Dunedin Consort, Hera and Mahogany Opera come together to breathe life into 300 year-old ‘operas’ that have never been staged in Britain before
23 June – 12 July 2023
Findhorn, Glasgow, Edinburgh, York, London
Élisabeth Jacquet de la Guerre Cantates Bibliques: ‘Judith’, ‘Rachel’ & ‘Susanne’
Carolyn Sampson, Anna Dennis, Alys Mererid Roberts – Sopranos
Modern English translations by Toria Banks
Directed by Mathilde Lopez
Élisabeth Jacquet de la Guerre’s biblical cantatas are extraordinary historical jewels. Written by a woman, about women, for women, they tell bold, unflinching tales about love, marriage, tragedy and adultery, each one a tiny opera in all by name.
These breath-taking miniatures – in new English translations by Toria Banks and directed by Mathilde Lopez– will receive their UK premieres more than 300 years after they were composed.
Out Of Her Mouth will be performed in atmospheric, accessible settings that champion the ability of women to tell their own stories and narrate their own experiences from the Highlands of Scotland to central London.
Translator, Producer & Joint Artistic Director, Hera Toria Banks said: “I’ve been thinking about this project since I first read and heard the Cantates Bibliques, particularly those that tell knotty stories about Biblical women, because while there are exceptions, complex narratives about female experience are pretty rare in the operatic canon.”
But as much as the stories themselves, it’s also about the way they’re told, with a single female singer holding the stage in an authoritative way, and presenting the different characters including the men.
Toria Banks added: “I think you can feel Jacquet de la Guerre’s confidence and ease as a mature composer in these pieces. Within each one there’s a lot of musical variety and a fascinating relationship between teller and tale, characterised by nuance and irony and all sorts of subtle shifts of tone. They’re very fleet of foot, which feels very contemporary.”
Out Of Her Mouth is directed by Mathilde Lopez, a freelance director and the artistic director of August 012 theatre company.
Mathilde Lopez said: “These are three stories about sex and power and ultimately the perpetuation of patriarchy. We are narrating the heroic moments in the lives of three women from the bible: Susanne, Rachel and Judith who endure and overcome different but equally perilous situations.
“Surprising and complex, these baroque vignettes display varied dilemmas and moral contortions but all have in common the very recognisable fear, solitude and violence generated by constant unwanted sexual attention, harassment and objectification. Our women are all kneaded by male violence and the thousand years of abuse that comes with having a female body.
“In Out Of Her Mouth we are presenting these three pieces together as variations on female oppression. Performed by 3 different singers, 4 musicians, 5 watermelons and 7 large blue rolls, we are staging the one long story of accumulated frustrations, anger, wounds and violences of Susanne, Rachel and Judith and lay it bare for the audience to see.
“There will be knives, watermelons and destruction – with regular cleaning and resetting.”
In writing an English version Banks set out to preserve the sinuous quality in the dynamic relationship between singer and story and audience.
“I think I’m always trying to translate ‘faithfully’, but you do have to be faithful to a number of different things at once.
“There are the original words (by Antoine Houdar de la Motte), but also I think you owe something to the central characters and their plausibility and wholeness as women, and to the emotional shape of the music which is aiming at effects on an audience that is very different to the one originally imagined (we can’t all be Louis XIV). And everyone deserves a clear, singable, idiomatic text.”
It’s definitely a feminist project. But it’s not just about performing music by women. That’s important, but ‘Yay for women!’ isn’t enough. It’s a show about three women characters who are all trying to exercise agency and live fully in really constrained circumstances.
The actions they take, and the things that they bear, living under patriarchy come at a cost to themselves. There’s real power and beauty in hearing that expressed.
The three characters and stories are told by three fabulous sopranos: Carolyn Sampson immerses us in the story of Judith, Anna Dennis in that of Rachel and Alys Mererid Roberts brings us the story of the young Susanne.
Throughout Out Of Her Mouth the three partners have sought to create opportunities for professional development, offering support and mentoring to an artist appointed by open call to each area of the production.
Dunedin Consort has appointed Katarzyna Kowalik as harpsichordist, Hera has engaged Welsh soprano Alys Mererid Roberts, and Mahogany Opera has appointed Mathilde Lopez to the directorial team.
Working with Mahogany Opera on Dido’s Ghost in 2021 marked the beginning of a wonderful new partnership for Dunedin Consort.
Dunedin Consort’s Chief Executive, Jo Buckley commented:“It was a real meeting of minds, where we discovered a shared passion for exploring new ideas, pushing our boundaries, and opening up the world of opera in brilliant and creative ways.
“So, we are thrilled to be partnering with Mahogany Opera again for Out Of Her Mouth, and to be working with Hera for the very first time, particularly given their specialism in representing stories told by and about women.”
This project marks the culmination of Dunedin Consort’s 22/23 season and is the perfect way to bring it to a close. Bringing early music to life and in fresh and insightful ways is at the heart of Dunedin Consort’s mission.
Jo Buckley added: We want to spark curiosity in our listeners, and what could be more thrilling than Élisabeth Jacquet de la Guerre’s biblical cantatas, now 300 years old and never before staged in the UK?
“Composed by a woman, about women, for women, these powerful miniature operas deserve to be far better known – and we can’t wait to give them the prominence they deserve across Scotland, in York and in London this summer.”
Making their work as accessible as possible to both audiences and performers drives all three ensembles. The potential to enjoy Out Of Her Mouth will be widened with the use of creative captions, audio description introductions and the film of it will be released later this year as part of National Centre for Early Music’s online Christmas festival.
Out Of Her Mouth is a partnership between Dunedin Consort, Hera, Mahogany Opera and the National Centre for Early Music.
Today, Thursday 11 May, the Edinburgh Festival Fringe Society is delighted to announce that more shows for the 2023 Edinburgh Festival Fringe will be available to book atedfringe.com.
This year’s Fringe takes place from 04 – 28 August 2023 and will feature an exciting range of shows, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, children’s shows, events and more all represented in the programme.
Ahead of the full programme launch in June, more shows than ever before are being released, with 1,596 shows on edfringe.com from 12:00 BST today. The official launch of the festival, including the reveal of the iconic printed programme, will take place on Thursday 08 June.
Commenting on today’s announcement,Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘Today’s announcement reflects the wealth and variety of performance awaiting audiences this August, yet it alsohighlights the need to support artists and venues more than ever.
“Thousands of artists are coming to Edinburgh this summer to reach new audiences, and benefit from the many industry opportunities available to them, which is testament to the platform that the Festival Fringe offers them.
“It continues to be a very challenging time for those working across the cultural sector, and I urge you to browse shows, book tickets, and champion these passionate and resilient performers.
“As we move at pace towards this year’s festival, it has never been more important than now to support those at the very heart of the Fringe – the artists.’
Below is a small representative sample of shows available to book from today. The full list of shows released today can be found at edfringe.com.
Theatre
Disability-led theatre company FlawBored present It’s a Motherf**king Pleasure at Underbelly, ‘a scathing satire on the monetisation of identity politics that spares no one’. Expecting by c21 Theatre Company is at Deaf Action, and ‘explores experiences unique to d/Deaf and hearing couples’.
At Army @ The Fringe, Everything Under the Sun ‘explores complex questions about how lasting peace is achieved, the role of foreign intervention in Mali, and how a state can rebuild after a generation of conflict’ via the story of Ibrihim, ‘a young Malian interpreter attached to the UN.’ Move at Bedlam Theatre follows Mili, who moves ‘from Beijing to NYC to become an artist’ and ‘seeks out people that are the polar opposite of those she grew up with’.
Writer and performer Obehi Janice is in the Casanova-inspired Nova at Royal Lyceum Theatre Edinburgh, following ‘a Nigerian-American comedian navigating desire, pussy and power’. Flickering Seasons at St John’s Church presents ‘a woman’s journey as she navigates life through adversity and challenges such as homelessness, addiction, domestic abuse and racism’. And 4/4/4: 4 Real Asians, 4 White Men, 4 Fake Asians is ‘both an autopsy of racial capitalist manifestations in the real world and a wild, virtuosic experiment which completely rips apart Whiteness’ – it’s at theSpaceUK.
An(dre)a Spisto: El Dizzy Beast is an Assembly show about ‘a queer, autistic, latinx caterpillar on the edge’. At the BlundaGardens, Plague Stone Party: Farewell, Tor offers ‘the queerest folktales that Wales and Ireland have to offer, with clowning, puppetry, and 90s trance anthems’. Gate Number 5 at C venues is ‘a half-live, half-virtual interracial lesbian love story between a white European and a black former refugee’. Asexuality! is ‘an autobiographical musical comedy about Rebecca McGlynn‘s pre-transition life’ – it’s at Gilded Balloon. At Greenside, Burnt Lavender takes place within ‘a clandestine cabaret pulsing with physical theatre, lip-synced routines and gut-wrenching confessions’; it aims to amplify ‘LGBTQ+ history through laughter, tears, and a stage full of queers’. And ‘the origin story of the world’s most glamorous Pride parade comes to life’ in ’78 Things I Don’t Want to Tell You About the Love of My Life at Outhouse.
At Palmerston Place Church, Chariot: The Eric Liddell Story tells the story of the famed athlete and his struggle to stay true to his principles at the Olympic Games of 1924. ‘David Hume and Adam Smith, titans of The Scottish Enlightenment and the dearest of friends, grieve – for old age and disease separate them, perhaps for eternity’ in Enquiry Concerning Hereafter at Panmure House.
Set during the French Revolution, The Madwoman at Paradise Green follows Théroigne de Méricourt, who ‘spends her final days crafting her life’s great work, an opera about the revolution she never left behind’. Ludmilla Dabo and David Lescot star in A Portrait of Ludmilla as Nina Simone at the French Institute in Scotland.
Searchlight Theatre Company presents two shows at Charlotte Chapel: The Screwtape Letters by CS Lewis is an adaptation by Nigel Forde, while Titanic: The Last Hero and The Last Coward follows the journeys of ‘a church minister and an executive of the White Star Line’ on the ill-fated ship. At the Ian McKellen Theatre, Saint Stephens Stockbridge, Full Show Lane Studio present their take on the famous Ming Dynasty novel Journey to the West, combining physical theatre with original music in ‘a rarely seen blend of ancient and modern’. The Brunton with David Ross and Tommie Travers present an amateur production of The Steamie at Loretto School Theatre, as four women in a 1950s Glasgow laundry ‘blether about the past, the future, and being pals’. At Musselburgh Racecourse, Quantum Theatre present an outdoor adaptation of Kenneth Grahame’s classic, Wind in the Willows, while Richard Holloway and friends present Murder in the Cathedral, ‘Eliot’s famous play on the life and murder of Thomas Becket in Canterbury Cathedral,’ in Old Saint Paul’s Church.
