Scottish acting legend Gregor Fisher invites audiences to an intimate evening of memories, laughter and the kind of behind-the-scenes tales you won’t find on IMDb.
Joined on stage by long-time friend and director Nigel West, Fisher promises “an evening of reminiscences, stories and things you’ve never heard before” with a wink, a grin and maybe a few surprises he probably shouldn’t tell.
From Rab C. Nesbitt to Para Handy, from Mr Squeers to Love Actually, Fisher’s career has spanned decades, genres and wigs. Expect reflections on the highs, the lows and the “probably best forgotten” moments of a life spent in the wonderfully unpredictable world of show business.
“We’ll be talking about everything from adoption to acting, from The Baldy Man to Mr Bumble, from cocaine to Christmas movies (the cocaine’s a lie, by the way, but I’m trying to sell tickets),” says Fisher.
“It’s not a grand performance, more of a friendly chat. There’ll be stories, laughs and maybe a few moments that make you think, ‘I did not know that about him.’”
Far from a formal retrospective, this is Fisher at his best: candid, sharp and effortlessly funny. A night where the stories come with a pint’s warmth, the humour lands close to home and the man himself reminds us why he remains one of Britain’s most beloved and enduring screen personalities.
Celebrated for his versatility and comic talent, Fisher has built a career that balances heart and humour with ease. His credits include the iconic Rab C. Nesbitt, Michael Radford’s Merchant of Venice, 1984 (1984), Naked Video (1986), The Railway Children (2000), Love Actually (2003), Oliver Twist (2007) and The Cockfields (2019). Known for his distinctive wit and grounded performances, he continues to bring warmth and humanity to every role. Most recently, he completed filming the second series of BBC One’s Only Child, following rave reviews for his performance in the first.
Relaxed, honest and a bit daft at times, the evening promises laughter, nostalgia and a genuine peek behind the curtain of a life in this mad old business.
What the press have said about Gregor Fisher
“Fisher’s a great storyteller” – The Scotsman
“This is a man who could make reciting the alphabet uproarious” – The Guardian
Pitlochry Festival Theatre’s Artistic Director Alan Cumming is set to host a fundraising event for the Theatre on Sunday 28 September, when he spends an entertaining evening in conversation with sports pundits Tam Cowan and Stuart Cosgrove, celebrating over 30 years of Scotland’s best loved (and self-proclaimed worst informed) football radio show, BBC Radio Scotland’s Off the Ball.
Whether you are a football fan or a Theatre lover (or both!) , join Alan as he delves into the history of this dynamic duo, and their unique style of football punditry which has brought joy each week to football fans across Scotland. The conversation will be followed by the chance for audience members to ask their own questions to Tam and Stuart.
Pitlochry Festival Theatre’s Artistic Director Alan Cummingsaid: “I am a huge fan of Off the Ball even though I know and have very little interest in football.
“I guested on the show once (and can’t wait to again, hint hint), and my big brother – who is a football nut and was I think rather jealous of my proximity to Scotland’s fitba royalty – said ‘you just giggled the whole time’. And he was right. “Tam and Stuart are hilarious, irreverent, and even just the timbre of their voices and their vocabulary make me howl with laughter and I could listen to them all day.
“This fundraiser is a beautiful gesture by them to support me and my plans for my first season of work at Pitlochry Festival Theatre and a great chance for everyone who loves football and comedy to witness, in the flesh, these petty and ill-informed football titans!”
Tam Cowanadded: “I first suggested doing this fundraiser for the theatre when Alan Cumming was appointed artistic director as he’s been a great friend of Off the Ball with numerous plugs for the programme on both sides of the Atlantic.
“Me and Stuart appreciate the support (it’s not every day a James Bond baddie praises your work!) and, to reciprocate, I thought the least we could do was put on a wee freebie at Pitlochry Festival Theatre, just a few miles from where Stuart was born and bred.
“We’re really looking forward to a no-holds-barred petty & ill-informed evening of stories, jokes and memories – and we might even spill a few Off the Ball secrets for the punters who donate a few quid extra by splashing out on a VIP meet’n’greet ticket…!”
Pitlochry festival Theatre new Studio official opening.
An Evening with Off the Ball’s Tam Cowan and Stuart Cosgrove is scheduled as the first in a series of In Conversation fundraising events to be held at the Theatre over the next year.
These events will bring in much needed funds for the Theatre, a charity, which produces work here in Pitlochry at its on-site workshop and rehearsal rooms.
The funds from the evening will go to support the Theatre’s 2026 programme, which will be Alan Cumming’s first season of programming as Artistic Director, as well as the Theatre’s 75th Anniversary Season.
Further In Conversation events will be announced in the coming months.
General tickets for the fundraising event cost £25. VIP Meet and Greet packages are also available, allowing audiences members the opportunity to enjoy nibbles and drinks whilst chatting with Tam, Stuart, and Alan.
An Evening with Off the Ball’s Tam Cowan and Stuart Cosgrove will be on Sunday 28 September at 7pm at Pitlochry Festival Theatre. Tickets are available from the box office on 01796 484626 or online at pitlochryfestivaltheatre.com
To find out more about supporting Pitlochry Festival Theatre visit:
Glasgow is set to honour one of its most iconic sons, Sir Billy Connolly, with a celebration this September as part of the Glasgow 850 programme.
