The NSPCC is releasing this data as part of its Listen up, Speak up campaign, aiming to inspire a million people to take action to keep children safe.
The SSC (A Club for the Youth in Scotland) is one of many businesses, community groups and organisations across Scotland who have taken part in Listen up, Speak up workshops.
New findings reveal that 96% of adults surveyed in Scotland believe that emotional abuse in childhood can have a lasting psychological effect well into adulthood.
A YouGov survey of 4,242 UK adults, commissioned by the NSPCC – including 352 in Scotland – also gave participants a series of behaviours and asked them to correctly identify what was deemed as emotional abuse.
In Scotland, on average one in six participants (17%), failed to correctly identify examples of emotional abuse. The scenarios where adults failed to identify emotional abuse correctly included:
Being overly controlling of a child’s life (25%).
Never showing any emotions in interactions with a child (21%).
Pushing a child too hard or not recognising their limitations (26%).
The research also found that more than two thirds of adults (69%) of adults in Scotland surveyed had not done any training or reading to help them recognise the signs of emotional abuse.
Emotional abuse – which is any type of abuse that involves the continual emotional mistreatment of a child – can often be difficult to recognise, sometimes showing limited external signs.
Research suggests that 1 in 15 children in the UK will experience emotional abuse, highlighting just how prevalent the issue is, and it is a topic that young people contact Childline about on a regular basis.
Last year the NSPCC service delivered almost 3,000 counselling sessions to children and young people where emotional abuse was the main concern, a 5% increase compared to 2022/23.
One girl, aged 17, told Childline: “Mum’s never hit me, but it still feels abusive. She always tells me she hates me, that I’m selfish, that I’m stupid.
“When she’s angry she breaks my stuff and blames it on me. She controls my friendships too; she says no one would want to be my friend anyway. I feel so defeated and drained living with this every day.”
This new data highlights the importance of free resources, like the NSPCC’s Listen up, Speak up workshops and online tips and advice. The SSC (A Club for the Youth in Scotland) welcomed safeguarding experts to lead these free, educational workshops.
The SSC is a volunteer-run organisation that organizes summer camps and other events for children and young people in Scotland.
Listen up, Speak up provides simple tips and advice on signs a child might be at risk and steps that can be taken to help. The tips can be found online, and anyone can take part in a workshop run for free by local NSPCC teams, either in person or online.
Through a series of everyday scenarios, participants learn some of the signs that a child might be at risk, showing that not all situations are black and white, how to approach difficult conversations, and who to contact if they are concerned about a child or their family.
The NSPCC local campaigns team delivered 557 LUSU workshops in Scotland.
As part of their partnership with the NSPCC, The SSC, has committed to ensuring their volunteers and members across the region are familiar with Listen up, Speak up.
Cat Robertson, SSC chairwoman, said: “The Listen up, Speak up training was a great experience for the volunteer youth workers of the SSC.
“We believe that all young people should have access to safe, fun and positive experiences – not only at our summer camps and events but in every aspect of their lives.
“The workshop was accessible, interactive and highly relevant to the role of our team.”
NSPCC’s CEO, Chris Sherwood, said: “It is concerning that on average one in six adults in Scotland are unable to correctly identify emotional abuse. We know that emotional abuse can have a devastating and long-lasting impact on children’s wellbeing and development, affecting their mental health, and relationships well into adulthood.
“The NSPCC is here to support any child who has experienced any kind of abuse. We are also fully committed to creating a nation of adults who are passionate about preventing harm from happening to a child. With our Childline service delivering almost 3,000 counselling sessions about emotional abuse last year alone, we understand the scale and seriousness of this issue across the UK.
“That’s why Listen up, Speak up is so vital. In just 10 minutes, we can help adults learn to recognise both the obvious and subtle signs a child might be at risk and take action to support them. Every adult has the power to make a difference.”
Edinburgh Tradfest is delighted to announce full details of its 2025 programme of traditional music, storytelling, film, workshops, talks, ceilidhs, and special events taking place at various venues across the city, thanks to continued support from The National Lottery through Creative Scotland and the William Grant Foundation.
