Edinburgh International Book Festival returns with global 2026 programme

  • Nearly 600 writers from 41 countries gather in Edinburgh from 15–30 August for the 2026 Edinburgh International Book Festival
  • Over 600 events span fiction, politics, science, history, music, and live performance in a 16-day curated programme
  • At a time of intense polarisation and entrenched positions, our 2026 theme Changing Your Mind invites audiences to stay open and curious, championing deep listening and celebrating our capacity to evolve our thinking, informed by a range of reliable experts and diverse perspectives
  • The Festival brings together a carefully curated programme of voices, experts, and ideas, to create space for informed, nuanced public conversation, and encourage new and alternative thinking – a much-needed alternative to debate driven by reaction and polarisation
  • Major public figures include former Finnish Prime Minister Sanna Marin, former UK Prime Minister Gordon Brown, Wikipedia founder Jimmy Wales, technology writer Cory Doctorow, best-selling author Michael Pollan, and award-winning poet Claudia Rankine, alongside leading writers from across the world
  • A landmark rare event brings one of the bestselling writers of all time, John Grisham, and iconic Scottish crime writer Ian Rankin together on stage, crowning The Front List line up at the McEwan Hall. The roster also includes Tom Holland, David Olusoga, Diana Gabaldon, Kiran Desai and Kae Tempest.
  • Other renowned fiction writers appearing include Maggie O’Farrell, Ann Patchett, Ali Smith, Jenni Fagan, Colm Toíbín, Matt Haig, Louise Welsh, Nao-Cola Yamazaki, Candice McCarty-Williams, Ben Lerner, and 2026 International Booker Prize winner Yáng Shuāng-zi
  • Greyfriars Kirk becomes a Book Festival venue for the first time, hosting Scotland to the World – a new series connecting leading Scottish writers Ali Smith, Len Pennie, Kathleen Jamie, and William Dalrymple with international musicians, artists and performers.
  • A strong focus on trust and information runs across the programme, with journalists, analysts and researchers examining misinformation, data, and global narratives, including The New Yorker’s Fergus McIntosh, The News Agents podcast co-host Lewis Goodall, and journalist Yi Ling Liu
  • The Festival explores the AI revolution and its regulation, with pioneers in the development of AI tools and their application – including Steve Crossan, part of the original DeepMind team; Sarah Wynn-Williams, former Director of Public Policy at Facebook; and Tim Wu, inventor of the term ‘net neutrality’ – weighing its impact and risks
  • Global Ink convenes 20 cultural leaders from five continents, reinforcing the Festival’s role as an international meeting point for ideas
  • BBC collaboration transforms the Spiegeltent into a daytime broadcast hub (17–21 August), with live and recorded programming on BBC iPlayer and BBC Sounds
  • The Festival’s Young Adults programme returns for its second year, bringing together leading YA authors such as Juno Dawson, Samantha Shannon, and Holly Bourne with performance, spoken word and interactive events tailored for audiences under 30
    More than 150 events for children and families, with a Schools programme supporting around 5,000 pupils through free tickets for those in need, transport and books
  • New partnership with LNER delivers a reimagined Kids Zone with free activities every day of the Festival
  • Livestreamed and Pay What You Can events, alongside library streaming, extend access across Scotland and beyond

The Edinburgh International Book Festival returns to Edinburgh Futures Institute from 15–30 August with one of its most relevant and international programmes to date.

In a moment of increasing global polarisation, the 2026 Festival – with a hero theme of Changing Your Mind – brings together almost 600 writers from 41 countries for 16 days of ideas, literature, conversation, and performance.

The Festival is where books and words spark new thinking, forge connections across borders, and generate conversations that matter.

The 2026 programme spans the full breadth of contemporary writing – world-class fiction and nonfiction, a rich programme for children and young people, food, poetry, and live performance – with a special focus on how we engage with the world’s biggest questions: from geopolitics and the flow of global power, to the nature of consciousness, the reliability of information, and how we live well together.

The theme, Changing Your Mind, runs through the programme as an invitation to listen, reconsider, and discover something new, unfolding across strands exploring public debate, new thinking in science and consciousness, and the role of stories and art in reshaping how we understand one another.

Jenny Niven, Director of Edinburgh International Book Festival, pictured outside the Book Festival’s home at Edinburgh Futures Institute. Photo credit Aly Wight.

Jenny Niven, Director of Edinburgh international Book Festival, said: “Our theme ‘Changing Your Mind’ speaks to the moment we’re in.

“At a time when opinions seem increasingly polarised and online debate is so divisive, we’re creating space for thoughtful, nuanced conversations – exploring the reasons for our increasing social and political divides, and how we might change each others’ minds, or at least agree to disagree, more agreeably.

“We’re also looking at the potential of the human brain to adapt and relearn, and at the unparalleled power of stories to change our thinking.

Changing your mind is a lifelong process of staying open to new ideas. By bringing amazing speakers and curious audiences together, around knowledge and perspectives that help us challenge our assumptions and see the world differently, we hope the Festival programme this year will help us gain a deeper understanding of both ourselves and each other.”

ARE YOU OPEN TO CHANGING YOUR MIND?

As the world becomes ever more polarised, and opinions increasingly entrenched, we’ve reached a moment where to change your mind is seen as a sign of weakness, or even disloyalty – this year’s key theme seeks to reframe that. A wide range of experts, across three thematic strands, share reliable information and nuanced perspectives, encouraging audiences to think both critically, and flexibly, on a number of prescient topics – and maybe even change their minds about their current stances as they learn more, and expand their understanding.

Can You Change Your Mind? explores how we form and revise our views – featuring internet pioneers Sarah Wynn-Williams, Jimmy Wales and Cory Doctorow on the development of the web, and leading political voices including Gordon Brown, Jeremy Hunt and former Finnish Prime Minister Sanna Marin on the forces shaping our world today. Practical workshops offer tools for more open and productive dialogue.

Consciousness Now looks at how our understanding of the mind is being transformed – with Michael Pollan and Anil Seth in conversation about what remains distinctively human in a machine-led world, and Gwen Adshead and Orlando Swayne on the brain’s remarkable capacity for adaptation and recovery.

Stories That Change Us celebrates reading as a route to new perspectives, with Daisy Fancourt and choreographer Wayne McGregor examining how the arts support wellbeing and cognition, and Claudia Rankine and Kiran Desai sharing the books that have shaped their lives and work.

INFORMATION WE CAN TRUST

The Festival has a long-standing commitment to trusted, verifiable sources and data – and this year’s Good Information strand brings together journalists, analysts and researchers to examine how we know what we know. Sir John Curtice examines what data tells us about Britain’s electorate today; Fergus McIntosh, who runs The New Yorker’s fact-checking department, discusses rigour in modern journalismwith The News Agents podcast host Lewis Goodall; while journalist Yi Ling Liu takes audiences behind the Great Firewall for a fascinating account of China’s internet.

The New World Orders strand brings together leading voices in economics, law and politics – including former US State Department official Edward Fishman and Oxford economist Carl Benedikt Frey on the shifting flow of global money and power, and Rana Dasgupta and Ece Temelkuran on borders and displacement.

More widely, nonfiction programming this year includes discussions on topics as wide-ranging as the World Cup (Simon Kuper, who has attended every one since 1990), designing cities for the future (Gabriella Bennett), bringing data to life with design (Mona Chalabi), and using the law as a framework to navigate and protect our rights, with Baroness Brenda Hale.

GLOBAL CONVERSATIONS

At the Festival, a book is just the beginning, and a starting point for conversations that reach far beyond the page – and that spirit is at the heart of this year’s programme.

