We’ll guide you through the basics and show you how to navigate Ancestry and British Newspaper Archive, two brilliant resources for family history and both free to use in all Edinburgh Libraries. The session ends with a short tour of the physical genealogical resources held in the Edinburgh and Scottish Collection.
A glamorous, never-before-exhibited portrait of Queen Mary and a miniature sleigh made of rock crystal will be among highlights on show in Scotland for the first time in a major exhibition opening tomorrow.
The Edwardians: Age of Elegance will explore the glitzy world of two of Britain’s most fashionable royal couples – King Edward VII and Queen Alexandra, and King George V and Queen Mary – through their family connections, royal events, global travels and art collecting.
The exhibition will open in Edinburgh following a successful run in London and is the first Royal Collection Trust exhibition to explore the Edwardian era. It will bring together more than 150 items including fashion, paintings and books, as well as personal items such as jewellery, photographs and chinaware, more than half of which are on show in Scotland for the first time.
Visitors will see works from the Royal Collection by many of the period’s most celebrated names, including Fabergé, Tiffany & Co, and Edward Burne-Jones, and depictions of famous faces including composer Sir Edward Elgar.
Curator Kathryn Jones said: ‘The Edwardian era was a golden age of glamour and parties, but it was so much more than that; it was a fast-paced period making great advances in technology.
“Our royal couples wanted to make the most of it all, living lavishly and embracing new trends, before the sobering arrival of war. Throughout, they were collecting art as a way to hold onto tradition and capture the rapidly changing world around them. We hope that visitors to the exhibition will enjoy stepping back in time to this exciting period.’
In 1863, Queen Victoria’s eldest son Albert Edward married Princess Alexandra of Denmark. The marriage of the fashionable young couple – the future King Edward VII and Queen Alexandra – initiated a glamorous new era for the royal family, with Queen Victoria still in mourning and away from public life.
Edward and Alexandra established a new, vibrant court filled with opulent balls, society events and contemporary art – a lifestyle continued by their son, the future King George V, and his wife Queen Mary.
Full-length portraits of the two Queens will open the exhibition, showcasing the spectacular fashions of the era. The portraits of Queen Alexandra by François Flameng, and Queen Mary by William Samuel Henry Llewellyn (which has never before been on public display) will be shown alongside marble busts of their husbands, Kings Edward and George.
Both couples were fond of Scotland, with Edward having studied at the University of Edinburgh and George and Mary making regular visits and devotedly modernising the Palace of Holyroodhouse to make it once again suitable for royal entertaining.
Displays will evoke the interiors of the royal couples’ private residences, Marlborough House and Sandringham House, where the Edwardian fashion of filling every cabinet and covering every surface small decorative objects or family photographs reigned.
A star object on display for the first time in Scotland is a paperweight shaped like a tiny 10cm-tall sledge with a figure lying on it by Robert Colquhon. Thought to have been Scottish, Colquhon was a goldsmith based in Russia who made small-scale decorative objects from rock crystal and silver of snowy subjects like sleighs and bears on ice floes.
Edward and Alexandra collected several of his works – with one of his sleighs appearing in a photograph of Alexandra’s desk in Marlborough House in the 1890s.
Visitors will also learn of the relationships linking the family to the rest of Europe. Fabergé was introduced to the British royal family through Alexandra’s sister Dagmar, who had married Alexander III, Tsar of Russia.
The royal patronage caused the popularity of Fabergé to soar in the UK, and on show will be 21 items from the firm, including an ornate picture frame holding a photograph of Princess Louise, Duchess of Fife; a cigarette case famously given to Edward by his official mistress Mrs Keppel; and six miniature figures of the royal couple’s favourite animals on the Sandringham estate.
As enthusiastic patrons of the arts, the Edwardians embraced new artistic movements including Art Nouveau and Arts and Crafts, and the burgeoning medium of photography. Alexandra was particularly taken with the drawings of the Pre-Raphaelite artist, Edward Burne-Jones, whose study for a larger painting inspired by Sleeping Beauty will be on display. A soft-focus photograph of Alexandra by photographer Alice Hughes was typical of her pioneering yet delicate style, and both are on display in Scotland for the first time.
Garden parties formed an essential part of the Edwardian social calendar, with the first taking place at the Palace of Holyroodhouse during the much-anticipated visit of George and Mary in 1911. Danish painter Laurits Tuxen had been introduced to Queen Victoria through her daughter-in-law Alexandra, and his painting of a garden party at Buckingham Palace captures the spirit of the joyous occasion.
