We are delighted to announce that on Saturday, November 23rd, we will be hosting two free taster sessions for our new performance groups – 10am – 12pm & 1pm – 3 pm – at The Out of the Blue Drill Hall, Edinburgh.
With these sessions, we want to create a fun, safe and supportive enviroment for people to engage in interactive drama activities, where like-minded people can meet and feel comfortable to experiment and perform.
We are looking for individuals to participate and provide valuable market research and feedback. Whether you’re a seasoned performer or just curious about drama, this is a fantastic opportunity to explore your creative side and help shape our future programs.
To register, email us at fablesstagecommunitytheatre@gmail.com or give us a direct message on Facebook and Instagram. Places are limited, so please book in advance.
We look forward to seeing you then and thank you so much for your help!
As part of its approach to the Commission’s 2023-24 scrutiny of the Scottish Government’s progress in reducing child poverty, the Poverty and Inequality Commission wanted to hear from parents and carers who were a member of the Scottish Government’s ‘priority family types’. These are households types who are at greater risk of poverty.
The Commission worked with eight organisations to organise workshop discussions (and in one case a survey) to gather parent and carer participant views on:
What policies to reduce child poverty they were aware of
How well they felt policies were working
What else they felt was needed to reduce child poverty
This report summarises the views of participants on the three topics above, expanding on the material the Commission published earlier in 2024 as part of its 2023-24 child poverty scrutiny.
The Commission is very grateful to all the participants in our workshops who took time to discuss these issues, and the organisations who we worked with to arrange them.
Walking like a Tortoise, a mixed media, walking art exhibition
Edinburgh Central Library, 7 – 9 George IV Bridge, EH1 1EG. Foyer and Display Case on Main Stairs
1 August – 30 September
(10am – 8pm Monday to Wednesday; 10am – 5pm Thursday to Saturday)
‘Walking like a Tortoise’ is a range of art work based on a series of walks around Granton on the northern edge of Scotland’s capital city.
Using maps of the area from 1870 to the present day, Tamsin Grainger skirted the urban and coastal landscapes of Granton, looking into hidden corners, seeing from unlikely angles and meeting those who live and work there.
Through photography, words, video, textiles and found materials, she asks how the act of slow walking can develop a sense of belonging somewhere, and how mindful noticing of the area on foot, promotes appreciation of and connection to what is home.
Tamsin’s been walking around Granton for 14 years now, alone and with other members of the community, and has become interested in the alterations that people and the climate have wrought.
Although places transform all the time, the built-up environment and natural spaces of Granton have recently been changing at an exceptionally rapid pace and still are: the harbour is now a no-go area; streets and stations have been given new names and functions; and views have disappeared.
Slowly wandering the boundary and making artwork has stimulated a deeper understanding of local history and heritage, but how much of this will soon have vanished? Is Granton disappearing and being replaced by the Edinburgh Waterfront?
By visiting the exhibition, you are invited to consider: ‘What are the invisible boundaries which define us?’ ‘What happens if the exact edges of our living space change? Is it important to you that things stay the same or do you welcome transformation?’ ‘Do you feel part of the decision-making processes which precipitate such changes?’ and, ‘Is there a link between a sense of who you are and feeling that you belong somewhere?’
Tamsin Grainger is a walking artist who has lived in Granton for 15 years and has extensive experience in the Community Arts in Edinburgh.
She was Dance Artist in Residence for the City of Edinburgh, and is currently the Granton Waterfront Heritage Programme Development Worker.
This exhibition was first shown at the Granton:hub in 2023.
Building on Scottish Opera’s ground breaking Breath Cycle project, Chest Heart & Stroke Scotland is collaborating with the country’s largest performing arts organisation to improve the lives of those living with aphasia, a communication difficulty that is a common effect of strokes
A new research report launched earlier this month by CHSS revealed that poor mental health and loneliness are severely impacting people in Scotland living with aphasia
Chest Heart & Stroke Scotland (CHSS) and Scottish Opera have joined forces to develop online singing classes for people living with aphasia, which is caused by damage to the part of the brain that controls language, and in some cases leaves some unable to speak at all.
These new CHSS and Scottish Opera sessions coincide with Aphasia Awareness Month, which runs throughout June. This year’s theme is #AphasiaTogether, emphasising that those with the condition do not need to deal with this on their own.
