Edinburgh International Festival To Be First Charity on Net Zero Pathway 

2025 FESTIVAL PROGRAMME RUNS FROM 1–24 AUGUST 2025

eif.co.uk / @edintfest

  • Edinburgh International Festival has become the first charity and the first arts organisation in the UK to achieve the British Standards Institute’s (BSI) Net Zero Pathway verification, highlighting its commitment to genuine emissions reductions
  • Operational progress includes a 56% reduction in electricity and 26% in gas emissions at The Hub,42% reduction in general waste through sustainable concessions and 58% reduction in printed paper since 2023, with a switch to freesheets and leaner print runs.
  • Progress in artistic programme includes the development of an artist residency model for touring orchestras, putting climate-themed works on stage and a sustainable approach to building locally for large-scale productions.  

Edinburgh International Festival is the first charity, and the first arts organisation, in the UK to achieve the British Standards Institute’s (BSI) Net Zero Pathway verification, as part of its commitment to sustainable practice. 

This achievement underpins the International Festival’s commitment to Net Zero by 2045, in all its activity, from delivering year-round work with workshops, community engagement projects, and support for emerging artists, to an August festival programme that features world-class performers from the worlds of dance, opera, music and theatre.  
 
Aligning with BSI’s Net Zero Pathway’s ISO 14064-1 (for greenhouse gas reporting) and IWA 42:2022 (for strategic planning), the Festival has set a clear roadmap to reach Net Zero emissions. A three phased plan involves reaching Net Zero for gas, electricity and staff hired vehicles by 2030, waste, water, coach travel, printed materials and commuting by 2035 and freight, hotels and staff travel by 2045. 
 
Unlike other approaches that rely on offsetting, the BSI Net Zero Pathway prioritises actual emissions reductions, ensuring that organisations are making genuine progress towards Net Zero. Its robust science-based approach is based on international standards, evaluating an organisation’s carbon footprint and reduction targets to ensure credibility.  

The BSI certification builds upon several initiatives from the International Festival to embrace new models of working with artists, audiences and employees to reduce carbon impact.

This includes reducing gas and electricity usage at The Hub, the Festival’s HQ on the Royal Mile, by 26% and 56% respectively, as well as appointing a full-time Environmental Sustainability Manager.

In 2023, the International Festival was proud to achieve the Green Tourism Silver Award, providing third-party verification that the Festival upholds globally recognised sustainability standards. 

In 2024, the number of printed programmes was reduced, and coupled with a switch to freesheets across most events, printed paper amounts reduced by 14% compared to 2023’s output. This year, fewer printed brochures and a new highlights leaflet will see a 38% reduction in printed pages from 2024, a 58% reduction since 2023. 

Terry Roberts, Edinburgh International Festival Sustainability Manager, said: “Our journey to net zero is an ongoing process, and we are actively seeking new ways and partners to reduce our environmental impact.

“The BSI certification provides a structure to achieving our ambitions, allowing us to understand where we are and what we need to do progress.

“We know this will be difficult and we can’t achieve anything alone, but by working together with our artists, suppliers, partners, audiences and the wider community, we are confident we can play our part in creating meaningful change. ” 

Matt Page, Senior Vice President, Assurance Services EMEA, said: “Achieving meaningful emissions reduction is a key priority for many in the cultural sector, but turning that ambition into action is a real achievement. The Edinburgh International Festival should be congratulated for this demonstration of leadership and action.

 “BSI’s Net Zero Pathway is an independent process designed to build credibility around an organization’s journey and ultimately build societal confidence in the progress being made.

“Edinburgh International Festival’s commitment to science-based targets and meaningful emissions reductions sets a powerful example for how cultural institutions can help shape a more sustainable future, benefiting people and planet.” 

Across artist travel, the International Festival have used an artist residency model since 2023, offering a more sustainable model for presenting large-scale orchestras.

