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National Galleries of Scotland announces an unmissable programme of free and ticketed exhibitions set to take over the National, Portrait and Modern galleries in Edinburgh throughout 2025.
From striking installations in Andy Goldsworthy: Fifty Years to time travelling into The World of King James VI and I, taking to the skies with Alfred Buckham: Daredevil Photographer, a celebration of 250 years of JMW Turner with Turner in January: The Vaughan Bequest from the National Gallery of Ireland and more.
There will be a sensational array of art to enjoy in the Scottish capital next year. Ticketed exhibitions can be booked online now What’s on | National Galleries of Scotland
From 26 July until 2 November 2025, immerse yourself in a major large-scale exhibition by Andy Goldsworthy. Andy Goldsworthy: Fifty Years will take over the upper and lower galleries in the Royal Scottish Academy building for the summer.
Based in Scotland, Goldsworthy (born 1956) is internationally famous for his extraordinary work with natural materials.
The exhibition will span five decades of creation with over 200 works including photographs, sculptures, and expansive new installations. Goldsworthy will also create several major new works onsite at the Royal Scottish Academy building especially for Andy Goldsworthy: Fifty Years.
This spectacular summer exhibition is sure to be one of the most talked-about of the year – and it is showing only in Edinburgh.
Next spring at the Portrait, travel back in time and be immersed in The World of King James VI and I. Son of Mary, Queen of Scots, successor to Elizabeth I and the first monarch to rule over Scotland, England and Ireland, get to know King James (1566 – 1625) and step into the world in which he lived, ruled and changed forever.
Marking the 400-year anniversary of King James’s death, this exhibition will chart his remarkable reign through stories of friendship, family, feuds and ambition.
Drawing on themes with contemporary relevance, including national identity, queer history, belief and spirituality, The World of King James VI and I will be an enriching journey through the complex life of a King who changed the shape of the United Kingdom.
Over 100 objects will be on display, including ornate paintings, dazzling jewels, lavish designs and important loans from galleries across the UK, celebrating craft and visual art from the 16th and 17th centuries.
From 26 April – 14 September 2025 come and be fully immersed in the sights, sounds (and even smells) of the period, connecting the people of the past with the people of today. Tickets are on sale now.
In 2025 the National Galleries of Scotland will commemorate the 250th birthday of beloved British artist JMW Turner (1775 – 1851) with a once in a lifetime, free exhibition. For the first time, visitors will be able to marvel at over 30 Turner watercolours from Dublin.
Turner in January: The Vaughan Bequest from the National Gallery of Ireland at the Royal Scottish Academy building will be one-off special take on the keenly awaited and much-loved annual tradition.
Spanning the breadth of Turner’s career, visitors can roam through sweeping seascapes, dramatic landscapes and spectacular cities, many displayed in their original frames.
As part of this special partnership, the Turner works from the Scottish national collection will go on display at the National Gallery of Ireland allowing visitors in both Scotland and Ireland to connect with works from the Henry Vaughan Bequest they don’t often get to see.
There will be two new and exciting exhibitions making their way to the Modern in 2025. From next summer you can explore your collection at Modern One with a series of new displays showcasing magnificent and diverse works of 20th and 21st century art belonging to the people of Scotland.
This includes an opportunity to see compelling works from your ARTIST ROOMS collection, cared for jointly by the National Galleries of Scotland and Tate. Explore this exhibition of the nation’s superb contemporary and modern collection from 12 July 2025.
The centenary of revered Scottish artist Ian Hamilton Finlay (1925 – 2006) will also be marked in a new free display of his work at Modern Two from 8 March to 26 May 2025.
A visionary in his craft, Ian Hamilton Finlay harnessed the power of collaboration throughout his career, drawing on the expertise of fellow makers and creators to bring his artistic visions to life.
Hailed as a poet, sculptor, printmaker, gardener and provocateur, his practice covered a wide range of media, reflected in this display through over 30 sculptures, installations and prints as well as extensive archival materials, all from Scotland’s national collection.
Moving into the autumn at the Portrait, take to the skies and see the world from above the clouds through the remarkable work of Alfred Buckham: Daredevil Photographer.
A trailblazer in his field, Buckham (1879 – 1956) soared above the realms of what was thought to be possible in 20th century photography and aviation.