This new strand of creative music making with CHSS — Scotland’s largest health charity working to help people with chest, heart and stroke conditions live life to the full — expands upon Scottish Opera’s pioneering Breath Cycle project, designed to support those with a range of conditions affecting lung health.
Following research and development sessions with medical educators, CHSS staff and people living with aphasia are working with Scottish Opera to provide supported communication and aphasia training, and help deliver the therapeutic singing, song-writing and breath control sessions.
The aim of these workshops is to improve the mental wellbeing and confidence in communication of those with aphasia and respiratory issues including COPD (Chronic obstructive pulmonary disease), across the country.
Earlier this month, CHSS launched a report about the impact of aphasia on those living with the condition which revealed that:
More than half (52 per cent) of people with aphasia say their condition affects their mental health
Nearly half (48 per cent) with aphasia said they experienced loneliness as a result of their condition.
43 per cent of people with aphasia said it impacted on their ability to work as before
A third (34 per cent) of people with aphasia reported being treated negatively due to their condition.
CEO of Chest Heart & Stroke Scotland, Jane-Claire Judson, commented: “Working with Scottish Opera to unlock the therapeutic benefits of singing and song-writing to people living with aphasia is a fantastic opportunity to tackle real issues facing people across the country.
“We regularly hear from the people we support that living with a communication difficulty following stroke can lead to feelings of isolation and loneliness and have a negative impact on mental health.
“We look forward to bringing people together to experience the joy of singing with others whilst exploring the benefits of singing and song writing to their communication skills.”
Jane Davidson MBE, Director of Outreach & Education at Scottish Opera, said: “Following on from the increased awareness of our Breath Cycle II programme in 2020, which was designed for people living with Long COVID and other respiratory conditions, Scottish Opera is excited to partner with CHSS to support people with aphasia.
“The work that CHSS undertakes each year with hundreds of thousands of Scots has set really high standards in the positive integration of mental health and well-being initiatives with clinical intervention.
“As Scotland’s largest performing arts company, we feel that the values of both our organisations are beautifully aligned in this new collaboration that seeks to enhance the quality of people’s lives across the country.”
Composer Gareth Williams, who along with writer Martin O’Connor, mentored the most recent online song writing Breath Cycle sessions said: “Our encounters with the Chest Heart & Stroke Scotland team, and our first conversations with our participants who have aphasia have been so inspiring.
“Our challenge is to help people find and connect with their voices again, both their physical voices and their creative voices. There are incredible stories to tell in this community, and together we will find them and share them through song.”
General public and former whalers and their families sought to help co-design new online Whalers’ Memory Bank
In June 2023 the South Georgia Heritage Trust and the South Georgia Museum launched a project called The Whalers’ Memory Bank.
Supported by funding from The National Lottery Heritage Fund, the project is about creating a living, growing digital time capsule where veterans of the whaling industry, their families and communities can come together to contribute and share their stories with a wider audience.
Since then, the South Georgia Museum has been busy collecting hundreds of stories, photographs and memorabilia from the former whaling communities – the response has been amazing.
But we want to make sure we tell these stories in a way that captures everyone’s imagination. Presenting stories in a way the former whaling communities want to see, but also in a way that appeals to a wider audience so they can understand this important slice of Scottish social history.
That is why we are putting out a call for anyone who wants to join us either for a short workshop or just drop in and find out more and give us your thoughts.
Over the weekend of 22 and 23 June there are a number of opportunities to join in and help us through a range of workshops and drop-in sessions that are taking place.
Saturday 22 June – we will be at The Scottish Maritime Museum in Irvine. We will be running a workshop from 10.30am until 12.00 which we are encouraging people to book onto. We will also be running a drop-in session for general visitors to the museum from 2-4pm.
Sunday 23 June – we will be at The Scottish Fisheries Museum in Anstruther. We will be running a workshop from 11.00am until 12.30 which we are encouraging people to book onto. We will also be running a drop-in session for general visitors to the museum from 1.30-3.30pm.
Each workshop will last about an hour and a half and we would welcome any former whalers and their families to come along, bring any memories or stories you want to share but, most importantly, be happy to help us shape our early thoughts and ideas on the Memory Bank.
But you don’t need to have had any association with whaling to join in. We are really looking forward to getting input and feedback from the general public so you can also either book onto one of the workshops or come and join us anytime during the drop-in sessions over the weekend should you be at either of the museums.
