Do you often find yourself reading the graffiti on bathroom walls?
Do you smile at the witty bon mots that adorn the stalls of the public toilets?
Well now is your chance to become part of an artistic project by comedian and songwriter Caitlin Cook!
Comedy infiltrates every corner of the city during the Fringe Festival – and bathroom walls are no exception!
Caitlin’s show The Writing on the Stall explores the humour, beauty and human nature behind the often ignored scrawls of strangers on the inside of the cubicle.
The Writing on the Stall sold out its 2023 Off-Broadway debut and was a New York Times Critic’s Pick – the accompanying studio album has over 25M+ streams.
The Writing on the Stall is coming to the Edinburgh Festival in August and Caitlin is calling on anyone with a keen eye for comedy, pathos, or witticisms to snap the best, funniest and most thought-provoking restroom scriptures they can find in public bathrooms across Edinburgh.
Those who think they’ve snapped a winning image should email the submissions to Caitlin at thewritingonthestallshow@gmail.com, or DM her at @TheCaitlinCook on instagram.
The best of the images will then be brought to life as Caitlin creates an original song exclusively using the images collated from the bathrooms of Edinburgh, and records and releases it on social media ahead of the show.
Those who contribute images which are chosen to be used in the song will also be offered free tickets to Caitlin’s show.
The Writing on the Stall will be on at Pleasance Dome, August 14th – 25th at 21:50
The Traverse’s Autumn 2024 season stages home-grown and international performances exploring issues of social justice.
Traverse 1 highlights include Enough of Him by May Sumbwanyambe, To Save The Sea by Isla Cowan and Andy McGregor and The Tailor of Inverness by Matthew Zajac.
Traverse 2 highlights include The Brenda Line by Harry Mould, Bullring Techno Makeout Jamz by Nathan Queeley-Dennis and Piece of Work by James Rowland.
A Play, A Pie & A Pint returns for a six-week run under the new leadership of Brian Logan.
Music at the Traverse programme continues to grow with fourteen acts confirmed and on sale.
As we prepare to dive into the joy and excitement of TravFest24, we wanted to take some time to look ahead to our Autumn season – as there’s no slowing down for us come September! Performances tackle social issues head on, see many of our valued partners return and bring big laughs to our stages in a season packed with captivating and compelling work.
Following on from the success of a sold-out run of Maggie & Me, the National Theatre of Scotland are back in October with the revival of May Sumbwanyambe’s Enough of Him which won the 2023 CATS Award for Best New Play. This co-production with Pitlochry Festival Theatre is an incisive and emotive new play based on the true story of Joseph Knight, directed by previous Traverse Artistic Director Orla O’Loughlin.
As well as Enough of Him, we are delighted to also welcome Pitlochry Festival Theatre with The Brenda Line by Harry Mould and directed by Ben Occhipinti. Based on the lesser-known history if the Samaritans in the 70s and 80s as well as the lived experience of Harry Mould’s mother, this is a story about women, love and listening.
Sleeping Warrior Theatre Company will highlight the urgency of the climate crisis with their latest musical, To Save The Sea by Isla Cowan and Andy McGregor. Inspired by a real-life 1995 protest, the makers of Battery Park and Crocodile Rock will bring this epic adventure story to the Traverse for three nights as part of their Scottish tour.
Also returning to the Traverse Dogstar Theatre’s The Tailor of Inverness by Matthew Zajac and directed by Ben Harrison, which presents an unforgettable and moving story of displacement and survival in war-torn Europe; particularly powerful in light of the current war in Ukraine.
Having received rave reviews during its run at the Paines Plough Roundabout during the Edinburgh Fringe 2023, NathanQueeley-Dennis brings Bullring Techno Makeout Jamz directed by Dermot Daly to Traverse 2 at the start of November. Ruckus, an award winning, compelling one-woman thriller by Jenna Fincken which premiered at the Edinburgh Fringe in 2022, explores the suppression and destruction caused by coercive control.
The first week of November sees two distinct new productions directed by Tessa Walker. In Traverse 1, Run, Rebel is an electrifying adaptation of Manjeet Mann’s acclaimed novel for audiences of 11+ combining physical theatre, mesmerising visuals and a talented ensemble cast, setting the stage for a transformative story of revolution, empowerment and courage. In Traverse 2, Bright Places by Rae Mainwaring is a darkly funny and deeply honest autobiographical story about growing up in the shadow of chronic illness.
We are also in for a treat with a handful of one-night delights this Autumn. Star of The Office (Australia), Felicity Ward returns with her new show I’m Exhausting for her first national tour in six years. Fresh from their appearance on BBC Three’s RuPaul’s Drag Race UK VS The World, Choriza May hits the road with their first ever solo theatre show extravaganza; The Choriza May Show. Award-winning poet and playwright Inua Ellams brings his chaotic, audience-led poetry event, Search Party,a unique interactive experience where the boundary between artist and audience blurs into a dynamic act of creation.
For audiences looking for something more experimental we are pleased to be welcoming back James Rowland with his new show Piece of Work which will feature his distinct mix of storytelling, comedy and music. Arán & Imby Manchán Magan will see the performer baking sourdough bread while offering insights into the wonders of the Irish language.
Our six-week run of A Play, A Pie & A Pint will return this Autumn with six new plays taking to our stages, as part of our first season collaborating with new Artistic Director Brian Logan.
Continuing on from the success of the inaugural season of Music At The Traverse we are delighted to be presenting in excess of fourteen gigs within our upcoming Autumn season. Including crowd-pleasers Espen Eriksen Trio and RANT as well as innovative newcomers Ryan Young and Amy Hollinrake, these one-nighters are sure to bring music to our ears and warmth to our souls as the nights get colder.
The universe’s favourite novelty politician, Count Binface, is back on our planet, and just in the nick of time as he’s set to embark on a national tour this autumn to save us all from imminent disaster with his MEGA plans. (Make Earth Great Again!)
2024 is the biggest year ever for democracy, with elections all over the globe, and Binface has more than played his part. He recently ran in the London Mayoral Election and took on (former) Prime Minister Rishi Sunak in the General Election.
Hot off the back of the UK’s General Election, Binface will be invading a theatre near you with his brand new live comedy show, featuring his unique take on Britain, his special brand of sci-fi satire, and of course his unbeatable manifesto.
Cheaper croissants? Check. The nationalisation of Adele? Check. The return of Ceefax? Check. Water bosses to take a dip in UK rivers to see how they like it? CHECK!
Count Binface is the intergalactic space warrior and novelty politician who has delighted millions with his unlikely tilts at power in the United Kingdom.
First, he took on Theresa May in the 2017 General Election, cunningly disguised as ‘Lord Buckethead’, and went viral around the world (in a non-Covid way), appearing on Last Week Tonight with John Oliver and at The Glastonbury Festival.
Then he challenged Boris Johnson in 2019, when he scored 69 votes (he’d love to say he’s the first life form to experience a surprising 69 with the Prime Minister in a sports hall during the small hours, but with Boris you just never know).
In 2021 he first ran to be Mayor of London in a bid to gain control of the Earth Capital itself. He received a glorious 92,896 votes from the great British public that sent him soaring into ninth place.
This year he won 24,260 votes and he got endorsed by a national newspaper and beat the fascists of Britain First.
Assembly Festival is inviting locals living amongst the world’s largest performing arts festival to celebrate it to the fullest with the announcement of thousands of £6.50 tickets for residents at this year’s Fringe.
Residents of Edinburgh and the Lothians, Falkirk and Fife with an EH, FK, or KY postcode will have access to over 230 of the best shows at Assembly Festival 2024, with over 6000 £6.50 tickets made available for the very first days of the Fringe – Wednesday 31 July – Sunday 04 August inclusive.
Assembly Festival returns this year with a jam-packed programme of world-class entertainment full of jaw-dropping acrobatics, outrageous comedy, show-stopping theatre, energetic children’s shows, live music, and much, much more.
One of Assembly’s top selling shows of 2023, Afrique en Cirque, returns to wow Fringe audiences once more with their daring acrobatics sharing the beauty and artistry of African culture. This 2023 sell-out show is a dazzling circus spectacular and promises a show-stopping night out for the whole family.
There’s plenty more Circus in this year’s programme, with the internationally renowned Recirquel Cirque Danse returning off the back of My Land and IMA with a brand-new show, Recirquel: Paradisum, exploring the myth of regenesis following the silence of a perished world.
Award-winning Australian circus cabaret Rouge is back at Assembly with a non-stop celebration of the astonishing, subversive and the outrageously sexy. Assembly also joins forces with House of Oz and presents the critically acclaimed Gravity & Other Myths’ brand-new show, Ten Thousand Hours, an ode to the countless hours needed to achieve great things, told through spectacular gravity-defying acrobatics.
Festival legend Camille O’Sullivan returns for her 20th Fringe with Camille O’Sullivan: Loveletter, an intimate and heartfelt show celebrating friends and legends of music including Shane McGowan, David Bowie, Sinead O’Connor, and more. Jason Byrne joins Assembly once more with Jason Byrne: NO SHOW and Adam Hills is back at the Edinburgh Fringe for the first time since 2015 with brand-new material in Adam Hills: Shoes Half Full.
TikTok superstar and Queer celeb Dylan Mulvaney brings her debut Fringe show Dylan Mulvaney: F*g Hag and a bucket-load of Trans and Queer joy to Assembly George Square Studios. Fresh off the back of winning the Pinder Prize, Aussie comic Bronwyn Kuss joins Assembly with her award-winning debut comedy show Bronwyn Kuss:Sounds Good,promising an evening of dry wit and tales of misadventure. Takashi Wakasugi brings a fresh new perspective to Japanese and Western cultures, in debut comedy show Takashi Wakasugi: Welcome to Japan.
Assembly welcomes an incredible lineup of international artists bringing Children’s Shows to this year’s festival. Her Majesty Queen Angelique-Monet of Eti-Oni, Nigeria, and her puppet Milk the Cow host a historic vaudeville theatre piece incorporating ventriloquism, comedy, music and storytelling in Ventriloquist Queen: A True African Queen. Returning favourites, and winners of Japan’s Children and Performing Arts Expo 2019, Cartooon!!rejoin Assembly with unparalleled contemporary Japanese clowning.