The Edinburgh People’s Theatre are staging Whisky Galore! at Mayfield Salisbury Church, in which a community of Scottish islanders ‘rescue’ a shipload of whisky during WW2. Meanwhile, ‘three alcoholics who meet in the night’ discuss fate, destiny and booze in Drink Whole Night at Frankenstein Pub.
House of Oz invites you to meet ‘Maureen: a razor-tongued self-described “working-class glamour queen” with outrageous stories to tell’. Thorns at Laughing Horse is a ‘reimagining’ of Sleeping Beauty, focusing on the voices of the heroine, ‘her daughter and the queen who sought her destruction’.
At Hill Street Theatre and online, Auto-Engrain: A One-Woman Show ‘relays experiences from speed-dating to how a toxic relationship can be engrained’. We Must Do This More at The Royal Scots Club is ‘a one-woman show with original songs and poetry, exploring the life of a burnt-out millennial, struggling to prioritise her best friend’.
Lemon Jelly’s Fred Deakin ‘hosts an immersive joyride through his Clubland adventures’ in Club Life at Summerhall. The 1990-set Better Days at Just the Tonic follows 19-year-old Danny, who ‘stands at the crossroads of football violence and house music’. Bits ‘N’ Pieces at Leith Arches ‘explores the dangers of drug stigma and misinformation in modern society’. And at ROUNDABOUT @ Summerhall, Bullring Techno Makeout Jamz follows Nathaniel ‘on his journey of self-discovery as he explores Black masculinity through Beyonce lyrics, techno raves and the deeply intimate relationship a man has with his barber’.
At Le Monde, Paul Zenon in Monkey Business explores ‘the amazing, strange-but-true story behind the weird stuff advertised in vintage American comics’. Writer, actor and magician David Alnwick presents The Mystery of Dracula at PBH’s Free Fringe, in which ‘Van Helsing’s great, great grandson performs a séance to conjure Count Dracula’s ghost’.
Horizon Showcase: FORGE at Lyceum Roseburn is ‘a durational installation featuring welding and soundscape,’ inspired by the theft of the ‘welcome’ gate from Dachau concentration camp in 2014. Dark Noon at Pleasance is a ‘brutal reimagining of the history of America… told by seven South African actors,’ presented by Danish director Tue Biering and co-director Nhlanhla Mahlangu.
The site-specific Angry Snatch: A Reclamation Job in 15 Rounds is ‘provocative and captivating piece of physical theatre’ at Port O’Leith Boxing Club. At Central Hall, Family Matters is ‘a powerful look at the myriad meanings of the word “family” and the importance of finding where you fit in’.
Comedy
MADE IN AMERICA is ‘a funny yet shockingly raw autobiography by Japanese-born artist Teruko Nakajima’ (featuring her dog Titi) at Gilded Balloon. The Abu Dhabi Dramatic Society presents ‘an original bunch of jokes and sketches based on real-life scenarios’ in On The Tiles at C venues.
In her debut show, The Mandela Effect, Thenjiwe, ‘the Queen of deadpan, discusses how the world has collectively misremembered facts and events that have led to Africa being in the state that it’s in’ at Just the Tonic. Yoshi Obayashi’s Adult Content at Greenside is ‘a show that presents various life stories in and out of the world of sex work – funny, sad, shocking’.
Noam Shuster Eliassi presents Coexistence My A** at Laughing Horse, in which she discusses ‘her Palestinian best friends, Iranian family, and viral marriage proposal to the Saudi Prince’. In his first UK gig, Saudi stand-up, actor and musician Ibrahem Al Hajjaj presents From Riyadh to Edinburgh at theSpaceUK. And, ‘like a 1970s cabaret show but with more colour and less racism,’ The 5th Alternative Black Comedy Showcase is at PBH’s Free Fringe.
In Overweight and OVER IT! at Ian McKellen Theatre, Saint Stephens Stockbridge, RuPaul’s Drag Race UK winner Lawrence Chaney ‘will talk everything from dating and exercise to having to buy two seats on a plane but only getting one meal’. Keroseno and Finito: Cock O’Clock is ‘a transgressive tragicomedy based on true events that follows two LGBT+ siblings Keroseno and Finito, in the prevention and visibility of suicide’ following their mother’s death – it’s on at both Laughing Horse and Leith Depot. ‘Comedian. Trans woman. Voice of a generation. Anna Piper Scott makes her UK debut’ in Such an Inspiration at House of Oz.
At Hill Street Theatre, Seattle comedian Andrew Frank delivers Ecstatic Blasphemy, ‘a hilarious set about growing up as a pastor’s kid, finding queer joy beyond fundamentalist Christianity, and performing subversive stand-up throughout the Bible Belt’.
‘She’s been famous, she’s been homeless, she’s been sectioned with two guys who both claimed to be Jesus.’ Now Gail Porter prepares to be Hung, Drawn and Portered at Assembly. Troy Kinne ‘shares too much information about all of the things wrong with him’ in Made Wrong at 4042. And at Paradise Green, Bipolar Badass ‘is a one-woman show by Mari (like calamari) Crawford about the humour behind struggling with the illness’.
‘Poppyscotland are proud to host a refreshing, uplifting showcase of laugh-out-loud comedy created by Armed Forces veterans’ in The Recovery Through Comedy Show at Lady Haig’s Poppy Factory. ‘Essex-born Gavin Lilley, through his masterful use of sign language, has brought laughter to many deaf and hearing people with his unique perspective on our world today’ – you can catch him as part of Deaf Action Presents: The Gavin Lilley Show.
John Hegley’s The Early Word at Summerhall ‘includes the anxiety of a slug and the four simple rules of Mister Galimore for marking your neighbour’s French vocabulary test’. Jeremy Segway: A Life Out of Balance is a show ‘dedicated to Mr Segway, the man who invented the Segway, all performed entirely on Segways’ – it’s at Bedlam Theatre.
Su Mi: Banana Beard at BlundaGardens ‘invites you on a surreal misadventure of absurdist sketch, untamed thrash metal guitar solos and imaginary costumed personas’. At Central Hall, The Yassification of Jesse James by the Coward Samantha Clementine combines ‘cowboys, karate, a Time Lord, ridiculous slang, and biting social commentary’. And ‘our once hot-bodied men in kilts, now warm-bodied Men in Quilts, navigate the challenges of getting older, not necessarily wiser’ at Boteco do Brasil.
Barry Fern presents his Arthur’s Seat Comedy Extravaganza on the summit of Edinburgh’s favourite dormant volcano this August. The Biscuit Factory hosts a line-up of comedians at Leith Comedy Festival Presents…. And Scottish accordionist Sandy Brechin ‘brings his successful weekly Facebook music and comedy lockdown show, Sandy on Sunday, to the live stage for the first time, with impressions, costume changes, stand-up and some loony tunes’. It’s called Sandy Not Just on Sunday! and it’s at The Saltire Society Headquarters.
There are also plenty of famous and familiar funny faces returning to Fringe 2023. The Duncan and Judy Murray Show is at The Stand’s New Town Theatre, promising ‘another unique show featuring special guests, Q&As and a desperate attempt from Duncan to win his mum’s approval’. Lara Ricote, Rose Matafeo, Sofie Hagen, Dane Baptiste, Ed Gamble and Tiff Stevenson are at Monkey Barrel Comedy; Catherine Cohen, Jordan Brookes, Nick Helm, Rosie Jones, Shaparak Khorsandi and All Killa No Filla are at Pleasance; Glenn Wool is at the Scottish Comedy Festival; Mark Watson has two shows at St Peter’s Church; Jerry Sadowitz proudly presents… Last Year’s Show! at The Queen’s Hall; Foil Arms and Hog, Sara Pascoe and Abandoman are at Underbelly; Mark Thomas and Simon Munnery are at The Stand Comedy Club; and First Thing (Work in Progress by Daniel Kitson) is at ROUNDABOUT @ Summerhall. Bobby Davro, ‘one of the biggest television comedy names of the 1980s and 1990s, makes his Fringe debut’ in My Name Is Bobby Davro at Frankenstein Pub.
Music
‘Led by charismatic Senegalese singer Samba Sene, Diwan is a diverse international collection of musicians, who share a global outlook and love of West African beats’ – catch them at The Jazz Bar. MTO Zendeh Delan‘s Journey of Love at Stockbridge Church is ‘a captivating presentation of the Sufi allegory of Leyla and Majnun depicted through modern Sufi music and the motions of Sama’. Sako Wana at Acoustic Music Centre @ UCC offers a ‘colourful groove for a festive trip to West Africa mixing pulsating rhythms from traditional Mandinka instruments’.
Alafia Ensemble, comprising six musicians from diverse backgrounds, play two shows this Fringe: Amalgamando at Argyle Cellar Bar and Bridges Between Worlds at artSpace@StMarks. At theSpaceUK, David Rivera and La Båmbula ‘will make you dance with their Caribbean sounds from Puerto Rico and Cuba’. Sixty musicians, conducted by composer He Zhanhao, ‘perform one of the most popular works in the modern Chinese classical canon’ in The Butterfly Lovers Violin Concerto and Other Works at Ashton Hall, Saint Stephens Stockbridge.
Fringe audiences can ‘experience the passionate and mesmerising Flamenco Guitar Odyssey by Philip Adie’ at Alba Flamenca. Flamencodanza at C venues is an ‘inspired, powerful and elegant show of Flamenco dance and guitar presented by Aylin Bayaz, Raul Mannola’. And the ‘award-winning Daniel Martinez Flamenco Company presents their long-awaited second album and production’ Andalucia at YOTEL Edinburgh.