To book onto a workshop on either Saturday 22 or Sunday 23 May email memorybank@sght.org or just drop in if you want to join us for a more casual chat at the drop-in sessions.
Please note there is an entrance fee for both museums. Workshop attendance is free, but if you wish to visit the rest of the museum once it is ended there will be a reduced entrance fee of £4 for the Scottish Maritime Museum and £5 for the Scottish Fisheries Museum.
Helen Balfour, Community Engagement Officer for the Memory Bank said:“The story of modern whaling in the Southern Hemisphere is a controversial one with British companies playing a key role in the industry.
“These companies had a largely Scottish workforce, with many from Shetland. Now, only a dwindling number of men survive that have first-hand memories of this industry, an integral part of Scottish and Shetland’s social history.
“As someone from a family with many connections to whaling, I am conscious that this is story well known to some but not one that is more widely understood or discussed. We don’t only want to delve into the stories of whalers, we want to explore questions such as: why was whaling so important? how did it help power the world between the wars, and what was it like to live, and work from the remote island of South Georgia in the Southern Ocean?
“We have already done some workshops in Shetland in May where we really learnt a lot from whalers, their families and the community. We want to continue that work and hope to see as many people as possible over the weekend of 22 and 23 June to help us shape and tell this hidden piece of Scotland’s social history.”
Linda Fitzpatrick, Head Curator at the Scottish Fisheries Museumwho is also helping with the wider collections management of the project said: “This unique project has many features that resonate with the work we do at the Scottish Fisheries Museum to engage audiences with topics relating to the heritage and development of fishing technologies, including whaling.
“There is no doubt that reflecting on whaling is problematic: it was brutal and exploitative, and few would welcome its return. Nevertheless, the industry was an important feature of Scotland’s industrial development and generated a distinct and vibrant culture.
“This is an important moment, therefore, to reach out to ex-whalers and their communities to capture the living memories of those who took part in the industry and to preserve them for the future.
“We warmly invite anyone with an interest in the subject to come along over the weekend to either museum over the weekend of the 22 and 23 June.”
Julie Fowlisand a stage packed with some of the finest musicians in folk, brought this year’s Edinburgh Tradfest to a close on Monday 13 May with an outstanding rendition of Runrig’s ‘Fuaim A Bhlair’.
The 11 day festival of traditional live music, talks, folk film and storytelling, saw over 80% of tickets sold for the music programme and multiple sell-out shows at the Traverse Theatre, Cameo and the Scottish Storytelling Centre.
The festival enjoyed a massive jump in trad fans coming out in support of live music, with sell-out shows and packed houses on both weekends (Triptic, Martin Simpson Daimh, Rachel Newton, Nordic Fiddlers Bloc, and VALTOS).
There was also a full audience for this year’s new commission Everyone’s Welcome to Edinburghcurated by renowned fiddler Robbie Greig and performed by Robbie and a stellar line-up of musicians including Hannah Rarity, Jenn Butterworth, Signy Jakobsdottir, Duncan Lyall and Megan MacDonald. Plus, there was not a seat to be had for Malin Lewis’ debut album launchHalocline.
The second weekend’s workshops also saw great attendance and 92% of places sold, with Bruce Ncube’s Zimbabwean singing workshop bringing home an abundance of joy-felt harmonies from an amazing standard of participants.
, over at the Scottish Storytelling Centre, Svend-Erik Engh’s improve your patter session for musicians was an early sell out, as was Shona Cowie and Neil Sutcliffe’s premiere of their new show Rickle O Stanes which galloped through the story of Scotland, from its geological formation right up to its present socio-economic condition told through stories and song.
Another big hit at the Scottish Storytelling Centre was an emotional Hearth Fire Session which saw an incredible blend of live storytelling from Traveller Jess Smith, folk musician Sam Gillespie and basket-weaver Katie Warner, all guided by host Dougie Mackay who gifted Jess with a willow basket full of the stories and songs of the evening, to acknowledge her contribution to storytelling.
Further afield the Folk Film Gathering celebrated its 10th anniversary with a popular programme of Scottish and international films, many accompanied by live scores or introductory talks. Screen premieres included the sold out Scottish premiere of Songlines – a new documentary from Pat Collins celebrating the songs and singers at the heart of the Irish traveller community; and Itu Ninu set in a dystopian ‘smart city’ from Edinburgh-based Mexican director Itandehui Jansen.