The Big Yin Weekend, taking place on Saturday 6 and Sunday 7 September, will honour to the legendary Glaswegian comedian, musician, storyteller and artist through a vibrant mix of music, comedy, film and walking and cycling tours.
Sir Billy Connolly, who was awarded the Freedom of the City of Glasgow in 2010, has long been regarded as the voice and spirit of the city. His enduring career has brought laughter, insight and pride to generations of Glaswegians, and this celebration of his life and career reflects the deep affection the city holds for him.
The Big Yin Weekend is part of the wider Glasgow 850 programme – a year-long celebration marking the city’s 850th birthday. Led by Glasgow City Council, the programme showcases the people, culture and creativity that make Glasgow a truly unique place to live, work and visit.
Highlights of the weekend include:
The Big Yin Tune-In – A free pop-up musical performance at The Park Bar featuring Gary Innes & Friends and the premiere performance of a new song entitled ‘Big Yin’ by Scottish supergroup Mànran, to celebrate Billy Conolly’s contribution to folk music and commemorate the 60th anniversary of The Humblebums.
‘Big Yin’s Best Of ‘– A comedy showcase presented by Glasgow International Comedy Festival, featuring past winners and nominees of the Sir Billy Connolly Spirit of Glasgow Award.
Big Banana Feet screening – A special showing at Glasgow Film Theatre of the fly on the wall documentary following Billy Connolly on his 1975 tour of Ireland, introduced by comedian Scott Agnew.
Walking and cycling tours – Gallus Pedals Tours will host walking and cycling tours across the weekend inspired by Billy’s life and legacy, taking in key locations and mural sites across the city.
While the pop-up musical performance is free to attend, tickets for the other events are being sold at reduced prices to allow as many people as possible to attend.
Leader of Glasgow City Council, Cllr Susan Aitken, said: “Throughout our birthday year Sir Billy Connolly’s name has come up time and time again. As arguably the city’s best loved and most famous modern-day Glaswegian, we couldn’t celebrate this landmark year for the city without honouring Billy.
“Billy’s pioneering stand-up has always drawn on Glasgow’s spirit, resilience and uniquely funny bones, and then added his very own special brand of freewheeling genius to bring laughter and joy to millions. This weekend responds to the huge affection people have for the Big Yin with a living tribute to his comedy, music, storytelling and contribution to the arts – and to Glasgow.”
Gary Innes of Mànran and Hoolie in the Hydro, said: “Billy Connolly is a true representation of Glasgow – the city’s wit, warmth, spirit and love of music. This year’s Hoolie in the Hydro on 13th December is called The Big Yin and we will round off Glasgow’s birthday year with a tribute to one of the city’s most famous sons.
“As a warm-up to our own toast to Billy, it is fantastic to be part of The Big Yin Weekend and join other institutions from across the city in celebrating the Glasgow legend. Get along to the legendary Park Bar to see the first ever performance of The Big Yin, a tune that I have composed in honour of Sir Billy and raise a glass to the man himself, and Glasgow’s 850th year.”
Krista MacDonald, Festival Director, Glasgow International Comedy Festival, said, “Sir Billy Connolly is the heartbeat of Glasgow’s comedy spirit, a trailblazer whose wit, warmth and honesty put Scottish comedy on the world stage.He embodies the humour, resilience and character of this city, and continues to inspire every performer who steps onto our stages.
“At the Glasgow International Comedy Festival, his legacy is felt in every laugh, reminding us that comedy here isn’t just entertainment, it’s part of who we are. We are excited to celebrate the Big Yin and Glasgow’s 850th celebrations with a special comedy event in the new Stand Comedy Club.”
Paul Gallagher, Head of Programme at Glasgow Film, said: “We’re thrilled to be part of The Big Yin Weekend with a special screening of Murray Grigor’s Big Banana Feet at GFT, complete with an introduction from Glasgow-based comedian Scott Agnew.
“Rarely screened since its initial release, the documentary captures Billy Connolly’s comic genius, musical flair and unmistakable Glaswegian charm off-stage.
“Lovingly restored by the BFI using the only 16mm print known to exist, the film was a sell-out hit when it premiered at Glasgow Film Festival in 2024, and we’re sure audiences will jump at the chance to experience Connolly’s larger-than-life talent on the big screen.”
Martin Heaney, Founder of Gallus Pedals, said: “As perhaps the most loved Glaswegian there’s a Billy Connolly reference on almost every one of our tours – not because every guest has heard of him, but because he brings humour to the most ordinary parts of life and has influenced how many of us describe this place.
“It’s been a real joy discovering and exploring parts of the city that helped shape him both as a person and shaped his career and being able to share those locations on our tours.”
More information on attending the free music event or booking tickets at glasgow850.com or on each of the partners’ websites.
Performing at the world’s largest arts festival is no small feat. But for blind comedian Jamie MacDonald, just getting to his venue each day reveals a challenge that blind and partially sighted people face every day: getting to work.
Jamie, who is blind due to a degenerative eye condition, is returning to the Edinburgh Fringe with a brand-new show. Navigating busy streets, temporary venues, and the unpredictable festival layout can be difficult without the support that many sighted performers might never need to consider.
“Getting about Edinburgh is already a total nightmare for blind people and folk with mobility issues,” Jamie says. “Medieval folk seem to have been four-feet tall with a love for steep, stone stairs.
“When you add in the road closures, crowds and performers that the biggest art festival in the world brings, moving about becomes lethal!”
With no official assistance service available, Jamie reached out to RNIB, the national charity supporting people with sight loss. Two of the charity’s volunteers, Bill and Iain, stepped forward to support Jamie with getting to and from his venue throughout his run. Although providing one-to-one travel support isn’t within the charity’s usual role, RNIB Scotland was happy to help connect Jamie with volunteers ready to help, coordinated by Community Social Action Manager Jane Coates.
Although Jamie is known for tackling blindness with humour, he’s serious about challenging the way society views disability. As he puts it, being blind seems to automatically make him a “role model,” whether he wants to be or not. He’s using comedy to question why disabled people are expected to be heroes rather than simply being complex, contradictory, or even a bit difficult – just like anyone else.
That same questioning extends beyond attitudes to the practical barriers disabled performers face.
“There must be a tonne of disabled performers who face the same or similar struggles to me,” Jamie says. “It would be sad, but not surprising if it put some people off coming to perform. I’m not pointing the finger at anyone here, I just think there could be more of a focus put on accessibility.”
The Fringe has introduced several accessibility initiatives in recent years such as audio-described and BSL-interpreted performances. However, support and accessibility can vary depending on the venue. The historic layout of Edinburgh, coupled with the festival’s pop-up nature, adds to the challenge.
Jane Coates, Community Social Action Manager for RNIB Scotland, says Jamie’s situation reflects a wider issue: “Accessibility shouldn’t come down to individual goodwill,” she says. “We need systemic solutions that make it easier for blind and partially sighted people to access cultural life, as audience members, and as creators and performers too.”
For Jamie, the support from volunteers hasn’t solved the wider challenges, but it’s made all the difference in making the Fringe possible this year.
“Bill and Iain are legends,” he says. “I’m lucky. I’ve got my volunteers in shining armour, Iain and Bill, guiding me through the mayhem.
“Legends without whose help and support would probably see me seriously injured or worse, late for a show. So a heart-felt thanks to them.”
** Jamie MacDonald is performing ‘Toxic Bastard’ at Venue 24: Dram at Gilded Balloon Patter House from 15 – 24 August.
The seventh annual Big Brain Tumour Benefit has raised £15,203 adding to the previously raised amount of £700,000 for The Brain Tumour Charity.
9 acts performed for the Big Brain Tumour Benefit: Ivo Graham, David O’Doherty, Michelle Wolf, Abandoman, Celya AB, Emmanuel Sonubi, Garry Starr, Ahir Shah and Bella Hull.
Underbelly today announces the 7th Annual Big Brain Tumour Benefit has raised £15,203 for The Brain Tumour Charity, the world’s leading brain tumour charity and the largest dedicated funder of research into brain tumours globally.
A stand-out in Underbelly’s 25th Anniversary programme, the one-off show hosted by Ivo Graham featured performances from O’Doherty, Michelle Wolf, Celya AB, Emmanuel Sonubi, Garry Starr, Ahir Shah, Bella Hull and Abandoman in his only Fringe performance of 2025. 100% of profits (ticket income less box office commissions and other costs related to the event) from this promotional venture will be donated to The Brain Tumour Charity.
The Big Brain Tumour Benefit was created by Underbelly in 2017 following the diagnosis of an aggressive and rare form of brain cancer called Ependymoma in Alfie Bartlam, the son of Underbelly’s co-founder Ed Bartlam. At the end of August in 2019, Alfie sadly died, aged 7.
Ed Bartlam, Underbelly’s co-founder said: “I’d like to extend a massive thank you to everyone who performed in, and attended Underbelly’s 7th annual Big Brain Tumour Benefit last night.
“It makes me immensely proud that together we have raised more than £15,000 with donations going to a specific research project to find new treatments for some of the most aggressive forms of paediatric brain tumours.
“Our goal is to raise £1.5 million for this project through a series of special fundraising events such as Underbelly’s Big Brain Tumour Benefit. Together we can continue to raise vital funds for research and awareness so that nobody’s life expectancy is dictated by their tumour.”
Sally King, Corporate Partnerships Manager at The Brain Tumour Charity, said: “We’re thrilled that this year’s Big Brain Tumour Benefit has raised over £15,000 and want to thank everyone for their incredible support and generosity.
“This event is a true highlight of Edinburgh Fringe 2025 – uniting us in comedy to raise awareness and vital funds – and we are hugely grateful to the team at Underbelly for their unwavering commitment to helping us defeat brain tumours.”
Brain tumours are the leading cause of cancer-related deaths in children and adults under 40. They shorten life expectancy by an average of 27 years, the most of any cancer. Despite this, brain tumour research is underfunded compared to many other cancers.
Research into brain tumours is severely underfunded in the UK and yet represents the biggest cancer killer for under 40s. Around 500 children and young people in the UK are diagnosed each year but diagnosis times of childhood brain tumours are longer in the UK than in many other countries.
The Brain Tumour Charity is committed to improving the lives of everyone affected by a brain tumour diagnosis.
To find out more about the vital work that they do and to get help from their support services, please visit www.thebraintumrcharity.org or call their Information and support line on 0808 800 0004.
Further donations to the fund are welcome by visiting the link here:
Today, Tuesday 03 June, the Edinburgh Festival Fringe Society is delighted to launch the 2025 Edinburgh Festival Fringe programme. The programme celebrates the diverse selection of work at the Fringe, with performers from across the world and work from 58 countries.
This year’s programme features work from 3,352 shows across 265 venues, with themes tackling some of the most topical issues in the world today.
From rebellious women to the paranormal; the apocalypse to nostalgia; queer joy to life with illness; rave and club culture to science and technology.
Edinburgh Fringe Programme Launch 2025
Launching the 2025 Fringe programme, Tony Lankester, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘Programme launch is such an exciting moment for everyone involved making the Fringe happen.
“Thank you to all the Fringe-makers – the artists, venues, workers, producers, technicians, promoters, support staff and audiences that bring their un-matched, exceptional energy to Edinburgh in August.
‘This year’s Fringe programme is filled with every kind of performance, so whether you’re excited for theatre or circus, or the best of comedy, music, dance, children’s shows, magic or cabaret; get ready to dare to discover this August.
“Jump right in, book your favourites, shows that intrigue you and take a chance on something new.’
At Traverse Theatre,Gary McNair’s ‘award-winning show’ A Gambler’s Guide to Dying returns ‘back home for a special run to mark its 10th anniversary’.
‘Four generations of Northern Irish women, reunited’ in Consumed (Traverse Theatre), ‘a tale of twisted family dynamics and national boundaries’.
‘Inspired by his involvement in the Egyptian revolution of 2011, and experience of the counter-revolution that followed, Khalid Abdalla brings together the personal and the political’ in Nowhere (Traverse Theatre).
At Scottish Storytelling Centre, join the Loud Poetsfor ‘fist-thumping, pint-drinking, side-tickling, heart-wrenching fusion of poetry and live music’ or ‘Scottish and Welsh traditional storytellers Ailsa Dixon and Ffion Phillips as they weave folk music, language and story across these isles and between worlds’ in Aderyn/Bird.
Also at Scottish Storytelling Centre, Cassandra ‘blends Greek myth, Scottish folklore and personal narrative to explore prophecy, protest and survival across time and space’.
At Summerhall, Amazons is a ‘gripping new solo show about the Amazon rainforest and the generations of women who have fought to protect it’.
‘From Parisian hysteria to the glowing Radium Girls’, Fragile Creatures at theSpaceUK ‘reveals gripping stories of women’s rebellion, resilience and their relentless fight for bodily autonomy and equality’.
In Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre, ‘Peter Barratt gives a stirring and passionate account of his great-grandmother’s hard-fought campaign for the vote’ while VOTE the Musical at Paradise Green takes a ‘gripping look at the Suffragette movement exploring imprisonment, activism and the fight for electoral freedom’.
Three resilient Scottish sex workers, dream of escaping the lives they’ve been trapped in, but the patriarchy stands in their way in Happy Ending Street at Leith Arches.
In Well Behaved Women at Gilded Balloon, in 1888 ‘three chaotic twentysomething women decide to host a séance’ and make ‘a bit of a mess of things.’
‘Get ready for a powerful performance’ at Women in Socks and Sandals at ZOO, ‘filled with quirky stunts, mental courage and celebration of the right to be oneself’.
With ‘history, sermons and singalong’, Church of the Clitori at Paradise Green aims to ‘satirise and crash-tackle anatomy, religious ads and female sexuality politics’.
At Braw Venues @ Grand Lodge, Fallen Angel by Liam Rudden tells the story of Angel, who’s been ‘tortured’ by angels for ‘500 years’, while ‘startling revelations about Edy Hurst’s relations have set him on vision quest to contact his ancestors’ in Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself at Assembly.
Do Zombies Dream of Undead Sheep? is a ‘one-man (and one puppet) musical journey through a zombie outbreak, combining live performance, puppetry and animation’ at ZOO.
‘Get to know Frankenstein’s Monster like you’ve never been able to before’ at Fatherless Monster (Paradise Green), ‘face to face with only a mic and some stage lights between you and him.’
0.1% Accurate: Magdalena the Fortune Teller Show ‘will predict the future, summon the spirits, answer your life questions and send you home smiling’ at Alchemist Cocktail Bar and Restaurant.
Listen to the tales of Haunted Edinburgh at Arthur Conan Doyle Centre ‘and discover a host of terrifying stories of hauntings from the city’s dark past’ or visit The Mother Superior to ‘unveil women’s role in shaping the history of alcohol, including sharing how some were framed as witches’ in Whisky & Witches.
A Haunted House at Assembly is a ‘hysterical, terrifying and surreal tale, about one hair-raising night in a haunted house’ ‘for those who like their laughs big and their scares spine-chilling!’
‘The world-renowned paranormal expert Baron Vordenburg and his helpers, Gothic and Grotesque, give away trade secrets and expertise on hunting the unknown’ in Baron Vordenburg’s Guide to the Paranormal at theSpaceUK.
‘A man commits the ultimate act of cowardice’ and ‘a woman’s spirit gains terrifying embodiment’ in ‘dark, twisted folk horror tale’ Tom Hiccup’s Well at Greenside.
At theSpaceUK, ‘apocalyptic anti-romcom’ Horny for the End of the World follows ‘Gen Z, try-hard, pick-me Ebeth gets dumped by the man of her dreams the day before everyone realizes the world is going to end’.
Apocalipsync is a ‘high-energy solo show blending physical theatre, mime, dance and lip-sync mastery’ ‘exploring themes of isolation, hyper-connectivity and human expression’ at Assembly.
Original musical The Real Housewives of the Zombie Apocalypse at Greenside asks if the ‘OGs of reality TV’ can ‘survive the hordes, and each other, and self-produce their way to the end?’ while 4’s a Crowd (Or What Not to Do When Stuck in a Bunker During the Apocalypse) at theSpaceUK ‘follows the idiots left behind after the world ends’.
Apocalypse Cabaret: Songs for the End of the World (Underbelly) is a ‘powerhouse Fringe debut packed with original songs, pop bangers, audience interaction, and existential musings’ following ‘a lonely karaoke jockey is the sole survivor at the end of the world and decides to go out singing.’
Scenes of Unfathomable Horror brings ‘absurd, twisted and entertaining take on modernity, celebrity and existential dread’ to Just the Tonic.
At Underbelly, A Small Town Northern Tale is a ‘Y2K coming-of-age story, charting life in a small Northern town as a mixed-race boy’ and WANTED tells the story of ‘two girls from opposite worlds’ ‘fated to meet on the 00s queer scene’.
At Club NVRLND (Assembly), ‘where the party goes on till morning’, ‘Wendy and Peter reunite for an unforgettable night of adventure, nostalgia and staying forever young, featuring the biggest 2000s anthems’
‘All set to the soundtrack of the 2000s’ Jake Donaldson Is The Fifth Weezer at Laughing Horse is set to be ‘packed with nostalgia, punchy jokes and stories about finding your place in the world’.
‘The perfect nostalgic show for pop fanatics and chart aficionados’, Margot and Martha’s Chart Show Mixtape at theSpaceUK will ‘take you on a journey from mixtapes to Spotify wrapped, celebrating pop music through what was in the charts on the 18th of August – the very week they’re performing at the Fringe’.
‘Party like it’s 1999’ at MASSAOKE: 90s Live (Underbelly) with ‘an epic 90s sing-along’.
‘Through everyday conversation, hilarious comedy, and music-hall style songs’ at The Steamie (Gilded Balloon) ‘we learn from four working-class women about their lives, husbands, technology and the approaching New Year in this time capsule of Glasgow in the 1950s’.
A ‘love letter to the queers, the weirdoes, the trailblazers, the fringes and the night-walkers’, Anatomy of a Night at Summerhall isan ‘exploration of personal identity through a reflection of memories from queer and club spaces’.
‘Queer, chic and outrageous’ – head to the Big Gay Afterparty at Just the Tonic for the ‘biggest, gayest party at the Fringe (fun straights allowed)’.
‘A queer love story but no one dies at the end? Welcome to the world of’ Blooming at Greenside.
Join a ‘plus-sized, 72-year-old lesbian’ sharing ‘intimate stories celebrating inclusivity’ at Tales From Your Queer Elder (Greenside).
At Carpet Muncher at the Scottish Storytelling Centre, ‘the contemporary folklore of the Mothman is brought to life, using vibrant surrealist costuming to explore themes of queer alienation, metamorphosis, cross-border solidarity and homoerotic hot-hub encounters’.
Follow a young trans girl as she navigates the hilarity of rural Argentina during the 1900s at Cecilia Gentili’s Red Ink at Underbelly.
‘Expect chaos, drag, stand-up, glitter, queer joy and an ever-changing line-up of LGBTQIA+ acts’ at Comedy Queers (Laughing Horse) or check out Midnight at the Palace (Gilded Balloon) for a ‘night of radical joy and glitter-encrusted anarchy’.
3 Kidneys No Colon at Braw Venues @ Grand Lodge is ‘the medical diaries (or rather… diarrheas) of Dave who suffers from chronic kidney disease, ulcerative colitis and has had multiple organ transplants’.
Learn about ‘narcolepsy from a true-life perspective’ at theSpaceUK, Fragments of Fatigue is a ‘coming-of-age story to transform your world and prove just how much fight is required to beat the fatigue’.
‘Artfully weaving between generational trauma and chronic illness’, Robyn Reynolds: What Doesn’t Kill You at Assembly will have you ‘roaring with laughter’.
In The Nature of Forgetting at Pleasance, ‘Tom is living with early onset dementia’ and ‘we meet him as he prepares for his 55th birthday party and past memories come flooding back’. At theSpaceUK, Ah-Ma is ‘a hauntingly beautiful new play, weaving together natural and social disasters, bodily deterioration and family sorrow’.
At Assembly, Ohio tells the story of ‘when Shaun turned his back on the church’ and ‘found a new home in music’ before he is ‘confronted now with acute degenerative hearing loss’.
Yvonne Hughes: Absolutely Riddled is ‘a fresh and bold dive into the reality of living with cystic fibrosis (CF) – a journey that’s as phlegmy as it is funny’ at Gilded Balloon.
At Summerhall,TheButterfly Who Flew Into The Rave is ‘the atmosphere and culture of a three-day rave condensed into an hour’ while PUMP ‘drops you in the middle of a nightclub dance floor in a desperate search for validation, intimacy and identity’.
Her Raving Mind is ‘a Greco-British rave tragicomedy unravelling the complex mind of an abuse survivor’ at Just the Tonic.
‘Loud, lawless, and laced with naughty bits’, Watch Me Die! is ‘rave theatre: performance, film, stand-up and pounding basslines, dragging Shakespeare into a civil war where star-crossed love and vengeance make their scene’ at theSpaceUK.
At Rave, Colin and Rosie ‘are battling through their own worlds of crisis using the music of the rave club to help, encourage and solve their problems’ at Braw Venues @ Grand Lodge.
Created by an AI researcher, AI: Save Our Souls at Greenside features ‘an immersive future world of AI, polystylistic music and a dynamic plot’ while at Paradise Green, Rise of the Solar Punks asks ‘what can we learn from ancient cultures regarding climate adaptation, and how can we fuse this with technology and AI?’
As part of the Made in Scotland showcase, MUO Live at the French Institute in Scotland is ‘a unique fusion of music, science and unseen cosmic forces.’
Head to Just the Tonic, Excel Comedy and Mathem-antics for a ‘themed stand-up show for spreadsheet experts and rookies alike’ or check out Sci-larious – Science Stand-up at Laughing Horse for ‘bi-lol-ogy or pharm-ha-cy’.
Mark Thompson’s Spectacular Science Show at Gilded Balloon is ‘science like you have never seen it before’ exploring ‘the magical properties of matter’.
At PBH’s Free Fringe, Freya McGhee: Experimental blends ‘science, comedy and dating into one unforgettable experiment’ investigating ‘the chemistry of attraction to the mechanics of mixed signals’.
Check out Hot Rubber (Gilded Balloon) to see ‘eight comedians pit their homemade remote-control cars against one another in the world’s smallest demolition derby’ or ‘form a team, select a knockoff Roomba, customise it, then pit it against a dozen rivals’ at Robot Vacuum Fight Club (Outhouse Bar).
Braw Venues @ Grand Lodge ‘on busy George Street’ is new with a number of shows this August, including well-known musicals Little Shop of Horrors, High School Musical and Footloose, as well as a range of theatre, cabaret and children’s shows.
Welcome to the Fringe, Palestine, ‘a mini-festival to celebrate Palestinian art and culture’, takes place in new venue Portobello Town Hall.
Citadel Youth Centre is ‘hosting two fundraisers for the Citadel’s valuable work with young people and families in Leith’ Storm in the Citadel and Punchline on Leith.
The Bowlers Rest in Leith is home to Beggared, ‘the story of a privileged white South African whose life collapses into homelessness’.
Easter Road Stadium joins the Fringe as a venue, hosting two shows: Dropped, in which ‘former Chelsea FC trainee Alfie Cain tells his moving story of dashed football dreams and explores the darkness and pressures young men go through trying to make it as professional footballers’ and Frankie Mack Showman – The Next Stage: The Leith San Siro ‘a high-energy, show-stopping night of swing, rock’n’roll and modern classics’.
All the way from Italy is Mirage Spiegeltent at Gyle Shopping Centre, hosting Spirit of the Favela, a ‘dynamic fusion of circus and theatre showcasing Rio de Janeiro’s vibrant culture and communities’.
Gilded Balloon have introduced a new space at Appleton Tower for twenty shows, including Frances Floats and Not My Grandmother’s Daughter.
Now in St. Andrew’s Square, The Famous Spiegeltent returns, offering theatre, cabaret, music and musicals, including La Clique – ‘the global phenomenon that redefined a genre, with its mélange of cabaret and circus’.
Josie Long: Now Is the Time of Monsters is ‘a new show about extinct, gigantic, charismatic megafauna from three-time Edinburgh Comedy Award nominee’ at Pleasance.
Gilded Balloon marks their fortieth anniversary with ‘a series of special in-conversations featuring comedy greats’ including Jenny Eclair and Michelle McManus.
Also at Gilded Balloon, Rosie O’Donnell: Here & Now ‘reflects on her life in the present, including why she moved to Ireland from the USA, and how that shift has shaped her future’ and Michelle Brasier: It’s a Shame We Won’t Be Friends Next Year is a ‘show for the theatre kids, the freaks, the queers; for anyone who’s spiralled about something they did years ago’.
Fringe favourite Nina Conti: Whose Face Is It Anyway? is back at Underbelly, with ‘an unparalleled, unscripted show that delves deep into who we are, hijacking faces to spark a bold, hysterical reality warp’.
‘Direct from a sell-out West End season’, Bill Bailey is at Edinburgh Playhouse with Thoughtifier while Miriam Margolyes brings ‘more characters, more Dickens and more fascinating stories about the man behind the classics’ to Pleasancewith Margolyes and Dickens: More Best Bits.
‘The talented comedian, writer and host of A24 late-night variety sketch show’ Ziwe brings Ziwe’s America to Pleasance.
At The Stand Comedy Club, ‘expect to hear the glorious mess of being a professional polymath – from medical school to quiz championships, comedy clubs to Parkinson’s advocacy’ at In Conversation with… Paul Sinha or ‘jokes, rants, politics, swearing and possible nudity’ at Mark Thomas: WD40.
At Monkey Barrel, there’s ‘new material from the Rose d’Or, Southbank Sky Arts and Edinburgh Comedy Award winner’ Bridget Christie. Also at Monkey Barrel, ‘the Taskmaster treasure, Live at the Apollo star and voice of Netflix’s Too Hot to Handle presents a new hour about our bodies corporeal and politic, and what remains through ascension and destruction’ with Desiree Burch: The Golden Wrath.
‘A love letter to people pleasers everywhere’, Laura Benanti: Nobody Cares at Underbelly is ‘a hilarious, heartfelt and sometimes brutally honest tribute to recovering ingenues, mothers and anybody working on themselves’.
‘Comedy veteran’ Karen Dunbar ‘returns to the Fringe for a limited run of her stand-up tour’ at Just the Tonic.
At Assembly, David O’Doherty: Highway to the David Zone has ‘has got the lot’ with ‘talking, songs, talking during songs, talking while walking around’.
There are 325 free shows and 529 Pay What You Can/Want shows in this year’s programme.
10,001 Ideas by Robyn Perkins at Laughing Horse offers a ‘uniquely different hour of critically acclaimed stand-up and storytelling’.
Huge Davies: Free Work in Progress is at PBH’s Free Fringe with ‘his wearable keyboard for a free hour-long work in progress’. Also at PBH’s Free Fringe, Escape the Rat Race is a ‘a must-see for anyone who has ever worked in an office’.
At Laughing Horse, Three Bad Sisters is a ‘cacophony of the best and darkest materials from these three female rising stars of Irish comedy: Aideen McQueen, Shinanne Higgins and Louise O’Toole’.
‘Imagine an Englishman, an Irishman and a Scotsman in the same bar as a therapist’ and you’ll imagine 5 Mugs, No Tea at Leith Depot. At the Mother Superior, you can ‘expect a fever-dream of love, loss, and existential dread’ at Crying at the Meat Raffle.
Disco Picnic at The Three Sisters is a ‘Fringe fiesta serves up a delicious mix of toe-tapping disco tunes’.
The Fringe Society are grateful to the many partners, supporters, funders and sponsors this year. In particular, they would like to thank the official Education Partner of the Fringe Anthropic, the official Beer of the Fringe Innis and Gunn, Cirrus Logic and Baillie Gifford.
They would like to thank the UK Government and the Department for Culture, Media and Sport for their Keep it Fringe Fund support, the Scottish Government and City of Edinburgh Council for strategic funding support, the Scottish Government’s Festivals EXPO Fund support for the Made in Scotland programme; and Screen Scotland for supporting Screen Fringe.
The Fringe Society would also like to thank accommodation partners who provide much needed affordable accommodation to artists – Queen Margaret University and the University of Edinburgh, Theatre Digs Booker. Health in Mind are also returning in 2025 to support the delivery of mental health and wellbeing services within Fringe Central, which is once again kindly delivered in partnership with Grassmarket Community Project.
The Great Edinburgh May Day Cabaret returns for the third year running. There’ll be comedy, music and poetry to celebrate International Workers’ Day.
Compered by Jim Monaghan, and featuring a fantastic line-up of poetry from Stirling Makar, Kevin P Gilday, comedy from Vladimir McTavish and music from Calum Baird, Elsie McDonald and award-winning English folk-punk, Joe Solo.
Supported by Fair Pley, The STUC, Allan McDougall Solicitors and The Edinburgh, Lothians and Borders May Day Committee.
If you consider yourself a bit of a comedian, and you’re passionate about mental health then our new Ultra comedy events might be for you!
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They say laughter is the best medicine, but we know that taking on a challenge that builds confidence is great for self-esteem and wellbeing.
You’ll be joining a community of likeminded people, forming new connections and making memories that you can look back on with a smile.
Karen & Katy Koren and the Gilded Balloon are delighted to announce ALANA JACKSON as winner of the 37th edition of the iconic So You Think You’re Funny? – the UK’s most prestigious comedy newcomer competition.
Ciara O’Connor and Ayo Adenekan came second and third place respectively, coming out top from an initial 597 applications and entertaining a sold out crowd at this year’s final at Patter House, hosted by former SYTYF? winner Maisie Adam.
Following hilarious heats across the UK, Glaswegian comic Alana Jackson claimed the crown for this year’s competition after a judging panel including special guest judge Sue Perkins (Comedian and TV Star) plus Susan Provan (Director of Melbourne International Comedy Festival), Bruce Dessau (Editor of Beyond the Joke), Arusa Qureshi (Editor of Fest Mag), Julia Chamberlain (So You Think You’re Funny? Producer) as well as Karen and Katy Koren (Artistic Directors of Gilded Balloon) watched 6 minute sets from all 10 finalists, before convening to choose the winner.
The SYTYF? finalists entertained a sold out crowd at Gilded Balloon’s Patter House, expertly compered by 2017 winner Maisie Adam, marking her only live appearance at this year’s Edinburgh Festival Fringe.
