There is just one day to go before the brand new Soundhouse Winter Festival kicks off in Edinburgh, thanks to support from The National Lottery through Creative Scotland.
The programme is packed with big names and up and coming bands from across Scotland including award winning feminist rock goddess Megan Back, who hasrecently returned from gigs in California, performing tracks from her new album out next year; and impulsive punk/rock n’ roll multi-instrumentalist Callum Easter performing with his full band the Roulettes and special guest indie/folk soloist Iona Zajac.
They will be headliningalongside some of Scotland’s finest jazz and trad musicians including Fergus McCreadie, Su-a-Lee, Duncan Chisholm, Hamish Napier, and Donald Shaw; a screening of silent film The Rugged Island: A Shetland Lyric accompanied by music composed by multi-instrumentalist Inge Thomson and fiddle player Catriona Macdonald; and live performance poetry with Edinburgh’s previous Makar Hannah Lavery accompanied by music from Kate Young.
Callum Easter & The Roulettes who play the Queen’s Hall, Edinburgh on Monday, 2 December with special guest Iona Zajac
The festival’s programme also includes early evening concerts at the Traverse with Nicole Smit performing some cool jazzy numbers with her Quintet (Vid Gobac on drums, Cameron Bradley on piano, Dave Toule guitar, and Kassandra E’Silva on saxophone); Gaelic singer-songwriter Rachel Walker performing with one of the country’s foremost folksingers and accompanists Aaron Jones; Edinburgh-based poetic psychedelic supergroup Acolyte (Ruairidh Morrison on bass, Gloria Black on synth and backing vocals, Daniel Hill on percussion and led by award-winning poet and spoken word artist Iona Lee); and acclaimed singer songwriter Victoria Hume, joined by long-term collaborator Chris Letcher.
Plus, there will be a showcase of emerging new jazz musicians including the Rosalind Orr Trio, TAO and C.A.L.I.E; a masterclass with jazz pianist Fergus McCreadie; and two workshops -Gaelic lullabies with Rachel Walker, and jazz saxophone with one of Scotland’s leading jazz instrumentalists Helena Kay.
Jane Ann Purdy and Douglas Robertson, producers of the Soundhouse Winter Festival said: “We are thrilled to be presenting a five-day festival of live ‘music from Scotland’ at this time of year.
“There are so many world class musicians working here right now that we were literally spoilt for choice. We hope the Soundhouse Winter Festival will not only be a chance for music lovers to hear some of their favourite live bands, but also a chance to hear some of the best up and coming artists of the moment.”
Assembly Roxy’s year-round programme continues this November with a line-up of theatre, music, and live events celebrating creativity, Scottish traditions old and new, and looking to a better future for all.
With highlights including immersive theatre piece Maiden Mother Whore from Theiya Arts Dance Collective, Jeremy Corbyn at Lighthouse Books’ Radical Book Fair, and the Scottish Dementia Arts Festival 2024, there’s plenty coming up at Assembly’s year-round venue.
Theiya Arts Dance Collective joining Assembly Roxy on the 01 Nov with a thought-provoking performance experience, in Maiden Mother Whore.
A 90-minute show, Maiden Mother Whore invites audiences to interact with five installations throughout the Roxy, exploring complex relationships between women, social structures, health and social policies, and institutions.
Assembly Roxy regulars Edinburgh Ceilidh Club with Teannaich bring the finest in Scottish Ceilidh dancing back to Assembly Roxy Central on Fri 08 Nov. All the dances are taught and called by the band – so bring along regulars and newbies alike to celebrate the Scottish tradition.
Scottish Dementia Arts Festival 2024 boasts a jam-packed line-up of events including live performance, creative workshops, film screenings, open-mics and more. The four-day festival runs from 11 – 14 Nov and celebrates the creativity of people living with dementia, and highlights include relaxed Scottish panto McScrooge by Alan Mountford and Citadel Arts Group and creative consultants living with dementia, Dementia the Musical Soundtrack Gig with Sophie Bancroft and Friends, and Meeting Centres Scotland film launch, as well as a host of ceilidhs, open mics, discos and more!
Lighthouse Books return with their annual Radical Book Fair from Thurs 21 – Sun 24 Nov with a line-up of workshops, cabarets, panels and talks exploring community organising, creativity and international solidarity. This year’s theme ‘From Where We Standcelebrates histories of resistance, protest and change-making.
