Tag: culture

OPEN LETTER: Hidden Door Festival Director on the importance of supporting the arts

Arts venues and cultural events need your support now more than ever: Hazel Johnson, Festival Director at Hidden Door, invites you to be part of something special at The Paper Factory this week

Scotland’s arts scene is vibrant, innovative, and utterly vital to our national identity, wellbeing and economy. Yet, like many sectors, it faces unprecedented challenges, from funding pressures to the ever-shifting landscape of audience engagement. Cities like Edinburgh are at their best when they have cultural venues that can thrive all year round, not just in festival season.

This week, we launch our most ambitious venture yet. The Paper Factory is a magnificent, abandoned industrial site which we’re transforming into a vibrant new arts venue hosting an amazing programme of music, visual art and performance. It’s a monumental undertaking, driven by a passionate team of volunteers, and its success hinges, quite simply, on audiences coming along to experience it.

Hidden Door was born from a belief that Edinburgh needs vibrant cultural venues that offer something different. By literally and figuratively opening up forgotten spaces for the arts, we create a place where creative talent can flourish.

We exist to provide a vital platform for new and emerging artists in Scotland, offering them the crucial opportunity to experiment and reach new audiences.

From our diverse music lineup, including promising local bands selected from hundreds of open call applications, to the captivating, site-specific art installations and immersive performances that bring The Paper Factory’s history to life – every element of Hidden Door is designed to be unique and unforgettable.

We were fortunate this year to benefit from the Creative Scotland Development Fund – a fiercely competitive pot of funding. We are also hugely grateful to the sponsors and partners who believe in us enough to generously give their support.

This support has meant we can be as accessible and inclusive as possible. This year we have offered more concessions and free tickets than ever before, including a “pay what you can” option to help us better serve the many different communities across the city.

But the stark truth is that as a volunteer-run charity, we rely on ticket sales. The magic we create, the opportunities we provide for artists, and our ability to keep opening up new, surprising spaces for the arts across our city – all of it depends on you stepping through our ‘hidden door’.

Your ticket isn’t just access to a great night out; it’s an investment in Edinburgh’s creative future, a vote of confidence in the artists who are shaping our cultural landscape, and a lifeline that allows us to continue our unique work. Without you, non-profit organisations like Hidden Door simply can’t exist.

We’ve all seen much-loved venues and arts organisations forced to close, a worrying trend accelerated by ongoing economic uncertainties. The impact from these external factors on the arts sector is all too real, with arts venues and cultural events needing your support now more than ever.

So I invite you to join us at The Paper Factory this week, from Wednesday to Sunday. Come and discover the energy, witness the innovation, and be part of a truly unique cultural moment.

If you want Hidden Door to keep doing what we do, transforming forgotten spaces and championing incredible local talent, then please come down and support us. We’ve been doing this for over a decade, and with you on board, we’ll keep doing it.

Hazel Johnson

Festival Director, Hidden Door

Sustainable cooking for New Scots

ELREC WORKSHOP AT HEART OF NEWHAVEN

SATURDAY 14 JUNE 12.45 – 2.45PM

Introducing our first workshop for New Scots in Edinburgh 🌏

Join our free Sustainable Cooking Workshop to meet new people, practise your English, and take part in something meaningful!

Together we will explore the rich tradition of Ukrainian Borsch, a flavourful sour soup made with meat stock, fresh vegetables, and aromatic seasonings, cherished across Eastern Europe and Northern Asia.

Come be a part of a powerful experience that unites community, culture, and cause.

Date: 14 June 2025 (Saturday)

Time: 12:45 – 14:45

Venue: Heart of Newhaven Community Centre

Address: 4-6 Main Street, Newhaven, Edinburgh, EH6 4HY

Language: English and Ukrainian

Open to: New Scots aged 18 or over who have a basic understanding of English

Registration: https://forms.gle/PYDCdzj3m9EfbikW7

#SustainableCooking#community

Supporting Gaelic’s growth

Funding for schools and cultural projects

A new Gaelic primary school is set to open in Glasgow next year after a £2 million investment from the Scottish Government. 

The funding will complete the refurbishment and extension of the former St James’ Primary School building to establish Bun-sgoil Ghàidhlig a’ Challtainn (Calton Gaelic Primary School) which will become the city’s fourth Gaelic language primary.

Deputy First Minister and Cabinet Secretary for Economy and Gaelic Kate Forbes announced the investment as part of a £2.4 million package to support Gaelic schools and cultural initiatives across Scotland.

The funding will also support:

  • the construction of a second classroom at West Primary School in Paisley
  • the expansion of two Gaelic cultural centres in the Highlands
  • cultural events through An Comunn Gàidhealach who will host this year’s Royal National Mòd in Lochaber

On a visit to the site of the new school, Ms Forbes said: “This school will build on the encouraging surge we have seen in the number of Gaelic speakers and learners in Glasgow and support the language’s growth into the future.

