The Traditional Arts and Culture Fund, previously known as Tasgadh, will open for applications at 10am today (19 January 2026).
The fund, administered by TRACS (Traditional Arts and Culture Scotland), offers small grants of up to £1,200 to artists, community groups, and grassroots organisations working across Scotland’s traditional music, song, storytelling, dance, crafts, indigenous languages, and wider intangible heritage.
TRACS won the Creative Scotland tender to administer the fund in October last year, with traditional crafts included for the first time as a new addition to the fund.
In 2026, the total fund available is £43k and applications for the first round close on Monday 16 February, with a second round of funding due to open on 6 April and close on 4 May. Awards of up to £1,200 are available (an increase of 20% on previous years), enabling around 18 applicants in each round to be funded the maximum amount.
Applications can be submitted in Gaelic, Scots, and English language. All applicants are required to demonstrate a positive track record in and/or professional commitment to one or more traditional artforms, and awards are decided by a panel of traditional arts and craft specialists.
TRACS won the Creative Scotland tender to administer the fund in October last year, with traditional crafts included for the first time as a new addition to the fund.
In 2026, the total fund available is £43k and applications for the first round close on Monday 16 February, with a second round of funding due to open on 6 April and close on 4 May. Awards of up to £1,200 are available (an increase of 20% on previous years), enabling around 18 applicants in each round to be funded the maximum amount.
Applications can be submitted in Gaelic, Scots, and English language. All applicants are required to demonstrate a positive track record in and/or professional commitment to one or more traditional artforms, and awards are decided by a panel of traditional arts and craft specialists.
Funding is available for the creation, performance, touring, and showcasing of traditional arts and crafts in Scotland, and for professional development and learning projects.
Previous successful projects include music classes and workshops, dance development and collaborations, composition of new music, tours, personal development projects, internships, and festivals.
Previous applicants who received awards of between £250 and £1,000 include Sangstream Scots Folk Choir celebrating the heritage of Midlothian miners in song; puirt à beul workshops for Dundee Gaelic Choir; Cabraich Community Arts’ weekly song and story cèilidhs in Stornoway; storytelling development at Glenesk Folk Museum with the Grampian Association of Storytellers; and the creation of new work in Scottish stepdance by Deiseil Airson Dannsa.
Steve Byrne CEO of TRACS said: “We are delighted to have been appointed as the new administrators of this important fund.
“Being able to provide support to artists and organisations at all stages of their development is essential to ensuring that Scotland has a buoyant traditional arts community, and experience shows that a nimble small grants programme like this can make a huge difference to grassroots activity.
“We look forward to announcing the successful applicants in due course.”
Catriona Hawksworth, Traditional Arts Officer at Creative Scotland said: “The newly redeveloped Traditional Arts and Culture Fund will directly benefit the tradition-bearers and communities upholding Scotland’s many traditions, and we’re delighted that the fund will support traditionalcrafts for the first time, alongside traditional music, storytelling and dance.
“With increased funding, more traditional artists and practitioners will be able to boost their offerings within their local communities thanks to National Lottery funding. TRACS are expertly placed as a custodian of this crucial funding as champions of Scottish traditions with their invaluable knowledge and networks.”
Helen Voce, panellist representing Traditional Craft said: “The Fund’s recognition of traditional crafts for the first time is welcomed and timely.
“A supporter of craftspeople in Scotland, including as a volunteer Regional Coordinator of Scottish members of Heritage Crafts,I know the Fund will make a difference to the practice of experienced and emerging practitioners alike.
“It arrives following a year that saw a number of traditional crafts practised in Scotland listed as endangered (e.g. Shinty Caman Making) and critically endangered (e.g. Highlands & Islands Thatching) on theRed List of Heritage Crafts 2025.
“And, as communities are poised to submit traditional craft practices to the Crafts Inventory of Living Heritage following the UK’s ratification of the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage.”
The Traditional Arts and Culture Fund is administered by TRACS (Traditional Arts and Culture Scotland), with support from The National Lottery through Creative Scotland.
More information on the fund and a video guide to completing the application form is available at www.tracscotland.org/traditional-arts-and-culture-fund/
Submissions for Global Ink 2026, Edinburgh International Book Festival’s flagship international forum for Festival Directors, are now open. Taking place in Edinburgh from 17–19 August 2026, as part of the wider Book Festival programme (15–30 August), Global Ink 2026 will unite leaders from twenty international festivals for three days of dynamic roundtables, networking, and sector-leading events, showcasing the breadth and diversity of Scotland’s cultural sector.
With a core focus on increasing the presence of Scottish writers and artists in festival programmes around the world, Global Ink 2026 builds on the Book Festival’s four decades of commitment to international exchange and collaboration.
Supported by the Scottish Government and Creative Scotland through the Festivals EXPO Fund, the forum is designed to foster new partnerships and enduring connections between Scotland and the global festival community.
EIBF has long pioneered international networks and collaboration between festivals, as a founding member of the Word Alliance, and committee member of the Global Alliance of Literature Festivals.
Programme Highlights
Global Ink Directors’ Sessions: Monday 17 August, featuring closed-door roundtables and sector panels.
Scottish Showcase Day: Tuesday 18 August, with curated public events and connection with Scottish talent.
Industry Brunch : Wednesday 19 August, open networking with the Scottish and UK literary sector.
Closing Night Ceilidh: A celebration of Scottish culture to conclude the forum.
Delegates arriving earlier in the week can also enjoy an Opening Party & Welcome Reception on Saturday 15 August, and Sunday 16 August’s Scottish Programme Highlight event.