Highlights include We Are It: Community Power in Our Time with a panel including Jeremy Corbyn, Kate Pickett and Oliver Escobar, and Young Radical Worlds exploring radical writing for young people with Faridah Abike-Iyimide and Margaret McDonald.
Closing out the month, Amy Leach and Alasdair Paul bring their duo gig Amy and Alasdair to the Snug Bar, passing on traditional Scots songs and ballads. With history in Edinburgh and beyond,
Amy and Alaisdair share their simple and striking approach in a stripped back show sharing glimpses into the darkest and lightest moments of life. Amy and Alasdair is showing for one night only on 29 Nov.
Tickets and information on all the events above are available now from www.assemblyroxy.com
The Scottish Student Awards Agency (SSAA) is proposing to stop providing bursaries for students based in Scotland to study at the prestigious College of Europe.
The College provides post-graduate education and training for high achieving students. Many go on to be senior civil servants at the European Commission or be elected to the European Parliament.
Others become specialists in areas like trade, environmental law and foreign and defence policy with governments across Europe and with international organisations globally.
College of Europe graduates can be found in bodies like the Oragnisation for Economic Development and Cooperation, NATO, UN and World Bank, and holding senior posts in leading private sector businesses.
Chair of the European Movement in Scotland (EMiS), David Clarke, says: “We urge the Scottish government to think again about ending the bursaries for Scotland domiciled students to attend the College of Europe.
“This is a world class training ground for the brightest and the best. Cutting our ties with the College will be another great blow to our talented young people and have a lasting negative impact on Scotland’s relationship with the EU for decades to come. That’s bad for trade, bad for business, bad our universities and for our international relations. And bad for our ties of democracy, culture and friendship.”
The Scottish Government supported three places a year for recent graduates of Scottish universities. The cost is around £120,000 a year. The position is different in England where up to 28 British civil servants can get UK government funds to meet the cost of attending the College of Europe.
EMiS says continuing to support students from Scottish universities will deliver positive benefits for Scotland for decades to come.
As part of its 10th anniversary celebrations, the Traditional Dance Forum of Scotland (TDFS) is launching a brand new series of Ceilidh Plus events that will fuse Scottish and world dance traditions.
Curated and hosted by TDFS’s dance musician-in-residence Chris Lyons (multi-instumentalist), Ceilidh Plus will kick off on Saturday 2 November, with dances and tunes from Scotland, China and the USA, led and accompanied by hand-picked Scotland-based dance artists and musicians from diverse backgrounds, including Morag Brown (fiddle), Marina Sharp (Ceilidh dance), Jack Weir (guitar), Angel Godwin (American Country Line dance), Yuxi Jiang (Chinese Square dance), Yanmei Bowie (Chinese Square dance), Eddie McGuire (Chinese bamboo flute), Chenhao Wang (two-stringed Chinese fiddle) and Tai Shing Lin (Chinese dulcimer percussion).
This will be followed by a second night on Saturday 7 December of ceilidh dances and tunes from Scotland, mixed with world trad dance from Greece and Italy. It will be called and accompanied by Rona Wilkie, Marina Sharp, Jack Weir, Vassia Bouchagiar-Walker, Stefanos Tzotzolakis, Lara Russo and band members of the Badwills.
This new Ceilidh Plus seriesis one of the highlights of TDFS’s Ten out of Ten series of events to mark its 10th anniversary and celebrate the diversity and breadth of traditional dance activities by its members.
Dance musician-in-residence Chris Lyons who contributes to TDFS’s work year round, said: “I believe that the tradition bearers of Scottish Ceilidh would be delighted to share the stage and the dance floor with the dance traditions of the other cultures which have become an integral part of contemporary Scotland – from Irish Ceili to Bulgarian Folk, from Italian Pizzicca Pizzicca to Greek Rembetiko, or from American Country Line to Chinese Square Dance as in our firstCeilidh Plus.
“Although there are regular and popular Ceilidh nights across the country’s village halls and cultural centres, there are hardly any events which would provide space for the folk fusion of Scottish Ceilidh with other world trad dances. Ceilidh Plus is about to change this and hopefully establish a new tradition.”
Iliyana Nedkova Creative Producer of TDFS said:““Ceilidh Plus is a great opportunity for the multi-ethnic communities in and around Edinburgh to come together for a dance and music experience rooted in respect for both Scottish and world traditional cultures.