The festival’s music programme kicks off on Friday 2 May at the Queen’s Hall with Scotland’s most sought-after piper and composer Ross Ainslie performing with the Sanctuary Band, and special guest Terra Kin.
Then, over the 11 days of the festival, there will be live music every night at the Traverse Theatre, Folk Film screenings predominately at the Cameo, and storytelling, music and special events taking place at the Scottish Storytelling Centre.
Some of the musicians headlining include folk song sensation and multi award-winner Siobhan Miller; Scots singer of the Year 2024 Beth Malcolm; Aberdeenshire’s crowning light, folk singer and Young Musician of the Year 2025 Ellie Beaton; national treasure Kathleen MacInnes; and cutting-edge piper Finlay MacDonald performing with his band which includes award-winning piper Ailis Sutherland (Hecla), guitarist/piper Ali Hutton (Ross & Ali, Old Blind Dogs, Treacherous Orchestra, Tryst), and drummer Paul Jennings (Croft No 5, Treacherous Orchestra). Plus, there will be a special event on Sunday 4 May featuring the music and enduring legacy of piper Martyn Bennett.
Also headlining are virtuoso English folk trio Leveret; leading Scots fiddler Lauren MacColl who will be playing tunes from her most recent album Haar; and Mary Macmaster (The Poozies) who will curate and perform as part of this year’s festival commission For the Love of Trees with some of Scotland’s finest musicians: Amy Macdougall (vocals), Donald Hay (percussion), Mairearad Green (accordion, pipes), Pete Harvey (cello) and Ciarán Ryan (banjo/fiddle).
Other Scottish highlights include Morag Brown and Lewis Powell-Reid who perform pacy traditional tunes from Scotland and as far afield as the Balkans; Divergence (Freya Rae, Siannie Moodie and Tim Lane) so named because of their passion for playing non-traditional instruments in traditionally inspired music; cinematic alt-folk duo Rhona Stevens and Joseph Peach; and the unmissable annual #WorldPlayAStrathspey Day presented by Hands Up for Trad and featuring Rory Matheson (piano), and Anna Robertson, Catriona Price and Adam Sutherland (fiddle) who will take audiences through some of the world’s best known strathspeys, reels and marches.
International musicians headlining at this year’s festival include Pelkkä Poutanen whose music weaves together Scandinavian and Finno-Ugric folk singing with electronic, roots and traditional world folk influences; Canadian singer Catherine MacLellan, and English folk musician Lucy Farrell, also based in Canada, who’ll be presenting a selection of self-penned songs; legendary Kora virtuoso Seckou Keita who has been dubbed the ‘Hendrix of the Kora’; Finnish power-fiddle duo Teho; and the Hartwin Trio from Belgium.
Plus, TheTravelling Janes led by Ali Affleck bring their unique mix of Americana, jazz and blues; and The Hot Seatsfrom Virginia whose combination of old-time, bluegrass and country make them the hot ticket of the festival.
At the Scottish Storytelling Centre there will be stories and music from the Highlands and Islands of Scotland (A Necklace of Stories) with Bea Ferguson and Heather Yule; and tales and tunes from in the North East Bothy Traditionwith ballad singer Allan Taylor, fiddler Karin Paterson and storytellers Phyll McBain and Jackie Ross; storyteller Rachel Pugh and harpist Lucy Nolan present Bog Standard the gripping true story of a tip off which led a rookie journalist to one of the most important archaeological finds of the 20th century; and MAIK (folksingers Jamie Cook and Kirsty Law) present folks songs in Scots and Cumbrian dialects; whilst cinematic-folk duo Dowally and innovative French drummer Philippe Boudot celebrate the release of their album Ici et Là-Bas.
Plus, TuFlamenco celebrates the rich cultural heritage of Spain with a tribute to poet Garcia Lorca, with Inma Montero (dance & vocals), Danielo Olivera (guitar & vocals), and Inés Álvarez Villa (storyteller); the Sangstream Scots Folk Choir led by renowned musician Corrina Hewat perform a cappella in Let Them Be Heard; and author Stuart McHardy launches his new book Scotland’s Ancient Goddess: Hidden in Plain Sight exploring the mythology of creation and the pre-Christian beliefs of the Scottish people, published by Luath Press.The popular Hearth Fire Sessions return with storytellers Dougie Mackay and Niall Moorjani, Moroccan filmmakers/storytellers Tizintizwa and musician Evie Waddell.