Contributions to society were also celebrated through the founding of the Order of Merit in 1902 to recognise prominent figures in cultural, scientific or military life. George commissioned a portrait of each recipient – a tradition that continues to this day – and drawings of Sir Edward Elgar and the physicist Sir J.J. Thomson by Scottish artist William Strang will be on display for the first time in Scotland.
The turn of the century saw great improvements to methods of travel, and the Edwardian royals travelled further than any previous members of the royal family – collecting and receiving gifts as they went. In February 1901, George and Mary set sail for 10 months on HMS Ophir to open the new federal parliament in Melbourne, Australia. To mark the occasion, the ‘Ladies of Adelaide’ gave Mary a richly embroidered silk hanging featuring a eucalyptus tree and local varieties of irises and orchids.
George and Mary visited the Palace of Holyroodhouse in July 1914, only a few weeks before the outbreak of the First World War. The glamour of the Edwardian era was being eclipsed by a serious atmosphere of duty – a sentiment led by the King, as Herbert Arnould Olivier’s study of King George V and Frank O. Salisbury’s painting The Passing of the Unknown Warrior, King George V as Chief Mourner, Whitehall attest.
Collecting had now become a way to honour the many sacrifices made in the Great War; a more restrained and dutiful monarchy had emerged.
The King’s Gallery will continue to offer £1 tickets for visitors receiving Universal Credit and other named benefits. Other concessionary rates are available, including discounted tickets for Young People, half-price entry for children (with under-fives free), and the option to convert standard tickets bought directly from Royal Collection Trust into a 1-Year Pass for unlimited re-entry for 12 months.
The Edwardians: Age of Elegance is at The King’s Gallery, Palace of Holyroodhouse, 24 April – 6 December 2026.
Visitor information and tickets for The King’s Gallery, Palace of Holyroodhouse: www.rct.uk, T. +44 (0)303 123 7306.
The King’s Gallery will be open seven days a week from opening until 7 September 2026, when it will be open for five days (closed Tuesdays and Wednesdays) until 6 December 2026.
‘It’s not a fight of people versus farmers, but about working with farmers to make sure we can get better protections for animals’ – James Dalgleish
‘A cage is a cage, and public opinion is clear: mother pigs don’t belong behind bars’ – Claire Bass
Humane World for Animals UK (formerly known as Humane Society International UK) was in Edinburgh city centre on April 14 with its campaign to ban farrowing crates. Campaigners installed a life-sized animatronic pig named Penny to highlight the harsh reality faced by tens of thousands of mother pigs on industrial farms.
Penny sparked discussions among members of the public about her presence inside a metal crate, like those used to confine sows while they give birth and nurse their piglets. The striking installation is designed to show the severe restriction endured by mother pigs kept in these systems.
Abdullah from Livingstone, said:“Putting a sentient being in any sort of cage is unacceptable. I think mother pigs should be free to look after their babies, without being confined or exploited, just like we would expect a human mother or a mother from any other animal species.”
According to the latest agricultural census, as of 2025, Scotland is home to 25,600 sows, about half of whom are kept in indoor pig farms that keep mother pigs in these cages. Under current laws, they can be kept for up to five weeks confined in narrow metal cages every time they give birth, typically two or three times a year.
The cages are so restrictive that the animals are unable to turn around and have little opportunity to engage in natural behaviours such as nest-building or moving freely with their piglets, damaging their physical and mental health.
James Dalgleish, Labour candidate for Edinburgh Central, said:“It’s not a fight of people versus farmers but about working with farmers to make sure we can get better protections for animals who can then be healthier and happier.”
Polling commissioned by Humane World for Animals UK revealed that 84% of the Scottish public reject the use of farrowing crates for mother pigs.
Over half of respondents (54%) stated they would be willing to pay more for meat from crate-free pigs, indicating opportunities for farmers to benefit from the highest welfare standards financially.
Humane World for Animals UK warns that some parts of the industry are shifting towards so-called ‘flexible’ farrowing crates, which involve the same extreme confinement for a shorter period (10 days). The organisation says these systems will condemn another generation of mother pigs to unnecessary suffering, and advocates instead for cages to be replaced with free-farrowing pens.