Plus, to close this year’s folk film gathering, musician Aly Bain introduced a screening of Mike Alexander’s film Down Home with some great chat and tremendous tunes.
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “This year’s festival was just brilliant, we took a chance and top and tailed the music programme with two big gigs at the Queen’s Hall and the Assembly Rooms and it really paid off, with audiences returning again and again to hear more great music and support the musicians.
“The buzz around the venues was fantastic and our thanks goes to everyone who has supported us in making the festival possible. Next year we are back 2-12 May – and we can’t wait!”
Jamie Chambers producer of the Folk Film Gathering said: “2024 was a banner year for us. It was great to be back in synch with our friends at Tradfest and to be working again with Cameo Picturehouse.
“Programme highlights for us included the combined voices of Jess Smith and Joss Cameron at the Scottish premiere of Pat Collin’s SONGLINES, celebrating the links between Scottish and Irish traveller culture; the sublime, emotionally overwhelming new score composed by Luke Sutherland and Semay Wu for Alexander Dovzhenko’s EARTH; the chance to host Finnish master musicians Lau Nau and Pekko Kappi, for the premiere of Katja Gauriloff’s moving JE’VIDA; and the powerful words of Palestinian-Scottish poet Nada Shawa at our screening of Michel Khleifi TALE OF THE THREE JEWELS.”
Daniel Abercrombie, Head of Programming, Scottish Storytelling Centre, said: “Tradfest continues to enhance our programme, it is a wonderful time of year!
“We were especially delighted that so many families and young people were involved in our song and story sessions, as well as joining together to celebrate the traditions of Beltane as May arrives. Looking forward to next year already!”
Edinburgh Tradfest is supported by The National Lottery through Creative Scotland and the William Grant Foundation.
Edinburgh Tradfest will return from 2 to 12 May 2025.
P6 pupils from the Royal Mile and Abbeyhill Primary Schools and student dancers from Moray House School of Education and Sport came together yesterday to perform Junk Food, written and created for this year’s Pomegranates Festival.
Over the course of the spring term, pupils at both schools took part in several workshops to discuss themes such as why people dance, what dance looks like, and chose a topic of their choice to create a dance piece that was relevant to them.
The pupils chose to discuss ‘Junk Food’ and used this theme to create a short dance piece accompanied by new electronic music by Gourab Dey, with the help of students at the University. The pupils worked on themes like ‘hangry’ and what this looked like as a dance movement, and after several rehearsals they created today’s final dance piece.
Wendy Timmons, Co-Producer of Pomegranates Festival and Senior Lecturer in Dance at Moray House School of Education and Sport said:“Many children that we work with in schools experience dance as part of physical education, and therefore the aesthetic experience of being in a theatre and being on stage is completely new.
“What this project aimed to do was to create a dance piece using their ideas so they would feel more connected with the process. Today’s performance illustrates the quality of work that this process can create, and this came across in the piece.”
The Pomegranates Festival runs until tomorrow (Tuesday 30 April) and is Scotland’s annual festival of international traditional dance.
Initiated and curated by Traditional Dance Forum of Scotland it is presented and produced in partnership with Traditional Arts and Culture Scotland, Moray House School of Education and Sport, University of Edinburgh, Edinburgh City Libraries, Dance Base and the Scottish Storytelling Centre.
The Festival finishes with a finale performance on International Dance Day 29 April which includes a new piece of dance created by MC, hip-hop dancer and choreographer-in-residence Jonzi D and performed by 20 Edinburgh-based traditional dancers.
The piece will be accompanied by newly-commissioned poetry by Perth-based poet Jim Mackintosh who will also be launching his new book of poetry We are Migrant at the event, and poems by BBC broadcaster Ian McMillan.
Plus, there will be a screening of a new film by contemporary visual artist and human rights activist Mare Tralla who has been artist-in-residence at this year’s festival.
There will also be a live streamed keynote lecture by Jonzi D on ‘Decolonising the Expressive Arts Curriculum’ tomorrow – Tuesday 30 April at 10am at Paterson’s Land, Moray House School of Education and Sport, Holyrood Road, Edinburgh EH8 8AQ.
Katie Fowlie, an art specialist, and educator from the East Neuk, has been commissioned to deliver Remembering Together Fife, a project that strives to sensitively mark the Covid-19 pandemic.
