Queen of Scotland.

Built around this year’s Doors Open Days theme, Heritage at Risk, the exhibition revives the story of the apse and its founder, resists their slide into obscurity, and reimagines what the building’s future could hold.

All events are free to attend, but on some experiences, spaces are limited.

The full programme of venues and activities went live on the Doors Open Days website on 31 July 2026, at www.doorsopendays.org.uk.

FLY Festival: Eight arrests following disorder in city centre

Eight people were arrested following disorder in Edinburgh city centre over the weekend.

Officers policing the FLY Festival music event at Princes Street Gardens on Saturday, 12 and Sunday, 13 September, 2026, were faced with a large number of youths attempting to breach the perimeter fencing, involved in anti-social behaviour, vandalism and assaults.

On Saturday, four males, aged 15, 17, 18 and 27, were arrested and charged in connection with offences including assault, breach of the peace and misuse of drugs.

On Sunday, males, aged 12, 18, 18 and 20, were also arrested in connection with similar offences.

Reports will be submitted to the relevant authorities and enquiries remain ongoing into the disorder.

Superintendent Neil Wilson said: “While the majority of people came along to the event in good spirits and without incident, there were others intent on gaining entry without tickets, involved in disorder and violence, and trespassing on the railway line. Bus transport was also disrupted as officers dealt with various incidents.

“This type of behaviour is unacceptable, dangerous and will not be tolerated. Everyone should be able to attend the city centre without fear of intimidation or harm at the hands of those who cannot conduct themselves in an appropriate manner.

“While there have been eight arrests, further enquiries are ongoing to trace others involved in the disorder. I’d appeal to anyone who has information or footage which could assist us to come forward.”

If you can help, please call 101 quoting reference 1161 of Saturday, 12 September, 2026. Alternatively, you can pass information to Crimestoppers anonymously on 0800 555 111.

Edinburgh’s EICC to welcome world’s cycling elite in 2027 for first ever Tour de France start in Scotland

Edinburgh International Conference Centre (EICC), has revealed that it will play a significant role in the operational delivery of the Tour de France 2027 when the world’s biggest cycling race arrives in the UK next year.

Marking the first time in the event’s history that the race has started in Scotland, the Grand Départ will begin in Edinburgh on 2 July 2027 and cover 184km to Carlisle, showcasing Edinburgh and Scotland to millions of spectators worldwide.

Working closely with the Grand Départ GB team, Edinburgh City Council and partners across Edinburgh, the EICC will host the race headquarters and official international press centre for the duration of the Grand Départ in July, while the team presentation will take place at Edinburgh Castle on 30 June.

Adept at delivering complex, high-profile international events at scale, The Tour de France Grand Départ selected the EICC as its race and media hub because of its proven operational expertise, unmatched technical infrastructure and highly experienced team.

The landmark international venue, centrally located in Edinburgh’s Exchange District, has connected people, ideas and industries for over 30 years, welcoming more than 2.2 million delegates across over 5,000 events.

Chair of the EICC board, Councillor Lezley Marion Cameron, said: “The Tour de France Grand Départ in Edinburgh is a historic moment and a huge honour for the city, cementing Edinburgh’s reputation as a world-class events destination, with EICC at its heart.

“We are immensely proud that EICC has been trusted with a significant part of the operational delivery of this most prestigious sporting event, becoming the nerve centre for the race and international media for the duration of the Grand Départ.

“All eyes will be on Edinburgh and the EICC during this time, and the event’s legacy will benefit the city and Scotland’s wider events industry. Bringing this to fruition was a complex collaborative effort between the Grand Départ GB team, the City of Edinburgh Council and our partners across Edinburgh, highlighting the city and EICC’s collective approach to delivering events of this scale and complexity.”

Paul Bush, Managing Director of Grand Départ GB, said: “We are delighted to be working with the EICC’s expert team and to have their world-class facilities to host the race headquarters and press centre ahead of next year’s historic Grand Départ.