Scotland to the World is a special series at Greyfriars Kirk – the first time the venue has been part of the Book Festival – bringing together Scottish writers including Ali Smith, William Dalrymple, Kathleen Jamie, and Len Pennie with artists and performers from Japan, India, the Netherlands and the United States. Supported by the new Expanded Festivals Fund, the series reflects Edinburgh’s status as a global meeting point for culture, and Scottish writers as our ambassadors.

Highlights include a highly experimental production created by pairing Kathleen Jamie’s writing with performance from Japan’s Noh Reimagined theatre company, alongside leading musicians Aidan O’Rourke and Brìghde Chaimbeul; and Dutch contemporary classical collective New European Ensemble presenting four new pieces inspired by Ali Smith’s Seasonal Quartet, with the author reading alongside.

The Front List, presented in partnership with Underbelly at McEwan Hall, forms one of the programme’s flagship strands: a curated series of large-scale events bringing leading writers, journalists, historiansand performers into in-depth conversation on some of the most pressing questions of our time.

Highlights include Diana Gabaldon marking 35 years of Outlander, Pulitzer and Booker Prize winners including Colson Whitehead, Douglas Stuart (hot on the heels of his Oprah appearance), and Kiran Desai, as well as conversations with voices such as Wikipedia founder Jimmy Wales, Cory Doctorow and the BBC’s Lyse Doucet.

Fiction this year ranges from Colm Tóibín and Maggie O’Farrell to recent International Booker Prize winners Yáng Shuāng-zǐ and Lin King, and international stars Daniyal Mueenuddin and Japanese literary sensation Mieko Kawakami, with Scottish voices including Fern Brady, Jenni Fagan and Graeme Armstrong.

This August also sees a landmark pairing: John Grisham – whose books have sold over 500 million copies worldwide, with more than 50 consecutive number-one bestsellers and translations into almost 50languages – joins Ian Rankin for an event marking Grisham’s first visit to the Festival.

It is a rare chance to see the godfather of the legal thriller genre with one of the biggest names in contemporary crime writing together on stage, celebrating the accessibility of books and highlighting this year’s status as a National Year of Reading.

A limited number of VIP tickets will offer audiences the chance to enjoy a pre-event drinks reception with Ian Rankin, with proceeds supporting the Festival’s charitable aims, including its communities and Schools programmes.

BUILDING INTERNATIONAL RELATIONSHIPS

The Festival’s international reach extends well beyond its programme. Global Ink, the Festival’s industry forum, reaches a new milestone in 2026 – spanning five continents for the first time, bringing senior figures from 20 of the world’s leading festivals and cultural organisations together for three days of exchange and collaboration with the support of Scottish Government EXPO funding. Now in its third year, Global Ink reflects the Festival’s role as a global meeting point for ideas and the people who champion them.

A multi-year creative partnership with Celtic Connections continues, with The Golden Road – inspired by William Dalrymple’s award-winning book – which premiered at Celtic Connections in January 2026developing into an expanded Festival performance in August.

This year, the BBC will use the Spiegeltent as a base for wider Festival coverage, curating its own selection of content and voices for broadcast on BBC iPlayer and BBC Sounds, bringing the atmosphere of theFestival to national and international audiences.

COMMUNITIES, YOUNG PEOPLE, AND ACCESSIBILITY

In the National Year of Reading, the Festival maintains its commitment to bringing the benefits of reading to all. New research shows fewer than 1 in 5 children currently read daily; 1 in 4 children do not reach the expected reading level by age 11. Both within the National Year of Reading, and as a long-term commitment, the Festival creates environments where reading is fun, sociable and imaginative, rather than solely educational.

Twenty percent of this year’s programme is for children and young people, with more than 150 events for families alongside a Schools programme supporting around 5,000 pupils each year through free ticketsfor pupils in need, transport support, and a free book for every participant, supported by Claire and Mark Urquhart. Authors appearing include Cressida Cowell, Julia Donaldson, Neill Cameron, and Jodie Ounsley of Gladiators fame, while the LNER Kids Zone and Families Hangout offer creative activities and relaxed reading spaces designed for all ages, with free events daily.

A dedicated Young Adults programme for readers aged 30 and under includes BookTok sensation Jack Edwards bringing his Inklings Book Club to life as a live podcast, alongside YA authors Juno Dawson, Samantha Shannon, Faridah Àbíké-Íyímídé and Holly Bourne, and a range of special pop-up events let audiences connect with one another and make new friendships.

The Festival’s year-round Communities Programme works to address literacy inequality and social isolation. Paper Trails, the flagship five-year library initiative launched by HM Queen Camilla in 2025 and developed with City of Edinburgh Council, works with five Edinburgh libraries through co-created creative programming.

This August, events will be livestreamed free to libraries across 20+ Scottish local authorities (up from 13 LA’s in 2025), including as far afield as Shetland. Community work will also be visible throughout the Festival in the Communities Cabaret, the Where We Are exhibition featuring work by Edinburgh College of Art students, and writing from young people at Spartan Foundation’s Alternative School, as well as in visits to hospitals and prisons by a range of authors.

Events will continue to be livestreamed globally with a Pay What You Can model helping to widen access, alongside live and AI captioning, British Sign Language provision and events designed for audiences with learning disabilities.

Lyse Ducet, Chief International Correspondent and senior BBC presenter

FURTHER PROGRAMME HIGHLIGHTS

How to Live a Meaningful Life offers warmth and perspective: Waterstones Children’s Laureate and the first ever Children’ Booker Prize judge Frank Cottrell-Boyce discusses protecting childhood, Prue Leithreflects on the pleasures of ageing, and philosopher Julian Baggini celebrates the meaning of coffee – with a tasting from Santu Coffee.

Table Talks returns with the chance to share a meal with writers including Ella Risbridger, Yasmin Khan, Jess Elliott Dennison, Meera Sodha, Michelin-starred chef Santiago Lastra and former Ottolenghi pastry chef Helen Goh.

Poetry ranges from Loud Poets’ Grand Slam Final and Push the Boat Out’s Open Mic Night to Simon Armitage, Hanan Issa and Peter MacKay – the UK and Welsh Poet Laureates and Scottish Makar – on the idea of national poetic identity.

The Festival’s Spiegeltent programme includes a new edition of Buffy’s Book Club, a celebration of 50 years of Scottish punk with Caledonia Screaming, and Hamish Hawk performing the Festival-commissioned Life in a Scotch Sitting Room, Vol. 0, following a UK tour and sold-out Glasgow show.

Workshops cover war reporting with Sally Hayden, translation with Polly Barton, Tarot as a writing tool with Jill Dawson, and – building on the Festival theme – open conversations with Sarah Stein Lubranoand deep listening with Emily Kasriel.

Edinburgh Climate Festival programme revealed

And our programme is LIVE! 🎪💃

We are excited to share with you this year’s free performances, workshops, talks and activities – including our wonderful art installations (and of course our many fabulous stalls during the day)!

We are really looking forward to seeing you all there, keep an eye out for further info and easy read versions being released soon! 🌻

🔊 Indicates activities and areas that are estimated to have a higher noise level

#edinburgh

#June

#festival

#ClimateAction

Edinburgh International Children’s Festival programme announced

Edinburgh International Children’s Festival has announced its 2026 programme, and it’s a brilliant one!

Presented by new Festival Director Adjjima Na Patalung, this year’s 36th edition brings together 15 productions from 9 countries, spanning circus, dance, music, puppetry and theatre, with themes ranging from identity and friendship to grief, the environment and the sheer joy of finding your place in the world.

