Plus new Kick Off Concert, return of community tickets and free events at the Ross Bandstand
Free tickets to be distributed to communities across Edinburgh and Lothians
Edinburgh’s Winter Festival producers Unique Assembly have today announced software management company Halo as new title sponsor of both Edinburgh’s Christmas & Edinburgh’s Hogmanay events.
The partnership will see Halo visible throughout Edinburgh’s festive celebrations, lighting up the capital and presenting a brand-new Kick Off Concert to start next month’s festivities, plus the return of a free programme of events at the Ross Bandstand.
The inaugural free Edinburgh’s Christmas Kick Off Concert at the Ross Bandstand on 14 Nov marks the beginning of seven weeks of Edinburgh’s Christmas with Halo celebrations and will be headlined by the bagpipe supergroup Red Hot Chilli Pipers.
The concert, supported by new headline partner Halo, kickstarts the programme of free community focussed and family-friendly events at the Ross Bandstand, spanning five weekends across the Christmas season.
The Ross Bandstand Programme will also include Edinburgh’s Christmas supporting Edinburgh Diwali to deliver Diwali celebrations on Sun 15 Nov, Light Night on Sun 22 Nov, a weekend of St Andrew’s Day celebrations on Sat 28 & Sun 29 Nov complete with free outdoor ceilidh, and the Santa Fun Run and Santa Paws in aid of charity partner When You Wish Upon a Star on Sun 6 Dec, plus much more…
Edinburgh’s Winter Festival welcomes Halo as the event’s new headline partner, allowing Edinburgh’s Christmas and Hogmanay to join the line-up of Scottish events supported by Halo, including Scottish Rugby and the Scottish FA, as Halo commit to supporting large scale sporting and cultural events across Scotland.
On joining Edinburgh’s Christmas and Hogmanay, Halo said: “Edinburgh’s Christmas and Hogmanay is one of the great winter celebrations in the world, and we’re proud to be part of it.
“Founded in the Highlands, Scotland has always been special for Halo, and through our sporting partnerships that connection is as strong as ever. We believe in supporting the moments that bring people together, and there are few bigger than Hogmanay in Edinburgh, welcoming locals and visitors from every corner of the globe. We can’t wait to see the city light up this winter.”
Also announced today, Edinburgh’s Christmas community tickets initiative is back after a hugely successful year in 2025. Giving out tickets to community groups across Edinburgh and the Lothians, the community initiative offers free tickets to attractions including the LNER Big Wheel, Family Ice Experience with Icelandair, Around the World Star Flyer and much more.
Applications for community tickets are open now, Tue 20 Oct and close Wed 04 Nov. The Community Tickets initiative is intended to give back to the communities that host Edinburgh’s Christmas, and supports tickets for free-to-attend community-funded outreach groups and charities in and around Edinburgh.
Edinburgh Christmas, West Princes Street Gardens, Santa Stories, Lightnight Concert
On the community tickets initiative, Unique Assembly said: “We’re delighted to announce the return of our Community Tickets initiative, this year supported by our new headline partner Halo.
“We’re thrilled to be able to give back to the communities that host us, and to give out festive treats to those who need it most!”
Edinburgh Christmas, West Princes Street Gardens, Santa Stories, Lightnight Concert
Council Leader Jane Meagher said: “It’s fantastic to see another event being added to an already packed festive programme, giving people even more to look forward to as the festive season gets underway.
“With tickets being made available to local communities and charities, I’m delighted that more residents will be able to experience the magic and atmosphere of Edinburgh’s Christmas.
“It’s also a lovely way to recognise and thank the organisations that make such a positive difference to people’s lives throughout the year.
“I’d encourage community groups and charities to put forward an application and take advantage of this opportunity.”
The full Ross Bandstand programme can be found on edwinterfest.com with more events still to be announced.
A cargo bike carnival in the Meadows on Sunday launched a report about cargo bike use across Edinburgh, and the importance of bike libraries, hubs and other lending schemes for normalising cargo bike use across the city and the country.
Organisers hope that the biggest gathering of cargo bikes in Edinburgh ever, will meet on the Meadows for games, stalls, a play about the history of the bicycle, and a mass bike ride.
Cargo bikes combine the relatively low environmental impact of cycling with greater carrying capacity and practicality. By enabling the transportation of loads that would be difficult to carry by conventional bicycle, including children, shopping, and equipment, they can play an important role in reducing car use.
These cargo-carrying electric bikes are currently most popular amongst families with young children as they are a fun and practical way to carry children and their stuff from school to club to family outing in a fast and easy manner. They have become a much more common sight out and about in Edinburgh in the last few years.
The Scottish government had a target of a 20 per cent reduction in car kilometres by 2030 which is currently being revised. At the moment, it is off track to meet such a target – so anything that encourages a move away from private car use is valuable.
The report: ‘Carrying change: Unlocking the potential of cargo bike use in Edinburgh and the Lothians’ focuses on the different uses people have made of cargo bikes hired from the various bike libraries and hubs across the city.
It suggests how the government can support the city-wide growth in cargo bike use by taking inspiration from schemes and infrastructure development in other European cities.
