Court fight launched over West End development

Case “raises bigger questions over Scotland’s planning system”

A COURT of Session challenge has been launched against the Scottish Ministers’ decision to approve a controversial 544-bed visitor accommodation development in Edinburgh’s historic West End.

The Statutory Appeal seeks to have the Scottish Government Reporter’s decision quashed, arguing that serious errors were made in the way the application was considered.

The legal challenge relates to plans to transform four Category A-listed Georgian townhouses at 14-17 Atholl Crescent, within Edinburgh’s UNESCO World Heritage Site, into high-density pod-style visitor accommodation.

Philip Flockhart, conservation architect and spokesperson for the residents, said: “The decision to pursue a Court of Session challenge has not been taken lightly and the legal arguments will now be considered through that process.

“The wider issue, which goes beyond one development, is that this was an exceptionally large and complex proposal and Edinburgh’s elected Development Management Sub Committee never had the opportunity to consider it.”

The application was taken to the Scottish Government after the council’s deadline for reaching a decision had passed, before it had reached Edinburgh’s Development Management Sub-Committee. As a result, locally elected councillors never had the opportunity to vote on the proposals.

Concerns about the way the application moved through the planning process have been raised by elected representatives from across the political spectrum.

In a written response to Cllr Adam Nols-McVey, who raised deep concerns about the situation surrounding the Atholl Crescent development, Cllr Hal Osler, convener of Edinburgh’s Development Management Sub-Committee, said she was “deeply disappointed” that the committee had not been given the chance to determine the application.

She said: “This was an extremely complicated application that required both planning permission and listed building consent. The statutory decision-making timescale for both applications is set at two months.

“Prior to the agent exercising their right to appeal non-determination, the officer sought to agree an extension of time with the agent to allow submission of additional information to support the assessment.”

The case comes amid wider pressure on Edinburgh’s planning system. Council figures show that 2,434 applications, 54% of those determined between August 2024 and July 2026, were decided after the point at which applicants became entitled to appeal on grounds of non-determination.

Residents have stressed that their concern is not with Edinburgh’s planning officers, who are dealing with significant workloads and pressure on resources. Instead, they believe the case raises a wider question about whether the current system gives councils enough time and support to properly consider particularly large and complex applications before an applicant becomes entitled to take the matter to appeal.

Mr Flockhart added: “We have sympathy with planning officers working under enormous pressure. The question is whether the current system gives councils and communities sufficient protection when major applications reach a statutory deadline before local democratic scrutiny has taken place.

“Edinburgh needs investment and it needs places for visitors to stay. This is not about opposing appropriate development or tourism. It is about making sure people can have confidence in how major planning decisions are made.”

More than 280 objections were lodged against the proposals, which were also opposed by all four local ward councillors and the area’s MP, Dr Scott Arthur.

The Cockburn Association previously warned that the development would cause “substantial and irreversible harm”, while the Architectural Heritage Society of Scotland raised concerns about the “scale and intensity” of the proposed use.

Dr Scott Arthur MP said: “I remain deeply disappointed by the decision to approve this development. The scale and 24-hour nature of the proposal raises legitimate concerns around residential amenity, noise, safety and the impact on the surrounding area.

“I respect the planning process and the role of the Reporter, but I continue to stand with residents who have raised serious and reasonable concerns about this development.”

Cllr Claire Miller, Green councillor for the city centre ward, said: “While the planning decision was extremely disappointing, I’m really pleased that the community is pulling together and I’ll be supporting their decision to lodge a Statutory Appeal.

“Our planning system is skewed in favour of developers and so I believe it’s important to support local residents to have their say when it comes to large applications like this hostel and that local decision making is respected.”

Cllr Finlay McFarlane, SNP councillor for the city centre ward, said: “I am certainly impressed at the resolution of the residents that they are continuing to take this forward.

“For them not to have had their say through the planning process is an absolute betrayal and I wish them well.”

Cllr Jo Mowat, Scottish Conservatives councillor for the city centre ward, said: “It is disappointing that residents are having to take the further action in this matter but encouraging that they are now able to make their case legally.

“Such decisions are best made locally, not by distant bureaucrats, and this whole episode epitomises the much wider issue of local democracy and planning reform which the Scottish Government urgently needs to address. ”  

Liberal Democrat spokeperson and former City Centre councillor Charlie Dundas, said: “My main concern is the by-passing of local democracy by going straight to the national reporter.  Local voices need to be heard and the Council should be able to do its job. This feels like a loophole which needs to be closed.”

Among the further issues raised in the Statutory Appeal is the scale of the development itself. Although the proposals have consistently been presented as providing approximately 544 beds, the appeal argues that the planning permission contains no restriction on the number of beds or pod units which could ultimately be provided.

The Reporter concluded that the number of beds within a Class 7 hotel could not be controlled through the planning process. The appeal argues that conditions restricting the number of beds, pods and rooms containing pods could have been imposed and that without them there is no restriction on the development’s overall bed capacity.