“We hope both dancers and non-dancers will join us for an evening of great music and entertainment and help us mark our 10th anniversary in style.”
Ceilidh Plus is funded through Creative Scotland’s TASGADH (Traditional Arts Small Grants). All proceeds are reinvested into TDFS’s year-round programme which aims to diversify traditional dance practised across Scotland.
For tickets and more information on Ceilidh Plus and other traditional dance events happening this winter visit https://www.tdfs.org/ten-out-of-ten/
Multi-Cultural Family Base(MCFB) is delighted to invite you to a dance performance on October 10th between 7 and 9 pm.
This event is the official launch of our programming for the Edinburgh 900 commemorations, entitled “Roots for Routes”. The concept behind this name is that through celebrating and honouring heritage and culture, we find ways to grow towards the future.
Some of our young people from the MCFBards are collaborating with the PASS performance group to create a full length piece based on their poetry.
Please see the attached invitation. If you are able to attend, please follow this link to our Eventbrite: https://tinyurl.com/Roots4Routes
We hope you are able to join us for this evening of art and celebration!
Following discussions with the Scottish Government throughout the Multi-Year process, we have now received confirmation that Creative Scotland’s budget to enable Multi-Year decisions will not be clarified until the overall Scottish Government draft budget announcement, scheduled for 04 December 2024.
As a result, the outcome from the Multi-Year Funding programme is being postponed until the end of January 2025. This is a revision to the published guidance.
281 applications to the programme, with an annual ask of £87.5m, are currently being assessed as part of Stage 2 of the published process. Final decisions on the level of support we will be able to provide to successful organisations will be made once we have budget clarity.
The National Lottery reserves that we hold, currently £11m, remain allocated to support Transition Funding from April 2025 for organisations currently in receipt of ongoing funding from Creative Scotland but are unsuccessful in their application for Multi-Year Funding.
Robert Wilson, Chair of Creative Scotland, said: “While we would have preferred to announce the outcome from this application process in October as planned and have been working collaboratively with Scottish Government to endeavour to do so, we also understand the extreme budget pressures that exist.
“These pressures mean we are required to postpone the outcome until such time as we have budget clarity. This will enable us to make final decisions in a context of budget confidence and to support as many organisations on a multi-year basis as we possibly can.”
Angus Robertson, Cabinet Secretary for Culture, said: “The cultural sector is an integral part of our identity as a country. This is why we’re working hard to help the sector to fulfil its potential in Scotland by assuring at least £100 million more annually in funding by 2028-29.
“We await the Chancellor of the Exchequer’s budget announcement on 30 October which has a hugely significant bearing on the Scottish budget. Following that we will be able to set detailed budgets for the coming financial year including for the culture sector.
“I will continue to work in collaboration with Creative Scotland and the sector over the coming months to ensure stability until Creative Scotland have sufficient clarity to be able to announce the recipients of their multi-year funding awards.”
Creative Scotland is pleased to announce the Open Fund for Individuals will reopen for applications at 2pm on Tuesday 8 October, following confirmation of release of the necessary budget from the Scottish Government.
By the time the fund closed on Friday 30 August, Creative Scotland received an additional 819 applications totalling £11.9 million in requested funding. As the fund prepares to reopen, we will be in touch with all applicants who submitted before the closure to advise them of their options.
Updates to the Open Fund for Individuals
The Open Fund for Individuals has been under increasing pressure. Since 2019, applications have more than doubled – from 628 to 1,395 in 2022/23, with funding requests increasing by £7.8 million to £21.2 million.
Notably, there has been a 42% increase in requested funding in the past year alone. However, during this same period, Creative Scotland’s budgets have remained at the same level, making this growth unsustainable.
To help address this, Creative Scotland is revising the Open Fund for Individuals to better meet the growing demand.
Updates will include the maximum award amount reducing from £100,000 to £50,000 and decision timescales extending by two weeks.
The updated guidance will be published on Tuesday 8 October.
Guidance for both funds and application questions will be available from this Thursday – 19 September.
Iain Munro, CEO of Creative Scotland said: “We recognise the time and effort that goes into applying for funding and know how vital these funds are for the sector.
“We understand how challenging recent events have been and sincerely thank everyone for their continued efforts in highlighting the value of culture and creativity.”
