EDINBURGH’S WALKING, WHEELING AND CYCLING TRENDS REVEALED
The biggest assessment of walking, wheeling and cycling in urban areas in the UK and Ireland
Half of Edinburgh residents want to see more spent on walking, wheeling and cycling improvements across the city, according to a new report.
The biannual Walking and Cycling Index, delivered in partnership between Sustrans and the City of Edinburgh Council, draws on independent survey feedback from a cross-section of more than 1,200 residents in the Capital, surveyed in 2023.
Today Sustrans joined the City of Edinburgh Council to officially launch the Index with a panel discussion on access to walking, wheeling cycling in the city.
Amongst the findings, the report shows that 50% would like to see more spent on cycling while 57% want investment in walking and wheeling and 68% support an increase in spend on public transport. Almost half of residents want to walk and wheel (45%) and cycle (49%) more too, along with a quarter who want to use public transport more, and improved infrastructure is key to this.
Regular walking and wheeling remains as high as 2021, with two-thirds of people travelling by foot or wheel five days a week. The annual number of cycling trips has increased to 30.7 million from 24.4 million in 2021, although the number of residents cycling at least once a week dropped slightly from 26% to 22%.
The majority of residents think their local areas could be improved through a 20-minute neighbourhood approach – with more and easier to access shops and everyday services (say 79%) and parks and greenspaces close to home (according to 78%) amongst the incentives to walking and wheeling more.
Sixty-nine per cent agree they can already get to many places they need to visit without having to drive.
Councillor Scott Arthur, Transport and Environment Convener, said: “As ever, the Walking and Cycling Index makes an extremely interesting read, and it’s thanks to the many people from all parts of the city who took part in the survey last year.
“Edinburgh is a compact, walkable city, as demonstrated by the many people who already regularly walk, wheel and cycle here. However, what’s clear from the Index is that there’s still much to be done to encourage even more people make the shift to travel on foot, wheel, bike or, in some cases, public transport.
“Thankfully, we’re on the right track, with an ambitious programme of development underway which will transform the way people travel around the city, and the results of the Walking and Cycling Index reassure us that we have the backing of Edinburgh’s residents to invest in these kinds of changes.
“The majority of residents think local areas could be improved through a 20-minute neighbourhood approach, and we will consult on this approach via our proposals to make Dalry greener, healthier and more vibrant.
“From our recent ban on pavement parking to the completion of the City Centre West to East Link, as well as longer term plans like the tram line between Granton and the BioQuarter and City Centre Transformation, we’re working to make Edinburgh a truly people-friendly city.”
Karen McGregor, Director, Sustrans Scotland, said: “I’d like to thank the people of Edinburgh who gave us their time to take part in the Walking and Cycling Index. The results show that making walking, wheeling and cycling the most accessible and desirable form of transport is of great importance to people, especially during the current cost of living crisis.
“There is clear evidence that people in Scotland’s capital want the option to walk, wheel and cycle to where they need to get to more often. The recent ban on pavement parking in the city is a huge step forward, but the Index also shows that people living in Edinburgh want safe, accessible cycle paths and pedestrian crossings; and they want more investment in public transport.
“The latest Index results show that The City of Edinburgh Council has the backing of the public to build on the work it has already started to make it easier for people to walk, wheel and cycle to get around.”
Other findings in the Index include inequalities and varied perceptions of walking, wheeling and cycling amongst different groups. Twenty-eight per cent of men cycle at least once a week compared to 16% of women, while the proportion of white residents who walk or wheel at least five days a week (67%) is higher than people from ethnic minority groups (55%).
Participants in the survey shared their views on the kinds of improvements that would encourage them to walk, wheel and cycle more. Some of the changes that would encourage people to travel by foot or wheel are fewer cars parked on pavements (67%), nicer places on streets to stop and rest (71%) and wider pavements (68%).
Seventy-three per cent said more traffic free cycle paths away from roads and 65% highlighted segregated cycle paths on roads as improvements that would help them to cycle more, while 58% support building more cycle paths physically separated from traffic and pedestrians, even when this would mean less room for other road traffic.
The report also emphasises the benefits already being delivered by people walking, wheeling and cycling in the Capital. By taking up to 160,000 cars off the road every day, each year they help prevent 1,314 serious long-term health conditions, create £262.6 million in economic benefits and save 42,000 tonnes of greenhouse gas emissions.