She has named the project PROCESS, and her role is to co-create something collaboratively with communities across Fife to respond to a difficult period in our lives. A series of free, bookable, and drop-in workshops are being delivered across Fife. Participants will explore the language (Floriography) associated with plants to express emotions in a non-verbal way and will create art using plant-based materials.
By gathering materials from the landscape, participants are learning immersive, process-based activities which encourage relaxation, improve mood, and encourage people out of isolation.
The workshops come about after 18 months of engagement with communities across Fife listening to individuals’ unique experiences from this challenging time. Ideas were collected to mark this experience in a way which would resonate with people across the Kingdom.
Katie explains: “Many ideas were offered during the initial engagement phase, and areas of overlap started to emerge. Most participants noted a decline in their mental health, their self-confidence, and feelings of isolation.
“There was an overwhelming desire to create something with a positive legacy, something which invests in people, and which is supportive in terms of their wellbeing.
“People shared how important the daily permitted hour outdoors became to their wellbeing. But also, how this habit was so quickly abandoned as life started to return to normal. They were keen to create something collectively which celebrated Fife’s varied landscapes while encouraging healthy habits such as slowing down and reinstating regular time spent outdoors. All in a way which enabled reflection and a chance to process how our lives changed.”
This period of co-creation will culminate in the creation of a bespoke publication called PROCESS. This will be a collection of images, reflections, words, and fragments that offers ‘how-to’ details to undertake further exploration. This publication will be gifted to appropriate organisations across Fife, as well as being free to access online.
Katie is continuing to host a series of free community workshops during the coming months as public drop-in events, alongside those offered to community groups and key workers. For updates, please follow ‘Remembering Together Fife’ on Facebook and Instagram.
‘Drop-in’ events are being hosted by: Kellie Castle, May 18th & 25th (11am – 3pm), The Larick Centre, May 20th & 27th and June 3rd (1pm – 2.30pm).
Bookable workshops [PROCESS: The Art of Foraging] started in Kennoway on 16th April, and then take place in Buckhaven on 19th April, Leven on 25th April and Methil on 4th May.
Katie will be collaborating with Jayson Byles from East Neuk Seaweed to offer cooking demonstrations and create botanical inks from foraged finds. These workshops are supported by Lateral Lab with additional funding from the Coalfields Regeneration Trust.
Edinburgh Youth Gaitherin’ is back in partnership with Edinburgh Tradfest to offer an exciting opportunity for young musicians in 2024, with support from the William Grant Foundation.
EYG Big Band is a three-day programme for ages 13–18. It will be led by some of Scotland’s finest musicians, who will support participants to learn traditional music together and create their own arrangements as a group. Band tutors are Kirsty Law, Tom Oakes and Lori Watson, supported by Shea Martin and Jonathan Foster.
New for 2024, there will be two optional taster workshops in advance of the EYG weekend, where young people can try out some music-making together and get to know each other and the tutors.
This event is for young people who would like to develop their skills on their instrument, play with other young musicians, sing, write their own songs and learn tunes. There will be also be exclusive performances and Q&A sessions from some of the acts appearing at Edinburgh Tradfest. EYG Big Band is all about creativity, making friends through music and having fun.
Taster workshops will take place 10am–1pm on 20th and 27th April at the Scottish Storytelling Centre, Edinburgh.
EYG Big Band will be based at the Traverse Theatre, Edinburgh from 10am–4pm on 4th–6th May. The group will perform on the evening of 6th May as part of Edinburgh Tradfest’s special commission show, Everyone’s Welcome To Edinburgh.
Calling all local creatives, makers, and entrepreneurs.
Ready to elevate your brand and conquer social media? Join us for two special workshops this Saturday 9 March at West Pilton Neighbourhood Centre.
Rachel of Rachel Henderson Interiors will share her expertise on developing your brand and social media presence through two hands-on, creative workshops. Join us for one or both!
1:30pm – 3.30pm: Branding & Vision Board Workshop
4pm – 6pm: Social Media Workshop
Lunch and refreshments provided; and childcare is available.
Free but limited spaces available, so advance booking is essential. You can attend one workshop if that is of most interest, or book your space for both.
The workshops are aimed at local adults living in North Edinburgh (Muirhouse, Pilton, Drylaw, Granton). Part of the Make It Happen project, proudly supported by the Scottish Ecosystem Fund 2023-24.
1:30pm – 3.30pm: Branding & Vision Board Workshop
Find out more and book your place at: