The Bibliography of Edinburgh History has been updated by the Old Edinburgh Club, forming an extensive collection of nearly 3,000 items. These books, chapters, journal articles and dissertations illuminate the rich heritage of the city, dating from William Maitland’s 1753 History of Edinburgh and Leith.
Easily searchable online, the Bibliography covers prehistory to modern times. It takes in in a range of themes, social, cultural, economic and architectural and features the Old and New Towns and local communities across the city.
Old Edinburgh Club President, Edward Duvall said, “We are delighted to announce the latest version of Bibliography of Edinburgh History, which has grown by 25%.
“We have included new publications up to the end of 2023 and, with the help of our members, identified many older items not previously included.
“We make the Bibliography freely available and it provides a launchpad for anyone wishing to delve into the city’s history.”
The Bibliography can be accessed on the following link:
This summer, embark on a Curious Edinburgh Granton Walk highlighting Granton’s heritage.
Through 19 stops, this walk spans medieval times, through the industrial age and into the future, highlighting Granton’s heritage.
The scenic walk along the Forth foreshore is suitable on foot, is wheelchair/pram friendly and can also be done on a bike. It takes around 1.5 hours at a leisurely stroll and is suitable for all mobilities.
To access the tour, please download the app via the Apple Store or Google Play.
How did this happen? Granton:hub was given the opportunity to develop a virtual walking tour, covering 20 stops, telling the story of Granton’s rich industrial and heritage past.
The academics involved, Niki Vermeulen and Bill Jenkins, were given the Tam Dalyell prize for excellence in engaging the public with science. They generously offered the prize money to granton:hub as part of the funds to develop the tour.
Gina Fierlafijn Reddie, member of the granton:hub steering group, liaised with the Curious Edinburgh team and gave the talk (scroll to 56:51 to view Gina’s talk on the Granton Tour).
Following a drop-in session hosted by Prospect at the Scottish Parliament about their ‘World Class Heritage on Second Class Pay’ campaign on Friday, Foysol Choudhury MSP said: “As Labour’s Spokesperson for Culture, it was great to sponsor ‘The Perfect Storm: A Crisis in Heritage’ drop-in event organised by Prospect regarding its ‘World Class Heritage, Second Class Pay’ campaign.
“Scotland’s Heritage sites are well loved by international visitors and locals alike and they benefit our economy greatly.
“We all know that the culture sector has been hit hard in this cost-of-living crisis and has received little attention from the Scottish Government.
“I have raised awareness of this before, for example, with the closure of Edinburgh Filmhouse, which I hope will be restored in the future.
“However, Scotland and the UK cannot afford losing yet again more of its unique culture.
“It is indeed a perfect storm where our World Class Heritage and its workforce in Scotland and across the UK have long been devalued and are now in jeopardy due to the cost-of-living crisis.
“Our new generation of potential conservationists, archaeologists, curators and other specialists are also suffering; new trainees cannot even afford their rents.
“Better pay will mean that our young people can aspire to have a stable career in Heritage.
“It is time to fully recognise how our important Heritage workforce contributes to our local communities, our nations and across the world.
“The matter of funding of Heritage sites is something that I have brought to the Scottish Government’s attention before, when I spoke about Historic Environment Scotland in the chamber.
“I will work to pressure the Scottish Government to secure a better deal for our Heritage workers and preserve our fantastic Heritage sector.”
We are pleased to report that Edinburgh Voluntary Organisations Council (EVOC) has generously agreed to fund a new Community Teaching Kitchen at the Heart from their Community Health & Well-being Fund.
The almost £13,000 will pay for a total revamp of the old VPS kitchen and provide a space where community-minded groups involved with the many aspects of food growing and preparation can come together to share their skills.
This will involve a lot of work, so accept our apologies for any disruption, especially around the cafe area, as it might not be completed until after the summer.
If you tasted the food offered by Mwamba at our two Coorie-In events, then you’ll be pleased to know that they have already signified their interest in using the new kitchen once it’s ready.
In the meantime, if you or your group would like to use the space for the benefit of the community, please get in touch with admin@heartofnewhaven.co.uk
Working with us –
Age Scotland are also getting involved at the Heart. They are providing the funds for a six-month, part-time position (two days a week) for someone to help organise and run sessions at the Heart for local people living with dementia and their carers.
Applications for the position have now closed, but watch this space for more news as the successful applicant is due to start in June.
We also will be welcoming our new building maintenance officer, Ian White who joins us at the start of May to support all the activities in the Heart.
VIP visitors
The Heart has been happy to host VIP visits recently, with two local councillors, Councillor Sanne Dijkstra-Downie, Councillor Stuart Dobbin and MP Deirdre Brock being given tours of the site and an introduction to what’s been going on, bringing them right up to date with both our achievements and our future plans.
We look forward to welcoming them back again in the future.
Our reminiscence volunteers are keeping busy.
Those who undertook reminiscence training are now offering drop-in sessions at the Heart once a month, on Wednesday mornings. (Wed 12 April, Wed 10 May, Wed 14 June, Wed 12 July, all from 10.30 – 11.30 am).
It is completely free, open to everyone and all ages and there is no need to book in advance – just come along to the Heart, take a seat and start chatting!
The aim is to have a different theme each month, with different pictures and objects to get the discussion going. Do spread the word if there is anyone you know who might be interested in coming along – feel free to bring a friend.
Four Pop-up Play Cafes for carers and children aged 0-7, were held at the Heart in March, led by Froebelian Futures (https://www.froebel.ed.ac.uk/) with the support of various local organisations that support Early Years and families, including Homestart and Stepping Stones.
The aim was to gauge community response and around 200 people, adults and children, passed through the doors on each of the four days.
The feedback, which has all been very positive, is currently being evaluated and will inform our next steps. We will let you know!
Moving forward to August, DaddyDayCare will be opening their doors in the Anchor Building as well.
They are now accepting applications for places, so head to their website for all the details – daddydaycareedinburgh.com
Heritage
Meanwhile, HONC has not been neglecting the heritage side of things.
Representatives from the Heart and our partners the Victorian Schoolroom attended a consultation meeting organised by the City’s Museums Services held in the new Victoria Primary School last month.
A small but enthusiastic number of attendees put forward their ideas for working collaboratively and the representatives from the City Council will take away their ideas and work on them.
Similarly, we also attended a preliminary meeting of a new venture called the Edinburgh Local Heritage Network, also being led currently by the City’s Archives, Libraries and Museum Services.
The idea is for different heritage groups around the city to collaborate on exhibitions, events and publicity to make more locals as well as visitors aware of the many and differing heritage strands the area has to offer.
Finally, our Warm & Welcoming mornings (Wednesdays and Saturdays) are becoming popular but we really need more volunteers to help welcome and chat to visitors as well as make them a warming cup of tea or coffee.
If you think you could give a couple of hours a week, particularly on Wednesday mornings, please contact admin@heartofnewhaven.co.uk
Remember to check our website and social media pages regularly for what’s happening around the Heart.
You’ll find the latest courses being run by Ink on Mesh and our bookbinder Cass, as well as the next date for a Leith Folk Club gathering, by clicking What’s On.
By clicking on Culture & Heritage news, you’ll find an appeal for photo identification and a lovely link between the Heart and the Victorian Schoolroom when the great granddaughter of a former pupil came to visit.
P.S. Save the date:
We’ll be hosting a Family Ceilidh on 29th April, so save the date.
More details to follow on the website / social media.
Preparations are well underway for Celtic Connections, Europe’s premier folk and roots music festival, which launches in Glasgow next week.
This year marking its 30th edition, the 18-day event kicks off on Thursday 19th January, and features some of the world’s most celebrated musical artists in genre-defying spectacles and one-off collaborations.
Organisers and contributors are full steam ahead with arrangements for what is set to be a full-scale return and celebration of the Scottish music scene’s resilience in the face of adversity.
1200 musicians will take to the stage for 300 events at more than 25 venues across the city, with shows spanning traditional folk, roots, Americana, jazz, soul and world music from Thursday 19th January – Sunday 5th February.
Donald Shaw, Creative Producer for Celtic Connections, said: “It feels remarkable that in just a matter of days the 30th edition of Celtic Connections will kick off in Glasgow, celebrating all genres of music, a variety of world cultures, and bringing communities together from across the globe.
“A huge amount of work and preparation has gone into this year’s festival; it is testament to the strength and tenacity of the Scottish music industry, which has successfully overcome an incredibly tough period.
We are so appreciative of the musicians and artists who have contributed in all manner of ways to Celtic Connections over the past three decades, and we will pay homage to them throughout the 2023 festival, as well as looking forward towards a bright and hopeful future. We look forward to seeing venues full, artists doing what they do best and the musical community thriving right across the city in a week’s time.