“Gaelic medium education enriches communities and offers good value for money by providing better grade averages across all qualification levels despite costs being no greater than average. 

“To support Gaelic’s growth across Scotland, we are providing an additional £5.7 million for Gaelic initiatives this year. We are also progressing the Scottish Languages Bill which, if passed by MSPs, will introduce measures to strengthen the provision of Gaelic education.”

The new school, with space for 416 pupils, will be managed by Glasgow City Council. It meets a growing demand for Gaelic primary education in the city. Census figures published last year show a 45% increase in the number of people with some Gaelic skills in Glasgow compared to 2011.

Alison Richardson, headteacher of Bun-sgoil Ghàidhlig a’ Challtainn, said: “With Gaelic medium education continuing to flourish in Glasgow, our pupils and parents are excited and proud to be moving Bun-sgoil Ghàidhlig a’ Challtainn into its very own repurposed school located in the East End.

“We look forward to supporting Gaelic’s growth in the Calton area, where many spoke it in the past, and for the school to become a real focal point and asset to the local community.”

Projects benefiting from Scottish Government Gaelic Capital Fund allocations for 2024-25 are listed below: 

ProjectCapital allocatedSummary
Bun-sgoil Ghàidhlig a’ Challtainn (Calton Gaelic Primary School)£2,000,000.00Refurbishment and extension of the former St James’ Primary School building.
West Primary School, Paisley£43,000.00Construction of a second classroom.
Broadford Primary School, Skye£60,630.00Upgrade to Games Hall.
Calder Glen High School, East Kilbride£51,935.00Construction of a bothy with computing, cooking and gardening space and provision of laptops, speakers, desks and other equipment.
Greenfaulds High School, Cumbernauld£38,772.50Equipment to allow more children from across North Lanarkshire to attend classes virtually.
Whitehills Primary School, Forfar£5,748.36Chromebooks, tablet cases and a replacement smartboard.
Inverclyde Academy, Greenock£2907.00Installation of bilingual signage throughout the school.
Feasibility study on establishing a Gaelic secondary school in Stornoway£30,800.00Study to explore the feasibility of establishing Gaelic secondary provision.
An Comunn Gàidhealach£65,600.00Delivery of this year’s Royal National Mòd.
The University of Edinburgh’s Opening the Well Crowdsourcing Gaelic Transcription project£17,305.00Transcription of Gaelic audio recordings, which will be added to a free online archive of Gaelic folklore and historical materials.
Ionad Thròndairnis (The Trotternish Centre)£75,000.00Extension of a Gaelic cultural centre in Skye.
Co-Chomann Dualchas Shrath Naruinn (Strathnairn Heritage Association£40,000.00Establishment of a Gaelic heritage centre in the former Dunlichity Church building.
Fèis Ghasaigh£36,469.00Delivery of a two-day Gaelic music event in South Uist.

Glasgow is home to the third largest number of children and young people in Gaelic Medium Education in Scotland with 740 primary pupils in 2023. Census statistics show that 17,380 people in Glasgow had some Gaelic skills 2022, an increase of 7,911 people from 2011.

Glasgow City Council has provided £17.6 million towards works at Bun-sgoil Ghàidhlig a’ Challtainn, within an overall project budget of £23.8 million. The works are supported by the Scottish Government’s £2 billion Learning Estate Investment Programme which is delivered in partnership with local authorities. Nine school projects included in the programme will open in 2025-26.

BBC ALBA sets stage for stardom with search for up-and-coming artist to open Belladrum main stage

Following the success of the 2024 talent search, BBC ALBA has teamed up with The Belladrum Tartan Heart Festival once again with a new quest to find the best up-and-coming musical talent from the Highlands and Islands. 

Open to solo artists and bands (where at least 50% of its members have a Highland home address) across all genres, one newcomer will be given the opportunity to perform on the main stage at this year’s Belladrum Tartan Heart Music Festival.

Known for its unique and diverse showcase of music and the arts, the festival has grown in popularity over the past 20 years, now attracting thousands of visitors. As it prepares for its 21st year, with acts including Texas, Supergrass, Paul Heaton, Tom Walker and Natasha Bedingfield confirmed, the team is on the hunt to find the best new homegrown talent to open the main stage at the Hot House Arena on Thursday 31 July.

True to its longstanding support of Scottish artists, BBC ALBA is supporting the search, providing a platform to propel newcomers onto the celebrated Scottish music scene, as well as an additional opportunity for the winner to record an acoustic session in the BBC ALBA studio at the festival.

Calum McConnell, commissioning editor at BBC ALBA, said: “While there is nothing quite like the atmosphere of being in the field at a festival, shoulder to shoulder with fellow music and arts fans, BBC ALBA remain committed to bringing the magic of Belladrum Tartan Heart Festival to audiences who can’t be there in person, as we have done for the past 13 years.

“Our festival highlights are always a popular fixture in BBC ALBA’s summer schedule, and this year will be no exception. The addition of the talent search will shine an even brighter light on the incredible creativity emerging from the Highlands and Islands.”