The Folk Film Gathering returns to Edinburgh Tradfest this year with a selection of films from the world’s archives including a screening of Ukranian film The Enchanted Desna (1964) directed by Alexander Dovzhenko’s widow Yuliya Solntseva; Fertile Memory (1981) the first full length film to be shot within the occupied Palestinian West Bank ‘Green Line’ introduced by Scottish-Palestinian poet Nada Shawa; George Nasser’s Ila Ayn (1957) the first ever Lebanese film to screen at Cannes; The Nouba of the Women of Mount Chenoua (1977) which explores the intergenerational experiences and histories of women in Algeria and of speech and silence; and Icelandic film The Juniper Tree (1990) which stars Björk in an early performance of this adaptation of a Brothers Grimm fairy tale.
Staying with horror, O’r Ddaear Hen (1981) the first horror film to be made in the Welsh language and set in a council house in Bangor about a mysterious stone head, will be screening; along with the Scottish premiere of the new restoration of cult classic of Irish independent cinema The Outcasts (1982); and a series of short dark Gaelic tales from 1996-1999 introduced by Edinburgh-based Gaelic storyteller Martin McIntyre who is also doing a separate session introducing Gaelic storytelling culture and history at the Storytelling Centre.
Also from Scotland there will be a screening of Paper Portraits (2025) a new documentary from Gerda Stevensoncelebrating the history and working people of Penicuik’s paper mills; and a rare chance to see Emma Davie’s Flight(1997) exploring how Scottish traditions continue to be expressed in Canada by the diaspora.
Finally on Sunday 11 May, to close the Folk Film Festival, in collaboration with the Storytelling Centre, there will be a full day of screenings celebrating independent film in Scotland through the lens of filmmaker Douglas Eadie hosted by poet Jim Mackintosh and author James Robertson who will be joined in conversation by former colleagues of Eadie including Robbie Fraser, Fiona MacDonald and Christeen Winford.
Screenings include Haston-A Life in the MountainsAn Ceasnachadh – An Interrogation of a Highland Lass (with Kathleen MacInnes, Dolina MacLennan and Kenny MacRae) and Down Home (with Aly Bain).
Families, at the Scottish Storytelling Centre can enjoy a morning of face painting and crafting ahead of the traditional May Day Parade down the High Street to the Pleasance; storytelling with the Beltane Fire Society; a traditional street games, rhymes and songs session with Claire McNicol and Fergus McNicol; sensory stories and play with Ailie Finlay; and family ceilidhs.
In addition, the Edinburgh Youth Gaitherin (EYG) returns with a three-day workshop programme supported by the William Grant Foundation for 13-18 year olds and led by some of Scotland’s finest musicians; and Claire Hastings hosts an hour-long relaxed session for babies and upwards, playing songs to join in with, accompanied by Ali Hutton and Adam Sutherland.
Other workshops held during the festival include: a singing workshop with Chandra Mather where participants will learn a selection of traditional songs from around the world picked up by Chandra on musical travels; a strathspey fiddle workshop with Lauren MacColl; tune writing with one of Scotland’s finest composers Adam Sutherland; and a masterclass in Highland piping from master of the pibroch Allan Macdonald. Plus, the Traditional Music Forum will present an interactive and fun workshop for musicians who want to improve their patter and be better storytellers on stage.
Rebellious Truth,this year’s popular talk presented in collaboration with Celtic and Scottish Studies at the University of Edinburgh, features Joy Dunlop who will give an insight into her Gaelic journey; from learning Gaelic songs phonetically to being the face of multi-platform learning brand SpeakGaelic. Joy is in high demand as a singer, broadcaster and Scottish step-dancer and is a well-known face on BBC Scotland, BBC Alba and host of the BBC Radio Scotland Traditional Musician of the Year. The talk will also include a special performance by musician Fraser Fifield.
