Tackling Barriers: Fringe Society announces strategic partnership with Nouveau Riche Productions

Today, 1 August 2023, the Edinburgh Festival Fringe Society is pleased to announce a new strategic partnership with Nouveau Riche Productions. The partnership aims to understand how to address barriers to participation for Black and/or Global Majority artists at the Fringe.

The partnership will initially last six months and will focus on the shared ambitions of Nouveau Riche and the Fringe Society in providing support, resources and signposting for under-represented artists who face barriers to participation, and/or experience unsafe working environments, when taking part in the Fringe – specifically artists who identify as Black and/or Global Majority.

Nouveau Riche will build and manage a network for Fringe participants who identify as Black and/or Global Majority and will collaborate with the Fringe Society on providing resources and events, as well as informing the development of their support services.

Following the 2023 Fringe, Nouveau Riche will gather feedback from this year’s artists of colour along with industry professionals with long-term Fringe experience, to ensure Black and/or Global Majority Fringe experiences are fully heard, and to inform future planning for development of this partnership and associated longer-term services.

Chris Snow, Head of Artist Services at the Fringe Society, said: ‘There has historically been limited support available for Black and/or Global Majority artists taking part in Fringe, and the Fringe Society acknowledges that this needs to change.

“Nouveau Riche are an established and experienced theatre company working with and supporting emerging artists of colour at the Fringe, and across the UK. For real change to happen, it is vital that the Fringe Society, venues and producers work with partners like Nouveau Riche, to understand how we can all support the festival to become more inclusive and accessible for artists facing barriers to taking part.

“In this first year of partnership, Nouveau Riche are building a network of Fringe artists of colour to help us consult, understand existing challenges, and establish plans for ongoing support.

“The Nouveau Riche team are also working with us on resources and events and are developing post-festival evaluation plans to inform our ongoing work. It is incredibly exciting to be working with them on this, and we hope it’s the beginning of a long-term partnership.”

Sarah Verghese, Senior Producer at Nouveau Riche, said: ‘Last year, Nouveau Riche published a Call to Action after our experiences at Edinburgh Fringe over the last five years.

“We are a one of the few Black-led companies who head to the festival consistently and this is because there is little to no support for our communities. I was delighted when the Fringe Society contacted us about a possible partnership to support the well-being and welfare of artists of colour heading to the festival.

“This year, Nouveau Riche is not producing a show at Edinburgh Fringe – instead we are delivering resources, wrap-around activity, events, drop-in and feedback sessions. 

“It’s important that we are listening to our communities and their experiences to shape the festival into a welcoming, safe and inclusive place for us. Fringe of Colour has been a pioneer in this work by creating databases and sharing resources for artists of colour and we are so proud that they are no longer alone in their efforts to make Fringe a safe space for our communities.’ 

The Edinburgh Festival Fringe is taking place from 4 – 28 August 2023.

More information about the programme and tickets can be found at edfringe.com.

Ladies’ Day at Inverleith St Serf’s!

Look at our beautiful poster for our Festival Fringe production of Amanda Whittington’s Ladies Day! Designed by the multi talented Stephen, who is also the lighting and sound director for the production.

Work, love and life are just one long, hard slog for the fish-filleting foursome Pearl, Jan, Shelley and Linda. A day at the races to celebrate Pearl’s (not) retirement finds them looking for fame and fortune.

Dressed in their finest, they head off to the races for a drink, a flirt and a flutter. If their luck holds, they could hit the jackpot – and more besides. An exuberant, poignant comedy about female friendship and what fortune really means, come and join the ladies at the race course and share their story.

An amateur production In association with Nick Hern Books.

Please join us at Inverleith St Serf’s Church Centre,Clark Road, Edinburgh from Saturday 6 August. Tickets are now available from the Fringe Box Office.

#poster

#handbill

#theatre

#drama

#comedy

#friends

#amdram

#amateurdrama

#amateurtheatre

#leith

#Edinburgh

#fringefestival

#racecourse

#bookies

#whataretheodds

#betting

#horseracing

#fishfactory

#bighats.