The Edinburgh Fringe Fling at the Old Dr Bells Baths ‘will feature some of the finest acts in Scottish traditional music in: Gleadhraich, Whisky Kiss and The Laurettes’, while guitarist Tony Randle takes you ‘on a journey through different shades and flavours of the acoustic guitar, with a mix of original pieces and classics’ in his Acoustic Guitar Showcase at the Arthur Conan Doyle Centre.
Dynamic Earth celebrates ‘the 50th anniversary of Pink Floyd’s 1973 album’ in the immersive Planetarium Lates: Dark Side of the Moon. La Haut (Up There) at the French Institute in Scotland ‘is an audiovisual show that immerses the audience in a unique world through the eyes of bird-like aeroplanes, taking you on a journey exploring emotions of longing and home’.
Tom Robinson is Up Close and Personal at The Stand’s New Town Theatre, offering ‘an hour of classic songs and scurrilous stories spanning five decades of adventures in the music industry’. The Rezillos’ Fay Fife brings ‘an unholy alchemy of country and punk’ to Gilded Balloon with her ‘insurgent alt-country outfit’ The Countess of Fife.
At Bannerman’s, Breakout! is ‘the highly anticipated show from the most beloved up-and-coming indie, pop and rock acts from Edinburgh’. Duane Forrest takes you on ‘a journey through the history of reggae’ in Bob Marley – How Reggae Changed the World at The A Club at the Merchants Hall. And Nothing Ever Happens Here returns to Summerhall with a programme of music gigs throughout August, including Pictish Trail, Kathryn Joseph, Auntie Flo and the London Astrobeat Orchestra performing Talking Heads.
‘Founded in 1947 at the Rose Street Telephone Exchange,’ the Edinburgh Telephone Choir perform Around the World in 80 Minutes at The Salvation Army Edinburgh City Corps, ‘with styles including pop, traditional and show tunes’. The Absolutely Fab Choir present free, uplifting pop songs at Brewhemia and Le Monde this August. And you can expect ‘timeless classics you know and love, inspirational anthems, and exhilarating gospel arrangements guaranteed to revitalise your soul’ in Get Up and Gospel! at Canongate Kirk and Greyfriars Kirk.
Two different shows are encouraging audience members to sing along this Fringe: Pub Choir – This Worked At Home is ‘the low-effort, high-return show of your dreams’ at The Liquid Room, while Choir!Choir!Choir! at Underbelly is ‘a show where the crowd is the star’.
The South London Jazz Orchestra ‘dazzles you with big-band favourites from the whole history of jazz – as well as some more surprising choices – in an afternoon of funk, Latin, swing and much more’. They’re playing at both Broughton St Mary’s Parish Church and St Andrew’s and St George’s West, George St. ‘Award-winning international blues star Giles Robson, one of the greatest living blues harmonica virtuosos, showmen and singers,’ is joined by Edinburgh blues guitar player Sandy Tweeddale in Up Close with the Blues at Ryrie’s Bar. And ‘two-time Grammy nominee’ Beth Nielsen Chapman has released 14 solo albums, with ‘songs recorded by the likes of Bonnie Raitt, Willie Nelson and Elton John’ – catch her at The Queen’s Hall.
As part of the Made in Scotland showcase, the Tinderbox Orchestra take to Edinburgh Central Library this August, ‘bringing together rappers and singers with soaring strings, heavy brass, woodwind and a thundering backline’; Tales of Transatlantic Freedom at Greenside is ‘a glorious exploration of our global musical heritage,’ bringing together ‘the richness of spirituals, jazz, blues, gospel, opera, and the songs of Robert Burns’; and ‘Modern Studies frontwoman Emily Scott performs new melancholy folk-tinged record Leave No Shadow with lush string orchestra and band in a soaring chapel acoustic’ titled Chrysanths, at St Vincent’s, with support on various dates from C Duncan, Faith Elliot and LT Leif.
Mark Spalding performs two Philip Glass recitals at St Andrew’s and St George’s West, George St this August: Piano Etudes, ‘a selection from The Twenty Etudes For Piano composed between 1991 and 2013’ and ‘the piano solo version of the award-winning soundtrack for the 2002 film The Hours’. Meanwhile, Northesk Parish Church plays hosts to three separate programmes of Soloists of the Scottish Chamber Orchestra: André Cebrian and Irene Alfageme, Maximiliano Martin and Scott Mitchell, and Su-a Lee and Hamish Napier. London-based cellist Anne-Isabel Meyer plays the Bach Cello Suites and Bach’s Prelude and Gigue at St Cuthbert’s Church; St Giles’ Cathedral hosts performances by the National Youth Choir of Scotland and NYCOS National Girls Choir; and John Bryden delivers ‘two piano recitals on the Cathedral Steinway’ as part of Cathedral Coffee Concerts at St Mary’s Cathedral.
Attila the Stockbroker has ‘taught himself to play crumhorn, cornamuse, rauschpfeife, recorders and written an album about the Levellers, Diggers and Ranters and the English Revolution of 1649’. Find out more at his Early Music Show at St Cecilia’s Hall.
In Rules Schmules – How To Be Jew-ish at Hill Street Theatre, Suzie Depreli delivers ‘one woman’s passive aggressive mission to educate the world about what it means to have an orthodox family that ate sausages, an Asian Catholic husband that uses more Yiddish words than her Nana, and celebrate Passover without believing in God’. Meanwhile, Endless Sunset Oblivion at Just the Tonic ‘tells the story of Reuben – a young songwriter attempting to combat the accelerated problems the world is facing’.
‘Singing in both French and English, Christine Bovill honours Edith Piaf, Jacques Brel, Serge Gainsbourg, Francoise Hardy and more’ in Paris: From Piaf to Pop at Loretto School Theatre. In Poesie Geht Ohne Schuh (Poetry Walks Without Shoes), ‘poems of Rilke, Eichendorff and more are set to music and performed by Christoph Hilger and Janet de Vigne’ at Old Saint Paul’s Church.
The Octavoce ensemble present ‘a whirlwind a cappella trip through our favourite Disney tunes’ in 100 Years of Disney at Leith Arches. Searchlight Theatre Company presents two shows at Palmerston Place Church: A Spoonful of Songs features ‘some of the most iconic songs from films like Mary Poppins, Aladdin, Toy Story and The Prince of Egypt’, while Her Majesty’s Musicals celebrate ‘the rule and reign of the late Queen Elizabeth II, featuring songs from musicals that have played Her Majesty’s Theatre in London’s West End – including Fiddler on the Roof, Phantom and West Side Story’. AXIOM – ‘11 incredible singers ready to take your breath away’ – present Fundamentals of A Cappella at Paradise Green.
At PBH’s Free Fringe, Marcus Megastar: Live and Controversial is a ‘free LGBTQIA concert circuit-style party after hours, where everybody’s welcome’. At The Three Sisters, AYEbiza Live: The UV Neon Party Sessions is ‘an exciting new visual club experience taking you back to the 00s and 90s with singers, dancers, saxophonists, percussion, glow paint and good vibes’.
And you can witness ‘mind-blowing sound, energy and vocal dexterity performed by international touring beatboxers and world champions, The Beatbox Collective,’ in What’s Your Sound? at Assembly.
Cabaret and variety
In Nails It! at Gilded Balloon, Jesus L’Oreal delivers ‘a sacre-licious energetic hour of song, dance and Jehovah’s Fitness’. ‘Taking to the trial stand, fighting for justice and liberty,’ Karen From Finance Is Doing Time at Underbelly. At BlundaGardens, Joanne Tremarco and Maral: Mother Earth (The Oldest Stripper) is an ‘interdisciplinary BSL-integrated show, blending clown, burlesque, puppetry, live film’. Mr & Mrs Love are at Pleasance, offering ‘a battle of hearts, minds and music… as the two sing for their survival, with a surprising array of musical instruments, outrageous dancing and acidic wit’. And Shakesqueer at Bedlam Theatre is a ‘drag-show parody rewrite of five of Shakespeare’s most famous works’.
Cabaret in the Dark at C venues ‘plunges the audience into darkness, allowing them to step into the shoes of their hosts, VICS, a collective of visually impaired artists from a variety of performing disciplines’. Paradise Palms Late-Night Cabaret is an ‘intoxicated blend of raucous antics, cocktails and rowdiness’ featuring the likes of ‘Fruit Salad, Kweer Kabaret, Shitake Nights’ and more. Meanwhile, audiences can ‘discover the untold stories behind the galaxy’s background characters’ in The Extras Strike Back: A Musical Tribute to the Forgotten Heroes of Star Wars at Greenside.
Australian entertainer, singer and pianist Antony (DrH) Hubmayer presents An Unwasted Evening – The Genius of Tom Lehrer at artSpace@StMarks. Kissing a Fool is ‘a queer clown-cabaret musical tribute to George Michael’ – catch it at Frankenstein Pub. Wela Kapela Productions present two biographical shows at theSpaceUK: A Star Is Born – The Rise and Fall of Judy Garland charts the life of ‘Hollywood’s brightest star’, while Vincent – His Quest to Love and Be Loved is a multimedia cabaret depicting Van Gogh as ‘a complex man with a ruthless drive to create’.
At Assembly, Rutene Spooner’s Thoroughly Modern Maui is a ‘cabaret extravaganza… fusing myth and legend with rhinestones and glitter’. In Child of Sunday at Laughing Horse, ‘Elisa Riddington recounts fables of her childhood as a preacher’s kid, through stories and songs’. And Anna Vanosi’s ‘soulful voice transports you from Billie Holiday to Björk’ in Late Bloomers’ Tales at The Jazz Bar.
Familiar Fringe faces The Lady Boys of Bangkok bring their Party Queens Tour 2023 to the Theatre Big Top. At House of Oz, Leather Lungs: Higher Love ‘reveals all with their heart-stopping four-octave vocal range in a brand new sensual celebration of all things liberation, exploration and vocal sensation’. In GURLBAND: The Show at Brewhemia, ‘Blaze, Angel Beads, Tianah Tucker and Miss Peaches… come together and serve up the most pop-tastic production drag show you’ll see this Fringe’. You can also ‘join two of Scotland’s most fabulous Queens for the ultimate ABBA Drag experience’ in Dancing Queens: The ABBA Drag Party! at The Three Sisters. And Edinburgh-based cabaret group the Little West End Theatre brings ‘a night of sass and show tunes’ to Outhouse as part of The Sassy Belle Cabaret.