Council Leader Cammy Day said: “I’m glad that a replacement plaque has been installed this morning. Since the original plaque was stolen last September, I’ve been clear that we will not allow the actions of a minority to derail the important ongoing work to address the legacies of slavery and colonialism in our city.
“Following the refusal of the Melville Monument Committee to return the original plaque, we filed an official report with Police Scotland in October. This investigation is ongoing, and our legal team will continue to monitor the situation closely.
“We’ll also be seeking to recover the costs of this replacement plaque from the Melville Monument Committee.
“We’re rightly proud of the steps we’ve taken to properly address the legacies of slavery and colonialism here in Edinburgh.
Chair of ESCLRIG, Irene Mosota said: “Today is a really significant milestone for our city, with the return of the plaque to the base of the Melville Monument. It’s only through properly acknowledging and exploring our collective past that we can address the challenges of the present and putting ourselves in a strong position to shape a positive future.
“This is a very exciting time for ESCLRIG as we now look towards implementing the recommendations of the independent review. Together, I’m confident that we can forge the foundations for a more tolerant, just, and equal Edinburgh that we can all be proud of.”
Edinburgh Council, together with Sir Geoff Palmer and heritage experts, agreed the wording for a new plaque which was installed on the monument in 2021, to expose Dundas’ role in slavery and to recognise those who suffered enslavement as a consequence. The new replacement plaque has the same wording.
Foysol Choudhury, Labour list MSP for Lothian, supported the retention of the plaque after a descendent of Dundas submitted a planning application to remove it last year.
Following the news that a replacement plaque was installed yesterday (18 March) Mr Choudhury commented: “I am glad a replacement plaque has now been installed on the Melville Monument.
“We cannot allow people to silence history – we must address Scotland’s past and build the trust of communities across Scotland who are affected by modern-day consequences, such as racism, of this past.
“The removal of the plaque was a step backwards in our fight to address Scotland’s historical role in slavery and colonialism and caused severe damage to trust from the communities who this past has affected.
“I’m glad that a replacement plaque has now been installed to address historical prejudices and educate the public on parts of Scottish history which have caused decades of hate, racism and discrimination.
“I hope that this important work continues to build a more equitable, just future for Edinburgh and Scotland which addresses past wrongs and their modern-day consequences.”
A new exhibition inspired by Scottish fishing communities and seascapes of the North East will go on display at the Scottish Storytelling Centre as part of the TRACS programme during Edinburgh Tradfest from 3 May to 15 June 2024.
Artist Stephanïe Vandëm imaginatively combines oils and mixed media materials salvaged from harbours, beaches and shipyards to create large-scale works that evoke the linkages between the communities of the North East of Scotland and their fishing heritage.
Drawing from the rich traditions of Renaissance and Latin American art, FISHING will present 13 semi-sculptural works that explore the pressing environmental and identity concerns of our time.
Rubber gloves, ropes, nets, buoys, and crab shells are used to give tri dimensionality and texture to the works. Plastic sushi fish drained of their soy lifeforce cling to the surfaces making us ponder their infinite life expectancy and the material’s detriment to all sea and land-living creatures.
Screws, nails, and other metal bits left by the artist’s late husband populate the paintings’ surfaces recreating the colours and textures of a busy shipyard. Pinecones turned into lobster tails; twigs turned into crab’s eyes all used to create compositions that connect us emotionally to Time, Identity, Heritage, and the Environment.
Artist Stephanie Vandëm explains: “My work is firmly rooted in classical principles, merging time-tested oil painting techniques and semi-abstraction, to pressing contemporary themes and universal human struggles, resulting in monumental semi-sculptural paintings.
“The pieces resemble an archaeological find sedimented in cement, sand, metal and found objects. They create puzzles, connecting the personal, political, and spiritual elements of my own life and practice. Aberdeenshire’s motto, ‘from mountain to sea’ inspired me throughout this collection.”
Sculptural pieces in the exhibition include boxes encased in sand, cement and the ‘bones’ of a metal creel looking like they have been hauled from the sea depths, bearing witness to the many lives lost across generations and continents.