@edfringe @NickHernbooks

https://tickets.edfringe.com/whats-on/ladies-day

Ladies Day by Amanda Whittington

📅 Saturday 6th August – Saturday 20th August 2022 (not Sundays)

🎫£15 (£12 con) (£10 preview Sat 6th August 7:30pm)

⏱ 7.30pm Sat 6th and Mon-Fri 8th-12th, 15th-19th

⏱ 2:30pm Sats 13th and 20th

📌 Inverleith St Serf’s Church Centre, 1A Clark Rd, Edinburgh EH5 3BD

📸 Marion Donohoe

Fringe venues join together to launch ticketing and reviews platform

EIGHT Edinburgh Festival Fringe producing venues – Assembly, Dance Base, Gilded Balloon, Just the Tonic, Pleasance, Summerhall, Underbelly and ZOOare coming together for the first time to launch an updated show ticketing and reviews platform, edfest.com – providing audiences with a central hub for easy booking, information and reviews of ‘the best curated shows on the Edinburgh Festival Fringe’.  

With tickets now on sale, edfest.com provides a centralised booking and reviews hub providing access to 1,159 shows across comedy, dance, theatre, and music at 140 venues, featuring performers from 32 different countries.  

Some notable performers and shows in the 2022 edfest.com line up are:

Assembly: Choir of Man, Beats on Point, Friendsical, Love Loss & Chianti and Queenz 

DanceBase: Ballet Ireland, Scottish Dance Theatre, Dan Daw Creative Projects 

Gilded Balloon:  Late’n Live, Maisie Adam, Leith Social, Henry Naylor, Jack Docherty 

Just The Tonic: Jimeoin, Tom Stade, Aliya Kanani, Jack Gleadow, Anthony Deveto 

Pleasance:  Freedom Ballet of Ukraine, Sophie Duker, Ben Hart, Tim Vine, SK Shlomo  

Summerhall:  Learning to Fly, Life is Soft, Mama Love, Talisk, Efterkland  

Underbelly: La Clique, Rhys Nicholson, Dragons & Mythical Beasts, Circa: Humans 2.0, Unfortunate: The Untold Story of Ursula the Sea Witch  

ZOO: Night Dances, Runners, Rocky, Sad Book, Far Gone, Every word was once an animal 

The new edfest.com website has been designed to give audiences a more bespoke experience, allowing them to search and find shows they will love.

Companies and venues will update information on a regular basis and the public will be encouraged to review shows and share with their friends. The new experience gives ticket buyers a more rounded view of what’s on offer, replacing what word of mouth and poster clippings have done in the past. 

Speaking on behalf of the eight edfest.com venues, Jim Hollington, CEO of Dance Base, comments: “The last two years have been incredibly hard for everyone in the arts and entertainment sector. It’s therefore critical that this year’s Edinburgh Fringe is a success, to protect the future of our own organisations, of the performing artists who make the Fringe, and of our contribution to the city of Edinburgh overall.  

“As producing venues, we invest a huge amount of time, energy and money curating and producing some of the best entertainment in the world and bringing that to Edinburgh. Whilst the pandemic created numerous challenges, it did allow us to stop and think about how we could collaborate and do things better.

“Across the eight edfest.com venues we share a similar vision and so it made sense for us to pool our sales and marketing resources to drive efficiencies across our own operations and ultimately make things easier for customers. Our box offices will also all be linked and audiences will be able to buy for multiple venues. 

“Crucially this year we are going on sale earlier than usual to increase the sales window for bookings and generate much needed revenue.  

“Putting the last two years behind us we would like to encourage everyone from Fringe loyalists who turn up every year, to Edinburgh locals and first timers to visit edfest.com, book some spectacular shows and once again enjoy the best possible Edinburgh Fringe experience this August. We can’t wait to get going!” 

Edinburgh Festival Fringe Society launches revamped 2022 Street Events

This year’s celebration of street performance will feature new locations across the city centre, supported by a new Street Performer Charter, and partnership with TikTok

Today, 22 June, the Edinburgh Festival Fringe Society is delighted to launch a revamped and expanded street events offering for 2022, in the festival’s 75th anniversary year.

In addition to the long-established performance areas on the Royal Mile and the Mound Precinct, this year’s street events will also take place at new locations in East Princes Street GardensSt Andrew SquareMultrees Walk, and Cathedral Square outside St James Quarter.

Visitors to the street events will be able to follow a route taking in each of the performance sites following a map within the official printed Fringe programme. The street events will be delivered by Unique Events, who are managing the programme on behalf of the Fringe Society, for the second year.

The return of the street events programme is being supported by EventScotland (part of VisitScotland’s Events Directorate), and Creative Scotland, and the launch follows last week’s announcement of the Fringe Society’s new partnership with TikTok, which supports the expanded street events programme.