EIBF is delighted to have support from the Scottish Government and Creative Scotland, as the national public body for the arts, with this event being made possible by the Festivals EXPO Fund.
Underlining the value being placed upon this event, Global Ink 2026 was announced by the Cabinet Secretary for Constitution, External Affairs and Culture, Angus Robertson during the 2025 Book Festival programme. We are currently working with the Scottish Government to shape joint opportunities involving delegates throughout this global forum.
Delegate Benefits
International Festival Directors selected for Global Ink 2026 will receive:
Guaranteed admission to a number of Book Festival events, with exclusive opportunities to meet leading Scottish writers.
Tailored networking sessions with key Scottish stakeholders across culture, policy, and business.
Access to a fully-catered Hospitality Area for industry professionals.
Invitations to special events, including the opening party, receptions, and partners’ dinner.
Confidential closed-door sessions for candid sector discussion and professional exchange.
Partner-rate accommodation for the duration of Global Ink 2026.
Who Should Apply
Applications are welcomed from Directors of book, multi-arts, or ideas festivals based outside the UK, particularly those keen to develop long-term partnerships with the Edinburgh International Book Festival and Scotland’s wider cultural sector.
Successful delegates will benefit from special rates at partner hotels for the duration of their stay.
A separate submissions process will open for UK-based Festival Directors in Spring 2026.
Key Dates
Call Opens: 4 December 2025
Application Deadline: 24 January 2026
Forum Dates: 17–19 August 2026 (with additional events on 15 and 16 August 2026 for early attendees)
Jenny Niven, Director of the Edinburgh International Book Festival, said:“Since 2024, our Global Ink programme has fostered strong international collaborations between the Edinburgh International Book Festival and other global literary festivals, which has seen new bridges built between countries and organisations, and a host of exciting new overseas opportunities open up to Scottish writers and thinkers.
“Building on decades of international collaboration at the EIBF,we’re thrilled to be able to expand on this work with our 2026 edition, thanks to the support of Scottish Government and Creative Scotland’s Festivals EXPO Fund, forging new pathways to global audiences for Scotland’s breadth of fantastic writers, both new and established, as well as learning from our many sister Festivals around the world.
“We look forward to welcoming them to Edinburgh next August.”
Culture Secretary Angus Robertson said:“The expansion of Global Ink shows how our increased funding for Scottish festivals is creating more lasting connections with leading book festivals around the world. In turn this creates more global opportunities for Scottish writers and publishers.
“Our commitment to increase culture funding, with an additional £4m a year for Scotland’s festivals, will have an impact in many different ways, including an even more influential role for Edinburgh International Book Festival and a richer experience for its audiences.”
Aldi’s first-ever Great Scottish Supper brings pipers, poetry and haggis to Scottish primary schools
Aldi Scotland is giving primary school pupils in Edinburgh the chance to enjoy a truly traditional Burns Supper, complete with all the trimmings, including a bagpiper.
The UK’s Cheapest Supermarket 2024 is set to host its first-ever Great Scottish Supper, with one primary school class winning an unforgettable Robert Burns celebration.
As one of the country’s biggest supporters of Scottish food and drink, Aldi Scotland is encouraging the next generation to sample some of the nation’s most-loved dishes while taking part in celebrations that honour Scotland’s national poet.
Schools across the country are invited to take part, with one primary school class set to receive everything they need to host a memorable Burns Day feast, including the traditional haggis, neeps and tatties, as well as more contemporary dishes such as haggis bon bons and vegetarian haggis. A bagpiper will also perform the ceremonial piping-in of the haggis.
To participate, primary school classes of any age are invited to submit original Scots poems, giving pupils the opportunity to engage creatively with Scottish heritage and literature in true Burns style.
Poems should capture the spirit and traditions of Robert Burns by telling his story in a modern and imaginative way.
The initiative is open to any primary school class in Scotland. To enter, schools should send their original poems to to scottishcompetition@aldi.co.uk by Friday 23rd January 2026. Schools can submit more than one poem per class.
Alan Leslie, Buying Director, at Aldi Scotland said: “As one of the most loyal supporters of Scottish food and drink, we believe we have a responsibility to ensure Scots of all ages can experience our most iconic culinary traditions.Burns Day is the perfect occasion for our youngest generation to enjoy some of the outstanding produce Scotland is famous for.
“Centuries after his lifetime, Robert Burns remains Scotland’s most celebrated poet, and what better way to honour his legacy than by encouraging young people to explore their own creativity?
“We’re really looking forward to reading the poems from primary classes across the country and are excited to bring our first-ever Great Scottish Supper to a deserving school.”
As Which?’s Cheapest Supermarket of 2024, Aldi continues to offer some of the best value deals on locally sourced Scottish food and drink.
For Burns Day, shoppers can pick up a selection of traditional and contemporary dishes, including:
Simon Howie Sweet Chilli Haggis Bon Bons, £2.45, 240g
Simon Howie Curried Haggis Bon Bons, £2.45, 240g
Punjab Pakora Square Sausage Bites with spicy chili dip, £1.89, 200g
Punjab Pakora Iron Brew infused chicken pakora, £1.99, 200g
Bells Burns Supper Pie, £2.49, pack of two
Aldi’s diverse range of locally produced products are available at all of Aldi’s 112 Scottish stores. Available while stocks last.
Entries for the Great Scottish Supper open on 6 January, and will be accepted until Friday 23 January. The winning class will be contacted by January 30.
