Police Scotland have released images of two males they believe may hold information which might assist in relation a serious assault in Edinburgh which occurred around 8.30pm on Saturday 7 December 2024 on Princes Street.
One of the males is described as white, aged approximately 18 years old, slim build, short light, brown hair. He was wearing a grey coloured Nike hooded jumper, a dark coloured cross body bag and dark coloured trousers.
The other male is described as white, aged approximately 20 years old, medium build, short dark hair and dark stubble. He was wearing a black Canada Goose gilet top with a dark top underneath and dark trousers.
Anyone who has any information about the incident or who recognises the males pictured is asked to contact Police Scotland via 101, quoting incident number 3251 of 07 December 2024. Alternatively, please call Crimestoppers on 0800 555 111 where you can give your information anonymously.
Friday 25 April at 18:30 – Scottish Storytelling Centre
The opening night of this year’s Pomegranates Festival of international traditional dance (25 – 30 April), kicks off with a packed programme of ten short films celebrating traditional dance on screen.
Traditional dance is rarely presented through the genre of screen dance, and this exclusively curated programme aims to fill in this gap. It honours multiple types of trad dance styles and diverse cultural heritage traditions, including Scottish Step and Highland, Indian Classical, East African, Chinese, Hip Hop, and Breakdance.
The programme includes three diverse films directed by award-winning Canadian dance filmmaker Marlene Millar, Firstly, To Begin the Dance Once More – the newly revisedTraditional Dance Forum of Scotland’s first-ever screen dance production exploring Scottish and Egyptian stories of motherhood, featuring choreography by Vincent Hantam, andset to the new epic poem about Beira and Bride (the Queen of Winter and the Goddess of Spring) by Scottish storyteller Donald Smith.
Secondly, Offering – inspired by traditional dance processions from the Quebec-based Migration Dance Film collective, world-renowned for their innovative use of vocals and body percussive movement. Offering is directed by Marlene Millar in collaboration with choreographer Sandy Silva with the guest appearance of street dance sensation Omari Motion Carter. And thirdly, Bhairavafilmed on the ancient site of Hampi in India, directed by Marlene Millar and Philip Szporer (Mouvement Perpétuel, Montréal) with cinematography by Kes Tagney.
Kes Tagney’s recent short Homefeaturing Scottish step dancer Sophie Stephenson accompanied by musician Ronan Martin is also featured in the programme.
The Bright Fabric of Life directed by Mare Tralla
Other highlights include The Bright Fabric of Life directed by celebrated Estonian artist and filmmaker Mare Tralla; Deer Dancer which was first released as a major commission at the Edinburgh Art Festival in 2019 and features three dances, including Highland Fling, by Hanna Tuulikki exploring male masculinity in dance; two breakdance shorts Autocorrectcommissioned by Sadler’s Wells and directed by this year’s choreographer-in-residence MC, hip hop dance artist Jonzi D; and Second Guessing by Glasgow Bgirl Emma Ready which explores the harm experienced by coercive control.
HOME directed by Kes Tagney
Two other rarely screened films include Chinese short Crowned by Flame directed and performed by Lyuxian Yu; and Echoes of a Taiko Drum which was produced by Billingham Festival Director Olga Maloney, and features a unique fusion of Taiko Drums, Georgian, Irish and Indian Kathak Dance.
This 80-minute shorts film programme will be followed by a Q&A with featured creatives, including Scottish Bgirl Emma Ready, Estonian filmmaker Mare Tralla and Canadian filmmaker Kes Tagney.
Iliyana Nedkova,who together with Wendy Timmons is co-founder and curator of the Pomegranates Festival said: “I am very pleased that this year’s Pomegranates Festival’s opening evening show is all about world traditional dance and music specifically devised for the camera, not for the stage.
“I believe that magic happens where cinematography meets choreography. Following years of curating, judging and producing short dance films and screen dance festivals, I always wondered why we don’t have a dedicated platform for trad dance on screen.
“Well, while waiting for the dance film festival circuit to create such a platform, we decided to launch our own global programme and perhaps sow the (pomegranate) seeds of world trad dance on screen by selecting some of the best and rarest examples in this emerging new genre.”