Jocelyn Cunliffe, of the Architectural Heritage Society of Scotland, said: “This case raises a wider question about whether Scotland’s planning system is equipped to protect historic buildings and local communities when dealing with increasingly intensive uses.

“If the number of beds cannot be controlled through the planning process, it is reasonable to ask how the intensity of use of a historic building can be properly assessed and managed. That is an issue which goes far beyond Atholl Crescent.”

The appeal also raises questions about the assessment of the impact on nearby residents and refers to previous decisions involving much smaller short-term visitor accommodation proposals in the surrounding area.

It additionally argues that the Reporter considered the expired 2017-2022 World Heritage Site Management Plan rather than the current 2025-2035 plan, as well as raising questions over the assessment of infrastructure contributions towards Edinburgh’s tram network.

The Statutory Appeal asks the Court of Session to consider a series of questions of law, including whether the Reporter erred in law, failed to have regard to material considerations, failed to interpret development plan policy properly and whether the decision should be quashed.

Step forward for Princes Street and ‘Waverley Valley’ as design approach is agreed

‘AMBITIOUSLY PRAGMATIC’?

Councillors at yesterday’s Planning Committee have voted in favour of an ‘ambitious pragmatic’ option for the development of Princes Street and Waverley Valley.

Plans incorporate a range of enhancements to Princes Street, the Gardens and surrounding area, including:

Improved accessibility

  • Widened pavement by 1.5m at the southern footway of Princes Street, with new high-quality stone pavement installed – reducing congestion for those walking and wheeling
  • Improved accessibility for Princes Street Gardens with new ramps or potentially lifts installed
  • Upgrade and refurbishment work to the Ross Bandstand and amphitheatre – making it more accessible to meet the needs of audiences and performers

New features and facilities

  • Shelters in Princes Street gardens repurposed for use as small cafes and potential community use
  • New or improved public toilets and drinking fountains installed
  • Princes Street Gardens extended opening hours, with new lighting to highlight the cityscape
  • New landscaping to include public seating and rest points 

Transport efficiency

  • A new cycle hub at Waverley Station with safe cycle access and improved cycle parking along Princes Street
  • Narrowing of the carriageway at the south side to make more space for walking and wheeling, maintaining it as two lanes in each travel direction for bus and tram services
  • Potential introduction of a new bus gate at the east end of Princes Street as part of measures to reduce congestion and delay along the thoroughfare

The design approach is based on the outcome of discussions at a workshop in June where Councillors, officers and representatives from partner organisations including Historic Environment Scotland, Lothian Buses and Edinburgh Trams, Edinburgh Chamber of Commerce, Essential Edinburgh, Network Rail and Edinburgh Access Panel, among others, met to hear proposals and share feedback.

Individual project plans including designs and costs for the works will be taken forward at Transport and Environment, and Finance and Resources committees.

The option being taken forward is aligned with current approved Council strategies and plans, supporting delivery of adjoining projects and the existing transport network.

It was also agreed that a revised Princes Street and Waverley Strategy will come back to Committee in early 2027.

Planning Convener, Cllr Joan Griffiths, said: “Princes Street is already going through considerable change and improvement, attracting millions pounds of new investment – but we know there’s still more to be done.

“The way forward we’ve agreed today is a positive step forward – and my thanks to officers for their hard work in getting us to this point. This is a sensible and pragmatic approach that takes on board much of what we heard during the public consultation, particularly around improving accessibility.

“Crucially, this differs from previous plans in that it is affordable and deliverable, and we have the resources to take forward these improvements immediately.

“I have no doubt these changes will improve how residents and visitors experience Princes Street and the Gardens and look forward to seeing these plans develop further in the future.”

New name for St James Quarter

Charles Jeffrey reveals full programme for Westfield Days: The Sound of Style at Westfield St James Quarter

11-20 September 2026 | Westfield St James Quarter

To celebrate the launch of Westfield St James Quarter, officially renamed on 10 September 2026, acclaimed Scottish designer Charles Jeffrey returns home for an immersive ten-day takeover as part of Westfield Days: The Sound of Style

Presented in partnership with the British Fashion Council, the programme forms part of Fashion Britain, a nationwide initiative celebrating the designers, communities and cultural influences shaping British fashion today. 

Born in Scotland, Charles Jeffrey is internationally recognised for blending design, performance, music and culture into a distinctive creative vision.  

Returning home for the takeover, he brings that world to Westfield St James Quarter across three experiences: an exclusive Listening Room built from his own archives and soundscapes; the PUNK FLEA MARKET, a limited-time shop of archival pieces, accessories and exclusive products; and a full programme of talks, workshops and live performances spanning fashion, music and culture. The entire programme is curated by Jeffrey himself and features some of the most exciting, emerging names.  

A particular highlight will see Jeffrey in conversation with Kirsty Hassard, Senior Curator at V&A Dundee, in a talk introduced by the British Fashion Council’s Laura Weir. The conversation will explore the role research plays in shaping Jeffrey’s collections, Scotland’s rich fashion history and its influence on contemporary design, and the importance of recognising the creative talent to have come out of Scotland.  

