To celebrate the 10th anniversary of the beloved Broadway phenomenon, Vue is bringing the award-winning Hamilton to the big screen this September.
From 26 September, for three days only, the global stage sensation heads to the big screen at Vue venues in Edinburgh, telling the story of one of America’s foremost founding fathers Alexander Hamilton. The screening brings the show straight from the Richard Rodgers Theatre on Broadway and features the original cast.
Created by and starring Lin-Manuel Miranda, the production first hit stages back in 2015 and since has toured the world, winning over worldwide audiences with iconic and award-winning songs such as Alexander Hamilton and My Shot.
This groundbreaking musical, which packs a score of more than 40 songs in total, can be experienced on the big screen, allowing theatre fans to enjoy all of their favourite moments in this fully immersive experience, all from the comfort of their local Vue.
Ian Chester, General Manager at Vue Edinburgh Ocean, said: “Since it rocked the theatre world over 10 years ago, Hamilton has gone on to be a legendary musical that fans always eagerly want to see.
“At Vue this month, we’re thrilled to provide audiences a fantastic way to watch this iconic production, complete with the original Broadway cast, up on the big screen for a limited time.”
Pitlochry Festival Theatre’s Artistic Director Alan Cumming is set to host a fundraising event for the Theatre on Sunday 28 September, when he spends an entertaining evening in conversation with sports pundits Tam Cowan and Stuart Cosgrove, celebrating over 30 years of Scotland’s best loved (and self-proclaimed worst informed) football radio show, BBC Radio Scotland’s Off the Ball.
Whether you are a football fan or a Theatre lover (or both!) , join Alan as he delves into the history of this dynamic duo, and their unique style of football punditry which has brought joy each week to football fans across Scotland. The conversation will be followed by the chance for audience members to ask their own questions to Tam and Stuart.
Pitlochry Festival Theatre’s Artistic Director Alan Cummingsaid: “I am a huge fan of Off the Ball even though I know and have very little interest in football.
“I guested on the show once (and can’t wait to again, hint hint), and my big brother – who is a football nut and was I think rather jealous of my proximity to Scotland’s fitba royalty – said ‘you just giggled the whole time’. And he was right. “Tam and Stuart are hilarious, irreverent, and even just the timbre of their voices and their vocabulary make me howl with laughter and I could listen to them all day.
“This fundraiser is a beautiful gesture by them to support me and my plans for my first season of work at Pitlochry Festival Theatre and a great chance for everyone who loves football and comedy to witness, in the flesh, these petty and ill-informed football titans!”
Tam Cowanadded: “I first suggested doing this fundraiser for the theatre when Alan Cumming was appointed artistic director as he’s been a great friend of Off the Ball with numerous plugs for the programme on both sides of the Atlantic.
“Me and Stuart appreciate the support (it’s not every day a James Bond baddie praises your work!) and, to reciprocate, I thought the least we could do was put on a wee freebie at Pitlochry Festival Theatre, just a few miles from where Stuart was born and bred.
“We’re really looking forward to a no-holds-barred petty & ill-informed evening of stories, jokes and memories – and we might even spill a few Off the Ball secrets for the punters who donate a few quid extra by splashing out on a VIP meet’n’greet ticket…!”
Pitlochry festival Theatre new Studio official opening.
An Evening with Off the Ball’s Tam Cowan and Stuart Cosgrove is scheduled as the first in a series of In Conversation fundraising events to be held at the Theatre over the next year.
These events will bring in much needed funds for the Theatre, a charity, which produces work here in Pitlochry at its on-site workshop and rehearsal rooms.
The funds from the evening will go to support the Theatre’s 2026 programme, which will be Alan Cumming’s first season of programming as Artistic Director, as well as the Theatre’s 75th Anniversary Season.
Further In Conversation events will be announced in the coming months.
General tickets for the fundraising event cost £25. VIP Meet and Greet packages are also available, allowing audiences members the opportunity to enjoy nibbles and drinks whilst chatting with Tam, Stuart, and Alan.