Culture Secretary Angus Robertson has announced a review of Creative Scotland to ensure its operations and structure are optimal to the needs of the culture sector, as part of this year’s Programme for Government.
The review, which will be the first since the public body’s establishment in 2010, will examine Creative Scotland’s remit and functions as a funding body, and how the overall impact of planned increases in levels of public funding can be maximised to support sustainability in the sector and in participation in the arts.
Full details of the review and its process will be set out to parliament in the near future, and will include seeking views from individuals and organisations from all parts of Scotland’s culture sector.
The Culture Secretary also confirmed that following a period of necessary due diligence, Creative Scotland had now received funding previously allocated to it in the 2024/25 Scottish budget, including £1.8 million for youth music, and £6.6 million that will allow its Open Fund to be re-opened.
Mr Robertson said: “Scotland’s culture is world-renowned and it remains integral to our nation and our economy. Over the past 14 years, Creative Scotland has had a significant role in supporting that role, distributing £65 million of public funding in the last year alone.
“With the sector having faced a number of new and enduring challenges since then, the time is now right for us to ensure Creative Scotland’s remit and functions remain relevant, in line with our commitments to invest at least £100 million more annually in the arts and culture by 2028-29, and to continuous improvement across all our public bodies.
“It is routine for public bodies to undergo reviews throughout their lifetime, and while that process is ongoing we are clear that we expect the organisations involved to take forward their business as usual.
“Creative Scotland is no different and they will be carrying on with their important work throughout.
“In the meantime I’m pleased to confirm release of £1.8 million to Creative Scotland for youth music, and another £6.6 million, which includes £3 million towards its Open Fund and £1 million for Screen Scotland.”
“We welcome the continued commitment to provide an additional £100m in funding for Culture and will work with the Scottish Government on the effective allocation of that funding, to the benefit of culture and creativity in Scotland.
“We also welcome today’s confirmation of £6.6m, originally committed to Creative Scotland by the Scottish Government at the start of this financial year, reinstating budget removed in the previous year.
“We continue to see unprecedented levels of demand for the Open Fund for Individuals and will process the high volume of applications we have received. With the budget now confirmed, we will work to re-open this fund.
“We are sure today’s confirmation of the release of this funding will be welcomed by the creative community of Scotland.”
Musical learning and nurture supported for thousands
Almost 4,000 children and young people will have the opportunity to realise their potential through music education supported by £2.6 million of Scottish Government funding.
Sistema Scotland’s Big Noise programme uses music and nurturing relationships to improve the lives of children and young people and strengthen communities. It offers all instruments, tuition, snacks and participation free of charge to families across Stirling, Glasgow, Aberdeen, Dundee and Edinburgh.
First Minister John Swinney confirmed the funding as he watched performances from school pupils at Sistema Scotland’s dedicated space at the Community Campus in Raploch.
Among those taking part were a group of Primary 2 pupils from Our Lady’s Primary School in Raploch, as well as the centre’s beginner strings group, a woodwind, brass and percussion group made up of primary school pupils, the Redfire intermediate strings group and the Raploch string ensemble, made up of high school students and school leavers.
The First Minister said: “Music and the arts have power to bring people together, and I am consistently impressed with Big Noise’s efforts to ensure children and young people across five cities have the opportunity to learn, play and perform.
“As well as the opportunity to perform, Big Noise gives the young people they work with a community – and as they progress through the programme they have developmental opportunities including to gain leadership skills, which are beneficial to them in the world of work even if they do not pursue a musical path.
“I am grateful to Sistema Scotland for continuing to enrich the lives of so many children and young people by making music accessible and inclusive.”
Vicky Williams, Sistema Scotland Chief Executive said: “We are enormously grateful to the Scottish Government for their continuing support of Big Noise in Scotland.
“This funding means we can do more to support young people and families, tackle poverty and inequality and help build firm foundations for the future of our young people.
“Our work over the past 15 years has transformed lives throughout Scotland and we look forward to continuing this critical work with the support of our partners and funders.”
Shannon Galloway, 17, from Raploch, joined Big Noise when she was five years old. She spent the summer working as an intern at the Raploch centre, and has a place at Aberdeen University to study music, with her sights set on becoming a music therapist.
She said the programme had given her opportunities she would never have dreamed of – including her first trip abroad to India last year, and playing on stage with the RSNO and Nicola Benedetti. It also boosted her confidence and skills and helped her towards a positive future.