Highlights include:

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 Boys Don’t Dance – a poignant new dance theatre show from award-winning disabled choreographer Marc Brew of the Marc Brew Company, reflecting on his journey as a boy who defied expectations to embrace his love of dance

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 Cringe – a brilliantly funny new play from disabled writer and theatre maker Ross MacKay about surviving the minefield of growing up

🎪

 The Fabulous Tale of BasarKus – a joyful circus show for little ones exploring identity, cooperation and the wonder of growing up

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 Island – an intimate performance from Starcatchers celebrating the precious bond between babies and their grown-ups

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 Toto Kerblammo! – Tim Crouch’s powerful new play, experienced through binaural audio technology, about listening, friendship and finding hope

The Festival opens with a Free Family Day of pop-up performances at the National Museums Scotland on Saturday 30 May, before the full programme runs across Edinburgh until Sunday 7 June 

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Tickets are on sale now!

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 Image by Tom Duffin

Scottish Mental Health Arts Festival programme announced

🎉 The Scottish Mental Health Arts Festival 2025 programme is now live!

Taking place across Scotland from 20 October to 9 November, this year’s festival explores the theme Comfort & Disturb.

Join us for events spanning film, theatre, music, visual art, writing, workshops and more. Events have been curated by the festival team, local communities, artists and activists, creating a wide-ranging and ambitious programme that will offer comfort to people while also disturbing the status quo.

👉 Discover the full programme and book tickets at www.mhfestival.com/events👈

#MentalHealthArts#MentalHealth

Edinburgh International Book Festival announces Repair as theme for 2025 programme that puts it at the heart of the cultural conversation

  • Edinburgh International Book Festival returns in 2025 with a vibrant and relevant programme that showcases world literature and tacklestopics including geopolitics, disinformation, and the climate emergency, putting robust and dynamic discussion on a global stage  
  • Repair is the Book Festival’s core theme for 2025, seeking to explore the many things around us which feel broken, and how we might seek to fix them – from the physical to the political, the emotional to the environmental, and beyond
  • At a time when UK literacy rates are decreasing, the Book Festival continues to support year-round access to reading through its Communities Programme, and by livestreaming over 100 events to libraries across twelve Scottish local authorities this August.
  • Literary icons ranging from Maggie O’Farrell to Irvine Welsh, international stars R F Kuang and Asako Yuzuki, political stalwarts Nicola Sturgeon and Diane Abbott, and prominent commentators Naga Munchetty and Ash Sarkar join this year’s lineup, as well as stars of the stage and screen, including Brian CoxRuth JonesAdam BuxtonViggo Mortensen, and Vanessa Redgrave
  • Words and music unite in a series of special events supported by the Scottish Government Expo Fund, including a brand-new commission from local indie music legend Hamish Hawk reinterpreting the eccentric work of Ivor Cutler, and performances from Mallachy TallackSimone Seales, and Mele Broomes
  • Brand-newYoung Adults programme curates events especially for those aged 30 and under, inspired by digital publishing and cultural trends, and spanning romantasy, sci-fi, horror, health, food and wellness, and more, responding to a generation increasingly interested in social, cultural and political conversations and exploration  
  • New and dedicatedKids Zone brings much-needed hub for families amongst the hustle and bustle of Edinburgh’s festival landscape – making it a unique oasis this August – alongside more than 100 dedicated events, including a retrospective from Jacqueline Wilson
  • The Book Festival’s Spiegeltent will return with exciting poetry, spoken word, and music offerings, giving audiences a chance to discover the magic of live performance
  • New ticket pricing for Under 30s, and many events priced at £5 for those receiving low-income benefits, to tackle economic barriers to attendance
  • The Festival returns to Edinburgh Futures Institute, right at the heart of the festival footprint, with 641 writers from 35 countries, across 6 continents 

Edinburgh International Book Festival announces its 2025 programme with close to 700 events featuring writers from all over the globe, taking place from 09-24 August, as it returns to Edinburgh Futures Institute (EFI) for the second year, inspiring vital discussion and dissection of the cultural zeitgeist on a global stage.

With a lineup ranging from Yellowface author R F Kuang, who appears as part of the festival’s newly programmed Young Adults strand, which directly responds to topics of social and cultural importance often driven by the digital landscape, to firm festival favourites Denise Mina, Chris Brookmyre, V E Schwab, and Ali Smith, there is something for every audience to enjoy. In a first for the August Festivals, the Book Festival also unveils plans for a dedicated children’s zone, offering families an oasis away from the bustle of the city this summer.  

The key theme this year is Repair, with the Festival seeking to explore the many things around us which feel broken, and how we might seek to fix them. Using informed insights from a range of experts, lessons learned from our ancestors, the richness and connection offered by the natural world, hands-on activities, and our own inherent humanity, the Festival offers a wide range of active opportunities to rebalance the mind, reinvigorate the spirit, reconcile with others, and restore a sense of calm and hope in the face of a world in chaos. 

The theme will be explored from every angle including by Robert Macfarlane, Louise Welsh, and ‘barrister for the earth’ Monica Feria-Tinta discussing the beinghood of nature with debate around whether rivers should be granted personhood, and political repair and conflict resolution will be in the spotlight as human rights lawyer Philippe Sands and journalist Steve Crawshaw ask whether ‘justice’ can really be restored. Elsewhere historian Olesya Khromeychuk and journalist Jen Stout honour the legacy of Ukrainian novelist and war crimes researcher Victoria Amelina, who died from injuries caused by a Russian missile attack, and Omar El AkkadKatie Kitamura and Yiyun Li extol the role that literacy and reading have in maintaining a democracy.  

Indigenous Australian writer Melissa Lucashenko,and Anishinaabe journalist and author Tanya Talaga illuminate First Nations perspectives on truth, legacy, and repair, while artist, musician, performer, and writer Siôn Parkinson and mycologist Nicholas P Money champion the infinite potential of mushrooms, and journalist Ash Sarkar will wade right into the middle of the culture wars.

There will also be interactive events such as trying the Japanese art of kintsugi with Halle O’Neal, and exploring ‘multisolving’ with Alex Pearson.  

Jenny Niven, Director of Edinburgh International Book Festival, said: “This year’s key theme of Repair starts from the belief that the brilliant ideas of writers and thinkers can help us repair a host of seemingly ‘broken’ things in our society, from the cycle of fast fashion and our relationship with the environment, to cultural reparations and the state of our politics. It’s a statement of hope and resilience, and an invitation for our audiences to think about what repair might mean for them.  

“At a time when important conversations can feel impossible to have without igniting conflict and anger, we want the Edinburgh International Book Festival to provide a safe place for challenging but considered discussions.

“This year our programme features over 600 writers and artists from 35 countries, who have a wide range of perspectives on topics of personal, social and global importance. We invite you to come and learn something new, feed your curiosity and to broaden your horizons.   

“The Book Festival is also a space for play and creativity, and we have an imaginative feast in store for audiences too – from stories from all around the world, to commissions of brand-new music and theatre, a Frankenstein themed cabaret, and a brand-new Kids Zone for our youngest audiences and their families, as well as a dedicated Young Adults programme for the very first time. So we hope people can have a fully rounded experience, all under one roof. We can’t wait to see you there!” 

The 2025 programme will hinge around a range of new themes. Hundreds of the world’s best fiction writers, including many of Scotland’s most exciting voices, and dozens of debut authors, will share their new and most notable works in the Brilliant Fiction strand. Leith legend Irvine Welsh continues the antics of the Trainspotting crew through the 1980s and 90s, A L Kennedy exploresthe nature of justice and mercy, and the power of Andrey Kurkov hope and kindness; Judy Murray plays a match of mystery and murder; Bella Mackie brings us a comical mystery of fatal family dynamics; and Girl on the Train author Paula Hawkins introduces her new thriller. 

The Festival also gathers some of the most exciting fiction writers working internationally, including Korea’s Hwang Sok-yong, Ukraine’s Andrey Kurkov, Spain’s Javier Cercas, China’s Liu Zhenyun, Brail’s Cacica Juma Xipaia, France’s Laurent Binet, Aotearoa-New Zealand’s Becky Manawatu, and Germany’s Daniel Kehlman

The recently announced Front List series will return for the second year at McEwan Hall, in partnership with Underbelly, to present an expanded series of exciting events representing the breadth of the Book Festival’s offering, with a star-studded host of authors which includes Maggie O’Farrell, Ta-Nehisi Coates , Nicola Sturgeon, Yulia Navalnaya, Ian McEwanR F Kuang, Ally McCoist, Ruth Jones, Butter author Asako Yuzuki, Mark Kermode and guest Brian Cox. 

Fascinating Non-Fiction will explore everything from moving memoirs to scientific excavations, family odysseys to travelogues. Highlights include Naga Munchetty exposing the misogyny she discovered to be rife throughout the British healthcare system, smash-hit podcaster Adam Buxton rambling on in his inimitable manner with his new memoir, I Love You, Byeee, indefatigable comedian Ivo Graham extolling the benefits of failure, and Labour politician Diane Abbott discusses her inspirational new memoir, A Woman Like Me

Good Information, brings together a host of trustworthy experts well versed in sifting out hard fact and cutting through murky algorithms to give you an honest account of a diverse range of topics.  

Highlights include technology adviser to the Lord Chief Justice of England and Wales Richard Susskind explaining the impacts of AI, Gabriel GatehouseDeborah Baker, and Leor Zmigrod exploring why conspiracy theories can be so seductive, and Deborah Frances-White tackling how to have difficult conversations.  

New World Orders gathers the most authoritative voices across international and domestic politics, conflict, economics, and law to engage with and dissect current affairs. Vince Cable explores the emergence of new superstates and a host of voices including Avi Shlaim, Ilan Pappé, Pankaj Mishra, Penny Johnson, Raja Shehadeh, Anne Applebaum, Omar El Akkad, and Fady Judah unravel the long and catastrophic history between Israel and Palestine, including the most recent and devastating series of attacks. 

Brainwaves holds up a magnifying glass to all things cranial, including mental health, neuroscience, and psychology. A host of scientists, psychologists, technologists, and authors offer their insights into the wonders, and limitations, of what lies between our ears (and beyond), including mathematician Marcus du Sautoy’s exploration of the creativity of numbers, Joseph Jebelli’s treatise for the transformative power of rest, and Lucy Easthope’s framework on how to cope with crisis. 

The 2025 Festival will also see the return of some of 2024’s most popular programme themes, including How to Live a Meaningful Life, guiding audiences new and deeper ways of creating connection, resilience and hope, amongst the chaos, and the expanded Table Talks series, with top chefs and food writers taking to the stage – or rather around the table – in intimate gatherings with audiences to enjoy delicious food and make memories together. 

Music, Poetry and Performance showcases the very best of the poetry and spoken word sphere at the Festival’s Spiegletent, which will return for the second year, including indie songwriter Hamish Hawk with an original and exclusive homage to Scotland’s pre-eminent poet-eccentric Ivor Cutler, andfresh poetic talent alongside well-established voices like Poet Laureate Simon Armitage, Makar Peter Mackay, Karen McCarthy Woolf, Len Pennie and Michael Mullen. 

Elsewhere, Olivier Award-winning Harriet Walter gives an overdue voice to the women of Shakespeare, a starry cast including Vanessa Redgrave and Viggo Mortensen perform powerful messages of protest from around the world in The People Speak, and Radiohead bassist Colin Greenwood shares the band’s intimate inside story. 

Special Editions also brings a selection of quirky and upbeat events including cabaret, live podcasts, and exclusive talks. Val McDermid unveils the world premiere reading of her brand-new play, And Midnight Never Come, Outlander’s Sam Heughan raises a glass to the art of the cocktail and the moments they’ve marked on his incredible journey, Caroline O’Donoghue’s wildly popular Sentimental Garbage podcast returns with another live Book Festival edition, and comedian Tim Key tells of high tales and low moments in Hollywood. 

Audiences will have the chance to take an in-depth look at the little details that make a writer’s work really sing or expand on their own creative skills with an exciting range of WorkshopsFrom How to Become a Bookbinder with Rachel Hazell, to exploring the archives of Muriel Spark and Jackie Kay at the National Library of Scotland (the latter with the author herself) and engaging with some of the most knowledgeable minds around, not least Booker Prize-winning novelist and screenwriter Eleanor Catton. 

And our wide-ranging Thought Exercise seriesoffers the chance to engage in deep discussion with figures including Pulitzer Prize finalist Deborah Baker, author and psychoanalyst Josh Cohen, diplomat and former Ambassador to Afghanistan, Azerbaijan and Russia, Laurie Bristow, and economist John Kay

The Festival will also debut a brand-new Young Adults programme with events tailored to audiences aged 30 and under (but open to anyone young at heart!). Highlights include Alice Oseman, creator of the smash-hit Heartstopper series, returning to the Festival, model and activist Munroe Bergdorf discussing everything from beauty standards to cancel culture, and Caroline O’Donoghue showcasing her new YA sci-fi fantasy romance.  

The strand will also harness the power of the online literary sphere, byincluding a collaboration with the brilliant House of YA, Sad Ghost Club’s Lize Meddings, a special Festival edition of the Bookshop Crawl UK, and the first Scottish edition of the Insta-popular Buffy’s Book Club with Lizzy Hadfield

Our youngest audience members can enjoy a brand-new Kids Zone, providing a much-needed hub for families amongst the hustle and bustle of Edinburgh’s festival landscape.

This year’s children’s programme will also include more than 100 exciting events for young readers, including from legendary children’s authors such as Michael RosenJacqueline Wilson, and How to Train Your Dragon’s Cressida Cowell. 

There are also dozens of free, drop-in events, including the return of the popular Are You Sitting Comfortably? and Bookbug storytimes, a chance to go wild with National Museums Scotland, and the opportunity to meet beloved characters including Pikachu, the Gruffalo, and Supertato. 

Community-driven events are also aplenty, with Stories and Scran celebrating the dynamic and thought-provoking work created by communities across Edinburgh and beyond, and Together We Repair challenging local writers and poets to respond to the Festival’s core theme.

During August, the Festival’s Communities team will also facilitate off-site learning events with leading writers in 9 prisons across the city, 3 workshops with patients at Edinburgh’s Royal Hospital for Children & Young People, and 2 interactive sessions with users of Streetreads, the library for the homeless community of Edinburgh. 

For the second year, the Book Festival will also present its flagship industry event, Global Ink: Discover the Power of International Collaboration– uniting publishing professionals from around the world for thought-provoking discussion, followed by a vibrant drinks reception to spark new connections.  

In addition to the Festival’s main base at EFI, there will be events at McEwan Hall and Elliott’s Studio, as well as special offerings at the National Library of Scotland and Dynamic Earth. 