There’s plenty of local Scottish talent too, including ART Award winner Gracie and the Start of the End of the World (again) from Zoë Bullock and Louise Oliver. National treasure Susie McCabe returns with a brand-new show Susie McCabe: Merchant of Menace. Futuristic Folktales at Assembly @ Dance Basebrings a dance for hope scrutinising reproductive injustices by re-imagining the tale of the first womb told through contemporary movement, storytelling, and Scottish Highland dance, alongside music from Malin Lewis. Edinburgh locals Captivate Theatre are back with their five-star, energetic and emotional production of Sunshine on Leith, and Pretty Knickers Productions debut their brand-new musical Mary, Queen of Rock!
Discounted tickets for all these shows and more will be available to purchase from assemblyfestival.com between 18-25 June at 23.59. Tickets included in the offer are limited and available on a first come, first served basis.
To claim your £6.50 tickets, log in to your assemblyfestival.com account, add the Local Resident tickets to your basket then use the discount code LOCALS24 at the checkout and pay with a card that is registered to an address in an EH, FK, or KY postcode.
This offer is limited to a maximum of two tickets per performance, six per transaction, and is only valid for participating shows between 31 July – 04 August inclusive. Full terms and conditions are available on the Assembly Festival website.
Comedian Jake Donaldson is partially blind, or partially sighted, depending on your outlook on life, but what’s it really like to be a visually impaired comedian?
With tickets to his four-week stand-up show at this year’s Edinburgh Fringe now available, Jake is keen to dispel misunderstandings about sight loss. “Sometimes people come up to me and say, ‘You’re not actually blind though, are you? That’s just made up for your comedy’. Just because someone isn’t wearing dark glasses and accompanied by a guide dog, it doesn’t mean they’re not visually impaired” he says.
Jake (30) from Newcastle Upon Tyne has been writing and performing comedy since he was a teenager. Having performed previously at the Fringe and at comedy clubs across the UK, his work also includes his 2022 show, ‘Neurotica’ now streaming on Amazon Prime and NextUp.
“I always enjoyed comedy when I was little, and I spent all my pocket money on stand-up DVDs or tickets to see comedians rather than CDs and clothes like most of my friends,” he says. “I joined comedy groups at university, and we performed shows together, I got the bug then and ever since, I’ve been pursuing stand-up.”
This year’s show, ‘Spectacle’ will explore Jake’s sight loss journey. The show will feature a unique use of light and sound to create a sensory experience for audiences. “My eyesight is something that I’ve had to deal with my whole life,” says Jake.
“But it’s now in my 30s that I’m really facing the reality of being visually impaired and what that means for my future. Spectacle feels like a new level of performance for me. I think it will give audiences a new sense of perspective about how they see the world – literally – as well as an hour of laughs.”
Off stage, Jake has been supported by his local Eye Care Liaison Officer (ECLO), a service managed in hospitals across the UK by leading sight loss charity RNIB and other providers. Alongside practical support to help people maintain their independence, they also offer emotional reassurance. Jake adds, “My ECLO has been great, he’s been really instrumental in helping me come to terms with the reality of my sight loss.”
Jake is not the only comedian with sight loss on the comedy circuit, but he is usually the only one on the bill. “It’s rare for multiple visually impaired performers to get booked on the same gig because bookers assume we’ll all be similar,” he says. “In reality, we’re all varied in our styles and kinds of comedy we do.”
And what about venue accessibility?
“In the past, I have been discounted from gigs because the venue was not reachable by public transport, and they automatically assumed I don’t have access to someone who could drive me, but this has thankfully only happened a few times.
“I’m lucky in that, for the most part, I’m usually able to navigate most venues with the sight I do have and my guide cane.
“However, often comedy gigs happen in rooms above pubs or comedy clubs in dark basements which could easily prove difficult for performers in terms of accessibility. The vast majority of bookers and promoters I’ve personally worked with have been super helpful, accommodating and understanding about my access requirements.”
What’s next for Jake?
“Spectacle is a show that I’m incredibly proud of and I can’t wait for audiences to experience it. I want to continue making comedy and sharing it with the wider world. I’m really excited about building my own audience through touring because I love being a comedian. I will continue to push myself out of my comfort zone and create new and exciting shows in the future.”
*Jake’s show, ‘Spectacle‘, is at Just the Tonic – The Mash House (Venue 288) at 6.40pm from 1-11 and 13-25 August 2024.
Audiences: start longlisting and booking early to support artists and #UnleashYourFringe
Today, Thursday 04 April 2024, a new batch of shows to be staged at the 2024 Edinburgh Festival Fringe has been revealed. All shows will be available to view on edfringe.com from 12:00 today.
The 1,373 shows span many genres of the Fringe programme, including cabaret and variety; children’s shows; comedy; dance, physical theatre and circus; music; musicals and opera; spoken word; and theatre. They join the 274 shows revealed previously, resulting in a total of 1,647 shows so far.
More shows are set to be announced on Thursday 09 May, while the official programme launch will take place on Wednesday 12 June.
Audience members are encouraged to start compiling their favourite shows and booking early to support artists, using the hashtag #UnleashYourFringe in the run-up to this year’s festival.
Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “It’s super exciting when a new batch of shows gets announced – you can really feel the momentum gathering as August gets closer and closer! I can’t wait to get stuck in and add some more shows to my favourites list – and to book a few in, just in case they sell out.”
“Artists are the backbone of this festival and they’re at the heart of everything we do at the Fringe Society.
“Booking tickets in advance, adding free and unticketed shows to your favourites list, giving shout-outs to artists and companies on social media using #UnleashYourFringe – these are things that Fringe audiences can do to show some essential early support and boost morale for the artists they love.
“So if your fave is coming to Edinburgh, or if a show tackles an issue that’s close to your heart, get it locked in now!”
Below is a small representative sample of shows available to book from today. The full list of shows so far can be found at edfringe.com from 12:00:
Cabaret
Yes-Ya-Yebo! at Laughing Horse is ‘an all-singing, all-dancing extravaganza celebrating South Africa’s 12 official languages, sprinkled with that incredible township vibe’. Meanwhile, audiences are invited to ‘indulge in the hottest pop-up cabaret experience on Cowgate with a rotating selection of the most electrifying and scandalous performers at the festival’ in Big Gay Afterparty at Just the Tonic.
La Clique brings its ‘breathtaking, hilarious, sexy, dangerous and iconic’ mix of circus, cabaret and comedy back to Underbelly with two shows, the traditional main event and a family-friendly Sideshow. At Eve, ‘the award-winning comedy trio Bad Clowns’ present ‘a night of the best comedy acts from this year’s festival’ in Bad Clowns and Good Friends. And The Burlesque Show at Hill Street Theatre is ‘a competition with a brilliant prize that will satisfy the experienced as well as the novice burlesque watcher’.
‘Award-winning magician’ Dan Bastianelli returns with an all-new evening of close-up magic’ in Deception at Paradise Green. German magician Thomas W Kuenstner ‘combines applied psychology, storytelling and old-school conjuring to generate original mysteries’ in Truth. Lies. And Other Illusions at the Arthur Conan Doyle Centre. Caspar Thomas demonstrates The Art of Close-Up Magic at Gilded Balloon while Andrew Frost lays his Cards on the Table at Pleasance. And ‘mind-reading and unbelievable trickery abound in this exploration of how autism and magic make anything possible’: it’s Naughty or Neurodiverse – Magic from Another Planet at theSpaceUK.
In Melody at The Voodoo Rooms, Aidan Sadler guides audiences ‘through the top steps to surviving the apocalypse with 80s-inspired synth-wave melodies’. Australian piano cabaret entertainer Antony (Dr H) Hubmayer brings two shows to artSpace@StMarks – A Monty Python Cabaret Singalong Circus and Another Unwasted Evening – The Genius of Tom Lehrer – plus a third, Meat Loaf – Just the Best Bits, to PBH’s Free Fringe. At Greenside, Baby Belle: Young, Dumb and Full of Autism is ‘a whimsical, musical exploration of social versus personal identity from the perspective of a late-identified and diagnosed non-binary autistic person’. And in Sawdust Symphony at ZOO, ‘obsessed characters discover and transform their space and themselves, transporting the spectator into a unique DIY experience’.
‘Rome Mosaic explores sisterhood and the sibling dynamic – with dance, lipsyncing and good old-fashioned sibling rivalry’ in Sisters? at Hootenannies. Award-winning cabaret star Ada Campe shows off her Big Duck Energy at The Stand Comedy Club, while ‘glamorous, hilarious and fiercely clever Jens Radda… reinvents Sinatra’s classics through saucy modern twists’ in Skank Sinatra at Assembly. In The Taylor Swift Eras Drag Party at The Three Sisters, hosts ‘Blaze, Rujazzle and Rozie Cheeks… take you on a journey through the eras of Taylor Swift’.
Children’s shows
‘The disability Taskmaster’ Blue Badge Bunch returns to Pleasance ‘as two teams battle it out to come up trumps in a show where disadvantage is an advantage’. At Royal College of Physicians, games-master Jes presents ‘crazy bingo variations like you’ve never seen before’ in Amazing Prize Family Comedy Bingo. And ‘your little ones will move, groove and dream, plus you’ll walk away with your very own custom-made medal,’ in The Comedy Games with Coach Mon (theSpaceUK).
‘Full of inviting, imagination-tickling charm’, Taiwan Season: Little Drops of Rain (Assembly) ‘is a feat of non-verbal, environmentally-conscious storytelling ingeniously led by Foley sound’. How to Catch a Book Witch at Underbelly is ‘an open-hearted show aimed at children ages 4+ exploring the importance of libraries and sharing stories’. And ‘when the directors call for auditions for new actors, comedy and mayhem ensue’ in Reach for the Stars at Hill Street Theatre. Meanwhile, Dragon Song Productions presents a trilogy of shows for children aged six and under at the LifeCare Centre – Ice Dragon, Moon Dragon and Sea Dragon – plus Dragon Shows for Babies, each ‘a magical and stimulating show to start a love of the theatre’.