The tactile and playful nature of the work invites audiences to interact with it by moving the ropes and nets, to create new images and build stories within stories to explore beneath the surface layers leaving space for personal interpretations.
Steve Byrne, Director of TRACS said: “As someone who grew up on Scotland’s east coast, I was immediately struck by the familiarity and strong imagery of Stephanie’s work.
“It resonated with me and the sense of place I feel about that part of the world. I recognised the shapes and colours of the kind of work taking place in harbours up and down the coast that have been a key part of local communities for decades.
“In celebrating the contribution of fisher folk, the exhibition gives voice to those involved in a precarious industry that has so much heritage, tradition and craft to explore, which often mean a great deal to fisher folk and their families.
“The works also challenge us to think about our impact on the environment through the inclusion of shore finds, opening up conversations around sustainability.
“At TRACS we look forward to helping safeguard that living heritage and lore, the traditions and customs of fisher communities through our developing work with Intangible Cultural Heritage (ICH) in Scotland.”
The exhibition will also be complemented by information panels on traditional craftwork related to fishing communities, in partnership with the Scottish Fisheries Museum at Anstruther.
About the artist
Brazilian by birth and educated in Paris, London, New York, and Florence Stephanïe Vandëm worked extensively abroad before settling in the Northeast of Scotland. Her style lies between realism and abstraction, painting and sculpture with a strong sense of narrative derived from the artist’s Latin American roots.
The artist’s creative practice is a fusion of videography, soundscapes, installations, social media participation and mixed-media that creates engaging and powerful contemporary pieces.
With some awards under her belt, Stephanïe Vandëm works in her studio between the mountains and the sea in the idyllic Scottish countryside. The artist’s strong background in the world of portraiture also sees her work on many private commissions, including painting the formal portrait of the Bishop of Aberdeen.
Her pieces can be found in many national and international private collections such as the luxury Fife Arms Hotel, owned by international art dealer Iwan Wirth.
FISHING is part of TRACS’ (Traditional Arts and Culture Scotland) programme of events showcasing Scotland’s traditional arts and cultural heritage.
TRACS has been recently appointed as an advisor to UNESCO on Intangible Cultural Heritage (ICH) in Scotland and this exhibition showcases ICH in practice through highlighting the unique ways of life, practices, and rich folklore of fishing communities on the east coast of Scotland.
Britain’s largest noodle bar chain is adding two fantastic new flavours to its menu this March
CHOPSTIX, the nation’s favourite noodle bar, has added two hot new tastes to its menu for food fans across the UK.
The chain has added a sweet new special, Apple Spring Rolls, and a sizzling side dish of Salt ‘n’ Pepper Cauli Bites to its roster of tasty treats.
Those with a sweet tooth will want to get their hands on the apple-flavoured offering, a dessert-focused take on the classic Asian dish which pairs crispy spring rolls containing a sweet apple filling with a sweet caramel dipping sauce.
Vegetarians will also be pleased with the new additions, with the addition of crispy coated cauliflower bites dusted with Chopstix famous ‘Salt ‘n’ Pepper’ seasoning.
Both of the brand new options will be available to buy in any of Chopstix 110 stores across the country, including the chain’s latest openings in Lincoln and London Victoria.
Offering fresh flavours and a new spin on the classic takeaway, Chopstix has quickly become one of the UK’s most popular quick service chain restaurants.
As well as classic dishes like Sweet & Sour Chicken and Salt ‘N’ Pepper Chicken, Chopstix has a range of unique tastes including the spicy Firecracker Chicken with a fiery garlic and chili seasoning, and fan favourites like Chicken Katsu Curry and the restaurants signature Caramel Drizzle Chicken.
Rob Burns, MarketingDirector for Chopstix, said: “We’re always looking for new flavours to bring to the thousands of Chopstix lovers across the country.
“Both of the two new dishes add something totally different to our menu, giving more options that will really tingle the taste buds for anyone that loves Asian-style cooking.
“New dishes like the Apple Spring Rolls or the Salt ‘n’ Pepper Cauli Bites are why people keep coming back to Chopstix. It’s flavour done right in a way that you just can’t find at any other fast food restaurant.”
The noodle bar’s popular dishes are also available to order from Uber Eats, Deliveroo, Just Eat, or through the Chopstix app.