Musicians can apply by submitting a bio and link to their music to tartanheart@bbc.co.uk, with entries judged by a panel of experts, including representatives from the BBC and Belladrum, alongside an independent musician appearing at the festival, before the shortlist goes to a public vote.

Applications opened yesterday (Tuesday 27 May) and will close at 11.59pm on Sunday 8 June.

It is expected that the public vote will open on Friday 13 June on the Belladrum website, closing on Friday 20 June, ahead of Belladrum Tartan Heart Music Festival 2025 from Thursday 31 July to Saturday 2 August.

Belladrum festival producer, Dougie Brown, said: “We’re so excited to be teaming up with BBC ALBA once again to uncover and celebrate the next wave of incredible Scottish talent.

“This opportunity is so much more than a performance slot — it’s a potential launchpad for an artist’s future. Over the years, we’ve seen past talent go on to build amazing careers, and that journey often starts right here, on the Belladrum stage.

“Our partnership with BBC ALBA has been instrumental in showcasing not just the festival, but the creativity and energy coming out of the Highlands and Islands. Fourteen years on, it’s still a huge moment when a fresh new voice gets the chance to share their music with thousands, both on site and at home. We can’t wait to see who takes that spotlight this year.”

Last year’s BBC ALBA x Belladrum talent search winner, Cameron Ferguson, said: “Almost a year on from winning the 2024 Belladrum talent search, I can still say that opening up that stage was the proudest moment of my musical journey to date.

“The feeling of playing on a stage I had once only dreamed of playing was surreal, especially one so close to home. Thank you Belladrum, you’ve opened a lot doors for the band and I. We will be back soon enough!”

Belladrum brings together top musical acts, comedy, cabaret, spoken word, dance, drag and even wrestling as part of the annual family-friendly festival. A wealth of new names and popular crowd-pleasers have been added to the festival line up in recent weeks, including The Pigeon Detectives, Example, The Hoosiers, Irish singer and songwriter CMAT, and Scottish folk rock and pop favourites Skipinnish and Tide Lines.

Find out more about Belladrum and get your tickets at tartanheartfestival.com.

For those unable to attend, BBC ALBA will be bringing the best of the festival to viewers at home with its annual live coverage broadcast across the weekend, available on BBC ALBA and BBC iPlayer.

Watch live or on demand from Thursday 31 July: Belladrum on BBC ALBA.

Partnership secures the future of Leith Custom House

Scottish Historic Buildings Trust (SHBT) is delighted to announce a new community partnership with Leith Civic Trust aimed at securing the long-term future of Leith Custom House.

The collaboration promises to transform this landmark historic building into a vibrant civic space and Scotland’s first fully digital museum, creating a ‘town square for the twenty-first century’ that will celebrate Leith’s unique culture and heritage. 

Maggie Wright, Chair, Scottish Historic Buildings Trust, said: “We are thrilled to be partnering with Leith Civic Trust to help us realise the long-held community desire for a museum for Leith.

“The ambition has always been for this museum to be managed by the community through a community-led charitable trust who would ensure that the museum responds to local needs and aspirations, Leith Civic Trust will help us realise this goal together.  

“This project has been a long-time in development, but following the agreement last year with Edinburgh Museums & Galleries, we are delighted that the project now has real momentum”  

Following from the strategic partnership with City of Edinburgh Council Museums & Galleries agreed last October, the new community partnership with Leith Civic Trust will ensure that this project is developed for, and by, the local community.

Leith Civic Trust will be adopted by SHBT as the future operator of the groundbreaking museum at the heart of this innovative restoration project.

This marks an exciting new chapter for Leith Civic Trust whose work for over two decades has championed the history and heritage of Leith.  

SHBT will support Leith Civic Trust in growing its membership and recruiting new trustees, who will receive in-depth training to manage the digital museum once the restoration is complete. 

Cron Mackay, President, Leith Civic Trust, said: “Since our foundation in 1968, Leith Civic Trust has been dedicated to preserving and championing the beauty, history and character of Leith. Leith has a wealth of distinctive stories to tell, and we are delighted that the new museum at Custom House will be a space where all Leithers, old and new, can see themselves represented.

“We look forward to welcoming new Members as we embark on this exciting journey together with SHBT and encourage anyone who may be interested in being involved to get in touch.” 

Ben Macpherson, MSP for Leith, attended the event and said: “It is great to see this progress, and further collaboration, towards realising the potential of the Customs House as an even better space for the people of Leith to use and enjoy, and for visitors to come and check out too.

“The plans are exciting and the momentum is building, with more partners getting involved and new potential avenues for funding emerging.

“I pay tribute to everyone that’s been involved in the project – including those who saved the building for the community, and have been engaged for many years now – and I look forward to continuing to support the exciting vision that there is now for the Customs House, and believe that by working together we can all make this happen.”