The winner will receive a £100 Aldi voucher to cater for their celebrations, with the supermarket also arranging a bagpiper for the event.
The Cumbernauld Theatre Trust, in North Lanarkshire, has been awarded £150,000 transition funding from the Scottish Government to help secure its future.
The funding will ensure the future of the Theatre as a going concern, so that it can continue its cultural programme and community work, while taking steps to enhance its financial sustainability and operations.
Cumbernauld Theatre Trust was the only was the only organisation to lose regular funding when Creative Scotland announced successful bidders for Multi-Year Funding in January, as a result of its application which was unsuccessful.
A record number of cultural organisations were successful in applying for Multi-Year Funding, following a £34 million increase for culture in the arts in the 2025-26 Scottish Budget. Over half of these organisations were awarded multi-year funding for the first time, and all successful applicants who previously received regular funding got a significant uplift.
Culture Secretary Angus Robertson said: “The Cumbernauld Theatre is an important cultural asset for North Lanarkshire and the wider culture sector in Scotland.
“As a result of its failure to secure Multi-Year Funding, the Trust faced a critical funding gap for 2026-27, which would have required the Trust to consult on redundancies.
“Given the Theatre’s significance to the community and in order to protect the sector-specific skills it provides employment opportunities for, the Scottish Government has agreed to support the Trust with £150,000 in grant funding over 2026-27, and a potential further £150,000 in 2027-28 – subject to the Trust demonstrating its sustainability issues are being resolved.
“This funding should enable the Trust to move beyond a challenging period and take the necessary steps to secure Cumbernauld Theatre’s future.”
Alan Caldwell, Chair of Cumbernauld Theatre Trust said: “We are incredibly grateful to the Cabinet Secretary Angus Robertson and the Scottish Government for our constructive conversations over the last few months and today’s announcement of its strategic investment in the future of this important cultural organisation.
“Their grant of £150,000 in 2026/27 and a potential further award in 2027/28 allows the Trust time to plan for a long-term sustainable future, while continuing to deliver its valuable work for residents in an area of Scotland which is under-served in terms of cultural and community opportunities.”
Creative Scotland has also agreed to give Cumbernauld Theatre Trust £99,557 in support of a programme of community engagement and work celebrating the town’s anniversary over the course of 2026.
The 2025 Soundhouse Winter Festival returns from Thursday 27 November to Monday 1 December at the Traverse Theatre in Edinburgh, thanks to support from The National Lottery through Creative Scotland.
The festival showcases musicians either from, or based in Scotland, and runs over St Andrews Day and the Fair Saturday weekend. The programme includes some of Scotland’s finest jazz, and trad musicians, a showcase of emerging new musicians, music workshops for adults and young people, and a silent film accompanied by live music.
Headliners include experimental folk band Constant Follower led by songwriter Steven McAll playing tracks from their latest album Let the Healing Begin which has recently been added to the long list for the Scottish Album of the Year (SAY) award, 2024’s Scottish Jazz Vocalist of the Year Niki King; genre blending spoken word artist, rapper, and rising star Bee Asha; andguitarist Chris Amer and his Sextet (Matt Carmichael, Fergus McCreadie, Gus Stirrat, Stephen Henderson and Mhairi Marwick) performing music from their new collection Making Peace With What Is.
In addition, award-winning Scottish composer and guitarist Graeme Stephen will present his score for the 1927 silent film Metropolis, performedby Stephen on guitar and a classical string quartet lead by Fiona Winning on viola.
The quartet is completed by Tom Hanky (violin), George Smith (violin) and Robert Irvine (‘cello). Graeme will also be giving a non-participatory masterclass in Developing Concepts for Composition, Improvisation and Practice, for learners to explore creative ways to turn their ideas into compositions.
Other highlights over the weekend include harpist and lead vocalist Dara Dubh performing fan favourites and new tracks with Tony McVey on drums, Eve Simpson on keys/vocals and Brad Phillips on doublebass.
Multi-instrumentalist and folk singer Cahalen Morrison performing songs from his forthcoming album with his freshly minted trio; and jazz saxaphonist Rachel Duns, whose music ranges from blues and soul, to thepsychedelic sounds of the 1960s.
Over the weekend, audiences will also be treated to an afternoon concert from Scottish/Egyptian instrumentalists and composers The Ayoub Sisters who rose to stardom after their debut album premiered at No.1 in the Official Classical Charts.
Plus, three emerging artists playing in this year’s Spotlight concert, showcasing the very best up and coming jazz musicians in Scotland.
They include guitarist and double bass player Timmy Allan who won the BBC Scotland Young Jazz Musician of the Year Award in 2024 and this year’s Alan McAuley Jazz Award; The Ewan Johnston Trio formed of pianist Ewan Johnston, Christopher Quinnon on bass and Roan Anderson on drums; and the Milele Collective a young five-piece making waves on the Scottish scene with their jazz, latin and afro grooves.
In addition, cellist and improvisor Simone Seales will be giving an Improvisation Workshop for beginners on how to make sound without musical notation, open to amateur or experienced instrumentalists, vocalists or musicians from any other discipline.
Douglas Robertson and Jane-Ann Purdy, co-producers said:“After last year’s multi-genre celebration of the Scottish music scene, we are delighted to be back for our second annual Soundhouse Winter Festival.
“We’ll be presenting jazz, pop, rap, classical, soul, funk, folk, trad, and many points where those categories intersect. It will be heartwarming, life affirming and a great antidote to the November blues. We extend a warm welcome to all: come and be part of Edinburgh’s great music-loving community.“
Alan Morrison, Head of Music at Creative Scotlandsaid: “The closes and wynds of the capital are about to come alive as the Soundhouse Winter Festival returns to Edinburgh with another excellent array of rising stars and familiar faces.