Edinburgh Tradfest has launched its 2024 programme of traditional music, storytelling, film, workshops, talks, ceilidhs, and special events taking place at various venues across the city, thanks to continued support from The National Lottery through Creative Scotland and from the William Grant Foundation.
Over the 11 days of the Festival, hundreds of international and Scottish musicians, storytellers and artists will perform, kicking off on Friday 3 May with live music from electronica supergroup VALTOS, headlining a bumper line-up of musicians including Assynt and Josie Duncan at the Queen’s Hall.
Also playing on opening weekend is multi-award winning folk singer and guitar master Martin Simpson, and Scandi-fiddlers Nordic Fiddlers Bloc. Plus, Hands Up For Trad’s concert to celebrate #WorldPlayAStrathspeyDay takes place on Sat 4 May – the day when people all around the world are invited to record, video and upload themselves playing a strathspey to social media.
And, the city’s annual May Day Parade on Sun 5 May will leave from the Castle at mid-day and finish at The Pleasance where there will be a rally, music and stalls.
Other international musicians headlining at this year’s Edinburgh Tradfest include raucous fiddle folk duo Lena Jonsson from Northern Sweden and Brittany Haas from Northern California; Canada’s finest fiddle quartet The Fretless joined by award-winning folk singer-songwriter Madeleine Roger; LA-based singer-songwriter Alice Howe (appearing with Freebo); and Irish fiddler ClareSands. Closer to home Everyone’s Welcome toEdinburgh, this year’s new commission with tunes and songs from the capital city is curated and arranged by award-winning fiddler Robbie Greig. It will be performed by some of the most talented musicians in Scotland – Ciaran Ryan, Duncan Lyall, Hannah Rarity, Jenn Butterworth, and Signy Jakobsdottir.
Other huge Scottish talents joining the line-up are Julie Fowlis who will close this year’s festival at the Assembly Rooms with special guests Laura Wilkie and Ian Carr; Gaelic supergroup Dàimh; velvet harmonies from fresh new electro-trad band Birdvox (Inge Thomson, Charlotte Printer, Jenny Sturgeon, Sarah Hayes); Triptic formed from three members of Moishe’s Bagel (Greg Lawson, Phil Alexander and Mario Caribé); and a whole host of talented new musicians and soloists including BBC Radio Scotland’s Young Traditional Musician of the Year finalist 2024 Evie Waddell.
At the Scottish Storytelling Centre the festival continues with storytelling and spoken word events including premieres of Rickle O’ Stanes a tale about Scotland’s land and the layers of history on which we stand today with storyteller Shona Cowie, musician Neil Sutcliffe and dramaturg Liam Hurley; old tales from Lithuania and around the world brought to life by Daiva Ivanauskaite and musician Gaynor Barradell in Fire from the Woods a new production exploring the silence between generations and life growing up without hearing stories from your ancestors; and Welsh storyteller Milly Jackdaw presents Mochyn Mryddin / Merlin’s Pig a fusion of traditional storytelling, physical theatre, music and ceremony based on the life of Myrddin, the inspiration for Merlin in Arthurian legend.
Plus, there will be ceilidhs, tales told around the hearth, and poetry including singer/songwriter John Hinshelwood’ssensitive musical interpretations based on a selection of Emily Dickinson’s poems.
The Folk Film Gathering returns to Edinburgh Tradfest this year with a selection of films from around the world including the Scottish premiere of Songlines. This film celebrates the songs and singers at the heart of the Irish traveller community.
The South African film Mapantsula features a petty gangster who becomes caught up in the growing anti-apartheid struggle of the late 1980s.
There are two films from Ukraine – the silent masterpiece Earth (1930) directed by Alexander Dovzhenko and accompanied by Scottish musicians Luke Sutherland and Semay Lu, and Shadows of Forgotten Ancestors – a tale of crossed lovers introduced with a short concert from Edinburgh’s Ukrainian Choir.
Later in the Festival there will be a screening of Tale of the Three Jewels a film by Michel Khleifi, which tells the story of young Yussef living in Gaza and portrays the resilience and the horrors endured by Gaza’s children. This film will be introduced by Palestinian/Scottish poet Nada Shawa.