Claire Bass, senior director of campaigns at Humane World for Animals UK, said: “Many people are shocked that such extreme, prolonged confinement is still legal in Scotland. Farmers must end cruel caging, not replace old cages with new ones that would condemn millions more pregnant and nursing pigs to future decades of misery. A cage is a cage, and public opinion is clear: mother pigs don’t belong behind bars.
“With the Scottish election fast approaching, our tour is turning public compassion into political pressure. Voters in Edinburgh and across Scotland are demanding change and joining our call for the next Scottish Government to support farmers to put an end to pregnancy cage cruelty.”
ABOUT HUMANE WORLD FOR ANIMALS
Together, we tackle the root causes of animal cruelty and suffering to create permanent change. With millions of supporters and work underway in over 50 countries, Humane World for Animals—formerly known as the Humane Society of the United States and Humane Society International—addresses the most deeply entrenched forms of animal cruelty and suffering.
As the leading voice in the animal protection space, we work to end the cruellest practices, care for animals in crisis and build a stronger animal protection movement. Driving toward the greatest global impact, we aim to achieve the vision behind our name: a more humane world.
Photography enthusiasts are being encouraged to enter a competition running until October celebrating three decades of Edinburgh’s World Heritage Site.
The Old and New Towns of Edinburgh were first inscribed on the UNESCO World Heritage List in 1995 making this World Heritage Day (Saturday, 18 April) so special as the competition is part of the Site’s 30th birthday celebrations.
This makes this weekend the perfect time to explore the Old and New Towns to capture images of one of the most extraordinary urban landscapes in the world.
Entries will be grouped into twelve categories, each celebrating a particular value of Scotland’s capital city. The winning photograph in each category will become part of a year-long calendar, which will be sold on Historic Scotland sites and at Edinburgh World Heritage events to raise money for the Trust.
The over-all winner will take pride of place on the front cover of the calendar and will receive a one-year membership for Historic Scotland, who run top-rated visitor attractions all over the country.
The entries will be judged by Tom Duffin, a professional photographer who specialises in showcasing Edinburgh’s heritage; Neil Hanna, a multi-award-winning photographer with over 35 years of experience; and Jane Bradley, celebrated Arts and Culture Correspondent at the Scotsman.
This year’s World Heritage Day celebrations also include the following event:
DID JOHN BAYNE TAKE A SECRET TO HIS GRAVE?
TODAY (Saturday 18 April) as part of the Legacies in Stone project, Edinburgh World Heritage, the Friends of Greyfriars Kirkyard, and the Council (funded by the National Lottery Heritage Fund) aim to lift the lid on a secret centuries in the making: does a broken gravestone in John Bayne’s mausoleum hide a forgotten burial vault?
By repairing a simple flat grave slab, the aim is to unlock the mystery of this unique tomb in Scotland’s most famous kirkyard.
How to join:
In person: Attend the event in Greyfriars Kirkyard, followed by expert talks at Augustine United Church.
Cllr Joan Griffiths Planning Convener said: “This year World Heritage Day is so special as there is much to celebrate. The 30th birthday is a significant achievement and milestone to reach as looking after the Site with our partners takes a lot of care and has many challenges. Edinburgh is a living, breathing city and it needs to be well managed to balance the needs of our residents, businesses and visitors.
“This World Heritage Day is a great time to enter our photography competition as it’s a lovely time of year to capture the changing light, sunsets and skylines this part of our stunning capital city is so famous for.
“The beautiful spring flowers appearing in the many gardens and open spaces are also there for us all to enjoy. If you’re interested in photography, why not explore the area this weekend to capture what inspires you most about the Old and New Towns.
“You could combine your visit to find out if John Bayne took a secret to his grave by attending the event in Greyfriars Kirkyard – or if history is more your interest – just attend the event instead.”
George Findlater, Head of Community and Economic Development at Historic Environment Scotland, said:“After thirty years of being a World Heritage Site, Edinburgh continues to inspire admiration from visitors and locals alike.
“We are excited to offer a year’s membership to Historic Scotland as a prize in the photography competition, and World Heritage Day is a terrific opportunity to bring out your camera and capture what makes Edinburgh so unique across the competition categories.”
Douglas Brotherston, Chairman of Edinburgh World Heritage, said: “Thirty years as a World Heritage Site is quite a wonderful achievement and we are delighted at Edinburgh World Heritage, together with our partners at HES and the City of Edinburgh Council to mark the occasion by holding this photography competition.
“The unique appeal of Edinburgh’s streets and landscapes, skylines and special heritage is so varied, it lives up to its reputation as one of the most beautiful cities in the world. We hope that we will get many entries from locals and visitors alike who can capture the glorious views of our spectacular city.”