The talk will connect directly to V&A Dundee’s current Catwalk exhibition, which traces the stories, designers and cultural influences that have shaped Scottish fashion’s place on the global stage. 

Guests can also expect a vibrant mix of experiences throughout the programme, including intimate one-to-one tarot card readings with the incredibly gifted Jade Mordente, an inspiring dance workshop with acclaimed choreographer Ivan Blackstock – known for his work on Beyoncé’s Brown Skin Girl music video – and a specially curated pop-up Vinyl Lounge from local tastemakers, Umbrella Vinyl. 

Charles Jeffrey said: “I’m looking forward to celebrating the people, places and cultural influences that continue to inspire my work on home turf here in Scotland and am delighted to have the opportunity to create something that feels immersive, playful and open to everyone.

“This programme is about showing how I work – the music, the references, the people I collaborate with – and putting it all in one place for ten days.

“There’s something for everyone, whether that’s catching a gig, digging through the PUNK FLEA MARKET or just spending an hour in the Listening Room.

Anne Ledgerwood, Estate Director at Westfield St James Quarter said: “Charles Jeffrey is one of Scotland’s most exciting and dynamic creative voices, and there’s no better way to mark this new chapter for Westfield St James Quarter than with a programme built around his work.

“Ten days of music, fashion and ideas, right in the heart of Edinburgh- we want people to come and experience it for themselves.”

What’s On: The Full Schedule

Highlights across the ten-day takeover include

Friday 11 September

10:00am – Charles Jeffrey’s Listening Room – step inside Jeffrey’s personal archive of music and memory, through curated soundscapes and exclusive content. 

11:00am – Vinyl Lounge with Umbrella Vinyl – independent record store Umbrella Vinyl will be selling curated vinyl featuring a selection of the music that inspires Charles Jeffrey  

3:30pm – Bikini Body: Live at The Sound of Style – electrifying five-piece Bikini Body bring their irresistible collision of post-punk, dance music and percussion to Westfield St James Quarter  

5:30pm – Charles Jeffrey LOVERBOY x V&A Dundee: Scottish Fashion in Conversation – Jeffrey joins V&A Dundee curator Kirsty Hassard, introduced by the British Fashion Council’s Laura Weir, to discuss research, Scottish fashion history and V&A Dundee’s Catwalk exhibition. 

Saturday 12 September

10:00am – Self-guided LOVERBOY Exhibition – explore Jeffrey’s LOVERBOY archive at your own pace. 

12:00pm – Live Music from Her Picture – an intimate live performance from one of Scotland’s most exciting emerging artists, Her Picture is the public confessional of singer Anny Tahaney, whose honest and thought-provoking songwriting is bewitching listeners in Scotland and beyond. 

2:30pm – Fashion, Movement & Theatre with Ivan Blackstock – a workshop exploring the crossover between fashion, dance and performance. 

Sunday 13 September

10:00am – Fashion Photography Workshop: Creating the Narrative with Claudius Ricketts – a hands-on workshop on building narrative through fashion photography. 

12:00pm – Love Your Body Dance Workshop with Ivan Blackstock – a dance workshop celebrating body confidence and movement. 

2:00pm – Charles Jeffrey LOVERBOY: Life Drawing Workshop – life drawing inspired by Jeffrey’s own creative process. 

4:00pm – Charles Jeffrey’s Listening Room

Monday 14 September

10:00am – Self-guided LOVERBOY Exhibition

12:00pm & 3:00pm – Charles Jeffrey’s Listening Room

Tuesday 15 September

10:00am – Self-guided LOVERBOY Exhibition

12:00pm – Charles Jeffrey’s Listening Room

1:15pm – MAC Cosmetics Make-up Workshop – a make-up masterclass from the MAC Cosmetics team in Boots. 

3:00pm – Lucia & The Best Boys x Neptune Studios: Petals and Frequencies – an autumn equinox bouquet making workshop while listening to Lucia & The Best Boy’s new album, Picking Petals. 

Wednesday 16 September

2:00pm – Talk: Tarot, Fashion & Identity with Jade Mordente – a panel discussion on tarot’s connection to fashion and identity. 

2:45pm – Tarot – Find Your Archetype with Jade Mordente – a workshop on finding your tarot archetype. 

3:45pm, 4:00pm, 4:15pm, 4.30pm, 5.30pm & 5.45pm – Tarot Readings with Jade Mordente – one-on-one tarot readings. 

Thursday 17 September

10:00am – Argonaut Books x Charles Jeffrey Bookshop Pop-Up – independent bookstore, Argonaut Books, will be selling a curated selection of books including some of Charles Jeffrey’s favourites and with an LGBTQ+ focus. 

10:00am – Charles Jeffrey’s Listening Room

3:00pm – DJ Miss Mixtape: LGBTQ+ Sounds – DJ Miss Mixtape spins an LGBTQ+ focused selection of records. 

