Edinburgh International Book Festival’s Global Ink 2026
First Minister John Swinney MSP, welcomed some of the world’s leading festival directors and cultural leaders to Bute House last night (17 August) as part of the Edinburgh International Book Festival’s Global Ink 2026 programme.
The reception brought together 20 international delegates from 15 countries who travelled to Edinburgh from across Europe, North America, Asia and Oceania for Global Ink, the Book Festival’s flagship forum for festival directors.
Attendees represented organisations including Jaipur Literature Festival, Kerala Literature Festival, Adelaide Writers’ Week, Centre for Ideas at UNSW Sydney, Toronto International Festival of Authors, Auckland Writers Festival, San Miguel Writers’ Conference & Literary Festival,Gothenburg Book Fair, Emirates Literature Foundation and Ubud Writers & Readers Festival among others.
The invitation to Bute House marks the start of a week of networking, industry discussions and public engagement activities embedded within the wider Edinburgh International Book Festival programme, creating opportunities for international delegates to connect with Scottish writers, publishers, cultural organisations and policymakers.
They will be joined by representatives from leading UK festivals and sector bodies including Cheltenham Literature Festival, Cambridge Literary Festival, Bradford Literature Festival, Wigtown Festival, Open Book, Arts Council England, Wales Arts International, Scottish Book Trust, CILIPS, Publishing Scotland, Literature Alliance Scotland and Creative Scotland.
Together, these gatherings position Edinburgh as a unique meeting point for cultural leaders from across Scotland, the UK and around the world, reinforcing the city’s role as an international hub for literary exchange, collaboration and cultural diplomacy.
Jenny Niven, Director of the Edinburgh International Book Festival, said:“The relationships built through Global Ink extend far beyond a few days in Edinburgh.
“The conversations and partnerships that begin here have the potential to open doors for Scottish writers and creatives across the world for years to come – supporting cultural exchange and strengthening Scotland’s place within an international community of ideas, literature and creativity.
“We are grateful to the Scottish Government and Creative Scotland for their support through the Festivals EXPO Fund, which has enabled us to expand this work and deepen our international connections.”
Edinburgh’s status as the world’s first UNESCO City of Literature reflects the strength of a creative ecosystem that delivers significant cultural and economic value.
A major 2026 impact study found that literature and publishing contribute £50.9 million annually to Edinburgh’s economy, while literary festivals attract more than 256,000 visitors each year and help sustain the city’s global reputation as a centre for ideas, storytelling and cultural exchange.
The wider Edinburgh Festivals are estimated to generate £852 million in economic impact across Scotland annually, welcoming audiences from more than 100 countries and providing an international platform for Scottish creativity.
26 commissioners, producers and arts leaders from 13 countries will travel to Edinburgh to discover UK theatre and dance with the potential to reach audiences in their countries
26 leading international commissioners, producers and arts leaders will explore UK work at the Edinburgh Fringe and Edinburgh International festival.
The visit forms part of the British Council’s Edinburgh International Performing Arts Delegation.
More than four in five delegates from last year’s programme said they were likely to programme a UK production.
Organised by the British Council, the Edinburgh International Performing Arts Delegation (IPAD) will connect delegates directly with UK artists and performing companies.
Running from 19 to 26 August, the programme will give delegates access to performances across the festivals, alongside curated showcases, industry briefing and networking events.
Journalist Lyn Gardner, who briefed last year’s delegation, said UK companies can be disadvantaged in comparison to international counterparts who have more funding and time to develop their work.
Edinburgh IPAD helps address this imbalance by connecting UK artists and companies with international decision-makers, creating opportunities for new commissions, touring partnerships, re-stagings and other international collaborations.
Previous editions have already helped UK work reach audiences worldwide. Recent outcomes include a Japanese tour for Ramesh Meyyappan’s Love Beyond, performances of Emma Frankland’s No Apologies across the Western Balkans and in Brazil, and a Spanish-language production of Karis Kelly’s Consumed in Venezuela.
This year’s delegation includes representatives from Australia, China, Egypt, India, Ireland, Japan, Kazakhstan, Lebanon, the Philippines, South Korea, Spain, Ukraine and Venezuela.
Among them are three delegates from Ukraine, including Kyrylo Beskorovainyi, co-composer and writer of multi-award-winning musical, The Tiger Hunters.