An Evening with Off the Ball’s Tam Cowan and Stuart Cosgrove will be on Sunday 28 September at 7pm at Pitlochry Festival Theatre. Tickets are available from the box office on 01796 484626 or online at pitlochryfestivaltheatre.com
To find out more about supporting Pitlochry Festival Theatre visit:
Asian Art Awards – Award Ceremony at MOXY Fountainbridge
Members of the Scottish Indian community were prominent among the winners of the 2025 Asian Art Awards at the Edinburgh Fringe. The awards have been running since 2014 and exist to bring Asian artists together at the Fringe and reward the best of them.
90 shows participated in 2025, up significantly from 55 in 2024.
The highly acclaimed “Kanpur: 1857”, written and co-performed by Edinburgh-based Niall Moorjani and which showed at the Pleasance, won the award for Outstanding Production.
Set at the time of the Kanpur uprising in India, this new play “comically satirises contemporary conflicts around gender, colonial violence, and making art in times of crisis”. The award was collected by the production’s musician, Sodhi.
Shows by Sanjay Lago (Love me Like a Chai Tea Latte [wearing the colourful shirt]) and Dance Ihayami, with their show Dansa Rickshaw, also won awards for Highly Commended performances (i.e. Runners Up). Sanjay is Scottish Indian while Dance Ihayami is “Scotland’s Indian dance company”. Like Sodhi, Sanjay is from Glasgow (“Ibrox, don’t judge me” he says).
Hahaha-Hamlet from Hong Kong, which played at the Paradise Green venue on George IV Bridge, won the award for Outstanding Show.
The award reviewers simply loved this “captivating reimagining of Shakespeare’s classic tale, blending original musical with dark humour [..and..] intertwining the struggles of contemporary Hongkongers with Hamlet’s timeless tale”.
Energetic, inventive and incredibly affecting with some reviewers moved to tears as the tales of Hamlet and Hong Kong coincided at the end. The whole cast were in attendance to receive the award [red and black t-shirts under their clothes] and they were delighted.
Mayuri Bhandari of the Anti “Yogi” took home the award for Outstanding Female while Jeremy Rafal won Outstanding Male for The Boy from Bantay “a heartwarming journey of growth and self-discovery”.
Mayuri was in attendance with her percussionist Neel Agrawal while Jeremy sent a video message to the audience. Both shows were hugely popular. At the Anti “Yogi” the audience were invited to “Join Mayuri Bhandari and Kali, the Goddess of Death every day as they navigate the absurdities of Western Yoga culture. Liberation, not Lululemon!”
The Outstanding Youth Performance was won by the show “Landscape of the Other Shore” from Shenzhen University which was also inspired by another European classic: Géricault’s painting and Georg Kaiser’s play The Raft of the Medusa.
The Asian Arts Special Award was shared between GENDAI TOKYO and Up-cycle Music by Creative Art of Korea. GENDAI TOKYO had a simply incredible laser show playing at WU Asia Pacific three times per night. Everyone who sees it simply loves it.
Up-cycle Music is a “response to climate change from a uniquely artistic perspective. They use waste to make music – cellos from abandoned equipment from rural areas, stringed instruments of thrown away plastic toys – and compose piano songs based on the characteristics of endangered animals, to ask vital questions about the climate crisis”.
Lyndsey Jackson from the Fringe presented the awards along with Richard Lewis and Chelsea Zhou of Asian Art Fund Scotland, the charity which runs the Asian Art Awards.
Winners – 2025 Asian Art Awards
Outstanding Show
Winner: Hahaha–Hamlet – Chai Wan Rabble (Hong Kong)
Highly Commended: 1Shoulder Pad: Galaxy Train, Japanese Musical Theatre (Japan)
Highly Commended: Practice of Zen – Theatre Ronin (Hong Kong)
The four-strong cast have completed a knockout Edinburgh Festival theatre run
A group of Edinburgh Napier University acting students have claimed an industry award for an Edinburgh Festival Fringe show that packed a punch.
Starring Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack – and directed by Lecturer David Wotton from ENU’s School of Arts & Creative Industries – Cornermen tells the story of a young boxer and the exploitation of his success.
Following a successful run at theSpace on the Mile throughout this month, the cast have been presented with the coveted ‘Bright Spark’ award by The Scottish Theatre Awards on the Fringe.
Awarded every year by the Scottish Arts Club, the prize recognises Scottish actors or theatre-makers just embarking on their career, with the winner selected by a panel of expert judges.