Performer Vanity von Glow and wine expert Beth Brickenden are your hosts for Drag Queen Wine Tasting at the DoubleTree by Hilton Hotel Edinburgh City Centre, while The Mother Superior hosts Whisky & Witches Presents Mythical Beasts: An Immersive, Mystical, Musical Whisky Tasting, ‘where folklore, five exceptional whiskies and hauntingly beautiful music meet in perfect harmony’.
‘From classic close-up to parlour prestidigitation, Tim Licata brings his brand of delightful deception to the Scottish Arts Club’ in Close-Up and Personal. Meanwhile, at PBH’s Free Fringe, magician and comedian Chris Cook Asked a Robot to Write Him a Five-Star Show and This Is What It Said.
Dance, physical theatre and circus
Kyiv City Ballet, who ‘remain in exile due to the ongoing war’, perform A Tribute to Peace at Assembly. The Unknown Soldier at Army @ The Fringe is a ‘compellingly captivating ode to Black British war veterans, telling hidden stories of men and women of Black British heritage who fought in WWI and WWII, using dance, text, live music and visuals to capture their contribution’.
‘Based on Japanese folktales, Noh, and butoh that reveal the human unconscious,’ Sun and Crystal at C venues is ‘a poetic dramatic telling of a universal contemporary myth that transcends time and borders’. Oriental Youth Culture and Art Week at Ashton Hall, Saint Stephens Stockbridge is a ‘children’s art show with the theme of Impressions of the East,’ featuring ‘song and dance, instrumental music, drama, and creative expression of picture books and paintings’.
You can also ‘immerse yourself in the richness of Chinese culture with a showcase of exceptional young dancers from China, featuring traditional and contemporary Chinese dance’ at the Chinese Art Show (Venue150 at EICC). ‘Inspired by classical and contemporary paintings, and supported by a variety of pre-recorded and live music,’ Still Life: A Gallery in Motion at Greenside ‘is an exploration and interpretation of the human condition’.
House of Oz and Na Djinang Circus present Common Dissonance, a show acknowledging that Australia’s ‘understanding of the world came from Dreamtime stories, song lines and oral histories’ and asking how we ‘navigate the complex dialogues of contemporary culture’.
At LifeCare Centre, TaalTales present ‘a contemporary feminist reimagining’ and use Indian classic dance and music to ‘explore characters from the Mahabharata’ in What Draupadi Said to Penelope.
At theSpaceUK, Tandava ‘sees the coalescence of Scottish guitarist Simon Thacker’s startlingly passionate sound-worlds with the infinitely expressive physicality of three gifted dancers from India’s Piah Dance Company’ as part of the Made in Scotland showcase.
From Chicago, ‘a revolving line-up of internationally renowned circus artists combine to showcase their most personal and prized acts, complimented by stunning live music’ in Aloft Presents Sanctuary at Underbelly’s Circus Hub on the Meadows.
‘Told through Sacramento Contemporary Dance Theatre‘s powerful emotion and movement, the audience will witness an opulent interpretation of Marie Antoinette’s fate’ in Marie at Bedlam Theatre.
Meanwhile, Laura Murphy, Contra and Carré Magique present A Spectacle of Herself at Summerhall, ‘a cinematic, (in)appropriately acrobatic ride through mental health, queerness, rage and 21st century space race’. Meanwhile, Spirit of Ireland is at Pleasance, offering an ‘incredible night of music, comedy, dancing set in greatest pub in Ireland’.
Available to watch online, A Snake in the House Means the Family Will Never Want is ‘an immersive performance of live electronica, dance and sculptural costuming, on intergenerational healing and transformational futures’. Also online, Eat Me is ‘a story of two women who use the dark web to find one another and together commit an act of “consensual” cannibalism’.
Children’s shows
‘With the rare combination of world champion skills, unprecedented showmanship and a truly original style,’ Cartoooon!! at Assembly ‘fuses circus with Manga cartoons to deliver a masterclass in the universal language of laughter’. Nik Coppin brings Comics vs Kids: The Super Showdown to Laughing Horse, ‘full of jokes, silliness, his own drawn cartoons, competitions based around Disney and superheroes, mayhem and special guests’. The ListiesMake Some Noise at House of Oz in ‘an insane mixtape of silly songs, stupid sketches and crazy clowning’.
Delving into Edinburgh’s gruesome history, Plague, Poo n’ Punishment at The Lost Close features ‘live music and horrible stories from centuries gone by’. In Taiwan Season: World in a Word at Summerhall, ‘language is the springboard for fun and games in an interactive, family-friendly production’. Bumble’s Big Adventure at C venues is ‘a one-act educational play following Bumble, a honeybee, on an adventure to find a bee balm flower’. Smithy’s Scavenger Hunt at Panmure House promises you’ll ‘have a blast while learning about the Scottish Enlightenment and its leading figures’. And 24 Solar Terms at theSpaceUK is ‘an immersive theatre production’ from QFunTheater Children’s Experimental Troupe, ‘condensing the time of each season into a performance.’
Gilded Balloon and Little Angel Theatre present The Slightly Annoying Elephant, a production ‘based on David Walliams’s hilarious book’, while James and the Giant Peach at Greenside is ‘a fabulous retelling of Roald Dahl’s classic peachy tale’.
‘A little girl is sent to retrieve a needle and thread from the ferocious Baba Yaga’ in A Girl Called Grace at The Royal Scots Club. At Central Hall, The Miraculous Journey of Edward Tulane ‘is a wonderful story about love, loss, change and finally, finding your way home’. And the Helena Academy of Drama and Expression presents two productions at Paradise Green: Children of Eden Jr, ‘Stephen Schwartz’s epic and heartfelt musical’, and Journey to the West: In Search of the Way, an interactive show filled with ‘martial art, music and mischief’.
‘Funalicious master magician Alex’ presents Abracadabra With An Apple Magic Show at PBH’s Free Fringe, ‘a children’s magic show filled with excitement, fun, laughs and stories that entangle together in one awe-inspiring performance’. Mario the Maker Magician leads audiences ‘through a romping explosion of contagious energy and belly laughs’ at Underbelly. And ‘one of Scotland’s favourite magicians, Tim Licata astounds audiences with delightful deception’ at Saturday Morning Magic (Scottish Arts Club).
Musicals and opera
‘From the Tony Award-winning producer of Six’ comes Hello Kitty Must Die at the Pleasance, ‘an outrageously irreverent exploration of Asian feminism with a killer score’. Part of the Made in Scotland showcase, SCOTS at Ghillie Dhu is ‘the true(ish) story of Scotland, told by a figure who’s seen it all – The Toilet’.
Are You Worthy? at BlundaGardens is a new musical following Glory, who ‘dreams of singing at the world’s most prestigious festival, the only thing standing her way is a mysterious pyramid’.
At Bedlam Theatre, ‘Death (personified) takes us through the artistry in ensuring that each and every one of us meets our maker’ in Death Suits You. ‘From the stages of London to the shelves of Lidl,’ 2020 The Musical (at Underbelly) ‘celebrates human resilience and everyday heroes’. And Come Die with Me: The Murder Mystery Musical Parody at Just the Tonic is ‘sure to have you giggling, gasping and gagging, and that’s before the choose your own ending’.
The Royal Conservatoire of Scotland present two shows at Assembly: Big Fish is ‘based on Daniel Wallace’s novel and Tim Burton’s movie’, while Edges is ‘a contemporary song-cycle which explores universal issues in a charming, honest way, asking – who am I and what will I become?’ Over at George Watson’s College there are two musical adaptations: 1920s gangster comedy Bugsy Malone and classic horror spoof Young Frankenstein.
Warriors (Army @ The Fringe) is ‘a new musical, written by serving Scottish soldiers and veterans, about their own experiences as young soldiers waiting to deploy to Helmand Province, Afghanistan for the first time’. Online and at C venues, Dreams of Peace and Freedom: The Streams of Natural Law is a ‘powerful performance exploring the birth of modern human rights, through the eyes of David Maxwell Fyfe, Nuremberg prosecutor and ECHR champion, with musical settings of the poets who inspired him’.
Pai’ea at Central Hall is ‘a glam-rock opera that covers the early life, tests, and battles of Kamehameha I, the chief who united the Hawaiian Islands’. Blossoming (You Undo Me) at Gilded Balloon is ‘a musical about a young Chinese man growing into his queerness’.
The Legends of Mountains and Seas (Paradise Green) is ‘adapted from the famous play by Nobel Prize-winning author Gao Xingjian. With Western rock music, it shows the characters and stories from Eastern mythology.’ And Legend of the White Snake (theSpaceUK) is ‘a classic love story portrayed by one of China’s leading companies in traditional Kunqu opera, rarely performed in the West’.
At the French Institute in Scotland, Cyborg Experiment #1 is ‘an audacious performative proposal, an opera of the future where temporalities mix and anachronism plays with history’. At Greenside, the California Musical Theatre Ensemble present Bright Blue Sky: The 9/11 Musical – in ‘a series of heartfelt scenes, each character relives their past, revealing hope inside tragedy’.
Edinburgh Music Theatre bring two shows to St Andrew’s and St George’s West, George St this Fringe. EMT Does Pop promises ‘anthemic songs that you love, performed with EMT’s signature quality and style’, while Anthems – New Generation Musical Hits has ‘a stunning collection of anthemic songs from newer musicals from recent decades, performed with a live band’.
PBH’s Free Fringe welcomes the return of A Young Man Dressed as a Gorilla Dressed as an Old Man Sits Rocking in a Rocking Chair for 56 Minutes and Then Leaves… 14, for one performance only.
Spoken word
In Bards at the Barracks (Army @ The Fringe), ‘Scottish poets will be reading work exploring our collective history and common creative future, including a special evening spotlighting Hamish Henderson’.
Sebastian Michael, ‘author of The Sonneteer and Sonnetcast podcaster,’ presents Some Sonnets and a Bit of Bach at Greenside, exploring similarities between Shakespeare and Bach. And audiences can ‘join guests from the worlds of comedy, literature, music and faith for a series of live recordings’ of the All-Terrain Podcast Live at The Salvation Army Edinburgh City Corps.