‘Featuring stories by Scottish icon Alan Cumming’, Dragonory: Magic and Music at Edinburgh Fringe! (Hootenannies) ‘offers an unforgettable mix of storytelling and music, promoting love and acceptance’, while Newbury Youth Theatre presents The Fantastical World of My Uncle Arly at Paradise Green, ‘a voyage through the absurd world of Edward Lear.
‘Reimagined from a beloved Korean tale by Jung-saeng Kwon’, Aha! Doggy Poo (Bedlam Theatre) ‘incorporates dance, magic and Korean music to embody the philosophy that nothing in the world is useless’. Meanwhile, ‘Edinburgh’s gruesome past is brought to life by two performers (as seen on CBBC’s Saturday Mash Up)’ in Plague, Poo ‘n’ Punishment at Greenside.
FlamenKids at the Edinburgh New Town Church gives kids ‘a fun and visual way to learn about Spanish culture and flamenco art: rhythms, dance movements, clapping, guitar, singing, castanets, percussion and language expressions’. And a ‘professional violinist and cellist perform familiar classical melodies and tell a musical version of Pinocchio’ in Heads, Shoulders, Strings and Bows at Stockbridge Church.
The Spanish Gentleman Juggler is at Laughing Horse, ‘bringing to life everyday objects such as fishing poles, drinking glasses and kebab sticks alongside invented props and gymnastic balls’. Sing, Sign and Sensory at Gilded Balloon offers ‘an immersive, creative experience in customised, inflatable sensory pods’ for ages 0–2.
Comedy
As ever, there’s a strong international flavour at the Fringe. Taiwanese American comedian Titi Lee is a Good Girl Gone Baddie at Just the Tonic, discussing ‘coming out to their immigrant parents as bisexual, and then non-binary, getting pandemic boobs, and renouncing their good girl ways’. Prev Reddy, ‘the first South African comic that is Indian, queer and outspoken’ is at the Arthur Conan Doyle Centre in Prev Reddy is a Triple Threat. In Antidepressed at Greenside, ‘Ege Öztokat talks, sings and screams about the wonderfully terrible predicament of her existence as a young woman in Turkey’. Mumbai-based ‘global stand-up star’ Rahul Subramanian makes his Edinburgh debut with Who Are You? at Assembly. Bodega Bonnies at The Stand Comedy Club features ‘a new rotation of the fest’s best comics from around the globe (but mostly from New York)’. And ‘in his debut hour, Jin Hao walks you through the seascape of his mind, filled with nightmares of being a spider, dreams of joining the yakuza and breezy memories of serving in the military with the boys’ in Swimming in a Submarine at Pleasance.
Suchandrika Chakrabarti ‘tries to explain our chronically online era to her niece (5), and speculates about the future’ in Doomscrolling at Hootenannies. And audiences are invited to join Jack Freeman ‘as he learns how to love and be loved in this hilarious solo show combining stand-up with lots of heart and even more limp’: Embrace Me: A Solo Show About Dating and Disability That is Also Funny (Laughing Horse). ‘He’s been a TV presenter, DJ, double-glazing salesman, footballer and comedian’ – now James Gardner: Journeyman (WIP) is at Boteco do Brasil. Musical comedian Amelia Bayler ‘navigates a year of heartbreak and learning to be alone’ in Easy Second Album at the Scottish Comedy Festival. And Robin Cairns, ‘with his array of comedy characters, gives us a riotous hour exploring the (hopefully friendly) rivalry between Scotland’s major cities’ in Edinburgh’s Pandas Were Just Weegies in Disguise! (St Columba’s by theCastle Scottish Episcopal Church).
‘Imagine an Englishman, an Irishman and a Scotsman finally in the same bar as a therapist’ – it’s Five Mugs, No Tea at Leith Depot. The Leith Comedy Festival Presents… The Edinburgh Fringe Edition at The Biscuit Factory, boasting a different line-up every night and ‘your golden ticket to a great night out’. And A Political Breakfast at PBH’s FreeFringe is a ‘political comedy panel show chaired by Chris O’Neill or Harun Musho’d involving up to four comedians (subject to alarm clocks working) and the audience’.
Lady ADHD is at theSpaceUK and online, ‘tracing how Blaire Postman’s unique comedy bits (fueled by a rollercoaster of flipchart rabbit-holes) at first revealed to her the unexpected connections of life’s intricacies, then panned out further to expose the true nature of her own brain’. Character Building Experience at Bedlam Theatre ‘is a Dungeons-and-Dragons-style comedic interactive roleplaying game show, suitable for the experts, the novices and the uninitiated-but-curious’. At Hill Street Theatre, BBC Radio 4’s ‘cop-turned-comedian Alfie Moore returns with a brand-new show’: Fair Cop – Live!
‘Shameless, charmingly aggressive and unladylike, she’s the funniest half-Sri Lankan gal from Coventry’ – she’s Stella Graham, and her show Phoenix is on at PBH’s FreeFringe. In Good Girl at Paradise Green, Rhiannon Jenkins goes on ‘an immersive, interactive clown adventure as she plays with male fantasies, female sexuality, and how we navigate 21st century womanhood’. And Daliso Chaponda ‘revisits the themes of [his] ancient debut show’ two decades later in Feed This Black Man Again at Underbelly.
Among the familiar Fringe faces returning to this year’s festival are David O’Doherty, Flo & Joan, Reginald D Hunter, Milton Jones, Adam Hills, Dara Ó Briain (Assembly); Adam Kay (Edinburgh Playhouse); Bobby Davro (Frankenstein Pub); Andrew Maxwell, Craig Hill, Lucy Porter and Patrick Monahan (Just the Tonic); Raul Kohli (Just the Tonic and Laughing Horse); Sian Davis (Laughing Horse); Sara Pascoe, Nish Kumar and Glenn Moore (Monkey Barrel Comedy); Ahir Shah, Kieran Hodgson, Nina Conti, Rose Matafeo, Sophie Duker, Jordan Brookes, Paul Merton and Suki Webster (Pleasance); and Mark Thomas (The Stand), while former politician Mhairi Black makes her Fringe comedy debut at Gilded Balloon.
Ivo Graham is at the Fringe in three capacities in 2024: with his stand-up show Grand Designs at Pleasance, his theatre show Carousel at Assembly and as the host of Comedians’ DJ Battles at La Belle Angele.
Dance, physical theatre and circus
‘Marrying traditional rhythms with modern dance’, HuXi / Breath (Paradise Green) ‘allows audiences to embody the intricate connection of Qi within and beyond, fostering links between self-realisation and higher realms’. In Korean Painter at theSpaceUK, the Contemporary Yunhee company paints ‘various pictures on stage using the traditional Korean hat called sangmo’, offering audiences a ‘mysterious experience’.
‘Award-winning choreographer Aparna Ramaswamy weaves together threads of body, memory, desire and devotion to describe the eternal relationship between the deity and the devotee’ in Ananta, the Eternal at Assembly. In The Flock and Moving Cloud at ZOO (part of the Made in Scotland showcase), Scottish Dance Theatre present works by ‘two of the most-exciting female choreographers in the European dance scene: Roser López Espinosa and Sofia Nappi’.
At Edinburgh New Town Church, Flamenco in Scotland is ‘directed and choreographed by Inma Montero and performed by top flamenco professional artists’. Flamenco Fiesta at Alba Flamenca ‘offers the audience an intimate and delicate atmosphere to enjoy the wonders of the passionate art of Flamenco’. And 2Flamenco brings a ‘powerful, exquisite, beautiful and unforgettable Flamenco experience’ to Argyle Cellar Bar, while ‘Jolly performers from Japan will take you on a journey through a dazzling world of rhythm, tap dance and comedy’ in Sushi Tap Show 2024 at Greenside.
Part of the Sacred Arts Festival at Old Saint Paul’s Church, Dancing Ash Wednesday is ‘a piece in which movement interacts with the speaker’ in TS Eliot’s titular poem. ‘Towers grow and decay, bodies leap and are caught, physical limits are pushed to their extreme’ in Circa: Humans 2.0 at Underbelly. the Curve at Just the Tonic ‘stitches together acrobatics, dance, physical comedy and spoken word to form the image of life as a circus performer – and what happens to the body and mind in the process’. And audiences can ‘come and witness Martin and Logy’s ongoing battle against the gravitational pull of the planet’ in Circus Sonas Presents: Down with Gravity at Laughing Horse.
Music
‘Hailed by critics and fans alike as one of the finest songwriters of his generation,’ Dean Friedman brings his Words and Music to The Stables at Prestonfield. ‘After nearly a decade-long absence, Sandi Thom makes her long-awaited reintroduction to the iconic Edinburgh Festival Fringe this year’ at The Voodoo Rooms with her new song collection, Warpaint. Valery Ponomarev: The Jazz Messenger! at The Jazz Bar features ‘an unmissable exclusive performance from legendary Russian-American trumpeter and Jazz Messengers alumnus, Valery Ponomarev, who dramatically escaped 70s USSR and toured the world with Art Blakey and The Jazz Messengers’.
The songs of Jo Carley and The Old Dry Skulls ‘tell stories of deals with the devil, demons in love, witch doctors, zombies, ghosts, ghouls, journeys to the deepest jungles and other exotic adventures’ – hear them at the Argyle Cellar Bar. At Greenside, ‘iuchair tells a tale of debauchery played out in the coarsest catches of Henry Purcell and his contemporaries’ in To Your Rude Health! At Paradise Green, The Seas Are Rising: Stories of a Climate in Crisis is ‘a multimedia concert experience calling attention to the urgency of the climate crisis through original songs by American musician and songwriter Dan Sheehan’. And Grammy-winning cellist Leah Coloff ‘has played alongside the greatest names in contemporary music – from David Bowie to Debbie Harry’; her show, Super Second Rate, is at theSpaceUK.