For those who cannot attend in person, 100+ events will be livestreamed and available on demand to audiences across the world to watch wherever and whenever they prefer, including to libraries in twelve Scottish local authorities. And for the first time, in addition to dozens of events being live captioned, the Festival will use AI to bring the number of captioned events to 500, meaning that an additional 400 events will be more accessible than ever before. 

As well as reduced ticket prices for students, anyone over 60 and guests with access requirements, the Festival also introduces a special new ticket pricing for Under 30s, and £5 tickets for many events for those receiving low-income benefits, to tackle economic barriers to engagement. 

The Edinburgh International Book Festival is made possible thanks to the support of a range of funders and supporters including Creative Scotland, Edinburgh City Council, Players of People’s Postcode Lottery among others.

Edinburgh TRADFEST 2025 – FULL PROGRAMME ANNOUNCED

FESTIVAL DATES: Friday 2 May – Monday 12 May 2025

Edinburgh Tradfest is delighted to announce full details of its 2025 programme of traditional music, storytelling, film, workshops, talks, ceilidhs, and special events taking place at various venues across the city, thanks to continued support from The National Lottery through Creative Scotland and the William Grant Foundation.

The festival’s music programme kicks off on Friday 2 May at the Queen’s Hall with Scotland’s most sought-after piper and composer Ross Ainslie performing with the Sanctuary Band, and special guest Terra Kin.  

Then, over the 11 days of the festival, there will be live music every night at the Traverse Theatre, Folk Film screenings predominately at the Cameo, and storytelling, music and special events taking place at the Scottish Storytelling Centre. 

Some of the musicians headlining include folk song sensation and multi award-winner Siobhan Miller; Scots singer of the Year 2024 Beth Malcolm; Aberdeenshire’s crowning light, folk singer and Young Musician of the Year 2025 Ellie Beaton; national treasure Kathleen MacInnes; and cutting-edge piper Finlay MacDonald performing with his band which includes award-winning piper Ailis Sutherland (Hecla), guitarist/piper Ali Hutton (Ross & Ali, Old Blind Dogs, Treacherous Orchestra, Tryst), and drummer Paul Jennings (Croft No 5, Treacherous Orchestra). Plus, there will be a special event on Sunday 4 May featuring the music and enduring legacy of piper Martyn Bennett.

Also headlining are virtuoso English folk trio Leveret; leading Scots fiddler Lauren MacColl who will be playing tunes from her most recent album Haar; and Mary Macmaster (The Poozies) who will curate and perform as part of this year’s festival commission For the Love of Trees with some of Scotland’s finest musicians: Amy Macdougall (vocals), Donald Hay (percussion), Mairearad Green (accordion, pipes), Pete Harvey (cello) and Ciarán Ryan (banjo/fiddle). 

Other Scottish highlights include Morag Brown and Lewis Powell-Reid who perform pacy traditional tunes from Scotland and as far afield as the Balkans; Divergence (Freya Rae, Siannie Moodie and Tim Lane) so named because of their passion for playing non-traditional instruments in traditionally inspired music; cinematic alt-folk duo Rhona Stevens and Joseph Peach; and the unmissable annual #WorldPlayAStrathspey Day presented by Hands Up for Trad and featuring Rory Matheson (piano), and Anna Robertson, Catriona Price and Adam Sutherland (fiddle) who will take audiences through some of the world’s best known strathspeys, reels and marches.

International musicians headlining at this year’s festival include Pelkkä Poutanen whose music weaves together Scandinavian and Finno-Ugric folk singing with electronic, roots and traditional world folk influences; Canadian singer Catherine MacLellan, and English folk musician Lucy Farrell, also based in Canada, who’ll be presenting a selection of self-penned songs; legendary Kora virtuoso Seckou Keita who has been dubbed the ‘Hendrix of the Kora’; Finnish power-fiddle duo Teho; and the Hartwin Trio from Belgium.

Plus, The Travelling Janes led by Ali Affleck bring their unique mix of Americana, jazz and blues; and The Hot Seatsfrom Virginia whose combination of old-time, bluegrass and country make them the hot ticket of the festival.

At the Scottish Storytelling Centre there will be stories and music from the Highlands and Islands of Scotland (A Necklace of Stories) with Bea Ferguson and Heather Yule; and tales and tunes from in the North East Bothy Tradition with ballad singer Allan Taylor, fiddler Karin Paterson and storytellers Phyll McBain and Jackie Ross; storyteller Rachel Pugh and harpist Lucy Nolan present Bog Standard the gripping true story of a tip off which led a rookie journalist to one of the most important archaeological finds of the 20th century; and MAIK (folksingers Jamie Cook and Kirsty Law) present folks songs in Scots and Cumbrian dialects; whilst cinematic-folk duo Dowally and innovative French drummer Philippe Boudot celebrate the release of their album Ici et Là-Bas.

Plus, TuFlamenco celebrates the rich cultural heritage of Spain with a tribute to poet Garcia Lorca, with Inma Montero (dance & vocals), Danielo Olivera (guitar & vocals), and Inés Álvarez Villa (storyteller); the Sangstream Scots Folk Choir led by renowned musician Corrina Hewat perform a cappella in Let Them Be Heard; and author Stuart McHardy launches his new book Scotland’s Ancient Goddess: Hidden in Plain Sight exploring the mythology of creation and the pre-Christian beliefs of the Scottish people, published by Luath Press.The popular Hearth Fire Sessions return with storytellers Dougie Mackay and Niall Moorjani, Moroccan filmmakers/storytellers Tizintizwa and musician Evie Waddell.

The Folk Film Gathering returns to Edinburgh Tradfest this year with a selection of films from the world’s archives including a screening of Ukranian film The Enchanted Desna (1964) directed by Alexander Dovzhenko’s widow Yuliya Solntseva; Fertile Memory (1981) the first full length film to be shot within the occupied Palestinian West Bank ‘Green Line’ introduced by Scottish-Palestinian poet Nada Shawa; George Nasser’s Ila Ayn (1957) the first ever Lebanese film to screen at Cannes; The Nouba of the Women of Mount Chenoua (1977) which explores the intergenerational experiences and histories of women in Algeria and of speech and silence;  and Icelandic film The Juniper Tree (1990) which stars Björk in an early performance of this adaptation of a Brothers Grimm fairy tale.

Staying with horror, O’r Ddaear Hen (1981) the first horror film to be made in the Welsh language and set in a council house in Bangor about a mysterious stone head, will be screening; along with the Scottish premiere of the new restoration of cult classic of Irish independent cinema The Outcasts (1982); and a series of short dark Gaelic tales from 1996-1999 introduced by Edinburgh-based Gaelic storyteller Martin McIntyre who is also doing a separate session introducing Gaelic storytelling culture and history at the Storytelling Centre.

Also from Scotland there will be a screening of Paper Portraits (2025) a new documentary from Gerda Stevensoncelebrating the history and working people of Penicuik’s paper mills; and a rare chance to see Emma Davie’s Flight(1997) exploring how Scottish traditions continue to be expressed in Canada by the diaspora. 

Finally on Sunday 11 May, to close the Folk Film Festival, in collaboration with the Storytelling Centre, there will be a full day of screenings celebrating independent film in Scotland through the lens of filmmaker Douglas Eadie hosted by poet Jim Mackintosh and author James Robertson who will be joined in conversation by former colleagues of Eadie including Robbie Fraser, Fiona MacDonald and Christeen Winford.

Screenings include Haston-A Life in the MountainsAn Ceasnachadh – An Interrogation of a Highland Lass (with Kathleen MacInnes, Dolina MacLennan and Kenny MacRae) and Down Home (with Aly Bain).