Mare Tralla, the Estonian-born and Edinburgh-based artist, as one of the creatives featured in the programme said: ‘I can’t wait for the launch on the big screen of the latest Traditional Dance Forum of Scotland’s screen dance production The Bright Fabric of Life at the opening night of the Pomegranates Festival.
“I designed the set and costumes, shot and edited this new film in the summer 2024 with a great team of creatives using the body language of traditional African dance choreographed specifically for the camera by the esteemed Vincent Hantam.
“The film tells stories of motherhood and kinship, love and loss from Sub-Saharan Africa and Scotland. Also on the night we will celebrate the paperback release of Mhairi Collie’s book which inspired our film.
“The book, just like the film, explores the dramatic life story of Sylvie, an Ethiopian patient and Juliet – a Scottish surgeon.’
The dance films featured in the World Trad Dance on Screen programme at the Pomegranates Festival are:
AUTOCORRECT (2022, Dir. Jonzi D) Commissioned by Sadler’s Wells and directed and performed by Jonzi D, AUTOCORRECT features three male hip hop dancers from New York, London and Kampala. The short film takes inspiration from the cerebral poetry of Saul Williams, supported by Soweto Kinch’s textured soundscape.
Bhairava (2017, Dir. Marlene Millar and Philip Szporer) This short evokes facets of Shiva, the Lord of Dance, as both the destroyer of evil and the guardian of time. Carried by a strong and deeply evocative musical score and by the singular energy of the ancient site of Hampi, dancer and choreographer Shantala Shivalingappa embodies the presence and distinctive qualities of Bhairava. With her technical mastery and refined expressivity, she alternates between moments of precise symbolic gestures and more abstract body language surging from the powerful and omnipresent persona of Bhairava, creating a vivid incarnation of the deity.
Crowned by Flame (2024, Dir. Lyuxian Yu) In this work, the artist uses cigarette boxes (the world’s smallest drum), fire, and the traditional Ji Guan Headpiece (Cockscomb Headpiece)—key symbols of the Chinese ethnic minority Yi culture—to tell a powerful story about navigating cultural heritage and personal freedom. The performance contrasts black modern props with vibrant, traditional ethnic objects, creating a striking collision between cultural pride and the push for liberation.
Deer Dancer (2019, Dir. Hanna Tuulikki) A cross-artform project that grew out of research into the Deer Dance of the indigenous Yaqui of Sonora, Mexico, and their Pascua Yaqui descendants in Arizona, USA; the Highland Fling of the Scottish Highlands; and the Abbots Bromley Horn Dance of Staffordshire, England. The piece was further informed by experiential research into hunting practices and by direct observation of deer in their habitat and explores the mimesis of male deer behaviours, from the capering fawn, to the rutting stag, and how they can inform a ‘performance’ of masculinity by male dancers, and the implications of these gendered performances in society today.
Echoes of a Taiko Drum (2022, Dir. Olga Maloney)A new short screen dance and music film, produced by Billingham Festival Director Olga Maloney, featuring a unique fusion of Taiko Drums, Georgian, Irish and Indian Kathak Dance.Winner of the Best Audience Award at the European Short Film Festival in Berlin in 2022.
HOME (2024, Dir. Kes Tagney)
Shot in Scotland and Cornwall, HOME premiered last year at the Inverness Film Festival. It features Scottish step dancer Sophie Stephenson accompanied by musician Ronan Martin. Inspired by Stepheson’s love for Scotland, at its heart is a real sense of belonging and feeling of deep connection with the place you call Home.
Offering (2023, Dir. Marlene Millar) Using the traditional dance procession choreography, Offering creates a meaningful and joyful conversation between the body percussion artists featured in all Migration Dance Film Projects to date and new emerging artists from street, hip hop and gigue dance and circus arts. Special guest appearance by the British hip hop artist OmariMotion Carter.
Second Guessing (2023, Dir. Emma Ready and Therese Lynch ) Second Guessing investigates coercive control from the victim’s perspective. Emma Ready is a Bgirl, choreographer, and creative educator. During her 25 years of breaking, Emma has established an international reputation as an inspirational, and empathetic motivator.
The Bright Fabric of Life (2024, Dir, Mare Tralla)Using the body language of traditional African dance choreographed specifically for the camera, The Bright Fabric of Life tells stories of motherhood and kinship, and love and loss from Scotland and Sub-Saharan Africa. It captures the poignant story of Sylvie – a beautiful Ethiopian girl, whose dreams are destroyed when a disastrous childbirth leaves her broken both emotionally and physically, facing rejection and isolation.
To Begin the Dance Once More(2023, Dir, Marlene Millar) Four international dancers based in Scotland and Egypt reimagine the mythological world inhabited by the Celtic and Egyptian mothers of Earth. A beautifully compelling and vital piece of storytelling and movement for the screen. Featuring choreography by former Scottish Ballet Principal Dancer Vincent Hantam, and set to a new epic poem about Beira and Bride (the Queen of Winter and the Goddess of Spring) by Scottish storyteller Donald Smith.
The Pomegranates Festival (25 – 30 Apr) is the annual platform for the diverse 250+ individual and organisational members of the Traditional Dance Forum of Scotland to teach, learn and perform in new dance theatre and screen dance shows, as well as new productions and residencies. This is the fourth edition of Scotland’s annual festival of international traditional dance, initiated, curated and produced by the Traditional DanceForum of Scotland. It is presented in partnership with TRACS (Traditional Arts and Culture Scotland), Moray House School of Education and Sport, University of Edinburgh, Edinburgh Central Library, Dance Base and the Scottish Storytelling Centre.
In 2025 the Pomegranates Festival is funded by Creative Scotland Multi-Year Funding through TRACS (Traditional Arts and Culture Scotland); the City of Edinburgh Council and University of Edinburgh through the Edinburgh Local Community Fund.
Forever Edinburgh has launched a brand-new Edinburgh: Accessible Highlights Guide in partnership with award-winning Edinburgh-based disabled access charity, Euan’s Guide.
The guide highlights Edinburgh’s leading attractions, experiences and travel tips that provide facilities, products and services for people’s differing accessibility requirements. It supports Forever Edinburgh’s work to promote the city’s kaleidoscope of experiences and offerings as an ideal holiday location for everyone. Forever Edinburgh has worked closely with Euan’s Guide, a leading UK charity that helps disabled people find accessible venues.
The new guidebook reinforces the historical city’s commitment to inclusivity and accessibility to allow everyone to enjoy its heritage status. Designed to help disabled visitors enjoy everything the city has to offer, it covers all 11 neighbourhoods of Edinburgh and showcases accessible experiences for all tastes – including Edinburgh’s cultural events and year-round festivals, heritage experiences, museums and galleries, sports and outdoor activities and places to stay, eat and drink.
It also provides essential practical information, such as:
Details on relaxed sessions and dementia-friendly spaces.
Venues with ground-level access and flat floors for wheelchair users.
Location of accessible toilets.
Audio-described shows and sensory-friendly experiences.
Links to full AccessAble Guides for applicable attractions.
Cllr Jane Meagher, leader of the City of Edinburgh Council said: “We really want everyone to enjoy our city and to feel safe and included. That’s why I’m pleased to see this joint work with Euan’s Guide, which is a welcome move towards ensuring all visitors can fully experience the joy of our capital.
“The latest estimates indicate 16.1 million people in the UK have a disability, which is around one in four people. We also know that 21.4% of Scots have a long-term illness, disease, or condition. These figures emphasise the importance of accessibility initiatives like this, to ensure inclusivity for all.
“Plus, by enabling those with disabilities to book a stay in Edinburgh more easily and confidently, local businesses will also benefit. Tourism in Scotland by those with an impairment raises a significant £1.69 billion.” *sources: The Department for Work and Pensions’ Family Resources Survey In Scotland; the 2022 Census; VisitScotland.