Put on by in-house company Authentically False Productions, Cornermen stood out from the crowd of theatre acts on show across the city during August, drawing praise for its assured performance.
Responding to their award win, Daniel, Liam, Arran and Ruairi said: “We are all absolutely thrilled to have won the ‘Bright Spark’ award at our first foray into the professional theatre world after our training at Edinburgh Napier University.
“The hard work and dedication we put into Cornermen has paid off and we couldn’t be prouder to represent Edinburgh Napier and the Scottish theatre scene in this way.
“Hopefully, this award will be a great kick start to our career. We’ll always remember this moment, this award and this training.”
Cornermen director David Wotton said: “It’s awards like this that highlight our department and the hard work we do to make sure our training actors thrive in such a competitive market.
“This award marks a year of dedication by the cast of Cornermen, Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack, and our department.
“Year upon year our course has exceptional National Student Survey results, and industry recognition like this shows that Edinburgh Napier University is a great place for an actor to train.
“Directing these four talented actors has been so very rewarding. It’s great that the industry sees and appreciates the work and dedication shown by both our talented actors and staff alike.”
Cornermen was one of many theatre productions put on by ENU students during the Edinburgh Festivals, which draw to a close this week.
It also follows previous shows such as Everything Under the Sun in being recognised by the industry.
Friends and supporters of Arkle Theatre Company have unveiled a sculpture to mark the thirty year legacy of grassroots theatre and to recognise the contribution of founders Rob Mackean and Michael Mulligan to the arts.
The sculpture was unveiled at a reception attended by alumni of the theatre company and held at this year’s Fringe Central at Grassmarket Community Project on Monday (18 August).
The sculpture has been commissioned from Edinburgh blacksmith and artist Jack Waygood, and depicts a mischievous figure of Puck sat atop a step ladder and holding the full moon.
The design was inspired by Shakespeare’s A Midsummer Night’s Dream and Patrick Barlow’s adaptation of The 39 Steps; two favourite plays of Arkle Theatre founders and the ensemble productions that made up the company’s final Fringe performances. The work is due to go onto public display at the new Fringe Hub when it opens on Infirmary Street in 2026.
Talking about the artwork and contribution Arkle Theatre Company has made to the arts in Edinburgh, Head of Artist Services at the Fringe Society, Chris Snow said: “Edinburgh is packed year-round with talent – professional theatre companies, students and community groups alike.
“In this year’s Fringe programme hundreds of shows are presented by Edinburgh-based teams. Rob Mackean and Michael Mulligan have led Arkle Theatre for 30 years, with the company performing more than 50 shows at the festival.
“The new Fringe Central isn’t just for August – it’s to provide support and space to our local artistic community year-round. We are proud to be a home for this sculpture, commissioned to mark the final Arkle productions and honour Rob and Michael’s legacy to the city and even the festival.”
Arkle Theatre Company was founded in 1996 by Rob Mackean and Michael Mulligan who had previously been members of Edinburgh People’s Theatre. The company’s first production was Womberang by Sue Townsend, which was performed in August 1996 at Theatre East End, St Pauls and St George’s Church Hall.
Arkle went on to stage 85 productions in close to 500 performances in the subsequent 29 years, performing at over 20 different venues across Edinburgh and Scotland, and engaging the talent of over 200 Edinburgh based actors, directors, technicians, and artists.
Reflecting on 30 years, Arkle founder Michael Mulligan said: “You only get out what you put in.
“You couldn’t pay me to act, I can’t act. So I’ve been doing the one thing I like to do, and that is to give talented people a chance to perform. It’s as simple as that.”
Rob Mackean added: “So many people just see the actors on the stage and they don’t realise the hours and hours of rehearsal and all the preparation behind the rehearsals that goes on.
“The performance is just the tip of the iceberg of what we do. It’s only when you’ve done something like this for 30 years or more that you realise people have no concept of all that stuff that goes on behind the scenes.”
The company’s final season came to a close at this year’s Edinburgh Festival Fringe, where it staged four productions at The Royal Scots Club; Nancy’s Philosopher, George, Don’t Do That… The Joy of Joyce Grenfell, The 39 Steps and A Midsummer Night’s Dream.
The sculpture by Jack Waygood (above) and gifted by friends of Arkle Theatre Company to Rob Mackean and Michael Mulligan will be placed on public display at the new Fringe Central on Infirmary Street when it opens in 2026.
2025 Edinburgh Multicultural Festival brings an eclectic mix of music, dance, poetry and theatre to Lauriston Castle on Saturday, 30 August.
From family cultural experiences at the Edinburgh-Kyoto Friendship Garden, to fun-filled circus workshops for all ages to a unique blend of musical genres and influences on the Main Stage, this year’s programme features local diverse performance artists that will entertain and inspire.
Morgan Njobo and Morgan Withers, festival directors expressed their excitement about this year’s festival: ‘We are delighted to be returning to Lauriston Castle with more music, dance, poetry and even musical theatre!’
Food and drink stalls with a great choice of world tastes and flavours will only add to your great day of a multi-sensory cultural extravaganza at Lauriston Castle.
Supported by The City of Edinburgh Council, the event, which is free to attend, invites all residents from across Edinburgh and beyond to come together for an afternoon of heart-warming, mind-inspiring and soul-satisfying shared experiences for all.
Thought-provoking Monday events this August will cast a glance forward to the future of Scottish theatre through the lens of pressing issues in playwrighting.
Delivered in partnership with the Institute for Advanced Studies in the Humanities at the University of Edinburgh and Playwrights’ Studio, Scotland
The Traverse Theatre hosts two exciting industry-facing events as part of its Travfest25 programme this August, bringing together artists, academics, and audiences to look into what the future may hold for Scottish theatre.
These Monday discussions and readings will bring together leading playwrights, academic voices, and industry experts to explore critical themes shaping the future of arts and culture in Scotland and beyond.
On Monday 11 Augusta panel event on playwrighting, delivered in partnership with the University of Edinburgh’s Institute of the Advanced Study of Humanities programme (IASH).
Chaired by Fergus Morgan, The Stage’s Scotland Correspondent and freelance theatre critic, the Scottish Writers Community panel will discuss the shape of contemporary playwrighting in Scotland, and the burning issues that writers can uniquely address on-stage.
Fergus is joined by Gareth Nicholls, the Traverse Theatre’s Artistic Director and a number of the IASH x Traverse Theatre fellows past and present – Isla Cowan (2024) Michael John O’Neill (2025) and Apphia Campbell (2021).
The event will also feature an exclusive first reading of Michael John O’Neill’s work-in-progress play Headland, a result of his 2025 IASH fellowship.
On Monday 18 August, Traverse Theatre and Playwrights’ Studio, Scotland collaborate on their annual event that looks to Scottish theatre’s past to offer a guide for its future. Industry figures will gather to discuss perspectives and insights.
The Traverse Theatre Festival for 2025 runs until Sunday 24 August, featuring 12 productions and 10 premieres, giving audiences the chance to be among the first to see some of the most ground-breaking, quality new theatre in Edinburgh this month.
LISTINGS
Monday 11 August, 4pm (1hr 30mins)
Scottish Writers Community: Panel Discussion
Join a discussion chaired by Fergus Morgan (The Stage’s Scotland correspondent and freelance theatre critic), Gareth Nicholls (Traverse Artistic Director), Michael John O’Neill (2025 IASH x Traverse Playwriting fellow), Isla Cowan (2024 IASH x Traverse Playwriting fellow) and Apphia Campbell (2021 IASH x Traverse Playwriting fellow), to discuss the future of Scottish theatre, contemporary theatre narratives and what writers want to address.
This event will also feature an excerpt reading of Michael John O’Neill’s new work in development, Headland, which is a result of the IASH x Traverse fellowship.
Full price £8
Standard concession £5
Under 30s/Student £3
Low income benefit £3
Monday 18 August, 3pm (1hr30mins)
Traverse Theatre event with Playwrights’ Studio, Scotland
Join us for our annual festival event with long-term partners Playwrights’ Studio, Scotland. Expect discussion and insight from industry figures.
Traverse Theatre, 10 Cambridge St, Edinburgh, EH1 2ED I traverse.co.uk For more information, interviews, press tickets or images, contact press@traverse.co.uk
The 2025 Edinburgh International Festival begins today with the first of more than 133 performances: the ultimate destination to experience world-class artists across music, theatre, opera and dance in creative and unconventional ways in Edinburgh this August.