Friday 18 September

10:00am & 1:00pm – Charles Jeffrey’s Listening Room

5:00pm – Ray Laurél – performance from Ray Laurél, where the listener finds solace and security in tales centring an identity in flux, tales of unbridled desire & a yearning for the Divine. 

Saturday 19 September

10:00am – Charles Jeffrey’s Listening Room

1:30pm – DJ Set: DJ Lu – An energetic set to soundtrack your shopping experience at Westfield St James Quarter.  

3.00pm – Cocktail Making Masterclass by The Alchemist – shake, stir and sample during an interactive mixology workshop 

Sunday 20 September

2:00pm – Pippa Blundell: Live at The Sound of Style – Experience Pippa Blundell’s captivating blend of folk storytelling, ambient sound and classically influenced vocals. 

3.30pm – Natural Lacquer Workshop with Moleskine – Discover the beauty of East Asian lacquer art through a contemporary marbling experience 

Proceeds from any ticketed workshops or masterclasses across the takeover will be donated to the Equality Network, which works for lesbian, gay, bisexual, transgender and intersex (LGBTI) equality and human rights in Scotland and has been home to the Scottish Trans Network since 2007. 

For the full programme and to book onto ticketed workshops, visit Eventbrite. 

WESTFIELD St James Quarter? Maybe showing my age here, but to me it’ll always be St James Centre! – ED.

CCTV appeal following serious assault on Princes Street

POLICE in Edinburgh have released images of two men they believe can assist with their investigation after a 24 year-old man was seriously assaulted on Princes Street around 2.35am on Saturday, 1 August, 2026.

The first man is described as white, 5ft 10in and in his late teens to early 20’s. He had blonde hair and was wearing a white t-shirt with grey jeans.

The second man is described as white, 6ft and in his late teens to early 20’s with short dark-coloured hair and glasses. He was wearing a black top with grey shorts and had a tattoo on the back of his left hand.

Detective Constable Gary Lipscombe of Gayfield CID said: “I would urge the men pictured or anyone who recognises them to contact us.

“This area was extremely busy at the time of the incident and I would ask anyone with information to contact Police Scotland through 101, quoting incident number 0473 of 1 August, 2026. Alternatively, Crimestoppers can be contacted on 0800 555 111, where anonymity can be maintained.”

‘Culture Gives Hope’ says Benedetti as 2026 Edinburgh International Festival removes barriers to Arts

  • A major new global poll unveiled at the 2026 Edinburgh International Festival found that 68% of people worldwide say culture gives them hope.
  • The International Festival tackled barriers that keep audiences from world-class live performance: over 50,000 tickets were priced at £30 or under; a record 3,000 free tickets were given to Scotland’s young musicians; over 8,000 half-price and free tickets for Deaf, disabled & neurodivergent audiences; and more than double the number of £10 tickets were available across every performance.
  • A deep connection was forged between audiences and world-leading thinkers, artists and cultural voices: 86% of audiences rated their experience 4 or 5 stars.

The 2026 Edinburgh International Festival has concluded, with the last of 146 performances across music, dance, opera and theatre in a 24-day celebration of the performing arts.

This year’s programme, All Rise, put America in the spotlight, featuring the largest representation of American artists in the Festival’s history. With over 2,000 artists from 46 countries, hand-picked for their cultural resonance, the 2026 Festival was defined by extraordinary artists and thinkers who presented a range of contemporary perspectives, and a vision for the future.  

In its inaugural Global Ideas Stage event, the International Festival unveiled a major new poll conducted on culture and hope, the largest of its kind ever undertaken on this subject. Focaldata surveyed 35,000 people across 34 countries and found that 68% say culture gives them hope, with a single cultural moment, whether a live performance, a book, a film or a piece of theatre, helping them feel more hopeful about an uncertain future.

This year’s programme brought together some of the world’s leading thinkers, artists and cultural voices, including: Former Prime Minister Gordon Brown, filmmaker Ken Burns, Pulitzer-Award nominee Zora Howard, trumpeter and educator Wynton Marsalis, Oscar-nominee Wagner Moura, lawyer and social justice activist Bryan Stevenson and journalist Amy Goodman.

The Festival also presented a landmark exhibition The Legacy of Slavery, which gave a comprehensive history of the legacy of racial injustice, from Scotland to America. This Festival commission drew more than 7,500 people during its three-week run at the Playfair Library, in its first ever international outing outside of The Legacy Museum site in Montgomery, Alabama.

Launch of the 2026 Edinburgh International Festivall

Nicola Benedetti, Festival Director, Edinburgh International Festival said:  
“These new findings confirm what I have always known, culture gives us hope. This Festival, and the audiences who have been changed by what they saw on our stages, are proof of that.  
 
“This year’s Festival theme, All Rise, was a rallying cry for collaboration and resilience, based on our firm belief that through artistic endeavour we can learn to see one another more truthfully, and more tolerantly.