“These facilities will be the focus of much of the build-up ahead of stage one beginning in Edinburgh, and there is nowhere better to be at the heart of the city than with the EICC.”

EICC’s infrastructure, technical capability and team will support hundreds of accredited international journalists, photographers and broadcasters for the duration of the Grand Départ, with the press centre’s official launch on Tuesday 29 June 2027.

For more information on the Grand Départ and the route please visit:

https://www.letourgb.com/

City Art Centre showcases most recent additions to Fine Art collection

Gifted: New Acquisitions at the City Art Centre presents a selection of historical and contemporary Scottish artworks recently received as donations and bequests.

The City of Edinburgh’s Fine Art collection charts the history of the visual arts in Scotland from the 17th century to the present day.

Containing more than 5,000 individual artworks, the collection continues to grow every year, with new acquisitions filling historical gaps and introducing contemporary talents. Many of these artworks are generously donated by artists, cultural organisations and members of the public.

Gifted reveals over 50 recent gifts and bequests, ranging from 19th century oil paintings to modern-day artists’ prints. The exhibition explores the stories behind each acquisition, celebrating donors and their important role in developing the Fine Art collection.

Over 40 different artists feature in the new exhibition, including: Victoria Crowe, Agnes Miller Parker, Wilhelmina Barns-Graham, John Bellany, Jessie M. King, Robert Blomfield, David Cass, Gareth Fisher, Tess Glen, Bet Low, Will Maclean, Caroline McNairn, Robin Philipson and Willie Rodger.

Among the highlights are Jessie M. King’s exquisite Art Nouveau drawing Fraunchyse (c.1907), Robin Philipson’s colourful still life Poppies on a Gold Ground (1984), and a group of miniature scenes painted on found objects by contemporary artist David Cass.

Cllr Margaret Graham, Culture and Communities Convener, said: Edinburgh’s art collection tells a remarkable story of Scotland’s creative talent, made possible in large part through the generosity of those who have gifted works to the city.

“From drawing and painting to photography and sculpture, the collection reflects the richness and diversity of Scottish art.

“This exhibition gives residents and visitors the chance to experience works by artists such as Victoria Crowe up close, and to enjoy them completely free of charge.”

Curator Dr Helen Scott (pictured top) said: “Over the last few years, we’ve been really fortunate to receive so many wonderful artworks as donations and bequests to the Fine Art collection.

 “Some pieces have been gifted by artists themselves, while others have been offered by cultural organisations and members of the public. Such generosity allows us to increase the breadth and depth of the collection, sharing artworks in the public domain that might otherwise never be seen.

“Many of these artworks are being displayed here for the first time since their arrival. I’m really looking forward to visitors discovering them, and perhaps even finding a new personal favourite.“

Gifted: New Acquisitions at the City Art Centre opens on Saturday 12 September 2026 and continues until 6 June 2027. Admission is free. 

The Real Mary King’s Close celebrates record-breaking summer

Welcoming guests from over 100 nations, visitors from the US, Hong Kong and Mauritius all flocked the 17th-century site this season.

One of Edinburgh’s leading heritage attractions, The Real Mary King’s Close, has celebrated a record-breaking summer after welcoming 106,477 guests across June, July and August.

Admissions at the historic attraction, located beneath Edinburgh’s Royal Mile, increased by 12% year on year across June and July, with August admissions 6% ahead of the same period in 2025.

The strong performance comes during another busy summer for Edinburgh, as visitors from around the world travelled to the capital during its tourism peak.

The Real Mary King’s Close recorded visitors from more than 100 countries and territories this summer, underlining both Edinburgh’s continued international appeal and growing interest in the city’s hidden history.

The United States was the attraction’s largest identifiable overseas market, with 6,357 visitors, followed by Canada with 1,304 and Germany with 1,037. Strong numbers were also recorded from France, Spain, Australia, the Netherlands and Italy.

Guests travelled from across Europe, North and South America, Asia, the Middle East, Africa and Oceania, including visitors from locations as far afield as Afghanistan, French Polynesia, Samoa, Mauritius and the Cayman Islands.