With activation planned across these sites, TikTok will provide a ‘taster stage’ in both St Andrew Square and Cathedral Square, where artists from registered Fringe shows can perform short snippets of their shows, giving festivalgoers a free taste of their performance.

TikTok will live stream from these stages, enabling artists to be found by digital audiences from around the world. On the Royal Mile, two new screens will stream the TikTok content, and will also be available free to registered artists to promote their show digitally, via digital posters on the screens.

Shona McCarthy, Chief Executive of the Edinburgh Fringe Festival Society, said: “We are excited to reveal our new and expanded plans for this year’s Street Events, one of the most visible aspects of the Fringe, enjoyed by audiences every year. The new route will allow audiences to meander through Edinburgh’s majestic Old Town and New Town, while enjoying artists in different locations.”

As part of today’s launch, the Fringe Society has also published the Street Performer Charter, a set of values shared by the Fringe Society and the street performing community, as represented by the Street Performers’ Council.

The Charter, which includes commitments from the Fringe Society and street performers, will facilitate fair, open decision making between the two groups. Among its various commitments, the Charter works towards increasing accessibility of street events, taking social responsibility for pay, sustainability goals, and improving health, safety and mental wellbeing among street performers.

Shona McCarthy continued: “I’m incredibly pleased to see the publication of the new Street Events Charter, developed in collaboration with the Fringe Society, and the street performer community.

“The Fringe and street events are within each other’s DNA and part of the cultural heritage of beautiful Edinburgh. This collective step establishes a great template to work more collaboratively at ensuring the Fringe is the best possible version of itself for the next 75 years, both for artists and residents.”

A spokesperson for the street performing community said: “The street performer charter marks a new chapter in what we anticipate will be an artist-led street festival for the people of Edinburgh and its many visitors to enjoy.

“We are excited to be working with the Fringe and their partners, to keep alive the long history of street performance that is at the heart of the Edinburgh Fringe, as we celebrate 75 years.”

Paul Bush OBE, VisitScotland’s Director of Events, said: “As one of Scotland’s most recognisable cultural assets, EventScotland is delighted to be supporting the return of the Fringe street events. It is an integral part of the festival, providing audiences with the chance to connect with performances and get a taste of the Fringe for free.

“Scotland is one of the best places in the world to experience events, and after the challenges of the last two years, now is the time to plan and enjoy experiences like the street events that stir the emotions and elevate your mood.”

James Stafford, Head of Partnerships & Community at TikTok, said: “The Edinburgh Fringe is a unique moment that brings together emerging artists in a celebration of creativity.

“Our partnership places TikTok’s global community at the heart of the iconic festival, and celebrates our joint belief that creativity is for everyone. TikTok is the home of entertainment and creativity and I know our community will welcome the opportunity to discover new artists, collaborate, and be inspired.”

Nick Peel, Managing Director at St James Quarter, said: “St James Quarter is a welcoming cultural and lifestyle hub for art, culture and fashion and we’re passionate about supporting Edinburgh’s world-renowned cultural offering and its vibrant events calendar.

“It’s a privilege to be working with the Edinburgh Festival Fringe Society and we look forward to hosting some of the amazing street events on Cathedral Square.”

Share your Fringe memories

We recently put out a call asking for people to share their Fringe moments and memories as part of our 75th anniversary celebrations this year, and we’re overjoyed with what we’ve received so far.

From staffing the box office in the 1980s and bumping into celebs on the Royal Mile, to discovering unknown relatives and even getting secretly married at the festival(!), it’s amazing to hear about the place the Fringe holds in people’s lives.

We’re still on the hunt for more stories and pictures, so if you haven’t had a chance yet, please take a moment to share your Fringe moments with us.

Whether you’ve attended the festival to work, perform or enjoy a show, we want to hear about any Fringe memory that makes you smile when you look back on it.

All the stories we gather will be catalogued and presented by the Fringe Society as part of our 75th anniversary celebrations, and potentially incorporated into the special edition of our printed programme.

FIND OUT MORE AND SHARE YOUR FRINGE MOMENTS ➤

‘Cautious but optimistic’

Fringe update from Chief Executive Shona McCarthy

Last week, we announced to Fringe participants that we’ll be opening show registration – for both online and in-person performances – on Wednesday 05 May, in advance of the Fringe taking place from 06 – 30 August.