“This compact and perfectly curated programme offers plenty of opportunities to discover new talent across an extended weekend in November, with must-see gigs each and every day.
“Organised by the same people as Edinburgh’s rejuvenated Tradfest, the quality of music is guaranteed to be top-level, with something to suit all tastes.”
In 2026, the Royal Scottish Academy, one of the oldest and most prestigious cultural institutions in the UK, will be 200 years old.
An independent artist-led organisation with links to every part of Scotland and beyond, the Royal Scottish Academy is planning a unique celebration involving hundreds of artists, partners, galleries and institutions across the country and with an ambitious programme at their Edinburgh home; the largest and most expansive yet, including a major focus on women artists past and present.
Today, the RSA are delighted with the exhibition programme for the gallery spaces in Edinburgh, including major solo shows with RSA members past and present, including Joyce W. Cairns and Barbara Rae, a celebratory Annual Exhibition, the annual New Contemporaries moment for emerging Scottish artists, as well as fresh takes on the institutions collection; curated by a wide range of artists and experts from the RSA and across the Scottish artworld.
RSA Director Colin Greenslade said: “I am delighted to share the full gallery programme for our 200th anniversary year.
“There is truly something for everyone; the finest in Scottish contemporary art and architecture, made by those just beginning their careers, through to those with a revered, established practice.
“For the Summer we have an important retrospective by Joyce W. Cairns and we round off the year with a major new exhibition by Dame Barbara Rae. As a membership organisation with threads of activity across the sector, our group exhibitions for 2026 will explore our history, our legacy and our future.
“Complementing the vast range of associated activities of our partners across the length and breadth of Scotland, the exciting programme for the galleries here in Edinburgh will be an opportunity to learn more about our extensive support of Scottish artists’ and architects’ practice during this important anniversary moment”
Curated by Richard Murphy RSA OBE, Generation explores the idea of the architectural family tree, bringing together the work of sixteen architects, all of whom formerly worked at the Edinburgh practice of Richard Murphy Architects and have since gone on to establish their own successful practices.
Richard Murphy acknowledges Ted Cullinan (1931-2019), Richard MacCormac (1938-2014), Isi Metzstein RSA (1928-2012), Glen Murcutt and Carlo Scarpa (1906-1978) as influential on his own practice. Now he is looking to the next generation to see how this legacy is continued.
Origin Stories
24 January – 8 March 2026
Everyone remembers their favourite teacher. For art students, the intensely creative environment of art school can make their tutors hugely important influencers and facilitators of their future careers.
Origin Stories will explore the web of artistic relationships that have manifested through the evolution of art teaching in Scotland. Since its foundation, the Royal Scottish Academy has put the support of teaching and training of artists at the heart of its endeavours.
Royal Scottish Academicians have been involved in the art teaching institutions that have evolved in Scotland over the last two hundred years.
Flowing from tutor to student, a fascinating lineage of influence can be traced from the nineteenth century to the present day, involving multiple interconnecting narratives via many hundreds of artists.
Curated by the RSA’s Head of Collections Sandy Wood, this exhibition will tell this previously untold story of influence and legacy, with artworks by some of the best-known names in Scottish art on view alongside those by emerging artists.
New Contemporaries (2022), artwork L-R Jack Whitelock, Jess Townley Hume, Josie Jones. Photo: Julie Howden
RSA New Contemporaries 2026
28 March – 22 April 2026
For 200 years the Royal Scottish Academy has been a champion of knowledge and education in the visual arts.
RSA New Contemporaries represents the Academy’s commitment to supporting and promoting emerging artists and architects in Scotland.
Now in its seventeenth year, it offers a unique opportunity to see some of the most promising talent in Scotland in one single, large-scale exhibition in the heart of Edinburgh. Supported by the RSA Blackadder Houston Bequest and showcasing 64 graduates selected from the 2025 degree shows, the exhibition is the best overview of the current outlook of emerging Scottish art and architecture.
The 2026 exhibition is convened by Michael Visocchi RSA, with assistance from his fellow Royal Scottish Academicians, and Architecture Convenor Christopher Platt RSA.
The 200th Annual Exhibition of the Royal Scottish Academy
9 May – 14 June 2026
The Annual Exhibition of the Royal Scottish Academy is the largest and longest running exhibition of contemporary art in Scotland.
A yearly barometer of Scottish art, the exhibition has been at the heart of the Academy’s activity since its founding in 1826. For 200 years, the exhibition has captured art and architecture at a moment in time, reflecting the world as it has changed with the Industrial Revolution, two world wars, the invention of the telephone and the birth of the internet.
The 200th edition of the Annual Exhibition will be a melting pot of contemporary art from across Scotland and further afield, with all artworks shown side by side in the Academy’s grand Neoclassical galleries in the heart of Edinburgh.
This year’s Exhibition Convenor is artist Annie Cattrell RSA, assisted by Architecture Convenor Fergus Purdie RSA. This significant year for the RSA also marks the tricentenary of the birth of James Hutton (1726–1797), the ‘father of modern geology’.
Reflecting on the RSA’s philosophical and physical foundations (with the building constructed on ancient volcanic rock), Cattrell’s curation will explore the RSA’s rich and layered development over time. She has invited artists interested in ideas of geology and the passage of time, including Martin Creed, James Geurts, Cathie Pilkington and Stephen Skrynka, to take part in the exhibition.