Among the wall-to-wall shows taking place across the start of 2023 is a show-stopping performance from Irish six-piece contemporary ensemble NOTIFY, who celebrate their 10th anniversary at Saint Luke’s on Saturday 21st January, with special guests Caoimhe and Séamus Uí Fhlatharta. Support comes from The Canny Band, whose music fuses piano, diatonic button accordion and bodhrán.
On Wednesday 25th January, the Mackintosh Church will play host to Scottish folk singer, songwriter and ukulele player Claire Hastings and Welsh language singer, songwriter and musician Gwilym Bowen Rhys, along with Icelandic sibling trio Blood Harmony, who are making their unmissable Celtic Connections debut with their unique fusion of Nordic melancholic folk and Americana.
Elsewhere, Róisín Reimagined sees award-winning Irish singer Muireann Nic Amhlaoibh and the Irish Chamber Orchestra team up for an exciting new project that combines Muireann’s exceptional vocals with fresh orchestral arrangements of sean nós songs, breathing new life into the noble, classical music of 16th-19th century Gaelic Ireland.
The first time another national orchestra has played Celtic Connections, they will share the stage at Glasgow Royal Concert Hall on Wednesday 25th January, with Brìghde Chaimbeul, Ross Ainslieand Steven Byrnes, who will perform their new album LAS, a collaboration featuring tunes from France, Scotland, Bulgaria, Ireland alongside self-penned compositions.
On Friday 27th January, Afro Celtic Connections will see Saint Luke’s play host to Rise Kagona, the founder, lead guitarist and only remaining member of the mega-successful Zimbabwean rock band The Bhundu Boys.
Also on the bill is Diwan, who bring an exuberant fusion of funky mbalax and Afrobeat grooves, with undercurrents of ska, rock and Senegalese soul led by charismatic Senegalese singer Samba Sene and Chief Cheb, a celebrated African philosopher, poet storyteller and music teacher.
One of the most successful contemporary folk musicians from Finland, Maija Kauhanen will be combining her expressive voice with Finnish kantele and inventive percussion on Friday 27th January. She will perform at The National Piping Centre along with acclaimed traditional trio Oakes // Bews // Thorpe, and talented accordion player and composer Andrew Waite.
On Sunday 29th January, audiences at Drygate Brewery will be able to enjoy uplifting performances from Rozi Plain and Terra Kin. London-based folk musician Rozi Plain will perform tracks from her upcoming fifth LP, Prize, which continues to display her musical growth whilst retaining the home-grown intimacy and a familial warmth she is known for.
Local musician Terra Kin will present their debut EP Too Far Gone. Combining a love for jazz, ambient and folk music with a soft soulful voice, the resulting sound defies genres and is sure to delight audiences.
Malian husband-and-wife duo Amadou Bagayoko and Mariam Doumbia will bring their rich, radiant blend of desert blues, Afro-pop, rock, disco and hip-hop to Glasgow Royal Concert Hall on Wednesday 1st February.
Since their 2004 breakthrough album Dimanche à Bamako, produced by Manu Chao, the duo have grown a passionate international following, and have regularly appeared in Damon Albarn’s Africa Express and collaborated with Johnny Marr, Flea and David Gilmour as well as fellow African greats including Toumani Diabaté and Bassekou Kouyate.
The incredible wealth and breadth of talent on display doesn’t stop there. Saint Luke’s will also showcase the talents of Hen Hoose and Man of the Minch on Saturday 4th February. Founded by Tamara Schlesinger (aka MALKA), Hen Hoose are an all-female/non-binary songwriting collective, bringing together an array of artists from across the creative industries including Karine Polwart, Emma Pollock, Jayda and Elisabeth Elektra to produce groundbreaking new music.
Man of the Minch is the stage name of Pedro Cameron, who has become one of the most exciting names at the forefront of Scottish folk music. Performing tracks from his debut album, The Tide is at the Turning, with a full live band, he blends traditional Celtic sounds with personal and profound storytelling.
Also on Saturday 4th February, The Old Fruitmarket will host Rokia Koné’s first UK live performance of her debut album Bamanan, which was named as one of the New York Times Best Albums of 2022.
One of Mali’s most beloved and dynamic artists, Rokia will share the stage with the Togo All Stars, renowned for their spectacular live performances showcasing their distinctive blend of afrofunk and voodoo rhythms from the musical heart of West Africa.