These figures underscore the importance of accessibility initiatives to ensure inclusivity for all. Additionally, by enabling those with disabilities to book a stay in Edinburgh more easily and confidently, local businesses will reap the financial benefits of a large number of potential visitors.
The National Museum of Scotland, Edinburgh.
Antonia Lee-Bapty, CEO of Euan’s Guidesaid: “Our community regularly tells us that they continue to be excluded from everyday activities, like going for a simple cup of coffee with friends, because of poor or non-existent disabled access information.
“Insights from our 2024 Access Survey report that 78% of disabled people don’t feel confident about visiting new places when it comes to accessibility.
“Businesses don’t appreciate the importance of sharing disabled access information and are undervaluing disabled people in terms of both social inclusion and spending power by neglecting their accessible toilets and parking facilities. That’s why we encourage them to list on EuansGuide.com for free to reach tens of thousands of disabled people looking for great places to go.
“Equally, we want to encourage disabled people to review the Edinburgh places they visit on EuansGuide.com and use our website to find first-hand experiences of disabled access across the city.
“We’re delighted to partner with Forever Edinburgh on this guide, which will allow disabled people to find accurate disabled access information for great places to go in Edinburgh, the city we’re proud to call home.”
A lady browses the stalls at Edinburgh’s Christmas Market.
Neil Christison, VisitScotland Regional Director, said: “Inclusive tourism is a hugely valuable market and a key part of VisitScotland’s responsible tourism activity.More than that, it is vitally important tourism, and events are accessible and inclusive, so that we can be sure to extend the same warm welcome to all visitors and help them create special memories.
“The latest Scotland Visitor Survey shows that while many visitors with access requirements find it very easy to get around Scotland there are clear areas for improvement. A simple and effective way our industry can engage with disabled customers is providing clear, detailed, and easy to access information, such as this new Edinburgh: Accessible Highlights Guide.”
The new guide forms part of Forever Edinburgh’s wider efforts to promote sustainable tourism and ensure Edinburgh is a truly welcoming destination for all. The Forever Edinburgh team continues to upskill through training courses to strengthen its approach to inclusive destination marketing.
This is the first version of Edinburgh: Accessible Highlights Guide, which will be regularly updated. Forever Edinburgh encourages people to send in any feedback or comments they may have to help shape future updates via an online form (see link below) or via email to visit@edinburgh.gov.uk
Alongside the guidebook, visitors can now filter businesses based on accessibility needs via The Official Guide to Edinburgh website edinburgh.org, which also integrates disability-inclusive content across its blogs, listicles, newsletters, and wider destination marketing resources.
Forever Edinburgh is giving Edinburgh mums (and their children) the tools to create the perfect Mother’s Day through fantastic rewards and a competition with unforgettable Mother’s Day presents.
Thanks to Resident Rewards Edinburgh, one lucky mum will win an Escape At One package for two people at the Sheraton Grand Hotel & Spa’s One Spa. This package includes access to the thermal suite, including the hydropool, crystal steam room, rock sauna and more.
Another nine mums will win indulgent treats from Summerhall Distillery, and a voucher for pastries from bakery chain Twelve Triangles, which will be perfect for breakfast in bed. The winner of the spa trip will also receive the same hamper.
This competition aims to showcase the very best of what Edinburgh has to offer and celebrate the city’s local businesses and community spirit, making Mother’s Day even more special for mums in the city.
Matt Gammell, founder of Summerhall Distillery, said: “We’re thrilled to be part of this wonderful Mother’s Day celebration.
“Our products are crafted with care, and we’re delighted to contribute to making this special day even more memorable for the lucky winners. We like to think that gin is the perfect way to raise a glass to mums!”
Fiona Young, director of One Spa, said: “A spa day at the Sheraton Grand is all about indulgence, relaxation, and feeling truly appreciated.
“We’re giving one mum the opportunity to step away from the everyday and enjoy some well-deserved me-time in our award-winning spa.”
Residents can also use Resident Rewards to plan a special day out with their mums or mother figures and save, including discounts on dining at Surgeons Quarter, Brewhemia, The Alchemist, The Brasserie at The Scholar and the latest Resident Rate – 15% off dining at 3 Blind Mice just down from the Royal Mile.