Families, at the Scottish Storytelling Centre can enjoy a morning of face painting and crafting ahead of the traditional May Day Parade down the High Street to the Pleasance; storytelling with the Beltane Fire Society; a traditional street games, rhymes and songs session with Claire McNicol and Fergus McNicol; sensory stories and play with Ailie Finlay; and family ceilidhs. 

In addition, the Edinburgh Youth Gaitherin (EYG) returns with a three-day workshop programme supported by the William Grant Foundation for 13-18 year olds and led by some of Scotland’s finest musicians; and Claire Hastings hosts an hour-long relaxed session for babies and upwards, playing songs to join in with, accompanied by Ali Hutton and Adam Sutherland. 

Other workshops held during the festival include: a singing workshop with Chandra Mather where participants will learn a selection of traditional songs from around the world picked up by Chandra on musical travels; a strathspey fiddle workshop with Lauren MacColl; tune writing with one of Scotland’s finest composers Adam Sutherland; and a masterclass in Highland piping from master of the pibroch Allan Macdonald.  Plus, the Traditional Music Forum will present an interactive and fun workshop for musicians who want to improve their patter and be better storytellers on stage.

Rebellious Truth, this year’s popular talk presented in collaboration with Celtic and Scottish Studies at the University of Edinburgh, features Joy Dunlop who will give an insight into her Gaelic journey; from learning Gaelic songs phonetically to being the face of multi-platform learning brand SpeakGaelic. Joy is in high demand as a singer, broadcaster and Scottish step-dancer and is a well-known face on BBC Scotland, BBC Alba and host of the BBC Radio Scotland Traditional Musician of the Year. The talk will also include a special performance  by musician Fraser Fifield.

ETF Spotlight, this year’s showcase concert presenting some of the most exciting new performers in folk and traditional music today returns with artist and musician Miwa Nagato-Apthorp, Parsisonic led by Iranian duo Aref Ghorbani and Amir Hossein Feyzi, and trad fusion band Dlù.

And, finally Masks: An Exhibition by Lorraine Pritchard (5 April to 12 May)displaying hand-crafted Venetian masks will be on at the Storytelling Centre alongside a series of photographs and a new behind-the-scenes documentary by Franzis Sanchez shot in Edinburgh and during this year’s Venice Carnival. This exhibition is part of the Pomegranates Festival of world trad dance and presented by the Traditional Dance Forum of Scotland.

Alan Morrison, Head of Music at Creative Scotland said: “Scotland’s traditions are vividly expressed and deeply felt in our words, our images and our music. As the beating heart of our national identity, they’re filtered through the 2025 Tradfest programme and across Edinburgh’s stages and screens, its walls and its streets.

“Supported by Creative Scotland through National Lottery funds, this important and inspiring event recognises not only the roots of Scotland’s revived folk culture in the city’s past but also the international ambition of our increasingly diverse country’s future.

“Thought-provoking, thrilling and straight-up fun in equal measure, Tradfest is a highlight on our cultural calendar.”

Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said:

Each year we give ourselves the challenge of building a festival packed with more superlative music than the preceding year. With more shows booked for 2025 than ever before, we think we have achieved that. It’s a wonderful mix of the exotic and the home grown. Virtuoso visitors from Senegal, Finland, Belgium, Canada, the US and England will grace Edinburgh’s stages joining an extremely strong Scottish contingent. Appearing are some of the best singers that Scotland has ever produced, the finest fiddle-players, harpists, strings-players, pianists, and, of course, pipers. We are also indebted to our partners at TRACS and the Folk Film Gathering who have provided a fabulous array of storytelling, family events and folk cinema that complement the musical offerings perfectly.”


Daniel Abercrombie, Head of Programming, Scottish Storytelling Centre said:
“Edinburgh Tradfest is a great time of the year, with lighter nights and a chance for storytellers to celebrate with musicians, dancers and other creatives. We are offering a variety of traditional arts activities for all to enjoy, with several exciting new performances alongside workshops and family events. It is a highlight of our calendar at the Scottish Storytelling Centre and we’re delighted to be involved once again.”

Jamie Chambers, Folk Film Gathering said: “We are really excited to be collaborating with our sister festival Tradfest once again, to present a programme of films screenings, in parallel with their exciting music programming. Our 2025 programme features a number of very rare films from Scotland, alongside films from Algeria, Iceland, Lebanon, Morocco, Palestine, Ukraine and Wales, and provides a chance to once again consider how we look outwards from Scotland towards the rest of the world. We hope to see you there.”

Edinburgh Tradfest 2025 will run from Friday 2 May – Monday 12 May. For tickets and more information visit edinburghtradfest.com   

Pomegranates Festival programme announced

FULL PROGRAMME ANNOUNCED – 25-30 April 2025

The Traditional Dance Forum of Scotland is delighted to announce full details of its fourth Pomegranates Festival which will run from Friday 25 to Wednesday 30 April 2025 at various venues across Edinburgh. 

The Pomegranates Festival in partnership with TRACS (Traditional Arts and Culture Scotland) and Moray House School of Education and Sport, at the University of Edinburgh celebrates Scottish traditional dance alongside world traditional dance practised by New Scots and cultural migrant communities across Scotland.

It is supported by Creative Scotland and includes exhibitions, ceilidhs, workshops, walking tours, and talks about traditional dance from Scotland and around the world. Every year the Pomegranates Festival explores the intrinsic links of traditional dance with live music, film, fashion, poetry, art and heritage craft. 

This year’s festival theme is masks invitingfestival-goers to experience the power of masks used in different traditions; and reflect on the significance, beauty and mystery of masks and mask-making in traditional dance from antiquity to modern days. 

The festival opens on Friday 25 April with a packed programme of short films of traditional dance followed by a Q&A with featured creatives, including the award-winning filmmakers Marlene Millar and Mare Tralla. Marlene’s films include To Begin the Dance Once More(2023) which tells the story of displacement and water crisis reimagined through the mythological world by three climate refugees from Scotland and Egypt; and Bhairava (2018) filmed on location in India which evokes Shiva, the Lord of Dance as both the destroyer of evil driving out terrible deeds, and the guardian of time.

Also screening is Mare Tralla’s new screen dance The Bright Fabric of Life (2024) which tenderly addresses the life-altering injuries sustained by women in labour, told using traditional African dance and music; Home (2023, Dir. Kes Tagney) which explores the deep connection people have for the place they call home featuring Scottish Step dancer Sophie Stephenson;Crowned by Flame (2024, Dir. Lyuxian Yuabout the Chinese Yi ethnic community’s Cigarette Box dance; Armea (2024. Dir. Letila Mitchell)which chronicles the homecoming of the dancers and musicians of the Pacific island of Rotuma; On Canada Day(2024, Dir. Gurdeep Pandher) reflecting on Canada’s past through a dance fusion of Punjabi and Celtic traditions; and Autocorrect (2022, Dir. Jonzi D) inspired by the COVID-19 face masks, set to the spoken word of Saul Williams and commissioned by Sadler’s Wells.

Hip-hop dance theatre artist, choreographer and dancer Jonzi D returns to the festival as this year’s choreographer-in-residence and will be working with traditional dance artists based in Scotland to create this year’s masked festival finale Hidden Faces which will premiere on the International Day of Dance (29 April 2025).

Other highlights include:

●     The premiere sharing of not for glory – a skirling new dance-theatre performance of bodies and bagpipes, and rebellious unravelling of traditional dance and music by Jack Anderson, Charlotte Mclean and in collaboration with musician Malin Lewis.