There will also be a screening of Je’Vida the first ever film made in the Skolt Sámi dialect (only spoken by around 300 people today) about the bonds of ancestry and the resilience of indigenous peoples. Je’Vida will be introduced by music from Finnish musicians Lau Nau and Pekko Käppi, who produced the film’s score, and who will also perform a one-off concert at the Scottish Storytelling Centre on Fri 10 May.
From Scotland there will be two films by Mike Alexander: Down Home and As An Eilean (From the Island); a premiere of Itu Ninu – an indigenous science fiction film shot in Edinburgh which tells the story of two climate migrants stuck within a dystopian ‘smart city’; and a screening of To See Ourselves a moving portrait of grass roots organising during Scotland’s independence.
Plus, over at the Scottish Storytelling Centre there will be a screening of Journey to the Isles: Marjory Kennedy Fraser, an archive film with live accompaniment from storyteller Marion Kenny and multi-instrumentalist Mairi Campbell; and The First Wave by Kate Sweeney and Roma Yagnik accompanied by stories, songs, and reminiscences of living in a coastal town during and after the COVID-19 pandemic, from Berwickshire Coastal Arts.
For younger audiences there will be a Jaunt Round Auld Reekie told through music, comedy and puppetry performed in Scots and English by one of Edinburgh’s newest community theatre companies Ceilidh Crew; mask-making ahead of the May Day Parade; an arts and crafts storytelling session celebrating the magic of Beltane; and a Family Ceilidh.
There will also be a book launch of Yum: written in Scots by author and storyteller Susi Briggs; and the opportunity to take part in the Edinburgh Youth Gaitherin (EYG) – a three day workshop programme supported by the William Grant Foundation.
This traditional music workshop programme for 13-18 year olds will be led by some of Scotland’s finest musicians, and culminates in an exclusive performance during Edinburgh Tradfest. In addition, there will be two taster workshops in April this year, for those new to being in the EYG Big Band and making music with others.
Other workshops held during the festival include traditional Zimbabwean singing with Bruce Ncube who specialises in teaching traditional songs from Zimbabwe in 3 to 6 part harmonies; Scottish dance and song traditions led by Evie Waddell; a fiddle workshop with renowned award-winning music educator Anna-Wendy Stevenson; and song-writing with renowned singer and composer Karine Polwart.
Plus, the Traditional Music Forum will present an interactive and fun workshop for musicians who want to be better storytellers on stage, led by storyteller Svend-Erik Engh.
Returning this year is the festival’s popular Rebellious Truth lecture presented in collaboration with Celtic and Scottish Studies at the University of Edinburgh, which will feature a talk and performance by legendary folk musician and broadcaster Archie Fisher both in-person andlive-streamed.
Plus, from 3 May until 15 June there will be a new exhibition FISHING: by Dutch artist Stephanïe Vandëm at the Scottish Storytelling Centre which combines oil painting and mixed media materials salvaged from the shoreline to creatively evoke the linkages between the communities of the North East of Scotland and their fishing heritage.
The exhibition will open with a performance of songs from Doric harmony singers Tripple about the living heritage of fishing communities on Scotland’s east coast.
Speaking at Wednesday’s launch,Siobhan Anderson, Music Officer, Creative Scotland said: “Edinburgh Tradfest continues to celebrate the city as a key part of Scottish traditional music year on year, nourishing Edinburgh’s musicians as well as their traditional music audience to ensure the capital can continue to be a place to see and experience some of the finest traditional music in Scotland.
“Alongside an appreciation and celebration of legends like Archie Fisher and Julie Fowlis, Edinburgh Tradfest also paves the way for the next generation of artists through the Edinburgh Youth Big Band and the ETF spotlight concert which will shine on four bright young acts. The packed programme has something for everyone and allows audiences to bask in a range of excellent artists.”
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “We are thrilled with the 2024 line-up for Edinburgh Tradfest – surely the best yet.
“We’re particularly happy to welcome the Folk Film Gathering back into the fold for the first time since the pandemic. Now we really are back to full power! We are extremely fortunate to work with partners who have the same ethos as ourselves and work very hard to deliver world class events at an affordable ticket price.
“We want as many people as possible to enjoy the best traditional arts from Scotland and around the world. Please check out the full programme online, and we look forward to welcoming you in May.”