From 18 October 2025 – 19 April 2026, meet the man behind some of the most iconic aerial photographs, marvel at the death-defying lengths he took to capture the perfect image and explore how his innovative techniques paved the way for modern technologies such as Photoshop and AI.
Explore the imaginative Your Art World exhibition at the National, showcasing the inspirational new works of young artists from all over Scotland aged 3 – 18-year-olds. The exhibition is a celebration of what happens when young people are encouraged to be wildly creative.
Discover installations from school and community groups who have worked alongside the National Galleries of Scotland. Or even view the creations of the young people in your own life. With the opportunity to upload artwork online via the website, anyone aged 3-18 can see their own digital submissions on screen in the gallery. Immerse yourself in the imagination of these young artists from 10 May to 2 November 2025.
Anne Lyden, Director-General at the National Galleries of Scotland said “We’re really excited to announce our 2025 public programme, which is packed full of fantastic exhibitions.
“Breathtaking installations at the Royal Scottish Academy, soaring above the clouds at the Portrait gallery, and modern and contemporary highlights from your national collection at the Moderns.
“Whether you want to be inspired, find a moment of calm or share a joyful experience with friends – there’s so much to discover at the National Galleries of Scotland.”
LOTHIAN MSP CALLS FOR CRISIS SUMMIT ON FESTIVAL FUNDING
Foysol Choudhury, list MSP for Lothian and Shadow Culture Minster for Scottish Labour, has today pressed the Scottish Government to heed Scottish Labour’s calls for a crisis summit on festival funding.
Mr Choudhury questioned the Cabinet Secretary for Culture, Angus Robertson MSP, in the Scottish Parliament’s Chamber today (15th May 2024).
MSP Choudhury said: “Although the Scottish Government may claim to support Scotland’s cultural sector, the situation on the ground is very different.
“It is clear that Scotland’s cultural sector is under enormous pressure, with cultural organisations crying out for support and venues and festivals under threat.
“Yet, the Scottish Government still won’t heed Scottish Labour’s calls for a crisis summit on festival funding.
“We need the concrete action of a festivals crisis summit now, not more weak platitudes from the Scottish Government.”
MSP Choudhury also raised concerns about the Scottish Government’s structure and governance and how this is impacting the culture sector.
Mr Choudhury echoed his Labour colleague Neil Bibby’s sentiments, which Mr Bibby raised in the Scottish Parliament today, about the Cabinet Secretary’s conflict of interest.
As Mr Robertson is MSP for Edinburgh Central, and Edinburgh is a major cultural hub, the Labour MSPs argue that the Cabinet Secretary should recuse himself from cultural matters pertaining to Edinburgh.
Something which will be made very difficult, they say, as there is now no specific Culture Minister in John Swinney’s new Scottish Government.
Mr Choudhury said: “Yet again we are seeing the Scottish Government’s contempt for culture as the Culture Minister role has been disposed of-meaning the Cabinet Secretary will have no Minister focused specially on culture to pass Edinburgh based cultural matters to, instead having to rely on the Deputy First Minister to pick up the pieces.
“This is not the first time we have seen the Scottish Government’s poor governance choices impact our cultural sector-whilst Creative Scotland funding is at a standstill level, the Scottish Government have been wasting nearly £2 million on staffing for the “Building New Scotland” Papers.
“Now that the Minister for Independence has been scrapped, which will hopefully stop wasting money which could have been spent to save our cultural sector, I am now also calling on the Scottish Government to scrap the independence papers altogether and reallocate the funds towards culture in Scotland.”
Mr Choudhury says he will continue to pursue the Scottish Government to take concrete action on the crisis hitting the cultural sector in Scotland and to recalibrate their governance priorities, to ensure money spent on party-driven ideologies like independence is instead spent on saving the cultural sector, which he says can benefit the whole of Scotland regardless of party allegiance.
Scotland’s culture and creative sector will be helped to flourish on the world stage with the launch of Inspiring Connections: Scotland’s International Culture Strategy 2024-30, according to Culture Secretary Angus Robertson.
The strategy sets out the value of international activity to Scotland’s culture and creative sector. It recognises the importance of international engagement to learning, innovation and to the sector’s long-term sustainability.