Paul Nixon, General Manager at The Real Mary King’s Close, said: “Welcoming more than 106,000 guests and achieving a record-breaking summer is a fantastic result for The Real Mary King’s Close and our dedicated team.

“This performance comes against the backdrop of an increasingly competitive tourism market, with visitors understandably more conscious of how and where they spend their money. Our team has worked incredibly hard to achieve these results and ensure that every guest enjoys an experience which offers both quality and value.

“It has been another incredibly busy summer for Edinburgh, and it is encouraging to see visitor numbers continuing to grow. Welcoming guests from more than 100 countries and territories demonstrates the enduring international appeal of the Capital and the appetite for authentic heritage experiences that bring its history to life.

“We are proud to play our part in Edinburgh’s world-class tourism offering and look forward to building on this momentum throughout the remainder of the year.”

For more information about The Real Mary King’s Close and bookings, please visit:

www.realmarykingsclose.com

Brian Cox returns to The Lyceum stage for one night only fundraising event

Brian Cox, legend of the stage and screen, returns to The Royal Lyceum Theatre Edinburgh on Sunday 8 November 2026 for an evening of conversation and stories, looking back on his remarkable life and career so far.

As one of the founding members of The Royal Lyceum Theatre Company in 1965, Brian Cox performed in the company’s first production, The Servant o’ Twa Maisters. Since then, he’s returned to The Lyceum stage in notable productions of The Master Builder (1993), Uncle Varick (2004), and most recently in Waiting for Godot (2015) where he marked the celebration of 50 years of the Company. 

In an extraordinary career, spanning more than six decades, Brian’s journey has taken him from his early years in Scottish theatre to acclaimed roles on stage and screen around the world – including his unforgettable performance as Logan Roy in Succession. His feature directorial debut Glenrothan serves as a love letter to Scotland.

In this one-off event, audiences will have the rare chance to spend an evening in the company of one of Scotland’s most celebrated actors, with a chance to submit their questions for Brian to answer. 

Money raised will go towards supporting the theatre in continuing to provide stand-out productions for Edinburgh audiences year-round and creating vital employment opportunities for creatives across Scotland. 

James Brining, Artistic Director at The Lyceum, said: “Having Brian back on The Lyceum stage is a real treat, not only because he’s one of Scotland’s most celebrated actors, but because he’s played such a significant part in our history. 

Brian’s career is a testament to the power of Scottish theatre in nurturing exceptional talent and to the importance of giving audiences the opportunity to experience the work of Scottish artists through every stage of their creative journey.” 

A limited number of VIP seats are available, which include an invitation to a pre-show reception. Starting at 6pm, the reception will include a welcome drink and a meet and greet with Brian. 

An Evening with Brian Cox is at The Lyceum on Sunday 8 November 2026.

Tickets can be found at lyceum.org.uk.  

PICTURE: David Ho

swim school headline the launch of Westfield St James Quarter 

Designer Charles Jeffrey brings Westfield Days: The Sound of Style to Edinburgh

Rock band swim school headlined a night of live performance, DJ sets and Scottish design at Westfield St James Quarter on Thursday night (10 September), as the centre officially became Westfield St James Quarter with the opening of ten days of cultural programming curated by Scottish designer Charles Jeffrey.

The evening was one of three UK events held on the same night for Westfield Days: The Sound of Style, presented in partnership with the British Fashion Council, with sister events at Westfield London and Westfield Stratford City.

In Edinburgh, guests were treated to a headline set from swim school, a performance from drag act Jonbers, a DJ set from Jungle Hussi with guests piped down to the stage by trans piper, Malin Lewis.

Westfield Days centres around Charles Jeffrey’s Listening Room, an immersive installation built from his own archive and soundscapes, and his PUNK FLEA MARKET, a limited-time shop of archival pieces, accessories and exclusive products. Guests got a first look at both ahead of the wider ten-day programme, which runs at Westfield St James Quarter until 20th September.

Born in Scotland, Jeffrey is internationally recognised for blending design, performance, music and culture into a distinctive creative vision.