Residents can also get discounts on a number of the city’s best distillery / gin craft experiences for their mums, including a tour and tasting at competition partners Summerhall Distillery or other fantastic attractions like Johnnie Walker Princes Street, newly opened Edinburgh Gin and Port of Leith Distillery.
Want a different take on Mother’s Day? Why not explore the city’s spooky side with 10% off Enthral Experiences’ Witches Old Town Walking Tour or a city ghost or night tour by Mercat Tours. Or get out and active with Ricky’s Bicycle Tours or Stride Out Running Tours.
All these rewards and more are available through Resident Rewards Edinburgh, the perfect way to plan an unforgettable Mother’s Day in Edinburgh.
The competition is open now, with one spa day up for grabs and nine more of the ultimate Mother’s Day hampers.
Entries will close at midnight on Monday 31 March 2025. To enter, visit:
This Mother’s Day, treat Mum to an unforgettable dining experience with the bold and vibrant flavours of Latin America at Somewhere by Nico.
Available for a limited time only in both the Glasgow and Edinburgh venues, this exclusive offer lets you celebrate in style with three delicious dishes and a Latin American cocktail of your choice for just £35 per person.
What’s Included:
A selection of three Latin American-inspired dishes
A Latin American cocktail of your choice
Live music from Verde to set the perfect atmosphere
When & Where:
Edinburgh: Live music from Verde 2pm – 4pm
Glasgow: Live music from Verde 6pm – 8pm
How to Book:
This exclusive Mother’s Day offer is available to book in the Glasgow and Edinburgh venues through the below links:
Northbound traffic will return to North Bridge from tomorrow (Friday 28 March) at 10am.
The northbound closure in mid-February has allowed for essential resurfacing works to be carried out on both the southbound approach to the bridge (both lanes outside Waverley Gate toward Princes Street) and the southbound departure of the bridge (both lanes from the entrance to the Hilton Edinburgh Carlton on North Bridge to the junction at High Street).
Work had been due to finish next week but the project team has completed the resurfacing ahead of schedule.
The wider work on the Category A Listed Structure in the heart of the city centre, has included structural steelwork repairs, installing cathodic protection and structural health monitoring systems to the reinforced concrete deck and fitting permanent platforms to improve access provisions for future inspection and minor maintenance. These are just a few of the host of other improvements.
Transport and Environment Convener, Councillor Stephen Jenkinson said: “I’m pleased that we’ve been able to complete these works slightly ahead of schedule.
“I appreciate that this temporary closure will have been frustrating for our residents and businesses, and I want to thank them once again for their patience.
“We’re now in the final phase of the project and, while I acknowledge that it’s taken longer than we first anticipated, we’re preserving this majestic and hugely complex structure for future generations, and we owe it to them to make sure the job is completed to a high standard.”
City Art Centre announces exciting programme of events to accompany upcoming John Bellany exhibition
John Bellany: A Life in Self-Portraiture – a major exhibition celebrating the life and art of one of Scotland’s most significant modern painters – opens on Saturday 31 May 2025.
The programme includes exclusive tours, talks and workshops with those closest to the artist. Booking for events is now open.
The exhibition will showcase over 80 works, including paintings, drawings, prints, and sketchbooks, spanning from the 1960s until 2013. This remarkable exhibition invites visitors into Bellany’s world through the lens of his own self-exploration.
John Bellany was one of the most prolific and fearless self-portraitists in art history, obsessively documenting his own image through a variety of mediums.
From his early student studies in the 1960s to the epic pictorial narratives of his later years, Bellany’s works reveal the artist’s complex relationship with himself, his identity, and the world around him.
Throughout his life, he explored self-portraiture not just as an artistic exercise but as a means of delving into personal and universal themes—often disguising himself as mythical figures or fantastical characters.
This exhibition will present a diverse collection of works, many of which have never been seen publicly before, and are on loan from public and private collections across the UK, including the artist’s own estate. The works span Bellany’s entire career, providing a vivid and evocative portrayal of his life as he saw it.
