With the summer festivals season just around the corner, the city council is making temporary changes to the way some of our city centre streets operate between Sunday 19 July and Monday 7 September 2026.
During this busy period the population of our city effectively doubles, which brings challenges for our residents, businesses and visitors.
These temporary changes, which include removing or restricting vehicle traffic, are designed to make our streets easier and safer to walk around.
There is also specific advice for blue badge holders, home deliveries, loading and services for businesses, places of worship and special arrangements.
Transport and Environment Convener, Councillor Stephen Jenkinson said: “We’re ready to welcome the world back to the Capital, and as always, we’re making sure that these higher visitor numbers are managed properly.
“These temporary changes to our city centre streets have proven very successful for many years and I’m sure that this summer will be no different. The planned full reopening of the North Bridge in time for the festivals will also be a great boost for people getting around the city.
“Our residents and businesses have my thanks for their understanding and patience as we prepare to showcase and enjoy our city’s unparalleled cultural offering once again.”
Celebrating the Third Year of the Festival City Stories project
Edinburgh Festivals and BUILDHOLLYWOOD Scotland celebrate third year of the Festival City Stories project
Showcasing the partnerships of Edinburgh’s Festivals and local community groups with new collaborative artwork from the Edinburgh Sketcher and a Dundee Street hoardings takeover
Edinburgh’s Festivals, BUILDHOLLYWOOD Scotland and local community groups have come together to celebrate the third year of the Festival City Stories project.
As part of the celebration, new artwork has been unveiled from renowned Edinburgh artist, Mark Kirkham, also known as the Edinburgh Sketcher. Attending events and workshops from across the Festivals’ work with local communities, organisations, charities and schools, he captured their projects through a series of sketches, which were transformed into postcards for the participants to share their own stories and experiences.
These sketches and postcard responses are now presented as a part of an artwork takeover across BUILDHOLLYWOOD Scotland’s hoardings on Edinburgh’s Dundee Street and Wishaw Terrace from 23 February – 8 March this year.
The artwork takeover was unveiled at the event at Edinburgh Printmakers which also featured stories and performances from people involved in year-round partnerships between some of the festivals and local community groups, schools and organisations.
Project participant Sally and Dance leader Albi Mendoza from Edinburgh Jazz & Blues Festival – Inclusive Latin Dance project at the Dundee Street hoardings takeover | Credit Iain MacKay
Projects featured include:
Edinburgh Jazz & Blues Festival – Latin Dance Inclusive is a community-based project that introduces young people with disabilities, alongside their parents, carers and families, to the joy of dance in a fun, friendly and inclusive environment.
Edinburgh International Book Festival – Paper Trails is Edinburgh International Book Festival’s multi-year communities project working to tackle literacy inequality and social isolation, in partnership with Edinburgh Libraries and Streetreads.
Noëlle Cobden, Edinburgh International Book Festival – Paper Trails project looks over Edinburgh Sketcher postcards for Festival City Stories at Edinburgh Printmakers | Credit Iain MacKay
EIBF activity so far has included poetry residencies in care homes with the Mobile Library, author talks at Muirhouse Library, an intergenerational storytelling project at Ratho Library and zine-making sessions at Liberton High School Library.
Edinburgh Art Festival – World AIDS Day marked World AIDS Day on 1 December 2025 with a celebration of the ongoing work of Ally Van Tillo: Leith resident, and pioneering activist in the Scottish fight against the AIDS crisis.
People gathered to watch a documentary, participate in a table discussion, and experience a musical performance before congregating outside for a torchlight procession.
Edinburgh International Festival – Welcome to the International Festival was a course tailored for international residents in Edinburgh, inviting group members to explore how experiencing different cultures connect us through workshops. These culminated in an international community meal featuring performances by International Festival performers.
Edinburgh International Children’s Festival – Creative Encounters – Election performance. Part of Imaginate’s landmark project, Creative Encounters,Election by Bishop May Down, commissioned by North Edinburgh Youth Arts Collective, imagined children as bigwig decisionmakers with the power to make real change. Three eleven-year-olds in oversized suits and fake moustaches delivered a political manifesto, offering a child’s perspective on what is valuable in the world.