ETF Spotlight, this year’s showcase concert presenting some of the most exciting new performers in folk and traditional music today returns with artist and musician Miwa Nagato-Apthorp, Parsisonic led by Iranian duo Aref Ghorbani and Amir Hossein Feyzi, and trad fusion band Dlù.
And, finally Masks: An Exhibition by Lorraine Pritchard (5 April to 12 May)displaying hand-crafted Venetian masks will be on at the Storytelling Centre alongside a series of photographs and a new behind-the-scenes documentary by Franzis Sanchez shot in Edinburgh and during this year’s Venice Carnival. This exhibition is part of the Pomegranates Festival of world trad dance and presented by the Traditional Dance Forum of Scotland.
Alan Morrison, Head of Music at Creative Scotland said: “Scotland’s traditions are vividly expressed and deeply felt in our words, our images and our music. As the beating heart of our national identity, they’re filtered through the 2025 Tradfest programme and across Edinburgh’s stages and screens, its walls and its streets.
“Supported by Creative Scotland through National Lottery funds, this important and inspiring event recognises not only the roots of Scotland’s revived folk culture in the city’s past but also the international ambition of our increasingly diverse country’s future.
“Thought-provoking, thrilling and straight-up fun in equal measure, Tradfest is a highlight on our cultural calendar.”
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said:
“Each year we give ourselves the challenge of building a festival packed with more superlative music than the preceding year. With more shows booked for 2025 than ever before, we think we have achieved that. It’s a wonderful mix of the exotic and the home grown. Virtuoso visitors from Senegal, Finland, Belgium, Canada, the US and England will grace Edinburgh’s stages joining an extremely strong Scottish contingent. Appearing are some of the best singers that Scotland has ever produced, the finest fiddle-players, harpists, strings-players, pianists, and, of course, pipers. We are also indebted to our partners at TRACS and the Folk Film Gathering who have provided a fabulous array of storytelling, family events and folk cinema that complement the musical offerings perfectly.”
Daniel Abercrombie, Head of Programming, Scottish Storytelling Centre said: “Edinburgh Tradfest is a great time of the year, with lighter nights and a chance for storytellers to celebrate with musicians, dancers and other creatives. We are offering a variety of traditional arts activities for all to enjoy, with several exciting new performances alongside workshops and family events. It is a highlight of our calendar at the Scottish Storytelling Centre and we’re delighted to be involved once again.”
Jamie Chambers, Folk Film Gathering said: “We are really excited to be collaborating with our sister festival Tradfest once again, to present a programme of films screenings, in parallel with their exciting music programming. Our 2025 programme features a number of very rare films from Scotland, alongside films from Algeria, Iceland, Lebanon, Morocco, Palestine, Ukraine and Wales, and provides a chance to once again consider how we look outwards from Scotland towards the rest of the world. We hope to see you there.”
Edinburgh Tradfest 2025 will run from Friday 2 May – Monday 12 May. For tickets and more information visit edinburghtradfest.com
SATURDAY 22 FEBRUARY from 11 – 5 at WEST PILTON NEIGHBOURHOOD CENTRE
2025 North Edinburgh Film Festival – don’t miss this family-friendly celebration of film and community stories!
Presented by Screen Education Edinburgh and North Edinburgh Arts, this year’s NEFF brings a diverse programme of over 30 films – from powerful local stories to short animations and global perspectives.
Saturday 22 February 2025, 11am-5pm
West Pilton Neighbourhood Centre
Free event
Highlights include:
Films from North Edinburgh – stories made by the community, for the community
Global shorts & animations, from near and far
Special performance by Curious Seed, featuring films by local artists and Craigroyston Community High School pupils
Workshops for aspiring filmmakers of all ages
The day also includes film installations and free food for attendees and wraps up with a screening of eight new locally made films. There’s plenty to explore so come and join us!
To attendees and those who wished to be kept in touch about conference developments:
Hi,
Thank you for attending the workshop on Saturday or for expressing an interest in campaign developments. We will produce a written report on the conclusions arising out of the discussion at the plenary session of the workshop.