Lothians Cargo Bike Network is a newly formed informal coalition of organisations that hire out cargo bikes.
Data from this group was used to write the report that has been funded by the cycle campaign organisation Spokes.
The coalition have worked together to organise Sunday’s family day out in the Meadowsand are encouraging cargo bike owners to attend and enter the ‘best dressed car.
Sasha Taylor, Bike Station CEO said: ‘Cities across Europe demonstrate how cargo bikes can be part of the solution to sustainable travel in our cities. This report has been written to capture where Edinburgh is compared to other cities and sets out recommendations to realise the potential of cargo bikes in our city.
As proud custodians of Cargo Bike Movement’s mission and vision, The Bike Station is one of many local groups providing cargo bikes within our city. This report was compiled by Calum Glen, Impact and Data Officer for The Bike Station.’
Carol from Banzai Bikes – a cargo bike library in Bruntsfield said: ‘The Cargo Bike Carnival was a fun event showcasing all the different ways cargo bikes are being used across Edinburgh right now, by families, small businesses and community organisations.
“The versatility of cargo bikes and the incredible variety of loads, equipment and of course passengers that can be transported will surprise people! As well as trying the bikes you can take part in lots of fun activities including bike games, performances, a circus bike and a big bike ride, and find out about bike lending schemes across the city.’
Jane from Porty Community Energy, that has a cargo bike library on Porty prom said: ‘Our cargo bike library on the prom is very well used throughout the year, most commonly by families looking for a fun day out.
“Hiring out a cargo bike offers a fun alternative to an outing in the car with so many great cycle routes away from the roads now available in Edinburgh. It’s great exercise, and good for every family’s health and well being.
“We have had such good feedback from our library, that we think it’s a no-brainer that government funding should be used to support such schemes’
A special charity dinner and ceilidh in Edinburgh this November will bring together two organisations with a shared ambition: giving children, young people and families the support they need to build brighter futures.
The Charity Dinner and Ceilidh in aid of Pregnancy Counselling & Care Scotland (PCCS) and Scran Academy will take place at Greyfriars Charteris Centre,138–140 Pleasance, Edinburgh, on Friday 20th November, from 6.30pm to 10.30pm.
The evening will combine a Scottish-themed two-course dinner prepared by young people from Scran Academy with live music from The Sensational Jimi Shandrix Experience, raising funds for two charities whose work complements each other in a uniquely powerful way.
PCCS supports people at the very beginning of the journey providing practical and emotional support during pregnancy, early parenthood and times of loss. Its Baby Bank provides essential items and equipment for babies and children up to the age of two, while its counselling service supports people experiencing challenges around fertility, pregnancy, birth, loss and early parenthood.
Scran Academy picks up the journey as those babies turn into young people, supporting those aged 11–25 who may face barriers to success. Through food and cooking young people develop confidence, practical skills, qualifications and meaningful work experience, helping them engage in education, employment and greater independence.
It is this connection that makes the two charities such a natural partnership.
“Together, PCCS and Scran Academy represent support at two crucial ends of a young person’s journey, from giving babies the best possible start and helping families through the early years, to supporting young people as they develop the confidence, skills and opportunities they need for adult life.” – Lucy Aitchison CEO of PCCS and Will Bain, CEO of Scran Academy.
PCCS has supported individuals and families across Edinburgh and the Lothians for almost 50 years. Its Baby Bank helps families facing financial hardship and other challenges to access essentials for their babies and young children, while its counselling service provides a safe, non-judgemental space at some of life’s most difficult moments.
Scran Academy takes a similarly holistic approach to young people. Its youth-led catering social enterprise uses food as a vehicle for learning, development and opportunity. Young people are involved in preparing food, running catering operations and developing their skills, gaining experience that can help them take their next steps in education, training or employment.
The result is a partnership that tells a bigger story about what communities can do when they invest in people from the earliest stages of life through to adulthood.
The fundraising ceilidh will also put that ethos into practice, with Scran Academy’s young people preparing the evening’s Scottish-themed meal demonstrating first-hand the skills, confidence and opportunities that support from the charity can create.
The event is an opportunity not only to raise vital funds, but also to celebrate community, food, music and the belief that everyone deserves the chance to thrive.
Guests are invited to bring their dancing shoes and enjoy an evening of food, live music and community spirit. The event is BYOB and there will also be a raffle on the night.
With the National Health Service under intense financial pressure, leading healthcare directors and academics debate over whether access to medical care should depend on personal lifestyle choices.
TONIGHT – Monday, 12th of October, the Edinburgh Union will host its next debate of the term on one of Britain’s most urgent healthcare and ethical questions with the motion: This House Would Prioritise NHS Patients With Healthy Lifestyles.
Under increasing financial strain, the National Health Service faces pressure concerning resource allocation. The proposition that patients should take accountability for their health, such as losing weight or quitting smoking, has raised concerns over medical ethics.
However, the widening gaps in health outcomes and equality make the question of healthcare rationing and patient responsibility more urgent than ever.
The debate brings together a panel of healthcare leaders and academic experts.