A full list of the delegates and biographies can be found here.
The programme builds on the success of Edinburgh IPAD 2025, which in just six days saw 24 delegates from 15 countries make 448 new connections with UK artists, companies and industry professionals, and generate 124 expressions of interest in programming 27 UK productions internationally.
More than four in five delegates said they were likely or very likely to programme a UK show following their visit, and more than half also expressed an interest in restaging productions or directing translated versions, creating long-term routes for UK work to reach international audiences without the financial and environmental costs of touring an entire company.
Every delegate surveyed said the programme had strengthened their understanding of contemporary UK performing arts, created new opportunities to connect with UK artists and made them more likely to pursue future collaborations. Delegates’ confidence in working with UK partners increased by 45%, while their understanding of the current UK theatre landscape rose by 53%.
Seung Mee Kim of South Korean performing arts company ARTIGOdescribed the programme as “the most productive time in Edinburgh I’ve ever had”, adding that it had helped her understand the arts scenes across all four UK nations and connect with the right people.
Edinburgh IPAD coincides with the Edinburgh Festival Fringe and Edinburgh International Festival, as well as three curated national showcases: Made in Scotland, Cymru Wales in Edinburgh and Spotlight on Theatre and Dance from Northern Ireland.
Together, these events give delegates direct access to the breadth of contemporary performance being created across the whole of the UK and enable international commissioners to discover, connect with and champion work for audiences around the world.
Neil Webb, British Council Director of Theatre and Dance, said:“The Edinburgh Festival Fringe and Edinburgh International Festival showcase some of the UK’s most exciting new performances.
“Edinburgh IPAD ensures their impact extends beyond August by connecting UK artists with international commissioners, creating lasting opportunities for their work to reach audiences around the world.”
PICTURE: Emma Frankland’s “No Apologies” was performed in Brazil and across the Western Balkans following connections made through previous IPAD programmes. Photo: Matt Crockett
The Besties awards celebrating the best across Edinburgh’s August Festivals are now in their third year. The Award is a partnership between Radge Media, Capital Theatres and Premier Scotland.
The Skinny and Fest, Capital Theatres and Premier Scotland are delighted to announce the week one winners of The Besties.
This award was selected by the young people who participated in this year’s Superpower Agency critical writing summer camp, a collaboration with the teams at The Skinny and Fest.
Five women went to teach theatre for the summer. They just didn’t know the world would end before camp did. In Stanislavski Can’t Save Me From The Apocalypse, life at a theatre camp in the northern woods of Maine takes a shocking turn when five counsellors suddenly become responsible for more than forty campers after the world ends on the final day of camp. Their artistic dreams collide with the abrupt demands of survival, forcing women who once built imaginary worlds onstage to confront a terrifying new reality offstage.
The young reviewers said, “We really enjoyed this innovative theatre production, set at a kid’s theatre camp in the aftermath of the apocalypse. This is an ambitious show that takes risks with its unconventional structure and pulls them off. They did a lot with a tiny venue, minimal set and a cast who were passionate and talented. The characters were realistic and the show’s depiction of young adult friendship was funny and relatable. A hopeful and meaningful take on a potentially dark subject.”
Believing themselves to be revolutionary leaders, two overconfident artists attempt to liberate the masses through the power of theatre. Ethan & Gigi are here to upstage fascist pigs and break legs (literally). The revolution will not be televised, it will be live! Alt-comedian legend Chris Gethard says: ‘These kids are funny, brave, some of the hardest workers I’ve ever met and also might be legitimately unwell in a mental sense. Either way, huge fan. Restores my faith and makes me believe in the connective power of comedy.’
The Skinny/Fest editorial team said: “Ethan and Gigi’s commitment to the bit is what makes this faux so-bad-it’s-good comedy stand out from the rest. A pair of revolutionaries riddled with interpersonal issues but convinced they’re on the brink of an anti-fascist revolutionary movement, the New York clown duo never let you see where they start and the characters end. There are big, insane swings in this show that wears its brashness deceptively lightly; swings that you’re only likely to see at The Fringe.”
Two teenagers perform fake Bigfoot sightings in their Appalachian town, until a neighbour’s dog turns up torn to pieces. Aside from sparking a panic that spirals out of their control, it forces them to question what might actually be terrorizing their under-resourced and already superstitious community. From 2022, 2023 and 2024 Fringe First award-winners and ‘the Fringe’s most dynamic theatrical duo’ (Telegraph), Xhloe and Natasha, comes a Brechtian puppet show ripped in two about conspiracy, misdirection and seeing something with your own eyes.
The Skinny/Fest editorial team said: “It may be early in the 2026 Fringe to declare a legend award, but the judging team could think of no title more fitting for clown duo Xhloe and Natasha. Since their 2022 debut with And Then the Rodeo Burned Down they’ve built a devoted following amongst Fringe-goers in general and the Skinny-Fest teams in particular. This year they’ve returned with their fourth original show, Bigfoot Ripped My Dog In Half I Saw It, and it has once again lived up to the hype.”
‘I’m sorry, I’ve said too much…’ Sky Arts Award-winning comedian Elf Lyons is The Woman on the Edge. A completely normal, autobiographical (and in no way complex) – observational stand-up show about love. A perfect show to take yourself to. Inspired by Vertigo, Apollo 13, the opera Pagliacci. Directed by Ingmar Bergman. One of The Telegraph’s 50 Funniest Comedians of the 21st Century.
The Skinny/Fest editorial team said: “The Fringe has practically belonged to Elf Lyons for a while now. Swan was mad; Raven was fit for a King. So to hear, in Elf’s new show, that she had lost herself earlier this year was heart-rending. If someone so singular can lose sight of who they are, what hope is there for the rest of us? By the end of her new hour, there’s no question that that isn’t the case anymore.”
Bzzzz. Enter the surrealist world of a house fly. She’s come to share her story before she dies! In an astonishing historical first, a house fly has learnt human behaviour. Wanting to warn us about the worldwide insect shortage but getting lost along the way. This is Tess O’Shea’s first show after training at Gaulier clown school – it’s a theatrical exploration on the life of a fly and their cultural history. Come and see a fly’s observations on the absurdity of modern life, inspired by Kafka and the surrealism of Dali. Swatters strictly prohibited!
Fest writer Xuanlin Tham said: “the humble fly is often constituted as nothing more than a filthy pest. Yet carrying on in the grand surrealist tradition of Kafka, Dalí, and also Ratatouille (masterpiece), Tess O’Shea’s House Fly paints the life story of one fly so vividly that the last thing you want to do is swat it away … The buzz is real.”
At 17, Eva moved from Livingston to Costa Rica on her own. She dropped out of school and moved to Costa Rica a boy-mad wee bam. She came back a bald lesbian without shoes. A fast, brutally funny debut about how you can take the girl out of Livingston, but maybe Costa Rica is too far. ‘One of the best young acts on the Scottish circuit’ (One4Review.co.uk). ‘A rising star’ (List). Support for Kim Blythe, Sam Nicoresti and Susie McCabe.
The Skinny/Fest editorial team said: “Eva Peroni is anything if not precocious. The 22-year-old’s debut Fringe hour is crammed with joke after joke, drawing on themes of identity and belonging and remaining sharp and uncompromising throughout. Taking inspiration from her coming-of-age in Costa Rica, the comic probes questions of national identity and Scottishness, with tongue firmly in cheek…”
Reflecting the broad and diverse coverage both magazines produce every summer and celebrating the breadth of Edinburgh’s Festivals, The Besties span all the festival activity taking place in the city over the month of August, including the Edinburgh Festival Fringe and Edinburgh International Festival, Edinburgh Art Festival, Edinburgh International Book Festival and the Edinburgh International Film Festival.
Winners of The Besties are chosen each week by the editorial teams of The Skinny and Fest, drawing on their cross-festival expertise to celebrate the best work happening anywhere in the festivals. 2026 winners will be announced at weekly ceremonies taking place at Festival Theatre in Edinburgh on 15, 22 and 29 August.
The Besties awards, designed by artist Camillo Feuchter a graduate of Interior & Environmental Design at Duncan of Jordanstone College of Art and Design in Dundee, use recyclable plastics gathered by the partners and leftover wood sourced locally.
Landmark report evidences the profound impacts of the Edinburgh Festivals, confirming them as one of the most remarkable demonstrations of cultural power in the world
Picture by JANE BARLOW
In the latest of a long line of internationally acclaimed impact studies, the Edinburgh Festivals have published their most recent research across a series of cultural, social and economic indicators – which shows that at a fundamental level the festivals make life better – for residents, artists, visitors, and businesses.
The research identifies the Edinburgh Festivals as a unique civic asset that enhances wellbeing through creative and community engagement, an unrivalled international springboard for Scottish artists and companies, and a major attraction for those choosing to live, work, visit and invest in Edinburgh. The findings clearly indicate that the Festivals define Scotland’s cultural identity on the global stage.
Introducing the latest Impact Study on 29 June, Professor Daisy Fancourt, Director of WHO Collaborating Centre on Arts and Health and UNESCO Chair in Arts & Global Health as well as author of Art Cure: How the Arts Can Transform Your Health and Help You Live Longer said: “The Edinburgh Festivals have long stood as one of the world’s most remarkable demonstrations of the power of arts and culture.
“Shared cultural experiences create opportunities for dialogue, build understanding and challenge ideas. They bring people together across generations, backgrounds and perspectives, helping to build trust and social cohesion. At a time when many communities are grappling with social fragmentation and unrest, cultural participation offers powerful opportunities to strengthen civic life and nurture a sense of common purpose.
“The Festivals show what is possible when culture is placed at the heart of civic life, and this report provides a powerful case for the importance ofsustaining and investing in their future for generations to come.”
The research affirms that while the individual festivals are powerful brands in their respective fields, collectively they are both a unique national asset and a global phenomenon. They are an integral part of the cultural and social fabric of the country and provide an opportunity to showcase a 21st century nation.
The headline findings in this publication show the Edinburgh Festivals as:
cultural adventurers, with 90% of audiences acclaiming the festivals as unique places of cultural discovery
civic drivers, that enhance community well-being with 79% of local audiences stating that the festivals make Edinburgh a special place to live
national investors, spending more than £10m annually with event production companies and creative talent based in Scotland
economic powerhouses, calculated to have a gross economic impact of £4.26 billion over the next five years in Scotland.
Commenting on the publication of the Impact Study, the Scottish Government’s Cabinet Secretary for Education, Culture and Gaelic, Màiri McAllan MSP said: “The Edinburgh Festivals are truly world class — and this research confirms their extraordinary cultural, social and economic value to Scotland.
“A projected national economic impact of £4.26 billion over the coming five years, 90% of audiences describing them as unique places of cultural discovery, and 79% of Edinburgh residents saying they make the city a special place to live — these are remarkable findings.
“As we approach the 80th anniversary of Edinburgh’s status as a festival city, the Scottish Government is proud to champion the festivals and committed to ensuring they continue to thrive for the benefit of people across Scotland and on the global stage.”
Councillor Margaret Graham, Culture and Communities Convener at City of Edinburgh Council, said: “Edinburgh’s festivals are at the heart of what makes our city so special, bringing together residents and visitors to enjoy thousands of shows and events throughout the year.
“This research highlights that these celebrations deliver significant cultural, social, and economic benefits, supporting local communities and businesses while enhancing the city’s global reputation.
“As we approach the 80th anniversary of our festivals, we remain committed to supporting their future while balancing the needs of residents, visitors, and business, ensuring Edinburgh continues to thrive as a world-leading festival city.”
Vicki Miller, Chief Executive of VisitScotland, said: “Edinburgh’s festivals are world renowned, and a key part of what makes Scotland a must-visit destination, drawing thousands of international visitors to the country each year.
FURTHER FINDINGS INCLUDE:
The Edinburgh Festivals have seen a major expansion in their community reach
Alongside its global scale, the report identifies a major expansion in the Festivals’ community footprint. They offer residents of the city and substantial audiences of all ages throughout Scotland, opportunities that support creative expression, social connection and wellbeing, while breaking down barriers, enhancing community cohesion and civic pride.
These core principles were fundamental building blocks of the PlaCE [Partnerships for Creative Excellence] programme, a pioneering three-way partnership between Edinburgh Festivals, Scottish Government and the City of Edinburgh Council. Almost 76,000 community participants took part across the life of the programme.
Over the five years spanning 2018 to 2023, the Festivals delivered a 489% increase in engagement with community groups, a 39% increase in schools participation (from 497 to 694) and a 245% increase in partnership activity.
This growth reflects a significant development of year-round activity and more equitable access, with programmes increasingly reaching communities less likely to have engaged with the Festivals in the past.
The Edinburgh Festivals are a civic asset as well as a global platform
The report reinforces the Festivals’ role within the city itself. Edinburgh residents account for around one third of all attendances, with 79% of local audiences identifying the Festivals as central to the city’s identity and sense of place, making it a special place to live. And 89.9% of audiences say that the Festivals create a welcoming environment in the city.
This dual role – as both a global cultural gathering and a locally rooted civic asset – is identified as a defining feature of the Edinburgh Festivals.
The Edinburgh Festivals are a key investor in Scotland’s creative economy
Beyond audience impact, the Festivals continue to act as a major investor in Scotland’s cultural sector, supporting artists, production companies and creative organisations across the country.
Annual spend with Scottish-based creative talent and production companies exceeds £10 million, helping to sustain jobs, develop skills and build international connections across the sector.
The Edinburgh Festivals provide a platform for Scotland on the world stage
With participants from over 80 countries and audiences from more than 100 countries, the Festivals play a central role in projecting Scotland internationally, showcasing a 21st century nation
The report affirms the Edinburgh Festivals as a globally significant cultural marketplace, while remaining deeply embedded within Scotland’s communities and creative industries. Both a unique national asset, part of the cultural and social fabric of the country, and a global phenomenon making up part of the appeal that will drive Scotland forward.
The Edinburgh Festivals are economic powerhouses
The Edinburgh Festivals delivered an estimated £558 million in net economic impact for Edinburgh and £852 million across Scotland in 2025.
A central finding of the research is that this economic impact is driven by the quality and innovation within the Festivals’ cultural programmes which drive attendances, with 90% of audiences acclaiming the festivals as unique places of cultural discovery
The report concludes that investment in programming is the primary factor that attracts global audiences and generates wider economic activity across tourism, hospitality and the creative industries. With the right investment the future impact is expected to reach £4.26 billion over the next five years.
The findings underline the Festivals’ position as a major national asset, operating at a scale rarely seen in global cultural events. With over 4 million attendances drawn from more than 100 countries last year, Edinburgh hosts one of the largest ticketed event programmes in the world every year, on a scale equivalent with less frequent major events such as the Olympic Games and FIFA World Cup.
Cultural events like these provide authentic and immersive experiences for people across Scotland and from around the world and are vital in strengthening our international profile and supporting local businesses, artists, and performers.”
Lori Anderson, Director of Festivals Edinburgh stated:
‘We are facing challenging times which call for boldness, direction, and vision – and the Edinburgh Festivals, through their pioneering collaborative work, focused strategic thinking, and hugely praised programmes, have these qualities in abundance. They have a powerful role to play in increasing the creative capacity, economic strength, and international reputation of Scotland. Ahead of the 80th anniversary of the birth of our world leading festival city, now is the time to champion and invest in the Festivals’ success.’
Further findings in the Impact Study include:
The Edinburgh Festivals have seen a major expansion in their community reach
Alongside its global scale, the report identifies a major expansion in the Festivals’ community footprint. They offer residents of the city and substantial audiences of all ages throughout Scotland, opportunities that support creative expression, social connection and wellbeing, while breaking down barriers, enhancing community cohesion and civic pride.
These core principles were fundamental building blocks of the PlaCE [Partnerships for Creative Excellence] programme, a pioneering three-way partnership between Edinburgh Festivals, Scottish Government and the City of Edinburgh Council. Almost 76,000 community participants took part across the life of the programme.
Over the five years spanning 2018 to 2023, the Festivals delivered a 489% increase in engagement with community groups, a 39% increase in schools participation (from 497 to 694) anda 245% increase in partnership activity.
This growth reflects a significant development of year-round activity and more equitable access, with programmes increasingly reaching communities less likely to have engaged with the Festivals in the past.
The Edinburgh Festivals are a civic asset as well as a global platform
The report reinforces the Festivals’ role within the city itself. Edinburgh residents account for around one third of all attendances, with 79% of local audiences identifying the Festivals as central to the city’s identity and sense of place, making it a special place to live. And 89.9% of audiences say that the Festivals create a welcoming environment in the city.
This dual role – as both a global cultural gathering and a locally rooted civic asset – is identified as a defining feature of the Edinburgh Festivals.
The Edinburgh Festivals are a key investor in Scotland’s creative economy
Beyond audience impact, the Festivals continue to act as a major investor in Scotland’s cultural sector, supporting artists, production companies and creative organisations across the country.
Annual spend with Scottish-based creative talent and production companies exceeds £10 million, helping to sustain jobs, develop skills and build international connections across the sector.
The Edinburgh Festivals provide a platform for Scotland on the world stage
With participants from over80 countries and audiences from more than 100 countries, the Festivals play a central role in projecting Scotland internationally, showcasing a 21st century nation.
The report affirms the Edinburgh Festivals as a globally significant cultural marketplace, while remaining deeply embedded within Scotland’s communities and creative industries. Both a unique national asset, part of the cultural and social fabric of the country, and a global phenomenon making up part of the appeal that will drive Scotland forward.
The Edinburgh Festivals are economic powerhouses
The Edinburgh Festivals delivered an estimated £558 million in net economic impact for Edinburgh and £852 million across Scotland in 2025.
A central finding of the research is that this economic impact is driven by the quality and innovation within the Festivals’ cultural programmes which drive attendances. 90% of audiences acclaimed the festivals as unique places of cultural discovery.
The report concludes that investment in programming is the primary factor that attracts global audiences and generates wider economic activity across tourism, hospitality and the creative industries. With the right investment the future impact is expected to reach £4.26 billion over the next five years.
The findings underline the Festivals’ position as a major national asset, operating at a scale rarely seen in global cultural events. With over 4 million attendances drawn from more than 100 countries last year, Edinburgh hosts one of the largest ticketed event programmes in the world every year, on a scale equivalent with less frequent major events such as the Olympic Games and FIFA World Cup.
As Edinburgh prepares to welcome visitors from across the globe for the start of the Edinburgh Festival Fringe, Sanne Dijkstra-Downie MSP has welcomed the return of the world’s largest arts festival and highlighted the pride it brings to the capital.
Every August, Edinburgh comes alive. Our streets are filled with music, theatre and comedy while local cafés, pubs and shops welcome thousands of extra customers and people come to experience the city at its very best. The Fringe is not only a major boost for the local economy but a celebration of the creativity, diversity and community spirit that make Edinburgh such a special place.
However, this year the Fringe begins after a difficult few weeks for the city. The fire on Princes Street is continuing to affect our public transport and ongoing discussion around policing in the city centre reminding us that Edinburgh also faces real challenges.
Commenting, Sanne Dijkstra-Downie MSP said: “The Fringe is one of the things that makes Edinburgh unlike anywhere else. There’s a real buzz about the city as performers arrive, venues open their doors and our streets fill with people looking to discover something new.
“It’s been a tough few weeks, though. The fire on Princes Street has been an ongoing issue for businesses and locals alike as transport continues to be disrupted. This is why I pushed the Scottish Government to provide emergency support.
“I’m really pleased we’ve now secured a £5 million recovery fund to help Edinburgh get back on its feet. That support matters, but so does making sure people feel safe when they’re out enjoying the city.
“The ongoing rise in petty crimes and anti-social behaviour have left residents concerned. These concerns need to be taken seriously because the Fringe should be something everyone can enjoy with confidence and in safety.
“The Fringe reminds us why so many people fall in love with Edinburgh.
“Let’s make sure we give visitors a warm welcome while continuing to back the businesses, workers and communities that make this city such a brilliant place to live all year round.”
Aldi Portobello set to welcome visitors from around the world after being recognised as an authentic food and drink destination, with hundreds of Scottish products on its shelves.
As millions of visitors descend on Edinburgh for this summer’s Fringe, Aldi is preparing to welcome festival-goers in search of an authentic Scottish food experience.
The Aldi Portobello store has become one of the only supermarkets in Scotland to feature among Edinburgh’s top Things To Do on Tripadvisor, putting it alongside many of the capital’s most iconic visitor attractions.
Recognised for its extensive range with hundreds of Scottish food and drink products, the store is becoming an unlikely foodie destination for international and UK visitors keen to taste the very best of Scotland.
In 2026, Aldi topped the National Farmers Union (NFU)’s largest-ever supermarket shelf study for Scottish own-label sourcing, with an average of 65% Scottish-origin products, significantly ahead of other major retailers.
Aldi’s extensive range offers festival-goers the chance to discover produce from some of the country’s best-loved suppliers, including ice cream from Equi’s made with Scottish milk and cream, locally grown berries from Angus Soft Fruits and baked favourites from Brownings, making the Portobello store an unexpected but distinctly Scottish addition to the Fringe itinerary.
To celebrate its new Things To Do status, visitors can also pick up one of Aldi’s limited-edition Edinburgh Fringe postcards for free giving festival-goers a fun way to share their favourite memories and foodie discoveries with friends and family, while inspiring others to experience Edinburgh and its vibrant food scene for themselves.
Alan Leslie, Buying Director at Aldi Scotland said: “The Edinburgh Fringe welcomes millions of visitors from around the world each year, and for many, trying Scotland’s fantastic food and drink is an essential part of the experience.
“We’re proud to work with so many Scottish suppliers to bring high-quality local produce to our shelves, so it’s fantastic that our Portobello store has been listed as somewhere visitors can enjoy an authentic taste of Scotland.
“Whether people are stopping by to sample some of Scotland’s finest produce, picking up essentials before a show or sending one of our limited-edition postcards home to share the excitement of the Fringe, we’re looking forward to welcoming festival visitors through our doors.”
Aldi Scotland has an ongoing commitment to championing Scottish producers, with the supermarket working with a range of local suppliers and investing millions in Scotland’s food and drink industry every year.
Edinburgh’s festivals provide a “global platform” for Scotland as well as the artists who take part in performances, the Deputy First Minister has said.
Jenny Gilruth will attend the opening concert of the Edinburgh International Festival – All Rise – tonight along with Public Finance Minister Hannah Mary Goodlad.
It comes after the First Minister last night (Friday) attended the opening evening of ‘A Trial’, a special collaboration between the Edinburgh International Festival, Festival d’Avignon and Holland Festival, the three European festivals established in 1947.
Funding for the August festivals in Edinburgh has increased to £6.3 million this year through both the Multi-Year Funding programme and Expanded Festivals Fund provided through Creative Scotland. The Edinburgh Festival Fringe Society received £500,000 in 2026-27 to support ongoing digital transformation work, including a new website to coincide with the 80th anniversary of the Fringe next year.
Ms Gilruth said: “Edinburgh’s festivals provide a global platform for Scotland and for all the talented performers who take part. They also bring hundreds of thousands of visitors to the capital throughout August with all the economic benefits that brings.
“They are invaluable for Scottish artists and performers to develop and support their ambition and creativity, providing opportunities to showcase their work nationally and internationally.
“These festivals also send out a clear message that Scotland is an open and welcoming country, reinforcing how the culture and arts sector occupy such an important place at the heart of our national identity.
“Increasing investment into Edinburgh’s Festivals forms part of the Scottish Government’s commitment to increase culture funding by £100 million annually by 2028-29, ensuring the benefits and chances to participate are enjoyed across the country.
“I am delighted to be attending the opening concert of this year’s Edinburgh International Festival and thank everyone involved in the tremendous range of shows on offer across all the festivals in the city this month.”
The Scottish Government has a long term commitment to providing £100 million more per year into the culture budget as a whole by 2028-29, compared to 2023-24
As part of this commitment, the 2026-27 Expanded Festivals Fund supports the ambitions of 55 arts festivals across Scotland and recognises their vital role as platforms for artists and performers.
Taken together, eight Edinburgh Festivals will receive just over £20.5m of Multi-Year Funding under Creative Scotland’s Multi-Year (2025-28) Funding Programme (MYF).
Police in Edinburgh have launched their annual policing campaign to keep members of the public safe throughout the International Festival and Fringe.
Operation Summer City 2026 will provide a high-visibility police presence within the city-centre between 7 and 31 August, with the Capital’s population expected to double to around one million people during this time.
Local officers from Edinburgh, in particular, the division’s new City Centre Policing Unit, will be supported by colleagues from neighbouring local policing divisions, as well as officers from specialist and national departments, including Road Policing, Intelligence, CID and Public Order.
Police Scotland’s Special Constables will also be deployed throughout the month to support full-time colleagues, while PSYV teams will also undertake various engagement activities and share useful crime prevention and personal safety information with members of the public.
In addition to police undertaking reassurance patrols and responding to any incidents that may arise, a number of Project Servator deployments will take place.
Project Servator is a policing tactic that aims to reassure the public. It targets criminal activity, including terrorism.