‘Spoken word and performance artist Subira Joy explores their experiences being targeted by the police as a Black, queer and trans person’ in Kill the Cop Inside Your Head at Summerhall. Seventy-Eight Thank Yous at the Arthur Conan Doyle Centre ‘joins new conversations arising about suicide and has been appreciated all over the UK’, approaching its chosen subject matter ‘with both depth and lightness’. Performance poet Robert Garnham is at Just the Tonic with his new show, Bouncer, offering ‘an hour of storytelling, poetry and comedy about fame, hope, and dreaming’. And Conspiracy Theory: A Lizard’s Tale (PBH’s Free Fringe) is ‘a darkly comic tale of one man’s journey through the conspiracy underworld’.
‘Bizarre and hilarious (hidden Neurodiverse/Autistic) Eccentrics demonstrate how to enjoy good mental health, be yourself and free everyone’ in Eccentrics Unite! The Guerilla Autistics and Neurodiverse Show – Year Nine at Laughing Horse, while Drs Munro and Kernick are Getting to Grips with Migraine at The Royal Scots Club, exploring ‘exciting new treatments, problems in children, hormones and why it’s not just headaches’.
‘Veteran street artist’ Dave Southern brings his Pavementology tour back this August, telling ‘the story of street performing at the Edinburgh Festival Fringe’. At The Lost Close, Natalie Nardone’s Witch? Women on Trial explores ‘the brutal truth of the witch hunts in Scotland, told with humour and empathy’. The Cathedral Song School Tours at St Mary’s Cathedral give visitors a chance to see the Cathedral’s murals by Phoebe Traquair, painted between 1888 and 1892. And at Panmure House, The Butcher, the Brewer, the Baker and Merryn Somerset Webb is a series of discussions and debates with ‘a well-known group of economics, politics and finance gurus’.
LBC presenter Iain Dale hosts a series of discussion events at Pleasance, with guests including Peter Tatchell, Alex Salmond, Harriet Harman MP, Humza Yousaf MSP, Peter Hitchens, Polly Toynbee and Jeremy Corbyn. Corbyn’s also part of the line-up at Fair Pley’s In Conversation… series at The Stand’s New Town Theatre, alongside Ken Loach, Andy Burnham, Mhairi Black, Jack Monroe and more. Broadcaster and journalist Kaye Adams is at Gilded Balloon, explaining How to be 60 Live! ‘with the help of her filter-free friend Karen, some well-known guests and most importantly, you’.
Underbelly are thrilled to announce a host of exciting shows for their Edinburgh Festival Fringe 2023 programme. The stellar line-up includes the best of theatre, comedy, cabaret, circus, musicals, children’s shows and more.
Highlights include:
BATSU! the outrageous new late-night comedy experience will replace SPANK! after 20 years in Cowgate.
World leading circus company, The 7 Fingers, return to Edinburgh with the world premiere of Duel Reality.
Judith Kerr’s Mog the Forgetful Cat in McEwan Hall will be a treat for families as the book comes to life in a new adaptation by The Wardrobe Ensemble, Old Vic and Royal & Derngate, Northampton.
Underbelly’s Circus Hub on the Meadows returns with the 2022 sell-out La Clique, Peepshow (Club Remix) from CIRCA, the return of Circus Abyssinia’s Tulu and Fringe debuts Lucky Pigeons and Sophie’s Surprise 29th.
Direct from Las Vegas, Colin Cloud makes his highly anticipated return home to Scotland with five performances only in McEwan Hall.
Underbelly Cowgate’s new, late night comedy experience is BATSU! Currently a hot ticket in New York and Chicago, audiences join comedy warriors testing their wits to avoid electric shocks, paintballs, giant chickens and other jaw-dropping punishments.
Underbelly Cowgate’s iconic SPANK! finished its incredible 20-year Fringe run last year and now BATSU! will follow in its footsteps, entertaining the late-night Cowgate crowds all festival. Similar to past shows such as Stamptown, and Werewolf Live, BATSU! is unlike anything you’ve seen before. It promises to be the must-not-miss experience of the festival.
The Circus Hub programme is once again full of incredible circus from all over the world. La Clique returns to its spiritual home, the Fringe, after a sell-out 2022 season. Underbelly is proud to present the return of The 7 Fingers to the Fringe, after many years touring the world, with the world premiere of Duel Reality.
Last seen in Edinburgh with the phenomenal Passagers, ‘wondrous acrobatics from Cirque de Soleil spinoff’ (The Guardian), this is circus on a whole new level. Merging passion with danger, two teams compete, the stage becomes an arena and the audience must pick a side.
Also taking centre stage in the Lafayette are Fringe favourites CIRCA with a brand new show Peepshow (Club Remix). Promising an hour of big beats joined by live DJ, playful acts and thrilling acrobatics, Peepshow (Club Remix) is delightfully funny and razor-sharp featuring the best acrobatics on the planet, directed by Circus visionary Yaron Lifschitz.
Direct from Las Vegas, Scottish mentalist Colin Cloud makes his highly anticipated return to the Edinburgh Festival Fringe for five nights only with brand-new show After Dark, promising to astound, delight and move you in equal measure.
Judith Kerr’s Mog the Forgetful Cat arrives in McEwan Hall to lead the line-up of family shows, adapted for the stage by The Wardrobe Ensemble, Old Vic and Royal & Derngate, Northampton. A proclaimed ‘miaow-vellus treat’ by The Guardian.
Fast becoming a Fringe home for musical hits such as Marlow and Moss’ Six, Fat Rascal’s Unfortunate and Rob Madge’s My Son’s A Queer, the upside-down purple cow, Udderbelly, will welcome the returning five-star musical Kathy and Stella Solve a Murder, in an expanded new version. A hilarious murder mystery musical from the Olivier Award-winning team behind Fleabag, Baby Reindeer and A Super Happy Story (About Feeling Super Sad).
Co-Directors of Underbelly, Charlie Wood and Ed Bartlam, said; “Underbelly was born at the Fringe 24 years ago and we’re so excited to return home for another year with a line-up of exceptional shows.
“We’re looking forward to inspiring audiences this summer and once again working collaboratively with leading international companies. See you in August!”
Underbelly will once again span across four fabulous performance hubs; Bristo Square, Cowgate, George Square and Circus Hub on the Meadows. Underbelly at the Edinburgh Fringe runs from 2nd – 28th August. Festival goers can purchase tickets via the Underbelly website – www.underbellyedinburgh.co.uk.
CIRCUS, CABARET & VARIETY
Joining The 7 Fingers: Duel Reality, La Clique and CIRCA’s Peepshow (Club Remix) at Circus Hub is Sophie’s Surprise 29thmaking its Fringe debut, with an interactive circus and cabaret night in the Spiegeltent. Featuring world-leading performers, it’s the nostalgic house party you’ll never forget.
For the whole family, Fringe debut Lucky Pigeons defies gravity to conjure a magical, surreal world where a flock of energetic, curious pigeons dwell. Returning after a smash-hit 2022 run, Tulu, from Circus Abyssinia is an unmissable showcase of superhuman strength blending breath-taking contortion, awe-inspiring acrobatics and mesmerising fire-juggling with a rocking, exuberant soundtrack.
Over in the Udderbelly, Throw Catch Collective, who have graced stages from Las Vegas to Circus Oz, arrive with a pioneering new show. Escalate pushes boundaries to challenge all preconceptions of the art of juggling and create an explosive hour of entertainment.
Over in Bristo Square alongside Colin Cloud, is Britain’s Got Talent’s finalist magician Magical Bones: Soulful Magic – Volume 2 with a limited run of the most awe-inspiring and high-energy magic show you’ll see and returning favourites The Thinking Drinkers Pub Quiz: Fancy Another Round? returning after last year’s sell-out run.
Rounding off the programme is Daniel Cainer’s Jewish Chronicles, an Edinburgh favourite telling stories through song.
THEATRE AND MUSICALS
Cowgate sees a thought-provoking and diverse line-up of debut and returning writing including The Society for New Cuisine which depicts an existential crisis confronting social taboos and questions how far we’ll go to find true satisfaction; Tomorrow is Not Promised, the story of a Black British woman who finds herself homeless and alone after an earthquake; Molly, delving into the night-time world of substance abuse; and Declan, a surreal, queer monologue with a hazy grasp on reality. 24, 23, 22 is a gig-theatre show set in the heat of a moment about scuzzy beats, stolen bags and reversing the flow of time.
George Square hosts 5-star Best Man, a dark comedy about relationships, regrets and a speech that goes off the rails. Bristo Square’s Jersey hosts Sad-Vents, an irreverent, tragicomedy using live-streaming and music in which audiences are encouraged to use their phones throughout! Audiences can also head to Bristo Square’s Box Office to embark on two immersive productions around the streets of Edinburgh, hosted by Agent November – Robyn Yew and Major X Ploe-Shun.
Joining Kathy and Stella Solve a Murder is: Without is an intimate, vibrant and authentic new contemporary musical, telling a story of unlikely friendship, the power of music, and what a ‘home’ truly is; singer-songwriter Connor Morel fronting a live three-piece band in an original gig-theatre show A Lovely Day To Be Online. Rounding out the programme is Fall and Flow, which will awe and inspire combining traditional Asian arts with western physical theatre training and Nobody’s Talking About Jamie, endorsed by the one-and-only Michael Palin as guaranteed to “make you feel better”.
COMEDY
Alongside BATSU! Underbelly’s comedy line-up is a wonderfully assorted collection of work worth celebrating, spanning from heart-warming stand-up to riotous improvisation including Joe Sutherland is Cancelled. Joe is returning to the stage to put the world to rights with a new PR strategy.
Who else to put in the iconic Udderbelly than iconic comedians? Edinburgh Comedy Allstars returns with a host of your favourite comedy names. Every Friday and Saturday join us for the biggest line-up of comedians, with previous names including Joanne McNally, John Bishop, Ahir Shah, Nina Conti, Phil Wang and Fern Brady.
More stand-up comedy can be found with Geoff Norcott (Have I Got News For You) and his new show Basic Bloke, in which he gives his thoughts on our wider society, as well as the return of Bilal Zafar with a show about how his housemate tried to get him arrested five times.