This is an exciting moment for the Fringe Society; it means all the preparatory discussions we’ve been having – with artists, venues, government and all members of the Fringe community – can finally be translated into action, with visible results.

The positive response we had to last week’s announcement only confirms what I knew in my heart – that there are many people out there who are just as excited and eager as we are to see the Fringe return!

Of course, opening registration is only the start of this process – we are acutely aware of how difficult the last year has been for artists, and we’re doing everything we can to support them in making work this year and beyond.

We’ve reduced registration fees across all tiers by 25%, and removed the top tier entirely.

We’ve also announced the opening a Fringe Artist and Venue Recovery Fund: a £75,000 funding pot which is available to Fringe companies, creatives and venues to support projects that will enable a return to the Fringe in 2021 or 2022.

The fund will prioritise projects that seek to improve opportunities for access on the Fringe by underrepresented groups – you can find out more at edfringe.smartygrants.com.au/recoveryfund

There’s certainly a lot more still to be done, but we feel this is the first of many steps we can take to support artists returning to the Fringe.

I recognise that any eagerness to restart the Fringe must be tempered by a sense of caution and responsibility.

We continue to work closely with Scottish Government and the City of Edinburgh Council, and keep a close eye on official guidance as it emerges and develops, using it to inform every decision we make.

The most recent news indicates some easing of restrictions by the end of June, which is definitely encouraging, but if the last year has taught us anything it’s that things can change at very short notice, so for those dreaming fervently of a fun-packed summer in Edinburgh, we strongly recommend an attitude of cautious optimism at this stage. 

It’s also important to remember that this year’s Fringe won’t be the same as it was. Even as restrictions relax, we still expect to see some form of social distancing and other safety measures in Edinburgh this August.

Again, we’ll work with venues and other partners to figure out how best to use this information as it develops, creating clear guidance for audiences and participants. We also know that it will not be possible to produce our usual printed programme this year, though we are exploring alternatives.

While it is right and appropriate that we manage our expectations about a return to live performance, I am full of positive anticipation to see how Fringe artists channel their extraordinary creative energy into digital work at this year’s festival.

As happens with any seismic change in society, artists have responded to online life in brilliant and inventive ways, and I think it entirely correct that the Fringe – with its longstanding reputation for unleashing the creative spirit – showcases the best in digital inspiration as well.

Silver linings to the past year’s events are few and far between, but the increased availability of innovative, imaginative work – work that can be accessed virtually anywhere – is surely among them.

With this in mind, we’ve put a lot of time and energy into developing our digital infrastructure for this year’s Fringe. We’ve ensured that, whichever online platforms artists and venues want to use, we can support them to do it; they’ll also have access to our own innovative Fringe Player.

In addition, we’re creating an exciting new online events programme and meeting space to help artists and industry connect and collaborate, which we’re hoping to launch in summer. 

With the seeds of carefully laid plans now blooming into life, our goal – as ever – is to support Fringe participants.

As mentioned above, registration (and the wide range of benefits and services that come with it) will open in May, and will remain open right through to the end of the Fringe with no deadlines attached.

We’re also continuing to invest in our website so that audiences can search, browse and book shows as easily as ever, helping them find the artists whose work will resonate with them for years to come.

All of our plans are being made cautiously but optimistically, and as ever, public health will be our priority. But we can take heart in the fact that the Fringe is happening. And, whether online or in a venue, I can’t wait to see you there.

Shona

EDINBURGH’s FESTIVALS POSTPONED

For the first time in their seventy-year history, the five festivals that transform Edinburgh into the world’s leading cultural destination every August WILL NOT GO AHEAD this year due to concerns around the Covid-19 pandemic. 

Edinburgh Art FestivalThe Edinburgh Festival FringeEdinburgh International Book FestivalEdinburgh International Festival and The Royal Edinburgh Military Tattoo have been postponed.

Together, the five August festivals comprise over 5,000 events across Scotland’s capital each summer, welcoming audiences of 4.4 million and over 25,000 artists, writers and performers from 70 countries, making them the second biggest cultural event in the world after the Olympics.

The festivals’ history stretches back to 1947, where in the aftermath of the Second World War the Edinburgh International Festival was founded to reconcile and reunite people and nations through art, in an event that transcended political and cultural boundaries.

Many years later the International Festival continues to present the world’s leading theatre, dance and music artists in Edinburgh’s magnificent venues.

