Hidden Door Festival reveals local acts selected through Music Open Call

Hidden Door announces more music acts in festival’s showcase of Scottish talent

Hidden Door Festival 2025 takes place from 11th – 15th June 2025, transforming The Paper Factory, a huge disused industrial space in west Edinburgh, into a vibrant celebration of music, art, dance, spoken word and more. 

Last month, Hidden Door launched an Open Call inviting Scottish-based musicians, bands and electronic artists to join the 2025 music programme. With 200 applications received, organisers have sifted through hours of music to select 10 exceptional acts to feature at the festival.

The acts join an ever-growing programme of music, visual art and performances featuring hundreds of creatives. The packed line-up will fill the festival’s largest ever venue for five days of immersive entertainment.

Hazel Johnson, Festival Director of Hidden Door, said: “Hidden Door exists to showcase incredible emerging talent, and our open calls are a key way for us to discover and present that talent to large audiences.

“We had 200 applications to our music open call and the sheer volume and quality of submissions demonstrates the wonderful breadth of creativity that exists across Scotland.

“The selection process was tough and we would have loved to include everyone, but we’re thrilled to reveal some exceptional acts who truly embody the raw energy and diverse talent that we’re known for showcasing.”

The selected acts are:

Eloi – Wednesday 11 June

Eloi are an Edinburgh based 7-piece future-jazz group. Alongside numerous sold-out headline Edinburgh gigs, they have supported bands such as Surprise Chef at Glasgow’s Broadcast, alongside local Scottish groups including Grace and the Flatboys, Dinosaur 93 and Nani.

In 2022, they secured a slot at Edinburgh’s Hidden Door Festival through the Edinburgh-based community radio station EHFM, and also hold a monthly show on the station called Eloi Selects.

Inspired by the likes of Nubiyan Twist, Ezra Collective and Hiatus Kaiyote, their debut EP ‘Maya’ was released in 2022, and the follow up ‘Bloom Again’ was released in 2023.

HENS BENS – Friday 13 June

HENS BENS make pop music in BLOCK CAPITALS.  Their live shows aren’t like those by other bands. They incorporate fresh fruit, balloons, archery and power tools.

HENS BENS do not speak between songs, with the band instead relying on computer-generated crowd banter over which they have no control. There are LEDs attached to things. There are costume changes. 

Their 2025 album WORLD’S STRONGEST BAND features songs about steroids, revenge, Clint Eastwood’s 1988 film ‘The Dead Pool’, having an argument with the guy from Sleaford Mods, politicians the singer went to school with, Jerry Seinfeld becoming a bit right-wing these days, the band’s great great granddaughters, nuclear war and more.

Humour – Sunday 15 June

Humour live together in Glasgow. They formed across the 2021 lockdowns, writing and recording their material at home, with the music intended as a backdrop to Andreas’ lyrics.

Sometimes they’re about letting people down, sometimes they’re about pets dying, sometimes they’re about trying to say something when you don’t have anything worth saying. 

Signing to SoYoung Records off the back of a few rough demos, it was clear Humour had a unique sound. Their first release ‘Yeah, Mud!’ gained critical acclaim from NME, Clash Magazine, DIY, Dork and more. 

With two EPs released to date, they have now announced their debut album Learning Greek which is set for release in August 2025.

Nick Dow – Sunday 15 June

Scottish electronic music producer Nick Dow blurs the lines between club, ambient and experimental music, combining cinematic melodies with organic instrumentation and visceral textures, enveloping the listener in a world of surging musical landscapes.

Night Caller – Saturday 14 June

Night Caller is made up of members from established Scottish acts including Callum Easter, Neon Waltz, The Stagger Rats, The Merrylees and more – instantly asserting their experienced presence within the Scottish music scene. Band members have recorded with the likes of Paul Weller, The Coral and The Zombies.

They brand their music as “gutter pop – fun, fast, kinky and chaotic!”. Expect deep vocals and ballad-inspired melodies with a sing-along chorus.