Dave’s Edinburgh Comedy Award Best Newcomer Emmanuel Sonubi is back with new show Curriculum Vitae, and 2022 sell-out Ange Lavoipierre is back with Your Mother Chucks Rocks and Shells, an absurd sketch show where it’s always 2am. Returning for limited runs are improv-favourites Austentatious and podcast-hit Drunk Women Solving Crime, and making the jump from online success to the Fringe stage are Tim Murray with a Wicked-ly queer comedy Witches, Joe McTernan: Live Advice that Won’t Change Your Life and Tom Lawrinson’s Hubba Hubba . Alongside this is a host of wonderful female-led comedy, including one-woman shows like Coffee Kid; Eme Essien: FINE PRINT; Sophie Sucks Face, a side-splitting musical comedy; Medico; Charlie Vero-Martin: Picnic; and five-star, sell-out one-woman show Bad Teacher; and a brand new hour from Sooz Kempner for everyone who remembers the year 2000 in Y2K Woman.
Ruby McCollister brings her gothic dark comedy Tragedy, about addiction, fame, obsession, and the ghosts of Shakespearian actors to Cowgate; fresh from Off-Broadway Six Chick Flicks… parodies your favourite movies in one hysterical, fast-paced show; in Bristo Square, Ashley Blaker: Normal Schmormal is a heart-warming stand-up show about the joys of raising children with special needs and award-winning Alice Fraser: Twist, is about the moment you think you’ve got a handle on things and life throws you a twist. Viral TikTok sensations Shoot From The Hip bring their unscripted and downright unforgettable improv comedy and Ireland’s favourite internet comedians make an appearance in An Evening With Michael Fry and Killian Sundermann.
The annual highlight of the Underbelly programme, Underbelly’s Big Brain Tumour Benefit is returning to McEwan Hall; a stupendous evening of comedy in which all Box Office income is doubled and donated to The Brain Tumour Charity.
Don’t miss the improvised murder mystery CSI: Crime Scene Improvisation; award-winning Haus of Dench with Drag Queens vs Vampires and Britain’s Got Talent winner Jon Courtenay with Mental Flavour. Grace Jarvis’ This Is The Last Goldfish That I Am Going To Eat For You; Anesti Danelis’ comedy concert This Show Will Change Your Life; Myq Kaplan’s advice to his past-self in ImPERFECT; award-winning Durham Revue with Death on the Mile; and a hilariously heart-warming show celebrating Guy’s and St Thomas’ Chemotherapy Ward Tom GK: Chemodian.
Also joining the comedy line-up are Mitch Benn: The Point; Alex Franklin: I Must Reach The Summit, Please God I Must Reach the Summit; Finlay and Joe: Past Our Bedtime; Aidan Greene: I Can’t Believe It’s Not Stutter!; Will BF: The Last Gun; Sigmund the Viking: Valhalla Calling; Elliot Steel: Love and Hate Speech; Failed By Design; Troll; Jazz or a Bucket of Blood; Paul Foot: Dissolve with more names to follow.
FAMILY SHOWS
Following a national tour and a summer at London’s Old Vic, stepping onto the McEwan Hall stage is The Wardrobe Ensemble, Old Vic and Royal & Derngate, Northampton’s adaptation of Judith Kerr’s Mog The Forgetful Cat, a ‘miaow-vellus’ musical treat for all.
Mog is a very forgetful cat. She forgets that she has a cat flap, she forgets that she’s already eaten her supper and she forgets that cats don’t have eggs for breakfast every day! But Mog’s forgetfulness might come in handy…
Following their aquatic adventure Splash Test Dummies, the Dummies will be back in town with their original family favourite, Trash Test Dummies. This side-splitting, slap-stick circus-comedy takes the household wheelie bin to new heights and delivers a dump-truck full of hilarity.
Brace yourself for an hour of award-winning, explosive, scientific chaos with The Alphabet of Awesome Science. Join professors Lexi Con and Noel Edge for a thrilling voyage, a tongue-twisting race from A-Z that is equal parts messy, fascinating and gross.
Newcomer to the festival, Who Stole My Hammer?, is sure to be a family favourite with Vikings, villains and mayhem in a journey of Norse mythology and mischievous tales for all ages.
Edinburgh Fringe favourite, Louis Pearl, is back for his fifteenth Fringe year with Amazing Bubble Man. Be amazed by the breathtaking dynamics of bubbles, combining comedy, science and fun to keep you mesmerised.
Featuring the iconic music of Runrig, and in the year of the band’s 50th anniversary, the show visits Inverness, Stirling, Edinburgh, Greenock, Aberdeen, Glasgow, and Perth from 05 May to 24 June
New performers Juliet Cadzow, Robin Campbell, Jenny Hulse, Naomi Stirrat and Ali Watt join returning cast Caitlin Forbes, Annie Grace, Robert Grose, Barrie Hunter, and Brian James O’Sullivan.
Winner Best Music and Sound at the 2022 CATS Awards
The Stamping Ground, the must-see new stage musical featuring the hits of Runrig, one of Scotland’s most beloved and iconic bands, is set to hit the road on a Scotland-wide tour later this year.
An exciting co-production between Raw Material and Eden Court Highlands, the show first premiered in Inverness in July 2022, earning glowing reviews and audience acclaim.
Following the success of last year’s premiere performances The Stamping Ground will now tour to some of Scotland’s biggest stages from 5 May to 24 June 2023. once again opening in Inverness at Eden Court before visiting Stirling (Macrobert Arts Centre), Edinburgh (Festival Theatre), Greenock (The Beacon), Aberdeen (His Majesty’s Theatre), Glasgow (The Kings Theatre), and Perth (Perth Concert Hall).
A heart-soaring musical story about love, life and the land, The Stamping Ground follows the story of Euan and Annie, who return to their rural Scottish community after years away seeking a fresh start with their teenage daughter. But there’s a heatwave in the Highlands and they soon find themselves lost in this once familiar place, now filled with more tourists than residents.
The heart of their community, the local pub, is for sale and tensions are rising about the future of this place they call home. As relationships ignite and smoulder, Euan and Annie find themselves swept into a battle to save the heart of the community. But can they save each other?
Featuring exciting new arrangements of some of Runrig’s most iconic hit songs, including The Greatest Flame, All Things Must Change, and of course The Stamping Ground, the musical shares the soaring power and beating heart of some of the band’s most celebrated music. All of the songs in the show are written by Runrig’s founding members Calum and Rory MacDonald, with 2023 also marking 50 years since the brothers formed the band on the Isle of Skye in 1973.
★★★★“breathes compelling new life into Runrig’s songs” – The Times
★★★★ “Should be guaranteed a long and joyful theatrical life”-The Scotsman
The production will be bolstered with new cast members joining the ensemble for the tour. They include Juliet Cadzow, (an icon of Scottish stage and screen famous for her roles in the likes of River City and Balamory), Jenny Hulse (who has starred as Amber Murdoch in River City since 2015, as well as hit Netflix film Outlaw King), Ali Watt (a regular performer with Pitlochry Festival Theatre, earning rave reviews for his performances during their 70th anniversary season in 2021), Naomi Stirrat (Grid Iron’s Muster Station at EIF 2022), and Robin Campbell (Magnetic North’s Lost in Music)
They will join returning cast members Caitlin Forbes, Annie Grace, Robert Grose, Barrie Hunter, and Brian James O’Sullivan. The performers are also joined on stage by musicians John Kielty, Jon Mackenzie, and Stuart Semple to help bring the soaring power of the songs to life.
The Stamping Ground is written by award-winning playwright Morna Young (concept by Alan B. McLeod) with musical direction & arrangements by John Kielty, directed by Luke Kernaghan and with design from Kenneth MacLeod. The creative team includes Simon Wilkinson as Lighting Designer, Garry Boyle as Sound Designer, and Jade Adamson as Movement Director.
Margaret-Anne O’Donnell and Gillian Garrity, Raw Material, said:“Scottish based independent production company, Raw Material are delighted to be touring their hit, feel-good musical, The Stamping Ground, across Scotland in 2023.
“Audiences in the highlands, both those new to Runrig and lifelong fans of the band united in their appreciation with standing ovations when the show premiered at Eden Court in Summer 2022.
“If you are a fan of musicals, a fan of live theatre or just looking for a great night out then this is definitely one not to miss!”
Calum MacDonald and Rory MacDonald of Runrig said:“It is so good to see that The Stamping Ground is not only returning to Eden Court but going on a Nationwide Tour.
“There has been such a positive reaction from fans and public alike, with still so many that have not had the opportunity to see it first time around.”
Strachan House resident David Radin had always wanted to attend the theatre to watch a show stopper one last time, so staff at the home made his wish come true with their Gone Fishing 23 project.
David has lived at Strachan House or for little over a year and is an inspiration in his singing ability. David was an influential part of the theatre and amateur dramatic societies in his younger days and can always be heard belting out tunes with his incredible voice.
Mandy Burgen, Head of Activities, said: “His love of all musicals was something we needed to tap into for David so we surprised him with an evening at the Festival Theatre in Edinburgh to watch a much loved favourite The Buddy Holly Story”.
Staff wanted David’s dream to come true, as they knew how much it meant to him. David’s wonderful smile said it all when he was given his ticket and whisked away for a night at his beloved stomping ground.
Staff first found out about David’s dream when he moved in and, ever since then, they have been dedicated to helping him achieve what is so dear to him. David was also accompanied by staff, who were very keen to support him in this momentous occasion.
In response to this wonderful surprise, David said: “I was astounded by the kindness and never thought I’d be back inside a theatre again. It was truly special and something I won’t forget in a hurry”.
He added “I was so spoilt the whole evening and the musical itself left me remembering why I love singing so much.”
Gordon Philp, General Manager at the home, said: “We want everyone we care for to know how important they are to us here at Strachan House and our Gone Fishing project 23 proves that. It was so nice to see how happy David was and the staff loved being a part of this as well.”
Strachan House care home is run by Barchester Healthcare, one of the UK’s largest care providers, which is committed to delivering personalised care across its care homes and hospitals. Strachan House provides residential care, nursing care and dementia care for 83 residents from respite care to long term stays.
More shows to be announced in coming months, as one of the world’s best-loved celebrations of arts and culture returns
Today, Thursday 16 March, the Edinburgh Festival Fringe Society is delighted to announce that the first shows for the 2023 Edinburgh Festival Fringe will be available to book at edfringe.com.
This year’s Fringe takes place from 04 – 28 August 2023 and will feature an exciting range of shows, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events and more all represented in the programme.