Attached is the agenda for the workshop on Saturday,
One of the key issues to be discussed at the workshop is the City Council’s response to the proposed cut in funding to third sector organisations.
The cut will take effect on 30/6/25. However, we understand that Council action to mitigate the effects of the cuts will be discussed during the Council’s budget setting meeting on 20/2/25.
There may need to be a lobby of the Council meeting.
Regards,
Des Loughney Secretary Edinburgh TUC
EDINBURGH SOCIAL CARE CAMPAIGN – THE WAY FORWARD
Unitecd Augustine Church, George IV Bridge, Edinburgh EH1 1EL
Workshop Saturday 18th January 2025
AGENDA
Chair: Ian Mullen (UNISON City of Edinburgh Council Branch)
9.30 am – 10.00 am: Tea/ coffee and biscuits.
10.00 am – 11 am. Introduction to workshop
Des Loughney – Secretary, UNITE Edinburgh Not For Profit Branch (1)
Councillor Tim Pogson – Vice Chair of the Edinburgh Integration Joint Board (2)
Denise Ritchie: Fair Work Project Officer, Scottish Trades Union Congress (3)
Linda Sommerville: Deputy General Secretary, Scottish Trades Union Congress. (3)
11am to 12.30pm Working Groups ( two)
12.30 pm to 1.00 pm – Plenary Session and summing up.
Speakers:
Des Loughney will comment on the impact of the proposed EIJB cuts on services and third sector worker terms and conditions. The impact includes compulsory redundancies and downgrading of contracts of employment from guaranteed working weeks to zero hour contracts,
Councillor Tim Pogson will update us on the response of the Council to the proposed EIJB cuts. The City Council is seeking to mitigate the impact of the cuts on the third sector.
Denise Ritchie and Linda Sommervile will brief the workshop on proposed campaigning activity at a local level and a Scottish level.
More than 4,500 people in Edinburgh have learned about keeping children safe from sexual abuse through the NSPCC’s Talk PANTS campaign running in the city over the past year.
Staff from NSPCC Scotland and the Edinburgh Child Protection Committee have delivered Talk PANTS workshops across the city since October 2023, giving parents, carers and professionals advice on how to have simple, age-appropriate conversations with children to help keep them safe from sexual abuse.
With the help of a colourful animated dinosaur, called Pantosaurus, the campaign helps children understand that their body belongs to them, that they have a right to say no, and they should tell a safe adult they trust if anything makes them feel upset or worried.
The end of the campaign has been marked with two events over the past week – one for families and one for professionals.
At the family event on November 29 at Gorgie Memorial Hall, children, parents and carers enjoyed snacks, games and a reading of ‘Pantosaurus and the Power of PANTS’ followed by an appearance by Pantosaurus.
The professional event at Edinburgh City Chambers on December 3 featured speeches by Matthew McVarish, actor and co-founder of the global Brave Movement; Laura Brown, Lead Officer of the Edinburgh Child Protection Committee; Lillian Cringles, Independent Chair of the Edinburgh Child Protection Committee, and Carla Malseed, NSPCC Scotland Local Campaigns Manager.
The campaign launched last year at an event for families at McDonald Road Library. Since then, NSPCC Scotland and the City of Edinburgh Council staff have joined Pantosaurus and thousands of families across the city, including at Sighthill and Craigmillar libraries, Edinburgh Zoo and the international book festival. Talk PANTS resources are now available in all 27 libraries across Edinburgh.
Carla Malseed, NSPCC Scotland Local Campaigns Manager, said: “It has been a great year delivering Talk PANTS workshops across Edinburgh. Welcoming children, parents and carers to our events and sharing the messages of Talk PANTS has been wonderful.
“The campaign doesn’t use scary words or talk about sex. Instead, we focus on the PANTS rules that help children understand important messages like their body belongs to them and they should tell an adult if they’re upset or worried about something.
“More parents and carers across Edinburgh are now equipped with the skills to be able to talk about this difficult topic with their children from a young age and can play their part in helping to prevent abuse. And more children now have a greater understanding of their rights, thanks to Pantosaurus and the Talk PANTS campaign.”