Daniel Abercrombie, Programme & Events Manager, Scottish Storytelling Centre said: “Edinburgh Tradfest is a highlight of our calendar in the Scottish Storytelling Centre and we’re delighted to be involved once again.
“There are some excellent storytelling performances on offer and a variety of traditional arts activities, including many family events, for all to enjoy. The days will be getting longer and there is much to celebrate in this wonderful Tradfest programme!”
Jamie Chambers, Folk Film Gathering said: “We are really excited to be back in step with our friends at Tradfest, to further explore the links between cinema and traditional arts from around the world.
“There is a lot of music in our programme (including a new score for the Ukrainian silent masterpiece EARTH from visionary Scottish composer Luke Sutherland, and a special appearance from Finland’s folk musicians Lau Nau and Pekko Käppi), and we think audiences will have great fun finding links between our programme and the exciting main body of events that Tradfest have put together.”
Musician Phil Alexander from Triptic said: “As a new band (formed of very old friends!) we are delighted to be a part of Tradfest, and especially pleased to be playing at the launch.
“Tradfest is a glorious and imaginative celebration of traditional music in all its diverse forms, and Triptic is proud to stake our claim within it!”
Edinburgh Tradfest 2024 will run from Friday 3 May – Monday 13 May. For tickets and more information visit edinburghtradfest.com
Are you thinking about setting up your own business? Or maybe you’re already your own boss and want to learn more about how to grow and scale your company? Next week, Virgin StartUp is coming to Edinburgh to host a free Founder Meet Up event.
On Wednesday 20 March at 6pm, Virgin StartUp will be coming to the Virgin Money store on George Street to chat about all things entrepreneurial. The Meet Up event is a great way to meet other budding founders in the area, to share advice, make connections and inspire you to take the next steps.
Jill and Steve Henry, husband and wife team and co-founders of Edinburgh-based outdoor clothing brand Meander Apparel, will be joining the conversation and sharing their experience of starting and scaling a successful business.
Meander Apparel started life in 2018 using a Start Up Loan from Virgin StartUp and the sustainable clothing brand is now targeting revenues of £1.5 million in 2025.
Virgin StartUp is Virgin’s not-for-profit hub for entrepreneurs and its team of experts will be on hand to answer all your questions about start-up funding, investment and business growth.
Virgin StartUp is one of the largest National Support Partners for the British Business Bank’s Start Up Loans programme. Since 2013, it has distributed more than £75 million in funding to more than 5,500 business founders and is aiming to distribute a further £36 million in Start Up Loans before the end of 2025.
Guests attending the Meet Up will also have the chance to win some exciting rewards thanks to Virgin Red, Virgin’s Group-wide rewards club. Virgin Red is bringing its Points Board to the Virgin Money store during the day, and there will still be prizes up for grabs in the evening.
Andy Fishburn, Managing Director at Virgin StartUp, explains: “We know that Edinburgh is a hub for entrepreneurship as we’ve supported many talented early-stage business founders in the city over the years.
“I’m delighted that Jill from Meander Apparel can join us and I know she will have lots of fantastic insights and advice to share.
“Whether you’ve been running a business for a few years and are looking to scale, or you have an exciting idea for a new business and aren’t sure where to start, we’d love for you to join us.”
Mercy Cuthbertson from North Tyneside is a six-year-old girl who has enjoyed a very special experience day in Edinburgh after Newcastle-based train operator Lumo learned of her passion for the company’s bright blue trains.
Mercy is bravely fighting an aggressive paediatric brain tumour. Her parents Lorraine and Paul have already raised more than £113,000 towards a target of £120,000 for some life-saving trials abroad.
Open access train operator Lumo contacted Mercy’s parents offering a special VIP day trip to Edinburgh where the family were invited to an exclusive performance at the Scottish Storytelling Centre in the city’s Royal Mile followed by a visit to Edinburgh Castle.
Richard Salkeld, Head of Communications and Partnerships at Lumo, said: “When we heard about Mercy’s story and her love of our trains, we began to create a truly memorable experience for her and her parents.
“We teamed up with Imaginate: The Edinburgh International Children’s Festival, the Scottish Storytelling Centre and Edinburgh Castle to help organise what was a very special action-packed visit to Edinburgh.
“As a company proudly based in Newcastle, we’re committed to supporting the communities on our route so today has been a joy to help make happen for Mercy.”
