Dance Base is delighted to announce the appointment of Alice McGrath and Paul Fitzpatrick as the new co-Chairs of the Board of Directors.
Paul is currently the Director of Creative Engagement at the National Theatre of Scotland and is one of the most respected arts producers and cultural leaders in Scottish performing arts.
Prior to joining the NTS, he was Chief Executive of Imaginate, developing theatre and dance for young people, and joint CEO of the Catherine Wheels Theatre Company.
Alice has held a variety of leadership roles in Scottish arts including strategy development lead with Federation of Scottish Theatre and director roles with Scottish Dance Theatre, Macrobert Arts Centre as well as Imaginate.
Alice joined Queen Margaret University in October 2021 and teaches on the Arts Management and Cultural Policy MA.
The sharing of the Chair role between two people brings different and complimentary perspectives into board leadership and increases the available resource for the level of commitment that this role requires.
Their appointments are part of our strategy to strengthen the industry knowledge and capability within the Board as we develop the sustainable model for the long-term future of Scotland’s National Centre for Dance.
Paul Fitzpatrick commented: “Dance Base was founded the year after I moved to Scotland, and I have been a huge fan of the organization since the beginning.
“Dance is what got me into the arts in the first place when I was just five years old and saw a classmate practicing a time step in the school playground.
“So, it feels very special and important to me that I have this opportunity, alongside my dear friend and colleague Alice McGrath, to support the fantastic team at Dance Base and to take the organization from strength to strength.”
Alice McGrath added: “Like Paul I’m also a huge fan of Dance Base and the Scottish dance community, having worked with the sector for many years.
“I’m really delighted to have this opportunity to work with the organization and Paul in a different way, and together with the board, to support the team in developing and realizing a sustainable and strategic plan for dance, that helps ensure that its value to our culture and communities is known and understood.”
Jill Breingan, Acting Chair, expressed a warm welcome to the new co-chairs: “I am delighted to welcome Alice and Paul to the Board. It’s an important moment for the organization as we implement plans for an ambitious and sustainable future supporting dance and dance artists.
“Paul and Alice bring a wealth of experience in running arts organisations and working with artists, they will be an invaluable resource for our leadership team.”
Dance Base Scotland and Edinburgh International Festival have announced the 24 dance artists taking part in an Artistic Development Week this month.
Hailing from across Scotland and eight African countries, the dancers will come together at Dance Base in Edinburgh to connect, collaborate, and network with their international peers. Expertise in dance disciplines range from contemporary to hip-hop, Bhuto, to Indian classical dance.
Supported by the British Council, the development programme will take place in the run-up to the significant performance of Pina Bausch’s The Rite of Spring / common ground[s] in August.
A highlight of the Edinburgh International Festival, the performance marks the first collaboration between the Pina Bausch Foundation (Germany), École des Sables (Senegal) and Sadler’s Wells (UK).
The artistic development week will be led by Artistic Director of Dance Base, Tony Mills and will focus on daily classes and work in small groups where the participants can take part in reflections and conversations with a focus on creation and artistic devising.
The aim of the project is for the Scottish and international artists to connect and share practice, opening themselves to new techniques and creative approaches. They will have the opportunity to network with national and international peers and to create work together.
Amy Robertson, a dance artist from Edinburgh and one of the twelve Scottish participants is delighted to be involved in the international festival. She said: “Learning and sharing practice on international platforms is such a valuable part of our development and I’m really looking forward to all that comes out of this week.
“With a lot of work being made in smaller constellations of artists, working with 12 colleagues from across Scotland and artists from wider international communities is sure to be a rich and valuable experience for all involved.”
Also from Scotland, dance artist Suzi Cunningham adds:“This is an incredible opportunity to connect people from across continents and to learn from the artistry and passion of others.
“I am extremely excited about making new connections and having this opportunity to truly dance without limitations, and in ways I don’t allow myself or don’t usually seek out in my practice”.
Speaking ahead of the development week, Tony Mills, Artistic Director for Dance Base said about the collaboration:“We are beyond excited to be able to host 24 artists from Scotland and across Africa as part of a collaboration with Edinburgh International Festival and their professional artist development programme.
“Dancers who will be performing as part of the Ecole des Sables & Sadler’s Wells production of the Rite of Spring, will meet and connect with a range of Scottish dance artists to share practice and build relationships for one week.
“This is a unique moment that will be taking place under our roof at Dance Base. In Scotland, it is a rare occasion when this many professional independent dance artists can get together and get busy. I want to say a huge thanks to EIF for trusting us as collaborators. I personally cannot wait to get stuck in!”
Roy Luxford, Creative Director, Edinburgh International Festival added: “The International Festival at its core promotes the exchange of ideas to deepen understanding between cultures through performance.
“Creating this platform of exchange between Scottish professionals and dancers from The Rite of Spring company is a special Festival moment, and together with our partners the British Council and Dance Base we can continue our commitment to artistic exchange and development.
“I look forward to this exciting week at Dance Base ahead of the performances of The Rite of Spring/ common ground[s] at The Playhouse Theatre this August”.
Speaking about the artistic development week, Norah Campbell from British Council Scotland concluded:“Building platforms for international connection is at the heart of what we do at the British Council, and we’re delighted to help bring these amazing dance artists together – putting a spotlight on local and global talent, helping them all to reach new, international audiences.
“I’ve no doubt the experience will spark new ideas and will allow all the artists to build strong networks for the future.”
Assembly Festival has today (Wednesday 03 May) announced a further 80 shows for its Fringe 2023 programme. This year, the festival is extending its wings across Edinburgh, beyond its festival hubs at Assembly George Square and Assembly Rooms to two new venues, with a co-curated programme at Assembly @ Dance Base and a residency at Murrayfield Ice Rink.
Recirquel Cirque Danse, the company behind 2019’s critically acclaimed My Land, will take over the art deco inspired arena at Murrayfield Ice Rink with an immersive circus experience IMA, directed by Bence Vagi, 04 – 27 August.
In an installation space inspired by the starry sky, audiences will participate in a unique ritual guided by a 21st-century shaman, and adventure into the unknown territories of the human mind.
IMA | Various Times | 04-27 Aug | Assembly at Murrayfield Ice Rink
Assembly’s family programme includes more circus, with Chevalier – Hobbyhorse Circus, an irresistibly charming homage to circus horses and the silent movie era; and Cartoooon!! That mixes Japanese Manga animation with hilarious antics and unicycling for a live performance that jumps out from the cartoon world.
The festivals youngest audiences will be entertained as Monski Mouse and friends return with the renowned Monski Mouse’s Baby Cabaret and Monski Mouse’s Baby Disco Dance Hall. There’s an enchanting beginners guide to economics with Roger McGough’s Money-Go-Round; and the Reeflings go an under-the-sea adventure in DIVE, an immersive multi-sensory experience for children with SEN and PMLD.
In Cabaret, Broadway Diva brings the best West End Wonders, Broadway Belters, and Earworms that you know and love to Assembly’s Drawing Room. The Māui legend is retold with rhinestones and glitter in Rutene Spooner’s Thoroughly Modern Māui; Scotland’s premier quiz company bring and interactive experience where anyone can win with Goose’s Quizzes Elimination Game; and there’s outrageous drag, burlesque and more with Ginava’s Messy Friends.
Assembly is proud to welcome Kyiv City Ballet for their first visit to Edinburgh at the festival’s flagship venue, Assembly Hall. A Tribute to Peace is a programme of excerpts from some of the company’s favourite pieces, showcasing the resilience of these exceptional dancers and people of Ukraine. A portion of the proceeds from every performance will be donated to charities supporting Ukraine.
Kyiv City Ballet | 19:00 | 03-28 Aug | Main Hall
Also at Assembly Hall, the festival launches with a celebration of the 2023 programme and highlights from some of the best and biggest productions in the Assembly Gala (Wed 03 Aug); and inspired by a tale as old as time, Matador is a fiery fusion of burlesque, dance and jaw-dropping circus acts, an emotionally charged journey through love and its many faces.
Dance takes centre stage at Assembly Festival in 2023, with a co-curated programme at Assembly @ Dance Base. Plus, a high-energy fusion of commercial dance intertwining ballet and street with contemporary and breakdance in Beats on Pointe; powerful full-femme, full-bodied dance in Angel Monster; blending the instinctive and spontaneous quality of live performance with a view through the eye of the camera in Shoot the Cameraman; and conjuring a realm somewhere between online/offline, For you: wicked draws on experiences in camming, life modelling, stripping and formal dance training.
Once again comedy has a strong presence in Assembly’s programme, and there’s plenty of laughs to be had with stand-up from Gail Porter: Hung, Drawn and Portered; Jo Griffin: The Power Hour (Perfect, The Paddock); Larry Owens Live (ABC, HBO, Netflix); Mad Ron: Crime School as played by Steve Lee; Fringe favourite Reuben Kaye: The Butch is Back; Robin Tran: Don’t Look at Me (Historical Roasts, Straight Up Stand Up); Sophia Cleary: It Gets Worse (MOMMY, SmileKnife); Urooj Ashfaq: Oh No! (Queens of Comedy); and comedy line-ups at Liars & Clowns: A Late Night Comedy Show and Aboriginal Comedy AllStars.
Exploring the fringes of the genre, there’s musical comedy with 30 Minute Musicals: Top Gun and Comedians’ DJ Battles; improv in Aaaand Now For Something Completely Improvised; the alternative and the absurd in drag king show How to Flirt: The TED XXX Talk, The Poor Rich, and The Power of Yep; comedy sketches from BriTANicK: Work In Progress; storytelling in 5 Mistakes That Changed History and Skye Scraper: The Life and Times of a Drag Queen Accountant; drag, comedy and cabaret collide in I consent; and a performance performed simultaneously on stage and on the big screen in The Umbilical Brothers: The Distraction.
From the big screen to the stage comes the Royal Conservatoire of Scotland’s production of Big Fish, based on the book by Daniel Wallace and Tim Burton’s 2003 film; and Edges, a contemporary song-cycle from the creators of The Greatest Showman and La La Land.
There’s more music as the smash-hit gig theatre What Girls Are Made Of returns for its final Scottish dates; Jon Culshaw and Erin Armstrong star in Lena; a young Jehovah’s Witness comes to terms with his sexuality in Horizon Showcase: Birthmarked; a musical feast of storytelling in Of Moonset and the Milky Way; and The Beatbox Collective ask What’s Your Sound?
What Girls Are Made Of | 13:00 | 04-27 Aug | Music Hall
There’s something for everyone in Assembly’s theatre programme – from new takes on the classics with The HandelBards cycle-powered version of A Midsummer Night’s Dream, to a breadth of new writing – kitchen-sink drama meets post-apocalyptic horror in The Hunger; a life drawing class plunges into chaos in Artist/Muse; A young boxer tells us his story, from his rise to fame to tragic fall from grace in Shadow Boxing; The Stronger examines the role and position of women in society; and four musicians seal themselves in an underground studio In Everglade Studio.
The realms of science-fiction are explored with a drama about feminism, climate change, and David Bowie in ALONE; an uncanny adventure with friendly cryptids in Hive; and Ray Bradbury’s Tomorrow’s Child is turned into an immersive blindfolded experience for the audio equivalent of a five-star dinner.
Queer stories are shared with DARLING BOY, a hilarious and heart-breaking ode to growing up; a lip-sync battle like you’ve never seen before in Split Lip, a story of trauma and forgiveness; and a show about a queer, autistic, latinx caterpillar, on the edge of Super-trans-metamorphosis in Dre Spisto: El Dizzy Beast.
There’s theatrical character-comedy in Kravitz, Cohen, Bernstein and Me and GUSH; politics and clowns go hand in hand with Finnish clown duo Mike and Zin in Don Quixote; from the frontline of a failed Presidential campaign, Manifest Destiny’s Child is a hilarious, true account of how America woke up in Trumplandia; while the Westminster circus is explored in Dom – The Play. Breaking the Castle is a powerful comedy-drama exploring the correlation between mental health and addiction; and an audacious hell’s-eye view of The Passion of Christ in the darkly comic The Devil’s Passion.
The life of the artist is under the spotlight in an uncompromising portrait of an undisputed genius and visionary artist in Picasso: Le Monstre Sacré; André & Dorine follows a pair of elderly artists in a deeply emotional non-verbal work; and a young, unknown writer becomes a legendary playwright in Jacob Storms’ Tennessee Rising: The Dawn of Tennessee Williams.
André & Dorine | 15:15 | 07-20 Aug | Ballroom
Assembly kicks off the festival season on Friday 14 July with the opening of its festival hub Assembly George Sqaure Gardens, where it plays host to the Edinburgh Jazz and Blues Festival through to Sunday 23 July. The city’s largest free-to-enter annual celebration of Scotland’s larder returns Friday 21 – Sunday 30 July with the Edinburgh Food Festival; before Assembly Festival’s Fringe programmes begins on Wednesday 02 August.
Assembly Festival is one of Edinburgh’s largest and the Fringe’s longest running multi-venue operators. It’s 2023 Fringe programme will take place across Edinburgh, with festival hubs at Assembly Rooms, Assembly Hall, Assembly George Square Studios and Gardens, Assembly Roxy, Assembly Checkpoint, as well as venues at Assembly @ Dance Base and Assembly at Murrayfield Ice Rink.
Tickets for Assembly Festival shows are available now from the Assembly Festival Box Office www.assemblyfestival.com.
Celebrate International Dance Day this week with Dance Base
Dance Base, Scotland’s National Centre for Dance, is inviting everyone to celebrate this year’sInternational Dance Day on Saturdayandtake part in the fantastic summer term starting just two days later, on 1 May.
Audiences can now choose from over 50 dance classes for people of all ages and all levels of dance experience forming Dance Base’s summer term. The term will run until 24 June and feature audience favourites such as Burlesque, Bollywood, Aerial, Tap and Cuban Salsa as well as Irish dance, Musical Madness and Pilates, available as an 8-week course or drop-in classes.
As always, Dance Base provides a range of classes for the youngest (3+ yo) and mature dancers (60+ yo). It also continues its popular Dance for Parkinson’s classes suitable for people with no dance experience, aimed at developing participants’ confidence and creativity, whilst addressing Parkinson’s specific concerns such as balance, flexibility, coordination and gait.
Jim Hollington, Dance Base’s CEO said: “International Dance Day provides a fantastic excuse to celebrate all things dance, the joy it brings and the community it helps build.
“We are honoured and driven to continue to play a vital part in Scotland’s creative landscape which has been under a lot of strain over the past few years. but thanks to the high level of support from our teachers and regular dancers, who helped to make the term we’ve just finished much busier than anticipated, we’re able to open over 50 classes in the summer term.
“Our future depends on your support, so I hope you’ll celebrate the International Dance Day with us and sign up to one of our fantastic courses or drop-in classes.”
Tony Mills, Dance Base’s Artistic Director said: “We recognise that a dance class can become an incredibly meaningful experience that builds community, creativity, joy and well-being.
“At Dance Base, I consider us to be in the business of providing this kind of opportunity, so I am happy that we mark this year’s International Dance Day with a new fantastic term of over 50 classes.”
Granhøj Dans has announced some changes to its schedule of shows as part of this year’s Edinburgh Festival Fringe. An Eve And An Adam will now run at Dance Base until August 21 at the new time of 20.30.
This timeslot was formerly where the production of This is Not Swan Lake had run but this show has finished its run early and was taken down from August 10, due to travel problems with one of the artists.