Architecture Convenor Fergus Purdie will reflect on the themes of identity and beginnings by inviting his fellow Academicians to design an imagined, alternative building for the RSA in Glasgow. Sam Ainsley RSA has been commissioned to design banners for the iconic columned façade of the Academy building.
Chaos & Control: Printmaking in Scotland Now
27 June – 26 July 2026
This timely survey exhibition will explore the contribution of printmaking to the landscape of contemporary art in Scotland.
Described by Niki de Saint Phalle as ‘controlled chaos,’ printmaking encourages collaboration, offering artists opportunities to share knowledge and working practices.
Printmaking studios have been community hubs for artists in Scotland since the first open access workshops opened in the 1960s and 70s. Whilst other visual arts organisations have struggled to secure funding and support in Scotland in recent years, printmaking studios continue to thrive, with strong artist-led memberships and affordable art at the centre of their purpose.
Curated by acclaimed printmaker Ade Adesina RSA and the RSA’s Head of Programme Flora La Thangue, the exhibition will give visitors the opportunity to view artworks by the foremost names in contemporary Scottish printmaking, as well as lesser-known and emerging artists pushing the boundaries of contemporary printmaking techniques.
Joyce W. Cairns: A Personal Odyssey
1 August – 2 September 2026
The Royal Scottish Academy will mount a wide-reaching exhibition exploring the career of acclaimed artist Joyce W. Cairns as part of its 200th anniversary celebrations.
As the first woman to be elected President of the RSA and an influential educator to generations of Scottish artists, Cairns has long been an important voice in Scottish art. A major exhibition of her practice is long overdue.
Joyce W. Cairns PPRSA, Bonjour Matelot
This exhibition will explore major bodies of work from across Cairns’ career, with the haunting characters of her Aberdeen harbour scenes on view alongside monumental paintings from her seminal War Tourist project.
Early works from the artist’s days as a student at Gray’s School of Art will be on view alongside her distinctive figurative painting, pulling from memories of her childhood and her home in the once fishing village of Footdee.
The exhibition will trace the progression of Cairns’ intensely personal, autobiographical style of painting and position her as a linchpin in the trajectory of contemporary Scottish art.
Born in Edinburgh, Joyce W. Cairns PPRSA studied painting at Gray’s School of Art, Aberdeen (1966-71), and at the Royal College of Art (1971-74).
Following a fellowship at Gloucester College of Art and Design, she studied at Goldsmiths College, University of London. In 1976 she returned to Aberdeen to teach Drawing and Painting at Gray’s until 2004 when she left to complete a substantial body of work culminating in the exhibition War Tourist at Aberdeen Art Gallery. Cairns was President of the Royal Scottish Academy from 2018 to 2022.
This 26: Contemporary Scottish Art and the Academy
12 September – 11 October 2026
Every year the Royal Scottish Academy supports hundreds of artists through awards, residencies, exhibitions and scholarships.
Since the start of this century, the Academy has given over £5.5 million to artists, many of whom have used the financial support as a springboard for professional success and artistic acclaim.
Curated by Edward Summerton RSA and Amy Cameron, This 26 will look at the recent history of the RSA’s artist opportunity programme, presenting works by 26 artists, one selected for each year of this century so far.
200 Years
17 October – 15 November 2026
Taking cue from the 200th anniversary of the founding of the Royal Scottish Academy, 200 Years will celebrate the rich history of Scottish art in all its forms over the last two centuries.
Reflecting the centrality of the Academy to the development of Scottish art, the exhibition will include works created by Royal Scottish Academicians since its founding in 1826.
The exhibition will give visitors the opportunity to explore paintings, sculptures, drawings and prints by the foremost artists working in Scotland over the last 200 years.
James Good Tunny, Interior of the Great [Octagon] Room in the shared National Gallery, RSA Annual Exhibition 1860, RSA Collections
Ade Adesina RSA in front of Revolver II and Revolver III, Photo Alan Dimmick
Barbara Rae: Charting South
21 November 2026 – 24 January 2027
In the wake of the hugely popular exhibition Barbara Rae: The Northwest Passage in 2018, the Royal Scottish Academy will present a major, new exhibition.
The Northwest Passage was the culmination of Barbara Rae’s travels following in the footsteps of her namesake, the explorer John Rae. The resulting body of work drew on the intense colour and light of the Arctic in monumental, luminous paintings.
Her interest piqued by the history of exploration, in late 2022 Rae took her work from one pole to the other, travelling to Antarctica to trace the ill-fated journey of explorer Sir Ernest Shackleton during the Imperial Trans-Antarctic Expedition (1914-17).
This exhibition presents a significant body of new work by Rae, relating to locations along Shackleton’s route, including South Georgia and Elephant Island.
Born in Falkirk, Dame Barbara Rae RSA RA studied painting at Edinburgh College of Art (1961-1965). Travelling to France and Spain on a postgraduate scholarship, her early work drew upon trends of abstraction and mixed media practices in European art at the time.
Since her first solo exhibition in Edinburgh in 1967, she has gone on to exhibit worldwide. She was elected Associate of the Royal Scottish Academy in 1980 and became a full Member in 1992.
In 1996 she was elected a Member of the Royal Academy. She holds honorary doctorates from Napier University, Aberdeen University and the University of St Andrews; and is an Honorary Fellow of the Royal College.
Barbara Rae was made a dame in the New Year’s Honours 2025.
Dame Barbara Rae RA RSA in front of her work Exit (2015), photo Gareth Wardell.