Mr Robertson said: “Scotland’s culture and creative sector and our historic environment are internationally renowned. Our festivals, vibrant music scene and rich cultural heritage bring people from across the world to Scotland.
“The strategy sets out our vision for international engagement to be central to the long-term development of the sector. We are starting from a strong position, but we know that recent challenges have made international cultural engagement increasingly difficult.
“Developing international cultural connections will create new opportunities, make our culture and creative sector more vibrant and diverse, and help it to reach new audiences and markets across the world.”
Julia Amour, Director, Festivals Edinburgh, said: “Edinburgh’s Festivals are a place for Scotland and the wider world to exchange creative ideas, and this new International Culture Strategy recognises the importance of such an international outlook for artists, creatives and citizens across Scotland.
“We look forward to working with colleagues and Scottish Government on these ambitions to help strengthen our nation’s cultural fabric.”
Inspiring Connections: Scotland’s International Culture Strategy
| Classical Music: Yuja Wang, Elim Chan, Marin Alsop, Jakub Józef Orliński, Alison Balsom, Hilary Hahn, Dame Sarah Connolly, Ian Bostridge, Steven Osborne, Nicola Benedetti, Maxim Emelyanychev, Sir Mark Elder, Sheku Kanneh-Mason, Sir Donald Runnicles, Gianandrea Noseda, Jennifer Stumm, Thierry Fischer, Philharmonia Orchestra, Bamberger Symphoniker, Ilumina, The Hallé, European Union Youth Orchestra Opera: Malin Byström, Opéra-Comique, Komische Oper Berlin, Scottish Opera, Kirill Serebrennikov, Sir Andrew Davis, James Gaffigan, Saimir Pirgu, Golda Schultz Theatre and Dance: Internationaal Theater Amsterdam, Jack Lowden, Crystal Pite, Grupo Corpo, Aakash Odedra, David Ireland, Vicky Featherstone, Stef Smith, 1927, Eline Arbo, Christiane Jatahy, Scott Silven, Teatro La Plaza Contemporary Music: Cat Power, Bat for Lashes, Chilly Gonzales, Youssou N’Dour, The Magnetic Fields, The Grit Orchestra, Tirzah, Jordan Rakei, Balimaya Project, Endea Owens, Domo Branch Celtic Music: Breabach, Mànran, Ceilidh Trail, Cätlin and Marko Mägi, Finlay MacDonald and Ali Hutton, Goitse, VRï Scottish companies and ensembles: Scottish Chamber Orchestra and Chorus, National Theatre of Scotland, Royal Lyceum Theatre Edinburgh, Scottish Opera, National Youth Choir of Scotland, Royal Scottish National Orchestra, BBC Scottish Symphony Orchestra, Edinburgh Festival Chorus, Scottish Ballet |
From 2-25 August 2024, Edinburgh International Festival presents a hand-picked selection of leading international and local local artists in the world’s Festival City, with 24 days of world-class opera, dance, music and theatre.
The 2024 programme comprises 161 performances from over 2000 artists across 42 nations, all joined under the theme,‘Rituals That Unite Us’.
The theme responds to an overwhelming desire for togetherness from artists and audiences following on from 2023’s question ‘Where Do We Go From Here?’.
Reasserting the value of shared experiences, the 2024 International Festival celebrates the practices, traditions and festivities that give us meaning and connect us – as a festival, a city, and as a society.
The second year under Festival Director and Scottish violinist Nicola Benedetti, the 2024 programme offers an increased range of innovative and informal audience experiences, designed to create closer union between artists and audiences.
Audiences can enjoy a virtual reality experience filmed within an orchestra, a site-specific promenade opera and, by popular demand, an expanded programme of beanbag concerts placing the audience among performers to experience music in a unique way.
The programme also features an all-ages family concert, a participatory dance and music work outside The Scottish Parliament, and post-show talks with artists in The Hub, returning with a bigger programme as the International Festival’s home and ‘green room’. This year the venue will be open to the public for informal dining, drop-in rehearsals and Up Late performances.
There is also a deepened commitment to reach the broadest possible audience, with 50% of tickets for the 2024 International Festival to be sold at £30 or under, thousands of free tickets available for young musicians, and £10 Affordable Ticketsavailable for every performance in the 2024 programme.