“The 2,000 artists that joined us in Edinburgh answered our invitation with courage and generosity, grappling with urgent and profound issues – everything from AI and fake news to the opioid crisis and police brutality – holding up a mirror as well as showing us a way forwards. 
 
We asked audiences to take a leap with us, embracing risks with an exceptional number of bold new commissions by the International Festival. They responded with curiosity and bravery. This is what it looks like when culture gives us hope.”

This year, the International Festival asked for a deeper connection between audiences and artists. Across all artforms, opera, music, theatre and dance, 86% of audiences surveyed rated their performance experience 4 or 5 stars.

The new ‘Lights Down, Phones Off’ initiative encouraged audiences to switch off distractions during all performances: resulting in a significant reduction in phone-related disturbances.  
 
The Festival also rolled out its broad range of industry-leading concessions and initiatives, to ensure that cost isn’t a barrier to cultural discovery. More than 50,000 tickets across the programme were priced at £30 or under, and a record 4,894 £10 tickets were offered across every single performance, a more than 50% increase on last year. Over a third of these were bought by audiences who had never attended the Festival before.

Alongside this, over 8,000 tickets were issued to Deaf, disabled and neurodivergent audience members and their companions, a number of tickets that has grown consistently over the past three years.

A record 3,000 Young Musician Pass tickets were issued this year, giving Scottish young musicians free access to the International Festival and creating pathways into transformative cultural experiences.

Young Musician Pass holders were also given opportunities to meet and ask questions of artists including members of the Berliner Philharmoniker, Colin Currie, Nicola Benedetti and some of the Festival’s Rising Stars. 
 
The Festival’s Discover series also brought over 2,000 opportunities for Edinburgh secondary school pupils to encounter opera, dance, music and theatre at performances and in their own schools, many for the first time.

Taking the Festival experience out of the concert halls, weekly NHS Festival Sessions brought artists into healthcare settings for pop-up performances for staff, patients and visitors. Families also enjoyed Art of Listening workshops introducing them to live classical performance, which took place in Space @ The Broomhouse Hub for the first time.

Francesca Hegyi, Chief Executive, Edinburgh International Festival said:  
“This year we have seen the unique role Festival plays in bringing together significant thinkers, political leaders, and some of the best artists in the world to Edinburgh.  

“The International Festival hosted artists from 46 countries, taking to stages alongside over 700 artists from across Scotland. We welcomed 23 international delegations and served as a launchpad for the Creative Trade Forum, a new initiative to promote trade and investment for the UK’s creative sector.

“What sets the International Festival apart is the global role it plays, while rooted resolutely in Scotland – more than half of our tickets go to Edinburgh residents.

“We provide a global stage, a meeting place for cultures and ideas, where audiences gather every year.”

‘The Same Heart Beat’: Royal Edinburgh Military Tattoo announces 2027 theme

ROYAL EDINBURGH MILITARY TATTOO TO CELEBRATE THE UNIFYING BOND OF MUSIC IN 2027 

  • Drumming to take centre stage in a spectacular showcasing music, dance and performance 
  • 2027 tickets go on sale as current season comes to a close with an almost sold-out run 

The Royal Edinburgh Military Tattoo, one of the world’s greatest immersive events, has announced the theme for its 2027 Show, The Same Heart Beat, as tickets go on sale – today!

Running from 6 – 28 August 2027, next year’s Tattoo will celebrate the unifying and universal bond of music, with drumming taking centre stage. Developed by Creative Director, Alan Lane, the Show promises an unforgettable international production that features some of the finest military acts from around the world, alongside the best of Scottish and British talent. In a unique display of creative collaboration, participants – both cast and audience alike – will unite to experience the sensation of moving to the same beat. 

Today also marks the end of this year’s blockbuster season, which attracted more than 220,000 visitors from across the globe, over 26 performances this August. Titled A Call to Gather, the show honoured the Scottish soldiers who answered the call to serve in the First World War. It was narrated by the actor Richard Rankin (Rebus, Outlander), represented by The Call Statue, one of Edinburgh’s famous landmarks – in tribute to these soldiers’ sacrifice. 

Bands from New Zealand, Germany, Qatar and the Unites States joined Scotland’s own celebrated military and traditional performers in a collective celebration of culture, community and creativity. It was enjoyed by famous names, including Olympic cyclist Mark Beaumont; Traitors fan-favourite Matty Hyndman; actors Terrence Rea (Outlander) and comedian Craig Hill; and First Minister John Swinney. 

Alan Lane, Creative Director of The Royal Edinburgh Military Tattoo, said: “The Tattoo stands unique in global performance. It’s an honour to direct this Show and to lead this creative team and cast. The response from our audiences this summer has been overwhelming and positive and a testament to our global cast of performers.

“From the precision drill of Qatar to the Motown of the United States the whole world was on our stage as we celebrated the importance of bringing together to share cultures. I cannot wait to share more about next year, The Same Heart Beat, a new show with the Royal Navy at its core.”

Jason Barrett, Chief Operating Officer of The Royal Edinburgh Military Tattoo, added: “As we look ahead to The Same Heart Beat, we are building on the momentum of a landmark year for the Tattoo.