Tracy Gilbert, Labour MP for Edinburgh North and Leith, said: “One of my very first visits as an MP was to Leith Custom House, and even then, I was amazed by the dedication of the team to securing Custom House as a community anchor.

“The launch of the partnership demonstrates a strong commitment to working with local businesses and residents. I congratulate the whole team on their success so far and look forward to working with them to deliver their ambitious vision.”

 

Edinburgh International Festival celebrates record-breaking Youth Participation with 25 Years of Art of Listening Workshops

2025 FESTIVAL PROGRAMME RUNS FROM 1–24 AUGUST 2025

eif.co.uk / @edintfest

  • Edinburgh International Festival’s Art of Listening workshops celebrate 25 years of inspiring schoolchildren through live classical music, reaching a record 3,000 young people in 2025, and expanding with a new family-friendly workshop open to the public. 
  • A summer programme for young people includes an interactive Family Concert, a free outdoor singalong event The Big Singalong, and the Young Musician’s Pass, a programme offering over 2,000 free concert tickets to young music fans.
  • From Discover Opera school tours set to introduce over 1,000 pupils to opera this year, to ongoing initiatives that bring events to community and healthcare settings, the Festival’s year-round programmes deeply engage with Edinburgh’s communities, enhancing wellbeing and expanding access to live performance.

This year the Edinburgh International Festival’s flagship workshop Art of Listening celebrates 25 years of bringing live classical music to schoolchildren across Edinburgh.

Across this quarter century, the workshop has been delivered to an approximate approximate 23,000 pupils, and so far in 2025 has reached an unprecedented 3,000 young people — its largest audience to date.

Designed for pupils aged 10-12, Art of Listening introduces children to the artforms of classical music and opera through an imaginative blend of live performance, songs and activities. Taking place at the International Festival’s home, The Hub, these two-hour workshops feature music ranging from Beethoven and Britten to the Harry Potter film scores and Taylor Swift.

Led by a facilitator, professional opera singer and pianist, the sessions encourage participants to engage their imaginations, strengthen listening skills and respond creatively to music. For many children, this is their first experience of live classical music.

The workshop has been delivered across every ward in Edinburgh, and are offered every year to every state primary school in the city, anchoring the International Festival’s strong commitment to culturally impacting the cultural and civic life of the city.

For the first time, Art of Listening for Families will also be open to the public as part of the International Festival’s 2025 programme, with an interactive workshop designed for children aged 7-11 and their accompanying adults to discover the joy of active listening together.

Back due to popular demand, the Family Concert is recommended for ages 7-11, but suitable for all ages. In a special interactive introduction to classical music, Scottish musical traditions are contrasted with the sounds of America, performed by the inspirational young musicians of the National Youth Orchestra 2 from New York’s prestigious Carnegie Hall, with presenter Lucy Drever introducing the musicians and the music.

During the International Festival’s opening weekend, singing enthusiasts of all ages are also invited to Princes Street Gardens’ Ross Bandstand for The Big Singalong, a free event led by Stephen Deazley, artistic director of Edinburgh’s Love Music Community Choir.

Every year, the International Festival’s Young Musician’s Pass opens up opportunities for young people who live in Scotland and play a musical instrument or sing to discover a world of music for free.

With over 2000 tickets available, each budding musician can claim up to three pairs of free tickets for Festival performances from the world’s finest orchestras and ensembles. A free scheme that is open to anyone aged 8-18, the full details and range of performances will be released today and can be found at www.eif.co.uk/ymp.

Secondary school pupils are invited to performances and activities during August across music, theatre, opera and dance in the Discover series, an annual commitment to creating pathways to each artform and foster a lifelong love of the arts. This year, Discover Opera tours Edinburgh schools in June to introduce 1,000 students to the story and music of Orpheus and Eurydice, as well as offering 500 tickets to students to attend the spectacular opera for free in August, enabling many to see opera on stage for the first time.

This summer will also see flagship projects that bring groups into the heart of August’s performances, developing long-term connections with Edinburgh’s communities to find ways to reflect the ideas, ambitions and creative interests of different groups within the International Festival’s year-round work.

In 2025, for the first time the International Festival has established a Youth Collective, inviting fifteen young people from across Edinburgh to co-create the youth experience of the 2025 Festival, such as a Youth Takeover Day for senior pupils from across Edinburgh.

Culture Clubs for community groups, and pop-up performances at NHS settings, with the NHS Lothian Charity, extend the joy of the International Festival beyond concert hall and theatres, into local communities.

The International Festival’s multi-year Community Connections Hub partnership with Space @ Broomhouse Hub also continues, creating work experience opportunities for young people, co-curated projects and inviting artists including Aga Khan Masters, London Symphony Orchestra and Scottish Ballet to connect with the Broomhouse community.

Nicola Benedetti, Edinburgh International Festival Director, said: “For a quarter of a century, Art of Listening has opened the doors of classical music to thousands of Edinburgh’s young people.