Puppy Teeth – Saturday 14 June

Puppy Teeth is an independent Edinburgh based band composed of singer and rhythm guitarist Anna Trost, singer and lead guitarist Theo Black, bassist Ed Meltzer and drummer Niamh Jordan. The band has been described as heady, dreamy, 90s melodic, shoegaze/grunge with psychedelic, hypnotising female vocals.

Huge influences for Puppy Teeth‘s music are artists such as Men I Trust, Jeff Buckley, Mazzy Star, Big Thief, Sorry and Deftones.

racecar – Thursday 12 June

racecar is an alt-pop trio composed of Izzy Flower (vocals, keys, synthesizer), Robin Brill (guitar, drums), and Calum Mason (bass).

They are based in Edinburgh, Scotland, and formed in 2018. They released their debut album, Orange Car, in 2022.

Their latest album, Pink Car, a bold fusion of nostalgia, coming-of-age themes, and genre-blurring sounds, was released earlier this year. With festival-ready anthems like ‘Zephyr’ and ‘Fall Leave’, the album expands on their signature style with a fresh, dynamic energy.

samwooddoowmas – Saturday 14 June

samwooddoowmas is a musician and visual artist based in Edinburgh. He records out of a DIY studio held together with electrical tape.

He makes sounds using a variety of techniques including tape loops, digital processing and analogue instrumentation. He is known for performing in unusual spaces (such as a urinal) and using instruments in strange ways live, such as a bass guitar played with a bicycle.

San Jose – Sunday 15 June

Their name pinched from a Dionne Warwick song, San Jose wield their forthright, raucous and versatile reputation with a snarled grin. With ever-evolving theatrics and everything you’d expect from a circus with the exception of the caged animals, San Jose, are the only 5 piece band with an average of more than 5 members.

Although falling under the ever expanding umbrella term of “post-punk” San Jose have a dedication to avoid musical confinement, the five piece often incorporate instrumentation uncommon to heavier styles of music, such as brass and accordion, and interweave it with their punk attitude.  

With a background in musical theatre, San Jose blur the lines between performance art and concert. With people in bear costumes, auctions, fine dining, plumbing and pantomime levels of audience interaction all to be expected from their shows, the five piece sonically and visually paint a picture of the inherent absurdism that lies within Scottish culture.

Their live performances have been described as “the ideal descent into hell”. 

The Era – Saturday 14 June

The Era are a duo from Glasgow consisting of Electric Harp player Lochlann and Singer/Guitarist Cal. Taking as much influence from pop icons such as Sky Ferreira and Charli XCX as they do from indie references like Arctic Monkeys, The Kills & Nine Inch Nails. 

The Era are pushing the boundaries of modern pop/rock music by using their USP; unlike any other band on the scene The Era use an electric harp played through a selection of amplifiers and effects pedals to create a face pounding wall of sound.

Recent shows include support slots for 80’s legends Heaven 17 as well as notable slots with GGLUM for Plastic Factory LDN, The Ninth Wave, Vlure as well as a sold out  debut headline show in Broadcast, Glasgow – all within their first 8 months as a band.

Tickets are now available at www.hiddendoorarts.org/tickets

ARTS & CULTURE CASH CRISIS

Update on Creative Scotland Budget 2023/24

Creative Scotland recently made a submission to the Scottish Parliament Culture Committee’s ongoing inquiry into culture budgets in Scotland – read the submission on the Scottish Parliament website

In that submission, we stated the following regarding our Grant in Aid budget from the Scottish Government for 2023/24:

“While we welcomed the Scottish Government’s decision in February 2023 to reverse the 10% cut to our Grant in Aid Budget which was originally announced in December 2022, it should be noted that the £6.6m this cut related to has not yet been confirmed in Creative Scotland’s budget.”

We are extremely disappointed to report that the £6.6m budget has not been included in the Autumn Budget Revisions.

This has been confirmed in writing by the Cabinet Secretary for Culture, Angus Robertson, in a letter to our Chief Executive, Iain Munro on 20 September.