The twelve categories for which applicants can submit their photographs are:
OMNI NEARS COMPLETION OF £5 MILLION TRANSFORMATION AND INVITES EDINBURGH TO BIG REVEAL EVENT ON SATURDAY 2 MAY
Edinburgh’s leisure and entertainment destination, OMNi, is adding the finishing touches to its fresh new look as the £5 million pound refurbishment enters its final stages – signalling the start of an exciting new chapter for the much-loved city centre destination.
The refurb project has delivered significant enhancements to the public realm with the aim of creating a more welcoming space for visitors to meet and enjoy.
Improvements include new flooring throughout the centre, an upgraded and more visible main entrance, modern LED lighting, new seating zones, and extensive internal structural improvements.
Neil Mackie, OMNi Centre Manager, said: “OMNi is on a mission to get Edinburgh to meet more and enjoy more. With a renewed focus on community and connection, the revitalised OMNi aims to become the go-to spot for affordable fun, and meeting point for everyday moments in Edinburgh, from morning coffees before exploring the city and family meals after a day out.
“We’re excited for everyone to experience the newly refurbished entertainment destination for all.”
The refreshed centre marks the start of a new chapter for OMNi and brings with it a programme of planned and surprise enlivenment and events into 2026 and beyond.
To celebrate new beginnings, OMNi is hosting The Big Meet on Saturday 2 May – a free event designed to bring the people of Edinburgh together and give back to the community.
The Big Meet will bring a burst of feel-good energy to the centre between 11am and 5pm. OMNi brand ambassadors will be surprising visitors with complimentary coffees, meals, cinema tickets and other treats, while brands offer up one-day-only deals. Guests can also take home a personalised sketch from a live illustrator, along with a few extra surprises along the way.
As part of its ongoing commitment to supporting the local community, OMNi has donated a significant £180,000 over three years to the University of Edinburgh’s Access Edinburgh Scholarship programme, which supports students from low‑income backgrounds.
The funding will aid 30 undergraduates, with each scholar receiving a total of £3,000 per year. This is funded equally from OMNi and the University, to help students with personal and academic costs.
Thomas Archer Bata, Director at Triple B, said: “At Triple B, our ambition is always to enrich the lives of the communities we serve.
“OMNi is especially meaningful to me, having studied at the University of Edinburgh and seen first hand the role it plays as an important social hub for the city. Its transformation reflects our commitment to creating a welcoming place for the local community to come together and enjoy accessible, affordable fun.
“We’re proud to build on that by supporting the University of Edinburgh’s Access Edinburgh Scholarship programme, helping students focus on their studies without financial strain.”
Visit the OMNi website for full details on The Big Meet event on 2 May 2026. Join OMNi on its social channels for latest information and behind the scenes content: Instagram, TikTok and Facebook.
OMNi is open 6am – 1am, Monday to Sunday. Individual brand opening times may vary, including Bank Holidays.
Recycling takeaway cups in Edinburgh is now easier thanks to a collaborative scheme Keep Scotland Beautiful has launched with the National Cup Recycling Scheme and City of Edinburgh Council.
Dedicated cup bins will be deployed on Market Street, Waverley Bridge and outside Haymarket Station to collect single-use cups in a new trial to test the effectiveness of on-street cup recycling and see if it is possible to boost the number of cups being recycled in Scotland – currently 4% – and prevent them from ending up as litter or in landfill.
Furthermore, the partners have teamed up with retailers including Costa Coffee, Caffe Nero, Greggs and McDonald’s to launch Take It Back in Edinburgh.
This is the first time our Cup Movement campaign has taken place in Edinburgh and will build on the previous success and learnings of trials in Glasgow and Dundee.
More than 30 stores in Edinburgh are participating in Take It Back, allowing customers to take a single-use cup back to any of the above retailers to be recycled.
Heather McLaughlin, Keep Scotland Beautiful’s Campaigns Manager, said: “Single-use cups make up a huge percentage of the items polluting Scotland’s environment.
“The reality is that these single-use products are already ending up as litter. We need to address our over consumption of single-use products and make an effort to choose reusable options.
“However, we know that reuse is not always possible or practical. This scheme will make it easier for people who use single-use cups to ensure they are recycled properly.”