Exploring the theme The Truth We Seek, more than 2,000 internationally renowned artists from across 42 nations, including a third of artists based in Scotland, will perform.
Upcoming highlights include: the world premiere of theatre blockbuster Make It Happen from James Graham, monumental 8-hour choral work The Veil of the Temple, an Australian reimagining of opera Orpheus and Eurydice featuring acrobatics, and the Scottish premiere of Nederlands Dans Theater, Simon McBurney and Crystal Pite’sFigures in Extinction.
To ensure that cost isn’t a barrier to cultural discovery, half the tickets for the 2025 International Festival will be sold at £30 or less, and £10 tickets have been made available for every performance across the programme. Tickets can be purchased from www.eif.co.uk.
THE CURTAIN rises today on the 2025 Edinburgh International Festival, welcoming over 2000 artists from 42 countries to Edinburgh for a 24-day global celebration of world-class performing arts.
The third year under Festival Director and celebrated Scottish violinist Nicola Benedetti, this year’s International Festival welcomes audiences to explore opera, music, theatre and dance through the lens of the theme The Truth We Seek, a journey into the elusive nature of truth in our personal and public lives.
This year’s programme invites audiences to experience bold, thought-provoking performances in fresh and unconventional ways. The opening weekend features large-scale participatory events The Big Singalong and The Ceilidh Sessions, celebrating the collective joy of singing and dancing outdoors in Princes Street Gardens, set against the iconic backdrop of Edinburgh Castle.
Elsewhere, the historic Old College Quad becomes the stage for the world premiere of Dance People, an outdoor dance performance, and a classic opera is reimagined with a twist in Orpheus and Eurydice, bringing together world-class musicians and performers with breathtaking acrobatics from Australia’s Circa.
The 2025 programme also opens up barriers to cultural discovery: more than 50,000 tickets are priced at £30 or less, £10 Affordable Tickets have been made available to all performances, and wide-reaching initiatives offer free tickets to NHS workers, young people and community groups to a range of Festival performances.
Stand-out performances across the International Festival include:
Make It Happen(1–9 August, Festival Theatre) The world premiere of a gripping new drama by James Graham, tackling the 2008 financial crisis in Edinburgh. Starring Brian Cox as Adam Smith and Sandy Grierson as Fred Goodwin, this timely co-production with the National Theatre of Scotland and Dundee Rep reframes the collapse of global markets through a distinctly Scottish lens.
Opening Concert: The Veil of the Temple(2 August, Usher Hall) A spiritual epic: over 250 singers from the Edinburgh Festival Chorus, Monteverdi Choir and National Youth Choir of Scotland perform John Tavener’s The Veil of the Temple in its complete eight-hour form with the audience seated on beanbags. This year also marks the first performance in the Festival Chorus’s 60th anniversary year.
Dance People(7–10 August, Old College Quad) Lebanese choreographer Omar Rajeh and Maqamat company present an open-air activation of dance, movement and activism. Performed outdoors in the heart of the city, it dissolves the lines between performance and real life.
Orpheus and Eurydice(13-16 August, Edinburgh Playhouse) A highlight of the 2025 Festival’s opera programme, a fully staged Australian reimagining of Gluck’s Orpheus and Eurydice fuses together circus, acrobatics and world-class opera, in its European premiere.
Figures in Extinction (22-24 August, Festival Theatre) Nederlands Dans Theater present the Scottish Premiere of Figures in Extinction in collaboration with Crystal Pite and Simon McBurney, confronting the hard truths about humanity’s impact on the world and art’s meaning in the face of mass destruction.
The Hub, the International Festival’s headquarters on the Royal Mile, brings together a hand-picked variety of global musical styles and traditions, experienced up close in an intimate and informal performance space, including Up Late gigs from Alabaster DePlume(8 August) and Kathryn Joseph (9 August), and an interactive concert from Hanni Liang(7 August) inviting audience members to share their dreams, with a live response created on the piano.
Residencies bring London Symphony Orchestra, Poland’s NFM Leopoldinum and Carnegie Hall’s National Youth Orchestra 2 to Edinburgh for an extended, more sustainable stay that features multiple performances and community engagement. Highlight performances include NYO2’s Prokofiev’s Fifth Symphony, NFM with Bizet’s Carmen Suite andBeethoven and Shostakovichfrom the LSO, presented with insight from Sir Antonio Pappano and Festival Director Nicola Benedetti.