●     The premiere sharing of Sequins – a new hip hop dance theatre solo show by Kalubi Mukangela-Jacoby set to the Pomegranates Festival spoken word commission of Sequins of Poems to Dance To by Ian McMillan.

●     An evening of poetry, dance and discussion focusing on Intangible Cultural Heritage and its relationship with Scottish traditional dance.

●     A new exhibition of masks (3 Apr-12 May) by Pomegranates Festival artist-in-residence Lorraine Pritchard – anEdinburgh-based mask maker, costume-designer and fashion model, plus the only Scottish artist performing at the Venice Carnival 2025. Lorraine’s first solo exhibition, especially curated for the festival, zooms on the relationship between the heritage craft of mask-making and traditional dance and features masks, photographs, films and books, including Lorraine’s new Venetian Carnival masks which ahead of the exhibition will be premiered and modelled by the artist at this year’s Carnevale in Venice 21 February – 4 March. 

●     A day of walking tours led by dance historians Alena Shmakova and Agnes Ness about the role of women in traditional dance past and present, with focus on the role of Mary, Queen of Scots.

●     A dance theatre matinee which is the culmination of Pomegranates dance artists-in-residence at Edinburgh’s Abbeyhill and Royal Mile Primary Schools. Over 20 resident dancers – all postgraduate students in Dance Science and Education at the University of Edinburgh will perform alongside the Scot Polish musician-in-residence Aga Idczak. The choreography of the Scot Cypriot artist Sotirios Panagoulias and the costume design by the New York born Scot Polish designer Gerry Gapinski are co-created with over fifty pupils aged 10-11 years. The matinee is the outcome of an unique co-devising method of Socratic Circles, weaving in the children’s ideas, drawings and poems about the wee objects selected by each pupil to represent their diverse heritage.

In the lead up to the start of the festival there will also be a podcast released on 8 March to celebrate International Women’s Day, previewing the story of Mary, Queen of Scots in Edinburgh and her passion for dance, with New Scot Alena Shmakova.

Plus, there will be a Ceilidh Plus mixing Scottish, Bulgarian and Irish traditional dancing on 21 March to celebrate 10 years of the Bulgarian traditional dance school in Edinburgh and St Patrick’s Day on 17 March.

This popular event is part of the festival’s year-round programme of Ceilidh Plus evenings held at the Kings Hall that combine Scottish dancing with traditional dances from the migrant and diaspora communities in Scotland.

During the festival the Ceilidh Plus event will showcase a mix of Scottish, Polish and Hungarian dance styles. 

All festival events are presented on a free or affordable ‘pay what you can‘ basis.

Wendy Timmons and Iliyana Nedkova, Festival Co-curators said: “In 2025 when we celebrate Edinburgh’s 900 years journey from the 12th Century City of David to the 21st City of Diversity, we are very proud to present the fourth edition of Pomegranates – Edinburgh’s festival of diversity in traditional dance, the festival that has already made it to the #ListHot100 as one of the 100 most influential cultural events of the year.

“Expect a flair of mystery as this year our festival artists will don their dance masks and take on whole new personalities honouring their traditions and our global living heritage.”

John Ravenscroft, Head of the Centre for Research in Education, Inclusion and Diversity (CREID) at Moray House School of Education and Sport, University of Edinburgh said: “I am very pleased to continue to forge our strategic academic partnership with the Traditional Dance Forum of Scotland which dates back to 2018. Great to see the return of the Pomegranates Festival choreographer-in-residence Jonzi D who delivered the seminal Decolonising the Curriculum keynote lecture at Moray House School of Education and Sport as part of last year’s festival.

“I am also excited about the opening matinee which is part of the wider campaign advocating for the diverse forms of world traditional dance becoming a primary ingredient of our children’s primary education.

“This campaign is run by the Traditional Dance Forum of Scotland in conjunction with our Centre and our School while the matinee is funded by the University of Edinburgh through the Edinburgh Local Community Fund.” 

MC, Jonzi D, hip hop dance theatre artist and choreographer-in-residence at this year’s Festival, said: “Following my Pomegranates festival debut last year, I am really honoured to be invited back as this year’s choreographer-in-residence, plus I am particularly partial to the new festival theme of masks. 

“Traditional dance is important, including masked dance, because it represents living heritage while celebrating difference. I think we’ve reached a period in society where our differences are being used against us; our differences are being used to keep us separated; our differences are being used as judgmental tools. Manufactured polarisation. But our infinite differences define our identities, and still we have more in common than we have apart. Pomegranates festival celebrates our differences.”

Vanessa Boyd, Interim Head of Dance at Creative Scotland says“Pomegranates Festival continues to be an important platform celebrating Scotland’s rich traditional dance heritage alongside the diverse influences that shape our communities today.

“This year’s focus on masks highlights a powerful symbol that has been used in dance for centuries, transforming performers and deepening storytelling across cultures.

“Audiences can look forward to experiencing new work and exploring the rich and diverse traditional dance forms that the Pomegranates Festival has to offer across a packed programme of live performance, screen, workshops and community gatherings.”  

The Pomegranates Festival (25 – 30 Apr) is the annual platform for the diverse 250+ individual and organisational members of the Traditional Dance Forum of Scotland to teach, learn and perform in new dance theatre and screen dance shows, as well as new productions and residencies.

This is the fourth edition of Scotland’s annual festival of international traditional dance, initiated, curated and produced by the Traditional DanceForum of Scotland.

It is presented in partnership with TRACS (Traditional Arts and Culture Scotland), Moray House School of Education and Sport, University of Edinburgh, Edinburgh Central Library, Dance Base and the Scottish Storytelling Centre.

In 2025 the Pomegranates Festival is funded by Creative Scotland Multi-Year Funding through TRACS (Traditional Arts and Culture Scotland); the City of Edinburgh Council and University of Edinburgh through the Edinburgh Local Community Fund. 

For tickets and more information visit https://www.tdfs.org/pomegranates/

Edinburgh Climate Festival programme unveiled

SATURDAY 29th JUNE at THE MEADOWS

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Scroll through our programme to find all the FREE workshops, performances & activities we have planned for you!

You will also be able to find a variety of stalls running their own activities as well as food vendors that will help fuel you through the day!

With the climate crisis worsening, we see how important it is to raise awareness and take climate action. That’s why the Edinburgh Climate Festival (ECF) is back!

The ECF will take place at the Meadows on Saturday 29th June 2024, from 12pm to 7pm. The festival will bring stallholders to cover topics related to the circular economy, mitigation, adaptation, climate education, transport, activism, conservation and more. Community members will also have an opportunity to raise their climate concerns to policymakers. 

The festival, now in its 8th year, will offer a free, family friendly & community-led marketplace. It will serve as a platform for locals to discover the remarkable climate initiatives taking place in Edinburgh and enjoy a delightful day out with their families.

Franciele Sobierai, the ECF Event Coordinator said: “The climate crisis can be daunting, leaving us feeling powerless. However, when we unite, work together, and support one another, we can accomplish far more.

“This is the message the Edinburgh Climate Festival aims to spread — encouraging community-driven climate action and solidarity to tackle the climate emergency.”

The attractions and activities will involve an upcycled fashion show, dance performances, choirs, drumming group, eco workshops, wellbeing workshops, children’s activities and much more.

Don’t miss this opportunity to engage, learn, and celebrate our collective efforts towards a sustainable future!

Festival of Politics programme 2024 announced

Join us in your Scottish Parliament to have your say on the issues that matter to you

The Scottish Parliament’s Festival of Politics returns this August with a five-day programme of over 30 events, taking place in the home of Scottish politics at Holyrood.