Inviting world-leading orchestras for an extended stay in Edinburgh, featuring multiple performances and moments of community engagement, reduces the environmental impact through scaled-back travel and increases the performers’ engagement with Edinburgh – its audiences in the concert halls, as well as its communities.

This year’s resident orchestras include NYO2, a youth orchestra from the United States making its European debut, the world-renowned London Symphony Orchestra; and NFM Leopoldinum, leading the Focus On Poland programme. 

The Festival also takes a sustainable approach to large-scale productions, as seen in this year’s European premiere of Orpheus and Eurydice, which brings together Australian and Scottish talent. By building the set locally and collaborating with Scottish ensembles like the Scottish Chamber Orchestra, the production strengthens local and international artistic ties while significantly reducing emissions. 

Each year on stage, the International Festival seeks to challenge and inspire debate amongst audiences through platforming artists who explore climate change and justice in their artistic work.

This year’s programme features several works that delve into our human connection to the natural world, including Nederlands Dans Theater’s Figures in Extinction, Works and Days by Belgian theatre collective FC Bergman and William Kentridge and Handspring Puppet Company’s Faustus in Africa!.   

Other green initiatives the Festival is undertaking this year include an optimisation of web servers working with Supercool to a cloud-based set up that has resulted in an energy reduction of 2,866kWh, equating to 595.4kgCO2e, and the use of algae ink, a biodegradable and carbon-neutral product, in Festival-branded flags created by GH Digital.  

Beyond being the first arts organisation in the UK to be certified by BSI standards, the International Festival also plays a key role in leading the sector, collaborating with many organisations to share knowledge and experiences, and learn from colleagues.

The Festival are members of a number of sustainability groups and panels, including the Edinburgh Festival City Sustainability Working Group, Green Arts Initiative, Edinburgh Climate Compact and the European Sponsorship Association Sustainability Group.

The Festival also hosted a Sustainability in Practice event in 2025, welcoming an audience from across the worlds of culture and sustainability that included Creative Scotland, Edinburgh Chamber of Commerce, Festivals Edinburgh and Scottish Ballet.

Looking ahead, the Festival is actively seeking partnerships with organisations that share its commitment to sustainability, with the aim of collaboratively achieving meaningful environmental goals.  

Tickets to world-class performances across a handpicked programme of music, theatre, opera and dance at the Edinburgh International Festival in August 2025 are available at www.eif.co.uk.  

For full information about the International Festival’s year-round work, visit https://www.eif.co.uk/social-impact.  

Specialists gather in Edinburgh for European Arts Festivals Summit 2025

Pic Greg Macvean 27/04/2025 City of Edinburgh Council – reception at City Chambers for the Arts Festivals Summit

215 festival specialists gathered this week in Edinburgh for the European Arts Festivals Summit 2025.

Hosted by the Edinburgh International Festival, Festivals Edinburgh, and the City of Edinburgh Council, the Arts Festivals Summit 2025 of the European Festivals Association’s (EFA) welcomed over 200 festival professionals for a four-day conversation about festivals, arts, and the role of arts festivals today.

With 215 delegates participating from 44 countries, it has brought diverse perspectives, questions, and themes forward on how festivals can assume a responsible role towards their artists, audiences and societies in an ever-changing world.

Edinburgh International Festival Director, Nicola Benedetti opened the Summit with a keynote talk on her experience of taking on the role and how her perspective as a performing artist has shaped her approach to curation, collaboration and connection.

Ms Benedetti shared reflections on the importance of holding in balance a deep respect for the past whilst providing a fertile ground for daring innovation, risk and unbridled creativity. 

Delegates heard from a range of different voices and perspectives to gain a greater understanding of the interaction between festivals and their city, particularly in the case of Edinburgh, and explored the different aspects that contribute to Edinburgh’s success story.

They had the chance to meet the network of Festivals that exists in Edinburgh and the eleven festivals that contribute to Edinburgh’s unique reputation as The Festival City.

