Love Music has been awarded funding from Paul Hamlyn Foundation Teacher Development Fund
Love Music has been awarded major funding from the Paul Hamlyn Foundation Teacher Development Fund for a two year active learning partnership project, Sing for Wellbeing Schools.
The programme is a partnership between Love Music and eight City of Edinburgh Council primary schools, supported by experts from Queen Margaret University and Royal Conservatoire of Scotland.
Sing for Wellbeing Schools will empower upper primary school teachers to use inclusive play based singing confidently in their classrooms to foster equity, belonging and wellbeing for children.
Love Music will work in eight Edinburgh primary schools for two years, with classes from P4-P7, working with both teachers and their pupils through a regular supported workshop programme, mentoring and professional development sessions.
The Right Honourable Lord Provost of Edinburgh, Councillor Robert Aldridge said: “Singing plays a vital role in supporting children’s wellbeing across Scotland. It helps build confidence, encourages self-expression, and brings young people together through creativity and community.
“Every child should have the opportunity to experience the joy and benefits that singing can bring. I am proud to see the Sing for Wellbeing Schools teacher development programme taking place in Edinburgh, bringing new possibilities for children and their wider communities, and our primary teacher workforce.”
It’s time for another dementia-friendly film club, and this month we’re heading to a Greek island!
Join us for a free screening of Mamma Mia! – the feel-good 2008 musical packed with romance, laughter, and those irresistible ABBA tunes. Singing along? Getting up to dance? Absolutely encouraged
Thursday 23 April
Doors open 1.15pm | Screening starts 1.30pm
North Edinburgh Arts
Free entry
Our dementia-friendly screenings are open to everyone, with low lighting throughout, a relaxed and welcoming atmosphere, a short interval, and light refreshments.
To book or to let us know about any accessible seating requirements, get in touch:
Scottish Opera brings its pioneering health and arts initiative, Breath Cycle, to the stage with two special evenings of live performance at The Beacon, Greenock (31 January), and Glasgow’s Tron Theatre (1 February).
These intimate performances showcase the transformative powers of daily practice in breath control and vocal training for individuals suffering from a range of lung conditions, as well as supporting them to share their lived experience of coping with often life limiting lung conditions, through a series of song writing workshops.
The intention is to support people in their journey to reclaim their physical and mental resilience.
Award-winning composer Gareth Williams and writer Martin O’Connor lead an exceptional ensemble featuring Admiral Fallow’s Louis Abbott, operatic tenor David Douglas (pictured above), and actor-songwriter Frances Thorburn, accompanied by violin, cello, and piano who will perform their renditions of a selection of the songs that have been created during the workshops over the past three years.
Breath Cycle was originally developedin 2013 by Scottish Opera and Glasgow’s Gartnavel General Hospital West of Scotland Adult Cystic Fibrosis Unit, to explore whether building lung capacity and developing breath control as part of a daily vocal routine could prove beneficial to the physical and mental health and wellbeing of patients.
Scottish Opera repurposed the project during lockdown to offer support to people struggling with the debilitating effects of Long COVID. Since Autumn 2021, nearly 500 people from Scotland and across the world have taken part in the Breath Cycle sessions mentored by Scottish Opera artists, and over 3000 individuals have accessed the online resources freely available from the Company’s website to use at home at their own convenience.
Last year, Chest Heart & Stroke Scotland (CHSS) and Scottish Opera joined forces to develop online singing classes for people living with aphasia. These built on the Breath Cycle project, to unlock the therapeutic benefits of singing and song writing to people living with aphasia, which is caused by damage to the part of the brain that controls language, and in some cases leaves some unable to speak at all.
Jane DavidsonMBE, Director of Outreach and Education at Scottish Opera said: ‘As we expand the Breath Cycle II programme in 2025, we’re excited to bring these remarkable stories to the stage for the first time.
‘Our ensemble will bring to life the experiences of Breath Cycle participants through songs crafted by Gareth Williams and Martin O’Connor. These performances not only showcase personal journeys, but also raise awareness about respiratory health challenges facing many Scots. Audiences will even have the opportunity to experience some of our proven breathing exercises and vocal techniques firsthand.’
Breath Cycle: A Story of Healing is supported by The Scottish Government, Cruach Trust, The Murdoch Forrest Charitable Trust and Scottish Opera’s Education Angels.