Arguing for the proposition to prioritise patients with healthy lifestyles is Dr Shaun O’Connell, Former Joint Medical Director at the Vale of York CCG, who implemented a controversial 2016 policy asking obese patients and smokers to lose weight or quit cigarettes at the risk of delays to routine operations.
On the opposition, he will face Jonathan Pugh, Deputy Director of the Uehiro Centre for Practical Ethics at the University of Oxford, and Richard Cookson Professor for the Centre for Health Economics at the University of York.
This event will take place in Rainy Hall at New College, with doors opening at 6:30 pm and the debate commencing at 7 pm. Continuing with Edinburgh Union tradition, audience members will have the opportunity to challenge guest speakers and deliver speeches during the debate.
Euan Morgan, President of the Edinburgh Union, said:“The question of NHS resource allocation is central to the future of the United Kingdom’s healthcare system.
“By bringing the architect of one of the UK’s most controversial health policies face-to-face with medical ethicists, we are providing the rigorous debate the Edinburgh Union was built for.
“We are pleased to offer students the floor to challenge these experts in order to engage with a policy issue that impacts every citizen.”
Protecting the Past. Securing the Future. Sustaining Scotland’s Cultural Life.
Securing a future for the arts at Summerhall
Summerhall is far more than a building. It is a distinctive cultural and community asset in Edinburgh, a home for artists and audiences, and a place where creativity, innovation and collaboration thrive.
Its contribution to Edinburgh and Scotland’s cultural identity, creative economy and international reputation must be fully understood and recognised in any plans for its future.
Summerhall Arts wants to remain at Summerhall and will support a viable proposal that secures our future and enables us to continue delivering our year-round programme of arts and cultural activity.
Our ambition is to see Summerhall continue as a thriving cultural destination, protecting the building’s unique character while enabling its artistic contribution to grow. We recognise that any future proposal must be financially realistic and operationally sustainable.
For Summerhall Arts, viability also means having sufficient affordable, appropriate and usable space to continue supporting and nurturing the wider community, artists, presenting work and engaging audiences throughout the year.
Why Summerhall Arts matters
Supported by Creative Scotland multi-year funding, Summerhall Arts has established itself as a leading supporter of the arts in Scotland, both locally and nationally. Building on Summerhall’s legacy of diverse performance and exhibitions, Summerhall Arts has developed new and exciting professional artist development opportunities for emerging and established artists.
Our work extends beyond presenting performances and exhibitions. We provide opportunities for artists to develop their practice, support new creative work and contribute to a wider ecosystem of festivals, theatres and cultural organisations across Scotland and beyond.
The 2026 Edinburgh Festival Fringe showcased Summerhall Arts’ international significance, featuring work from 24 countries and a record-breaking number of award-winning shows and audience numbers. This reflects the importance of Summerhall as a cultural destination that connects Edinburgh with artists, audiences and creative communities from around the world.
The spaces within Summerhall are central to this work. Their individual character, facilities and flexibility enable a diverse programme of artistic activity that would be difficult to replicate elsewhere. Any plans for the future must fully recognise the relationship between the building, its spaces and the cultural activity they make possible.
What does a viable future look like?
We want to work constructively with AMA to help establish a viable, sustainable future for the arts at Summerhall.
For Summerhall Arts, this means securing enough affordable, appropriate and usable space to continue delivering our year-round programme successfully. It means ensuring that the practical needs of artists, performances, exhibitions and professional development are properly understood and reflected in future plans.
We believe there is an opportunity to develop a model that combines appropriate investment in the building with a sustainable programme of arts and cultural activity and community spaces. Achieving this requires a full understanding of the existing spaces, their cultural significance and their role in supporting the site’s activity.
Summerhall Arts is ready to contribute its experience and knowledge to this conversation. We want to be part of a constructive process that recognises the realities of developing a viable proposal while protecting the cultural purpose that makes Summerhall so important.
Repair, not demolish
We are concerned that the current plans appear to earmark some of Summerhall’s most distinctive spaces for demolition. These spaces are not simply parts of a building. They are integral to Summerhall’s identity, character and cultural offer. Their loss would have implications for the arts activity that takes place across the site and for the wider experience of artists, community and audiences.
We believe the potential for repair, renovation and continued cultural use deserves serious consideration as part of the search for a viable long-term solution.
Preserving Summerhall does not mean preventing change. It means recognising what makes the site special, understanding the value of its existing spaces and exploring how they can be maintained, adapted and used sustainably for the future.
Edinburgh’s reputation as the world’s festival city rests in part on distinctive cultural spaces such as Summerhall. Protecting these places helps sustain the city’s cultural identity and its ability to attract artists, audiences and visitors from across the world.
Have your say: help shape Summerhall’s future
The consultation is an important opportunity to ensure that the cultural significance of Summerhall and the needs of Summerhall Arts are properly understood by AMA as it develops its plans.
We encourage artists, audiences, cultural organisations, supporters and everyone who values Summerhall to participate. Please explain what the site means to you, why its spaces matter and why retaining an established thriving arts presence should be central to its future.
Your feedback can help demonstrate that Summerhall’s value extends far beyond the property itself. It is a cultural and community asset that supports artists, engages audiences and contributes to Scotland’s artistic life, locally, nationally and internationally.
We want to be able to count on your support not only during this consultation, but throughout the future stages of the process. A strong collective voice can help ensure that the search for viability fully considers the cultural activity the site supports and the space required to sustain it.
To view the current plans and submit your feedback, visit the consultation website:
We believe Summerhall can continue to be a place where artists create, audiences discover new work and Scotland’s cultural reputation flourishes.
With a shared commitment to finding a workable solution, there is an opportunity to protect the site’s distinctive character while securing its continued contribution to cultural and community life.
Sam Gough, CEO of Summerhall Arts, says: “Whilst our intention is to remain here and work with AMA to continue the provision of arts within Summerhall, the future space needs to be viable, and we are hopeful that the plans will provide that.
“We are encouraging all those who love Summerhall and its spaces to contribute to the consultation, to help the developers understand how important they are to what makes this already thriving arts centre what it is.
“At the moment, I have not seen anything that demonstrates this.
“So many of the beautiful, special parts of Summerhall, such as the historic Anatomy Lecture Theatre, the unique Dissection Room, Tech Cube 0 and the ever-so-wonderful Royal Dick pub, are earmarked for demolition.
Our message is ‘repair, not demolish’. Edinburgh’s name as the world’s festival city rests partly on places like Summerhall. Developers, like arts organisations, are remembered for what they leave behind, and I would much rather AMA be remembered as the owner who protected it.”
Summerhall is an asset to Edinburgh and to Scotland.
We want to work towards a future that protects its cultural and community spaces, sustains the arts, health and wellbeing and enables Summerhall Arts to continue its work for generations to come.
Producers of Edinburgh’s Hogmanay on behalf of the City of Edinburgh Council, todayannounced a feast of spectacular events taking place across the 4-day festival, including the return of the iconic Torchlight Procession to welcome the arrival of 2027.
Plus, new for 2026, Edinburgh’s Hogmanay will present a programme of music, comedy and events in McEwan Hall including Scots trad stars Blazin’ Fiddles, Julie Fowlis and Karen Matheson, as well as the return of ‘Muckle Be The Light’ with Michael Pedersen welcoming Charlotte Church, Gordon Buchanan and more for a special in-conversation and music New Year’s Day event.
Torchlight Procession plus Edinburgh Hogmanay Festival Club shows at McEwan Hall on sale from 12pm Friday 9 October – viawww.edinburghshogmanay.com.
On Tuesday 29 December, the Torchlight Procession, supported by presenting partner VisitScotland, will once again light up the capital to kick start New Year celebrations around the world, whilst raising over £25,000 for charity.
An annual sell-out which welcomes 15,000 participants and 10,000 spectators to Edinburgh’s historic Old Town, £2 from each torch and £1 from every procession ticket sold is donated directly to the charities making a difference across Edinburgh and Scotland, this year including: One City Trust,When You Wish Upon A Star, My Name’5 Doddie & Street Assist.
Renowned for kicking off New Year celebrations around the world, the Torchlight Procession supported by presenting partner VisitScotland, marks the start of four days of festivities in Scotland as a river of fire is weaved through Edinburgh, with torches carried by residents and tourists alike.
Gathering in The Meadows, guests will enjoy a host of entertainment from live street theatre to fire performers and drummers and music, with Shetland’s South Mainland Up Helly Aa’ Jarl Squad Vikings and pipe bands guiding the crowds throughout the city.
Rob Dickson, Director of Industry and Events at VisitScotland, said: “The Torchlight Procession is such a special event, and we’re thrilled to support it once again. Hogmanay is a defining moment in Edinburgh’s winter calendar, bringing communities and visitors together to celebrate the new year while showcasing the city’s rich culture and traditions.
“Edinburgh’s Hogmanay forms part of a wider portfolio of events and festivals aimed to attract visitors across the winter season, helping to support Scotland’s development as a year-round destination.”
Councillor Margaret Graham, Culture and Communities Convener, said:“The Torchlight Procession is always a striking sight as thousands of people make their way through the city’s streets – it’s a real highlight of the festive period.
“It also raised vital funds for four wonderful charities and has become a firm favourite with residents and visitors alike. I’m sure it will once again be a great way to star Edinburgh’s Hogmanay celebrations.”
Plus, new for 2026’s celebrations, Edinburgh venue McEwan Hall will transform into the Edinburgh’s Hogmanay Festival Club to host a range of live Scottish music, comedy, ceilidh and in-conversation events across the festival.
The iconic Old Town venue will host celebrations including a new Torchlight Procession Opening Event on 29 December, featuring a showcase of Scotland: award-winning Scottish fiddle band Blazin’ Fiddles, Pipe Bands, and the South Mainland Up Helly Aa’ Vikings warming-up audiences ahead of the Procession.
Following the Torchlight Procession revellers can return to McEwan Hall for a rousing Opening Night Concert where one of the most celebrated and best-loved acts of the Scottish music scene Blazin’ Fiddles host a night of high-energy music along with special guest vocalist Karen Matheson; lead singer of Capercaillie and one of Scotland’s foremost Gaelic singers, who will join the fiddle band for a storming night of music.
On Wednesday 30 December at McEwan Hall, multi-award-winning singer and musician Julie Fowlis & Band will be visiting Edinburgh’s Hogmanay, comprising of musicians Éamon Doorley,Michael McGoldrick, Tony Byrne and Duncan Chisholm. 2026 has seen Julie celebrate 25 years as a professional musician, and look back on 21 years since her first album Mar a Tha Mo Chridhe (As My Heart Is). Deeply influenced by her upbringing in the Hebrides and Highlands, Julie has become one of Scotland’s most celebrated cultural voices.
Julie Fowlis said: “It’s always a joy to be in our capital city, but it’s particularly special to be performing as part of our world-famous Hogmanay celebrations. Come along and join us!”
Closing the Edinburgh’s Hogmanay celebrations in McEwan Hall is the return of last year’s sell-out event ‘Muckle Be The Light’ on New Year’s Day.
Join Edinburgh’s Makar (Poet Laureate) Michael Pedersen and an all-star cast of guests for a cultural chat show come performance extravaganza. This lustrous mix includes: multi-million selling musical artist, activist, Welsh icon, and steward of the land, Charlotte Church. Plus double Sunday Times bestselling author and poetry superstar, Hollie McNish. With a serving of wildlife royalty, care of prize-winning TV presenter and camera man extraordinaire, Gordon Buchanan MBE.
Expect an exceptional evening of blether, songs & brawness to start 2027!
In addition to the Torchlight Procession, Edinburgh’s Hogmanay will host The Fratellis and special guests at the Night Afore Party on 30 December in West Princes Street Gardens.
In a first for the ‘Home of Hogmanay’, a special Midnight Moment will be designed to a live soundtrack by Underworld from West Princes Street Gardens on 31 December, featuring the world-famous fireworks from Edinburgh Castle, spectacular lights and projections to create an unmissable moment for 50,000 partygoers as they welcome in the New Year.
Produced by Unique Assembly on behalf of the City of Edinburgh Council, Edinburgh’s Hogmanay culminates on New Year’s Day with a free and ticketed programme of music across the city at First Footin’. Amidst the celebrations are outdoor concerts, indoor ceilidhs, comedy shows and traditional Scottish celebrations for kids and families.
Tickets for Torchlight Procession priced from £22 including torches, booking fees and charity donation, Hogmanay Festival Club @ McEwan Hall tickets priced from £27.50 including booking fees and Muckle Be The Light priced from £27.50 including booking fees – available at www.edinburghshogmanay.com from Friday 9 October.
Tickets for Hogmanay in the Gardens, headlined by Underworld, the world-famous Edinburgh’s Hogmanay Street Party and more are on sale via www.edinburghshogmanay.com.
Hogmanay in the Gardens tickets priced from £79.00 including booking fees & £1.00 charity donation.
Edinburgh’s Hogmanay 2026/7 is supported by Principal Funding Partners City of Edinburgh Council and Major Event Partners the Scottish Government’s Festivals EXPO Fund through Creative Scotland, and VisitScotland, all working together to create spectacular Edinburgh’s Hogmanay celebrations for Scotland.
A public consultation is now underway on proposals to secure the future of Summerhall, Edinburgh’s landmark arts venue, as developer AMA sets out an emerging vision to secure the site’s future.
Residents, businesses, artists and community groups can review the proposals and provide feedback on plans for Summerhall from Tuesday 29 September until Friday 23 October.
sculpture at Summerhall
A public drop-in event will be held at Summerhall tomorrow – Wednesday 7th October, from 3pm to 7.30pm, where visitors can view the plans, meet the project team and ask questions.
Since the Royal Dick Veterinary College left in 2011, Summerhall has become a home for artists, performers, creative organisations and small businesses. The site now faces significant financial and physical challenges, and needs substantial investment to secure its long-term future.
Having entered into a contract to acquire Summerhall from Oesselmann Estate Limited in April 2025, Edinburgh-based AMA is developing a vision together with Kettle Collective architects for an Arts Quarter at Summerhall. The plans seek to retain the site’s cultural role while bringing new activity and investment to the wider complex.
The emerging proposals include retaining and sensitively adapting key heritage buildings, improving pedestrian access through the site and enhancing its public spaces. A wider mix of uses is also being explored to help support Summerhall’s long-term sustainability.
The proposals have been informed by pre-application discussions with the City of Edinburgh Council. Its advice recognises the potential for a mixed-use development that retains arts and community uses, and welcomes the proposed retention and use of the majority of the site’s listed buildings.
It also identifies improved accessibility and energy efficiency as potential benefits, while stressing the need for sensitive design within Summerhall’s heritage and conservation setting.
A January 2026 review by the Edinburgh Urban Design Panel also recognised the site’s complex history. Once home to a brewery and two churches, Summerhall became the Royal Dick Veterinary College in the early 20th century.
Later additions include modernist buildings constructed between 1967 and 1971, among them its distinctive tower. The site sits within the South Side Conservation Area, close to The Meadows.
Dr Ali Afshar, co-founder and managing director of AMA, said: “Summerhall is an important part of Edinburgh’s cultural life. We know how much it means to the people who work here, visit and live nearby. We also know that significant investment is needed to address the challenges facing its buildings and secure its future.
“Our vision for an Arts Quarter builds on what makes Summerhall special. Art and culture will remain at its heart, alongside sensitive work to its heritage buildings, better access through the site and a mix of uses that can support it for the long term.
“Summerhall’s character comes from the many different chapters of its history. We want to respect that history while making the site more welcoming and accessible. This consultation is a chance for people to tell us what matters to them, and their feedback will help inform the proposals before we submit a planning application at the start of 2027.
“We hope the existing management team will continue its stewardship and day-to-day running of the Arts Quarter and associated commercial spaces following redevelopment, within modernised buildings offering greater flexibility.”
The consultation is open until Friday 23 October. Plans can be viewed and feedback submitted at www.summerhallconsultation.co.uk.
A further public engagement event will be held in due course, with details announced ahead of time.
From early-stage development and residencies to award wins, national tours, festivals and international collaborations, Summerhall Arts’ year-round support is helping artists build the work that drives Scotland’s cultural life
Following a hugely successful Edinburgh Festival Fringe, with eight Scotsman Fringe First Award wins, more than 65 five-star reviews, over 180 four-star reviews and increased visitor numbers across its performance and visual arts programme, Summerhall Arts is highlighting the vital year-round artist development work taking place at its Edinburgh base.
While August provides a high-profile showcase for the work developed at Summerhall, the organisation’s support for artists continues throughout the year. To date, Summerhall Arts has supported more than 400 artists, delivered 48 Summerhall Surgeries, provided 35 paid development spaces, held 40 Exhibitions and supported artists through its Studio programme, residencies, commissions and partnerships.
This work provides artists with space, financial support, rehearsal and development opportunities, creative feedback and connections with audiences and industry professionals, helping early ideas develop into work that can go on to Scotland’s festivals, theatres ,venues and galleries as well as national and international stages.
Imogen Stirling, Development & Producing Lead at Summerhall Arts, said:“Having a year-round base in Edinburgh is vital.
“The development work we do here doesn’t simply fuel our Fringe programme, it supports artists to create work that goes on to venues and festivals across the city and beyond.
“It gives artists space to experiment, develop ideas and build new work throughout the year, making it an important part of Scotland’s cultural infrastructure.”
FROM SUMMERHALL SURGERIES TO FRINGE FIRSTS, FESTIVALS AND INTERNATIONAL COLLABORATIONS
At the heart of Summerhall Arts’ artist development work are its Summerhall Arts Surgeries, a live works-in-progress platform giving artists the opportunity to test early-stage ideas in front of supportive audiences, peers and industry professionals.
The programme has now supported 48 projects, providing artists with vital feedback, creative exchange and the opportunity to build relationships that can continue long after the initial presentation.
Increasingly, the Surgeries are becoming the beginning of a longer development journey, with artists moving into further development space, residencies, Summerhall’s own performance programme and opportunities elsewhere in Scotland and beyond.
Recent examples include F-Bomb Theatre’s Float, which progressed through the Summerhall Arts Surgeries before being selected for Made in Scotland at the 2025 Edinburgh Fringe, followed by a presentation at Gilded Balloon and a London tour.
Corinne Salisbury’s Slayers developed through the Summerhall Arts Surgeries before progressing to Assembly at the 2026 Fringe, where it won a Fringe First Award.
Hey Thanks! Theatre Collective’s BearGirl similarly progressed from a Summerhall Surgery to Assembly at the 2026 Fringe, where it was an Assembly ART Award runner-up.
Wonder Fools’ Tether received development space at Summerhall before becoming a Fringe First-winning Summerhall show at the 2026 Edinburgh Fringe. Development of the work also helped initiate a significant international collaboration with Korea, a relationship that was formed at Summerhall in 2025..
Sadiq Ali Company’s Tell Me received development space at Summerhall before going on to Manipulate Festival and a sell-out 2026 Edinburgh Fringe run.
The longer-term impact of Summerhall’s support can also be seen in the development of Biff Smith’s Dance With The Silence, which progressed through Summerhall’s Surgeries and Studio opportunities before Biff went on to become world champion of spoken word.
Summerhall’s residency and development programme has also supported artists whose work has gone on to significant national opportunities, including Emma Howlett, who was selected for The Stage’s Fringe Five following her residency at Summerhall with the work Aether that awarded her with the National Theatre Studio Directors Course and the Royal Court Writers’ Group in 2025. and then her fourth Summerhall show, a successful five star run of her new show The Plot in the Main Hall at this years’ Fringe.
Looking ahead, Babyplay by Amber Charlie Conroy represents another developing Summerhall pathway. The work was selected for the Summerhall Arts and the Hugo Burge Foundation New Writing Commission, has been written and shared, and took part in the Summerhall Arts Surgeries. It will continue its development at Summerhall as part of the organisation’s 2027 Edinburgh Fringe programme.