Fittingly Edinburgh is one of the founding members of the recently established EFFE Seal for Festival Cities and Regions, run by EFA which was developed by seven cities – Belgrade, Bergen, Edinburgh, Ghent, Krakow, Leeuwarden, and Ljubljana – to build on the achievements of the EU-funded Europe for Festivals, Festivals for Europe – EFFE programme and sets out to build co-operation between cities and their festivals across Europe.

During the Summit, four cities signed up to the EFFE Seal: Nis (Serbia), Budapest II District (Hungary), Coimbra (Portugal) and Tampere (Finland).

The EFFE Seal recognises cities for their commitment to their festival communities and aims to promote creativity, sustainability, internationalism, and resilience through knowledge exchange.

The future of festivals and their place in society focused delegates on how festivals contribute to societal topics such as sustainability, inclusion, well-being and freedom of speech, discussed from the point of best practices, learning from failures, perspectives and innovative proposals.

Inspiring keynotes by Roman Krznaric, author and social philosopher, and Elena Polivtseva, independent researcher and a co-founder of Culture Policy Room, challenged participants to think through the current tests the arts are facing, their vision for the future and the importance of long term thinking.

Nicola Benedetti, Festival Director, Edinburgh International Festival, said: “The Edinburgh International Festival exists to spark dialogue and cultural exchange – not only on our stages, but across communities and borders.

“It was a privilege to host the European Festivals Association’s 2025 Summit at The Hub, our home in the heart of the Festival City – where the International Festival sparked what is now the largest cultural celebration after the Olympics, every August in Edinburgh.

“Being surrounded by such a dynamic gathering of cultural leaders was a powerful reminder that the most enduring festivals and institutions are driven by a deeper desire to change society for the better.

“Coming together with our international counterparts to reflect, challenge, and collaborate on how we can deepen our impact was both energising and essential.”

Jan Briers, President of European Festivals Association affirmed: “The Summit in Edinburgh was full of new information, permanent networking, and making new collaborations and friends.

“It was a wonderful edition during which festivals coming from many different contexts discussed the future and its shape.”

Lori Anderson, Director of Festivals Edinburgh added: “Seeing our European festival colleagues inspired by cultural conversations across the city, and exhilarated by the beauty of Edinburgh, has been not only heartening but deeply moving – and reminds us that, in the current climate of global uncertainly, there is so much that unites us and so much to gain from deeper international relationships”.

EFA Members elected their President giving a continued mandate to its current chair, Jan Briers 

Jan BRIERS shared: “I am pleased to continue to chair this wonderful organisation and being elected in Edinburgh is very meaningful for my new mandate.” 

Michael Herrmann, Founder and Director of the Rheingau Music Festival, has been appointed as new Honorary Member of EFA.

The Summit concluded with the handing over of Edinburgh to Budva, Montenegro.

“We are excited about the opportunity to host the Arts Festivals Summit in Budva next year. The gem of the Western Balkans has many things to offer.

We are committed to make sure delegates enjoy a fruitful and unforgettable stay., said Milena Lubarda Marojević, Director of Theatre City Budva that will host EFA’s next Arts Festivals Summit in April 2026.

During the Summit, 22 new organisations joined EFA, reinforcing EFA’s desire to increase the more diversity of its membership and adding to the Association’s relevance at a geographical and artistic level.

New members include Africa Simply The Best (Belgium), Anibar International Animation Festival (Kosovo), DokuFest (Kosovo), Festival Fabula (Slovenia), Festival Música Viva (Portugal), Food Film Fest Bergamo (Italy), I Suoni Delle Dolomiti (Italy), KotorArt International Festival (Montenegro), Maribor Theatre Festival (Slovenia), Oeiras International Piano Festival (Portugal), ReMusica Festival (Kosovo), SPRING Utrecht Performing Arts Festival (Netherlands), Turkish State Theatres (Türkiye), and Vicenza Opera Festival (Italy). Five Ukrainian festivals have been reconducted in their membership, expressing EFA’s solidarity with the country: Construction Festival, Festival of Contemporary Art “Gogolfest”, Kharkiv Music Fest, Odessa Classics Music Festival, and Ukrainian Festival Association “Art-Ethno Fest”.