Year round, the International Festival offers three pathways for people of all ages and backgrounds to make the most of their creative potential and create a growing social impact in Scotland.
Underpinning the 2024 Festival is an ambition to deepen connections with young people, communities and the arts industry, from a youth takeover day and opportunities for emerging talent to a first-time partnership with an Edinburgh community space and pop-up performances in NHS healthcare settings.
Highlights of the programme include:
As part of the International Festival’s ongoing commitment to accessibility, the 2024 programme includes 25 accessible performances, including ten audio described performances, five BSL interpreted performances, and nine captioned performances.
The concession ticket for D/deaf, disabled and neurodivergent people is increased from 30% to 50% off all full price tickets, with options for a free essential companion ticket still available where required.
The types of accessible seating options held for members of the free Access Pass initiative has also been expanded to include aisle seats and seats with additional leg room, across all Festival venues.
General booking for the 2024 International Festival opens on Thursday 21 March, with tickets currently on-sale to Members and supporters.
Nicola Benedetti, Festival Director, Edinburgh International Festival said: “As we join forces with the world’s greatest artists and bring them here to Edinburgh, we do so with a deeper dedication to our audience.
“This year the Edinburgh International Festival inaugurates new and reimagined rituals, honouring tradition and innovation, to bind us closer together. We invite you to seek and gather with us this August – there is always something new to discover.”
Culture and Communities Convener, Councillor Val Walker said: “It’s fantastic to see the 2024 programme for the Edinburgh International Festival. This promises to be a unique and exciting chapter in the Festival’s rich history with over 2000 of the world’s extraordinary artists performing here this August.”
“It’s particularly encouraging to see initiatives such as making free tickets available for young musicians, and £10 Tickets available for all performances.
“Given we are in the midst of a challenging cost of living crisis and our festivals have a key role in providing us all with opportunities to enjoy exceptional and entertaining experiences, these will hopefully contribute towards the goal of choice and access for everyone in our city.
“The International Festival is an integral part of the Capital’s cultural calendar and as a Council we’re proud to support it.”
Kaukab Stewart, Scottish Government Minister for Culture and International Development, said: “As we raise the curtain on another Edinburgh International Festival, we’re reminded of the power of art to unite and inspire us all.
“More than 2,000 artists from 42 countries will exhibit their talents, and these extraordinary performances from a diverse range of cultures and traditions reaffirms Scotland’s place as the perfect stage to host major events.
“As the new Minister for Culture, I’m proud to welcome the world to Scotland for the International Festival, and I’m looking forward to enjoying an abundance of exceptional entertainment taking place on our doorstep.”
Arts and Heritage Minister Lord Parkinson said: “For more than three quarters of a century, the Edinburgh International Festival has provided a platform for the world-class music and performing arts we are so proud to have in this country, as well as for brilliant artists and musicians from across the globe.
“The millions of people who flock to Edinburgh to enjoy and take part in it each year enrich our lives and fuel our shared economy. That’s why the UK Government is so proud to support it.
“The arts have a unique power to bring us together, and to help us see the world through others’ eyes. I’m delighted that, this year, the International Festival will focus on the rituals that unite us – and look forward to seeing the diverse and dynamic work that theme inspires.”
Iain Munro, Chief Executive, Creative Scotland said: “Nicola Benedetti continues to drive the Edinburgh International Festival programme forward in her second year as Director with another inspired artistic offering.
“This year’s thematic focus on unity and togetherness provides opportunities to blur the lines between artist and audience, promoting connection and communal experience in our increasingly divided world.
“The International Festival continues to earn its reputation as a shining light in the global cultural calendar by uniting people through great art.”
Further programme information by genre:
Classical Music
Edinburgh International Festival welcomes the world’s top orchestras and musicians for 22 spectacular symphonic concerts at Usher Hall and 19 intimate morning recitals at The Queen’s Hall. The symphonic concert series revolves around residencies from three outstanding orchestras and ensembles.
Offering unique perspectives on how we experience a contemporary symphony orchestra, these residencies allow for a more profound engagement with Edinburgh communities, from primary school pupils to emerging artists, extending the orchestra’s presence beyond Usher Hall.
This approach also lowers the environmental footprint for each performance by the visiting artists.
