Important information for audiences: Mary Poppins – Friday 24 January, 7.30pm
The weather warning in place for Edinburgh is currently due to end at 5pm today Friday and therefore the performance should begin as planned at 7.30pm.
It’s been another busy year taking theatre out on the road across Scotland and beyond. Moving memoirs brought to the stage, new twists on Country classics and jaw-dropping dramatic moments.
We have been touring to theatres, schools, community halls, art centres, hospitals, cinemas, libraries and festivals. As well as exhibitions, short films, documentaries, podcasts, residencies and more.
In 2024, we visited 62 venues across Scotland, and beyond.
Here are some highlights of the year from your national theatre…
We kick started the year celebrating young audiences and performers.
Theatre in Schools Scotland (TiSS) took to the road with two brilliant shows for primary, school children, Cloud Man and Going for Gold: Me and Linford Christie landing in school halls.
Cloud Man by Constellation Points/Ailie Cohen and Lewis Hetherington, presented by Scottish Theatre Producers. Going for Gold: Me and Linford Christie by Victoria Beesley, presented by Catherine Wheels.
Meanwhile Hannah Lavery’s Protest continued to inspire youth activism at the Traverse Theatre.
Co-commissioned and co-produced by Fuel, Imaginate and Northern Stage in association with National Theatre of Scotland.
In January we presented work in Edinburgh and toured to schools in Edinburgh, Grangemouth, Coatbridge, Bathgate, Aberfeldy, Dallas, Fort William, Kenmore, Pitlochry, Glasgow, Airdrie and Wishaw with Theatre in Schools Scotland (TiSS).
Cloud Man and Going for Gold continued their TiSS adventures.
“I’ve learnt that anything is possible. If I never came out my comfort zone I’d never have made these memories… Life changing.”
Thank U, Next participant.
We took up residency at Bellahouston Academy with 21Commoners Lucy Gaizely and Gary Gardiner to explore teen lives with a cast of 12-to-16 year olds with the extraordinary Thank U, Next.
A National Theatre of Scotland production in association with Bellahouston Academy, created by 21Common.
Hope Dickson Leach’s Scots Gothic classic, The Strange Case of Dr Jekyll and Mr Hyde was screened as part of Victoria Film Festival.
National Theatre of Scotland and Selkie Productions, Supported by Screen Scotland and Sky Arts.
We celebrated our 18th birthday!
We toured to Bellahouston and Glasgow, presented work in Edinburgh, Harrogate, London, Cambridge, Colchester, Coventry, Poole and Victoria, Canada and the Netherlands and visited schools in Dunkeld, South Queensferry, Cumbernauld, Grangemouth, Edinburgh, Oban, Dallas, Tain, Lairg, Orkney, Sanday, Westray and Stronsay with TiSS.
“A startling, unique, powerfully honest work.”
★★★★ – The Telegraph
Marc Brew and Sidi Larbi Cherkaoui’s raw and life affirming an Accident/a Life had its UK premiere at Tramway following a presentation in Holland.
A Marc Brew Company and Eastman co-production in association with National Theatre Scotland.
We brought the drama to Rockvilla with the BBC’s Bring the Drama creative careers event.
And we launched Caring Scotland, a wide-reaching nationwide Listening Project, led by artist and foster parent Nicola McCartney, to record the testimony of care-experienced people across Scotland.
A National Theatre of Scotland, Who Cares Scotland and National Library of Scotland project.
And Going for Gold ran its final furlongs with TiSS
In March we toured to Glasgow and presented work in Plymouth, Exeter and Newcastle and visited schools in Dumfries, Langholm, Edinburgh and Glasgow with TiSS.
“Delightfully creative and warming show.”
★★★★ – The Reviews Hub
We shō’ed up for Independent Arts Projects with our support of Shō and the Demons of the Deep, written by Zoë Bullock, adapted from the work by Annouchka Gravel Galouchko and directed by Shilpa T-Hyland, which opened at Platform Glasgow.
An Independent Arts Projects (IAP) production in association with National Theatre of Scotland.
We teamed up with New College Lanarkshire on a mini documentary project, The Making of of Maggie & Me.
We celebrated surviving Thatcher’s Britain at the Mitchell Library, with Damian Barr and James Ley chatting to our Artistic Director Jackie Wylie as part of the Aye Write book festival.
We launched A Big Map for the Big Yin where we encouraged folks to leave their own homages to Scotland’s most beloved comedian, Billy Connolly.
In April we toured to Glasgow, Aberdeen, Shetland and Tobermory.
“Funny, moving and powerful in equal measure, it’s an expertly told story and it deserves to be a hit.”
★★★★★ – WhatsOnStage
Maggie & Me James Ley and Damian Barr’s epic adaptation of his celebrated memoir, directed by Suba Das took the Tron Theatre, Glasgow by storm.
A National Theatre of Scotland production.
Damian Barr returned to North Lanarkshire for a sell-out event at Motherwell Library.
“A poignant, colourful and hilarious performance.”
★★★★★ – Scottish Field
The mighty Dear Billy – Gary McNair’s love letter to the Big Yin from the people of Scotland returned with a run at His Majesty’s Theatre in Aberdeen.
A National Theatre of Scotland production.
And an Accident/a Life continued to astound audiences at the Steps Dance Festival in Switzerland, visiting Sierre, Bulle and Basel and at the Norfolk and Norwich Festival.
In May we toured to Dunoon, Dunkeld, Melrose, Wick, Dumfries, the Edinburgh International Children’s Festival, Inverness, Perth, Cumbernauld, Dundee, Aberdeen, Glasgow and Inverness and presented work in Switzerland and Norwich.
We tore up the miles in June with three shows on the road, Maggie & Me, Shō and the Demons of the Deep and Dear Billy.
Damian Barr popped over to the National Library of Scotland to talk about taking his memoir from page-to-stage with Chitra Ramaswamy.
In June we toured to Inverness, St Andrews, Dundee, Northampton, Edinburgh and Manchester.
We invited local people to take to the stage at Springburn Auditorium for a joyous celebration of the North Glasgow region, led by our community artist in residence, Eoin MacKenzie with the Neighbourhood Variety Show.
A performance project by Eoin McKenzie as part of the National Theatre of Scotland’s Neighbourhood Project.
We announced that Kal Sabir was the winner of our South Asian short film commission with his forthcoming short film Kinaara.
And we aspired to get greener by launching the second edition of the Theatre Green Book.
In July we presented work in Glasgow.
The Fifth Step previewed at Dundee Rep Theatre, ahead of opening at the Edinburgh International Festival.
“Highly entertaining, often very funny, and sometimes brilliantly tense.”
★★★★ – The Scotsman
We provoked audiences with David Ireland’s sizzling two-hander, directed by Finn Den Hertog, marking a homecoming to Scottish stages for Jack Lowden, alongside Sean Gilder.
A National Theatre of Scotland production.
“this production is absolutely joyous – a truly magnificent story of two remarkable women.”
★★★★★ – Broadway World
We hoe-downed with Grid Iron, for Charlene Boyd’s June Carter Cash, The Woman, Her Music and Me, directed by Cora Bissett which opened at the Edinburgh Festival Fringe enjoying a sold-out run, winning a Fringe First, with a shout out for Parents in the Performing Arts too.
A National Theatre of Scotland and Grid Iron co-production.
Pamela Carter and Stewart Laing delved into the archive and pulled out Extraordinary Trash: A Theatre Essay featuring Adura Onashile as ‘The Archivist’ at the Edinburgh International Book Festival.
Dear Billy ended its 2024 World Tour of Scotland and Salford by bringing joy to audiences at the Assembly Rooms during the Edinburgh Festival Fringe.
Meanwhile, over in Glasgow, we headed down the canal to premiere Wonder Lands at Pinkston Gala Day, Roisin McLinden, our community artist in residence’s, film fusing community arts practice and cycling.
In August we toured to Edinburgh, Banchory, Glasgow and Dundee.
June Carter Cash saddled up and hit the road for a sold out tour across Scotland, including opening the Outwith Festival, and ending its journey at Findhorn Bay Festival.
We welcomed Gus Gowland as our first Resident Composer.
In September we toured to Glasgow, Dunfermline, Kirkcudbright, Stranraer, Arran, Oban, Ullapool, Findhorn Bay.
Thank U Next enriched young lives at Cumbernauld Academy with the next troupe of talented young performers taking to the stage at Lanternhouse.
A National Theatre of Scotland production in association with Cumbernauld Academy, created by 21Common.
We shone on a light on those that paved the way with our Portraits of an LGBTQI+ Generation at St John’s Hospital, Livingstone.
A National Theatre of Scotland and All the Queens Men project in partnership with Eden Court Theatre and Luminate
We marked Care Experienced Week with a special in conversation event at National Library of Scotland, with artist Juano Diaz and sent our project facilitators around the country to listen and gather testimony from care experienced individuals.
We embraced Gothic horror at Halloween with a special free screening of The Strange Case of Dr Jekyll and Mr Hyde with a post-show chat from the lead creatives at the National Library of Scotland at Kelvin Hall.
In October we toured to Cumbernauld, and presented work in Glasgow, Livingston, Sweden and Norway.
We paid tribute to the much loved and missed Beldina Odenyo with the powerful Tero Buru at Platform, Glasgow, directed by Julia Taudevin.
A Leah McAleer project, produced by Disaster Plan in association with the National Theatre of Scotland.
We Pushed the Boat Out with our support for new commissions at Edinburgh’s spoken word festival, at the Storytelling Centre.
And we made gingerbread men with pupils in schools across the country as the playful Ginger went on tour with TiSS.
Created by Tortoise in a Nutshell, created in association with Platform and Lyth Arts Centre.
In November we toured to Glasgow and Edinburgh and visited schools in the Isle of Lewis, North Uist, Kinross, Edinburgh, Glasgow, Blackridge, Livingston, Orkney, Sanday, Westray, Stronsay, Shetland, Aberdeen, Bellshill, Cumbernauld and Oban with TiSS.
Jack Hunter and his deeply personal and political One of Two ended its important TiSS tour.
Presented by Independent Arts Projects.
We celebrated Scottish playwriting by supporting Fergus Morgan’s podcast – A History of Scottish Drama in Six Plays featuring NTS shows, Black Watch, Men Should Weep and The Cheviot, The Stag and The Black, Black Oil.
Produced by the Scottish Society of Playwrights in association with Bespoken Media and the Traverse Theatre.
In December, we toured to schools in Tain, Alness and Culloden with TiSS.
A YEAR IN REVIEW
Throughout 2024 we:
Please do read our Annual Report and Financial Statement for 2022 to 2023 here.
A standing ovation for the hundreds of actors, creatives, artists, technicians and freelancers that worked with us this year. Full creative credits are available for each project and production via the links above.
With thanks to…
Our funders, friends and followers, our audiences and allies, our participants and partners, our co-producers, cheerleaders and communities.
And all our wonderful donors and supporters.
None of this would be possible without your generosity and goodwill!
We send our thanks to the Board too for their ongoing enthusiasm, guidance and governance.
We are really looking forward to getting out round Scotland in 2025 – our full season will be announced in January 2025.
We hope to see you at your local theatre this year!
With love from all the team at the National Theatre of Scotland.
WORLD PREMIERE
National Theatre of Scotland presents
Through the Shortbread Tin
Written and performed by Martin O’Connor
Directed by Lu Kemp
Musical Director and Composer – Oliver Searle, Sound and Video Designer – Rob Willoughby, Set and Costume designed by Emma Bailey and Rachel O’Neill
1 April to 2 May 2025
A Scotland-wide tour opening at Melrose, touring to Glasgow, Edinburgh, Ullapool, Stornoway (Isle of Lewis), Portree (Skye), Dornie (Lochalsh), Cumbernauld, Oban, Helensburgh, Lerwick (Shetland) and Inverness.
Opening Performance at Corn Exchange, Melrose on 2 April 2025
The story of the greatest literary hoax of all time.
In 1760 Scottish poet James Macpherson set the world ablaze with stories of the third-century Scottish bard, Ossian. This tartan-trimmed tale of Highland history spread far and wide, capturing the imagination of thousands– but was it built on a deception?
In 2025 Scottish poet Martin O’Connor decides to revisit Macpherson’s epic and begins to question his own relationship with Scottish culture. The sporrans, the stags, the shortbread – do these ‘gift-shop’ images of Scotland hold us back or bring us forward? What does it mean to be authentic, and is the truth sometimes better told in a lie?
Imagine that you didnae ignore the myths.
Imagine you were telt your history.
Imagine ye could hod onto the stories.
Imagine ye could create yer ain truth.
Through The Shortbread Tin is a new show, performed in Scots, with Gaelic songs, which explores Scottish culture, myths, history and identity.
Martin will be joined on stage by three female Gaelic choral singers, singing original songs composed by Oliver Searle.
Audiences are invited to join Martin and Macpherson on an oral odyssey spanning centuries of Scottish history, exploring the myths we tell each other and the stories we tell ourselves.
BACKGROUND TO OSSIAN
In 1760 Highlander Macpherson published Fragments of Ancient Poetry to great critical and commercial acclaim. The poems were collected from oral sources around Scotland and were presented as the work of a third century bard, Ossian, soon dubbed The Homer of the North.
There soon followed two other publications, Fingal and Temora, and together they set the Scottish and European literary world alight. The ‘Ossian effect’ soon saw a rise in interest in Scottish and Highland ways of life and an increase in tourism and cultural interest.
The impact of Ossian was immediate and permanent, even if the individual poems eventually fell out of fashion. But soon after publication, debates over Ossian’s aesthetic and moral ‘legitimacy’ surfaced, which plagued the writer and the impact and legacy of the work.
Martin O’Connor is an award-winning theatre-maker, performer and poet from Glasgow. He is interested in exploring ideas of voice and identity through theatre and poetry, with particular interest in Scots, Gaelic and verbatim. He won Scots Performer of the Year Award at this year’s Scots Language Awards.
He was granted a Gavin Wallace Fellowship in 2018, hosted by Playwrights’ Studio Scotland and the Lyceum Theatre, marking the first stage in his research into James Macpherson and Ossian.
He makes work for solo performance as well as with, and for, other people. He was the National Theatre of Scotland Writer in Residence in 2020. Previous projects include Turntable (MJ McCarthy/Red Bridge Arts), Mark of the Beast (Martin O’Connor/Platform), Togail Nàisean/ Building a Nation (Glasgow Life).
Martin O’Connor, writer and performer said: “I’m looking forward to staging this work after many years of research and development, and I can’t wait to begin working with Lu and the rest of the creative team to tell this story.
“I have been fascinated with the history of Ossian and Macpherson since I started learning Gaelic and since I have rediscovered my Scots voice, and it gave me a jumping off point to explore all things linguistic, cultural and historical about Scotland, and my own upbringing.
“It seems that not many people know about Ossian and Macpherson, the hoax that he created, and the impact that it had on him and wider Scottish culture, so I am very excited to be staging this work and telling this tale at a time when we are still asking big questions about our country and identity.”
Through the Shortbread Tin is directed by Lu Kemp, a theatre director and dramaturg with a distinctive reputation for her work in new writing. Lu was Artistic Director of Perth Theatre between 2016 to 2023.
Her tenure was notable for supporting the creation of new work by Scottish artists and community engaged productions. As a freelance director, Lu has worked for The Citizens, The Royal Lyceum Theatre, National Theatre of Scotland, Artangel, London,The Tricycle, Almeida and The Royal Shakespeare Company.
Touring to Corn Exchange, Melrose (Preview Tues 1 April) Wed 2 April; Tron Theatre, Glasgow Fri 4 & Sat 5 April; Storytelling Centre, Edinburgh Tues 8 & Wed 9 April; Macphail Centre, Ullapool Saturday 12 April; An Lanntair, Stornoway Tues 15 April; Aros Centre, Skye (with SEALL) Thurs 17 April; Dornie Community Hall, Lochalsh (with SEALL) Fri 18 April; Cumbernauld Theatre Wed 23 April; Corran Halls, Oban Thurs 24 April; Cove Burgh Halls, Helensburgh Fri 25 April; Mareel, Shetland Mon 28 & Tues 29 April; Eden Court, Inverness Thurs 1 & Fri 2 May.
On social: #ShortbreadTin
Calling all potential actors, stagehands, costume makers and painters of scenery!
Cramond Drama Group, supported by the Cramond Association, is planning the forthcoming events for Christmas 2024 and for 2025 – including our next pantomime – and we need your help.
We have a small, strong team but still need a chair (and a person to sit in it) as well as lots of actors, helpers and friends to make it happen.
If It’s Drama You Want, Don’t Miss It !
EIF attracts new audiences with Affordable Tickets and Innovative Experiences
The 2024 Edinburgh International Festival concluded yesterday after an exhilarating 24-day celebration of opera, dance, music and theatre in Scotland’s capital. With over 160 ticketed performances and more than125,000 attendees across the city’s venues, the Festival showcased 21 world, European, UK and Scottish premieres affirming its role as an essential destination for arts and culture.
Under the leadership of Festival Director and Scottish violinist Nicola Benedetti, the theme Rituals That Unite Us successfully brought together over 2,000 internationally renowned artists from 42 nations, exploring the deep connections which bind us all through live performance.
At the heart of this year’s Edinburgh International Festival was a commitment to ensuring that cost is not a barrier to cultural discovery, making high-quality art accessible to the broadest possible audience.
Over 50% of tickets were sold at £30 or less, and more than 5,000 targeted £10 tickets were sold — a 100% increase on last year. Double the number of free tickets were taken up by NHS staff, charity workers, and low-income benefit recipients through the Tickets for Good programme, marking the highest uptake since the Festival signed up to the initiative.
Additionally, the number of D/deaf, disabled, and neurodivergent concession tickets doubled, with twice as many people enrolling for the Access Pass, which provides a tailored experience for audience members with access requirements.
The International Festival reaffirmed its dedication to nurturing the next generation of artists and audiences, with a notable increase in young people attending and participating. This year saw more than triple the number of free tickets to young musicians issued through the Young Musician’s Pass compared to 2023 and U18s ticket purchases rose by 100% from 2023.
Over half of all bookers were new to the Festival this year, the highest level since the pandemic. The International Festival also focused on talent development, with initiatives like Rising Stars providing early career artists with invaluable opportunities to work and perform alongside professional mentors such as the Leonore Piano Trio and Yura Lee.
As an international festival deeply rooted in Scotland, an impressive 50% of the artists were from Scotland in 2024, highlighting the exceptional calibre of local talent alongside their international peers.
This included approximately 250 multigenerational performers in the world-first Healing Arts Scotland Opening Celebrationat the Scottish Parliament, and representation from all five Scottish national performing arts companies—National Theatre of Scotland, Royal Scottish National Orchestra, Scottish Opera, Scottish Ballet and Scottish Chamber Orchestra.
The International Festival also employs over 200 specialist freelancers and relies every year on a pipeline of talented writers, actors, musicians, dancers, singers, producers, facilitators, technicians and cultural workers.
In the precarious funding landscape currently faced by the Scottish arts sector, the Festival remains committed to supporting and advocating for the indispensable community of creative individuals and organisations of which Scotland can rightly be proud.
Under the theme of ‘Rituals That Unite Us’, the 2024 International Festival programme also reimagined ways in which live performance could bring audiences and artists closer together.
Audiences sat in beanbags to enjoy six informal concerts at the Usher Hall, including Brazil’s Ilumina, The Hallé, and the European Union Youth Orchestra, while The Hub series once again welcomed audiences into the home of the International Festival for intimate and unforgettable performances from around the world.
Six artist rehearsals were made accessible to the public and schools, offering a unique behind-the-scenes glimpse into the creative process, while 20 Q&A sessions were offered by artists after their performances to deepen the experience for attending audiences.
Offering a deeper look into the Festival’s inner workings, 36 audio introductions, hosted by Kate Molleson and Nicola Benedetti, featured insights from artists, programmers, and creatives behind the programme’s performances.
Listened to 32,794 times by audiences, The Warm Up invited artists to discuss the unique rituals they undergo before creating a piece or stepping onto the stage. Nicola Benedetti also made her BBC Radio 3 presenting debut in a six-part series focusing on the origin story and impact of the International Festival, which continues to broadcast until 7 September.
Additionally, nineteen concerts from the Festival were recorded for BBC Radio 3 and will be available on BBC Sounds. More than 130 behind-the-scenes videos shared across the International Festival’s social media channels garnered 1 million views from online audiences.
Additionally, over 300 people enjoyed a free VR experience with the Philharmonia Orchestra at the Festival’s inaugural Community Connections Hub, held this year in the Edinburgh suburb of Broomhouse. Following this, 2,000 attendees attended a Family Concert at the Usher Hall, where young music lovers had the chance to experience the Philharmonia Orchestra in person, with Festival Director Nicola Benedetti performing on violin.
Over 7,000 people joined together for a new ritual for the city and the International Festival at the highly anticipated Opening Event: Where to Begin, presented in partnership with The Macallan. Where to Begin launched Edinburgh’s festival season with an immersive experience at the historic Old Town site of George Heriot’s, brought to life by the creative team at Pinwheel.
Festival Director, Nicola Benedetti said, “Our Festival has been an outstanding success this year. The theme, Rituals That Unite Us, resonated in profound ways with our visiting artists and home community. Although we bring stories from around the world, they change when they interact with the unique spirit of Edinburgh, artist upon artist expressing their awe and desire to return.
“We diversified the experiences in our venues, making the Festival as accessible and affordable as possible. Beanbags returned, as did the intimacy of our home, the Hub. We programmed exceptional international premieres, doubled the number of Under 18 tickets on last year, and tripled the Young Musician’s Pass attendees – an initiative that offers free Festival tickets to young musicians.”
“Against a tumultuous backdrop of funding crisis, two aspects of our identity were reinforced and strengthened. We are deeply rooted in Scotland, and will continue to present the best of Scottish talent alongside our international counterparts.
“Most importantly, we are making an indelible impact on access to culture for our local community. To present the world’s greatest art to the broadest possible audience is what we are here to do.”
Chief Executive, Francesca Hegyi said “Our theme for this year’s programme, Rituals that Unite Us, beautifully captured the sense of togetherness felt throughout this past month. There’s something profound and powerful about this shared experience that brings people from every corner of the world and all walks of life together.
“As we celebrate this year’s Festival, we must also recognise the current fragility of the Scottish cultural sector. With 50% of our 2024 artists hailing from Scotland, the Festival relies on exceptional local talent both on and off the stage and we are deeply concerned about the ongoing survival of our creative community.
“The International Festival is the original spark that lit this city’s path to becoming the world’s Festival City. “Now, 77 years later, we thank you for joining us once again for the ritual that we look forward to each year: the Edinburgh International Festival.”
As we prepare to dive into the joy and excitement of TravFest24, we wanted to take some time to look ahead to our Autumn season – as there’s no slowing down for us come September! Performances tackle social issues head on, see many of our valued partners return and bring big laughs to our stages in a season packed with captivating and compelling work.
Following on from the success of a sold-out run of Maggie & Me, the National Theatre of Scotland are back in October with the revival of May Sumbwanyambe’s Enough of Him which won the 2023 CATS Award for Best New Play. This co-production with Pitlochry Festival Theatre is an incisive and emotive new play based on the true story of Joseph Knight, directed by previous Traverse Artistic Director Orla O’Loughlin.
As well as Enough of Him, we are delighted to also welcome Pitlochry Festival Theatre with The Brenda Line by Harry Mould and directed by Ben Occhipinti. Based on the lesser-known history if the Samaritans in the 70s and 80s as well as the lived experience of Harry Mould’s mother, this is a story about women, love and listening.
Sleeping Warrior Theatre Company will highlight the urgency of the climate crisis with their latest musical, To Save The Sea by Isla Cowan and Andy McGregor. Inspired by a real-life 1995 protest, the makers of Battery Park and Crocodile Rock will bring this epic adventure story to the Traverse for three nights as part of their Scottish tour.
Also returning to the Traverse Dogstar Theatre’s The Tailor of Inverness by Matthew Zajac and directed by Ben Harrison, which presents an unforgettable and moving story of displacement and survival in war-torn Europe; particularly powerful in light of the current war in Ukraine.
Having received rave reviews during its run at the Paines Plough Roundabout during the Edinburgh Fringe 2023, NathanQueeley-Dennis brings Bullring Techno Makeout Jamz directed by Dermot Daly to Traverse 2 at the start of November. Ruckus, an award winning, compelling one-woman thriller by Jenna Fincken which premiered at the Edinburgh Fringe in 2022, explores the suppression and destruction caused by coercive control.
The first week of November sees two distinct new productions directed by Tessa Walker. In Traverse 1, Run, Rebel is an electrifying adaptation of Manjeet Mann’s acclaimed novel for audiences of 11+ combining physical theatre, mesmerising visuals and a talented ensemble cast, setting the stage for a transformative story of revolution, empowerment and courage. In Traverse 2, Bright Places by Rae Mainwaring is a darkly funny and deeply honest autobiographical story about growing up in the shadow of chronic illness.
We are also in for a treat with a handful of one-night delights this Autumn. Star of The Office (Australia), Felicity Ward returns with her new show I’m Exhausting for her first national tour in six years. Fresh from their appearance on BBC Three’s RuPaul’s Drag Race UK VS The World, Choriza May hits the road with their first ever solo theatre show extravaganza; The Choriza May Show. Award-winning poet and playwright Inua Ellams brings his chaotic, audience-led poetry event, Search Party,a unique interactive experience where the boundary between artist and audience blurs into a dynamic act of creation.
For audiences looking for something more experimental we are pleased to be welcoming back James Rowland with his new show Piece of Work which will feature his distinct mix of storytelling, comedy and music. Arán & Imby Manchán Magan will see the performer baking sourdough bread while offering insights into the wonders of the Irish language.
Our six-week run of A Play, A Pie & A Pint will return this Autumn with six new plays taking to our stages, as part of our first season collaborating with new Artistic Director Brian Logan.
Continuing on from the success of the inaugural season of Music At The Traverse we are delighted to be presenting in excess of fourteen gigs within our upcoming Autumn season. Including crowd-pleasers Espen Eriksen Trio and RANT as well as innovative newcomers Ryan Young and Amy Hollinrake, these one-nighters are sure to bring music to our ears and warmth to our souls as the nights get colder.
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Full programme and booking: https://www.traverse.co.uk/whats-on
More from the Traverse: Website | Facebook | Instagram | X
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LISTINGS
THE CHORIZA MAY SHOW
Our Rita in association With Phwoar
Traverse 1: Fri 13 SeptOn sale now: https://www.traverse.co.uk/whats-on/event/the-choriza-may-show-autumn-24
RUCKUS
by Jenna Fincken
Metal Rabbit Productions
Traverse 2: Tue 1 – Thu 3 OctOn sale now: https://www.traverse.co.uk/whats-on/event/ruckus-autumn-24
SEARCH PARTY
by Inua Ellams
Traverse 2: Fri 4 OctOn sale now: https://www.traverse.co.uk/whats-on/event/search-party-autumn-24
TO SAVE THE SEA
by Isla Cowan & Andy McGregor
Sleeping Warrior Theatre Company
Traverse 1: Thu 10 – Sat 12 OctOn sale now: https://www.traverse.co.uk/whats-on/event/to-save-the-sea-autumn-24
THE TAILOR OF INVERNESS
by Matthew Zajac, Directed by Ben Harrison
Dogstar Theatre Company
Traverse 1: Thu 14 – Sat 16 NovOn sale now: https://www.traverse.co.uk/whats-on/event/the-tailor-of-inverness-autumn-24
ENOUGH OF HIM
by May Sumbwanyambe
National Theatre of Scotland and Pitlochry Festival Theatre
Traverse 1: Tue 22 – Sat 26 Oct
On sale now: https://www.traverse.co.uk/whats-on/event/enough-of-him-autumn-24
ARÁN & IM
by Manchán Magan
Produced by Once Off Productions & supported by Culture Ireland
Traverse 2: Fri 25 – Sat 26 Oct
On sale now: https://www.traverse.co.uk/whats-on/event/aran-im-autumn-24
BULLRING TECHNO MAKEOUT JAMZ
by Nathan Queeley-Dennis, Directed by Dermot Daly
Ellie Keel Productions and Paines Plough Present
Traverse 2: Thu 31 Oct – Sat 2 Nov
On sale now: https://www.traverse.co.uk/whats-on/event/bullring-techno-makeout-jamz-autumn-24
BRIGHT PLACES
by Rae Mainwaring, Directed by Tessa Walker
UK Premiere | Carbon Theatre, in association with Birmingham Rep
Traverse 2: Wed 6 – Fri 8 Nov
On sale now: https://www.traverse.co.uk/whats-on/event/bright-places-autumn-24
RUN, REBEL
by Manjeet Mann, Directed by Tessa Walker
Pilot Theatre
Traverse 1: Thu 7 – Sat 9 Nov
On sale now: https://www.traverse.co.uk/whats-on/event/run-rebel-autumn-24
THE BRENDA LINE
by Harry Mould, Directed by Ben Occhipinti
A Pitlochry Festival Theatre production
Traverse 2: Wed 13 – Sat 16 Nov
On sale now: https://www.traverse.co.uk/whats-on/event/the-brenda-line-autumn-24
PIECE OF WORK
by James Rowland
Traverse 2: Thu 21 – Sat 23 Nov
On sale now: https://www.traverse.co.uk/whats-on/event/piece-of-work-autumn-24
FELICITY WARD: I’M EXHAUSTING!
Live Nation in association with Ebdon Management
Traverse 1: Sat 23 Nov
On sale now: https://www.traverse.co.uk/whats-on/event/felicity-ward-im-exhausting-autumn-24
MUSIC AT THE TRAVERSE
Wed 11 Sep – Mon 25 Nov
Full selection on sale now: https://www.traverse.co.uk/whats-on/music-at-the-traverse
A PLAY, A PIE & A PINT
A Play, A Pie and A Pint at Òran Mór, presented in association with the Traverse Theatre
Tue 17 Sep – Sat 26 Oct
[ON SALE SOON]
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Full programme and booking: https://www.traverse.co.uk/whats-on
Summer’s here! We’re running an exciting programme of fun activities and creative events for local children, young people, and their families throughout July and August. Come and join the fun!
Highlights include:
Film Festival Workshop with Folk Film Gathering (Ages 8+): Learn about film festival programming on Thursday 11 July, 5:30pm-7pm at West Pilton Neighbourhood Centre.
NEA x Edinburgh Science Mini Summer Festival (All ages): Enjoy fun science activities on Tuesday 18 July, 11am-3pm at West Pilton Neighbourhood Centre.
The Show for Young Men (Ages 8+): A special preview performance on Wednesday 31 July, 11am at PASS Theatre, Edinburgh College Granton Campus.
Fringe at… North Edinburgh Arts! (All ages): Family-friendly performances and workshops on Saturday 10 August, 10:30am-12:30pm at West Pilton Neighbourhood Centre.
Travelling Gallery – Where We Stand (All ages): An exhibition on community ownership on Thursday 15 August, 10am-4pm at West Pilton Neighbourhood Centre.
Play Rangers (Ages 5+): Creative outdoor play every Friday afternoon in local parks.
Family Badminton (Ages 7+): Weekly sessions on Mondays, 4:30pm-7:30pm at West Pilton Neighbourhood Centre.
Cycling Group (Ages 8+): Family-friendly cycling every Wednesday, 10am-11:30am, meeting at 67 Pennywell Road.
Join us for a summer full of creativity, outdoor fun, and community spirit!
Visit our website for full details at northedinburgharts.co.uk/summer-2024/
A hit podcast, a legendary musical and a modern ballet will all be screening from Vue this May.
Starting with Help I Sexted My Boss (14 May), William Hanson and Jordan North will be broadcasting live from the London Palladium in this brand-new show.
Entertaining listeners around the world, Help I Sexted My Boss has amassed more than 50 million listens since launching over six years ago. From very different backgrounds, watch on as the comedy duo help listeners navigate the challenges of modern life.
Also coming next week (16 and 19 May) is the legendary musical theatre classic 42nd Street, which tells the story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway.
Filmed live at the magnificent Theatre Royal in the heart of London’s West End, it stars national treasure Bonnie Langford as Dorothy Brock and features iconic songs 42nd Street, We’re In The Money and Lullaby of Broadway.
Arriving on the big screen at Vue on 22 May is The Winter’s Tale from the Royal Ballet. It tells the story of King Leontes, who is crippled with an all-consuming jealousy when his friend King Polixenes of Bohemia stays with him and his wife Hermione.
Celebrating its 10th anniversary this season, The Winter’s Tale is an award-winning modern ballet classic, packed with emotional turmoil heightened by Joby Talbot’s compelling score and Bob Crowley’s atmospheric designs.
Robert Smith, General Manager for Vue Edinburgh Omni, said: “Here at Vue, we pride ourselves on showcasing so much more than the biggest blockbusters – giving fans from all walks of life the chance to catch some of the best life performances from the comfort of their local Vue venue.”
For more information and to book tickets, visit myvue.com.
The evening marked the opening of The Scottish Institute of Theatre, Dance, Film and Television following renaming and opening of new campus
The Scottish Institute of Theatre, Dance, Film and Television (The SI; formerly the MGA Academy of Performing Arts) unveiled its brand new Livingston campus last night at a red-carpet launch event celebrating the renaming of the school and new facilities for its students.
The launch party, held at The SI’s new state of the art facilities in Livingston, Scotland, marks a pivotal rebrand for the school with a name change, a new campus and new management from Ireland’s Silver Rock Studios.
The university is also now expanding its reach to international students for the first time as well as continuing to boost local Scottish talent, positioning Scotland as the go-to destination for success in the creative industries.
All guests, staff, and students were treated to an evening of performances, art installations, and a special performance of Dougie MacLean’s famous Caledonia from the school’s current students.
Alumni from The MGA Academy of Performing Arts, now known as The Scottish Institute, have gone on to success in film and television including playing leading roles in BBC’s Gossip Girl and major West End shows such as The Book of Mormon, Wicked and Six!.
Under its new management from Ireland’s Silver Rock Studios, and with new President and CEO Andy Egan, future students will be guaranteed credits as part of their degree, as part of The Scottish Institute of Theatre, Dance, Film and Television’s plans to foster the stars of tomorrow.
Lung Ha is an Edinburgh-based theatre company for actors and theatre makers with a learning disability and autism which produces award-winning productions and works with a year-round, 25-strong Ensemble to develop their practice and remove barriers to participation into the arts.
April marks the start of 12 months of the Company’s 40th anniversary celebrations which will see it take part in or present a remounting of the Company’s 2021 hit An Unexpected Hiccup at the Edinburgh Festival Fringe, the world’s biggest stage.
Originally created and performed under strict COVID procedures during the global pandemic, the show is a tale of comic misunderstandings, sinister goings on and dangerous eccentricities.
This will also be the inaugural production of the Lung Ha Touring Company which will provide further opportunities for performers to create and tour new and existing work, with bespoke and specialist actor training.
An Unexpected Hiccup is a co-production with Plutôt La Vie featuring five Lung Ha actors, written by Michael Duke after a devising process with the Company. It will be presented between 2 and 10 August at Zoo Southside.
The Company is also commissioning initial research to develop an Access and Creative Principles Toolkit which will support the launch of Lung Ha Touring Company. The research aims to cover three main areas:
The first publication of findings is expected in spring 2025. The project is funded by RS Macdonald Charitable Trust.
Lung Ha Theatre Company has been invited as a guest contributor at the Europe In Action Conference, a partnership between Inclusion Europe and Enable in May 2024 in Glasgow during Learning Disability Awareness Week, hosted by Enable who are also marking an anniversary year (70th).
The Company will be hosting the closing session of the conference with the theme of deinstitutionalisation, including a presentation about the Company’s work and a focus on the award-winning production Castle Lennox from 2023.
Also in May, Lung Ha Theatre Company will host the World Premiere of its short film, Love Like Salt, at Traverse Theatre – a loose adaptation of Shakespeare’s King Lear, featuring the Lung Ha Ensemble and co-created by Maria Oller, Susan Worsfold and Stuart Platt. The evening will also feature a short snippet from an anniversary documentary about the Company made and edited by a Lung Ha actor, Emma McCaffrey.
Throughout the year Lung Ha will be spotlighting our Ensemble actors using commissioned portraits from photographer and long-time collaborator Peter Dibden. The photoshoot was a glamourous “Met gala meets night at the theatre” extravaganza.
The actors were given the opportunity to curate their own costumes and threw themselves into model poses and characterful performances which are beautifully captured in this series and in our commemorative 40th anniversary Ensemble group photograph.
Short history of Lung Ha
Lung Ha Theatre Company began its life as Lung Ha’s Theatre Company in October 1984. A sixty strong team of performers, with a learning disability, under the direction of Richard Vallis and Peter Clerke created and performed their own version of the fabled Monkey stories (for a time the Company was called Lung Ha’s Monkey Theatre).
The production was hugely successful and a new company and vitally important new theatrical voice launched onto the Scottish stage, now a vital part of it.
Since then, the Company has worked with over three hundred performers with a learning disability creating over forty original productions. The Company and has also worked with some of the leading artists and creative organisations across the country and toured internationally to England, France, Ireland, Poland, Sweden and Finland.
Some of the Company’s achievements include the Critics’ Awards for Theatre in Scotland (CATS) for Best Ensemble in Huxley’s Lab in 2009 (co-recipient with Grid Iron Theatre Company) and for Castle Lennox, a 2023 co-production with The Royal Lyceum Theatre Edinburgh.
Now the company offers a range of creative opportunities for learning disabled actors. Our Pathway for Progression features six strands of work where actors can access training and performing opportunities in an inclusive and welcoming environment and on an established platform.
These are The Lung Ha Ensemble, Lung Ha Touring Company, Lung Ha Across Scotland (an online nationwide actor training workshop series), Creative Development (one to one skills development, mentoring and critical response), Sharing our Expertise (via our Access and Creative Principles Toolkit, and workshop leader training), and Supporting External Opportunities (where the Lung Ha team prepares and supports people with their creative ambitions outwith Lung Ha).
Artistic Director Maria Oller and Executive Director Ruth McEwan said: “Entering our 40th year, we are so proud of our achievements and what has come before now.
“We have shared incredible moments with everyone we work with and our audiences far and wide.
“From here, we are passionate about continuing to create fabulous theatrical experiences and breaking down barriers in our sector and beyond. Our actors are the inspiration and the beating heart of Lung Ha Theatre Company.”
Lung Ha actor Fern Brodie said: “I see Lung Ha and the other actors as my other family.
“I feel safe and happy when I spend time with them.”
Lung Ha actor Gavin Yule said: “Lung Ha is a place where I can perform and practise acting skills and develop new ones.
“It’s also where I can make friends and have a social outlet. It also allows me to experience professional theatre and perform incredible pieces of work.”
Theatre critic Neil Cooper said: “Its first show, Lung Ha’s Monkey, gave the company both its name and an identity that seemed to suggest that monkeying around on stage was a good thing.
“In the forty years since, that sense of liberation through play has remained at the company’s core throughout work by a stream of writers and directors who followed in Vallis and Clerke’s footsteps.
“With current Lung Ha Artistic Director Maria Oller at the helm for the last fifteen years, the company’s radical philosophy has put it at the centre, not just of community-based arts initiatives, but of Scotland’s entire theatre ecology.
Watching the company grow into itself over these years has been a joy. Long may Lung Ha continue to thrive.”