Next year’s Show will celebrate the power of music and performance to bring people together, combining world-class artistry, innovation and military tradition in a way that is uniquely Tattoo.

Following an extraordinary year that saw us perform in Edinburgh, Australia and New Zealand, we remain committed to delivering one of the world’s greatest immersive events while continuing to support military communities and champion Scottish culture through our charitable work.

With demand continuing to grow, I would encourage those hoping to join us in Edinburgh next August to secure their tickets early.”

The 2026 Royal Edinburgh Military Tattoo in numbers:

  • 220,000+ guests
  • 26 performances
  • 26 salute takers
  • 800 tonnes of steel used in set construction
  • 35 miles of cabling
  • 180 pipers
  • 54 drummers
  • Over 33,000 drinks sold

Tickets are on sale now for the 2027 Show and can be purchased at edintattoo.co.uk/tickets or on the phone on 0131 225 1188.

Comedy show wins Mental Health Foundation Fringe Award

Australian comedian Frankie McNair has won the 2026 Mental Health Foundation Fringe Award at the Edinburgh Fringe, for Huge Ass Mindset, a stand-up comedy show about her experiences of complex PTSD resulting from childhood sexual abuse.

Huge Ass Mindset is the first comedy show to win the Mental Health Foundation’s annual Edinburgh award, which has been running since 2017. It is one of six shows to be shortlisted for this year’s award.

The Mental Health Foundation Fringe Award was established in order to highlight and support the most compelling new work about mental health at the Edinburgh Festival Fringe. The award is currently sponsored by the Cornwell Charitable Trust and offers a cash prize of £3000 plus additional support tailored to each winning artist.

Andrew Eaton-Lewis, arts programme officer at the Mental Health Foundation, said: “Over the past decade the Fringe has increasingly become a place where solo performers draw on extremely personal, sometimes traumatic real life experiences when creating their shows.

“It is a very difficult thing to do well, and safely, and is certainly not for everyone. But Frankie is a performer who has brought an exceptional level of skill and care to the task, having spent many years in therapy preparing herself to tell this story.

“The result is a show that dares to challenge the shame around childhood sexual abuse in a way that is brave, powerful and also funny in a way that few people would imagine is possible when talking about this subject.”

During her show, Frankie McNair takes care to reassure the audience that she has processed her traumatic childhood experiences through years of therapy, encourages them to leave the room if they need to, and provides resources after the show in case anyone is triggered by the material.

Huge Ass Mindset was one of six shows that were shortlisted for this year’s award. The others are:

Bog Witch (Traverse Theatre):

In a fraught summer of heatwaves and flash floods, climate anxiety is everywhere, but remarkably few shows are directly confronting the question of how it’s possible to stay happy and sane when the world seems to be falling apart around you.

One notable exception is Bryony Kimmings’ spectacular and very funny new show, which tells the story of a lonely first year living in a tumbledown cottage in the English countryside, as Bryony attempts to “plug back into nature” while feeling like she’s failing at every turn.

Parasocial Activity (Pleasance):

This new show from Gallus and Silly Mission Productions begins as an extended comic skit about writer-performer Briony Martha’s character, Jenny, meeting her idol, Hollywood actor James McAvoy, in a Glasgow coffee shop, before evolving into something much darker.

It’s an exploration of the recent phenomenon of ‘AI psychosis’, in which people struggling with isolation develop strong emotional attachments to AI chatbots which can become harmful, and, in this case, dangerous.

Giraffe (Pleasance): Abigail Weinstock’s semi-autobiographical show tells the story of Eliana, who grows up believing she is a sociopath, only to discover – with help from a therapist, a court order and an unexpected relationship with a child who seems to be going through something similar – that she should have been diagnosed with something quite different.

Giraffe compellingly illustrates the long-term mental health impact of growing up believing there is something “wrong” with you.

The End Of The World (Gilded Balloon): In Destiny Faith Nelson’s solo show, she plays Desiree, a young, lonely wannabe writer who decides to livestream her own suicide after becoming overwhelmed by the world and her own perceived failures, before realising, too late, that the man she shares a home with but barely knows has been invisibly going through his own mental health crisis.

The End of The World is a deeply affecting story of how social media can isolate vulnerable people from the world around them.

Water Colour (Traverse Theatre): Milly Sweeney’s debut play is the story of two lost souls in Glasgow, a kitchen porter and an art student, who both end up on the brink of suicide for different reasons but ultimately find solace in each other’s survival.

It’s a moving exploration of the complex factors that can push young people to the brink.

The shortlist for the Mental Health Foundation Fringe Award is selected in consultation with The Scotsman newspaper’s team of experienced critics as well as arts and mental health professionals.

Each year’s winner is announced at the Scotsman Fringe First Awards, the biggest theatre awards ceremony at the Edinburgh Fringe. 

Since 2023 the award has been sponsored by the Cornwell Charitable Trust and dedicated to the memory of arts journalist Tim Cornwell, who died in 2022.