MORE SPACE, MORE TIME AND MORE SUPPORT FOR ARTISTS
Summerhall Arts is now expanding its artist development offer, providing opportunities at different stages of the creative process.
The organisation will offer 11 free space weeks, 12 supported weeks with £500 bursaries and eight enhanced residencies offering £1,000 of support, allowing artists to access everything from essential rehearsal space to more substantial financial support for projects requiring dedicated development time.
The Summerhall Arts Studios programme provides further intensive development opportunities, with support worth up to £3,100 per week.
The first Studio artists of Year Two, Delululand, have already demonstrated this longer-term pathway. Following participation in the March Summerhall Arts Surgeries, the company is now continuing its development through a supported Studio week.
Summerhall Arts will also deliver two editions of the Surgeries each year. A winter edition will support six companies whose work could progress towards presentation at the 2027 Fringe, connecting directly with the new Recovery Room initiative.
Recovery Room will give selected artists a further week of dedicated rehearsal and development space following their Surgery, allowing them to respond to audience and industry feedback and adapt their work towards presentation at Summerhall.
A spring edition will focus on earlier-stage work with potential to develop towards the 2028 Fringe and beyond, creating a clearer pathway from initial experimentation through to production and presentation.
Summerhall Arts has also selected Cat MacLeod and Raymond Wilson for its First Draft Commissions, supporting both artists to develop new pieces of writing from their earliest stages towards completed first drafts. Alongside the financial commission, the programme provides an ongoing relationship with each artist, including opportunities for conversation, creative feedback and development.
YEAR-ROUND PERFORMANCE, VISUAL ARTS AND CINEMA
Summerhall Arts’ commitment to artists extends across its year-round programme of performance, visual arts, cinema and creative learning.
The second half of 2026 will see Summerhall Arts present and support Concerned Others by Tortoise in A Nutshell, The Rhinestone Cowboy, Imaginate Festival, Tom Molineaux with Andy Arnold, Junk Ensemble and Kate Taylor, Accidents of the Soul from Shotput, Not For Glory by Charlotte Mclean, Jack Anderson and Malin Lewis. and Offspring by Kolbrún Björt Sigfúsdóttir.
The visual arts programme continues with current exhibition Forming Space with Garvald Edinburgh and the upcoming Conversation with our Ocean by Elizabeth Ogilvie and Robert Page, Didar, Out of Sight Out of Mind with CAPS Advocacy, the Scottish Mental Health Arts Festival, Colour in Silence: Memorial Exhibition by David Peacock, Rosita Mackenzie’s Touching Light, Ruth Dafnis’ Second Hand Smoke, two Winter Market Exhibitions and the next season of Multi-Year Funding exhibitions featuring Jules Bradbury and Johanna Flanigan, with a third artist to be announced.
Also continuing are the Reconfigure Life Drawing Exhibition, and the third annual Group Show, for which applications will open in December.
The In Vitro Residency programme, in partnership with the Hugo Burge Foundation will include residencies and exhibitions from Flore Gardner and Juliana Capes, while Summerhall’s creative learning programme will offer a programme of workshops, running Wednesday to Sunday between 11am to 5pm from November through April in the Histology lab.
Summerhall Arts will also continue its work with screen culture through the Edinburgh Short Film Festival.
Sam Chapman, Head of Visual Arts and Cinema at Summerhall Arts, said:“Our visual arts and cinema programme is an essential part of Summerhall Arts’ year-round commitment to artists.
“It is about much more than presenting exhibitions and films – it is about creating opportunities for artists to develop their practice, experiment with new ideas, make connections and reach audiences.
“Through our exhibitions, commissions, residencies, partnerships and moving image programme, we are able to support artists at different stages of their careers and give them a platform within a genuinely interdisciplinary environment.
“That sense of connection is particularly important in Scotland, where artists and arts organisations are often working across different disciplines and sectors.
“We want Summerhall to be a place where artists can come to develop an idea, take a creative risk, meet other artists and audiences, and build something that can continue beyond these walls.
“The strength of Scotland’s visual arts and wider cultural ecology depends on having spaces where that work can happen throughout the year.”
A CULTURAL ECOSYSTEM THAT DOESN’T STOP IN AUGUST
The work audiences see at the Edinburgh Fringe, Scotland’s festivals and on stages around the country often begins months or years earlier, with artists needing somewhere to experiment, develop ideas, rehearse, receive feedback and take creative risks.
Sam Gough, Chief Executive of Summerhall Arts, said:“The success of August is only one part of the story. What audiences see at the Fringe is often the result of months or years of development, experimentation, rehearsal and support.
“The Surgeries are particularly important because they give artists somewhere to take those first risks, but the real value comes from what happens afterwards – the relationships that continue, the work that develops and the opportunities that open up.
“We have seen artists come through our many development programmes and go on to win Fringe Firsts, be part of the Made in Scotland showcase, national tours, major festivals and international collaborations. That is why year-round support matters.