Returning home for the takeover, he said: “I’m looking forward to celebrating the people, places and cultural influences that inspire my work, on home turf here in Scotland.

“This is ten days of everything that’s shaped me – the music, the people, the chaotic creativity of it all – and I want Edinburgh to feel like it’s part of that story, not just watching it happen.”

Alice Johnson, singer with swim school said: “Headlining the opening night of Westfield St James Quarter was brilliant, and playing alongside everything Charles Jeffrey’s put together for Westfield Days: The Sound of Style made the night feel like something genuinely different for the city.

“Westfield St James Quarter feels buzzing – and we’re proud to have been a part of the launch.”

Anne Ledgerwood, Estate Director at Westfield St James Quarter, said:“This is what the new chapter for Westfield St James Quarter looks like – bold and built around real creative talent.

“Becoming Westfield St James Quarter is an exciting evolution for this destination, and we wanted the launch to feel like that. Ten days of music, fashion and ideas from Charles Jeffrey, one of Scotland’s most exciting creative voices, is exactly the statement we hoped to make.”

Highlights of the Westfield St James Quarter launch included:

  • An exclusive Listening Room and soundscapes built from Scottish designer Charles Jeffrey
  • The opening of Jeffrey’s PUNK FLEA MARKET, a limited-time shop of archival pieces, accessories and exclusive products
  • A headline performance from rock band swim school, alongside drag performer Jonbers, DJ Jungle Hussi and piper Malin Lewis

Guests to Westfield St James Quarter can experience a full programme of talks, workshops and live performances continuing at each centre as part of the wider Fashion Britain initiative.

Highlights include:

  • Fri 11 Sept, 5.30-6.15pm: Charles Jeffrey LOVERBOY x V&A Dundee: Scottish Fashion in Conversation. Charles Jeffrey and V&A Dundee’s Kirsty Hassard discuss Scottish fashion history, introduced by the British Fashion Council’s Laura Weir. 
  • Sun 13 Sept, 10-11.30am:  Fashion Photography Workshop: Creating the Narrative with Claudius Ricketts. A hands-on session on building a fashion image from concept to shoot, with real models. Ages 16+.
  • Sun 13 Sept, 12-1pm: Love Your Body Dance Workshop with Ivan Blackstock. An energetic Hip Hop-rooted movement session from the choreographer behind Beyoncé’s Brown Skin Girl. Ages 16+.
  • Wed 16 Sept, 2-2.30pm: Talk: Tarot, Fashion & Identity with Jade Mordente. Jade Mordente explores tarot and fashion as parallel tools for self-expression.

Full programme of activity is available to view here.

Edinburgh landmarks shine a light of hope on World Suicide Prevention Day

On World Suicide Prevention Day, 10th September, venues across Edinburgh’s iconic skyline joined landmarks across Scotland in lighting up green to raise awareness of suicide prevention and Samaritans’ charity.

Buildings and landmarks across Scotland united in shining a light on suicide prevention and the support available for people in crisis on Thursday. In Edinburgh, Museum on the Mound, Camera Obscura and the Balmoral Hotel were some of those landmarks shining green, Samaritans’ well-known colour.

Joining the venues were Lerwick Town Hall in Shetland; Discovery Point in Dundee; Stirling Castle, Glasgow Science Centre; the Kelpies; Marischal College and King’s College in Aberdeen.

Samaritans is the charity that prevents suicide through human connection, and this World Suicide Prevention Day, the charity’s message to people in Scotland is that you don’t have to be an expert to save someone’s life. Small, everyday interruptions and actions could help someone who is suicidal by distracting them from their thoughts.

It could be a face-to-face conversation, a phone call, a text or any other way of connecting with someone. It could be as simple as asking someone you’re worried about if they are OK, perhaps making a positive comment on something you notice about them (for example, their shoes or coat), or even giving them something to touch or hold, which can help to distract somebody and help them feel grounded.