As part of the visit Mercy was invited into the driver’s cab after they arrived at Edinburgh Waverley where she posed for photographs with some of the onboard team from Lumo.
Lorraine Cuthbertson, Mercy’s mother, said: “Today has been incredible. We’ve been made to feel so welcome and enjoyed some magnificent magical moments that we’ll never forget. Mercy loved her visit to the driver’s cab on the train and meeting the unicorn at the Scottish Storytelling Centre.”
The whirlwind visit to Edinburgh was Mercy’s first time travelling on the all-electric Lumo train. She posed with a specially made giant ticket as a memento of her day before boarding at Newcastle on Friday morning.
Paul Cuthbertson, Mercy’s father, said: “She’s had a brilliant day and has been treated like royalty. It’s been so special, and I think everyone had a tear in her eye when she reached out and stroked the unicorn who she named Twinkle. Thanks to everyone who helped make today so unforgettable.”
Mercy’s fundraising campaign continues to receive generous support from people in the North East but has also received donations from around the world as her parents work tirelessly to raise funds in a bid to do all they can to help Mercy.
For anyone wishing to donate to Mercy’s campaign, they can visit here.
Edinburgh residents, visitors, and industry back plans for a visitor levy, an engagement exercise has revealed.
Generating close to 4,000 responses in total, a four-week survey conducted by the Council over Christmas and New Year found broad support for the aims and objectives of its Visitor Levy for Edinburgh proposals.
The survey found that Capital residents and community groups are particularly keen to see some of an Edinburgh levy reinvested towards enhancing essential public services, such as keeping the city clean and moving.
Business groups, who have largely fed back via focussed engagement sessions, express greater support for dedicated destination marketing and industry support, while everyone tends to agree a levy should be simple to administer and support the protection and enhancement of Edinburgh’s heritage and world-famous cultural offering.
The full findings – which echo evidence gathered by Council officers over the last six years – will be presented to Councillors on the Policy and Sustainability Committee on Tuesday (12 March).
Members of the Scottish Parliament’s Local Government, Housing and Planning Committee will also meet on the same day to debate amendments to the national Visitor Levy (Scotland) Bill which, if set in legislation as the Visitor Levy (Scotland) Act this Spring/Summer, will allow Scotland’s local authorities including Edinburgh to charge a levy on overnight accommodation.
With much of the Capital’s scheme already researched and developed, Edinburgh is well placed to formally consult on and finalise its plans and is likely to become the first city in the UK to formally adopt a city-wide visitor levy.
Cammy Day, City of Edinburgh Council Leader, said: “Edinburgh has been lobbying the Scottish Government for more than a decade for the local powers to introduce a visitor levy. Finally, we are edging closer to this long-called for legislation.
“Throughout the years, we have repeatedly and actively engaged with our tourism and hospitality industry, as well as with residents, seeking views at various stages on the type of visitor levy Edinburgh needs.
“At every turn, we’ve had overwhelming backing at a community level and have witnessed growing support from those in the tourism and hospitality industry. This is only building as we head towards the last Parliamentary hurdle.
“We’re very proud that Edinburgh is one of the world’s most popular visitor destinations, but we’re equally aware that this success comes at a cost. A small overnight charge is common practice in other major cities and destinations, so why not here?
“The introduction of a levy will provide a funding stream that would be reinvested in the city and our infrastructure, to the benefit of our visitors and, crucially, the people who live here in our great Capital city all year round.
“While I welcome how far the Bill has come, I also echo the concerns shared by COSLA last week that it needs to allow visitor levies to be more flexible and quicker for Councils to roll out.
“Now that Edinburgh is ready to lead the introduction, I hope to see these adopted in the amendments Members of Parliament debate next week.”
Celebrating some of Diageo’s most pioneering women, Johnnie Walker Princes Street is hosting an exclusive Spirited Women Tasting in its Explorers’ Bothy Bar on 8th-10th of March.
Telling the stories of the influential women who have helped shape the face of Scotch whisky, the tasting features a welcome highball using an exclusive Johnnie Walker Princes Street blend created by Master Blender Emma Walker, and a Johnnie Walker Princes Street Cellar Blend prepared by Master Blender, Aimee Morrison.