Hannah Osman, National Cup Recycling Manager at Valpak Ltd, said: “Transport hubs are some of the highest footfall locations in Scotland, and we know from our data that a significant volume of single-use cups are consumed on the go.
“By targeting key commuter routes, this trial allows us to test how dedicated infrastructure in the right locations can capture more material and significantly increase recycling rates.
“Through this partnership, we’re using real-time data and evidence from previous trials to understand what works, measure contamination levels, track capture rates, and build a scalable model for on-street cup recycling.
“The goal is simple: make cup recycling visible, convenient and data-driven so it can be rolled out effectively across other cities in Scotland and beyond.”
Cllr Stephen Jenkinson, City of Edinburgh Council’s Environment Convener, said: “Increasing recycling rates in the city is one of our key priorities.
“It’s important we support targeted projects like this to make it easier for people to dispose of takeaway cups, which have become so popular in recent years and the prominent locations of these three new dedicated bins will hopefully do that.
“I’d also always encourage residents and visitors buying a regular cuppa to wherever possible take their own cup into takeaway stores to cut down on the need to use the disposable ones at all.”
Typical single-use hot drink cups cannot go into standard recycling bins or be recycled at home. To avoid cups ending up in landfill, it is really important to #TakeItBack. So, even if you forget your reusable cup, you can still help reduce the negative environmental impact of single-use cups if you #TakeItBack.
Enjoy the perfect family day out this Easter break with a special programme of shows and workshops at the National Museum of Scotland. Kids can play the role of scientist as they Dig Up a Dinosaur, solve a crime in CSI: Crime Scene Investigation or make slime to take home in Splat-tastic.
The whole family can enjoy Mini-Medics: The Body Show and The Rocket Show, and explore our free Tech Decoded drop-in activities.
Celebrate the extraordinary life and legacy of Jane Goodall, PhD, DBE – Founder of the Jane Goodall Institute and UN Messenger of Peace – whose groundbreaking research and community-led conservation work transformed our understanding of chimpanzees and the natural world.
Audiences will hear personal reflections from some of Jane’s former colleagues, view images and video from Goodall’s career, and will have the opportunity to submit questions for a concluding Q&A.
Join Prof Dame Lorna Dawson of The James Hutton Institute and international experts for an interactive event exploring the science of provenance.
Learn how scientists determine authenticity and link objects or people to places, including crime scenes. The panel will discuss organised crime, murders, illegal mining, conflict minerals, gold trading, wildlife crime and the fossil trade.
Dr Brooke Vandermolen has taken the internet by storm as ‘The OBGYN Mum’, smashing down taboos and debunking myths about overlooked and misunderstood areas of women’s health and medicine.
In this special event, join Dr Brooke Vandermolen and host Prof Philippa Saunders, as they navigate the biggest myths, misinformation, and medical jargon about female health, and show how the internet is making it harder than ever to find accurate information you can trust.
In remote Himalayan regions of Nepal, yaks are vital for local livelihoods, yet crossbreeding with cattle – where antibiotics use is common – may help spread resistant germs.
Join an international team from the Research Institute for Bioscience and Biotechnology in Nepal and the University of Edinburgh to explore this urgent issue, its implications for yak milk safety, and the challenges of conducting science in the Sagarmatha (Mt. Everest) National Park.
Humane World for Animals UK (formerly known as Humane Society International UK) will take its campaign to ban farrowing crates to Edinburgh today (14 April) by installing a life-sized animatronic pig named Penny to highlight the harsh reality faced by tens of thousands of mother pigs on industrial farms.
Penny will appear inside a metal crate like those used to confine sows while they give birth and nurse their piglets. The striking installation is designed to show the severe restriction endured by mother pigs kept in these systems.
You can meet Penny at the Mercat Cross today from 10am – 2pm.
As of 2025, Scotland is home to 25,600 sows, about half of whom are kept in indoor pig farms that keep mother pigs in these cages. Under current laws, they can be kept for up to five weeks confined in narrow metal cages every time they give birth, typically two or three times a year.
The cages are so restrictive that the animals are unable to turn around and have little opportunity to engage in natural behaviours such as nest-building or moving freely with their piglets, damaging their physical and mental health.
Polling commissioned by Humane World for Animals UK revealed that 84% of the Scottish public reject the use of farrowing crates for mother pigs.
Over half of respondents (54%) stated they would be willing to pay more for meat from crate-free pigs, indicating opportunities for farmers to benefit from the highest welfare standards financially.