Edinburgh Festival Fringe – Generation Fringe, formerly Fringe Young Ambassadors, works with young people from high schools around Edinburgh to explore careers pathways to the arts. The project aims to engage and inspire young people, introducing them to parts of the industry they might not have known existed, and provides opportunities to visit Fringe venues and arts spaces around Edinburgh.
Scottish International Storytelling Festival – BSL Apprenticeship Programme. Hosted by Deaf storyteller Tania Allan, the Festival set up the BSL storytelling workshops at the Blackwood Bar, to provide a welcoming space where the Deaf community can come together to share stories, humour, memories or anything they feel inspired to perform in BSL.
Edinburgh International Film Festival – In Conversation. Edinburgh International Film Festival’sdynamic programme offers audiences the opportunity to engage directly with filmmakers and creative talent, through In Conversation events and post-screening Q&As.
Belinda McElhinney, Chair, Festivals Edinburgh said: “Residents are the lifeblood of our festivals and so it’s great to have this opportunity to highlight the year-round partnerships between the festivals and their local communities, with thanks especially to BuildHollywood Scotland for their support and to the Edinburgh Sketcher who beautifully presents the many festival community projects in his unique creative style.”
Charlotte Black, General Manager, BUILDHOLLYWOOD Scotland has said: “It’s been a real pleasure to once again champion the many incredible stories behind our city’s leading festivals and their collaborations with our vibrant, creative communities, organisations and schools.
“Through the magic of the Edinburgh Sketcher and handwritten postcards from participants, these stories have been brought to life beautifully. Together, they form a series of rich visuals we’re proud to platform across our posters and billboard sites throughout the city.”
Mark Kirkham, The Edinburgh Sketcher has said: “I am so pleased to work with Festivals Edinburgh and BUILDHOLLYWOOD Scotland to create these sketches that showcase the great community work that many of Edinburgh’s festivals are doing as part of the Festival City Stories project.
“Seeing the work going on behind the scenes in my community and meeting the many people who are coming together to help others and to make lives easier for locals and visitors to the city has been a very positive and hopeful experience.
“I hope these sketches capture some of the energy of these happy occasions and lead to more people taking an interest and finding out more about the events the Edinburgh festivals are running within the city throughout the year.”
Mark Kirkham at the Dundee Street hoardings | Credit Iain MacKay
With the summer festivals season fast approaching, the city council is making temporary changes to the way some of our city centre streets operate between Thursday 24 July and Sunday 7 September 2025.
During this busy period the population of our city effectively doubles, which brings challenges for residents, businesses and visitors.
These temporary changes, which include removing or restricting vehicle traffic, are designed to make our streets easier and safer to walk around.
There is also specific advice for blue badge holders, home deliveries, loading and services for businesses, places of worship and special arrangements.
Transport and Environment Convener, Councillor Stephen Jenkinson said: “As we prepare to welcome the world to Edinburgh for our summer festivals, we’re making sure that these higher visitor numbers are managed safely and properly.
“We’ve made temporary changes to our city centre streets successfully during this period for many years and I’m sure that this summer will be no different.
“I’d like to thank our residents and businesses for their understanding and patience as we get ready to showcase and enjoy our city’s unparalleled cultural offering once again.”
Hey North Edinburgh youth! Ready for an epic day out?
Together with Imaginate UK, we’ve planned an exciting day exploring the Edinburgh Festivals on Saturday 24 August, from 10.30am – 5.30pm. Expect interesting arts exhibitions, amazing live performances, and loads of fun.
This free event is for local young people aged 11-13 living in the loca area of Muirhouse, Pilton, Granton, and Drylaw. Food and travel will be provided.
This event will be also be an informal opportunity to learn more about NEA Youth Arts Collective, a new creative group for 11-13 year olds living in North Edinburgh. Part of Imaginate and North Edinburgh Arts project, Creative Encounters, which puts children at the heart of decision making
The Besties is a new series of awards celebrating the best across Edinburgh’s August Festivals. The Award is a partnership between The Skinny & Fest, Capital Theatres and Premier Scotland.
The Skinny and Fest, Capital Theatres and Premier Scotland are delighted to announce the winners of the second round of the weekly new Festival Awards, The Besties, in the following categories:
The award ceremony took place on Saturday 17th August at the Festival Theatre in Edinburgh, hosted by comedian Josephine Lacey whose show Autism Mama is at the Pleasance Courtyard, with performances from Orkney musician Catriona Price who performed earlier this week at Queen’s Hall and Edinburgh New Town Church, celebrating her debut album, Hert.
The Besties award, designed by artist Camillo Feuchter who has recently graduated fromInterior & Environmental Design at Duncan of Jordanstone College of Art and Design in Dundee, uses recyclable plastics gathered at the Festival Theatre Café and leftover wood sourced locally.
Reflecting the broad and diverse coverage both magazines produce every summer and responding to the need for a pan-festivals award, The Besties span all the festival activity taking place in the city over the month of August, including the Edinburgh Festival Fringe, Edinburgh International Festival, Edinburgh Art Festival, Edinburgh International Book Festival, Edinburgh International Film Festival which started on Thursday 15 August, and others, making them the one of the only awards to celebrate the full spectrum of culture in the city.
Winners of The Besties are chosen each week by the editorial teams of The Skinny and Fest, drawing on their cross-festival expertise to celebrate the best work happening anywhere in the festivals. The categories will reflect the diversity of the magazines’ coverage and might be different every week.
The third and last ceremony will take place on Saturday 24th August.
The Besties is a new series of awards celebrating the best across Edinburgh’s August Festivals. The Award is a partnership between The Skinny & Fest, Capital Theatres and Premier Scotland
The Skinny and Fest, Capital Theatres and Premier Scotland are delighted to announce the winners of the first of the weekly new Festival Awards, The Besties, in the following categories:
The Outwith Award (for best international artist/production) for Lou Wall’s The Bisexual Lament at Pleasance Courtyard (Edinburgh Festival Fringe)
The award ceremony took place on Saturday 10th August at the Festival Theatre in Edinburgh, hosted by Australian comedian Michelle Brasier whose show Legacy is at the Gilded Balloon, with performances from the cast of A History of Paper, a Dundee Rep and Traverse Theatre co-production being staged at the Traverse.
The Besties award, designed by artist Camillo Feuchter who has recently graduated from Interior & Environmental Design at Duncan of Jordanstone College of Art and Design in Dundee, uses recyclable plastics gathered at the Festival Theatre Café and leftover wood sourced locally.
Reflecting the broad and diverse coverage both magazines produce every summer and responding to the need for a pan-festivals award, The Besties span all the festival activity taking place in the city over the month of August, including the Edinburgh Festival Fringe and Edinburgh International Festival, Edinburgh Art Festival which started on the 9th, Edinburgh International Book Festival which opens today and the Edinburgh International Film Festival starting next week, and others, making them the only awards to celebrate the full spectrum of culture in the city.
Winners of The Besties are chosen each week by the editorial teams of The Skinny and Fest, drawing on their cross-festival expertise to celebrate the best work happening anywhere in the festivals. The categories will reflect the diversity of the magazines’ coverage and might be different every week.
Next two ceremonies will take place on Saturday 17th and 24th August.
The Momentum Delegate Programme kicks off in Edinburgh today, Wednesday 7 August, acting as a central hub from the world-leading Festival City to connect key cultural players from across the world with the wider Scottish and international cultural sector.
Every August during the Edinburgh Festivals the capital of Scotland becomes a global celebration of culture and creativity, with citizens of the city and the country joined by artists and audiences from all over the world.
At Momentum, a cohort of producers, government agencies, funders, stakeholders and programmers from invited countries will join a tailored programme of networking and meetings with creative practitioners, policymakers and educators in Scotland.
The collaborations established will enable long-term relationships, platforming Scotland and its artists and art organisations on the world stage and further cementing Scotland’s international cultural reputation.
On behalf of Momentum partners, Julia Amour, Director of Festivals Edinburgh said: “The Edinburgh Festivals are distinctively Scottish yet profoundly international, and we’re delighted to welcome cultural representatives from around the globe to our Momentum programme, where we will help them build relationships with our festivals and the wider Scottish cultural sector.”
The 36 delegates arriving are from Viet Nam, Sweden, South Korea, the MENA region (Middle East & North Africa), Türkiye, Mexico and Poland – as well as two artform delegations for Literature and Visual Arts. Information on each area, its delegates and sessions are available on the Momentum website.
Since 2011, Momentum has brought over 700 international delegates to Edinburgh during the buzz of the city’s August festivals. These have contributed to multiple collaborations, most recently:
Scottish Dance Theatre (SDT) connected with Ciało/Umysł, an international contemporary dance festival in Warsaw, developed from a meeting set up by the Momentum team last year. After the initial introduction, with support from the Momentum follow-up fund, SDT Artistic Director Joan Clevillé visited Poland for Ciało’s dance platform.
SDT’s Senior Producer, Robyn Jancovich-Brownsaid: “The visit enabled SDT to get a sense of the scene, visit venues, make more connections in the area, and, critically, really understand the cultural and political context in which the artists and organisations are working.
“We’re now talking about next steps and exploring plans for an artistic exchange programme in autumn 2025, in which Scottish and Polish dancers will be able to work together.”
Ryan said: “Initially Manuela and I had some great chats just about being new in our roles and the challenges of directing festivals. We stayed in touch, sharing ideas about poets and writers, and then agreed to partner on a grant application.
“That enabled us to have an extra event at Stanza last year, in collaboration with Cúirt International Festival of Literature, called Companion Planting. An artist and an author visited from Ireland to talk about strategies of support and examined ‘care’ within collaborative artistic working practices.
“This was a perfect fit with Stanza’s theme last year. It’s rare to see a project happen that fast; I felt lucky to encounter Manuela, and get something going so quickly.”
Culture and Communities Convener Val Walker writes about the summer festival season and finding the balance:
There’s already a fantastic buzz building across Edinburgh as the summer festival season starts to get into full swing. It’s undeniable that the festivals continue to be a central part of the fabric of our city.
They contribute year-round to our worldwide reputation as an outstanding destination and showcase our identity as a welcoming place to be, both for those of us lucky enough to live here and the millions who visit each year.
Edinburgh in August is a place like no other, with our residents and visitors enjoying access to thousands of outstanding performers and shows that we’d otherwise have to travel the world to find. From the Jazz and Blues Festival at the start of this month, through to the Fringe, Art, Film, Book, Tattoo and International festivals throughout August, we’re truly spoiled for choice here in the culture capital of the world.
Beyond the cultural benefits, it’s important also to remember just how important the festivals – and the tourism industry as whole – are to our economy. Tourism in Edinburgh sustains over 30,000 jobs, bringing in £2.7 billion worth of visitor spend each year, with the festivals alone supporting over 7,000 FTE jobs and contributing £407 million to our local economy. Beyond that, of course, it affords us, as residents, the choice of restaurants, bars, and other attractions that would simply not exist otherwise.
We do acknowledge, of course, that there is another side to this – for all the buzz we enjoy in August, it is also extremely busy – and we’re fully aware of our responsibility to manage this and find the right balance between the needs of our residents and visitors.
I was delighted, then, that following our long campaign to introduce a visitor levy, we’re now able work with the tourist industry and other partners to develop our plans, with a view to introducing a levy by early summer 2026 (following an 18-month mandatory stand still period).
This presents a major opportunity for us, generating millions of pounds in additional revenue to sustain and develop the city – just as so many other major cities already do so successfully – and to support and enhance our world class festivals. As an example, had a 5 per cent levy been in place over the weekend of Taylor Swift’s concerts, it would have generated an (estimated) additional £632,000.
With the city’s population effectively doubling during August, it’s important that we also consider short-term measures to keep the city moving. That’s why, we’ve re-introduced a series of changes in and around the Old Town, all designed to make our streets and pavements easier and safer to navigate.
With the programme launching next week, we can look forward to 18 months of community and other events, shining a light on the wonderful and often colourful history of our fantastic city, and on the people and communities who’ve helped make our city what it is today.