The culture and creative sectors of an independent Scotland would be enhanced by the establishment of a new Scottish public service broadcaster reflecting the needs and values of Scottish audiences, according to the latest Building a New Scotland paper published by Culture Secretary Angus Robertson.
The tenth paper in the series outlines how the Scottish Government would have the power to determine the list of events that should be available to broadcast free-to-air to reflect the interests of Scottish audiences, including some major sporting events.
It also sets out how re-joining the EU would help mitigate the impact of Brexit on the culture and creative sector’s ability to reach new audiences and generate income in a key export market.
The paper outlines how an independent Scottish Government could further protect, support and enhance Scotland’s culture and creative sectors by:
Mr Robertson said: “Our culture and creative sectors, such as music, video games and the screen sector, are a key part of Scotland’s economy, not just in their own right but also as a driver of other sectors such as tourism and hospitality.
“Our creative industries already make an important contribution to our economy but as an independent country, Scotland’s rich and diverse culture would help our economy to thrive.
“Independence means that broadcasting decisions that impact Scottish audiences and our creative industries would be determined by the Scottish public through the Scottish Parliament. For example, decisions about what large-scale sporting events should be made available to broadcast free-to-air, such as international football qualifiers.
“A new public service broadcaster would prioritise content and services that are more representative of diverse audiences in Scotland, enhancing local voices and coverage of community issues.
“Brexit and the removal of free movement has had a major impact on Scotland’s cultural and creative sectors by limiting access to the people, talent and skills the sector needs.
“The increased costs and administrative burdens have also meant that working in the EU is now beyond the reach of many of Scotland’s artists, damaging their ability to reach new audiences and generate income.
“Independence and Scotland becoming a full member state within the EU is the only way for artists and creatives to regain the vast benefits of EU membership, including freedom of movement.”
Building a New Scotland: Culture in an independent Scotland
It is the tenth paper in the Building a New Scotland series.
Foysol Choudhury, MSP for Lothian, raised concerns about maintaining pressure in this area following an event at the Hunterian Museum in Glasgow earlier this week, which marked the Scottish Government’s response to the recommendations made in the report by the Empire, Slavery & Scotland’s Museums Steering Group.
The Scottish Government accepted the six recommendations from the group, which include amongst others that ‘Museums should ensure anti-racism is embedded in their workplaces and public spaces’ and that the ‘Scottish Government should demonstrate their support for restitution and repatriation of looted or unethically acquired items in Scottish collections’.
Mr Choudhury said the move is most welcome, but added that the acceptance of the recommendations should only be the beginning and that the hard work to implement the recommendations is still to come.
Following the event, which was held on Monday (22nd January ), Mr Choudhury said: “I am glad that the Scottish Government has accepted the recommendations and I congratulate the Steering Group and Sir Geoff Palmer for leading the important work.
“However, the Scottish Government should act on their words and, to facilitate these recommendations, they must ensure sustained funding and a focus on anti-racist education and culture.”
Professor Sir Geoff Palmer OBE, who Chaired the Steering Group which provided the recommendations, said: “I am delighted that the Scottish Government initiated this project and has accepted the recommendations.
“Museums and education go together and the recommendations are based on the education and actions required to improve inclusion and equality in our diverse society.”
After the event, Mr Choudhury visited Kelvingrove Museum and Art Gallery, facilitated by Museums Galleries Scotland, to see a brand-new exhibit from Curator Nelson Cummins entitled Glasgow: City of Empire.
Mr Choudhury, Scottish Labour’s Spokesperson for Culture, said that this exhibition is a great example of how museums could, in practice, implement the recommendations of the Steering Group.
Mr Choudhury said: “One of the recommendations of the Steering Group, which the Scottish Government accepted earlier that day, was to ‘research, interpret, and share the histories of Scotland’s links to empire, colonialism, and historic slavery’, with another recommendation being to ‘involve the people of Scotland in shaping their work through co-production, to promote cultural democracy and participation for all’.
“This exhibition at Kelvingrove is an excellent example of how this can work in practice-it has been developed alongside local communities and youth to tell the stories of empire, and uses interactive education as a way to address the effects of this past, such as racism in Scotland today.
“This should be used as an example of what Museums across Scotland could achieve, highlighting the importance of sustained funding from the Scottish Government so that the Steering Group’s recommendations could be put into practice.”