Audiences are invited to ‘join Delhi maestro Manmohan Dogra for a journey through soulful Hindustani classical music, featuring vocal ragas and a tabla solo in Banares style,’ in Raag Rang: A Journey Through Indian Musical Traditions at Arthur Conan Doyle Centre. Seckou Keita and his Homeland Band are at The Queen’s Hall – formed in 2020, ‘they’ve been lifting audiences to their feet and leaving them buzzing ever since’. And at Valvona & Crolla, Pitchblenders: Só Danço Samba is ‘an evening of vibrant bossa nova, ebullient bal musette and soul-stirring contemporary songs from Spain, France and Brazil’.
At Assembly, ‘Out of the Blue is an internationally acclaimed a cappella group from the University of Oxford and, after jet-setting across the world earlier this year, the group is excited to return to their home turf to showcase new talent and new songs’. Meanwhile, ‘an all-male a cappella group of nerds from Imperial College London’ deliver The Techtonics: 44 Days of Liz Truss (A Cappella) at Gilded Balloon.
The Sacred Arts Festival has programmed church performances across the city this August, with Ave Maria: Centuries of Prayer and Praise at Old Saint Paul’s Church, Sacred Jazz at St Mary’s Catholic Cathedral and The Lord is my Shepherd: Sacred song of the English musical renaissance at St Vincent’s Chapel. ‘The Howe Street Singers, directed by Les Shankland, perform Faure’s much-loved Requiem and equally beautiful Cantique de Jean Racine alongside Leonard Bernstein’s Chichester Psalms’ as part of the Sacred Arts Festival Music at the Church of the Sacred Heart.
Edinburgh-based chamber choir Calton Consort ‘presents an hour of choral music from LGBTQ+ composers and allies’ in Choral Pride at Canongate Kirk. St Giles’ Cathedral hosts a programme of Celebrity Recitals on its ‘world-famous Rieger organ’, with performances from Francesca Massey, Tom Bell and Michael Harris. St Mary’s Lunchtime Recitals return to St Mary’s Episcopal Cathedral, featuring ‘a wide variety of performers playing and singing in one of Edinburgh’s most beautiful concert spaces’. And at Edinburgh New Town Church, Scottish Voices and Friends features ‘an imaginative and diverse program, including world premieres of new classical music, with a special focus on settings of Gaelic poetry by Catriona Montgomery and from the Orthodox poetry of Konstantin Balmont and traditional Ukrainian carols’.
‘16-year-old Brit School pianist, guitarist and singer’ George Cassidy brings his second show, Piano Boy, to Laughing Horse, mixing ‘his own songs with those of Elton, the Beatles and many more’. Lisa Scott and the All-Stars bring their Fabulous Sounds of the 60s to Leith Dockers Club, ‘covering all genres of music and top-class musicians, including The Beatles, The Rolling Stones, Tina Turner and more’. Vocalist Georg Tormann performs ‘a touching and entertaining tribute to Old Blue Eyes’ in Sinatra – The Greatest Hits at Frankenstein Pub. Absolutely (not) Free – An Evening of Zappa is ‘a smorgasbord of Frank Zappa classics hand-delivered by those finest purveyors of conceptual continuity, Pygmy Twylyte’ – catch them at Bannermans. Brian Kennedy toured the US with Bob Dylan, Van Morrison and Joni Mitchell in 1998 – now he celebrates the latter’s 80th year in Brian Kennedy – A Love Letter To Joni Volume 2 at Greyfriars Hall at Virgin Hotels Edinburgh. And at Le Monde, All the Hits of Frankie Valli and The Four Seasons offers exactly what it says on the tin, with ‘favourites including Sherry, Let’s Hang On, Big Girls Don’t Cry, Walk Like a Man, Grease and many more’.
‘Guitar, piano, violin, harmonium, banjo, vocals, and sometimes double bass create a folky sound with elements of classical, ambient metal, spoken word, Celtic reels and Eastern European scales’ in The Seventh Season at The Royal Oak. Fiddler Alastair Savage has two shows at St Cuthbert’s Church: Scotland and Beyond with cellist Alice Allen and The Scottish Fiddle Story ‘alongside Gregor Blamey on piano / accordion, with a specially written script read by legendary actor John Shedden’; he’s also at Canongate Kirk with Scots Fiddle Old and New. Audiences can catch ‘Wendy Weatherby (cello, vocals), John Sampson (trumpet, crumhorn, recorders), Sandy Brechin (accordion, piano), Andy Cannon (storyteller) and Allan and Rosemary McMillan (vocals, guitar) for a cheerful, poignant or nostalgic jaunt through our favourite songs, tunes and stories’ in Mrs Weatherby’s Concert Party at artSpace@StMarks.
‘Exploring classical works for viola and piano… the Kosonen Ranieri Duo will evoke the feeling of having just woken from a sweet slumber’ in Viola and Piano: Aprés un Rêve at Stockbridge Church. At St Cecilia’s Hall, The Triumph of Time and Truth: Handel and Vivaldi is ‘a vocal programme… threaded with gorgeous instrumental harpsichord and violin instrumental pieces’. Audiences can ‘join Duo Malvina for an afternoon of beautiful Classical Guitar music for two’ at St Columba’s by the Castle Scottish EpiscopalChurch. And ‘rising American opera star and composer Johan Hartman is joined by Edinburgh’s Ailsa Aitkenhead’ in 2 Artists, 2 Concerts, 2 Premieres at Greyfriars Kirk.
In Massaoke at Underbelly, audiences ae invited to join Rockstar Weekend ‘for their biggest and most spectacular show ever – a high-voltage, spandex-clad, crowd-powered, sing-along megamix of the biggest hairbrush anthems from across the decades, live and unleashed with giant video lyrics’.
Musicals and opera
The Wellbrick Centre on Roswell Drive (Paradise Green) is ‘a conversational musical with poignant, comedic and absurd elements’, focusing on two patients at a fictional NHS facility. SOFTPLANET Productions bring a pair of grisly historical musicals to the Mackenzie Building: Deacon Brodie is ‘packed with deceit, love, laughs, theft and some great contemporary songs’, while Flesh uncovers ‘the real-life drama of Burke and Hare, Scotland’s first serial killers, with a comic twist and original folk-rock songs’. On a similar theme, Ripper at Hill Street Theatre is ‘a terrifying musical look through the eyes of Jack the Ripper, the officer who pursued him, and one of his victims’.
Macbeth at Saint Stephen’s Theatre offers a new take on Shakespeare, mixing original and modern text with ‘songs from the likes of Foo Fighters, The Prodigy, Siouxsie and the Banshees and Dire Straits to name a few’. In ‘brand-new comedy musical’ The Weird Sisters (Just the Tonic), Amaranth, Scarlett and Blush ‘attempt to initiate the audience into their coven’ to a soundtrack of ‘punchy power-pop’. At Assembly, You & It: The Musical explores romance and technology with the story of Gyujin, who ‘orders an AI robot that eventually replicates his dead wife’.
Beowulf the Musical at Greyfriars Kirk ‘presents two medieval myths intertwined: on one side the famous hero as strong as 30 men, and on the other a princess who must live her life in service to her kingdom against her own heart’.
At Greenside, BANNED the musical ‘follows a group of gender misfits through the events leading up to their debut at a local performing arts festival’. Kafka’s Metamorphosis: The Musical! With Puppets! is at Pleasance, ‘a silly, surreal take on Kafka’s paranoid, mystifying masterpiece to commemorate the 100th anniversary of his death’.
Captivate Theatre brings its own mini-festival programme to The Edinburgh Academy, with performances of The Phantom of the Opera, Charlie and the Chocolate Factory, Roald Dahl’s Matilda The Musical Junior, Disney’s Frozen Junior and Les Misérables School Edition. At Underbelly, DIVA: Live From Hell! is a ‘blood-stained love letter to Broadway – a solo musical about rivalry, vengeance, and killer ambition’.
Arias in the Afternoon at the Edinburgh New Town Church features ‘international opera singer Brian Bannatye-Scott (bass) with rising stars Caroline Taylor (soprano), Catherine Backhouse (mezzo-soprano), Laurie Slavin (tenor) and James Atkinson (baritone), accompanied by dazzling Polish pianist, Michal Gajzler’. And at theSpaceUK, Fringe – The Musical isn’t what you think – it’s ‘a hilarious musical comedy about a cherished family run hairdressing salon in Essex’.
Spoken word
At Hill Street Theatre, writer Gigi Bella explores ‘mental health, feminism and the gospel of Taco Bell through poetry, comedy and music’ with show Big Feelings. Poets Christine De Luca and Elspeth Murray, in combination with Katharine Wake on the flute, return to Edinburgh Festival of the Sacred Arts at Canongate Kirk, ‘with poetry and music, offering a reflection on home and homelessness’. Also at the Festival of the Sacred Arts will be Sacred Arts Festival Poetry at Church of the Sacred Heart, promising work ranging ‘widely from masterpieces of the Middle Ages, through ballads and hymns of the Reformation, to satirical and meditative poetry from the 20th and 21st centuries’.
Ben Kassoy brings poems from his ‘spectacularly original book to life in a solo show’ at Zoo. The Funny Thing About a Panic Attack uses ‘physical theatre, dance and traditional poetry reading to reveal the connections between mental health, art and pancakes’.
Storyteller and classicist Jo Kelen brings a ‘new, poetic reimagining of the myth of Achilles’ with Achilles, Death of the Gods at Paradise Green. ‘The warrior Achilles finds himself in Troy, fighting a war that is not his. When Achilles’ lover Patroclus is killed in battle, Achilles inflicts unspeakable horrors upon those around him.’ Iain Dale returns to the Fringe with his All Talk series of political interviews at the Pleasance including Humza Yousaf, Alex Salmond, Liz Truss, Anas Sarwar and Ruth Davidson.
Among the familiar faces returning to Edinburgh are David Harmer and Ray Globe, ‘the irrepressible Glummer Twins’, back with The Beat Goes On at theSpaceUK, offering ‘stand-up comedy, spoken word and music from the beat generation through eight decades.’ Performance poet and musician Attila the Stockbroker performs 14 Days, 14 Completely Different Shows at PBH’s Free Fringe, alongside his Early Music Show at St Ceceilia’s Hall.