The exhibition is accompanied by a publication featuring a foreword by Helen Bellany and essays by curators Bill Hare and Sandy Moffat.
In addition to the exhibition, a rich programme of events has been developed to offer deeper insights into the artist’s work, his personal life, and his ongoing legacy.
Event Programme Highlights
Lectures:
Thursday 31 July, 2pm – 3pm: A Life-Long Friendship A reflection on the enduring friendship between John Bellany and Sandy Moffat. Sandy will discuss Bellany’s boyhood in Port Seton, their time together at Edinburgh College of Art, his turbulent London years and final years in Italy will all be explored.
Thursday 14 August, 2pm – 3pm: ‘I don’t borrow – I steal’: John Bellany and the Art of Visual Quotation Bill Hare will explore Bellany’s technique of incorporating visual references from European art history into his own distinctive style, creating rich, multi-layered works.
Thursday 21 August, 2pm – 3pm: Time Will Tell Reading from her critically acclaimed memoir, The Restless Wave, Helen Bellany will talk about her enduring relationship with John Bellany.
Wednesday 24 September, 2pm – 3pm: The Bellany Sketchbooks Helen Bellany will lead exclusive exploration of Bellany’s private sketchbooks, which reveal the raw, personal side of his creative process.
In Conversation: Thursday 10 July, 2pm: John Bellany: In Conversation with Bill Hare and Sandy Moffat Join the curators for a conversation about Bellany’s artistic journey, his impact on Scottish art, and the special connection they had with him.
Gallery Tours:
Monday 11 August, 2pm – 3pm: Gallery Tour with Curators Bill Hare and Sandy Moffat An intimate guided tour of the exhibition with the curators, offering expert insight into Bellany’s work and career.
Saturday 23 August, 2pm – 3pm: Gallery Tour with Curators Bill Hare and Sandy Moffat Another opportunity to experience the exhibition with the curators, who will discuss the life and art of John Bellany in detail.
Described Tours and BSL Tours:
Friday 15 August, 11am – 12pm: BSL Interpreted Tour of ‘John Bellany: A Life in Self-Portraiture’ A British Sign Language (BSL) interpreted tour, offering a deeper understanding of Bellany’s artistic journey for the Deaf community.
Friday 15 August, 2pm – 3pm: Described Tour for the Visually Impaired of ‘John Bellany: A Life in Self-Portraiture’ A guided tour specifically designed for visitors with visual impairments, offering detailed descriptions of the artworks on display.
Adult Creative Workshops:
Saturday 12 July, 10.30am – 3.30pm: Self-Portraiture in Ink and Watercolour A hands-on workshop exploring Bellany’s techniques, encouraging participants to create their own self-portraits using ink and watercolour.
Saturday 9 August, 10.30am – 3.30pm: From Sketchbook to Masterpiece A workshop that delves into the process behind Bellany’s iconic works, guiding participants through transforming initial sketches into finished art.
Culture and Communities Convener Val Walker said:“John Bellany: A Life in Self-Portraiture offers not only an extraordinary exhibition of the artist’s work but also a comprehensive programme of events designed to enhance the visitor experience and provide new perspectives on Bellany’s life and legacy.
“It’s fantastic to have such personal insight into his life and works. Whether through lectures, gallery tours with curators, or hands-on creative workshops, these events offer something for every visitor to engage with Bellany’s art on a deeper level.”
Established in 2008, Leith-based charity Strange Town was set up to ensure that everyone, no matter their experience or their background, gets the opportunity to access life-changing activities in the arts.
Founded by local Directors Steve Small and Ruth Hollyman, the organisation has expanded across the last 15 years and now reaches 2,000 local young people every year through youth theatre classes, holiday programmes, a touring company and agency support for young actors helping to develop the careers of some of Scotland’s best-known local talent including Tallulah Greive and Lewis Gribben.
Across all the charity’s activities, Strange Town creates high quality work that is daring and entertaining, tackling subjects of importance to young people’s lives, such as consent, knife crime and climate change anxiety.
The organisation tours local schools with educational performances that spark discussion, debate and often provides local young people with their first experience of a theatrical performance.