Lillian Cringles, Chair of the Edinburgh Child Protection Committee, said: “This campaign has helped families and professional have these important conversations with children about their bodies and help keep them safe.
“This piece of work across the city has demonstrated a strong commitment to partnership, involving numerous agencies and services. We intend to keep this alive through campaign legacy commitments over the next few years.
“While the campaign has come to an end in Edinburgh, I would still urge as many parents and carers as possible to find out about the Talk PANTS messages, which are available on the NSPCC website.”
A highlight of the Edinburgh Talk PANTS campaign was the creation of sign language resources, which were developed in partnership with the communication charity – Signalong.
The legacy of the campaign will live on thanks to local ‘PANTS champions’ – people usually from a school or nursery trained to deliver the campaign messages to other professionals and families through webinars, workshops and awareness raising events.
And schools and nurseries in Edinburgh have been offered PANTS resource bags to use with children in the months and years to come.
Young people looking for support on any of the issues mentioned, can contact Childline on 0800 1111 or visit Childline.org.uk.
Childline is available to all young people until their 19th birthday.
If you are concerned about a child you can contact the NSPCC Helpline by calling 0808 800 5000 or email: help@NSPCC.org.uk.
We are delighted to announce that on Saturday, November 23rd, we will be hosting two free taster sessions for our new performance groups – 10am – 12pm & 1pm – 3 pm – at The Out of the Blue Drill Hall, Edinburgh.
With these sessions, we want to create a fun, safe and supportive enviroment for people to engage in interactive drama activities, where like-minded people can meet and feel comfortable to experiment and perform.
We are looking for individuals to participate and provide valuable market research and feedback. Whether you’re a seasoned performer or just curious about drama, this is a fantastic opportunity to explore your creative side and help shape our future programs.
To register, email us at fablesstagecommunitytheatre@gmail.com or give us a direct message on Facebook and Instagram. Places are limited, so please book in advance.
We look forward to seeing you then and thank you so much for your help!
As part of its approach to the Commission’s 2023-24 scrutiny of the Scottish Government’s progress in reducing child poverty, the Poverty and Inequality Commission wanted to hear from parents and carers who were a member of the Scottish Government’s ‘priority family types’. These are households types who are at greater risk of poverty.
The Commission worked with eight organisations to organise workshop discussions (and in one case a survey) to gather parent and carer participant views on:
What policies to reduce child poverty they were aware of
How well they felt policies were working
What else they felt was needed to reduce child poverty
This report summarises the views of participants on the three topics above, expanding on the material the Commission published earlier in 2024 as part of its 2023-24 child poverty scrutiny.
The Commission is very grateful to all the participants in our workshops who took time to discuss these issues, and the organisations who we worked with to arrange them.
Walking like a Tortoise, a mixed media, walking art exhibition
Edinburgh Central Library, 7 – 9 George IV Bridge, EH1 1EG. Foyer and Display Case on Main Stairs
1 August – 30 September
(10am – 8pm Monday to Wednesday; 10am – 5pm Thursday to Saturday)
‘Walking like a Tortoise’ is a range of art work based on a series of walks around Granton on the northern edge of Scotland’s capital city.
Using maps of the area from 1870 to the present day, Tamsin Grainger skirted the urban and coastal landscapes of Granton, looking into hidden corners, seeing from unlikely angles and meeting those who live and work there.
Through photography, words, video, textiles and found materials, she asks how the act of slow walking can develop a sense of belonging somewhere, and how mindful noticing of the area on foot, promotes appreciation of and connection to what is home.
Tamsin’s been walking around Granton for 14 years now, alone and with other members of the community, and has become interested in the alterations that people and the climate have wrought.
Although places transform all the time, the built-up environment and natural spaces of Granton have recently been changing at an exceptionally rapid pace and still are: the harbour is now a no-go area; streets and stations have been given new names and functions; and views have disappeared.
Slowly wandering the boundary and making artwork has stimulated a deeper understanding of local history and heritage, but how much of this will soon have vanished? Is Granton disappearing and being replaced by the Edinburgh Waterfront?