This relates to Grant-in Aid funding that we receive from the Scottish Government and that we use to support 119 cultural organisations across Scotland through Regular Funding.

Given the extensive messaging and advocacy regarding the pressures on culture budgets and risks to the culture sector that we, and many others have been making, this is a concerning development.

To address this reduction, the Creative Scotland Board agreed on 27 September, to use £6.6m of our National Lottery reserves to prevent us having to pass it on to the Regularly Funded Organisations, especially given the next payments are due in 2 weeks’ time.

Whilst the unprecedented pressures on public finances are understood, we are disappointed that the Scottish Government has taken this decision. However, Creative Scotland is acting swiftly and pragmatically to help stabilise the situation in the short term.

This step of using our National Lottery reserves in this way will only happen once.  The budget for 2024/25 will not be decided by the Scottish Government for some months yet but should the Scottish Government choose to sustain this reduction, we will require to pass it on to the sector.

Creative Scotland appeared before the Culture Committee at the Scottish Parliament on yesterday (Thursday 28 September) to give evidence as part of the Committee’s ongoing inquiry into culture budgets in Scotland.

David Watt, chief executive of Culture & Business Scotland, said: “At a time when Scottish Government ministers repeatedly speak about the importance and value of culture to our society and economy, the reinstatement of the £6.6M cut to Creative Scotland’s annual budget for the current year is unfathomable.

““Just yesterday (Thursday September 28), I, alongside other cultural representatives, gave budget evidence to the Constitution, Europe, External Affairs and Culture Committee to hopefully ensure that this shortsighted budget decision does not extend into the 2024-25 budget for culture settlement.

“Investment in culture is essential for society, local communities, tourism, the economy and Scotland’s international reputation. The ongoing challenges of the legacy impact of Covid, Brexit and the cost-of-living crisis, are very real, with many arts and culture organisations operating on a knifes edge.

“These issues are exacerbated as the majority have a lack of unrestricted reserves and continue to struggle to build these up due to slow growth in ticket sales and increased overheads due to high energy prices.

“A reduction in public funding will rapidly increase the firefighting our culture organisations and venues are facing against challenge after challenge. If this budget pattern continues, with little opportunity to ensure future sustainability, there will be an inevitable shrinkage of the culture sector, and the economic and social impact of this will be significant for us all.”

As part of the Autumn budget review, the Scottish Government has re-instated a 10% cut to Creative Scotland’s 2023-24 annual budget (totaling approximately £6.6m), which following mass campaigning from the cultural sector, was overturned earlier this year (writes SMIA Interim CEO and Creative Director ROBIN KILPATRICK).

As the organisation which exists to strengthen, empower and unite Scotland’s music industry – representing a diverse membership of over 4,000 people working across all music genres and industry subsectors – we’re compelled to highlight the devastating impact of this decision; not just to music and culture, but to Scottish society at large.

The cut directly relates to the funding allocated to support Creative Scotland’s Regular Funding Network, comprising 119 cross-artform organisations (RFOs) that are structurally integral to both supporting and delivering Scotland’s cultural output. The SMIA is one of them.

In the short-term (for the rest of this financial year), Creative Scotland has had to divert to utilising National Lottery reserves to plug the gap and prevent the cuts from being passed on to members of the RFO network.

If this hadn’t been the case, in two weeks’ time when the next RFO funding payments are due, each of the 119 organisations would, in effect, have received a ~40% cut to projected funding.

In the SMIA’s case, this would have been two weeks ahead of the Scottish Album of the Year (SAY) Award Ceremony, and would have put the delivery of Scotland’s national music prize at significant risk.

The cut would have again been replicated in January at the next (and final) RFO payment for this financial year, which in the case of many organisations, would have meant the end. Whilst immediate disaster has been avoided, the use of Creative Scotland reserves at this stage means that they are now significantly depleted for what was their intended purpose.

Last month, Creative Scotland highlighted that over 500 cultural organisations stated their intention to apply for Multi-year funding; a new funding scheme that will replace the current Regular Funding one. From the intentions to apply, the indicative annual request was in excess of £113m – far exceeding what Creative Scotland expects to have available.