It’s a programme rooted in the belief that live performance should be accessible to everyone, and we’re thrilled to welcome a record number of eager schoolchildren in 2025. Expanding the workshops to families in our 2025 Festival marks a wonderful new chapter, inviting audiences across generations to connect with music in fresh and inspiring ways.”

Caroline Donald, Head of Discovery and Participation said: “Removing financial barriers and creating a welcoming space for families and schools are cornerstones of the year-round work we do.

“The International Festival provides workshops like Art of Listening free of charge to all participating schools, including transport costs, ensuring children from all backgrounds can experience the power of live classical music — often for the very first time.

“Underpinning the International Festival is an ambition to build relationships and offer meaningful, valued, world-expanding experiences through the performing arts, and we’re excited to continue our work with the young people of Edinburgh and their communities.”

Tickets to experience the Art of Listening for Families and other performances at the 2025 Edinburgh International Festival are available at www.eif.co.uk.

For full information about the International Festival’s year-round work, visit www.eif.co.uk/social-impact.

Specialists gather in Edinburgh for European Arts Festivals Summit 2025

Pic Greg Macvean 27/04/2025 City of Edinburgh Council – reception at City Chambers for the Arts Festivals Summit

215 festival specialists gathered this week in Edinburgh for the European Arts Festivals Summit 2025.

Hosted by the Edinburgh International Festival, Festivals Edinburgh, and the City of Edinburgh Council, the Arts Festivals Summit 2025 of the European Festivals Association’s (EFA) welcomed over 200 festival professionals for a four-day conversation about festivals, arts, and the role of arts festivals today.

With 215 delegates participating from 44 countries, it has brought diverse perspectives, questions, and themes forward on how festivals can assume a responsible role towards their artists, audiences and societies in an ever-changing world.

Edinburgh International Festival Director, Nicola Benedetti opened the Summit with a keynote talk on her experience of taking on the role and how her perspective as a performing artist has shaped her approach to curation, collaboration and connection.

Ms Benedetti shared reflections on the importance of holding in balance a deep respect for the past whilst providing a fertile ground for daring innovation, risk and unbridled creativity. 

Delegates heard from a range of different voices and perspectives to gain a greater understanding of the interaction between festivals and their city, particularly in the case of Edinburgh, and explored the different aspects that contribute to Edinburgh’s success story.

They had the chance to meet the network of Festivals that exists in Edinburgh and the eleven festivals that contribute to Edinburgh’s unique reputation as The Festival City.

Fittingly Edinburgh is one of the founding members of the recently established EFFE Seal for Festival Cities and Regions, run by EFA which was developed by seven cities – Belgrade, Bergen, Edinburgh, Ghent, Krakow, Leeuwarden, and Ljubljana – to build on the achievements of the EU-funded Europe for Festivals, Festivals for Europe – EFFE programme and sets out to build co-operation between cities and their festivals across Europe.

During the Summit, four cities signed up to the EFFE Seal: Nis (Serbia), Budapest II District (Hungary), Coimbra (Portugal) and Tampere (Finland).

The EFFE Seal recognises cities for their commitment to their festival communities and aims to promote creativity, sustainability, internationalism, and resilience through knowledge exchange.

The future of festivals and their place in society focused delegates on how festivals contribute to societal topics such as sustainability, inclusion, well-being and freedom of speech, discussed from the point of best practices, learning from failures, perspectives and innovative proposals.

Inspiring keynotes by Roman Krznaric, author and social philosopher, and Elena Polivtseva, independent researcher and a co-founder of Culture Policy Room, challenged participants to think through the current tests the arts are facing, their vision for the future and the importance of long term thinking.

Nicola Benedetti, Festival Director, Edinburgh International Festival, said: “The Edinburgh International Festival exists to spark dialogue and cultural exchange – not only on our stages, but across communities and borders.

“It was a privilege to host the European Festivals Association’s 2025 Summit at The Hub, our home in the heart of the Festival City – where the International Festival sparked what is now the largest cultural celebration after the Olympics, every August in Edinburgh.

“Being surrounded by such a dynamic gathering of cultural leaders was a powerful reminder that the most enduring festivals and institutions are driven by a deeper desire to change society for the better.

“Coming together with our international counterparts to reflect, challenge, and collaborate on how we can deepen our impact was both energising and essential.”

Jan Briers, President of European Festivals Association affirmed: “The Summit in Edinburgh was full of new information, permanent networking, and making new collaborations and friends.

“It was a wonderful edition during which festivals coming from many different contexts discussed the future and its shape.”

Lori Anderson, Director of Festivals Edinburgh added: “Seeing our European festival colleagues inspired by cultural conversations across the city, and exhilarated by the beauty of Edinburgh, has been not only heartening but deeply moving – and reminds us that, in the current climate of global uncertainly, there is so much that unites us and so much to gain from deeper international relationships”.

EFA Members elected their President giving a continued mandate to its current chair, Jan Briers 

Jan BRIERS shared: “I am pleased to continue to chair this wonderful organisation and being elected in Edinburgh is very meaningful for my new mandate.” 