Officers utilise a range of resources and also make use of various technology including CCTV cameras and automatic number plate recognition (ANPR). They will speak to people and local businesses to let them know what they are doing, remind them to be vigilant, trust their instincts and report any suspicious or unusual behaviour.
For the duration of the Festival and Fringe Edinburgh Division’s Facebook and X channels will be utilised to provide those who live, work and visit the city centre with useful information on staying safe, as well as giving an update as to the activity officers are involved in.
Superintendent Kathryn Fairfield, Gold Commander for Operation Summer City, said: “The Edinburgh International Festival is the largest festival in the world, given the length of time it runs for, and brings to the city people from all around the globe, all of whom wish to savour the sights, sounds and experiences of the Capital during the summer.
“We’ve been running Operation Summer City for several years now and are fully aware of the demands and challenges this time of year places on the city-centre and as such, we’ll have an appropriate and proportionate policing response in place throughout August to keep people safe and respond to any incidents that may arise.
“The public can assist us with our efforts to maintain safety and reduce criminality by always keeping hold of their belongings and never leaving valuables unattended. Similarly, if you see anything suspicious, please report it immediately so we can respond.
“If you’re enjoying the city’s night-time economy, look out for those in your group. Please also remember that we will utilise our Think Twice bail conditions for anyone charged with an alcohol-related violent offence and this will prevent you from entering a licensed premises during the Festival period until the outcome of court proceedings.
“Don’t let alcohol ruin your summer. Help us keep everyone safe and have a wonderful Festival period. Stay tuned to our social media channels for regular updates and crime prevention advice throughout the month.”
Teams across NHS Lothian are preparing for the annual influx of visitors during Edinburgh’s world-famous Festivals.
The city’s population doubles to around a million throughout August as people from across the world enjoy the Edinburgh Festival Fringe, the Edinburgh International Festival, the Edinburgh Military Tattoo, and more.
NHS Lothian has a number of arrangements in place to make sure visitors can access healthcare if they need it, while continuing to provide routine and planned care for local residents.
Visitors are being urged to take the same route as locals and call 111 if they have an urgent injury or illness.
Experienced NHS 24 advisors will direct them to the most appropriate service to make sure they get the right care in the right place. NHS 24 also has an interpretation service for those whose first language is not English.
Depending on a patient’s circumstances, they may be given an appointment for a Minor Injuries Unit (MIU), be asked to attend a local pharmacy, or be given an appointment at a GP Practice which provides care and treatment for visitors who are not registered with a GP in the city.
Michelle Carr, Chief Officer of Acute Services, NHS Lothian, said: “We want everyone visiting Edinburgh during the Festivals to enjoy their time here, but if they become unwell or suffer an urgent injury, the best thing to do is call NHS 24 on 111. They should not turn up at a hospital.
“It’s important to stress that there is no walk-in service for visitors, but by calling 111 they will be able to access necessary healthcare 24/7.
“They will also be seen sooner than walking into a busy hospital A&E department that will prioritise patients and work in order of clinical urgency.
“The message is the same for visitors and local residents alike. If you need urgent healthcare, call 111. In a life-threatening emergency, always call 999.”
Direct Scottish Government support to help address the ongoing impact of the fire on Princes Street, including potential financial support, will be discussed during talks with City of Edinburgh Council leaders next week.
Deputy First Minister Jenny Gilruth has acknowledged the “major difficulties” being faced in the capital as a result of the blaze at the former Debenham’s store on July 9th.
Ms Gilruth will visit the site of the fire next week and meet with the head of the local authority to clarify what action is required to assist with the recovery.
The Deputy First Minister said: “I am acutely aware of the major difficulties faced by city centre commuters, businesses and tourists in the aftermath of the fire – particularly as Edinburgh prepares for the August Festivals.
“The Scottish Government has been working with City of Edinburgh Council and other partners to deliver the immediate priorities of ensuring the public’s safety while minimising and reducing disruption. I welcome the quick action taken to support festival organisers given the diversions along George Street.
“I am firmly committed to working urgently with partners to ensure there is the fullest possible recovery in what is the heart of the capital.
“I will also be meeting with the council leader next week to make clear what further support ministers can provide, including financial assistance, to help alleviate the situation.”
Edinburgh’s summer festivals oficially begin next weekend, bringing tens of thousands of visitors to the capital.