Tim worked for many years as the Scotsman’s arts correspondent and was part of the judging panel for the Mental Health Foundation Fringe Award, a subject close to his heart as someone living with Bipolar disorder. Tim died suddenly of a pulmonary embolism in June 2022.

Thanks to the Cornwell Charitable Trust, our winner will again be offered a £3000 prize plus a flexible package of support tailored to the needs of the show and its future development, which may include mentoring support and mental health training, support with funding applications and/or a contribution to production costs.

The Mental Health Foundation Fringe Award is part of the Foundation’s year-round arts programme, which also includes the Scottish Mental Health Arts Festival, one of the world’s biggest mental health themed arts festivals, which celebrates its 20th year in 2026.

The Mental Health Foundation also recently launched Performing Anxiety, a resource for people who want to make audience-facing creative work about mental health. The resource includes interviews with numerous artists who have made Edinburgh Fringe shows about mental health, including Bryony Kimmings, Caroline Horton, Selina Thompson and Amy Conway.

It can be found at www.mhfestival.com/performinganxiety.

Tomorrow: Volunteer Edinburgh Recruitment Fair 2026

On Tuesday 1 September, the Volunteer Edinburgh Recruitment Fair 2026 will bring together more than 60 charities, community groups and voluntary organisations under one roof. 

It’s a fantastic opportunity for anyone interested in volunteering to come along, meet organisations, explore different opportunities and find out how they can get involved.

Event details

📅 Tuesday 1 September 2026
🕙 10am–5.30pm
📍 St Paul’s & St George’s Church, York Place, Edinburgh
🎟️ Free entry – no booking required

Do you know someone who might be interested in volunteering? 

A friend, family member, colleague, neighbour, student—or someone who has recently said they’d like to give something back, meet new people, learn new skills or simply find out what’s available? 

The more people who hear about the Recruitment Fair, the more opportunities there are to connect Edinburgh’s fantastic charities and community organisations with people ready to make a difference. 

For more information and the latest updates, visit edvolfair.org.uk.

Verona Verbakel wins the 2026 Filipa Branaganca Award

Gilded Balloon is delighted to announce Verona Verbakel as the winner of the 2026 Filipa Bragança Award for her outstanding solo performance in Only Fans for Therapy at Zoo Playground.

The Filipa Bragança Award recognises an exceptional lead solo performance by an emerging female, female-identifying or non-binary actor in a theatre production at the Edinburgh Festival Fringe.

Established in 2017 in memory of the gifted actor Filipa Bragança, the award celebrates the extraordinary talent of performers working at the Fringe and honours Filipa’s own remarkable contribution to the festival.

Filipa delivered defining performances in critically acclaimed Gilded Balloon productions including Echoes and Angel before her untimely death in 2016, aged just 25.

Uniquely, the award considers eligible solo performances from across the entire Edinburgh Festival Fringe, with judges independently scouting work across venues throughout August.

Following weeks of intensive viewing by the judging panel, this year’s shortlist reflected an exceptionally strong field of solo theatre. Judges highlighted the outstanding standard of writing, characterisation and performance across this year’s Fringe, with Verona Verbakel ultimately standing out for the depth, originality and sheer commitment of her performance in Only Fans for Therapy.

Karen and Katy Koren, Artistic Directors of Gilded Balloon, said: “Filipa was an extraordinary young actor whose talent, generosity and presence made a lasting impression on everyone who had the privilege of seeing her work.

“It is incredibly important to us that this award continues to celebrate the kind of bold, brilliant and distinctive solo performance that Filipa herself represented.

“Verona’s performance this year was completely compelling ,she commands the stage with remarkable skill and vulnerability, and we are thrilled to recognise her with the 2026 Filipa Bragança Award.

“Every year, the standard of work considered for the Filipa Bragança Award makes the judging incredibly difficult, and this year was no exception. We saw an extraordinary range of solo performances from artists working across the Fringe, but Verona’s work stayed with us.

“Only Fans for Therapy is fearless, uncomfortable and deeply human, and Verona gives an extraordinary performance at its centre. We are delighted to celebrate her achievement and to continue Filipa’s legacy through an award that champions emerging performers and the power of solo storytelling.”

The winner of the 2026 Filipa Bragança Award was presented on Friday at The Scotsman Awards.

2026 SHORTLISTED NOMINEES

  • Abigail WeinstockGiraffe (Pleasance)
  • Briony MarthaParasocial Activity (Gilded Balloon)
  • Farah AshrafPink Rabbit (Underbelly)
  • Leticia Rodrigues116 Grams (Zoo)
  • Marainn YarLandsfrau (Summerhall)
  • Martha KnightKing of All Birds (Summerhall)
  • Verona VerbakelOnly Fans for Therapy (Zoo)

Winners Revealed at Asian Art Awards Ceremony

Hundreds of Asian artists from dozens of Fringe shows gathered at the City Chambers this week for the Asian Art Awards 2026. 