Shannon said: “I just don’t know what I would have done without Big Noise. I wouldn’t be going to university because I wouldn’t have discovered music. I had no interest before and now it is my entire life. It opened this whole life path for me.”
Meanwhile uncertainty remains over arts and culture funding in Scotland. Here’s hoping that this can be resolves soon and at least some of these talented and enthusiastic young people will have the opportunity to perform in later life.
We, the undersigned, are artists, arts workers, and/or audience members from across Scotland. We are the people of Scotland. We live and work here. We value the arts and the artists who make it.
We are writing to you about the closure of Creative Scotland’s Open Fund for Individuals, due to the Scottish Government being unable to confirm the release of £6.6 million of funding from the Grant-in-Aid budget. This decision shocks and deeply concerns us, and places the future of the arts in Scotland at risk.
The Open Fund for Individuals is the cornerstone of the arts in Scotland. It is the only fund of its kind to support artists to lead projects, develop their practice, support their professional development and collaborate with other artists and/or communities.
One grant awarded to an individual provides meaningful employment, creative development, allows space for artistic risk and experimentation. Many of these grants support multiple artists and arts workers through paid job opportunities. Grants for individuals can also support organisations through the filling of theatres, galleries and music festivals.
One grant can kickstart or extend a career, allow an artist to present their work to the public, develop a new stream of income, develop their entrepreneurial and business skills. Take artworks to market and present for Scottish audiences, leading to international tours and commercial successes. They provide a training ground for the arts leaders of tomorrow, allowing artists to skill up through experience of running their own projects and developing new networks.
One grant can place artists in schools, in care homes, working 1-to-1 with folk who do not like a crowd, or with whole communities at a time, and bring a multitude of positive personal, social and wellbeing benefits. It can reduce isolation and bring people together. It can inspire and delight. It can help people find their voice, and see their experiences and stories represented.
The Open Fund for Individuals has an enormous impact. It is a lifeline for artists and arts workers. Beyond the individual grants and their benefits, its existence also means an enormous amount to people across Scotland, because it supports people who are not independently wealthy to be artists. It tells us that we have a right to creativity and the arts, a right to joy and wellbeing, and a right to emotion and expression.
Without the fund, the future is bleak, and bleakest for those who are isolated and marginalised by income, geography, race, class, age, faith, caring responsibilities, gender, sex, sexuality, or disability. Those who do not have savings to fall back on, family support to sustain them, or who have to work harder to bring their work to audiences are at risk of being unable to sustain a career in the arts. The loss of these talents and perspectives in the arts leaves us all poorer.
The arts in Scotland contribute £5bn annually to the economy but they are now at breaking point. We cannot continue without direct support for our artists, arts workers & self employed people. The damage to the arts caused by the closure of the fund is immediate and long lasting. Cut it now, and it could take a generation to build back.
We urge you to fund the reopening of the Open Fund for Individuals as a matter of urgency. We ask that you provide clear guidance on the in-year and future annual budgets so that the arts in Scotland can begin to plan, develop ideas, build upon past successes and deliver a vibrant future for us all.
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[If you’re having trouble accessing this document, please email mharirobinson@gmail.com with your name and post code and I will add you in]
Traverse Theatre statement on closure of the Open Fund
The Scottish theatre community is in need of support more than ever in light of the cuts to arts funding. Gareth Nicholls, Artistic Director of the Traverse, said last night:
“We at the Traverse wanted to use our platform to the world on the final day of the festival to make you aware of this, and of the significant impact funding cuts are having on our nation’s artists and theatres.
“New work in Scotland doesn’t come from nothing. And one of the key ways this has been achieved is through an open fund where an individual artist can ask for money when their idea is but a seed.
“The open fund is the incubator for Scottish work, but Creative Scotland has been forced to close the fund at 2pm on Friday. It will be closed indefinitely, due to the Scottish Government being unable to confirm funding for its delivery.
“Many on our stages, and whose work you’ve enjoyed at the festivals, have been dependent upon it, alongside wider arts subsidy. It is a fund that helps build careers and craft to get an idea off the ground, and which helps places like the Traverse keep our theatres alive with bold new ideas.
“If you enjoy seeing Scottish work right here in Scotland, then please continue to support the artists who make the powerful work that appears our stages.”