A coalition of climate justice campaigners staged a musical demonstration and banner protest at the UK Government’s offices in Edinburgh yesterday to call on the Government and corporations to end fossil fuels and pay their fair share of the climate finance owed to countries most impacted by climate change.
The activists rewrote the lyrics to classic songs such as Abba’s ‘Money, Money, Money’ and the Proclaimers’ ‘500 miles’ to get their message across.
Abba chorus: “Money money money // Nothing’s funny // In an unequal world. Money, money, money // It’s way too sunny // In a colonial world.”
Proclaimers’ chorus: “But we would walk five hundred miles // And we would walk five hundred days // Just to be the ones who see 5 trillion smiles // Because WHO OWES MUST PAY.”
Campaigners from groups including Friends of the Earth Scotland, Extinction Rebellion Scotland, Global Justice Now Scotland, Divest Lothian, Stop EACOP Edinburgh and Edinburgh Quakers highlighted the role that UK fossil fuel companies, and the UK in general, have played in fuelling the climate crisis.
The groups demand the UK Government end our reliance on fossil fuels in a way that is ‘fast, fair and forever’ and to stop climate-wrecking projects like the controversial Rosebank oil field off the coast of Shetland.
Joy Reyes from Friends of the Earth Philippines spoke at the rally saying: “The people of the global south are not asking for pity or mercy, we are demanding our right to a future lived with dignity.
“We are demanding that the Global North and the fossil fuel companies, who profit while our people suffer, pay up. For every life lost, for every farm ruined, for every home destroyed and for every future ripped away from us, pay up!
“It is time for the perpetrators of this crisis to pay for what they have done.”
Sally Clark, Divestment Campaigner with Friends of the Earth Scotland said: “With catastrophic wildfires in Portugal and terrible flooding in Nigeria this week alone, it has never been more urgent for our governments to stop funding oil and gas companies like BP, Shell and TotalEnergies that are fuelling climate breakdown and harm to communities around the world.
“As one of the first countries to profit from fossil fuels, the UK has a greater responsibility to pay our climate debt to countries which have done the least to cause the climate crisis but which are already suffering the most.
“By ending our funding of climate-wrecking fossil fuels and instead investing in genuine climate solutions like social housing and wind and solar power, the Government can protect communities, create new green jobs and ensure a liveable planet for everyone.”
Campaigners are calling on governments in the Global North to urgently implement a fast, fair and funded phase out of fossil fuels and to commit to paying a minimum of US$5 trillion per year in public finance to countries in the Global South for the damage that has already been caused by the fossil fuel-driven climate crisis.
In April, new research revealed that just 57 companies, including BP, Shell, ExxonMobil and TotalEnergies, are directly linked to 80% of the world’s greenhouse gas emissions since 2016.
Among the campaigners’ demands is a call on the UK Government to support the Fossil Fuel Non-Proliferation Treaty and to stop funding companies responsible for new fossil fuel projects such as the Rosebank oil field and the East African Crude Oil Pipeline (EACOP) in Uganda and Tanzania which is predicted to produce 379m tonnes of climate-heating pollution if it is completed.
Cathy Allen from Stop EACOP Edinburgh said: “For as long as any of us can remember, the UK government has promoted the myth that they kindly donate generous aid to poor countries.
“This narrative could not be further from the truth. The reality is that the UK government along with the rest of the Global North is defaulting on what it owes the Global South – collectively at least $5 trillion per year as compensation for the immense consequences of climate change.
“Payment for our part in this catastrophe would inevitably involve significant taxation of the fossil fuel industry and would thus also act as a deterrent to that sector’s unfettered rampage on the planet, resulting in a rare win-win situation.”
The rally was one of many actions taking place across the UK and around the world for the ‘Pay Up for Climate Finance’ Day of Action which marks the culmination of the Global Week of Action for Climate Finance and a Fossil-Free Future.
Tyrone Scott from War on Want said: “We’re taking action here in the UK and across the world because wealthy countries in the Global North, such as the UK, have long made big promises on tackling the climate crisis — but have so far failed to deliver the resources needed to honour them.
“Those who are facing the worst consequences of our reliance on fossil fuels have done the least to cause this crisis, yet face the worst effects. Against this backdrop, the UK refuses to pay up its fair share in climate finance and reparations to help countries adapt to and mitigate against a crisis they have not caused.”