‘Humour and horror are woven together with empathy in a shocking insight into the untold stories of ordinary women caught up in a whirlwind of politics, religion and magic’ in Witch? Women on Trial at Greenside. Tales of Haunted Edinburgh – Echoes From Beyond the Grave at Arthur Conan Doyle Centre invites audiences to hear ‘tales of the undead from a paranormal investigator as you discover a host of terrifying stories of hauntings from the city’s dark past’. Anne Bayne of Dunsapie Loch is available online, a ‘poignant audio play [and] a journey into the heart of Edinburgh’s literary history of 1740’.
Theatre
Deaf Action present *Smoke Not Included, a scripted stoner stage play. ‘I cannae tell if I’m having fun or I’m scared he’s gonnae murder us aw’. At Edinburgh Palette, a Pan-Africanist painter, Eda, is ‘cajoled by his friend and former agent Reki to go steal some of Da Vinci’s works that are presumably on tour in an art museum in Nigeria’ in Who Tiff Monalisa? Jeremy McClain stars in Rat Tails (WIP) at Fruitmarket, a new one-man show directed by Matt McBrier. ‘As he muses on his childhood and everything that got him to this moment, follow the Prozac-popping, biracial millennial who’s married into a wealthy, British aristocratic family’.
The Good Iranian makes its Edinburgh Fringe debut with ‘a mesmerising and moving production directed by Sepy Baghaei. Enjoy the art of storytelling and the triumph of good over evil, all in one educational hour’ at Just the Tonic. ‘Though dementia is increasingly common in an ageing population, it remains an unknown quantity to many’. In William Kite has Memory Issues, follow William’s experience of seeking support for someone with early-onset Alzheimer’s as he faces his changing reality (Paradise Green). When their daughter announces that she wants to transition, a couple ‘find themselves divided in their attitudes and judgements’. In Divided, the mother – who has always seen herself as inclusive – struggles with losing a daughter and gaining a son (The Royal Scots Club).
A historical satire championing John Kay, one of Edinburgh’s unsung artists, Passing Likeness at Virgin Hotels Roof Terrace is ‘a play of grotesque caricatures and still more grotesque originals’.
Enjoy a sip of mezcal at Comala, Comala, a ‘Day of the Dead-style theatrical experience’ at Zoo. Adapted from a novel by Johnny Tait, Naked Truth is ‘an extreme satire on false-celebrity culture. Not for the easily offended. A deep, dark rollercoaster ride’ at Saint Stephen’s Theatre. In Why Am I (Still) Like This? at theSpaceUK and online, Nicole Nadler asks why she still can’t ‘leave the house on time, pay her credit card on time or know where she put her glasses’ following her ADHD diagnosis. At Laughing Horse, The Guerilla Autistics show returns for its tenth year and asks ‘are you eccentric?’ The Basement Entertainer at PBH’s Free Fringe is ‘a comedy about being a performer at heart’, as basement-dwelling artist Kate performs her sketches ‘to an audience of miscellaneous junk with faces drawn on’… until one of them starts talking back. Ne’er the Twain at Mayfield Salisbury Church is a ‘laugh-a-minute comedy’ that tackles the historic joining of Edinburgh with the port of Leith, and a family caught on the boundary line.
‘Two rising Ghanaian creatives navigate their perception of identity, success, assimilation and home’ in DRUM at Underbelly. A US writer ‘with a big nose grows up hearing stories of mixed ethnic heritage to discover the stories are not true, sort of true, then true in a way that no one expects’ in Journey to Long Nose at Greenside. The Shroud Maker at Pleasance weaves ‘a harrowing story of courage, love, escape and disappointment with comic fantasy and true stories to create a vivid portrait of life in Palestine before the recent heartbreaking events’. In Do This One Thing for Me at Bedlam Theatre, Jane Elias tackles questions of Holocaust remembrance and how we move forward through an ‘acute portrait of her relationship with her father, a Greek Holocaust survivor’.
Fix Your Mind at Gilded Balloon is a ‘a contemporary exploration of patriarchy, love and the internet’, as two siblings are drawn in different directions by their chosen communities, while I Sell Windows at Assembly is ‘one Black woman’s exploration of what is birthed at the collision of grief, ambition and sex’.
Stepping Out at Inverleith St Serf’s Church Centre ‘charts the lives of seven women and one man attempting to tap their troubles away at a weekly dancing class’, and at Hill Street Theatre, Rave is a jukebox musical set in a nightclub, where ‘we see the lives and battles of a group of friends coming to terms with getting older and the reality of faded dreams’. A musical comedy about coming of age in the 1980s, ‘mashing hundreds of classic 80s songs into both dialogue and song (a la Moulin Rouge). Don’t Stop Believing: A Theatric Remix of the 1980s is at PBH’s Free Fringe.
Summer is on the way and the festival season is hotting up, with Assembly Festival announcing a further 110 shows for this year’s Edinburgh Festival Fringe.
Assembly Festival opens on Wednesday 31 July with the Assembly Gala Launch at Assembly Hall, highlighting some of the biggest and best shows of the year; expect spectacular circus, thought-provoking theatre, riotous comedy, and more to kick-start your festival experience.
Best of the Fest returns with three shows for your regular dose of Fringe fun. The eponymous Best of the Fest will be the highlight of your weekend with a changing line-up of established talent and rising stars at Assembly Hall.
For the best in emerging talent and fresh comedy faces, head on over to Best of the Fest: The New Class in George Square Gardens. Finally Best of the Fest: Daytime will move to a new home at Assembly Rooms to serve up a daily dose of family-friendly Fringe variety from circus to stand up.
Assembly has a bumper comedy programme in store this year including recently announced shows from the purple felt-faced comedian, Randy Feltface: First Banana; a welcome return to the Fringe for The Last Leg host Adam Hills: Shoes Half Full; and Dara Ó Briain: My Life is a Work in Progress (Work In Progress), Dara’s first Fringe run since 2005. Also appearing on Assembly’s largest stage at Assembly Hall is Milton Jones: Ha!Milton; and Reginald D Hunter will be appearing in George Square Studios this year with his new show Fluffy Fluffy Beavers.
Since 1981, Assembly’s stages have launched the career of many a household name, including Eddie Izzard, Jo Brand, Bill Bailey, Sandi Toksvig, and Rik Mayall, so this year’s selection of comedy debuts could well behold the next big thing.
Assembly’s programme is also renowned for its international talent, and this year is no exception; from Australia, TikTok star Jenny Tian: Chinese Australian and winner of Director’s Choice Award, Melbourne Comedy Festival Bronwyn Kuss: Sounds Good; from New Zealand Guy Williams: This Glass House Makes it Easy to See All the Cowards I’m Throwing Stones At (New Zealand Today, Taskmaster NZ) and soon to be the most powerful man in the universe Ray O’Leary: Your Laughter Is Just Making Me Stronger (Taskmaster NZ); Japan’s latest comedy export Takashi Wakasugi: Welcome To Japan; BBC Galton and Simpson Comedy Winner Grace Mulvey: Tall Baby from Ireland; from India Rahul Subramanian: Who Are You?;from the USA, 17 year-old Maeve Press: Failure Confetti; and from the UK circuit, writer of Death DropHolly Stars: Justice For Holly and self-renowned poet Paulina Lenoir: Puella Eterna.
There’s more stand-up from the “Bloody Hilarious” (Sarah Millican) Gearóid Farrelly: Gearóid Rage; the award-winning Geraldine Hickey: Don’t Tease Me About My Gloves; shortlisted BBC New Comedy Award 2023 Jo Griffin: Last Chance Saloon; Kelly Bachman: Patron Saint; co-writer of Starstruck (BBC) Nic Sampson returns with his new show Yellow Power Ranger; Ireland’s favourite scoundrel Stephen Mullan: Rascal; and the irrepressible Ted Hill: 110 Percent Normal. Plus, work in progress shows from Angela Barnes and Joanne McNally.
From the world of musical comedy, David O’Doherty returns to Assembly with a new megaconcert, David O’Doherty: Ready, Steady, David O’Doherty; acclaimed duo Flo & Joan: The Joan & Flo Show present their greatest hits ; a personal and political hour from Jonny & the Baptists: The Happiness Index; Taskmaster New Zealand star Paul Williams returns to the Fringe with Mamiya 7; and Ivo Graham returns with one of the best nights out at the Fringe with Comedians’ DJ Battles.
There’s off-the-cuff guffaws in Aaaand Now For Something Completely Improvised; a classic murder mystery is created on-the-spot in Murder, She Didn’t Write; the return of the painfully funny improvised medical drama St Doctor’s Hospital, who also bring endless comedy possibilities in The Free Association: 3; and Terry Wogan is back from the dead in Late Night with Terry Wogan.
On the sketch front, expect a raft of comedy sketches with the world’s only surreal, sketch-comedy circus troupe Laser Kiwi: Rise of the Olive; 100 years of TV in one hour in Joe & Rory: Television 1; and comedy duo Grubby Little Mitts are back with two new shows, Grubby Little Mitts: Eyes Closed, Mouths Open and Grubby Little Mitts presents: Sketch Book.
The uniquely eccentric Trygve Wakenshaw returns after seven years with his Dada-esque new show, Trygve Wakenshaw: Silly Little Things; and Jody Kamali is Ironing Board Man with eight ironing boards and one banging soundtrack. Join comedian Benjamin Alborough as he attempts to improve the most notorious property trading board game in the chaotic, interactive gameshow Absolute Monopoly; take part in an hour of mad cap game show and entertainment with Mad Ron and Jerry; Australian cult classic The Late Nite PowerPoint Comedy Showcase makes its way to the Fringe; and there’s a wild and raunchy, adults-only night of magic and comedy with Sam, Justin, and Magnus ‘Danger’ Magnus in Adults Only Magic Show.