Edinburgh International Festival Director, Nicola Benedetti said: “This year’s International Festival is a bold invitation to question the world around us – to seek, challenge and reflect on truth through the extraordinary lens of live performance.
“We’re honoured to welcome artists and audiences from across the globe to Edinburgh, and we remain deeply committed to making that experience more accessible than ever. Whether you’re here for an intimate recital, a powerful play, a mass singalong or an eight-hour choral epic, you’ll encounter connection, curiosity, and the power of great art to shift perspectives.
“This year’s Festival offers the possibility of truly transformational encounters and I look forward to sharing this with you.”
Councillor Margaret Graham, Culture and Communities Convener said: “Each year the International Festival offers a real variety of innovative and striking art and performance. 2025 is no different, with the programme encouraging Deep Thinkers, Social Butterflies, The Curious and Romantics.
“The range, from outdoor ceilidhs to epic opera, means there is truly something for everyone, bringing together world class performers from around the globe and here in Scotland. There are several different price options that will let even more people discover the magic of the International Festival too. These include Young Musician’s Pass, Tickets for Good and substantial discounts for art workers and under 30s.”
Multi-Artform Manager at Creative Scotland, Lorna Duguid, said: “The Edinburgh International Festival continues to be a beacon for artistic excellence and cultural exchange, bringing the world to Scotland and showcasing Scotland to the world.
“This year’s theme, The Truth We Seek, speaks powerfully to the times we live in- inviting artists and audiences alike to explore, question and connect through extraordinary performances.
“With a third of this year’s programme featuring artists based in Scotland and an unwavering commitment to accessibility, the International Festival exemplifies how world-class culture can be both globally relevant and locally rooted.”
Tickets to world-class performances across a hand-picked programme of music, theatre, opera and dance at the Edinburgh International Festival in August 2025 are available at www.eif.co.uk.
Scotland’s engine room of new writing reveals Autumn programme of home-grown performances and thrilling new work from Scotland and further afield
Traverse commissions Stephen Christopher and Graeme Smith’s Dancing Shoes for new December production
Taking centre-stage in Traverse 1 is Black Hole Sign, a razor-sharp new Traverse co-production about the healthcare system written by practicing NHS nurse Uma Nada-Rajah
Two hilarious plays from Douglas Maxwell, including the return of award-winning Traverse co-production So Young and new canine comedy Man’s Best Friend
Exciting partner company productions include Night Waking by Shireen Mula, Arlington by Enda Walsh, Through the Mud by Apphia Campbell, and the award-winning Òranby Owen Sutcliffe
Audience-favourite & TravFest24 Fringe First-winner BATSHIT by Leah Shelton returns to Traverse 2
A Play, A Pie, & A Pint is back at the Traverse for six-week Autumn season of new plays
Hot on the heels of a thrilling TravFest25 programme, the Traverse Theatre has announced the first details of the exciting work audiences can look forward to seeing in the venue from September.
The Autumn season sees some of the most exciting artists and companies working in Scotland take centre stage with new productions and returning favourites alike.
Stephen Christopher and Graeme Smith’s raucous new comedy, Dancing Shoes, is being fully commissioned by the Traverse to run in Traverse 1 in December 2025. Struggling with isolation and addiction, long-suffering Donny joins a local support group where he meets new-found friends Jay and Craig.
When Donny shares his secret passion – donning his best shoes for a private boogie in his bedroom – Jay smells an opportunity. Unexpected viral fame follows, and the men’s new friendship is put to the test with the whole world now watching on. Packed with humour and emotion, Dancing Shoes is a sure-footed comedy that’s guaranteed to have audiences laughing this winter.
New Traverse production Black Hole Sign – co-produced with the Tron Theatre in association with National Theatre of Scotland – is a new play taking a razor-sharp scalpel to the absurdities, tragedies and realities of working within the modern healthcare system. Written by Uma Nada-Rajah, a practicing NHS nurse and one of the most exciting new voices in Scottish playwrighting, Black Hole Sign sees three generations of NHS nurses doing their best to stay afloat against a crumbling system which seems stacked against them.