Since it began in 1988, previous winners of SYTYF? have included Aisling Bea, Peter Kay, Tommy Tiernan, Lee Mack and more, with the competition renowned for kickstarting the careers of dozens of the UK’s top comics and providing essential support to comedy newcomers.
Karen & Katy Koren and the So You Think You’re Funny? team would like to offer a huge congratulations to 2024’s finalists (in alphabetical order) :
Alana Jackson – WINNER
Alex Gogarty
Ayo Adenekan – 2ND RUNNER UP
Bert Broadbent
Ciara O’Connor – 1ST RUNNER UP
Fab Goualin
Kate Sharp
Laurie Brewster
Paras Patel
Sophia Wren
Katy and Karen Koren, Artistic Directors of Gilded Balloon and So You Think You’re Funny? said: “Huge congratulations to Alana Jackson – this year’s very deserving winner of So You Think You’re Funny?
“2024’s competition was one of our biggest and most competitive ever, with an outstanding 597 applicants this year so it’s an incredible feat for these 10 finalists to have made it this far and performed in front of tonight’s sold out crowd.
“So You Think You’re Funny? is the UK’s longest running competition of its kind and year on year it’s wonderful to see alumni return to Gilded Balloon for their debut shows including Joshua Bethania, Kathleen Hughes, Nate Kitch and more this year.
“We’d like to say a huge thank you to every comic who entered the competition this year – it was such a talented crop of comedians and we’re sure this year’s finalists will go on to do big things!”
Celebrity guest judge Sue Perkins said, “This was a very tough decision. I was a small part of the judging process and there were so many talented people for us to choose from.
“Well done to everyone who put themselves out there tonight. It’s terrifying and they were brilliant!”
Judges who chose this year’s finalists included: comedians Mark Watson and Jay Lafferty, journalists Arusa Qureshi and Kate Copstick, plus Katy and Karen Koren and more.
Since it began in 1988, So You Think You’re Funny? has kick-started the careers of dozens of the country’s top comics including Dylan Moran, Peter Kay, Maisie Adam, Rhod Gilbert, Tommy Tiernan and many more. It is the longest running and most established comedy competition of its kind, solely funded by Gilded Balloon without external sponsors. This year’s winner will receive…
A cash prize.
A fully paid for solo show (or mixed bill) run as part of the Gilded Balloon’s Fringe programme.
A place on Soho Theatre’s coveted Comedy Plus Lab 10-week course supporting emerging comedian’s to develop skills featuring industry advice and masterclasses in the year following the final.
Up to 4 mentorship meetings (virtual or in person) with Channel 4’s Comedy Commissioning team in the year following the final.
A paid performance slot in the Comedy Arena and weekend pass at Latitude Festival in the year following the competition thanks to Festival Republic.
Other paid performance slots at the UK’s best comedy clubs including the Glee Club, the Boat Show and more.
Complimentary headshot photoshoot by professional photographer to the stars, Steve Ullathorne.
Complimentary filmed copy and professional photographs of their spot from the Final to use in their show-reel.
Mentorship and support from Karen and Katy Koren, Artistic Directors at Gilded Balloon and Julia Chamberlain, the So You Think You’re Funny? producer for over 20 years.
There are also prizes for the runners-up including;
A cash prize for the first and second runner up.
Potential to be invited to take part in a fully paid for mixed bill show as part of Gilded Balloon’s Fringe programme.
Mentorship and support from Karen and Katy Koren and Julia Chamberlain, the So You Think You’re Funny? producer.
For more information on So You Think You’re Funny? visit:
The Besties is a new series of awards celebrating the best across Edinburgh’s August Festivals. The Award is a partnership between The Skinny & Fest, Capital Theatres and Premier Scotland.
The Skinny and Fest, Capital Theatres and Premier Scotland are delighted to announce the winners of the second round of the weekly new Festival Awards, The Besties, in the following categories:
The award ceremony took place on Saturday 17th August at the Festival Theatre in Edinburgh, hosted by comedian Josephine Lacey whose show Autism Mama is at the Pleasance Courtyard, with performances from Orkney musician Catriona Price who performed earlier this week at Queen’s Hall and Edinburgh New Town Church, celebrating her debut album, Hert.
The Besties award, designed by artist Camillo Feuchter who has recently graduated fromInterior & Environmental Design at Duncan of Jordanstone College of Art and Design in Dundee, uses recyclable plastics gathered at the Festival Theatre Café and leftover wood sourced locally.
Reflecting the broad and diverse coverage both magazines produce every summer and responding to the need for a pan-festivals award, The Besties span all the festival activity taking place in the city over the month of August, including the Edinburgh Festival Fringe, Edinburgh International Festival, Edinburgh Art Festival, Edinburgh International Book Festival, Edinburgh International Film Festival which started on Thursday 15 August, and others, making them the one of the only awards to celebrate the full spectrum of culture in the city.
Winners of The Besties are chosen each week by the editorial teams of The Skinny and Fest, drawing on their cross-festival expertise to celebrate the best work happening anywhere in the festivals. The categories will reflect the diversity of the magazines’ coverage and might be different every week.
The third and last ceremony will take place on Saturday 24th August.