After sell-out runs in 2023, the smash-hit historical-storytelling comedy returns with an all-new collection of 5 Mistakes That Changed History. Less historically accurate but with equally irreverent storytelling is Isabelle Farah: Nebuchadnezzar, a silly show about love and war in Babylon; Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself explores a world of witches, neurodivergence and the Vengaboys; Chris Grace: Sardines (a comedy about death) guides audiences through a tragic and hilarious exploration of life’s important questions; and Marc Burrows embarks on a journey through the life and work of one on Britain’s best loved authors and humourists in The Magic of Terry Pratchett.
There’s plenty to entertain the whole family at Assembly this year. The multi-award-winning Circus Trick Tease return to Assembly Festival with their phenomenal Children Are Stinky for another summer of fun.
Expect high calibre circus, a rocking soundtrack and genuine belly laughs, leaving adults and children with their jaws on the floor hooting for more. The Canadian “masters of slapstick” behind Brotipo, Les Foukoutours present a celebration of childhood creativity in NoVa; the harmony of gecko-like Gael is upset by the arrival of a stranger in children’s dance show The Last Forecast; and a chance encounter with a resilient drop of water sends plucky young Hope on a life-changing puppetry adventure in Taiwan Season: Little Drops of Rain.
DJ, performer, and mum of two Monski Mouse is back with her Baby Cabaret and Baby Disco Dance Hall full of bonkers fun for 0-5s and their parents/carers; Mr Sleepybum has more dreams to share in his high-energy, interactive, multi-award-nominated comedy show for the whole family; The Greatest Magic Show returns with more whimsical wonders than ever before; and Mojo the Monkey and Jimmy the Tomato guide audiences on a rollercoaster of amazement in Mojo and Jimmy: The Comedy Magic Spectacular.
For a touch of magic for more mature audiences, look no further than Dom Chambers: Magic Hunt, an untamed magic rampage, a fusion of awe and anarchy and a ‘unique blend of comedy and illusions’™; and a brand-new show from Chris Dugdale: 11, 11 tricks and a message that may or may not change your life. There’ll be audience participation aplenty with the return of Goose’s Quizzes Elimination Game. Scotland’s premiere quiz company bring their raucous five-star game show, with fresh questions every night, brilliant prizes and all-new rounds – will you face elimination, or be crowned a champion?
After taking Australia by storm everyone’s favourite Ogre inspired burlesque and drag parody is finally coming to Edinburgh! The award-winning, critically acclaimed, Swamplesque makes it way to Assembly Festival from far-far-away.
There’s more drag excellence as glamorous, hilarious and fiercely clever Jens Radda explodes onto the Edinburgh scene with Skank Sinatra; Sarah-Louise Young and Russell Lucas pay glorious homage to the music, fans and mythology of one of the most influential voices in music in An Evening Without Kate Bush; and high camp and heartbreaking drama collide in These Are the Contents of My Head (The Annie Lennox Show) as Salty Brine charts his way, track by track, through Lennox’s masterpiece Diva.
Following hit sell-out sensations Macro and The Pulse, Gravity & Other Myths return to Edinburgh with their brand-new critically acclaimed show Ten Thousand Hours, an ode to the countless hours needed to achieve great things. Blending circus and dance, Taiwan Season: I Am The BOSS asks what do three siblings do when home alone; the 600-year-old Korean folk song Arirang is brought to life in ARI: The Spirit of Korea; and Taiwanese choreographer Chuang Po-Hsiang presents Taiwan Season: Palingenesis, an absorbing dance trio inspired by a biological concept of regeneration.
Assembly Festival and Dance Base team up once again, presenting a programme across two stages at Scotland’s National Centre for Dance.
Five dancers collide and rebound through urban, breaking, contemporary and everything in between in PACK; the boundary between the inert and the living is blurred in Golem, a captivating dialogue between dancer and sculptor; The Show for Young Men asks what it means to be a man today in a tender dance performance for ages 8+; and the eternal relationship between the deity and the devotee is explored in Ananta, the Eternal. Masquerading as a sequel to an earlier, non-existent version of itself,
The Passion of Andrea 2 is a mischievous con artist of a dance theatre piece about uneasiness, confusion, and the painful desire for more; Futuristic Folktales scrutinises reproductive injustices through storytelling, contemporary movement, and an evocative soundscape of experimental bagpipe; and the Korean tradition of tying and untying knots faces the climate crisis in Sleeper.
Assembly Festival is proud to present this year’s ART Award winner, Gracie and the Start of the End of the World (Again) from writer and performer Zoë Bullock. Meet Gracie, an immortal, pop culture obsessed, very horny jellyfish. An extinction-level comedy about heartbreak, revolution and surviving the apocalypse; this is excellent new theatre from one of Scotland’s up and coming creative teams.
Other new writing in Assembly’s 2024 programme includes the intricacies of mother-daughter relationships in Glitch and Mum and I Don’t Talk Anymore; plus, Good Luck, Cathrine Frost! a funny one-woman show about philosophy and childbirth. Love is on the menu as Steve Porter is back with a new spicy seminar, How to Mate: The Ted XXX Talk; while Pillock confronts loneliness, hook-up culture and medical role plays.
English American writer/comedian returns to the UK with Alison Larkin: Grief… A Comedy, looking at love, loss and hope; a doc-com billionaire pays a famous American theatre company to translate the Bard in Polishing Shakespeare; ‘one of the most fascinating experimental theatrical minds at the Fringe’ brings us Honnef’s Lost words; and a clandestine cabal of misfits attempt their ultimate heist in Brian Parks’ new work, Plotters.
Fresh off the back of two successful seasons with Salamander, Scottish, female-led Pretty Knickers Productions bring Mary, Queen of Rock! a brand-new musical that will get Scotland rocking! While the reign of the only Empress–Queen is a prism through which the entire crown can be seen via Victoria’s journals and letters in Queen; and notorious filmmaker Leni Riefenstahl attempts to sanitize her past in the insightful, hilarious wild ride of Leni’s Last Lament.
Comedian Ivo Graham goes around and around, backwards and forwards, to the places he aches to go again in Carousel; a girl with anxiety must rescue her friend from a city of skeletons in Shadow Necropolis, from the creators behind Shadow Kingdom; You&It: The Musical looks at the love between a husband and wife when one of them returns as AI; and aspiring actor and current window salesperson Kacie confronts an existential journey in I Sell Windows.
A group of former kid detectives return to the scene of their greatest unsolved case in Solve It Squad; actor and pro-wrestling fan Tegan Verheul presents a knockout solo show about sports entertainment in Chokeslam; follow Shy Girl’s attempts to open up in Wyld Woman: The Legend of Shy Girl; and myths and legends are told like never before in Remythed.
More mythology from Fringe smash hit Mythos: Ragnarok as they return to Assembly Festival this year, a masterful blend of storytelling, theatre and stage combat. Also coming back this August is hot-ticket interactive theatre piece Temping; ten minutes of a father with dementia and his family is revisited in multimedia theatre piece Layers; and an unexpected patient challenges a counsellor’s commitment in Black and White Tea Room: Counsellor, part of the Korean Season at Assembly Festival. Plus, Captivate Theatre return with Fringe favourite Sunshine on Leith; and Oxford’s internationally acclaimed a cappella group, Out of the Blue return to the Fringe for their 20th year.
Assembly Festival’s Fringe season will begin on Wednesday 31 July and run through to Monday 26 August. Performances will take place across Edinburgh city centre, including Assembly Festival’s year-round home Assembly Roxy, Assembly Checkpoint, Assembly Hall, Assembly Rooms, and Assembly George Square Gardens.
For tickets and further information, and to sign up to receive news about future shows at Assembly Festival 2024, visit www.assemblyfestival.com.
Get ready to giggle your way into the new year as organisers of Edinburgh’s Hogmanay announce an all-star line-up for its Ho Ho Hogmanay comedy show on Friday 29 December.
Edinburgh’s Hogmanay, presented by UniqueAssembly on behalf of City of Edinburgh Council, will run Friday 29 December 2023 – Monday 1 January 2024.
Ho Ho Hogmanay marks a welcome return for Hogmanay celebrations at Edinburgh’s Assembly Rooms and will close the first day of the four-day festival for the New Year.
The line-up for the evening will be hosted by Live at the Apollo’s Emmanuel Sonubi, and will feature Edinburgh’s Hogmanay alumnus and Scottish comedy royalty Susie McCabe alongside her compatriots, award-winning Larry Dean, and the inimitable Fred MacAulay.
Emmanuel Sonubi is the epitome of the phrase ‘star of the future’, This year he was nominated for Best Show at the Edinburgh Comedy Awards after being nominated for Best Newcomer the previous year. He recently hosted Live at the Apollo and appeared on Have I Got News For You. In the near future he will appear in an episode of QI and Celebrity Pointless, Rosie Jones’ new show Out of Order and lastly Rhod Gilberts Growing Pains. Working with the likes of Jason Manford, Jack Whitehall, Romesh Ranganathan and John Bishop, and with over 10 million views online, Emmanuel is quickly becoming a household name.
Emmanuel Sonubi looked forward to the event, saying: “Edinburgh is one of my favourite places to perform. It’s where I was nominated for Best Newcomer and then Best Show from the lovely people at the Edinburgh Comedy Awards. “So it’s an absolute pleasure to be invited to perform at the iconic Assembly Rooms where I have seen some of the best comedians of my lifetime perform. I can’t wait!”
Susie McCabe’s rise through the ranks of stand-up has been nothing short of meteoric. Her brilliant storytelling, acute observations and killer punchlines have made her one of the most sought-after performers in the UK.
She has supported the likes of Kevin Bridges, Frankie Boyle, Ardal O’Hanlon, John Bishop and Jason Manford on their national tours. A firm festival favourite, Susie has enjoyed five sell-out shows at the Glasgow International Comedy Festival and continues to be the fastest-selling artist at the festival, selling out 2 nights at the Glasgow King’s Theatre as well as venues up and down Scotland.
In addition to her set at Ho Ho Hogmanay, Susie McCabe will repeat her MC duties from Edinburgh’s Hogmanay 2022/23 with an appearance at the Concert in the Gardens on 31 December 2023.