Inevitably, this means that Creative Scotland will not be able to support as many organisations on a multi-year basis as they currently do, and the application process will be highly competitive. Causalities are expected and imminent. Cultural organisations across all art forms are worried about their future, and the reserves that Creative Scotland has had to use now means that there’s far less available transitional funding for unsuccessful applicants.

Whilst the future for Scottish culture was looking bleak, there was at least some hope that organisations that are unsuccessful in securing Multi-year Funding would have some time to remain operational, pivot their business model and potentially find an alternative way forward. With Creative Scotland’s reserves now depleted, many unsuccessful organisations will soon vanish from the fabric of our cultural landscape, and with them, many creative opportunities and a significant part of our cultural identity as we know it today.

RFOs have been on stand-still funding since 2018. In the face of high inflation, rising interest rates, cost of living challenges, issues around staff retention and recruitment, the impact of Brexit, the legacy of Covid and a whole myriad of broader problems currently facing our sector, for Creative Scotland’s budget cut to have been re-instated, the future of music and culture in Scotland is now at significant and immediate risk. The foundations upon which it supported are being eroded at an increasingly alarming rate, and unless intervention is made by the Scottish Government, it will have impacts for decades to come.

Outwith the significant economic contribution that music makes to Scotland’s economy (£581m through music tourism alone in 2022, as noted in UK Music’s ‘Here, There And Everywhere’ report – and this is only based on events with 1500+ capacity), it’s important to remember that the value generated by the sector far extends an economic one.

With the Scottish Government has stated that they’re committed to building a well-being economy – which serves and prioritises the collective well-being of current and future generations – it’s fundamental to highlight just how intrinsic music and culture are to achieving that vision.

Culture is our identity; it’s how we see ourselves, how we see our place in the world and how we relate to others. It’s the stories of life in Scotland, and it underpins mental well-being – both collectively and individually – in many different ways. The silences that echoed across 2020 as live music vanished from our lives serve as a firm reminder of this. Unless intervention is made now, we’ll be lucky if there are whispers in the years to come.

We urge the Scottish Government to recognise the desperate situation of a vitally important sector; economically, socially and culturally. It’s essential that Creative Scotland has the resources to both support and preserve it.

You can help directly by signing the Campaign For The Artist Petition against this move.”

Robert Kilpatrick – Interim CEO and Creative Director, Scottish Music Industry Association (SMIA)

CAMPAIGN FOR THE ARTS

The Scottish Government is breaking its promise on arts funding.

In February, thousands joined our campaign against plans for a £6.6 million cut to Creative Scotland, the public body responsible for investing in Scottish arts and culture. Ministers responded by abandoning the cut and instead heralded a “£6.6 million uplift … supporting the arts and cultural sector at this challenging time”.

But seven months on, the £6.6 million pledged to Creative Scotland hasn’t been delivered. And now the Culture Secretary Angus Robertson has told them that it won’t be.

This extraordinary short-changing of Scottish culture midway through the year has forced Creative Scotland to raid its limited reserves as a one-off, emergency measure. Otherwise, regularly funded arts organisations in Scotland would have seen their funding cut by as much as 40% as soon as next month.

This is absolutely no way to treat Scotland’s arts and culture, let alone in a perfect storm of economic pressures and post-pandemic challenges. This ‘U-turn on a U-turn’ puts treasured venues and companies, thousands of jobs and access to Scottish culture at risk.

We urge the Culture Secretary Angus Robertson to:

  1. Honour the Scottish Government’s commitment in February to provide “an uplift of £6.6 million for Creative Scotland for 2023-24″.
  2. Scrap any proposal to cut Creative Scotland funding from the 2023-24 Autumn Budget Revision.
  3. Commit to maintaining and increasing investment in arts and culture from 2024-5, for the benefit of everybody in Scotland.

The SNP’s 2021 manifesto said “culture is central to who we are as a nation”, and that “the pandemic has demonstrated more than ever how vital it is to our wellbeing, mental health and sense of belonging”.5

But Scotland’s cultural sector has not fully recovered from the pandemic, during which it was one of the hardest-hit sectors. For many, incomes have fallen and reserves have dried up. Now, in the middle of a cost-of-living crisis, costs are rising and uncertainty is rife. This is not the time to cut vital, core funding on which artists and organisations depend.

Economic pressures have already led to the permanent closure of the Filmhouse cinemas in Edinburgh and Aberdeen, the Blue Arrow Jazz Club in Glasgow and the Nevis Ensemble, which worked across the country. We cannot afford to lose any more arts organisations – or the benefits they bring to our lives, communities and society

Creative Scotland’s 120 Regularly Funded Organisations (RFOs) directly employ 5,000 workers, support 25,500 individual artists and provide millions of opportunities for people across Scotland to engage with the arts and culture.

Of these, Edinburgh-based arts organisations include:

(OrganisationArt form – Average annual grant )

Arika – Multi – £200,000

Arts and Business Scotland – Creative Industries – £200,000

Centre for the Moving Image – Screen – £1,066,667

Collective – Visual Arts – £283,333

Craft Scotland – Craft – £333,333

Creative Carbon Scotland – Creative Industries – £150,000

Creative Edinburgh – Creative Industries – £94,667

Curious Seed – Dance – £132,318

Dance Base – Dance – £408,333

Drake Music Scotland – Music – £126,667

Dunedin Consort – Music – £100,000

Edinburgh Art Festival – Visual Arts – £100,000

Edinburgh International Book Festival – Literature – £306,500

Edinburgh International Festival Society – Multi – £2,317,333

Edinburgh Printmakers – Visual Arts – £160,000

Edinburgh Sculpture Workshop – Visual Arts – £233,333

Federation of Scottish Theatre – Theatre – £265,000

Fruitmarket Gallery – Visual Arts – £666,667

Grid Iron Theatre Company – Theatre – £224,400

Imaginate – Theatre – £365,000

Luminate – Multi – £100,000

Lung Ha Theatre Company – Theatre – £146,818

Lyra – Theatre – £100,000

Magnetic North Theatre Productions – Theatre – £100,000

Publishing Scotland – Literature – £307,833

Puppet Animation Scotland – Theatre – £183,667

Red Note Ensemble – Music – £215,000

Regional Screen Scotland – Screen – £206,783

Royal Lyceum Theatre Company – Theatre – £1,210,000

Scottish Book Trust – Literature – £859,931

Scottish National Jazz Orchestra – Music – £216,667

Scottish Poetry Library – Literature – £300,833

Starcatchers Production – Theatre – £100,000

Stellar Quines Theatre Company – Theatre – £176,000

Stills: Centre for Photography – Visual Arts – £147,000

Tinderbox Collective – Music – £100,000

Traditional Arts and Culture Scotland – Multi – £313,333

Travelling Gallery – Visual Arts – £126,667

Traverse Theatre – Theatre – £866,667

Voluntary Arts Scotland – Multi – £130,000

Youth Theatre Arts Scotland – Theatre – £133,333.

SIGN THE PETITION:

https://campaignforthearts.org/petitions/scotland-cuts-reimposed/

Visual Artist and Craft Maker Awards open for applications

Applications are now open for bursaries of up to £750 of National Lottery funding, through Creative Scotland’s Visual Artist and Craft Maker Awards (VACMA) programme. 

Delivered in partnership with local partners across Scotland, these one-off grants aim to support the creative development of visual artists and craft makers at all stages of their career. 

This year’s VACMA programme offers two fixed fee bursaries – the first is a £750 grant for visual artists and craft makers who can demonstrate a commitment to developing their creative practice; the second is a grant of £500 for new graduates/emerging artists. 

VACMA funding has previously supported projects including skills development and courses, artistic mentoring, researching a new body of work and experimenting with new materials. 

Full eligibility criteria and a list of participating local partners through which applications will be made, is available on the Creative Scotland website.  

The deadlines for applications are: 

  • Autumn: 5pm, Tuesday 10 November 2020 
  • Winter: 5pm, Tuesday 2 February 2021 

Amanda CattoHead of Visual ArtsCreative Scotland said: “These bursaries are invaluable in supporting the creative development of artists and craft makers across Scotland. 

“With thanks to National Lottery players who make these awards possible, we’re pleased to be working with local partners to deliver the scheme across 25 Local Authority areas, offering grants to emerging and more established practitioners, alike.” 

Free, online information sessions about the Visual Artist and Craft Maker Awards will be held on Thursday 15 and Tuesday 27th October from 10am – 11am.

Hosted by local partner representatives and members of Creative Scotland’s Visual Arts Team, the sessions will include an overview of the scheme, followed by a panel discussion and Q+A. 

Booking is required to take part in the sessions. This can be done here for Thursday 15 October, and here for Tuesday 27 October. 

Edinburgh Art Festival Announces Pop-Ups and Events Programme

Edinburgh Art Festival 26 July – 26 August 2018

Edinburgh Art Festival, the only major annual festival dedicated to the visual arts within the UK, has announced  details of its 2018 events programme. The programme includes a wide range of one-off performances, artist talks, tours and walks, musical events, family activities and workshops, as well as pop-up exhibitions and events in spaces and galleries across the city. Continue reading Edinburgh Art Festival Announces Pop-Ups and Events Programme

Funding for trainees in creative industries

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£100,000 funding has been awarded through Creative Scotland to support ten full time, year-long traineeships across the arts, screen and creative industries, it was announced today.

Edinburgh Sculpture Workshop in Hawthornvale will be one of the five capital-based organisations to offer traineeships.

The Traineeships Programme aims to support the employment prospects for people aged 20-30yrs interested in developing a career in arts and culture, by creating valuable work experience opportunities.

Traineeships will take place at Africa In Motion (AiM) Film FestivalEdinburgh Sculpture Workshop, Media Education, Starcatchers and Traditional Arts and Culture Scotland (TRACS) in Edinburgh; GMAC Film and Barrowland Ballet in Glasgow; Ayr Gaiety Theatre in Ayrshire; The Pier Arts Centre in Orkney, and with Jewellery designer Eileen Gatt in the Highlands.

Leonie Bell, Director of Arts & Engagement, Creative Scotland said: “Creative Scotland is committed to supporting the creation of opportunities for young people to gain employment, work experience and vocational qualifications in the arts, screen and creative industries in Scotland.

“These traineeships will offer young people the opportunity to develop the skills and professional experience needed to progress in their chosen profession by removing barriers to paid work experience.

“At the same time, organisations will benefit from fresh, innovative ideas and enthusiasm of the trainees.”

Traineeships will be offered across the following areas:

Visual Arts
Assistant Curator (Programme Team) – Edinburgh Sculpture Workshop
Gallery Programmes Trainee: Exhibitions, Learning & Digital (Curatorial and Education) – The Pier Arts Centre

Film
Shadow Curator – Africa In Motion (AiM) Film Festival
Online Film Content Developer – GMAC Film
Trainee Project Assistant / Member of Production Team – Media Education

Theatre and Dance
Starcatchers Trainee Associate Artist – Starcatchers Productions
Programme Officer (Programming Department) – Ayr Gaiety
Dance Participation Artist, Participation and Outreach Department – Barrowland Ballet

Craft
Eileen Gatt: Jewellery designer/maker

Literature
Digital and Language Resources Trainee – TRACS based at the Scottish Storytelling Centre.

All Traineeships will be advertised on Creative Scotland’s Opportunities site.

Welcoming the announcement Irene Kernan, Director at Edinburgh Sculpture Workshop, said: “The Creative Scotland Traineeship will support Edinburgh Sculpture Workshop’s aims of developing talent and supporting young artists in their careers. Being able to employ a trainee for a full year provides a valuable opportunity for us to bring new approaches and skills to the staff team and further develop our public programme to connect with local audiences.”