This week the charity’s Young Company (18-25) returns to the Scottish Storytelling Centre after their sold out shows there last year. ‘The Dark Up Close’ by local writer Jack MacGregor has been specially commissioned for Strange Town’s Young Company.
Open to everyone age 12+ the play will run for two nights Wednesday 26th and Thursday 27th March.
‘Two teenagers digging graves, an island full of conscripts and puffins, the guns are silent on the eve of World War III.
‘These are scenes from a near future Britain, a country in crisis, with national service reinstated for all young people. The old world is dying, and the new world has been delayed indefinitely.’
Venue: The Scottish Storytelling Centre, 43-45 High Street, EH1 1SR
Arts activities enrich lives, but organisations such as Strange Town are seriously under-funded, and the future is uncertain. Strange Town relies on its fundraising activities to deliver fully accessible activities for local young people.
Funders include the Backstage Trust, the Garfield Weston Foundation, the Cordis Trust, Crerar Trust and others.
The charity also runs the 15for15 fundraising initiative where local people can donate monthly to support their life-changing work.
In celebration of its 75th anniversary this year, The Royal Edinburgh Military Tattoo will include a Storyteller in the Show, The Heroes Who Made Us, to take audiences on a journey through the Tattoo’s history.
The Tattoo’s newly appointed Creative Director Alan Lane has invited Terence Rae to perform the role for the 2025 Show. Alan hopes that the character will guide audiences through the Show, providing a cohesive narrative thread, and create a deeper emotional spectator experience.
After training at the Royal Conservatoire of Scotland, Terence has showcased his talents across a diverse array of mediums, performing on television and film, and taking on lead roles in theatre productions.
His extensive experience of large-scale storytelling, and love of traditional Scottish music, along with a keen musical ear, equip him with the essential tools to take his place at the centre of this year’s Tattoo.
Taking to the Edinburgh Castle Esplanade itself, Terence will lead the audience through the Show with tales of heroism, heritage and history.
This year’s Show, The Heroes Who Made Us, will celebrate the individuals who have shaped and supported the iconic performances over the past 75 years, as well as spotlighting the local heroes that are working to make a difference to the community they serve. The military is at the heart of the showcase, with the British Army confirmed as the Lead Service.
The Esplanade will be filled with over 800 cast members, including the Massed Pipes and Drums, Tattoo Dancers and various international acts. The 2025 Show promises to be a breathtaking spectacle, featuring a dazzling array of military bands, cultural performers, and intricate choreography set against the stunning backdrop of Edinburgh Castle.
With the introduction of the Storyteller, audiences can expect a seamless blend of tradition and innovation, capturing the essence of the Tattoo’s spirit and its commitment to excellence.
Terence Rae said: “It is an immense honour to be the Storyteller for the 75th Anniversary Show of The Royal Edinburgh Military Tattoo – The Heroes Who Made Us. I’m excited to play my part in a show which celebrates all those who have shaped the Tattoo’s history over the past 75 years.
“I am deeply grateful to be part of this iconic spectacle, and to work with the outstanding creative and production teams that are here. Preparations have begun, and the excitement for the August Show is building every day.
“It will be a privilege to step onto the Edinburgh Castle Esplanade with my fellow castmates and play our small part in the mighty Edinburgh Tattoo.”
Alan Lane, Creative Director of The Royal Edinburgh Military Tattoo, said:“We are delighted that Terence will join this year’s Show as the Storyteller.The role is an exciting way for us to weave together the history of the last 75 years of the Tattoo, celebrating the past and looking to the future.
“It marks the start of a new storytelling chapter that I am hoping will deepen the audience’s enjoyment of the Tattoo.
“Having worked with Terence on many other productions across the years, I know the power and presence he will bring to the role. The audiences are in for such a treat, I am sure they will be moved and delighted by Terence.”
Tickets for The Royal Edinburgh Military Tattoo’s 75th anniversary Show are now on sale and can be purchased at edintattoo.co.uk/tickets or on the phone, 0131 225 1188. The Show will run from 1-23 August 2025.