Mr Choudhury said that he will continue to work alongside the cultural groups and campaigners who work towards implementing these recommendations, to share their work at Holyrood and hopefully help to facilitate partnerships which Mr Choudhury hopes will see more Museums around Scotland adopt exhibitions in line with the recommendations.
Communities across Scotland will be able to nominate their most cherished traditions to be included in a new register of cultural heritage in the UK.
Festive favourites, such as pantomime, Hogmanay and pagan Yuletide traditions could all be formally recognised.
Seasonal celebrations taking place at St Andrew’s Day, Burns Night, Edinburgh Fringe Festival and Up Helly Aa in the Shetlands could also be included.
Traditions that are central to Scottish culture, identity and communities, from Highland dancing to bagpipe playing, cèilidhs and commons riding are expected to also be put forward for a UK-wide official inventory.
Artisanal crafts such as kilt-making, tweed-weaving and the art of making the perfect haggis, together with the practitioners of these traditions, will also be considered.
The selected Scottish traditions will sit alongside valued traditions from across the rest of the UK, from the male voice choirs of the Welsh Valleys to cheese-rolling and the art of basket-weaving.
It comes as the UK Government has confirmed its intention to ratify the 2003 UNESCO Convention for Safeguarding of the Intangible Cultural Heritage, which seeks to protect the crafts, practices, and traditions which are recognised as being key part of national life and providing a sense of identity to communities.
These practices are often also referred to as ‘intangible cultural heritage’ or ‘living heritage’ and are inherited from our ancestors and passed on to our descendants.
Arts and Heritage Minister Lord Parkinson of Whitley Bay said: “The UK is rich in traditions which have been passed down from generation to generation, and so many of those which are best known around the world – from bagpipe-playing to the Highland games – are Scottish.
“These crafts, customs, and celebrations have helped to shape our communities and bring people together, who continue to shape them in turn.
“By ratifying this Convention, we will be able to celebrate treasured traditions from every corner of the country, support the people who practise them, and ensure that they are passed down for future generations to enjoy.”
By ratifying the Convention, the UK Government will be able to recognise Scotland’s most important crafts and traditions in the same way as we have considered physical heritage sites such as New Lanark, Edinburgh Old Town, and the Heart of Neolithic Orkney.
UK Government minister for Scotland, John Lamont, said: “Hogmanay, Burns Night and ceilidh dancing are Scottish traditions celebrated across the world and now we will be able to give them recognition alongside those from around the UK as part of this international convention.
“I encourage communities across the country to nominate their local traditions that will be ratified and help to preserve them for generations to come.”
As intangible cultural heritage can only be considered as such when it is recognised by the communities, groups or individuals that create, maintain and share it, it will be these groups and people from across Scotland who will be able to nominate the UK’s favourite traditions to be formally recognised.
A public consultation launched today will seek the public’s views on the UK Government’s proposed approach to implementing the Convention across the UK to safeguard valued traditions. This will include the approach to how people will be able to nominate traditions, how they will be adjudicated, and any criteria that the nominated practices will need to meet before they are considered.
The UK Government has been working closely with the Devolved Administrations, the Crown Dependencies and Overseas Territories in the run up to this decision and will continue to do so in order to implement the Convention and collate the UK-wide inventory, which is expected to launch for nominations next year.
ELREC are organising a very exciting workshop in partnership with Heriot-Watt University exploring people’s perception of their language and how it can be reflected in a form of art.
Join us for this very creative course. Attendance at all the sessions is not necessary, you can come along to as many sessions as you wish. All materials and food are provided
Need more information? email mrostami@elrec.org.uk
DEMO – TODAY – Tuesday 3 October at 12.00
Assemble – outside Scottish Parliament building
After abandoning plans for swingeing cuts to Scotland’s arts & culture industries in February this year, Culture Secretary Angus Robertson has suddenly announced the Scottish Government will reimpose a 10% funding cut just weeks before the next round of funding awards.
The Scottish Government is putting thousands of jobs at risk with this cut of millions of pounds into the sector.
Fair work in the culture sector will be impossible in the face of this cut, and it is trade union members who will suffer the consequences of job losses, lower pay, and precarious work.
Join our demo to demand Deputy First Minister Shona Robison and Culture Secretary Angus Robertson reverse these cuts immediately.