The Fringe story began when eight theatre groups turned up uninvited to perform on the fringes of the very first International Festival. Since the dawn of this spontaneous artistic movement, millions have flocked to the Edinburgh Festival Fringe to produce, and to enjoy art of every genre.

Conceived in 1950 the iconic major event, now known as The Royal Edinburgh Military Tattoo, brings together a huge cast of international military and folkloric performers to perform live to 220,000 visitors each August, with many millions seeing the show on BBC TV around the world.

The Edinburgh International Book Festival began in 1983 and has grown rapidly in scope and size, welcoming writers from all over the world to exchange ideas on some of the world’s most pressing issues. The youngest of the August festivals, Edinburgh Art Festival was founded in 2004 to provide a platform for the visual arts, each year bringing together the capital’s leading galleries, museums and artist-run spaces to present work by international and UK artists.

Since their visionary beginnings the August festivals have presented the very best established and emerging artists from all corners of the globe and across all aspects of the performing, literary and visual arts in what has become the most significant and important celebration of culture anywhere in the world.

Said Sorcha Carey, Director, Edinburgh Art Festival, said: “It is with deep sadness that today we announce the cancellation of Edinburgh Art Festival 2020.

“Our decision is taken in response to the ongoing risks posed by the Covid-19 pandemic, and the need to prioritise the safety of our audiences, artists, participants, staff and indeed all those working to combat coronavirus.

“While it has become impossible to deliver a festival this year, we remain fully committed to doing all we can to continue to support our visual arts community during what is going to be a hugely challenging time in the weeks and months to come.

“We hope that it will be possible for galleries, museums and production spaces across the city to reopen their doors in the coming months; and in the meantime, we will work creatively to find alternative ways to share the work of artists with audiences.

“We will be back next year – as always working closely with our partner galleries, and alongside our extended network of sister festivals, to celebrate the work of artists with audiences and communities across the city.”

Shona McCarthy, Chief ExecutiveEdinburgh Festival Fringe Society, said: “It’s heart-breaking that the Fringe and our sister August festivals will not take place as planned this summer. However, having taken advice and considered all the options, we collectively believe this is the only appropriate response.

“The safety of participants, audiences, local residents and indeed everyone connected to our festivals will always come first. Our thoughts today are with the doctors, nurses, health and social care professionals on the front line, as well as all those affected by this dreadful pandemic.

“Our sympathies too are with the thousands of artists and participants directly affected by today’s decision – we will do everything we can to support you over the coming months.

“Culture brings out the best in us. It gives the marginalised a voice, it shapes and reshapes how we think of ourselves and, crucially, it unites us. Since their inception in 1947 the Edinburgh festivals have existed to champion the flowering of the human spirit and, in the face of this truly unprecedented global emergency, we believe that this spirit is needed now more than ever.”

Nick Barley, Director, Edinburgh International Book Festival, added: “It is with great sadness that I can confirm that the Edinburgh International Book Festival will not take place as a physical entity in August of this year due to the risks surrounding the Covid-19 pandemic.

This is not a decision we have taken lightly, however the safety of not only our authors, our audiences, our staff and our suppliers, but also that of the people who live and work in our wonderful city, is of paramount importance and we believe that planning to bring large numbers of people from all over the world together in Edinburgh in August is not appropriate this year. We hope to be able to programme a series of online events to take place in the summer.

“We will be back! The Edinburgh International Book Festival is an integral part of the Scottish cultural offering, and we will return next year. We are already looking forward to authors and audiences coming together to celebrate the written word in 2021. In the meantime, please keep reading and please keep supporting your local independent bookshops, many of whom are offering a mail order or door drop delivery service.”

Fergus Linehan, Festival Director, Edinburgh International Festival, added: “We are hugely disappointed to announce this cancellation but given the current outlook we believe it is the correct decision.

“We recognise that Edinburgh’s festivals play a very important role in the cultural, social and economic lives of our city and country, and this decision has not been taken lightly. Our thoughts are with all the country’s key workers and we hope that we can celebrate your heroic efforts when this awful pandemic has passed.

“The Edinburgh International Festival was born out of adversity – an urgent need to reconnect and rebuild. The current crisis presents all at the Festival with a similar sense of urgency. Work begins straight away on a 2021 Festival season that will boost both our spirits and our economy.