BOYACK: BBC Radio Scotland cuts will be a massive hit for artists, audiences and our Scottish heritage’
Commenting on the open letter sent by members of the music scene to Angus Robertson regarding the BBC Radio Scotland cuts,Scottish Labour culture spokesperson Sarah Boyack MSP said:“The arts and culture sector is collapsing.
“These BBC Radio Scotland cuts will be a massive hit for artists, audiences and our Scottish heritage. This decision must be reversed given the perfect storm our artists and musicians are facing.
“The proposed cuts to Creative Scotland in the Scottish Government’s budget which were announced just before Christmas will also add to the huge pressures the sector is facing and are undermining the Scottish arts and culture industry putting jobs and livelihoods at risk.
“It’s difficult to avoid a “culture of doom” when the sector desperately needs urgent solutions but all we get is vague answers.
“We need urgent action to support our musicians from both the BBC and the Scottish Government.”
One of Scotland’s largest and most ancient clans is preparing to reunite for the inauguration of the first Buchanan Clan Chief for over 340 years.
Clan Buchanan is calling on clansfolk, affiliated families and supporters to gather for the historic occasion at its modern clan seat, the Cambusmore Estate in Perthshire, in October. The inauguration ceremony last took place in the 17th century and follows the appointment of John Michael Baillie-Hamilton Buchanan as Chief of Clan Buchanan.
With a global community of over five million members, the chief will lead the first Clan Parliament in over 350 years to explore the future of Clan Buchanan and discuss how its traditions could be celebrated in the modern day.
The last Chief of Clan Buchanan was his ancestral kinsman, John Buchanan, who died in 1681 without a male heir. The upcoming ceremony will feature millennia-old clan inauguration rituals and a stone ‘throne’ carved by specialist Scottish craftsmen.
New ‘clan jewels’ have also been meticulously reconstructed following years of historic research. These include the ancestral Sword of Leny, a white rod to symbolise clan justice and a falcon-shaped sguian dubh, the small knife traditionally worn with a kilt.
The inauguration will be the centrepiece of a weekend of celebrations in the picturesque setting of Cambusmore Manor in Callander, which is home to the chief. It will feature Scottish ceremonial traditions that have inspired scenes in Outlander and Game of Thrones, includinga Clan Court and clansfolk kicking up their heels at a traditional Scottish ceilidh.
The Chief of Clan Buchanan said:“The clan has a thriving global community of more than five million people so we’re calling for Buchanans, affiliated families and supporters around the world to unite for this incredible moment in Buchanan history.
“For centuries our ancient clan was left without a Chief or Clan Parliament but this year we’re finally gathering in Scotland. This is a chance to restore Scottish traditions that have been confined to the history books for hundreds of years, bringing them back with a thoroughly modern twist.”
The Buchanan’s appointment to lead the clan was the culmination of decades of genealogical research conducted by a renowned genealogist, the late Hugh Peskett, who famously traced President Ronald Reagan’s Irish ancestry in the 1980s.
While Clan Buchanan can be traced back to 1010 AD in Scotland, its global community includes members from across Great Britain, the USA, Canada, Australia, New Zealand and South Africa among many other countries. Over 120 affiliated family surnames are recognised as part of the clan including Watson, Morris, Richardson, Coleman, Gilbert, Walter and Harper.
They are represented by the world’s oldest clan society, the Buchanan Society, which was established in 1725 to support members of the clan in times of hardship, and the worldwide Clan Buchanan Society International.
David J. Byrne, President of Clan Buchanan Society International based in the USA, said: “We’re eagerly looking forward to the inauguration of our new Chief, which will demonstrate to the world that Clan Buchanan is still a vital and thriving family with a shared history.
“What has been most encouraging to clansfolk scattered across the world is the Chief’s modern approach, while still embracing our heritage and traditions. We’ve used this as an opportunity to renew pride in the history of Clan Buchanan alongside a new sense of purpose as we look to the future.”
The Clan Chief Inauguration will take place on Saturday 8 October as part of a weekend celebration beginning on Friday 7 to Monday 10October 2022.