A hot ticket on the touring circuit, Larry Dean has performed his shows across the UK and Ireland to jam-packed rooms. Larry’s fanbase is international, as a regular at Melbourne International Comedy Festival, Christchurch Buskers Festival, Perth Fringeworld and the invitation-only Montreal Just For Laughs Comedy Festival.
Having presented the very funny and eventful MacAulay and Co. on BBC Radio Scotland for almost 18 years and with a string of tv appearances, Fred MacAuley’s on-air witticisms and on-screen reputation are the product of years of experience on the live circuit, including a stint as the first ever-Scottish compere at the Comedy Store in London.
Ho Ho Hogmanay will close the first day of Edinburgh’s Hogmanay four-day programme to bring in the New Year. Earlier on 29 December, an anticipated 20,000 people will shine a light on homelessness at Edinburgh’s Hogmanay Torchlight Procession with official charity partner Social Bite, blazing a trail through the capital’s Old Town.
Celebrations continue with Night Afore Revels and the Night Afore Disco Party on 30 December.
On Hogmanay night itself New Year Revels makes a welcome return to Assembly Rooms with an all-night ceilidh and live band party with Massaoke, while Princes Street and Princes Street Gardens will host 50,000 party goers at the world-famous Street Party and Concert in the Gardens with Pulp and special guests Hot Chip (DJ set).
The four-day programme comes to a close on Monday 1 January 2024 with the family friendly Sprogmanay and family ceilidh, and First Footin’ Culture Trail in selected venues around the city.
Further information and tickets for Ho Ho Hogmanay and all events at Edinburgh’s Hogmanay 30th anniversary celebrations are available now from:
Residents at two of the capital’s care homes will feel the buzz of this year’s Edinburgh Fringe Festival after a series of on-site comedy performances at Randolph Hill Nursing Homes was announced today.
Stand-up comedians Carey Marx and Jojo Sutherland will bring their shows to Randolph Hill’s seven nursing homes across Scotland, including its Ashley Court and Blenham House sites located in the city, enabling residents to share in the Edinburgh Fringe experience.
Carey performs regularly across the UK comedy circuit and has appeared in numerous television programmes including Comedy Cuts, BBC Breakfast and Loose Women. In 2009 he gained global recognition after winning Best International Show at the New Zealand Comedy Festival.
Jojo has worked in the UK entertainment industry for more than two decades as a writer, actor, broadcaster, and comedian. A regular at the Edinburgh Fringe, she was a 2022 finalist for the title of British Comedian of the Year.
The pair will perform a daily show at 2pm at each of Randolph Hill’s sites located in Edinburgh, The Lothians, and Stirlingshire. Open to residents, their relatives and Randolph Hill staff, the series of shows includes performances at its Ashley Court site in Morningside on Saturday 26 August and at Blenham House in Sighthill on Sunday 27th.
The full schedule of performances is listed below.
Randolph Hill currently cares for more than 350 residents and employs over 600 members of staff at its seven sites across east and central Scotland.
Randolph Hill Managing Director Peter McCormick said: “We are very excited to be bringing this year’s Edinburgh Fringe Festival to our nursing homes including our two sites in the city.
“With two highly regarded comedians bringing their acts to all of our seven sites, this series of performances will bring a real festival buzz to our residents ensuring they can enjoy the Fringe experience in a familiar setting.
“We look forward to welcoming Carey and Jojo to our two Edinburgh homes where I’m confident they will get a warm audience response during their performances.”
Randolph Hill – Edinburgh Fringe performance dates:
Tuesday 22 August – Randolph Hill, Dunblane
Wednesday 23rd – Muirfield, Gullane, East Lothian
Thursday 24th – Fidra House, North Berwick, East Lothian
THE ICONIC PURPLE COW AND ITS MOO-VELLOUS PROGRAMME RETURN FOR THE 23rd YEAR
Underbelly has officially opened the doors to its incredible venues and line-up at the Edinburgh Festival Fringe 2023, set to entertain locals and visiting crowds alike.
Last night, Underbelly’s iconic McEwan Hall got the party started with the official programme launch. Lucky guests sampled a flavour of what’s on offer this year with a spectacular mix of comedy, dance and circus.
The event was hosted by comedian Sooz Kempner and comedy crime podcasters Kathy and Stella opened the show with a number from their hit musical Kathy and Stella Solve A Murder.
Also performing were stand-up comic Emmanuel Sonubi, Untapped Theatre Award winners Dugsi Dayz, family entertainer Mario The Maker Magician, comedy dance act TUTU, circus troupe Sophie’s Surprise 29th, visionary acrobatics from Circa’s Peepshow, US Drag Race winner Monét X Change and world-class circus performers The 7 Fingers.
An eclectic programme of over 150 shows across the four venues offers everything from dazzling circus performers, awe-inspiring cabaret, captivating theatre, vibrant dance, fun-filled family entertainment, and side-splitting comedy – there’s truly something for everyone at Underbelly.
Underbelly’s Co-Directors Charlie Wood and Ed Bartlam said: “What a wonderful night for our opening event! It’s brilliant to be back in Edinburgh for 2023 and we’re so excited to open the doors to another incredible Underbelly programme.”
For those looking for a good deal, 2-for-1 tickets are available now for a range of shows on the 7th and 8th of August. Families can also make the most of a Book 2 Tickets get 1 Free deal on weekday viewings of the family programme (Aug 16 -28th).
Highlights include:
For one night only in McEwan Hall Underbelly’s fifth Big Brain Tumour Benefit will host a massive line-up of Fringe stars in a raucous evening of comedy to help the fight against brain cancer. This year’s performers include Frank Skinner, Ivo Graham, Chloe Petts, Adam Kay, Hal Cruttenden, Lara Ricote and Emmanuel Sonubi, with more acts still to be announced! All box office income goes directly to The Brain Tumour Charity.
At McEwan Hall, join TUTU on a “hugely entertaining and hilarious” (BroadwayBaby) tribute to dance, where comedy and incredible dance skills intertwine seamlessly to delight crowds of all ages. Featuring an all-male cast of six dancers decked out in flamboyant costumes, this show is a humorous celebration of dance in all its glory… Yes, a bare-chested tutu-clad man can perform a stunningly graceful pointe solo!
Taking over McEwan Hall, Havana Street Party is an exhilarating explosion of urban movement direct from Cuba; Sara Pascoe’s Success Story flies in for one night only; Foil Arms and Hog: Hogwash, the Fringe favourites returns with a five-star comedy for an exclusive limited run; Drag Race double crown winner Monét X Change shares anecdotes and opinions on life in the tireless comedy Life Be Lifein’; and You Can’t Stop the Beat the Fringe’s ultimate musical theatre party night out.
In the iconic upside-down purple cow, the Udderbelly, Mario The Maker Magician brings robot magic direct from New York, with a wild and original family show; Choir! Choir! Choir! is a show where the crowd is the star and you’ll be harmonising to well-known classics in no time and a home-grown Drag Race winner joins the line-up in their debut solo tourDanny Beard & Their Band.
At Cowgate, Underbelly’s new, late night comedy experience is BATSU!Currently a hot ticket in New York and Chicago, audiences join comedy warriors testing their wits to avoid electric shocks, paintballs, giant chickens and other jaw-dropping punishments. Bill’s 44th – a poignant puppet tragicomedy for adults, called “Buoyant, mesmerizing, joy-inducing” as the New York Times Critics Pick; and identical twins Patrick and Hugo McPherson return with Pear: But Braver, after the smash-hit success of Pear in 2022.
The winners of the Untapped award, in partnership with New Diorama Theatre, Concord Theatricals and Nouveau Riche; It’s A Motherf**king Pleasure at Bristo Square, a witty satirical delight straight off the back of a smash-hit London run; Dugsi Dayz is a heart-warming tribute to The Breakfast Club, subverting Somali folktales and exploring friendships; and One Way Out, a powerful drama about four friends on the cusp of adulthood, exploring young British Caribbeans’ experiences of the Windrush crisis.
Over in Circus Hub, East London’s The Revel Puck Circus make their Fringe debut with an exhilarating new show The Wing Scuffle Spectacular; Aloft returns with Brave Space after selling out their innovative 2022 season and also presents Sanctuary, a punk-rock cabaret with a revolving line-up of internationally renowned circus artists backed by a live band.
For six dates only, McEwan Hall hosts An Afternoon with Anton Du Beke and Friends. The Strictly Come Dancing legendary judge takes to the stage with a live band, a guest singer and his dancers. Performing some of his favourite songs and dances that have inspired his career, expect behind the scenes stories from Anton’s time on Strictly.
Matt Forde will bring his hugely successful podcast The Political Party to McEwan Hall for one show only on Friday 18th August. Matt will be joined by one of the most charismatic, compelling, and outrageous politicians in Britain – Deputy Labour Leader Angela Rayner as she delves into her political career during this special live podcast.
CIRCUS, CABARET + VARIETY
Underbelly’s Circus Hub celebrates the daring and the different. The 7 Fingers present their world premiere of Duel Reality – circus on a whole new theatrical level – a must for fans of Romeo and Juliet and wondrous acrobatics.
Alongside Sanctuary and The Wing Scuffle Spectacular is Brave Space, a stunning, all-female piece of physical theatre that paints a picture of the world we want to live in and Reclaim which draws the audience close to examine life and imagine a sustainable future. Set in Circus Hub’s Spiegeltent, The Beauty, it features circus and acrobatics interwoven with two cellists and a live opera singer.
In addition to their debut solo tour showDanny Beard & Their Band, join RuPaul’s Drag Race UK winner Danny Beard and their best friend, DJ Billy Andrew for a very special live recording of their hilariously camp podcast Gossip Gays for one night only in Bristo Square. And, for four dates only (4th – 8th Aug), get involved with Drag & Draw, the art class with a difference, featuring lip syncs, audience interaction and drag queens.