Directed by Traverse Artistic Director Gareth Nicholls, the play will be brought to life by a multi-talented ensemble cast including Martin Docherty, Dani Heron, Amelia Isaac Jones, Beruce Khan,Helen Logan, and Ann Louise Ross.
An exploration of changing attitudes towards an institution once world renowned, the play asks what we want for the future of our National Health Service and, crucially, who will hold it together when it all falls down?
Uma Nada-Rajah, Playwright, said:“I’m a nurse in my day job and have been a nurse for a long time. There is something so funny and tragic about day-to-day life in hospital, the way that routine and paperwork brush up against the grand processes of human existence: When you’re born you get a birth certificate. When you die you get a death certificate.
“I wanted to capture that sense of absurdity and put it into a play that will make people laugh or cry. And at a time when there are a lot of questions circulating about the future of the National Health Service, I hope Black Hole Sign will make audiences think about the significance of care in modern society.”
Two productions by celebrated playwright Douglas Maxwell, the man behind previous Traverse favourites including Decky Does A Bronco and I Can Go Anywhere, will delight theatre-going audiences this Autumn.
Man’s Best Friend is a hilariously heart-warming story about the give-and-take of companionship – specifically the four-legged kind. Walking his neighbours’ dogs kept Ronnie together after a very difficult lockdown.
But when a series of mishaps result in the dogs slipping their leads and disappearing off into the woods, Ronnie is forced to take chase and confront some hard truths. Directed by Jemima Levick and starring Jordan Young (River City, Scot Squad) as Ronnie, this Tron Theatre production visits the Traverse as part of its acclaimed Scotland-wide tour in September.
And following its critically acclaimed, Fringe First-winning premiere at TravFest24, So Young returns to the Traverse 1 stage for a hilarious new run of performances from 23 – 25 October.
When Milo invites his two best friends Davie and Liane around for a takeaway to meet his new girlfriend, it promises to be a great night spent reconnecting. As they delve into the past and swap the same old stories they’ve been through a thousand times before, the night becomes more about those absent than present; remembering who they have lost and who they were, or thought they were…
Produced by Raw Material and the Traverse in association with the Citizens Theatre, So Young is a touching and funny story about old friends coming back together after time apart. Following its Traverse performances the production will transfer to the Citizens Theatre as part of its long-awaited reopening season.
Another returning favourite from TravFest24 will be Leah Shelton’s riotous one-woman tour-de-force BATSHIT, which once again takes the Traverse 2 stage by storm from 22 – 25 October.
Quiet Riot’s wildly theatrical, darkly comic, and deeply intimate reckoning with the myths and misconceptions of female madness is created by Shelton and directed by Olivier award-winning Ursula Martinez.
A requiem for Leah’s grandmother Gwen, who was incarcerated for seeking independence in 1960s Australia, BATSHIT draws on personal stories, in-depth research and pop culture to unpack how psychiatry has been shaped by gender bias. The show won both a Scotsman Fringe First & the Mental Health Foundation Fringe Award on its premiere at TravFest24, heralded for its razor-sharp wit, raw storytelling, and unflinching central performance.
The season will also see the venue host visiting productions by some of Scottish theatre’s most exciting artists and companies. On 01 October An Tobar and Mull Theatre present Night Waking – a sharp, strange, and darkly funny exploration of motherhood, colonialism, and the ghosts we inherit.
As Anna ricochets between present-day exhaustion, historical letters, and a past that won’t stay buried, she is forced to confront what it means to nurture, to protect, and to fail. Adapted from Sarah Moss’s novel by Shireen Mula, and directed by Rebecca Atkinson-Lord, this one-woman play is a feat of acting virtuosity—a fragmented, fevered journey through sleepless nights, long-lost voices, and the things that won’t stay hidden.
Glasgow-based dance-theatre company Shotput bring their thrilling new production of Enda Walsh’sArlington to the Traverse from 06 – 08 November. In a room, high in a tower block, Isla waits for her number to be called. Her only companion, on the other side of the wall, is an anonymous man who collects her stories.
Today there is a new listener. He offers glimpses of the world beyond the tower, and what seems at first to be a small, if strange, conversation between two strangers turns out to be something much more terrifying and sublime – in a dark fable of surveillance, connection, and the power of imagination.