By visiting the exhibition, you are invited to consider: ‘What are the invisible boundaries which define us?’ ‘What happens if the exact edges of our living space change? Is it important to you that things stay the same or do you welcome transformation?’ ‘Do you feel part of the decision-making processes which precipitate such changes?’ and, ‘Is there a link between a sense of who you are and feeling that you belong somewhere?’
Tamsin Grainger is a walking artist who has lived in Granton for 15 years and has extensive experience in the Community Arts in Edinburgh.
She was Dance Artist in Residence for the City of Edinburgh, and is currently the Granton Waterfront Heritage Programme Development Worker.
This exhibition was first shown at the Granton:hub in 2023.
Building on Scottish Opera’s ground breaking Breath Cycle project, Chest Heart & Stroke Scotland is collaborating with the country’s largest performing arts organisation to improve the lives of those living with aphasia, a communication difficulty that is a common effect of strokes
A new research report launched earlier this month by CHSS revealed that poor mental health and loneliness are severely impacting people in Scotland living with aphasia
Chest Heart & Stroke Scotland (CHSS) and Scottish Opera have joined forces to develop online singing classes for people living with aphasia, which is caused by damage to the part of the brain that controls language, and in some cases leaves some unable to speak at all.
These new CHSS and Scottish Opera sessions coincide with Aphasia Awareness Month, which runs throughout June. This year’s theme is #AphasiaTogether, emphasising that those with the condition do not need to deal with this on their own.
This new strand of creative music making with CHSS — Scotland’s largest health charity working to help people with chest, heart and stroke conditions live life to the full — expands upon Scottish Opera’s pioneering Breath Cycle project, designed to support those with a range of conditions affecting lung health.
Following research and development sessions with medical educators, CHSS staff and people living with aphasia are working with Scottish Opera to provide supported communication and aphasia training, and help deliver the therapeutic singing, song-writing and breath control sessions.
The aim of these workshops is to improve the mental wellbeing and confidence in communication of those with aphasia and respiratory issues including COPD (Chronic obstructive pulmonary disease), across the country.
Earlier this month, CHSS launched a report about the impact of aphasia on those living with the condition which revealed that:
More than half (52 per cent) of people with aphasia say their condition affects their mental health
Nearly half (48 per cent) with aphasia said they experienced loneliness as a result of their condition.
43 per cent of people with aphasia said it impacted on their ability to work as before
A third (34 per cent) of people with aphasia reported being treated negatively due to their condition.
CEO of Chest Heart & Stroke Scotland, Jane-Claire Judson, commented: “Working with Scottish Opera to unlock the therapeutic benefits of singing and song-writing to people living with aphasia is a fantastic opportunity to tackle real issues facing people across the country.
“We regularly hear from the people we support that living with a communication difficulty following stroke can lead to feelings of isolation and loneliness and have a negative impact on mental health.
“We look forward to bringing people together to experience the joy of singing with others whilst exploring the benefits of singing and song writing to their communication skills.”
Jane Davidson MBE, Director of Outreach & Education at Scottish Opera, said: “Following on from the increased awareness of our Breath Cycle II programme in 2020, which was designed for people living with Long COVID and other respiratory conditions, Scottish Opera is excited to partner with CHSS to support people with aphasia.
“The work that CHSS undertakes each year with hundreds of thousands of Scots has set really high standards in the positive integration of mental health and well-being initiatives with clinical intervention.
“As Scotland’s largest performing arts company, we feel that the values of both our organisations are beautifully aligned in this new collaboration that seeks to enhance the quality of people’s lives across the country.”
Composer Gareth Williams, who along with writer Martin O’Connor, mentored the most recent online song writing Breath Cycle sessions said: “Our encounters with the Chest Heart & Stroke Scotland team, and our first conversations with our participants who have aphasia have been so inspiring.
“Our challenge is to help people find and connect with their voices again, both their physical voices and their creative voices. There are incredible stories to tell in this community, and together we will find them and share them through song.”
General public and former whalers and their families sought to help co-design new online Whalers’ Memory Bank
In June 2023 the South Georgia Heritage Trust and the South Georgia Museum launched a project called The Whalers’ Memory Bank.