For Paul, 45, an unexpected interruption from a taxi driver simply asking if he was OK was all it took to change the course of his life:

“That taxi driver probably doesn’t know the impact he had that day or how much it helped me,” said Paul. “It seems a bit dramatic to say I wouldn’t be here if it wasn’t for that conversation, but that is the reality. It shows that anyone can save a life, just by showing that they care.”

After struggling to balance a high-pressure job and family life, Paul reached crisis point and decided to take his own life. But a passing taxi driver stopped and got out to check on him.

“I had started to feel like I was the root cause of every problem and if I removed myself, then that would fix everything. I felt tired, burnt out and broken. I decided I was going to take my own life.”

“I was crossing the road when the taxi stopped me. I suspect the driver initially thought it was some idiot not paying attention, but he must’ve recognised that something wasn’t right. He got out to check if I was OK and said something like, ‘You need to talk to someone.’”

“So, I called Samaritans. I don’t remember much about that call, but they helped me get through the night. They listened and allowed me to offload. It helped me go to bed and try again the next day.”

A life-saving interruption for Paul, and a reminder that an interruption can make an enormous difference when it matters.

A new survey commissioned by Samaritans revealed that almost three quarters (74%) of respondents in Scotland felt that society is increasingly being designed to avoid interaction, with just over two in five (43%) saying they interact with people less than they did five years ago.

But despite the direction of travel towards less interaction with others, people still place huge value on human connection. 

More people in Scotland say they would prefer to turn to a stranger (50%) than AI (23%) if they needed help – showing that we can all have a role to play in looking out for one another.

It can be difficult to know what to say or do if you think someone may be experiencing a suicidal crisis. Samaritans has put together advice suggested by people with lived experience to help guide others through these moments:

  • Ask them if they’ve felt like this before and what, if anything, has helped them, and then do something they’ve suggested if possible.
  • If you feel able to, stay with them and sit quietly, letting them know you’re there if they want to talk.
  • Do not coerce or force anything on the person. Meet them as they are in that moment.
  • Let them know they are not alone.
  • Let them know that an emotion or thought does not last forever. An emotion or thought does not have to define them. It does not need to lead to a decision they can’t reverse.
  • Ask them what things they care about and what they like.

Samaritans’ Executive Director for Scotland, Neil Mathers, said: “As Scotland glows green on World Suicide Prevention Day, we’re reminded of the power of connection. Each light represents hope, a moment of support, a conversation, and the reminder that Samaritans is here to listen.

“Suicide is preventable. The more openly we talk about suicide, the easier we can make it for people experiencing suicidal thoughts to speak honestly about how they are feeling.

“We’re urging people across Scotland not to be afraid to ask someone if they are feeling suicidal. It can be a difficult conversation, but you don’t need to be an expert or have all the answers. What matters is being there, listening without judgement and showing that you care.”

Every 90 minutes, someone in the UK and Ireland dies by suicide. But suicide isn’t inevitable. This World Suicide Prevention Day, Samaritans is encouraging everyone to be prepared to interrupt if they’re worried someone may be experiencing suicidal thoughts. Find advice on how to start a conversation, listen and support someone at www.samaritans.org/interrupt.

Samaritans provides a vital lifeline for people and communities across Scotland. Our helpline is available for anyone struggling to cope with suicidal thoughts, 24 hours a day, 365 days a year. Anyone can contact Samaritans FREE, any time, from any phone on 116 123, even a mobile without credit. Or you can visit www.samaritans.org.

Court fight launched over West End development

Case “raises bigger questions over Scotland’s planning system”

A COURT of Session challenge has been launched against the Scottish Ministers’ decision to approve a controversial 544-bed visitor accommodation development in Edinburgh’s historic West End.

The Statutory Appeal seeks to have the Scottish Government Reporter’s decision quashed, arguing that serious errors were made in the way the application was considered.

The legal challenge relates to plans to transform four Category A-listed Georgian townhouses at 14-17 Atholl Crescent, within Edinburgh’s UNESCO World Heritage Site, into high-density pod-style visitor accommodation.