TEN YEARS OF UNITING COMMUNITES AND CELEBRATING DIVERSITY
Join us in celebrating a decade of light, culture, and community as Edinburgh Diwali marks its 10th Anniversary on Sunday 2nd November 2025.
This year’s landmark event promises a spectacular celebration featuring a vibrant parade through Edinburgh’s New Town, music, dance and cultural performances, the return of public fireworks displays to Princes Street Gardens at the Ross Bandstand, and much more.
Since 2015, Edinburgh Diwali has showcased the spirit of the Indian festival of lights and Scotland’s rich multicultural tapestry by bringing together communities to celebrate diversity. Started as an initiative by the Lord Provost of Edinburgh and Indian diaspora from the city, Edinburgh Diwali has gone on to become one of the UK’s most prominent public Diwali celebrations, attracting around 10,000 spectators to the parade and performances in Edinburgh’s city centre.
Last year’s celebrations lit up the city with incredible energy, featuring unforgettable performances covering classical to contemporary from across cultures from more than 200 performers, notably Scottish Regiment Band, the electrifying Edinburgh Bhangra Crew, dynamic dance troupes Bollyfeatand Dance Ihayami, and a headline performance from the sensational Kaykay & Co., the London based British Asian fusion band. This year’s 10th anniversary celebration promises to be even bigger, with details of the full programme to be revealed nearer the date.
This special milestone edition of Edinburgh Diwali will take place 13:00 – 19:00 on Sunday 2nd November 2025. The event is free to attend and open to all, encouraging people from across Edinburgh and the surrounding area to participate in this family-friendly festival of light.
For further information about Edinburgh Diwali, visit:
● International Guest Storytellers from Norway, Finland, Sweden, Iceland and Germany
● Tales by Scotland’s Travelling Community
● Over 60 Go Local Events
● Dark Tales for Halloween and the Brothers Grimm
TODAY (Wed 10 Sep) with support from the Scottish Government’s Festivals EXPO Fund and Creative Scotland Multi-Year Funding, the Scottish International Storytelling Festival launched its 36th festival programme.
The Scottish International Storytelling Festival (22 October to 1 November 2025) organised by TRACS (Traditional Arts and Culture Scotland), is the world’s largest annual celebration of storytelling.
This year’s theme ‘Lights of the North’ explores Scotland’s northern identity through sharing tales from the world’s northern arc, which bridges Finland to Iceland and connects Germany to Norway, with Scotland in between.
Over the 11 days of the festival, some of the North’s most celebrated storytellers will join leading voices from Scotland to bring a feast of traditional storytelling to Edinburgh and to venues across Scotland.
International guest storytellers including Anna-Maria Toivonen from Finland; Georgiana Keable Jerstad and Mimesis Heidi Dahlsveen from Norway; Hjörleifur Stefánsson from Iceland; Jerker Fahlström from Sweden; and Suse Weisse from Germany; will share tales of Vikings, Huldufólk (or the hidden people from Iceland), trolls, the dark northern winters and some of their favourite traditional folktales.
Joining them, will be some of Scotland’s most celebrated storytellers, who will present new work themed on the ‘Lights of the North’, and their own twist on some classic tales including:
● Of Stars, Bears and the Beginning of Time (Wed 22 Oct) presented by storyteller Riikka Palonenand accompanied by folk musician Richard Clarke. Riikka will take audiences on a mythical journey through the celestial origin stories of the Fenno-Baltic tradition.
● The People of the Sea (Thu 23 Oct) inspired by David Thomson’s remarkable work about selkie myths and coastal voices told by Ruth Kirkpatrick and Colin Urwin.
● Selkie: Past, Present, Future (Fri 24 Oct) with Niall Moorjani and Ailsa Dixon who explore what it is to be human through three queered and reimagined selkies set in the past, present and future.
● Land of Many Waters (Sat 25 Oct) with Eileen Budd, David McAlmont and Debbie Armour whopresent stories inspired by Scottish rivers and waters, the stories they carry and their fragile eco-system.
● He Sits on the Rock of Joy (Sun 26 Oct) with storyteller Linda Perttula and singer-songwriter Aino Elina who combine their own teenage memories, with ancient poetry and ethereal vocals in the search for a connection to this Finnish epic.
● Da Winters O Shetland (Sun 26 Oct) with storyteller and comedian Marjolein Robertson, who takes us on a story arc across the dark night of a Shetland winter.
● Gullrun’s Saga: A Viking Story (Thu 30 Oct) with storyteller Svend-Erik Engh and Scottish musician Neil Sutcliffe who present an original story inspired by the Icelandic sagas.
Classic tales with a twist include:
● Claire Hewitt presenting the magical tale of The Swan Woman with Anna-Maria Toivonen.
● Mark Borthwick retelling the tale of The War of the Birds.
● Sarah Wedderburn-Ogilvy, Isobel O’Donovan, Daiva Ivanauskaitė-Brown and Trinidad Cabezón Droguett reimagining the forgotten tale of St Enoch through the journey of four women making their lives in Glasgow.
● Monica Madas and Erin Farley using puppetry and song to tell the epic tale of Triduana and her journey to take Saint Andrew’s bones to Scotland.
● Tania Allan and Craig McCulloch’s take on traditional Selkie myths and the parallels between the silence and captivity found in deafness.