Supported by funding from The National Lottery Heritage Fund, the project is about creating a living, growing digital time capsule where veterans of the whaling industry, their families and communities can come together to contribute and share their stories with a wider audience.
Since then, the South Georgia Museum has been busy collecting hundreds of stories, photographs and memorabilia from the former whaling communities – the response has been amazing.
But we want to make sure we tell these stories in a way that captures everyone’s imagination. Presenting stories in a way the former whaling communities want to see, but also in a way that appeals to a wider audience so they can understand this important slice of Scottish social history.
That is why we are putting out a call for anyone who wants to join us either for a short workshop or just drop in and find out more and give us your thoughts.
Over the weekend of 22 and 23 June there are a number of opportunities to join in and help us through a range of workshops and drop-in sessions that are taking place.
Saturday 22 June – we will be at The Scottish Maritime Museum in Irvine. We will be running a workshop from 10.30am until 12.00 which we are encouraging people to book onto. We will also be running a drop-in session for general visitors to the museum from 2-4pm.
Sunday 23 June – we will be at The Scottish Fisheries Museum in Anstruther. We will be running a workshop from 11.00am until 12.30 which we are encouraging people to book onto. We will also be running a drop-in session for general visitors to the museum from 1.30-3.30pm.
Each workshop will last about an hour and a half and we would welcome any former whalers and their families to come along, bring any memories or stories you want to share but, most importantly, be happy to help us shape our early thoughts and ideas on the Memory Bank.
But you don’t need to have had any association with whaling to join in. We are really looking forward to getting input and feedback from the general public so you can also either book onto one of the workshops or come and join us anytime during the drop-in sessions over the weekend should you be at either of the museums.
To book onto a workshop on either Saturday 22 or Sunday 23 May email memorybank@sght.org or just drop in if you want to join us for a more casual chat at the drop-in sessions.
Please note there is an entrance fee for both museums. Workshop attendance is free, but if you wish to visit the rest of the museum once it is ended there will be a reduced entrance fee of £4 for the Scottish Maritime Museum and £5 for the Scottish Fisheries Museum.
Helen Balfour, Community Engagement Officer for the Memory Bank said:“The story of modern whaling in the Southern Hemisphere is a controversial one with British companies playing a key role in the industry.
“These companies had a largely Scottish workforce, with many from Shetland. Now, only a dwindling number of men survive that have first-hand memories of this industry, an integral part of Scottish and Shetland’s social history.
“As someone from a family with many connections to whaling, I am conscious that this is story well known to some but not one that is more widely understood or discussed. We don’t only want to delve into the stories of whalers, we want to explore questions such as: why was whaling so important? how did it help power the world between the wars, and what was it like to live, and work from the remote island of South Georgia in the Southern Ocean?
“We have already done some workshops in Shetland in May where we really learnt a lot from whalers, their families and the community. We want to continue that work and hope to see as many people as possible over the weekend of 22 and 23 June to help us shape and tell this hidden piece of Scotland’s social history.”
Linda Fitzpatrick, Head Curator at the Scottish Fisheries Museumwho is also helping with the wider collections management of the project said: “This unique project has many features that resonate with the work we do at the Scottish Fisheries Museum to engage audiences with topics relating to the heritage and development of fishing technologies, including whaling.
“There is no doubt that reflecting on whaling is problematic: it was brutal and exploitative, and few would welcome its return. Nevertheless, the industry was an important feature of Scotland’s industrial development and generated a distinct and vibrant culture.
“This is an important moment, therefore, to reach out to ex-whalers and their communities to capture the living memories of those who took part in the industry and to preserve them for the future.
“We warmly invite anyone with an interest in the subject to come along over the weekend to either museum over the weekend of the 22 and 23 June.”
2025 North Edinburgh Film Festival – don’t miss this family-friendly celebration of film and community stories! 
Saturday 22 February 2025, 11am-5pm
West Pilton Neighbourhood Centre
Free event
Global shorts & animations, from near and far
Special performance by Curious Seed, featuring films by local artists and Craigroyston Community High School pupils
Workshops for aspiring filmmakers of all ages