Philip Flockhart, conservation architect and spokesperson for the residents, said: “The decision to pursue a Court of Session challenge has not been taken lightly and the legal arguments will now be considered through that process.

“The wider issue, which goes beyond one development, is that this was an exceptionally large and complex proposal and Edinburgh’s elected Development Management Sub Committee never had the opportunity to consider it.”

The application was taken to the Scottish Government after the council’s deadline for reaching a decision had passed, before it had reached Edinburgh’s Development Management Sub-Committee. As a result, locally elected councillors never had the opportunity to vote on the proposals.

Concerns about the way the application moved through the planning process have been raised by elected representatives from across the political spectrum.

In a written response to Cllr Adam Nols-McVey, who raised deep concerns about the situation surrounding the Atholl Crescent development, Cllr Hal Osler, convener of Edinburgh’s Development Management Sub-Committee, said she was “deeply disappointed” that the committee had not been given the chance to determine the application.

She said: “This was an extremely complicated application that required both planning permission and listed building consent. The statutory decision-making timescale for both applications is set at two months.

“Prior to the agent exercising their right to appeal non-determination, the officer sought to agree an extension of time with the agent to allow submission of additional information to support the assessment.”

The case comes amid wider pressure on Edinburgh’s planning system. Council figures show that 2,434 applications, 54% of those determined between August 2024 and July 2026, were decided after the point at which applicants became entitled to appeal on grounds of non-determination.

Residents have stressed that their concern is not with Edinburgh’s planning officers, who are dealing with significant workloads and pressure on resources. Instead, they believe the case raises a wider question about whether the current system gives councils enough time and support to properly consider particularly large and complex applications before an applicant becomes entitled to take the matter to appeal.

Mr Flockhart added: “We have sympathy with planning officers working under enormous pressure. The question is whether the current system gives councils and communities sufficient protection when major applications reach a statutory deadline before local democratic scrutiny has taken place.

“Edinburgh needs investment and it needs places for visitors to stay. This is not about opposing appropriate development or tourism. It is about making sure people can have confidence in how major planning decisions are made.”

More than 280 objections were lodged against the proposals, which were also opposed by all four local ward councillors and the area’s MP, Dr Scott Arthur.

The Cockburn Association previously warned that the development would cause “substantial and irreversible harm”, while the Architectural Heritage Society of Scotland raised concerns about the “scale and intensity” of the proposed use.

Dr Scott Arthur MP said: “I remain deeply disappointed by the decision to approve this development. The scale and 24-hour nature of the proposal raises legitimate concerns around residential amenity, noise, safety and the impact on the surrounding area.

“I respect the planning process and the role of the Reporter, but I continue to stand with residents who have raised serious and reasonable concerns about this development.”

Cllr Claire Miller, Green councillor for the city centre ward, said: “While the planning decision was extremely disappointing, I’m really pleased that the community is pulling together and I’ll be supporting their decision to lodge a Statutory Appeal.

“Our planning system is skewed in favour of developers and so I believe it’s important to support local residents to have their say when it comes to large applications like this hostel and that local decision making is respected.”

Cllr Finlay McFarlane, SNP councillor for the city centre ward, said: “I am certainly impressed at the resolution of the residents that they are continuing to take this forward.

“For them not to have had their say through the planning process is an absolute betrayal and I wish them well.”

Cllr Jo Mowat, Scottish Conservatives councillor for the city centre ward, said: “It is disappointing that residents are having to take the further action in this matter but encouraging that they are now able to make their case legally.

“Such decisions are best made locally, not by distant bureaucrats, and this whole episode epitomises the much wider issue of local democracy and planning reform which the Scottish Government urgently needs to address. ”  

Liberal Democrat spokeperson and former City Centre councillor Charlie Dundas, said: “My main concern is the by-passing of local democracy by going straight to the national reporter.  Local voices need to be heard and the Council should be able to do its job. This feels like a loophole which needs to be closed.”

Among the further issues raised in the Statutory Appeal is the scale of the development itself. Although the proposals have consistently been presented as providing approximately 544 beds, the appeal argues that the planning permission contains no restriction on the number of beds or pod units which could ultimately be provided.