Featured in the tasting session will be the Cardhu 12, 200th anniversary release. Created to celebrate two of the original female whisky trailblazers, Helen and Elizabeth Cumming, this malt is strikingly smooth and characterised by beautiful berry and blackcurrant notes.
Also making an appearance will be the Singleton of Glen Ord 2022 Special Release for a sweet and spicy fix, and the Dalwhinnie 17, 125th anniversary release which offers a famously spicy and fruity experience with strong vanilla notes.
As well as the tour, visitors can also enjoy an exclusive 10% discount across the retail store on the day of their tour when they present their ticket.
This offers reduced prices for merchandise and products, including the Bottle Your Own experience, where customers can engrave products with personalised messaging.
The 10% discount is also extended to the 1820 Rooftop Bar, where guests can savour the panoramic views of the Edinburgh skyline with delectable food and drink.
A vibrant and captivating portrait of the newest Doctor Who star, Ncuti Gatwa by photographer Robert Wilson has joined Scotland’s spectacular national collection of art.
This charismatic photograph of the famed actor joins other notable Scottish figures in the National Galleries of Scotland’s permanent collection, including former Doctors, Peter Capaldi and David Tennant. The artwork is now on display and free to view at National Galleries of Scotland: Portrait.
Ncuti Gatwa is instantly recognisable from his engaging performances in Doctor Who, as Eric Effiong in the Netflix comedy series Sex Education (2019–23) and in Greta Gerwig’s record-breaking film Barbie (2023). Gatwa has been nominated at the BAFTA TV Awards for Best Male Comedy Performance three years in a row and has won a BAFTA Scotland award (2020). Made in March 2020,
Wilson described Gatwa as ‘a photographer’s dream to work with; friendly, expressive and giving’. Photographed in a colourful yellow suit, mid-laugh, the portrait captures Gatwa’s magnetic personality.
Born in Rwanda, Gatwa arrived in Scotland at just two years old in 1994 with his family as a refugee fleeing a genocide, as Rwanda was embroiled in a civil war. He grew up in Edinburgh and Dunfermline and went on to graduate from the Royal Conservatoire of Scotland in 2013.
It was his award-winning appearance as queer teenager Eric Effiong in the Netflix comedy series Sex Education that firmly launched his career and quickly cemented his position as an audience favourite.
Having spoken out about how powerful and necessary representation is, Gatwa’s role in Sex Education explored complex issues around Black, queer and religious identity. In May 2022, he was announced as the next lead in the cult BBC series Doctor Who, with the New York Times calling him ‘a Doctor Who for the 21st century’. Gatwa is the fourth Scottish, and the first Black and openly queer, actor to star in this role.
Robert Wilson (born 1969, London) is an acclaimed commercial and portrait photographer whose sitters have included major figures in a wide range of fields, including actors Dames Judi Dench and Joan Collins, sport stars Mo Farah and Venus Williams and Nobel Peace Prize winner Kofi Annan, to name a few.
His work has evolved to lifestyle, sports and documentary style projects and is recognised for its accessibility and depth for revealing humanity. Wilson was also a war artist for the British Army, firstly documenting the people and places within Helmand Province, Afghanistan, and later the withdrawal of the British troops and the deconstruction of the war machine.
His unique and emotional portraits are exhibited in galleries across the UK, with this portrait the latest to join a national collection.
Anne Lyden, National Galleries of Scotland Director-General, said:“It is exciting to see this dynamic portrait of the hugely talented actor and style icon Ncuti Gatwa enter the national collection.
“Gatwa joins the ranks of previous Doctors already in our collection, and we look forward to welcoming fans of the new Doctor Who when they visit to see this stunning photograph by Robert Wilson on our Portrait gallery walls.”
Robert Wilson, said: “Ncuti was an absolute joy to photograph. We were shooting several of the nominated candidates for the BAFTA awards that day, which happened to be the second to last day before the country went into lockdown due to Covid.
“The atmosphere on set was a little strange due to the various health precautions that were taking places and the impending thought of a lockdown. But, despite the slightly surreal atmosphere, Ncuti gave me a complete range of poses and expressions, from humorous, to serious, to melancholic.
“Within 15 minutes I had shot 224 beautiful frames, any one of which could probably have been used for the feature. He is a true professional, and I think we managed to capture his warm personality brought to the shoot that day.”