“As we observe our essential social distancing we can, I hope, look forward to being back together soon: sharing brilliant music, theatre, dance, literature and art from the greatest creative minds of our time. Until then, thank you for all your good wishes and keep safe in the coming months.”

Edinburgh’s world famous Tattoo is another casualty. Brigadier David Allfrey MBE, Chief Executive, The Royal Edinburgh Military Tattoo, said: “Like most people, businesses and institutions, The Royal Edinburgh Military Tattoo has been working hard to adapt to the unprecedented conditions occasioned by the COVID-19 pandemic. 

“In the first instance, we have sought to comply carefully with Government advice and guidance in looking after our customers, staff, suppliers, stakeholders and all those who rely on our annual success and charity. In addition, we have been looking at how best to make a wider and constructive contribution to the national, regional, municipal and individual effort.

“The pandemic is impacting across the world, the Tattoo – along with other major events and festivals – will need to carefully understand and adapt to whatever is our new normal.

“We are keen to do this as a great many people have come to rely on our annual routines for their livelihood and their entertainment, with an associated benefit that stretches internationally and across Scottish and UK tourism. Now though, we judge it is impractical and undesirable to stage a Tattoo in anything like its normal form in August.

“Accordingly, we have decided – for the first time in our 70-year history – to cancel our 25 shows set previously for the period 7–29 August 2020.”

Edinburgh’s festivals bring millions of visitors to the city in summer, spending much-welcomed cash in the capital. Council Leader Adam McVey and Depute Cammy Day, said: “This was a profoundly difficult decision– leaving a massive gap in our Capital – but clearly it was the right one. Our thoughts are very much with all those fantastic artists, writers, performers and organisations who were working so hard to prepare for another busy festival season.

“The most important consideration is the health of our residents and the safety of everyone in the City. We’re all working closely together as a city and internationally with the common purpose of protecting each other, whilst taking up our shared responsibility for planning towards our recovery.

“With that in mind, we’re looking at every feasible option to help to sustain our key sectors, including the festivals, and have committed to honouring all grant payments due to our cultural partners for the current year, and to the repurposing of these, as required. We’ll do everything we can to assist our world-renowned cultural sector to remain at the centre of the city’s identity going forward.

“We’re incredibly proud to be known as the world’s Festival City and must never forget the positive contribution our festivals make to our lives, bringing art to Edinburgh in a way no other city enjoys.

“We’ll continue to work with all of our citizens, colleagues and stakeholders to do everything we can to make sure we come through 2020 and look forward to again bringing the world to Edinburgh and Edinburgh to the world for our summer festivals in 2021!”

Iain Munro, Chief Executive, Creative Scotland, said: “We understand and support the decision by Edinburgh’s Festivals to cancel this Summer’s activities at this extremely difficult time.

“Our hearts go out to all those involved with the Festivals who work tirelessly every year to deliver one of the highlights of the annual cultural calendar and to the many artists, performers and companies who will miss this year’s opportunity to be celebrated on a global stage.

“We look forward to their return when audiences can once more marvel at the extraordinary art and creativity that will be on offer.”

Adam French, Which? Consumer Rights Expert, said: “While understandable, the cancellation of the Edinburgh festivals will be disappointing news for the millions of people who flock to the Scottish capital to experience one of the world’s great cultural events.

“It’s good to see that some organisers have said they’ll be refunding registration fees, tickets and memberships, so those who planned to attend events may be able to get their money back.

“It could be trickier to get a refund for any related travel or accommodation. The good news is that National Rail has offered to refund tickets booked before 23rd March, but you will need to check the cancellation policies for any accommodation you have booked or any other mode of transport.”

 

Fringe: Six Feet Three Shoes

Six Feet Three Shoes is a celebration of friendship across borders told through feisty, percussive flamenco, Scottish and contemporary dance, with three dancers, in colourful costumes that combine threads of Scottish tartan and Spanish frills, and two musicians on exhilarating live guitar and fiddle. Continue reading Fringe: Six Feet Three Shoes

From Edinburgh To The Streets Of Philadelphia: head To Philly for the annual Fringe Festival

With the Edinburgh Festival Fringe over for another year, Philadelphia CVB is encouraging Scottish travellers with a passion for performance art to head to the ‘City of Brotherly Love’ this September for its very own Fringe Festival showcasing local, national and international artists as well as ground-breaking world premieres. Continue reading From Edinburgh To The Streets Of Philadelphia: head To Philly for the annual Fringe Festival