I do hope that, like me, you’re looking forward to another fantastic August here in Edinburgh, the best city in the world.
New mobile ‘mini-masts’ have been installed by EE on street furniture like lamp-posts and phone boxes in Edinburgh to help boost mobile coverage in the busiest areas of the city.
The Scottish capital is the UK’s second most popular tourist destination after London, and the mobile mast installations come as the city prepares for the Edinburgh Festival Fringe.
During August, it’s estimated that the population of the city doubles, as more than 500,000 people visit for the festivals.
The mini antennas, known as small cells, are now delivering enhanced 4G capacity in high demand areas of the city. Small cells take advantage of existing street assets, such as BT’s iconic red telephone boxes, to help enhance street-level mobile coverage in busy areas where it’s impractical to build larger masts, such as city-centres and transport hubs.
In Edinburgh, EE has worked with partners including Edinburgh Council and Nokia to deploy small cells to boost capacity in busy locations including the Royal Mile, University of Edinburgh, Princes Street, Chambers Street and the National Museum, and the West End.
Responding to the news, Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “Visitors to the festival are increasingly using their smartphones for electronic ticketing, searching programme listings, booking tickets on the go, and navigating to the various venues.
“Many of these are things visitors will be able to do from the new official EdFringe app. People are also keen to share their experiences with friends and family and social media throughout the festival.
“All of this depends on having good access to mobile networks. It’s vital therefore that the city’s mobile networks can cope with this significant increase in demand during the summer. We welcome any steps like these new mini mobile masts to help boost network capacity in these busy locations.”
As well as being located on phone boxes, lamp-posts and CCTV columns, EE can also install small cells on BT’s innovative new digital Street Hubs.
James Hope, Director of Mobile Radio Access Networks at EE, said: “Edinburgh is a prime example of a city that can benefit from these small cell masts.
“The city is said to be built on seven hills and has plenty of old buildings, all of which pose a challenge to mobile coverage. It also sees huge peaks in mobile traffic in confined areas during major events. Small cells help customers continue to benefit from our fastest 4G speeds, even at the busiest times and in the most congested of locations.
“Our new digital Street Hubs also have the potential to help increase the number of small cells in the city. We’ll continue to discuss our plans with the council and we hope that Edinburgh will join other cities, such as Glasgow and Birmingham, where our new Street Hubs are already providing communities with the digital facilities needed for the future.”
14 mini masts are already live in Edinburgh, with four more sites to go live by the end of July. EE plans to deploy more small cell sites throughout the city in areas where it forecasts network congestion.
An all-night tram service is being lined up for weekends in August to help visitors and local residents to make the most of Edinburgh’s festival season.
Over the summer, the city hosts one of the world’s most popular celebrations of arts and culture, and Edinburgh Trams is gearing up to play its part in helping to keep the city moving as tens of thousands of people flock to Scotland’s capital.
In addition to daytime and evening services, which run from every seven minutes between the airport and Newhaven, trams will continue to serve all stops throughout the night on Fridays and Saturdays, so that people get home or back to their accommodation once the entertainment has come to a close.
Following the usual end of services around midnight, trams will then operate from every 20 minutes until 2am, then from every 30 minutes until the normal timetable commences the following day.
Lea Harrison, Edinburgh Trams’ Managing Director, commented: “Alongside the main festival, August also sees the Royal Edinburgh Tattoo and fantastic Fringe performances during what is traditionally one of the busiest times of the year for the city.
“Following the enormous success of late-night trams in previous festival seasons, we wanted to go the extra mile this year by running a 24-hour service over the weekend, which is a testament to our commitment as Scotland’s number one public transport operator.
“For further convenience, anyone heading for the festivals can avoid the hassle of finding a parking spot in or around the city centre by leaving their cars at Ingliston Park & Ride, which has over 1,000 spaces available and a tram stop.”
The operator’s normal range of tram tickets will be accepted at no extra cost when all-night trams are running and more information on great money-saving ticket deals can be found here.
Advance booking required so book your spot soon: 
Got a question?