Wonder Fools’ critically-acclaimed production Òran, winner of The Bestie’s Best Debut Award on its premiere in 2024, arrives at the Traverse from 13 – 15 November. A visceral piece of contemporary theatre is a collaboration between Wonder Fools and the acclaimed hip-hop artist Owen Sutcliffe with music by VanIves, creating an urgent and entertaining modern retelling of the classic Greek myth Orpheus.
Against a stunning live soundtrack of gospel and blues, Through The Mud explores what it takes to become a revolutionary. The story of two generations of women activists in the struggle for black liberation in America: One, notorious Black Panther Assata Shakur, the other a college student at the beginning of the Black Lives Matter movement in Ferguson in 2014.
Written and performed by Apphia Campbell, Fringe First-winner and creator of the hit show Black is the Colour of My Voice, Through the Mud arrives at the Traverse from 14 – 15 November.
Audiences can also look forward to a night with the multi-award-winning comedian and Taskmaster-star Babatunde Aléshé as he guides us through family life, his new-found fame and the joys of Costco in his hilarious new stand-up show High Expectations, which visits the Traverse on 02 November as part of its UK-wide tour.
The season also sees the return of the beloved A Play, A Pie, & A Pint as it returns to the Traverse for a new run of performances promising some of the very best new-writing on the Scottish stage, with more to be announced soon.
Music At The Traverse continues to bring brilliant gigs and sessions into the theatre this Autumn. Soundhouse present a trio of events spotlighting exciting global jazz, country, traditional and folk acts, including a special concert celebrating the release of jazz pianist Paul Harrison’slong awaited new album Encontros, a slice of Ancient Northumbrian Futurism from Kathryn Tickell & The Darkening, and the exciting Erik Palmberg Quartet bringing their lyrical jazz melodies to Edinburgh on a first UK tour.
Faroese folk masters Spælimennir arrive on a 50th anniversary tour, while there are also gigs from award-winning young violinist Ryan Young and a solo performance from one of the great Irish singers Andy Irvine.
Hotly-anticipated stage adaptation premieres in Perth prior to Scottish tour
Kirsty MacLaren, Kyle Gardiner and Finlay McKillop lead a multi-talented ensemble as legendary outlaws the Clown and the Wolfman take to the road once again
A hilarious and heartfelt new musical, produced and directed by the team behind the original cult-classic Scottish film with Perth Theatre, and music inspired by songs and themes of the legendary band Big Country
The show premieres at Perth Theatre tonight and runs until 10 May, before a Scotland-wide tour including Stirling, Aberdeen, Inverness, Edinburgh, & Glasgow until 28 June.
Restless Natives: The Musicalkicks off its long-awaited Scottish tour this weekend, with the first production pictures giving a look at the show that will thrill and delight audiences across Scotland this Spring.
Produced and directed by the same team who made the cult classic 1985 film, alongside co-producers Perth Theatre, Restless Natives: The Musical sees the iconic outlaw duo the Clown and the Wolfman ride again in a new stage musical. Recapturing the film’s winning humour and enduring heart, and featuring music inspired by the songs and spirit of Big Country, the show will delight devotees of the original film – and capture the hearts of a new generation.
Rebelling against their drab urban lives in 1980s Wester Hailes, intrepid underdogs Ronnie and Will become Highland Highwaymen, holding up buses and winning international renown while fleecing tourists with Scottish charm and panache. Tour guide Margot believes these Robin Hood heroes can restore national pride, but the police are closing in. Will this be the end of the story – or the beginning of a legend?
Leading the cast as Ronnie and Will, AKA The Clown and The Wolfman, are young stars Kyle Gardiner and Finlay McKillop, with Olivier-nominated Kirsty MacLaren co-starring as Margot. The multi-talented ensemble cast also includes Ross Baxter, Robin Campbell, Ailsa Davidson, Caroline Deyga, Stuart Edgar, Sarah Galbraith, Ava MacKinnon, Alan McHugh, and Harry Ward.
Restless Natives: The Musical premiered at Perth Theatre on Saturday 26 April where it runs until Saturday 10 May.
The show then hits the road for a tour to selected Scottish venues including Macrobert Arts Centre in Stirling, His Majesty’s Theatre in Aberdeen, Eden Court in Inverness, Leith Theatre in Edinburgh, and The King’s Theatre in Glasgow.