The conservation charity launches ambitious 10-year strategy, aims include:
Commitment to become carbon negative by 2031, as Scotland’s largest independent conservation charity
Expanding the number of people welcomed to Trust sites across Scotland to more than 6 million people per year by 2032
Investment of £38 million in the care of the Trust’s places within the next three years, and £100 million across the lifetime of the strategy
Commitment to increasing the Trust’s learning work, through developing skills and new learning and research programmes
Today conservation charity, the National Trust for Scotland, has unveiled a new strategy – Nature, Beauty & Heritage for Everyone, as it refocuses its vision of caring for, sharing, and speaking up for Scotland’s magnificent heritage.
The bold strategy will be delivered over the next ten years as the Trust works towards its centenary in 2031, by which point it intends to be carbon negative.
Chief Executive Philip Long OBE says the strategy is a ‘firm renewing’ of the charity’s commitment to its founding principles of caring for Scotland’s special places and working to make these places as accessible as possible and inspirational for all.
The charity also revealed for the first-time figures which show the scale of its social and economic impact on Scotland. Economically, the direct and indirect impacts of the National Trust for Scotland in 2019-20 are estimated at 7,430 jobs, which can also be expressed as £148 million Gross Value Added.
However, the study went further, using feedback from member and visitor surveys to identify the proportion of visitors who gain strong positive wellbeing benefits that they are unable to obtain elsewhere. When these proportions were applied, it equates to an additional £73 million of annual social value.
And these figures are set to grow further, as the charity is currently recruiting for around 300 seasonal and permanent roles to deliver its new ten-year vision, which has been created to ensure the Trust’s places are cared for and bring benefit to Scotland’s people and communities for years to come.
Recognising the integral role that members play in the future of the charity, from championing Scotland’s heritage through to speaking up for the invaluable work the Trust does, the new strategy also outlines the Trust’s commitment to grow its diverse membership base to over half a million people across Scotland over the next ten years.
At the heart of the strategy is a programme of projects and investment, with a spend of £38 million planned for 2021 – 2024, and with the intention to invest £100 million across the lifetime of the strategy, supported by the Trust’s fundraising work.
Hundreds of individual projects are planned and on top of that there will be many new initiatives to create opportunities to get more people involved in, and learn from, Scotland’s heritage.
Projects include:
On the Isle of Canna, the Trust is continuing to work in partnership with the community, restoring Canna House to better care for its collections as well as developing new visitor and community facilities.
On Staffa, one of Scotland’s most important islands for seabirds, geology and cultural heritage, the Trust is improving the island infrastructure and further conserving and protecting this special place of natural beauty that has influenced artists, musicians and writers from around the world since its ‘discovery’ in the 18th century.
The Corrieshalloch Visitor Gateway in Ross-shire will be a new addition to the National Nature Reserve with one of the deepest and most spectacular gorges of its type in the British Isles. It currently has no visitor facilities, so the Trust is improving access with a much needed, sensitively designed visitor gateway building, to help visitors enjoy and find out more about Corrieshalloch’s wonderful nature. This project is supported by the Natural and Cultural Heritage Fund which is led by NatureScot and funded through the European Regional Development Fund.
In Dumfries and Galloway, the Threave Landscape Restoration Project is transforming 81 hectares of land at Kelton Mains into rich habitats for flora and fauna, restoring the site’s wetlands and native woodlands.
The new strategy is the most collaborative in the National Trust for Scotland’s 90-year history and has been shaped by its employees, volunteers, members, supporters, partners and communities, through consultation which has aimed to find out what the Trust’s places need and what people want from the National Trust for Scotland in the coming years.
This feedback informed three ‘pillars’ of activity: conservation, engagement and sustainability, which combine to deliver the Trust’s charitable purpose.
These pillars are served by eleven strategic objectives which will support the Trust in its work to protect and share Scotland’s special places and minimise the charity’s environmental impact.
Philip Long OBE, Chief Executive of the National Trust for Scotland, said: “We’ve begun an exciting new chapter for the National Trust for Scotland, building on the experience, knowledge and skills we’ve gathered over the last 90 years, throughout which time our charity has received phenomenal support from its members and many others.
“Everyone can benefit from Scotland’s heritage and from the work of the Trust, and in the years ahead we want to involve as many people as possible in this. Our new strategy is a response to all that our charity has achieved over its long history, and to the current health, economic and environmental challenges which affect everyone.
“In creating our new strategy we’ve set out a framework that charts our ambitions for the Trust’s tenth decade, describing our intended achievements: from becoming carbon negative by 2031, through to championing Scotland’s heritage for everyone, restoring and protecting habitats, historic buildings and landscapes and uncovering and sharing more of our nation’s stories to a larger and more diverse audience of 6 million annual visitors.