Three organisations also joined as collective and affiliate members: Creative Island (United Kingdom), the Association of Asia Pacific Performing Arts Centres (AAPPAC) and the World Federation of International Music Competitions (WFIMC).

Hidden Door Festive Art Sale

We’ve lined up hundreds of pieces from dozens of past Hidden Door artists for our 2023 Art Sale – the ideal opportunity to grab some wonderful artwork.

Join us at The Hub on Castlehill for our exclusive Preview Night, from 7pm on Friday 8 December for festive drinks and live entertainment, and give yourself the best chance to grab the perfect piece for your wall.

We’ll then be open Saturday 9 and Sunday 10 December, 12-5pm, for those in town doing their Christmas shopping.

All proceeds from the sale will be split between the artists and Hidden Door, so every purchase will go straight towards supporting the local creative community.


Featured artists include: Olivia Turner, Madeline Mackay, MaryAnne Hunt, Jill Martin Boualaxai, Kat Cutler-MacKenzie and Ben Caro, Kathleen McVey, Evie Rose Thornton, Isabelle Phoebe, Elvey Anna Stedman, Jo Fleming Smith, David McDiarmid, Matthew Storstein, Jagoda Sadowska, Joan Smith and more.

Superstar students celebrate success as Prize Giving returns at Edinburgh College

More than 100 students gathered with around 300 family, friends, staff and guests to celebrate their outstanding work over the last year, as Edinburgh College’s Prize Giving ceremony returned to Granton Campus on Thursday June).

The event honoured further education (FE) students across the curriculum for their achievements over the year. Students received awards from the College’s four faculties – Creative Industries; Engineering and Built Environment; Health, Wellbeing and Social Sciences; and Tourism, Hospitality and Business.

It was a welcome return to a large-scale event within the College, the first since 2019 due to the Covid-19 pandemic. 

This year’s ceremony saw prizes awarded to outstanding FE students and Schools College Partnership (SCP) students as well as Foundation and Modern Apprentices. 

Prize Giving celebrates the academic achievements and dedication of students, as well as the commitment many have to juggling home life and work to succeed in their studies. The prizes included Recognition Awards, awarded to those who have gone that extra mile to succeed, Academic Excellence Awards and each curriculum areas Student of the Year award.

Edinburgh College Principal Audrey Cumberford also presented the Principal’s Award to Hairdressing student Harry Lyons, while Interim Chair of the Board Ann Landels presented special awards for Outstanding Achievement and International Student of the Year to Alexander Irvine and Nadia Caimi respectively. 

Forth Two radio presenter Micky Gavin was the compere for the evening at the Hub in the College’s Granton Campus.

College partners including businesses and local politicians joined the celebrations, with some sponsoring awards. Awards sponsors included former hairdresser to the Royal Family Denise McAdam, and restaurateur and hotelier James Thomson OBE, among others.

Edinburgh College Principal Audrey Cumberford said: “It was fantastic to bring Prize Giving back to our Granton Campus. There was an incredible atmosphere in the hub and it was wonderful to see so many of our students recognised with awards for their outstanding work throughout session 2021/22. 

“Whatever our award winners choose to do next, whether that be continuing their studies, or gaining employment, I’m confident they will thrive and I wish them all the best for the future.”

We wish all prize winners good luck in the next step of their journey.

North Edinburgh Arts calendars on sale now

North Edinburgh Arts raised an impressive £4,500 at their fundraising and celebration event at the Hub on Castlehill on 4th November.
With the sale of further art work and the North Edinburgh Arts calendar (below), the local organisation hopes to have a final figure of over £5,000.  This will be invested in an Artist studio within North Edinburgh Arts.
Details of the expenditure will be available in the New Year.
NEA calendars are available to purchase at reception – get yours NOW!