Experience the extraordinary as Suhani Shah, the world’s highest-subscribed mentalist, brings her Edinburgh debut Spellbound to Bristo Square. India’s most famous mind reader has captivated global audiences with her charismatic persona, linguistic deception and comedic charm – an unforgettable evening is guaranteed!
MUSIC & MUSICALS
There is exciting music and musical programming, across all four venue hubs. You Can’t Stop The Beat is a party for musical theatre fans, turning McEwan Hall into a sing-along celebration of all your favourite shows; The Magnets, famously the UK’s number one acapella group; catch the sensational five-voice sound machine to relive the magic of the greatest musicians of all time; and one part sermon, one part purge and three parts house party, House Of Life is a travelling musical cult collective with one mission; to get you happy, at any cost.
With a host of 5-star reviews in their wake, the acclaimed Sheep Soup company promise to achieve their goal.
Debut show 2020 The Musical is a joyful new musical, celebrating human resilience in every form, depicting the true, uplifting stories of everyday heroes and turning the events of 2020 into a heart-warming party (and unlike Downing Street, everyone’s invited); God Catcher reimagines the story of a woman turned to a spider as punishment from the Ancient Greek Gods, exploring the legacies of truth and bravery through catchy tunes and heartfelt lyrics; tender musical Fabulett 1933, sees a liberal queer society in Berlin protest as the authorities close off every opportunity for freedom and expressionism; We’ll Have Nun Of It is a masterpiece, blending contemporary pop, soul and funk music into a unique new musical that navigates the angst and joy of Ireland in the sixties; and Tinkisa nostalgic love-letter to our past selves through the eyes of a very familiar fairy.
THEATRE
Joining Bill’s 44th and the Untapped award winners; The Way Way Deep, blends bold storytelling, spoken word and original music, by sell-out playwright Patrick McPherson, previous writing includes The Man and Colossal; in his Fringe debut, star of stage and screen Declan Bennett brings Boy Out The City, telling a raw survival story of a man in his search for identity, throwing us into a turbulent world of toxic masculinity, homophobia and men’s mental health.
The programme also pioneers wonderfully current topics with shows such as; PLEASE LEAVE (A Message), a devised piece set in a karaoke bar on Yucca Mountain, where a group of scientists are experimenting with time travel, in which ClusterFlux can give a fearful yet joyous address of the impending climate crisis; Temporarily Yours, a journey into sexuality and prostitution, a show made from true stories and earnest questions, pondering our body, soul and relationships; and The Brilliance of Broken Glass, a true story about rising from rock bottom, exploring the aftershock of a medical crisis and championing laughter as the ultimate medicine.
Solo show, Pleasure Little Treasure, takes us back to the downfall of the Soviet Union; a story about growing up in the first strip club in Estonia during the tumultuous 1990; My Dad Wears A Dress is a hilarious yet sincere one-woman show about growing up with a trans female parent; Life With Oscar is a tragicomic satire set in the underbelly of Hollywood (no pun intended); and Looking For Giants is a perplexing and seductive tale about self-discovery, from emerging theatre company That What’s Wild.
In Bristo Square, The Gaffer explores how the beautiful game can turn ugly quickly. Football manager Shaun Woods discovers his private life is set to make the back and front pages. For Shaun, the game doesn’t last 90 minutes, it’s a battle with no full-time whistle. Performed by Fringe First Award winner Chris Larner, this new short play written by acclaimed journalist Rob Crossan is not to be missed.
Ringer is Hughie Shepherd-Cross’s fifth Fringe production, a comedy that sees a heartthrob actor’s reputation left in the hands of his feckless double; winner of Dublin Fringe’s Bewley’s Little Gem award, Frigid is a tender coming-of-age comedy about sexuality in early 2000s Dublin, performed alongside a live DJ; extremely silly, and extremely ruthless The Death of Molly Miller is a pitch-black satire on our world of influencers, inequality and addiction; with performers from The Wardrobe Ensemble, International House of Vape:Redefining Theatre Experience goes where no brand has gone before in a new corporate venture; The Four Worst Things I’ve Ever Done is a wild ride of confessions and consequences; and pitch-black comedy BUTCHERED is a dynamic physical theatre piece with a killer soundtrack, this absurd thriller is set in the kitchen where dreams come to die.
COMEDY
Joining Sara Pascoe in the comedy programme; Pear: But Braver sees identical twins Patrick and Hugo McPherson return after the 2022 hit show Pear, a riotous hour of sketch comedy by two brothers heralded as “like Reeves and Mortimer” (The Recs). Joining them in Cowgate is Adam Riches as hereturns to the Cow Café with a site-specific show; Adam Riches is The Guys Who, a fresh take on the guys who you meet everywhere.
Sounds Like… is a unique improvisational panel show, from Doc Brown and quick-witted wordsmith hosts, based around rhyme and rap with special guests from the world of music and comedy. It’s seriously funny, stupidly clever and addictive.
The Retreat is a camp variety number that mimics a corporate event, questioning our toxic workplace methods, brought to you by stars of Parks and Recreation and Glow including UK songstress Kate Nash and featuring a rotation of incredible and iconic comedy names.
The programme features some special limited-run shows throughout August. Mr Thing, favourites at the Fringe, returning for two nights only to celebrate all the best bits from the past five years; Drag Queens vs Zombies, as Haus of Dench’s monstrous hit returns from the dead for two nights only, as drag superstars Kate Butch and Crudi Dench try to save the audience of their cabaret show from a gruesome death in a camp comedy horror; and Werewolf: Live appears for one night only in a charity spectacular.
An all-star line-up of comedians backstab, manipulate and fight for survival in this cult gameshow; with previous guests including Rose Matafeo, Nish Kumar, Ed Gamble, and plenty more, you know it’s going to be a wonderful kind of chaos.
Meanwhile in Bristo Square, Perrier Award winning Will Adamsdale:Show of Just Songswill regale audiences with the ballad(s) of a man adrift in the modern age (though enjoying heated car seats), for tales of CD hoarding, failed citizen’s arrests and a film career playing murdered schoolteachers, medieval lookouts, and Nigel Havers’ son.
For six nights only at McEwan Hall “Broadway’s greatest comic storyteller” (Deadline) Mike Birbiglia brings his show The Old Man & The Pool to the Edinburgh Fringe. Chronicling his coming-of-middle-age story Mike presents his tale of life, death, and a highly chlorinated YMCA pool that will resonates with audiences ages 12 to 112.
Kelly McCaughan’s show exposes the impossible standards of the confines of religion in Catholic Guilt; performed by US comedian Lane Kewderis and directed by Matt Gehrin; Sex Job is an empowering show about the good, bad and often hilarious ups and downs of being a sex worker, following the inside life of a financial dominatrix; Holly Spillar’sHole is a muff-busting comedy about sex, pain and the brain, showcasing one woman’s determination in the face of a tough diagnosis.
For one night only on 24th August, Bristo Square welcomes the Straight Comedian of the Year ‘Grand Final’ where crowds will bear witness to the epic conclusion of ex-gay comedian Simon David‘s search to find the UK’s funniest heterosexual.
The biggest breeders of the Fringe will battle it out for the title and a Fiat 500. Following a sell-out run in 2022, 4 x Fringe Awards winning clown comic Garry Starr returns for five dates only (23rd-27th) with Greece Lightning. Starr will perform all of Greek Mythology – never before has Medusa been looser, Achilles more sillies, or Uranus so heinous – an anarchic masterclass not to be mythed!
Healing King Herod is a wild, interactive, drag-clown therapy session featuring improvised songs, political parody and cult-like rituals where Herod, famed for massacring innocents, now leads a self-development pyramid scheme, and; Jeromaia Detto: MUSH, nominated for Best Comedy at Sydney Fringe, is a whimsical and absurd clown show, with five stars all round; Max Norman invites you to cross the seven seas with him on a night of nautical nonsense, with piratical puns, 90’s nostalgia and the ultimate audience prize in A Pirate’s Life For Me; and award-winning MANBO is a dead-sexy action-hero mission filled with chaos.
For the theatrical comedy fans out there, Rosalie Minnitt presents Clementine, a debut character comedy-drama involving a hilariously unhinged quest to find love set roughly ‘in the past’; in Dead Dad Show Simon David tackles the ‘dead dad’ cliché, in a show, directed by Fringe First winner Chris Larner, with dangerously high levels of heart; struggling to make sense of a breakup, Sophie hires a life coachin Sophie Santos… Is Codependant and 2022 Best Comedy winner from Hollywood Fringe, A Terrible Show For Terrible People is a raunchy, absurdist physical comedy with 2 spoken words “for perverts, feminists and your mom (not mutually exclusive).”
AAA Stand up and AAA Stand Up Late, return with brand-new line-ups of comedians, including Ross McGrane, Ridwan Hussain, Josh Elton and Sachin Kumarendran, having sold out Edinburgh from 2005-2022, it’s filled with clever wordplay, whimsical observations, and mischievous twists.
For those who are intrigued by games of social deduction, Blood on the Clocktower: Liveis a night of gothic chaos and carnage, featuring a revolving cast of comedians.
More stand-up includes Charlotte Fox encountering a series of crooked and macabre characters in her dark and manic comedy; Ouroboros The Return. Robo Bingo by Foxdog Studios, an interactive show for people who don’t want to talk to anyone; Alice Cockayne is unhinged and outrageously funny in the clowning drama I Showered Before I Came; Chris Turner shares stories of touring with Cirque Du Soleil and his newborn child in Vegas, Baby!; Sara Schaefer teaches how to unlock potential in this perfect mockery of a seminar, Going Up; Maggie Crane’s darkly funny Side by Side, an autobiographical story about family and disability. Internet sensation Josh Baulf with new show Bulldog; Paddy McDonnell in Paddy McDonnell Live, a show full of tales of everyday life; Dan Rath, discussing the ups and downs of neurodivergence in All Quiet Carriage Along The Inner Western Line;Ed Gaughan brings his first solo show in 18 years,Words and Music, with stories, clowning around and plenty of surprises; and award-winning comedian Leif Oleson-Cormack, who pushes confessional stand-up to its limits in The Disney Delusion.