“We’re also recruiting colleagues to bring even more experience to our dedicated and passionate team throughout the country, to allow us to realise these ambitions.”.
For more information on Nature, Beauty & Heritage for Everyone, and to learn more about the strategy and its objectives, visit: www.nts.org.uk/our-work/our-strategy.
The Independent Cinema Recovery and Resilience Fund is a £3.5million fund from the Scottish Government. The aim of the Fund is to help secure the survival of Scotland’s independent cinemas, enabling them to re-establish and adjust their business models in response to Covid-19.
The fund addresses the critical financial need faced by Scotland’s independent cinemas to enable them to return to full-time operation, significantly reducing the risk of wide-spread redundancies and closure of vital community assets.
Guidelines for applying to the Fund have now been published ahead opening for applications on Monday 14 September.
Sambrooke Scott, Head of Audience Developmentat Screen Scotland said: “We very much welcome the First Minister’s recent announcement of £31.5m in emergency funding for culture in Scotland and are pleased, as part of that, to be able to quickly offer £3.5m of that funding to support Scotland’s independent cinemas.
“These cinemas not only present a broad range of high-quality creative programming to a varied audience, but they also serve as community hubs in geographically diverse parts of Scotland, including some of our more remote places.
“This fund will offer a vital lifeline to those independent cinemas which have been impacted by the Covid-19 pandemic, helping them to return to full-time operation and protect jobs.”
The Independent Cinema Recovery and Resilience Fund is the first of five new emergency funds to be delivered by Creative Scotland over the coming weeks as follows:
The £15m Culture Organisations and Venues Recovery Fund will support organisations that provide opportunities for cultural engagement and who have been unable to trade due to the impact of Covid-19. It includes both organisations who provide opportunities for audience engagement (such as galleries, performing arts spaces, commercial theatres, comedy clubs and nightclubs) as well as those that enable and deliver cultural activity (such as production facilities, music and dance companies). Eligibility criteria and guidelines for applying are currently in development and will be published on Thursday 10 September. The fund will open for applications on Thursday 17 September and awards will be made by the first week in November.
The £5m Creative Freelancer Hardship Fund will address the current financial hardship being felt by creative freelancers who normally work in the culture sector, but whose work has been impacted by Covid-19. We are currently working to appoint partners to ensure a wide spread of coverage of this fund and we anticipate opening for applications from early October.
The £5m Sustaining Creative Practice Fund will support artists to continue developing new creative work that will make a significant contribution to Scotland’s recovery from COVID-19. This includes £1.5 million for the Culture Collective programme, mentioned in the Scottish Government’s Programme for Government, supporting organisations employing freelance artists to work in and with communities across Scotland. The remaining £3.5m will be added to Creative Scotland’s existing open fund which is open for applications from individuals now.
The £3m Youth Arts Fund will ensure creative opportunities for children and young people continue to exist across Scotland despite the Covid-19 pandemic. The fund will include targeted and open funding to youth music and wider youth arts organisations, a scheme to devolve grants locally to artists who work with young people and small grants delivered directly to young people to support them fulfil their creative ambitions.
Details of all funds will be published on the Creative Scotland website and publicised through media and social media communications.
Culture and heritage sectors are to benefit from a £59 million funding package to protect jobs and help the industry weather the effects of the coronavirus (COVID-19) pandemic.
A new £15 million Culture Organisations and Venues Recovery Fund will provide critical support to a range of businesses such as art galleries, studio facilities, comedy venues, large music venues, commercial theatres, orchestras, dance companies and nightclubs.
It will help to reduce the threat of insolvency, protect jobs and create conditions for a more viable and sustainable future for the sector.
The funding also includes £21.3 million for Historic Environment Scotland (HES) to protect jobs and support the reopening of properties in their care.
An additional £5.9 million will be made available to support heritage organisations through committed grants, and £270,000 for the New Lanark Trust (above) will help secure the future of one of Scotland’s six World Heritage Sites.