Members of the public who have tickets for This is Not Swan Lakewill be contacted by the box office and offered a full refund or tickets for an alternative show.
STONE – FACE – BOOK
This solo performance with award-winning dancer Mikolaj Karczewski is a personal portrait made in collaboration with the obstruction master Palle Granhøj. Drawing on his father’s background as a miner, Mikolaj uses whimsical choreography to breathe life into the stones, finding music in them and from that music, dance arises. Stone – Face – Book is produced in close collaboration with PlatformaFestival in Klaipeda.
“An outstanding stage fantasy with the incredible high-flying acrobatic dancer MikolajKarczewskialone on stage among the collection of gray stones of memories.” Danstidningen
A beautiful, profoundly naked performance presented as nature intended. This is a performance celebrating the pure, authentic, original beauty of nudity – as a contrast to the versions given to us by social media. Increasingly we see uncovered bodies readily exposed all over social media. All kinds of pornography are easily available and widely consumed. Modesty no longer exists when it comes to the naked body in virtual culture, yet young people feel shamed by natural nudity. In this provocative show, Palle Granhøj asks: ‘what has happened to our relationship to our natural nudity?’
An intense and high energy experience featuring 8 musicians and 9 dancers, on stage live at the beautiful Dance Base
Boléro was written in 1928 as ballet music and the work is one of Ravel’s last and most famous. PalleGranhøj has transferred the music’s intensifying signature to a deconstructed version – and finally in its full length. The intensity of the melody and dancers increases throughout BOLERO – EXTENDED, giving it a powerful, uplifting, trance-like quality in a unique and iconic performance with nine dancers and eight cellists live onstage.
★★★★★ “A captivating performance that leaves the audience euphoric” Cphculture
“a dizzying experience” Danstidningen
Age suitability 12+
Dance Base Studio One
Aug 23-25 19:00 (1h) £16.00 (£14.00/£10.00) Aug 26-28 19:00 (1h) £18.00 (£16.00/£10.00)
The Granhøj works are part of the #DANISH showcase at Edinburgh Fringe 2022 presented by The Danish Arts Foundation and produced by WILDTOPIA. The showcase is supported by The Embassy of Denmark in the UK.
EIGHT Edinburgh Festival Fringe producing venues – Assembly, Dance Base, Gilded Balloon, Just the Tonic, Pleasance, Summerhall, Underbelly and ZOO – are coming together for the first time to launch an updated show ticketing and reviews platform, edfest.com – providing audiences with a central hub for easy booking, information and reviews of ‘the best curated shows on the Edinburgh Festival Fringe’.
With tickets now on sale, edfest.com provides a centralised booking and reviews hub providing access to 1,159 shows across comedy, dance, theatre, and music at 140 venues, featuring performers from 32 different countries.
Some notable performers and shows in the 2022 edfest.com line up are:
Assembly: Choir of Man, Beats on Point, Friendsical, Love Loss & Chianti and Queenz
DanceBase: Ballet Ireland, Scottish Dance Theatre, Dan Daw Creative Projects
Gilded Balloon: Late’n Live, Maisie Adam, Leith Social, Henry Naylor, Jack Docherty
Just The Tonic: Jimeoin, Tom Stade, Aliya Kanani, Jack Gleadow, Anthony Deveto
Pleasance: Freedom Ballet of Ukraine, Sophie Duker, Ben Hart, Tim Vine, SK Shlomo
Summerhall: Learning to Fly, Life is Soft, Mama Love, Talisk, Efterkland
Underbelly: La Clique, Rhys Nicholson, Dragons & Mythical Beasts, Circa: Humans 2.0, Unfortunate: The Untold Story of Ursula the Sea Witch
ZOO: Night Dances, Runners, Rocky, Sad Book, Far Gone, Every word was once an animal
The new edfest.com website has been designed to give audiences a more bespoke experience, allowing them to search and find shows they will love.
Companies and venues will update information on a regular basis and the public will be encouraged to review shows and share with their friends. The new experience gives ticket buyers a more rounded view of what’s on offer, replacing what word of mouth and poster clippings have done in the past.
Speaking on behalf of the eight edfest.com venues, Jim Hollington, CEO of Dance Base, comments: “The last two years have been incredibly hard for everyone in the arts and entertainment sector. It’s therefore critical that this year’s Edinburgh Fringe is a success, to protect the future of our own organisations, of the performing artists who make the Fringe, and of our contribution to the city of Edinburgh overall.
“As producing venues, we invest a huge amount of time, energy and money curating and producing some of the best entertainment in the world and bringing that to Edinburgh. Whilst the pandemic created numerous challenges, it did allow us to stop and think about how we could collaborate and do things better.
“Across the eight edfest.com venues we share a similar vision and so it made sense for us to pool our sales and marketing resources to drive efficiencies across our own operations and ultimately make things easier for customers. Our box offices will also all be linked and audiences will be able to buy for multiple venues.
“Crucially this year we are going on sale earlier than usual to increase the sales window for bookings and generate much needed revenue.
“Putting the last two years behind us we would like to encourage everyone from Fringe loyalists who turn up every year, to Edinburgh locals and first timers to visit edfest.com, book some spectacular shows and once again enjoy the best possible Edinburgh Fringe experience this August. We can’t wait to get going!”
As the year draws to an end and festive cheer starts to build, Dance Base celebrates all things dance by hosting a new showcase, SNOW MOTION: three evenings of live performance back in the glorious Studio 1 space.
This December, Dance Base is delighted to welcome a fantastic array of dance artists from across Scotland to bring their work back to the stage and to celebrate the 20th anniversary of Dance Base making its home in the Grassmarket building.
Each artist joining the company has a deep connection to the Company having developed work with Dance Base over the years through residencies, Festival performances and sharings. This new showcase also marks the first major Dance Base project for the company’s new Artistic Director, Tony Mills, which is set to showcase his bold new vision for the organisation.
With a different programme each evening, there is truly something for everyone, from playful takes on office life, to lyrical explorations of an enchanted Hebridean world, to a delightful tale about food (and being eaten!) for younger audiences.
Featuring new and reimagined performances by Bridie Gane, Jen Wren, Kirsten Newell, Mamoru Iriguchi, Taylor Han and Tess Letham, SNOW MOTION celebrates storytelling and connection, showcasing an array of live music, physical theatre, spoken word and contemporary and traditional dance.
Click here for more information on each performance.
SNOW MOTION is a celebration of Dance Base in its 20th year in the Grassmarket. As well as featuring artists connected to the organisation, it will also showcase the organisation’s history, and hugely popular programme of dance classes.
Audiences are encouraged to arrive early and take part in a fun and uplifting dance class suitable for all levels. A bar will be set up so if a class doesn’t appeal, there’s also the chance to chat with friends over some festive drinks and follow Dance Base’s history with a brand-new exhibition display in the building.
SNOW MOTION is an evening for us to come together again, raise a glass to all that has been, get in the Christmas mood, and – most importantly – dance!
This event has been made possible thanks to support from Creative Scotland and funding from Scottish Government through the Performing Arts Venue Relief Fund.
Dance Base and Jupiter Artland’s dance residency programme
Dance Base, Scotland’s national centre for dance, and Jupiter Artland, a contemporary sculpture park and art gallery just outside Edinburgh, are thrilled to announce the five artists selected for the Space, Nature, Nurture | Winter Residency Series – a new collaborative residency programme which offers dance and movement artists a unique opportunity to immerse themselves in and work with the natural and sculpted outdoor surroundings of Jupiter Artland.
Scotland is a hugely diverse and varied landscape that is not only an incredible source of inspiration, but which can also act as a creative collaborator and be a central element of performance work for artists.
Jupiter Artland encapsulates the richness of the Scottish landscape, incorporating wild woodland alongside sculpted spaces, and is a hugely inspiring and creative environment for artists to engage with. Space, Nature, Nurture is the first collaboration between Dance Base and Jupiter Artland and both partners are thrilled to be able to provide an opportunity for artists working in dance and movement to bring their practice in to this unique environment.
The five artists selected were chosen based on their genuine interest in developing material in, with and in response to the unique natural environment and in collaborating with ecologies as a central part of their work.
They are Thomas Goetz, Hamshya Rajkumar, Kate E Deeming, Jennifer Paterson (All or Nothing Aerial Dance Theatre) and Simone Kenyon.
Each of the Space, Nature, Nurture artists will receive a fully funded 1-2 weeklong residency at Jupiter Artland over November and December when the Park is closed, providing them with full and unlimited access to the Artland.
As part of their residency, they will each present an element of audience engagement, reconnecting or establishing a link with their audience. These will be delivered in person and online.
This Residency programme has been made possible thanks to funding from the Performing Arts Venue Relief Fund and is part of a wide programme of artist support that Dance Base are delivering to support Scotland-based dance artists to return to their practice after this very difficult 18 months.
MEET THE ARTISTS
Thomas Goetz is an Edinburgh-based choreographer, performer; movement facilitator who draws inspiration from themes related to nature, philosophy and science. His recent work is concerned with emergence, behaviour, and (eco-)systems in nature and the role we play as part of these systems.
Talking about his residency, he said: “All living organisms occupy specific ecological niches which describe the role they play in an ecosystem. Animals & plants evolve unique adaptations to survive, live and thrive in a specific habitat under certain environmental conditions.
“In this residency I will be exploring how we can evolve into creatures which occupy the natural and artistic habitats of Jupiter Artland. These evolving imaginary creatures will differ in the way the move, are able to perceive the environment, communicate (with sound/voice or movement) & interact with one another.”
Hamshya Rajkumar is an inter-disciplinary artist who navigates through embodied movement, intention and ritual.
She said: “Through movement I will be exploring various human interventions within the Jupiter Artland estate in the form of Gardens, Woodlands and Land artworks that reflect the human need for beauty versus the understanding of the ecological community. An element of my practice involves embedding within Land +| Sea:scapes who are devoid of my ancestors.
“I am curious about forming an intra-species alliance with the much debated invasive Beech Tree and introduced ornamental exotic Plants. An extended focus will include the relationship between manicured foot and manicured grass. As Heavy Rain is likely during November, I will be experimenting with using second hand clothing as an extension of the bodily self as well as skin that absorbs and moves with Weather.
Kate Deeming. With decades of outdoor dance experience, Kate E. Deeming describes herself as an ‘artist who uses dance to make good stuff happen’. Kate E. creates public facing work largely in urban environments and outside of traditional arts hierarchies.
Kate said: “I am interested in creating moments and reminders that build empathy and connect us to our individual and collective power, to reinforce and manifest a joyous and loving world.”
For the Space Nature Nurture Residency Kate E. is to create a week-long durational dance piece inspired by the Jupiter Artland Landscape. Utilising costume and wearable speakers, she will create giphys of wee dance moments which will feed into her wider community practice.
Jennifer Paterson is an aerial and dance director and Artistic Director of All or Nothing Aerial Dance Theatre, Scotland’s leading aerial dance company. She trained at London School of Contemporary Dance before discovering aerial and that she could overcome her fear of heights, going on to perform worldwide with several companies and directors.
For her residency, Jennifer will be working with other dance and aerial artists: Chrissie Ardill, Beverley Grant, Marie Williamson and Freya Jeffs.
She said: “Starting within the woodland at Jupiter Artland, taking movement from the ground, and moving it up into the air and around the trees, the woodland and back into the landscape, utilising our aerial dance harness skills and how we can play and create together in this environment.
“Our audience engagement will be through 2 workshops within the environment, allowing participants to play and explore both in and out of harness, just as we are doing. One for adults and one for children.
“Being so close to the Edinburgh International Climbing Arena at Jupiter Artland we will look to connect with climbers there, as well as recreational aerialists from the Scottish aerial dance community.”
Simone Kenyon is a Scotland-based artist, performer, Feldenkrais practitioner and academic. For the past 20 years she has worked across performance and dance that embraces the complex interrelationships of movement, people and place.
Talking about her residency, she said: “The residency will focus on new research exploring the practices of drystone dyke building; including the choreographic, material agency, conservational, ecological, cultural and social aspects of wall building.
“Working for the first time, in-person with Master Waller, George Gunn, we will work with an existing wall in need of repair within the grounds to explore building techniques, place relational performance, creative conversations and take time to develop this new collaboration.
“Filmmaker Emma Dove also joins to make our collaborative trio to further explore and develop ways of working with film in the process. On the last day of our residency, we will share our findings and explorations though conversation in-situ with a small group.
“Post residency we will share a film for a wider audience online. Beyond the physical residency, Simone will begin new critical-peer conversations with artist Robbie Synge, to stimulate questions and ideas as a way of continuing the development of the work.”
Tony Mills, Artistic Director at Dance Base:“Jupiter Artland is an incredibly innovative arts space with a team that is forward thinking. We feel it is the perfect place where artists can be supported to explore new connections between dance and the environment within an artistic context.
“As we come back to working together creatively, the desire for collaboration and making things happen is so much stronger. This has resulted in this exciting cross-city partnership that will challenge the notions of what dance is and where it happens, and open up new avenues for dance artists and their work. We look forward to creating more opportunities with Jupiter Artland in the future.”
Nicky Wilson, Director of Jupiter Artland: “It is an honour to host Dance Base and their Space, Nature, Nurture residency at Jupiter Artland. Working alongside other cultural institutions creates great networks across the city, and the country, which are incredibly powerful vehicles for change.
“I am a huge advocate for bringing creativity outside, enjoying the outdoors, watching nature, and being inspired by art. It is more important than ever to embrace this freedom and I am so excited to see the residents flourish in the landscape.”
Renowned talent management and theatre training programme, Stagebox, will be hosting its Edinburgh auditions at Dance Base, Scotland’s National Centre for Dance, on Sunday (16th May 2021).
If you know a young performer aged 8-18 years old who is looking to take their talent to the next level, Stagebox is inviting auditionees to take to the stage at this weekend’s in-person audition workshops.
Successful talent will enjoy the exclusive award-winning performance training programme during the school holidays, as well as benefitting from the talent management at Stagebox.
For the first time, auditions are free of charge, with Stagebox founders keen to encourage everyone with a love of theatre to come along and audition.
Stagebox recently released a video featuring its Edinburgh cast performing an original medley from Disney’s The Little Mermaid on YouTube, so hopeful auditionees can envision just what it’s like to be part of the Stagebox world. The video has already amassed an impressive 5,000 views in less than a week.
With Stagebox alumni starring on stage and screen, many securing lead roles for Disney, Netflix, in the West End and beyond, Stagebox offers rising stars the chance to train smart, build industry connections and gain unrivalled opportunities in theatre, television and film.
Stagebox’s General Manager, Jasmine Quinlan Gardner, said: “It’s been a turbulent period for the performing arts industry to say the least, and we’re so delighted to be holding the free auditions in Edinburgh.
“Stagebox is about opportunity, and we’re thrilled to be celebrating the country’s budding talent.”
Kirsti Bagger, Head Agent at Stagebox said: “We’re looking to meet new performers with passion, ambition and star quality.
“We’re very passionate about accessibility and inclusivity which is why we’re removing audition fees this May – we welcome children from all backgrounds, from newcomers all the way up to advanced level and we can’t wait to see what the young people of Edinburgh have to offer!”
These auditions are guaranteed to fill up fast and limited spaces apply. To register your spot for the Edinburgh audition date, please visit Eventbrite.
Dancebase and the Amanda Kane School of Dance are among the beneficiaries of new awards made through the Youth Talent Development Fund from The Royal Edinburgh Military Tattoo and Creative Scotland.Continue reading Ya dancer! Funding for traditional arts projects