Michael Herrmann, Founder and Director of the Rheingau Music Festival, has been appointed as new Honorary Member of EFA.

The Summit concluded with the handing over of Edinburgh to Budva, Montenegro.

“We are excited about the opportunity to host the Arts Festivals Summit in Budva next year. The gem of the Western Balkans has many things to offer.

We are committed to make sure delegates enjoy a fruitful and unforgettable stay.“, said Milena Lubarda Marojević, Director of Theatre City Budva that will host EFA’s next Arts Festivals Summit in April 2026.

During the Summit, 22 new organisations joined EFA, reinforcing EFA’s desire to increase the more diversity of its membership and adding to the Association’s relevance at a geographical and artistic level.

New members include Africa Simply The Best (Belgium), Anibar International Animation Festival (Kosovo), DokuFest (Kosovo), Festival Fabula (Slovenia), Festival Música Viva (Portugal), Food Film Fest Bergamo (Italy), I Suoni Delle Dolomiti (Italy), KotorArt International Festival (Montenegro), Maribor Theatre Festival (Slovenia), Oeiras International Piano Festival (Portugal), ReMusica Festival (Kosovo), SPRING Utrecht Performing Arts Festival (Netherlands), Turkish State Theatres (Türkiye), and Vicenza Opera Festival (Italy). Five Ukrainian festivals have been reconducted in their membership, expressing EFA’s solidarity with the country: Construction Festival, Festival of Contemporary Art “Gogolfest”, Kharkiv Music Fest, Odessa Classics Music Festival, and Ukrainian Festival Association “Art-Ethno Fest”.

Three organisations also joined as collective and affiliate members: Creative Island (United Kingdom), the Association of Asia Pacific Performing Arts Centres (AAPPAC) and the World Federation of International Music Competitions (WFIMC).

First Minister to attend Tartan Week events in New York

Visit is ‘Opportunity to promote strong business links with US’

First Minister John Swinney will undertake a series of engagements in New York as part of Tartan Week, the annual celebration of Scottish heritage and culture in the United States.

In recognition of the important role of the US as a key investment and trading partner, the First Minister will meet a number of high profile current and potential investors to promote the economic opportunities on offer in Scotland.

Speaking ahead of his visit, the First Minister said: “Scotland enjoys deep and enduring links with the US, which is both our largest inward investor, and second largest export market after the European Union.

“In 2023, exports of Scottish goods to the US were worth £4 billion. And here in Scotland, more than 700 US-owned enterprises provide employment to more than 115,000 people.

“Scotland is open for business and is one of the best places in the world to invest. We have a reputation as a world-class entrepreneurial nation, with the number of start-ups, spinouts, and scale up companies growing at pace.

“We also have the potential to become a strategic hub for future renewable energy investments, specifically by developing and scaling projects in offshore wind, green hydrogen, and energy storage.

“Tartan Week in April is a fantastic opportunity to celebrate Scottish culture, and promote economic opportunities on both sides of the Atlantic.

“I am looking forward to attending this week’s Tartan Week events, meeting our dynamic diaspora, and engaging with some of our biggest current and potential investors. I want to showcase Scotland’s progressive international outlook, and our focus on innovation, sustainability and growth.”

Alan Cumming is Grand Marshal of the 2025 NYC Tartan Day Parade.

Scotland’s first Gaelic Poetry Path launches on the Isle of Skye

Sabhal Mòr Ostaig, the National Centre for Gaelic Language and Culture, has launched Scotland’s first-ever Gaelic Poetry Path. Slighe nam Bàrd will provide a poetic pathway around the Isle of Skye, aiming to introduce local, national, and international visitors to a taste of Gaelic heritage, song, and poetry. 

From the 21st of March (World Poetry Day), tourists will be able to collect a free Slighe nam Bàrd – Poetry Paths pamphlet and accompanying map from Sabhal Mòr Ostaig, located in Sleat in the Isle of Skye.*

The pamphlet will provide a detailed guide around Skye’s stunning landscape, stopping at seven major locations connected to a Gaelic song or poem. A QR code for each location provides a recording of the poem/song to enable people to listen to the Gaelic audio in the environment that inspired the creative piece.

SMO Sabhal Mòr Ostaig, Skye, April 2023

Abigail Burnyeat, Head of Research at Sabhal Mòr Ostaig, the National Centre for Gaelic Language and Culture: “People often come to Skye for its beautiful scenery, but the aim of Slighe nam Bàrd is to showcase the connection between Gaelic culture and Skye’s mesmerising landscape.

“Through Slighe nam Bàrd, tourists will be able to engage with the landscape whilst listening to Gaelic poems and songs that add to our understanding of the locations on the trail, giving people an opportunity to experience for themselves the Gaelic culture and history at the heart of the Isle of Skye.”

Meg Bateman, Professor in Gaelic Language and Culture at Sabhal Mòr Ostaig and Bàrd a’ Chomuinn Ghàidhealaich: “Slighe nam Bàrd provides a one-day poetic road-trip around the Isle of Skye, allowing people to engage with local Gaelic poetry whilst immersed in the Skye landscape.

“The pathway consists of seven poems/songs, each one carefully chosen to represent a range of locations, centuries, styles, and subjects to give a full flavour of Skye’s poetic Gaelic landscape.

“From Somhairle MacGill-Eain to Màiri Mhòr nan Òran, the pathway will guide people from the south of the island to the very north, discovering Gaelic poetry along the way.”

Chris Taylor, VisitScotland Regional Destination Development Director, said: “Sabhal Mòr Ostaig’s Poetry Path provides a unique way to tell Skye and Scotland’s story and is an immersive entry-point for visitors to experience the Gaelic language.

“We know that visitors, especially international, think Gaelic enhances their holiday. With that in mind, Slighe nam Bàrd may even inspire them to try out a course at Scotland’s National Centre for Gaelic Language and Culture.

“At VisitScotland we recognise that Gaelic is an integral part of Scotland’s heritage, identity, and culture. It can provide an extra layer to the authentic Scottish experience and to our many visitors.”

The Slighe nam Bàrd project was funded by: the University of the Highlands and Islands KE/ Innovation Challenge Fund.

Edinburgh International Festival to breaks boundaries in a year exploring ‘The Truth We Seek’

1–24 AUGUST 2025 

eif.co.uk / @edintfest

  • Edinburgh International Festival’s 2025 programme offers opportunities to experience world-class artists in thought-provoking and unconventional ways – including an eight-hour choral extravaganza, a distinctive outdoor promedande dance piece and a circus infused opera. Audiences can also get involved in many Festival performances, from an outdoor mass-singlaong to interactive concerts where the audience chooses the repertoire.
  • The Truth We Seek is the timely theme underpinning the 2025 International Festival, as contemporary reflections on the world are presented alongside time-honoured tales, a place where fact meets faith and fiction.
  • The International Festival is the ultimate destination to experience world-class performances, with an exciting lineup of 133 performances, bringing 7 world premieres, 8 UK and Scottish premieres and 2 European premieres to Edinburgh this year. Programme highlights include the world premiere of a gripping new play by James Graham starring Brian Cox, a new narrative ballet from Scottish Ballet, and Festival debuts from rising classical stars – violinist Maria Dueñas, mezzo-soprano Emily D’Angelo, and 2024 BBC Young Musician of the Year Ryan Wang.

From 1-24 August 2025, Edinburgh International Festival presents a hand-picked selection of leading international and local artists in the world’s Festival City, with 24 days of world-class opera, dance, music and theatre.  

The 2025 programme is defined by world-class artists bringing audiences and artists closer together in creative and unexpected ways. Audiences can experience an opera incorporating circus performers for a breathtaking fusion of music and acrobatics in Orpheus and Eurydice, a site-specific promenade dance work that transforms Edinburgh’s Old College Quad into a stage for Dance People, and enjoy Bach through a new lens in Breaking Bach, where hip-hop meets 18th-century period instruments. 

Audiences can also actively participate in performances—whether by shaping the repertoire in a real-time Classical Jam or sharing their dreams to inspire Hanni Liang’s piano recital, Dreams. For those seeking deep immersion, eight-hour choral epic The Veil of the Temple invites audiences to sit on beanbags and lose themselves in waves of harmonies, and a choral workshop welcomes amateur singers that will preview a powerful performance at the Festival’s Closing Concert, Mendelssohn’s Elijah. 
 
Now in its third year under Festival Director and celebrated Scottish violinist Nicola Benedetti, the 2025 programme welcomes over 1,700 artists from 42 nations to Edinburgh —including 600 from Scotland—across 133 performances. The Truth We Seek is the theme underpinning the 2025 Edinburgh International Festival, inviting audiences to explore their relationship with truth – within themselves, between one another and in understanding our place in the world.  

Ensuring that cost is not a barrier to live performance, over 50,000 tickets (more than half of all tickets available for the 2025 International Festival) are priced at £30 or under. Thousands of free tickets are available for young musicians, NHS staff and community groups, and £10 Affordable Tickets are available for all performances for anyone who needs them. 

Programme highlights include:

  • Two major world premiere productions in UK theatre and dance: Make It Happen, an eye-opening take on the 2008 financial crisis set in Edinburgh, starring Brian Cox (Adam Smith) and Sandy Grierson (Fred Goodwin), written by one of Britain’s most in-demand playwrights, James Graham; and Mary, Queen of Scots, an iconic story of one of Scotland’s most famous women, unconventionally told with choreography by Sophie Laplane that blends classicism with modernity, and costuming that nods to haute couture and punk.
  • In a landmark year for choral music, marking the 60th Anniversary of the Edinburgh Festival Chorus, this renowned chorus of singers from around Scotland performs at the monumental Opening Concert, as well as Vaughan Williams’s Sea Symphony, Bernstein’s Chichester Psalms, and Mendelssohn’s Elijah (this year’s grand Closing Concert). The programme also includes the Monteverdi Choir and English Baroque Soloists performing works by Handel and Bach.
  • This year’s Opening Concert features the aforementioned Edinburgh Festival Chorus, Monteverdi Choir and the National Youth Choir of Scotland, offering a rare chance to hear John Tavener’s The Veil of the Temple in all its eight-hour glory, a colossal universal prayer performed in full for the second time ever in the UK.
  • The International Festival’s opening weekend welcomes all to Princes Street Gardens’ Ross Bandstand for The Big Singalong, a free event led by Stephen Deazley, artistic director of Edinburgh’s Love Music Community Choir. The following day, Norwegian folk ensemble Barokksolistene returns to lead The Ceilidh Sessions, an afternoon of music and storytelling inspired by the Gaelic ceilidh tradition.
  • The most substantial programme of Polish artists in the International Festival’s 78-year history is featured in celebration of the UK/Poland season 2025. Performances include two concerts from one of the Festival’s resident orchestras in 2025, NFM Leopoldinum Orchestra, and a showcase of Polish artists and repertoire from the Wrocław Baroque Ensemble, VOŁOSI, Piotr Anderszewski, Bomsori Kim to 2024’s BBC Young Musician of the Year, Ryan Wang.
  • Operatic works include a fully staged Australian reimagining of Gluck’s Orpheus and Eurydice featuring acrobatics; the UK premiere of Book of Mountains and Seas from Chinese composer Huang Ruo, puppeteer Basil Twist and Ars Nova Copenhagen, and two operas in concert: Mozart’s La clemenza di Tito with the Scottish Chamber Orchestra and Chorus and Puccini’s Suor Angelica with the London Symphony Orchestra, with a line-up of international soloists.
  • Residencies bringing leading orchestras to the International Festival for an extended, more sustainable stay that features multiple performances and community engagement. This year, three outstanding orchestras provide distinctive insights into their collective sound and ambitions: Carnegie Hall’s National Youth Orchestra 2, Poland’s NFM Leopoldinum, and the London Symphony Orchestra under the direction of new Chief Conductor Sir Antonio Pappano.
  • Intimate morning recitals at The Queen’s Hall feature International Festival debuts from on-the-rise young virtuoso María Dueñas and Canadian mezzo-soprano Emily D’Angelo, as well as a cohort of exceptional Scottish artists including the Dunedin Consort with John Butt and Scottish percussionist Colin Currie with peerless vocal group The King’s Singers.
  • A wider orchestral programme that stretches the globe to welcome the Melbourne Symphony Orchestra, the Budapest Festival Orchestra, and the NCPA Orchestra from Beijing, with conductor Myung Whun Chung and Bruce Liu as piano soloist. The London Philharmonic Orchestra returns to the International Festival for the first time in a decade under the baton of Edward Gardner with a stunning programme that features pianist Beatrice Rana performing Rachmaninoff’s inspired Rhapsody on a Theme of Paganini, and Holst’s The Planets, a seven-movement orchestral suite journeying through the cosmos to explore our true place in the universe.
  • Aurora Orchestra makes its International Festival debut with Shostakovich’s Fifth Symphony, in the 50th anniversary of the composer’s death. A work that grapples with the pursuit of truth under oppression, audiences are seated on beanbags as Aurora delve into the symphony from the inside out with a conversational presentation in the round, and then in full later that evening, performed entirely from memory.
  • The Scottish premiere of Figures in Extinction from the internationally acclaimed Nederlands Dans Theater, visionary choreographer Crystal Pite and ground-breaking theatre-maker Simon McBurney (Complicité), which confronts powerful truths about humanity’s impact on the world and art’s meaning in the face of mass destruction.
  • A stellar dance offering continues with works that expand the experience for audiences: Maqamat and Omar Rajeh take performance outdoors to Edinburgh University’s College Quad in promenade with Dance People; the Orchestra of the Age of Enlightenment combine hip hop with Bach in Breaking Bach with choreographer Kim Brandstrup, and an International Festival debut from Australian disabled dancer Dan Daw about identity and kink.
  • Leading theatre-makers exploring truth via the climate emergency, colonialism and politics, with Cliff Cardinal’s take on Shakespeare in As You Like It A Radical Retelling, a spectacular nonverbal work from Belgian theatre collective FC Bergman in Works and Days and a remount of acclaimed play Faustus in Africa!, 30 years after its original premiere, from Handspring Puppet Company and William Kentridge.
  • The Hub, the International Festival’s headquarters on the Royal Mile, brings together a hand-picked variety of global musical styles and traditions, experienced up close in an intimate performance space, including Up Late gigs from artists such as Kathryn Joseph and Kaitlyn Aurelia Smith. In a truly international programme, musicians from 16 countries including Australia, China, Poland, Norway and across East to West Africa come to the home of the Festival. 

READ THE BROCHURE HERE