The package also includes:
£5 million to address the immediate financial hardship faced by creative freelancers
£5 million to support artists to continue developing new creative work that will make a significant contribution to Scotland’s recovery from COVID-19, including £1.5 million for the Culture Collective programme to support organisations employing freelance artists to work in communities across Scotland
£3.5 million for independent cinemas
£3 million for youth arts including a funding boost for the Youth Music Initiative which will provide work for musicians
Culture Secretary Fiona Hyslop said: “It’s been an extremely trying time for everyone in the culture and heritage sectors over the last few months. The major issues presented by the pandemic are not going away but as we slowly start to reopen, this funding will provide much needed emergency support and aid the recovery.
“We have taken time to work closely with and listen carefully to the sectors, to understand exactly what they need. We want to reach as many people as possible and I do believe these funds will make a marked difference in ensuring our culture and heritage sectors not only survive the pandemic but thrive in future.
“As extensive as this package of support is, we know there will still be more needed. Culture and heritage are vitally important to all of our lives in Scotland, at this time more than ever. Without significant borrowing powers, there is only so much the Scottish Government can do. I urge the UK Government to consider extending the furlough scheme, to ensure longer term support as we continue to navigate this crisis.”
Iain Munro, Creative Scotland Chief Executive, said: “We very much welcome this significant announcement of much needed emergency support. This follows a great deal of work involving Creative Scotland and the Scottish Government, but also many people and organisations from across Scotland’s cultural community.
“We appreciate the challenges that everyone working in culture is facing and are pleased to now be able to offer some clarity. Creative Scotland will continue to work at pace to deliver this emergency funding to where it’s needed as quickly as possible.”
The culture funds will be delivered through Creative Scotland and follows on from the previously announced £12.5 million Performing Arts Venue Relief Fund and £2.2 million support for Grassroots Music Venues. It comes as part of the £97 million in UK Government consequentials for the culture and heritage sectors.
Creative Scotland are establishing the details of the funds and how they can be accessed. More information will be made available next week.
Funding that has been announced so far to support the culture and heritage sectors includes:
£10 million funding package for events
£4 million Museums Recovery and Resilience Fund
£3.8 million to protect jobs at the National Trust for Scotland
RICS (Royal Institution for Chartered Surveyors) has announced the winners of the inaugural RICS Social Impact Awards for Scotland – and Edinburgh Printmakers has won the esteemed title of Project of the Year.
35 construction projects, who’s entries celebrate the role of property professionals in transforming Scottish communities and the everyday lives of people, were shortlisted back in February.
Eight projects have now been successful as category winners, with Edinburgh Printmakers selected by judges as Project of the Year.
The awards – which are supporting The Prince’s Trust campaign to get more young people into construction – were launched earlier this year to find the best examples of developments delivering economic, social or environmental improvements for their communities; therefore, recognising the real estate industry’s vital role in society.
All of the Scottish winners were announced in a digital awards ceremony revealed by RICS this afternoon. They are:
PROJECT OF THE YEAR: EDINBURGH PRINTMAKERS
Commercial: TECA – creating a world-class events and leisure complex
Education: University of Glasgow Campus Development
Healthcare: Prince & Princess of Wales Hospice
Heritage: Edinburgh Printmakers
Infrastructure: Glenrothes Energy Network
Leisure: The Fraser Centre
Residential: North Sighthill Regeneration
Student Accommodation: Baird’s Close Two
The new home of Edinburgh Printmakers is located within what was once the HQ of the North British Rubber Company (NBRC) in Fountainbridge. The NBRC building is the only surviving structure from the once large and important nineteenth century Castle Mills industrial complex.
The project involved the redevelopment of this derelict building into a multi-use arts complex centred around printmaking production. The approach of the project team involved “making precise contemporary interventions to facilitate the new use while respecting the character and story of the existing building”.
RICS Social Impact Awards Head Judge for Scotland, Colin Smith (Turley Head of Planning, Scotland), commented:“The Edinburgh Printmakers project has saved and creatively adapted one of the last vestiges of the industrial and social history of Fountainbridge, the former headquarters of the North British Rubber Factory.
“The project has ingeniously inserted a range of public facing new uses into the building, respecting its fabric, character and heritage, and done so in a way that provides access for all throughout and which opens the building out to engage with its emerging surroundings. It is a multi-faceted gem.”
He continued: “The built environment is an integral part of the Scottish economy but also makes a positive impact on our everyday lives. In these challenging times, it is warming to reflect on these winning projects, and how they are not only a demonstration of the breadth of talent within the profession, but showcase how buildings can make towns and cities across the country more inclusive and deliver communities which people can be proud of.”