The festival is also packed with rich tales and songs from Scotland’s Travelling Community that have been passed down through generations. With Jess Smith and Jimmy Williamson sharing well known tales, and Marion Kenny paying homage to Duncan Williamson with a retelling of The King and The Lamp. This year’s Alan Bruford lecture will also discuss ‘Nackens’ (Scottish Gypsy Travellers) and how their folklore gives us unique insights into Scotland’s history and placenames. This will be led by author Dr Robert Fell who will be joined by Shamus McPhee to recount a tale about Balquhidder and how it got its name. Plus, piper Gary West, author of the Martyn Bennett biography Brave New Music, hosts a live event celebrating the Traveller ballads and stories which influenced the late musician’s work.
As we edge closer to Halloween,and the Samhuinn Fire Festival in Holyrood Park, the festival embraces the dark side of storytelling with Daniel Serridge and Heather Cartwright sharing stories and songs about the unnerving and haunted corpse roads in Cumbria, where the dead passed through on the way to their graves; Anna Lehr presents Dazwischen – a tale about death, birth and what lies between; Chair of the Scottish Storytelling Forum, and celebrant, Beverley Bryant leads a workshop on Mortality and Making and how we craft conversations about death whilst participants weave willow and make decorations for coffins; and Suse Weisse in association with Goethe-Institut, shares some of the Brother Grimm’s fairy tales and tales fit for The Bewitching Season on Hallow’s Eve.
For younger audiences and families there’s a packed programme of events over the October school holidays kicking off on Saturday 11 October, ahead of the festival’s main programme (22 Oct to 1 Nov). Family highlights include sensory storytelling fun with Fibi Cowley in A Dispute with a Butterfly told through puppetry; and sensory stories with Ailie Finlay in Tales of Cold Forests and Cosy Bears.There’s also percussive dancing from Tokyo-born stepdancer Kae Sakurai in BLOOM; a family ceilidh with the Minnow Ceilidh Band; songs and stories about dragons with Daiva Ivanauskaitė-Brown and Gaynor Barradell; and plenty of events outdoors including the return of the Botanics Storytelling Day and Macastory’s School for Skalds.
Plus, Allison Galbraith delights audiences with folk tales about our Scottish waters and will announce the winners of this year’s Words of the Wild nature writing competition run in partnership with the Scottish Wildlife Trust. Also, new for 2025, three emerging storytellers present their own work themed around shame, consent and survival, in association with FEST (Federation of European Storytelling).
This year’s workshop programmeis packed with tips on telling stories including a look at using BSL in storytelling and how facial expression and movement can help bring a story to life; tech and storytelling with the Scottish Storytelling Centre’s very own inhouse expert Roddy Simpson discussing how best to present storytellers on the stage; what music can add to stories; and the ethical considerations behind using recordings and archive material. Plus, Boglárka Klitsie-Szabad of the Hungarian Heritage House explores the rich repertoire of one of Hungary’s last traditional Roma storytellers Vilmos Csipkés; and Anna Lehr discusses classic fairy tales particularly those of the Brothers Grimm.
Throughout the festival, audiences can also enjoy relaxed Open Hearth gatherings of storytellers and musicians across four evenings in the Storytelling Centre’s Netherbow Theatre.
Go Local returns this year, with new voices from East Lothian and Shetland joining storytellers from all over Scotland throughout October and November to celebrate Scottish storytelling. From the Western Isles, to Dumfries and Galloway there will be over 60 Go Local events in this year’s programme, plus the international storytellers invited to participate in this year’s festival, will also perform in Glasgow, Kenmore, Aberfeldy and Dundee; and as guests at storytelling festivals in Orkney, Aberdeen and Dumfries and Galloway.
Finally, this year’s festival exhibition Stories Drawn from the Land, hosted at the Scottish Storytelling Centre will feature ink illustrations and ceramics by Hester Aspland, whose work is rooted in the realms of folklore, wild places, landscape and history. Hester is also the illustrator of this year’s festival programme.
Culture Secretary Angus Robertson said:
“The fantastic programme for this year’s Scottish International Storytelling Festival features something for everyone and brings together stars of Scotland’s storytelling scene with our north Atlantic neighbours to give light to dark winter nights through mystical stories and songs.
“The festival received £200,000 this year from our EXPO fund as part of a record increase in culture funding from the Scottish Government. We are proud to support this celebration of Scotland’s storytelling heritage and its important place on the world stage.”
Donald Smith, Scottish International Storytelling Festival Director said: “I’m very inspired by the chemistry of this year’s programme. Northern stories come from the forests, mountains and oceans, while drawing on an eerie imagination, surreal humour and hidden connections between human and natural spirits. Inner and outer journeys collide with unexpected magic. And Scotland is a hub and a crucible of this unique northern brew!”
Performing at today’s launch, with musician Richard Clarke, storyteller Riikka Palonen said: “This festival is a very special and exciting time for me – as a relatively recent arrival on these shores, I feel honoured to be able to present the stories from my home land, here in the land of my new home.
The stories I will be telling are rooted in the celestial origins of our northern mythology – tales born of the stars – and just as the starlight brings its glow to the darkening nights, I hope my tales can also cast a little light and wonder, if even for a short while.”
The Scottish International Storytelling Festival takes place from Wednesday 22 October to Saturday 1 November. For those planning on attending multiple events, the Festival Supporter Pass (£24) offers discounted tickets to many festival events, at the Scottish Storytelling Centre, as well as a discount at the Scottish Storytelling Centre’s bookshop, Haggis Box Café and an invitation to the Festival launch event.
There will also be BSL interpretation available for D/deaf audiences at selected events.