Tickets for 190 shows will be released at 12:00 GMT today, with more shows set to be announced onThursday 30 March and Thursday 11 May.
The official launch of the festival, including the reveal of the iconic printed programme, will take place on Thursday 08 June.
Below is a small representative sample of shows available to book from today. The full list of shows released today can be found at edfringe.com.
Commenting on today’s announcement, Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “Along with the programme launch and the first Friday in August, the announcement of the first batch of shows is one of those thrilling moments in the Fringe calendar.
“The whole Fringe community has been working behind the scenes to prepare for the festival for months now, but having actual shows to browse and book makes the build up to this year’s Fringe that bit more tangible.
“The Fringe is made possible due to a cast of thousands – artists, audiences, venue staff, industry, media, sponsors, partners and local businesses. It’s never too early to start planning a trip to the Fringe; booking early is also a brilliant way to support artists, to let them know there’s already an audience waiting for their show to come to Edinburgh.
“We’ll be announcing a lot more over the coming months, including details of our much-anticipated new app, so stay tuned!”
Theatre
At theSpaceUK, Call me Elizabeth joins Elizabeth Taylor in ‘an intimate look at the movie star’s early life, career, and loves as she grapples with the culture of celebrity and her place as Hollywood’s brightest star’. In Gilbert and Sullivan’s Nightmare at Greenside, we join Old Adam on awards night, ‘hoping he might just get the recognition he deserves’. Audience participation such as ‘sharing a memory and joining in with songs’ is encouraged at Memories of the Early 1950s (Just the Tonic). Combining drag, multimedia, audience interaction, puppetry and a lot of queer joy’, Diana: The Untold and Untrue Story is at Pleasance.
At C venues, Love is Blue follows Olly, a hard-drinking city trader recovering from the death of his boyfriend, who has ‘a chance encounter with homeless teenager Aaron’. Making History by Stephen Fry (St Ninian’s Hall) is ‘the first-ever stage adaptation of the 1996 novel’ in which a student and a physicist discover ‘they have the power to alter history and eradicate a great evil’. At The Stand’s New Town Theatre, Agent November’s Indoor Escape Game – Murder Mr E is a ‘unique blend of immersive escape room and murder mystery’.
Comedy
Chloe Petts is at Pleasance with her new show, If You Can’t Say Anything Nice, and Grace Campbell is offering A Show About More Me(n) at Gilded Balloon. JoJo Pat is Sober and Alive at Just the Tonic, The Sheraton Grand Hotel is offering its Pick of the Fringe and Marjolein Robertson is presenting Marj at The Stand Comedy Club. At theSpaceUK, Escape Velocity presents ‘an anecdotal, confessional, funny story of a rocket scientist’s journey through sex addiction’.
Some famous folk off the telly are coming to the Fringe this year: Frank Skinner and Gyles Brandreth will be at Assembly, Geoff Norcott is at Underbelly, Gary: Tank Commander will be at Gilded Balloon, and the Pleasance will welcome Adam Kay and Paul Merton (the latter alongside his Impro Chums).
Familiar Fringe faces will also be in attendance: Susie McCabe and Jason Byrne are at Assembly, Daniel Sloss plays the Edinburgh Playhouse, Rhod Gilbert performs his latest work in progress at Gilded Balloon and Danny Bhoy, James Nokise and Jo Caulfield are at The Stand Comedy Club. Ensemble-wise, Sh!t-faced Shakespeare and Showstopper! The Improvised Musical are both at Pleasance this year. You’ll be able to catch at least two Fringe shows online this year: Agatha Is Missing, ‘fun-filled murder mystery’, while The Woke Box is ‘a parody Gogglebox about two slobby Pakistani brothers getting brainwashed by an evil TV’.
Music
A Certain Edge is a ‘singer-songwriter, turncoat-musician collective’ blending influences ‘from Bacharach to Bach, Steely Dan to Dylan’ – catch them at the Acoustic Music Centre @ UCC. At Novotel, Jazz at Lunchtime offers what it says on the tin: a ‘saxophone and piano duo, playing jazz standards and melodic originals in a comfortable, intimate jazz club setting’.
Singer-songwriter Dean Friedman brings his Words and Music to St Andrew’s and St George’s West, George St, with a back catalogue featuring ‘Ariel’, ‘Lucky Stars’, ‘Lydia’, ‘Woman of Mine’, ‘Rocking Chair’ and ‘McDonald’s Girl’ among others.
Craig Herbertson, Edinburgh singer and songwriter, ‘presents a celebration in song and story of Edinburgh’ in Craig on the Cliff at St Cuthbert’s Church, while ‘South Australian musician/songwriter William Jack presents a free (non-ticketed) multi-style cello recital’, This Old Cello Box, at St Giles’ Cathedral. theSpaceUK is hosting a plethora of different Night Owl productions inspired by music stars of yesteryear, including Amy Winehouse, Aretha Franklin, Billy Joel, Blondie, Carol King and James Taylor, Whitney Houston and more.
Cabaret and variety
La Clique are back at this year’s Fringe, ‘featuring the best of circus, comedy and cabaret’ at Underbelly, while ‘cabaret legend and variety artiste’Ada Campe will be Naval Gazing at The Stand’s New Town Theatre. Just the Tonic is offering a Best of Cabaret lineup of ‘an all-star diverse rotating cast of international and regional seasoned artists in the genre’, and Dom Chambers: A Boy and His Deck at Assembly offers ‘exotic acts that connect alternative circus with the dark arts of underground burlesque and cabaret’.
Over at Gilded Balloon, JezO’s Car-Crash Magic Show is an ‘unusual blend of comedy, audience participation and magic’, while theSpaceUK hosts ‘magical legend’ The Great Baldini as he uncovers Illusionati – A Magical Conspiracy.
Dance, physical theatre and circus
Dance teacher and caller Ken Gourlay leads you through some Ceilidhs (Scottish Dancing) at 9 Queen Street. Returning to the Fringe are The Black Blues Brothers, ‘five unleashed acrobats’ performing their comedy tribute to the cult movie – they’re at Assembly Rooms.
The Centrepiece Global Sacred Circle Dance, Lighting up the World with Dance is at Craigmillar Park Church, offering ‘sacred, circle and traditional dances which bring communities together’.
Children’s shows
Fringe regular Marcel Lucont brings Les Enfants Terribles – A Gameshow For Awful Children to Assembly, which is also where you’ll find The Mighty Kids Beatbox Comedy Show Strikes Back! Pinocchio! The Panto is at theSpaceUK, as the titular puppet ‘learns some hard lessons about what it takes to be a real boy’. At Underbelly, Trash Test Dummies is an ‘award-winning, side-splitting, slapstick comedy circus routine’ about household bins.
Musicals and opera
Potty the Plant at Gilded Balloon is a ‘new dark-comedy musical starring Potty, a singing, talking, tap-dancing pot plant’. Blue Morpho at Greenside tells the story of Juliane Koepcke, a teenager in the 1970s who survived a plane-crash and 11 days in the Amazon. theSpaceUK boasts several musical adaptations including Frozen Jr, Shrek Jr and Oscar Wilde’s The Canterville Ghost. And Boys in the Buff at C venues explores issues around body confidence, with two ‘clothing optional’ performances on 15 and 22 August.
TONY! [The Tony Blair Rock Opera] by Harry Hill and Steve Brown is at the Pleasance. Another Afternoon at the Opera with Brian Bannatyne-Scott and Friends is at St Andrew’s and St George’s West, George St, offering ‘an enchanting concert of operatic highlights’.
Spoken word
Alice Hawkins – Suffragette at the Arthur Conan Doyle Centre is ‘a stirring and passionate account’ of the early-1900s feminist delivered by her great-grandson Peter. In Loft Clearance at Greenside we join Eileen ‘as she rummages through a hundred years’ worth of possessions’ in her loft.
Twenty-four Scotland based Hip Hop artists working in music, visual arts, dance, drama, literature, and screen have received bursaries totalling more than £31,000 thanks to a growing nationwide programme of support designed to strengthen and sustain Scotland’s thriving Hip Hop community.
From Turriff to Dumfries, Angus to Aberdeen, the bursaries are backing DJ workshops, the development of new EPs, singles, albums and music videos; dedicated writing, producing, audio engineering and dance training, the creation of new Hip Hop web series’, provision of DJ equipment and the roll out of new events.
Artist, producer, lyricist Queen of Harps (Anise Pearson – pictured above) is in development on a new EP and music video; Angus’ NoQuestion (Connor Metcalfe) is working on an instrumental beats album offering open-source material for future collaborations; and Tristyn Jay Trustler’s forthcoming album – created in memory of their mother, will form the basis for a new theatre production.
Edinburgh’s Werd (Andrew Devine), who’s using his bursary to develop a new album in collaboration with local producers, said “Sunny Govan’s always been a cornerstone in showcasing and supporting Hip Hop in Scotland.
This funding will allow anyone to progress doing what they love while easing financial concerns. I’m proud to be included and given the chance to push myself and others I work with and I encourage all independent acts to learn about these great opportunities on offer.”
Steg G of Sunny Govan Radiosaid: “These bursaries are an important step towards improving access to arts funding and support for new and existing Hip Hop adjacent artists to develop their skills and talents.
“Hip Hop’s energy, artistry and community spirit is alive and thriving in Scotland. It’s a culture, a movement, and a way of life. The ambition, the appetite is palpable and now we’re working together with partners to put the infrastructure and opportunities in place that will help sustain and grow Scotland’s vibrant and diverse scene.”
121 mentoring with legendary Hip Hop Artist Steg G, Talent Manager and Creative Producer Mobo Agoro or DJ and Producer K4CIE also features this year, alongside availability of additional access costs.
Jenny Tipton, Place, Partnerships & Communities Officer at Creative Scotland said: “Now in its second year, we’re excited to be able to provide refreshed opportunities for Scotland’s growing Hip Hop community and pleased to be able to offer increased provision, additional mentoring opportunities and further access support for each bursary.
“In a time of increased uncertainty for the creative sector, small bursary programmes like these are more important than ever to support artists to develop their careers and provide sustained opportunity across the multi art form genre that is Scottish Hip Hop. It’s with thanks to The National Lottery that we’re able to continue to support this programme.”
Artist
Project Summary
Location
Amount £
Karin Bezchlebova
DJ workshops for women in hip hop, supporting guest women DJs to deliver sessions.