Claire Bass, senior director of campaigns at Humane World for Animals UK, said: “Many people are shocked that such extreme, prolonged confinement is still legal in Scotland.
“Farmers must end cruel caging, not replace old cages with new ones that would condemn millions more pregnant and nursing pigs to future decades of misery. A cage is a cage, and public opinion is clear: mother pigs don’t belong behind bars.
“With the Scottish election fast approaching, our tour is turning public compassion into political pressure. Voters in Edinburgh and across Scotland are demanding change and joining our call for the next Scottish Government to support farmers to put an end to pregnancy cage cruelty.”
Unveiling Yaniv Edery Gallery: International artist opens new Edinburgh venue for contemporary art and exclusive events
A new gallery showcasing the work of internationally acclaimed artist, Yaniv Edery, is opening in the heart of Edinburgh, establishing a world-class destination for contemporary art and exclusive private events.
Housed within an elegant Georgian townhouse on the city’s historic Picardy Place, Yaniv Edery Gallery officially opened on Thursday (26 March 2026) marking the artist’s UK debut.
The new gallery, Yaniv Edery’s first in the UK, presents his vibrant, immersive collection of artworks that has captivated audiences worldwide, from private collectors to luxury venues across the globe.
The destination is also introducing a unique new luxury events venue in Edinburgh, available for private hire for weddings and exclusive occasions.
Born in Casablanca, Morocco in 1977, Yaniv’s artistic journey began in fashion and textile design before evolving into a distinctive contemporary practice.
A self-taught artist, he has developed a one-of-a-kind technique through years of experimentation, layering resin over carefully injected acrylic and ink on brushed aluminium. The result is richly textured works with striking dimensionality, extraordinary depth and intricate detail.
Blending bold colour with luxury motifs, Yaniv’s signature animal portraits incorporate resin, crystals, and metallic finishes to create light, reactive pieces that blur the line between pop art and contemporary sculpture.
Each piece is a dynamic, almost living work revealing intricate detail, encouraging viewers to engage with each artwork from multiple perspectives.
Yaniv Edery said:“I’m proud to present my collection in this extraordinary new setting in Edinburgh, a city rich in art, history and culture. This new gallery is designed to bring contemporary art and curated events together, creating a unique experience where audiences can connect with vibrant, immersive works.
“Art is constantly evolving, and my aim is to celebrate this growth by combining creativity, luxury, and pop culture in a way that engages, inspires, and surprises. I hope this gallery becomes a special place where people come together to explore, reflect, and celebrate, while hosting unforgettable private occasions.”
Throughout his career, Yaniv Edery has led several unique collaborations that blend styles and disciplines. Among the most notable, he was honoured to create a custom piano for Stevie Wonder and to paint family portraits for an array of international celebrities.
Now based in Monaco, Yaniv enjoys international recognition and is represented by prestigious galleries worldwide. His work has been exhibited at Art Basel in Miami, one of the world’s most renowned art fairs, and he was selected as the opening artist for the 2022 Qatar World Cup.
For the past eight years, Yaniv has been the official artist of the Monte-Carlo Bay Hotel & Resort. His pieces also reside in prestigious private collections, including the Royal Palace of Monaco, as well as the homes of Formula One drivers Valtteri Bottas and Charles Leclerc.
The opening marks Yaniv’s first UK gallery, bringing his creative vision to Edinburgh in a space that seamlessly merges contemporary art with a refined event setting.
Located within a UNESCO World Heritage site on 4 Picardy Place, famously the birthplace of Sir Arthur Conan Doyle, the gallery preserves its classical architectural character while providing a striking backdrop for the distinctive artworks and a versatile setting for events.
Featuring a dedicated function room, reception bar, private basement bar, and boutique suites, the venue combines elegance with versatility, making it ideal for intimate weddings, private gatherings, exclusive business events and celebrations.
Yaniv Edery Gallery operates seven days a week for private viewings by appointment, offering visitors the chance to experience the artist’s immersive works firsthand and explore the event spaces. It is also available for private event hire seven days.
Pricing is available from the gallery on enquiry, but each artwork is produced in a limited-edition collection of five copies per size, a conscious choice that preserves exclusivity while maintaining accessible pricing, despite the complexity and cost of the artist’s process. It is also possible to commission a unique, fully customised, bespoke piece of artwork.
For further information on visiting the gallery or hosting private events, visit:
SCOTTISH NATIONAL DEMO
EDINBURGH
Sat 18th April
1pm