Building on Scottish Opera’s ground breaking Breath Cycle project, Chest Heart & Stroke Scotland is collaborating with the country’s largest performing arts organisation to improve the lives of those living with aphasia, a communication difficulty that is a common effect of strokes
A new research report launched earlier this month by CHSS revealed that poor mental health and loneliness are severely impacting people in Scotland living with aphasia
Chest Heart & Stroke Scotland (CHSS) and Scottish Opera have joined forces to develop online singing classes for people living with aphasia, which is caused by damage to the part of the brain that controls language, and in some cases leaves some unable to speak at all.
These new CHSS and Scottish Opera sessions coincide with Aphasia Awareness Month, which runs throughout June. This year’s theme is #AphasiaTogether, emphasising that those with the condition do not need to deal with this on their own.
This new strand of creative music making with CHSS — Scotland’s largest health charity working to help people with chest, heart and stroke conditions live life to the full — expands upon Scottish Opera’s pioneering Breath Cycle project, designed to support those with a range of conditions affecting lung health.
Following research and development sessions with medical educators, CHSS staff and people living with aphasia are working with Scottish Opera to provide supported communication and aphasia training, and help deliver the therapeutic singing, song-writing and breath control sessions.
The aim of these workshops is to improve the mental wellbeing and confidence in communication of those with aphasia and respiratory issues including COPD (Chronic obstructive pulmonary disease), across the country.
Earlier this month, CHSS launched a report about the impact of aphasia on those living with the condition which revealed that:
More than half (52 per cent) of people with aphasia say their condition affects their mental health
Nearly half (48 per cent) with aphasia said they experienced loneliness as a result of their condition.
43 per cent of people with aphasia said it impacted on their ability to work as before
A third (34 per cent) of people with aphasia reported being treated negatively due to their condition.
CEO of Chest Heart & Stroke Scotland, Jane-Claire Judson, commented: “Working with Scottish Opera to unlock the therapeutic benefits of singing and song-writing to people living with aphasia is a fantastic opportunity to tackle real issues facing people across the country.
“We regularly hear from the people we support that living with a communication difficulty following stroke can lead to feelings of isolation and loneliness and have a negative impact on mental health.
“We look forward to bringing people together to experience the joy of singing with others whilst exploring the benefits of singing and song writing to their communication skills.”
Jane Davidson MBE, Director of Outreach & Education at Scottish Opera, said: “Following on from the increased awareness of our Breath Cycle II programme in 2020, which was designed for people living with Long COVID and other respiratory conditions, Scottish Opera is excited to partner with CHSS to support people with aphasia.
“The work that CHSS undertakes each year with hundreds of thousands of Scots has set really high standards in the positive integration of mental health and well-being initiatives with clinical intervention.
“As Scotland’s largest performing arts company, we feel that the values of both our organisations are beautifully aligned in this new collaboration that seeks to enhance the quality of people’s lives across the country.”
Composer Gareth Williams, who along with writer Martin O’Connor, mentored the most recent online song writing Breath Cycle sessions said: “Our encounters with the Chest Heart & Stroke Scotland team, and our first conversations with our participants who have aphasia have been so inspiring.
“Our challenge is to help people find and connect with their voices again, both their physical voices and their creative voices. There are incredible stories to tell in this community, and together we will find them and share them through song.”
It’s no secret that we like a wee warble in Granton Library, whether it’s Bookbug, Library Link or just a pom pom pom behind the desk.
We decided to make a thing of it, and we have some songbooks to bring out, so why not join us and make a terrible noise in good company?
Everyone is welcome (and it may also suit people who have dementia with their carers; let us know if there’s anything we can do to open this up for you).
There will be absolutely no attempts to be good. At the moment it’s just a one-off but who knows?
Duncan Place Community Choir in Leith are welcoming new members! Come and give-it-a-go at our trial session tomorrow – Tuesday 6th February – 7pm til 8:45pm. £5 per person.
If you enjoy the trial session, we’re inviting folks (who can come along regularly) to join our upcoming eight-week block (£40) which runs Tuesday 20th February until Tuesday 9th April.
To book a space on the trial session, or for more information, get in touch via email on events@duncanplace.org or by calling 0131 3644350.
Thursday 23 April
Doors open 1.15pm | Screening starts 1.30pm
North Edinburgh Arts
Free entry
Call or text: 07493 876130
Email: 
We meet every week in person. Term starts on Tuesday 9 September at the Royal Botanic Garden Edinburgh.