The Reporter concluded that the number of beds within a Class 7 hotel could not be controlled through the planning process. The appeal argues that conditions restricting the number of beds, pods and rooms containing pods could have been imposed and that without them there is no restriction on the development’s overall bed capacity.

Jocelyn Cunliffe, of the Architectural Heritage Society of Scotland, said: “This case raises a wider question about whether Scotland’s planning system is equipped to protect historic buildings and local communities when dealing with increasingly intensive uses.

“If the number of beds cannot be controlled through the planning process, it is reasonable to ask how the intensity of use of a historic building can be properly assessed and managed. That is an issue which goes far beyond Atholl Crescent.”

The appeal also raises questions about the assessment of the impact on nearby residents and refers to previous decisions involving much smaller short-term visitor accommodation proposals in the surrounding area.

It additionally argues that the Reporter considered the expired 2017-2022 World Heritage Site Management Plan rather than the current 2025-2035 plan, as well as raising questions over the assessment of infrastructure contributions towards Edinburgh’s tram network.

The Statutory Appeal asks the Court of Session to consider a series of questions of law, including whether the Reporter erred in law, failed to have regard to material considerations, failed to interpret development plan policy properly and whether the decision should be quashed.

Step forward for Princes Street and ‘Waverley Valley’ as design approach is agreed

‘AMBITIOUSLY PRAGMATIC’?

Councillors at yesterday’s Planning Committee have voted in favour of an ‘ambitious pragmatic’ option for the development of Princes Street and Waverley Valley.

Plans incorporate a range of enhancements to Princes Street, the Gardens and surrounding area, including:

Improved accessibility

  • Widened pavement by 1.5m at the southern footway of Princes Street, with new high-quality stone pavement installed – reducing congestion for those walking and wheeling
  • Improved accessibility for Princes Street Gardens with new ramps or potentially lifts installed
  • Upgrade and refurbishment work to the Ross Bandstand and amphitheatre – making it more accessible to meet the needs of audiences and performers

New features and facilities

  • Shelters in Princes Street gardens repurposed for use as small cafes and potential community use
  • New or improved public toilets and drinking fountains installed
  • Princes Street Gardens extended opening hours, with new lighting to highlight the cityscape
  • New landscaping to include public seating and rest points 

Transport efficiency

  • A new cycle hub at Waverley Station with safe cycle access and improved cycle parking along Princes Street
  • Narrowing of the carriageway at the south side to make more space for walking and wheeling, maintaining it as two lanes in each travel direction for bus and tram services
  • Potential introduction of a new bus gate at the east end of Princes Street as part of measures to reduce congestion and delay along the thoroughfare

The design approach is based on the outcome of discussions at a workshop in June where Councillors, officers and representatives from partner organisations including Historic Environment Scotland, Lothian Buses and Edinburgh Trams, Edinburgh Chamber of Commerce, Essential Edinburgh, Network Rail and Edinburgh Access Panel, among others, met to hear proposals and share feedback.

Individual project plans including designs and costs for the works will be taken forward at Transport and Environment, and Finance and Resources committees.

The option being taken forward is aligned with current approved Council strategies and plans, supporting delivery of adjoining projects and the existing transport network.

It was also agreed that a revised Princes Street and Waverley Strategy will come back to Committee in early 2027.

Planning Convener, Cllr Joan Griffiths, said: “Princes Street is already going through considerable change and improvement, attracting millions pounds of new investment – but we know there’s still more to be done.

“The way forward we’ve agreed today is a positive step forward – and my thanks to officers for their hard work in getting us to this point. This is a sensible and pragmatic approach that takes on board much of what we heard during the public consultation, particularly around improving accessibility.

“Crucially, this differs from previous plans in that it is affordable and deliverable, and we have the resources to take forward these improvements immediately.

“I have no doubt these changes will improve how residents and visitors experience Princes Street and the Gardens and look forward to seeing these plans develop further in the future.”