Our 20th Festival will take place between Monday 19 to Friday 23 August and will provide festivalgoers with informed debate and inspiring topics on a range of social, political, and environmental issues facing the world today.

This year we mark two significant milestones in Scotland’s political history, the 25th anniversary of the Scottish Parliament and the 20th anniversary of the Holyrood building. With several events focusing on the future of the institution in Scotland.

Benedetta Tagliabue, architect, partner and widow of the visionary creative Enric Miralles, who designed the Scottish Parliament building will join the Presiding Officer in conversation on the opening day of the Festival. 

This event will also feature excerpts from the opera ‘Mai per Atzar’ (Never by Chance) originally staged in 1997 for the opening of the Miralles Tagliabue EMBT studio in Barcelona, with lyrics by Valerio Ferrari and music by Roberto Cacciapaglia.

The excerpts from the original Opera, together with new music in honour of Enric Miralles, will be performed live by world leading composer and pianist Roberto Cacciapaglia in the Parliament’s Debating Chamber.

There will also be leading experts from the worlds of politics, the arts, business, the media, academia and the third sector who will join us for a deep dive into issues dominating the news agenda. Join in and have you say on everything from the impact of artificial intelligence to Scotland’s ambitions in the space sector, to young people and mental health.

The Presiding Officer of the Scottish Parliament, Rt Hon Alison Johnstone MSP said: “Every year, the Festival of Politics aims to explore some of the big issues that feature in day-to-day politics, in the media and in wider civic Scotland.

“The Festival offers an opportunity to take up a seat in your Parliament, to hear from a range of experts, aiming to inspire debate and inform our thinking.

“This year as we celebrate our 25th anniversary, we present an exciting and varied programme of events, music and exhibitions.”

In association with the Edinburgh International Festival, the first day of the Festival will also feature the impressive outdoor opening celebration of Healing Arts Scotland featuring a Scottish Ballet community cast accompanied by 200 musicians including performers from Oi Musica, Samba Y Bamba, The National Youth Pipe Band of Scotland and the piping super group TRYST.

The specially curated dance piece will be performed to ‘Mackay’s Memoirs’ by the late Scottish Celtic fusion artist Martyn Bennett.  Healing Arts Scotland is a country-wide week-long activation, celebrating and advocating for improved physical, mental and social health through the arts. 

In addition, there is a lively free programme of music, choirs, dance and exhibitions in the Festival Café Bar.

Tickets can be booked now on our website: www.festivalofpolitics.scot

Most events will be available to view on our YouTube channel after the Festival has finished for those unable to attend in-person.

Edinburgh Tradfest: 2024 Music Programme Announced

FESTIVAL DATES: Friday 3 May – Monday 13 May 2024

This year’s music programme for Edinburgh Tradfest is now on sale. 

More festival events including film, storytelling, book launches and workshops will be announced at the Edinburgh Tradfest 2024 full programme launch on Wed 13 March at 10am at the Traverse Theatre in Edinburgh. (save the date – full details to follow)

VALTOS | NORDIC FIDDLERS BLOC | THE FRETLESS | BIRDVOX | TRIPTIC | DAIMH | JULIE FOWLIS | LENA JONSSON & BRITTANY HAAS | MARTIN SIMPSON

This year’s festival programme includes a fantastic line-up of live music at the Traverse and various venues across Edinburgh, thanks to continued support from The National Lottery through Creative Scotland, and the William Grant Foundation.

Opening the Festival on Friday 3 April at the Queen’s Hall is VALTOS which has taken the trad and electronic music world by storm. The band led by Daniel Docherty and Martyn MacDonald will be joined by award-winning singer/songwriter Josie Duncan and more special guests to be announced. 

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Birdvox (Inge Thomson, Charlotte Printer, Jenny Sturgeon, Sarah Hayes) headline Traverse 1 on Thu 9 May.

Over the 11 days of the Festival there will be live music and workshops involving more than 100 musicians, including velvet harmonies from fresh new electro-trad band Birdvox (Inge Thomson, Charlotte Printer, Jenny Sturgeon, Sarah Hayes); Triptic formed from three members of Moishe’s Bagel (Greg Lawson, Phil Alexander and Mario Caribe), Canada’s finest fiddle quartet The Fretless joined by award-winning folk singer-songwriter Madeleine Roger; Scandi-fiddlers Nordic Fiddlers Bloc (Olav Luksengård Mjelva, Kevin Henderson and Anders Hall);Gaelic supergroup Dàimh; multi-award winning acoustic and slide guitar master Martin Simpson; raucous fiddle folk duo Lena Jonsson from Northern Sweden and Brittany Haas from Northern California; and, one of Scotland’s best loved traditional music stars Julie Fowlis who will play at the festival’s closing concert in the Assembly Rooms with special guests Laura Wilkie and Ian Carr.

There will also be soloists and new emerging musicians performing every night in Traverse 2 including LA-based singer-songwriter Alice Howe (appearing with Freebo), multi-award-winning singer/harpist/composer Rachel Newton; electrofolk fiddle player Frankie Archer who won the 2023 Christian Raphael Prize and has featured on Later…With Jools Hollandpiper Malin Lewis; jazz-crossover folk duo Norman&CorrieSimon Bradley Trio (Simon Bradley, Anna-Wendy Stevenson, Michael Bryan); virtuoso musicians Simon Thoumire and Dave Milligan; Irish fiddler and bilingual singer Clare Sands; and BBC Radio Scotland’s Young Traditional Musician of the Year finalist 2024 Evie Waddell.

This year’s special commission is Everyone’s Welcome to Edinburgh curated and arranged by award-winning fiddler Robbie Greig, with new and old tunes, and songs hailing from the capital city.

Robbie will be joined for the gig by some of the most talented musicians in Scotland – Ciaran Ryan, Duncan Lyall, Hannah Rarity, Jenn Butterworth, and Signy Jakobsdottir.

Returning in 2024 is the festival’s popular Rebellious Truth lecture presented in collaboration with Celtic and Scottish Studies at the University of Edinburgh.

This year it will feature a talk and performance by legendary folk musician and broadcaster Archie Fisher which will be in-person andlive-streamed.

Also returning is the ETF Spotlight showcasing four of the most exciting new artists emerging in folk and traditional music today – Scots song and tunes trio ELIR , clarinet and accordion duo  Anna Scott and Ciorstaidh Chaimbeul from the Isle of Skye, the freshly formed folk trio Beatha (Iona Reid, Cam Lawson and Kenneth MacFarlane), and virtuoso solo guitarist Miguel Girão

And, finally Hands Up For Trad’s very own #WorldPlayAStrathspeyDay annual concert is back on Saturday 4May, the day when people all around the world are invited to record, video and upload themselves playing a strathspey to social media.

Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said“Every year we spend the run up to Edinburgh Tradfest searching for the very best traditional musicians from across Scotland, across the world and across the generations.

“There is such a wealth of talent out there. We hope you will find some of your favourite artists represented and some future favourites to try. We can’t wait to share this year’s festival with you.”

The full programme for this year’s Edinburgh Tradfest including events at the Scottish Storytelling Centre, the Folk Film Festival, and the Edinburgh Folk Club will be launched on Wednesday 13 March and will include an unmissable line-up of talks, adult and children’s music workshops, ceilidhs, films, and storytelling thanks to continued support from The National Lottery through Creative Scotland, and the William Grant Foundation.

Edinburgh Tradfest 2024 will run from Friday 3 May – Monday 13 May. For tickets and more information visit edinburghtradfest.com