Glasgow
£1,500
Gracia Brill
6 track EP for CrayTwinz that also documents the creative process via video so that it can be shared with other artists as a resource.
Dunbar
£1,000
Steven Buckby
Hip Hop writing and producing workshops for women over 21 in Polmont Prison.
Fife
£1,478
AJ Crawford
Two new singles with accompanying music videos.
Glasgow
£1,500
Sean Cosgrove
Web series showcasing young Scottish MCs in a cypher format with artist as DJ.
Glasgow
£1,000
Ibrahim Dikko
Collaborating with local videographer to develop music video for new music release.
Glasgow
£1,035
Andrew Divine
New album for Werd (SOS) working with local producers.
Edinburgh
£1,500
Yas Farzan
Filmed DJ sets showcasing 4 under-represented Hip Hop artists in Scotland.
Glasgow
£1,050
Rowena Gatenby
Equipment to support artists development in DJing, and MCing.
Aberdeen
£1,500
Lewis Linich
Audio engineering workshops for early career audio engineers and producers.
Glasgow
£1,500
Connor Metcalfe
16 track instrumental project by NoQuestion creating an open source beats material for future collaboration.
Angus
£879
John Lee Miller
5 track EP that highlights theme of mental health.
Glasgow
£1,000
Andre Muvuti
7 tracks with 7 Scottish producers focusing on spoken word pieces to be developed into music.
Glasgow
£1,500
Ian Nijdam
Producing a collaborative Hip Hop EP with artists based across Scotland.
Glasgow
£1,250
Anise Pearson
Develop new EP and music video for Queen of Harps.
Edinburgh
£1,000
Harry Raitt
3 track release, with recording, mixing, artwork and visuals collaborating with Scottish based creatives.
Turriff
£1,500
Jordan Robertson
Collection of music videos to support development of work.
Glasgow
£1,000
Alexander Romance
Live music event supporting under-represented artists in Hip Hop.
Dumfries and Galloway
£1,150
Joe Rosenthal
Music video for band AROMA collaborating with rapper Skittles.
Glasgow
£1,500
Nadia Sewnauth
Midgierakers Unite Dance workshops in collaboration with Shelltoe Mel, offering sessions for women and young people to learn different Hip Hop Dance styles.
Dumbarton
£1,500
Sarah-Jayne Simpson
2 tracks exploring contemporary life in the North East of Scotland.
Aberdeen
£1,262
Faris El Sheikh
Working with producer Stu Brown and filmmaker Meray Dinar and contemporary dancer to develop a new song, music video and dance piece.
Glasgow
£1,500
TJ Trusler
Album created in their mother’s memory, that will form the basis for a theatrical production.
Edinburgh
£1,500
David Wark
Collaborating with Big City Brains in Copenhagen, two dance artists from the popping scene in Glasgow will travel to Copenhagen to meet this dance collective and develop a sustainable model of artist development for dancers.
Words most associated with EDINBURGH are history, architecture & theatre/arts
New research has revealed that Edinburgh is labelled as historical by people across the UK. The survey by Legal & General asked respondents to select the words they most associate with various UK cities, including their own.
The survey found that the top words associated with Edinburgh are historical (53%), architecture (42%), and theatre/arts (40%).
Other key findings include:
Respondents living in Edinburgh chose historical (71%), theatre/arts (65%), and architecture (62%) as the top words associated with their city
The words least associated with Edinburgh are industrial (10%), rugby (11%), and football (14%)
Edinburgh was the second most prosperous (23%) and innovative (16%) city, behind London only
Edinburgh is the UK city most associated with architecture, chosen by 42% of respondents
Legal & General also investigated the various satisfaction levels of people living in the UK in their Rebuilding Britain Index report.
The study finds that 69% of Brits are satisfied with their local area – this was 68% among those in Scotland. However, there are many factors such as healthcare (62%) and public green spaces (50%) that significantly affect levels of contentment.
People in the south-west of England have the highest levels of satisfaction with their local area (76% of survey respondents).
In contrast, just 62% of those polled in the north-east say they are satisfied with their area – the lowest of any region.
“Expensive” is the word Brits most associate with London (68% of respondents).
“Historical” is how Brits are most likely to describe Edinburgh (53%), while Sheffield is viewed as “industrial” (43%), and the word most associated with Newcastle is “football” (44%).
Overall, 69% of the UK are satisfied with the place where they live.
Access to high quality health services (GP, dentists, pharmacy) is the factor that most determines satisfaction with an area – 62% selected this option.
Satisfaction runs deep
There is no shortage of local pride in Britain’s regions, but the sunny south-west, including Bristol, Bath and the towns and villages of Somerset and Gloucestershire, has the highest levels of satisfaction (76%) among locals when asked to rate the place where they live.
New research from Legal & General as part of their Rebuilding Building Britain Index explores satisfaction levels across the UK.
As part of the research, 20,000 people were surveyed to find out how satisfied they are with their lives – and how different factors – from work opportunities to transport – affect their levels of contentment.
The study found that Brits are largely happy with their neighbourhood – 69% say they’re satisfied with their local area.
The key to happiness
But not everyone would describe their local patch as a happy place to live. In the north-east of England, just 62% of respondents said they’re satisfied with their area – the lowest of any region. And when asked which factors have the biggest impact on satisfaction levels, the survey revealed that healthcare, public green spaces and a reliable mobile signal are crucial to how people view their surroundings.
Other factors include congestion and quality of local roads, as well as the availability of well-paid employment options.
The words on the street
Our health, happiness and sense of place is affected by the way we perceive the world around us. So how do Brits view different cities across the UK? A new survey commissioned by Legal and General asked respondents which words they would use to describe different urban centres. Here are the top answers:
LONDON
Expensive (68%)
SHEFFIELD
Industrial (43%)
BIRMINGHAM
Industrial (36%)
GLASGOW
Historical (35%)
BRISTOL
Historical (28%)
NEWCASTLE
Football (44%)
CARDIFF
Rugby (35%)
LEEDS
Football (33%)
EDINBURGH
Historical (53%)
BRIGHTON
Lively (42%)
Newcastle had the most UK respondents label the city as ‘friendly’ with 35% selected this as an option to describe the area. Sheffield (25%), Birmingham (24%), Cardiff (26%) and Brighton (30%) were the only other UK cities where ‘friendly’ was selected as one of the top 3 associated words.
Respondents offered other words and phrases as part of the survey which they believe resonate with UK cities, such as the ‘Commonwealth Games’ for Birmingham, ‘University’ for Bristol and ‘LGBTQ’ for Brighton.
John Godfrey, Director of Levelling Up, Legal and General comments: “Our Rebuilding Britain Index focuses on how economic infrastructure and the built environment can support efforts to level the playing field of opportunity.
“The end-game is in people leading happier and more fulfilling lives – but we’ve found that life satisfaction can be significantly impacted by our surroundings. Our research into the common associations people in the UK have with our capitals gives us interesting insight into this specifically.”
A modern-day twist on Ibsen; Hedda is bored. She spends her days manipulating the people in her house, hiding behind the lenses of her CCTV cameras and a facade of decency.
The arrival of her ex-lover ignites flames of passion and destruction, unravelling her true desires. He’s got a woman under his arm, money in his pockets and a plan to change the future. Time without Hedda seems to have only done him good.
An invitation into the decadent world of a newly married woman, engulfed in a competitive, high-tech and male-dominated environment. Between Campari shots and lines of Cocaine, she embarks on a mission of destruction.
Hedda
Wonderlabs
Theatre (drama, modern)
Venue 236 – Greenside @Infirmary Street – Forest Theatre
theSpaceUK kicks off their 27th year at the Edinburgh Festival Fringe in style
It was a night to remember as theSpaceUK kicked off their 27th year at the Edinburgh Festival Fringe with a powerhouse performance packed launch at theSpace Triplex.
Artists from a wide variety of genres came together to wow audiences with a small flavour of the 400+ shows available in this year’s programme. Featuring eleven fantastic acts, the launch was a showcase of music, comedy, theatre and packed with plenty of action, to give a taste of the talent on show at theSpaceUK this year.
theSpaceUK pioneered the return of grass roots performance to the festival last year and continues to offer the most established programme for new and original writing as well as established work offering that unique and special experience that can only be found in Edinburgh during August.
Highlights from theSpaceUK Press Launch
Kicking off proceedings was the Hip Hop Orchestra Experience direct from California which seamlessly fused hip-hop and classical music. Upcoming theatre company koi collective premiered a new comedy at the Edinburgh Fringe, Crossing the Void, with a swirl of intrigue and emotion.
A multimedia hybrid, part live stand-up, part film, Apartness featured Sylvester McCoy, Linda Marlowe in a tale of two isolated souls and their devilish comedian saviour. Prejudice & Pride was new folk musical comedy that reimagines Jane Austen’s classic novel in modern America with gender-swapped characters.
How do predators justify what they have done? Why do some victims survive and others perish? Brother’s Keeper is about courageous survival. Merrill gets diagnosed with ADHD as an adult and tries to make sense of her life and chaotic childhood in Merrill Means Well.
The Mistake is a compelling new play by Michael Mears that explores the events surrounding the catastrophic “mistake” that launched our nuclear age.
UK Underdog is a solo show based on true events in a London, Jewish boy’s life told with humour and plenty of chutzpah.
A modern tale of the gay scene which can be harsh and lonely, Soho Boy is packed with glamour, sex and songs.
One-liners and light-hearted jokes from the UK Pun Championships winner 2022 and Scottish Comedian of the Year runner-up 2021, Richard Pulsford had the audience in stitches.
Puppet Pansori Sugungga is an untraditional staging of classical Korean themes using the traditional puppetry of pansori and live music. All hosted by the freshest comedian at the Fringe, It’s Fraser Brown.
About theSpaceUK
Established in 1995, theSpaceUK hosts the largest and most diverse programme at the fringe. Companies, both professional & amateur, are given an affordable, supportive and professional platform to showcase their work.
About the venue
theSpaceUK operates 19 venues across 7 sites including: theSpace@Surgeon’sHall, theSpace@SymposiumHall, theSpace on North Bridge, theSpace on the Mile, theSpaceTriplex, the Space@Venue45. Further details will be revealed in the coming months.