“The Fringe and Scotland’s festivals do not exist in isolation; they are part of a wider cultural ecosystem that depends on artists having places to develop work throughout the year.
“At a time when that ecosystem is under enormous pressure, with organisations including The Skinny and the CCA among those lost or facing significant challenges in recent years, protecting year-round cultural infrastructure and the spaces where artists can take risks is vital. The future of our festivals depends on the artists and organisations that create and develop the work long before it reaches August.
“As Edinburgh considers the future of the Tourist Levy, it is important that the income generated by visitors is recognised as an opportunity to invest in the cultural infrastructure that makes the city what it is. Supporting year-round venues, artists and risk-takers helps sustain the whole ecosystem, not simply the festival period.”
REMOVING BARRIERS FOR AUDIENCES
Alongside its support for artists, Summerhall Arts is also looking at how audiences can access work.
While the exhibitions programme is always free to attend, the organisation is now introducing a new Pay What You Want approach to the performance programme, removing the requirement for audiences to qualify for a concession.
Rather than asking audiences to prove that they are unemployed, a student or eligible for another concession, audiences can simply choose the price they want to pay to support the performance and Summerhall Arts.
The approach forms part of Summerhall Arts’ wider commitment to removing barriers and creating a more open relationship between artists, audiences and the organisation.
From a first experiment in a Surgery to a Fringe First-winning production; from a residency to a national tour; from a development week to an international collaboration, Summerhall Arts’ year-round work is helping artists build sustainable creative journeys.
As Edinburgh’s cultural calendar moves beyond the intensity of August, Summerhall Arts continues to invest in the artists, ideas and organisations that will shape Scotland’s future cultural landscape.
Unique Assemblyhas announced the addition of world-renowned sexy circus cabaret La Clique to this year’s Edinburgh’s Christmas line-up as the city’s festivities cross the bridge into the historic Old Town, marking the first time a Spiegeltent will take residence in Bristo Square.
Providing a glamorous cabaret option for the festive season, La Clique Noël will light up the stage in the Palais du Variété’s new home of Bristo Square, for seven weeks of Sexy, Funny and Dangerous Christmas Kabaret.
Brand new for 2026’s season, La Clique Noël joins a packed line-up for Edinburgh’s Christmas with Santa’s Stories, LNER Big Wheel and the Around the World Starflyer already on sale. The world-famous traditional Christmas markets will once again pop up in Princes Street Gardens in the capital’s New Town from 14 November 2026 – 3 January 2027, hosting beautifully decorated chalets selling gifts, decor and festive food.
Born at the Edinburgh Fringe in 2004, La Clique has gained international acclaim as the original trailblazing Spiegeltent cabaret show performing all over the world from Edinburgh to London, Melbourne, Sydney, Singapore, New York, Paris and more.
The Olivier Award winning show will take over its new home in Bristo Square for six nights a week, with matinees on weekends, kicking off on Friday 20 November at 7.30pm. Plus, a host of more festive announcements to come from Edinburgh’s Christmas.
La Clique Noël will once again host the best of the best boundary pushing performers set to entertain Christmas crowds with dazzling acrobatics, razor-sharp wit, sights and sounds you will never forget in the intimate setting of the Palais du Variété fusing cabaret, circus, and sideshow burlesque for a specially curated festive show.
This year’s cast includes Heather Holliday, renowned sword swallower and firebreather; David Pereira, award-winning ‘shaving cream’ acrobat and sublime aerialist; Mario Queen of the Circus, a showman comic known for his crowd surfing, juggling and much more.
With sold out seasons and critical acclaim from around the world under its belt, La Clique’s Christmas edition is sure to add an extra touch of magic to Edinburgh’s Christmas this year under the warm glow of the Spiegeltent. The perfect festive night-out for party-goers and groups looking for the perfect Christmas Cabaret experience.
La Clique’s David Bates said:“Christmas and Hogmanay feel like the perfect time for La Clique to return to its birthplace in Edinburgh. This very special cast are delighted to be in town for 7 weeks – resident in the perfect environment which itself is the star of the show – the Palais du Variété Spiegeltent in Bristo Square.
” La Clique has played to millions of folk in its 22 years but none more special than the audiences in its Auld home toon! Fresh, New, Cutting Edge – La Clique is a reinvention of itself and this year will be no exception. Strap yourself in, leave your troubles at the door and escape with us!”
Directors of Unique Assembly who create and produce Edinburgh’s Christmas said:“Unique Assembly are delighted to welcome back ‘La Clique’ to Edinburgh for festive fun guaranteed to get you on Santa’s naughty list. “
“La Clique was born in Edinburgh and has grown into an international smash-hit, celebrated around the world as well as the city we pride ourselves on representing.
“Unique Assembly has made Edinburgh’s Christmas and Hogmanay some of the most celebrated events in the world, which last year welcoming over 3M visitors to world-class attractions, making both events accessible to local and international audiences.’’
La Clique Noël takes place from Friday 20 November until Sunday 3 January.
Edinburgh’s Christmas celebrations spread across the city for seven weeks of festive fun, with more events still to be announced.