To purchase tickets and browse the full programme, visitsisf.org.uk
On Friday 22 August, the Scottish Parliament’s Festival of Politics hosted Dreaming of a Fairer Future for Culture, an inspiring event exploring the role of creativity in building a more equal and hopeful Scotland.
Chaired by Foysol Choudhury MSP, the discussion brought together an engaging panel of voices from across Scotland’s creative sector, including Katie Goh, Matthew Hickman, Claire Dufour and Jen Collins.
Together, they reflected on how creativity can drive equity, collaboration and shared resources, reimagining artists, art workers and cultural organisations as vital partners in shaping Scotland’s future.
A moving film by Indra Wilson, commissioned by Culture Counts, shared voices and aspirations of some of the people living in North Glasgow: “I am a son, a brother and an uncle.” “I am the guitar that my mother gave me.” Everyone has a story, and artists and creative minds can help us to tell them in a meaningful way.
Artist and writer Harry Mould urges us to remember that culture “isn’t caviar, it’s salt. You sprinkle it on everything because it brings out the flavour.”
The event focused not just on creativity but also on equity, shared resources and seeing artists, art workers and organisations as viable partners and collaborators.
Building on this, the discussion turned to the importance of collective action and connectivity. Speakers highlighted the many artistic projects already thriving in village halls and community spaces across the country, and the need for better data to capture and sustain this work.
As one participant put it: “Voices need to be heard, not just individual voices, but collective voices. That is how we can rally behind these efforts and make a difference.”
Reflecting on the event, Foysol Choudhury MSP said: “It was a privilege to chair this conversation, and to hear how deeply culture is rooted in people’s everyday lives, whether in community halls, local projects, or the shared stories that bind us together.
“When those voices unite, they do more than celebrate creativity: they challenge inequality, demand accountability, and help shape a fairer Scotland for all.
“I am grateful to everyone who shared their perspectives, and especially to Kathryn Welch of Creative Counts, whose vision and leadership were the driving force behind this important discussion.”
The event demonstrated that Scotland’s creative community continues to be a driving force for positive change, showing that culture is not a luxury, but an essential part of building a fairer society.
Asian Art Awards – Award Ceremony at MOXY Fountainbridge
Members of the Scottish Indian community were prominent among the winners of the 2025 Asian Art Awards at the Edinburgh Fringe. The awards have been running since 2014 and exist to bring Asian artists together at the Fringe and reward the best of them.
90 shows participated in 2025, up significantly from 55 in 2024.
The highly acclaimed “Kanpur: 1857”, written and co-performed by Edinburgh-based Niall Moorjani and which showed at the Pleasance, won the award for Outstanding Production.
Set at the time of the Kanpur uprising in India, this new play “comically satirises contemporary conflicts around gender, colonial violence, and making art in times of crisis”. The award was collected by the production’s musician, Sodhi.
Shows by Sanjay Lago (Love me Like a Chai Tea Latte [wearing the colourful shirt]) and Dance Ihayami, with their show Dansa Rickshaw, also won awards for Highly Commended performances (i.e. Runners Up). Sanjay is Scottish Indian while Dance Ihayami is “Scotland’s Indian dance company”. Like Sodhi, Sanjay is from Glasgow (“Ibrox, don’t judge me” he says).
Hahaha-Hamlet from Hong Kong, which played at the Paradise Green venue on George IV Bridge, won the award for Outstanding Show.
The award reviewers simply loved this “captivating reimagining of Shakespeare’s classic tale, blending original musical with dark humour [..and..] intertwining the struggles of contemporary Hongkongers with Hamlet’s timeless tale”.
Energetic, inventive and incredibly affecting with some reviewers moved to tears as the tales of Hamlet and Hong Kong coincided at the end. The whole cast were in attendance to receive the award [red and black t-shirts under their clothes] and they were delighted.
Mayuri Bhandari of the Anti “Yogi” took home the award for Outstanding Female while Jeremy Rafal won Outstanding Male for The Boy from Bantay “a heartwarming journey of growth and self-discovery”.
Mayuri was in attendance with her percussionist Neel Agrawal while Jeremy sent a video message to the audience. Both shows were hugely popular. At the Anti “Yogi” the audience were invited to “Join Mayuri Bhandari and Kali, the Goddess of Death every day as they navigate the absurdities of Western Yoga culture. Liberation, not Lululemon!”
The Outstanding Youth Performance was won by the show “Landscape of the Other Shore” from Shenzhen University which was also inspired by another European classic: Géricault’s painting and Georg Kaiser’s play The Raft of the Medusa.
The Asian Arts Special Award was shared between GENDAI TOKYO and Up-cycle Music by Creative Art of Korea. GENDAI TOKYO had a simply incredible laser show playing at WU Asia Pacific three times per night. Everyone who sees it simply loves it.
Up-cycle Music is a “response to climate change from a uniquely artistic perspective. They use waste to make music – cellos from abandoned equipment from rural areas, stringed instruments of thrown away plastic toys – and compose piano songs based on the characteristics of endangered animals, to ask vital questions about the climate crisis”.
Lyndsey Jackson from the Fringe presented the awards along with Richard Lewis and Chelsea Zhou of Asian Art Fund Scotland, the charity which runs the Asian Art Awards.
Winners – 2025 Asian Art Awards
Outstanding Show
Winner: Hahaha–Hamlet – Chai Wan Rabble (Hong Kong)
Highly Commended: 1Shoulder Pad: Galaxy Train, Japanese Musical Theatre (Japan)
Highly Commended: Practice of Zen – Theatre Ronin (Hong Kong)