With so much international talent on the Fringe programme it was no surprise that 2026 was another vintage year and, with the majority of winners still in town to collect their awards in person, there is still time to see most of them. The awards were presented by Richard Lewis, Chair of the Asian Art Fund Scotland and Chris Snow, Head of Artist Services at the Fringe, in partnership with WU Asia Pacific.

The irresistible “2Shoulderpads: Galaxy Train” from Japan (pictured above) won Outstanding Show for their zany poetic musical based on Japanese classical literature. Their only costume is … two shoulder pads each. “The Palestinian Circus: Step and a Half” (pictured) were one of the runners up, winning over the reviewing team with their talent, upbeat attitude and message of Peace.

It was also a strong year for Scottish representation. The Outstanding Youth Show award was won by Our Town Needs a Nando’s with the all-Scottish and all-female cast bringing tremendous energy and fun to the stage.

Scottish Tamil actress Lovely Selwyn burst into tears on receiving her award, exclaiming “this is our Oscar”! Outstanding Drama award was won by Tether with a cast from Scotland and Korea while the Outstanding Children’s Show award was won by “Shhh! (A Wordless Comedy)” from Vietnam but with one of the three cast members originally from Scotland. 

Finally, a Highly Commended award was received in the Youth category by the Edinburgh-based Nikkan Dance Academy for their show “Kahi: The Inner Us – Explore the Soul”, bringing traditional Indian dance to the Fringe.

Japanese Grandma Funeral starring Japanese American Kento Morita won best comedy, while the Outstanding Individual Performance was won by Cheeyang Ng from Singapore with Legendary, a musical seamlessly blending Chinese mythology and queer legacy. Outstanding Dance Show was won by Samurai and Oiran of Japan.

The Asian Arts Special Award was won by The Lady Prince Consort, a classic Chinese opera about a young wife who disguises herself as a man (Mulan-style) to save her husband, with (almost) tragic consequences. Although performed in Mandarin with subtitles, it was both beautiful and hilariously funny, and sadly only played for one night at the Queens Hall.

The Asian Art Awards at the Edinburgh Fringe have been running since 2014 with a vision of bringing Asian artists together to celebrate and promote their talents. At a time of rising tensions between east and west, art plays a vital role in bringing nations and communities together.

Winners – 2026 Asian Art Awards

Outstanding Show

Winner: 2ShoulderPads: Galaxy Train, 2ShoulderPads. (Japan)

Highly Commended: 

  • The Palestinian Circus: Step and a Half, Underbelly and The Palestinian Circus with Medical Aid for Palestine (Palestine) 
  • YOAH, Underbelly, Cirquework and Cluster Arts (Japan)

Outstanding Musical or Comedy Show

Winner: Japanese Grandma Funeral, Kento Morita. (USA)

Highly Commended: 

  • Hater, Brava Guava, UK
  • Olivia Xing: Baby of Colour., Olivia Xing. (China) 

Outstanding Dance Show

Winner: Samurai and Oiran, Asakusa Kaguwa (Japan) 

Highly Commended: 

Strange Tales from Liaozhai, Yuerge Dance Theatre / Shanghai International Dance Center Theater. (China) 

Outstanding Drama

Winner: Tether, Wonder Fools and Theatre SAN (Scotland/Republic of Korea)

Highly Commended:

  • LANDSFRAU, Doris Crea Collective (Performed by Mariann Yar) (Germany)
  • Olympic Hopefuls, in vivo Productions (USA)
  • Why English?, Vibhinna Ramdev (India) 

Outstanding Youth Show

Winner: Our Town Needs a Nando’s, Hot Mess Productions (Scotland)

Highly Commended: 

  • Kahi, The Inner Us – Explore the Soul, Nikkan Dance Academy, (India/Scotland) 

Outstanding Children’s Show

Winner: Shhh! (A Wordless Comedy), Lang Spot Vietnam (Vietnam)

Outstanding Individual Performance

Winner: Cheeyang Ng, Legendary(Singapore) 

Highly Commended: 

  • Seonju Jang, The Renaissance of Spring: Samsara and Shroop Directed and Choreographed by Yu-mi Kim. Jajack Movement and the Art Support & Incubation Dept., GGCF (Republic of Korea)
  • Emma Tsoi, He Wants Kids, She Doesn’t, BF Productions. (Hong Kong) 
  • Aarushi Agni, EMOJI: The Hieroglyphs Of Our Time…. (USA)

Asian Arts Special Award

Winner: The Lady Prince Consort Anqing Zaifen Huangmei Opera Theatre (China)

Highly Commended: 

  • R/evolution(s), Dance Base Yokohama/Conan Amok (Japan)

Also shortlisted was The Princess Gives Her Lover a Sword by Guangdong Chao Opera Institute (China)

For further information please contact organiser Asha Trivedy of Asian Art Fund Scotland via contact@asianartfundscotland.org and 07511209053 or trustee Jim Orr on 07718 666452.

Asianartfundscotland.org – @aaa_edfringe on IG