National Galleries of Scotland surprised hillwalkers, tram travellers and tourists by taking replicas of popular art works out into Edinburgh yesterday.
Passers-by could discover art typically found in the National, Portrait and Modern galleries popping up at sites such as Salisbury Crags, Newhaven, The Meadows, Murrayfield and Leith.
The art works including The Monarch of the Glen by Sir Edwin Landseer, Edinburgh (from Salisbury Crags) by William Crozier, Doddie Weir by Gerard M Burns, Encounter by Remedios Varo, Callum by John Emms and Mary Queen of Scots are always free to visit at the National Galleries of Scotland’s three Edinburgh sites.
From 30 May, discover leading Scottish photographer Wendy McMurdo’s biggest exhibition to date, spanning over 20 years of the artist’s career, for free at National Galleries Scotland: Portrait.
Explore McMurdo’s photographic reflections on childhood, the digital world, learning and make-believe in Wendy McMurdo:The Digital Mirror. Featuring over 50 works, visitors will find some never-before seen photographs as well as several rarely seen digital animations newly configured to respond to the context of the historic Portrait gallery building.
McMurdo has blazed a trail in the experimental use of computers and digital tools in photography, from the early days of computer-based learning in schools to the growth of the internet and networked gaming. Wendy McMurdo: The Digital Mirror presents the ground-breaking work of the artist, made between 1995 and 2018, exploring the evolving role of computers in children’s lives.
Coming at a time when the digital landscape is changing faster than ever before, with technology offering limitless possibilities and children spending more and more time online, the exhibition offers a fascinating response to the impact of technology on learning and play in childhood.
Growing up in Edinburgh and attending Edinburgh College of Art, McMurdo became a regular visitor to galleries and museums. She was influenced by key works in Scotland’s national art collection such as Reverend Robert Walker Skating on Duddingston Loch (The Skating Minister), and the sculptural work of Leith-born artist Eduardo Paolozzi.
Showing how the artist takes inspiration from the past to create photographic works like Avatar (i) and the Robot Workshop series, both the iconic Skating Minister and several Paolozzi sculptures will be displayed in the exhibition alongside McMurdo’s photographs. Visitors will also be able explore a range of other objects which have influenced the artist’s practice.
Thinking about the evolution of play, McMurdo has selected a collection of early 20th century dolls on loan from the Museum of Childhood, Edinburgh. McMurdo has included them in the exhibition to share the lasting impact they have had on her work and ideas, and in recognition of the importance of local museums on her own creative development.
Discover McMurdo’s moving image works, created using digital animation and source material such as conversations from online gaming chatrooms.
See how she has presented these in new configurations within the National Galleries Scotland: Portrait Library and Upper Balcony areas in response to the historic building and the collection it holds.
Installed at the centre of the exhibition, is McMurdo’s large moving image work, Indeterminate Objects (Classrooms), which was originally commissioned by The Photographers’ Gallery, London in 2017.
The work combines photography with three-dimensional animated forms similar in appearance to those associated with computer games such as Minecraft.
McMurdo uses hovering shapes to cast a shadow on an empty classroom to explore how children – like adults – are increasingly subject to a world augmented by data and simulation. In making this work, McMurdo was reflecting on her observations of the pervasive nature of online games and virtual worlds and the way these digital spaces shape how children think, play and learn about themselves, each other and the world.
The exhibition will also include a display of McMurdo’s working photography contact sheets, revealing some of the technology and processes she has evolved to generate her own dreamlike imagery. McMurdo’s photographic works often start as a result of group workshops. From multiple tests and countless variations, new bodies of work then emerge.
Many of the works in the exhibition were made during a period of rapid technological development, McMurdo delves into the ways in which the introduction of computers for example changed children’s educational experience and the changing nature of play.
Discover Let’s Go to a Place, an installation that explores the collision between real and digital worlds, through a series of portraits of primary school children.
This body of work was created around the same time as the mobile game, Pokémon Go was at the height of popularity, the work reflects on the impact of location-based gaming and technology on children’s play, capturing the dual existence in both the physical and virtual worlds.
McMurdo is a pioneering figure in Scottish art and a key contributor to Scotland’s international reputation as a centre for experimental contemporary art. This exhibition coincides with the bicentenary year of the Royal Scottish Academy to which McMurdo was the first woman photographer to be elected.
To coincide with the exhibition, visitors to the Library in the Portrait gallery will be able to read a new brochure. The free publication includes two new pieces of writing on McMurdo’s work by Patricia Allmer, Professor of Modern and Contemporary Art History, University of Edinburgh and David Hopkins, Emeritus Professor of Art History, University of Glasgow.
Wendy McMurdo said: “With new legislation focussing on the impact of online culture on children’s lives, now is a particularly apt time to revisit this body of work.
“It is an invitation to celebrate play and creativity and to consider the wider implications of new technologies on the lives of young people.”
Ben Harman, Senior Curator of Photography and Lead Curator of Wendy McMurdo: The Digital Mirror at the National Galleries of Scotland said: “We’re excited to have this opportunity to celebrate a pioneering body of photographic work by an artist based in Edinburgh with an internationally-renowned reputation in the world of contemporary photography.”
Wendy McMurdo: The Digital Mirror is a free exhibition opening at National Galleries Scotland: Portrait on 30 May 2026.
Commemorating one year since the passing of celebrated Scottish painter Jack Vettriano, National Galleries of Scotland has announced it is to showcase two works by the artist.
Celebrating the life and prolific career of Vettriano, the artist’s estate will loan two self-portraits Portrait of the Artist and Homage to Fontana? over a six-year period. Portrait of the Artist will go on display on the one-year anniversary of his passing on 1 March 2026, at National Galleries Scotland: Portrait.
Free to visit, the painting will stay on display until early 2029 when it will then be swapped with Homage to Fontana?.
A self-taught painter, Vettriano was loved at home in Scotland and internationally for his evocative and timeless works that continue to captivate and inspire. His career made a huge contribution to the Scottish arts and culture scene and even broke records in the UK and Scotland.
In 2004 his painting The Singing Butler achieved a record price for a Scottish painting sold at auction and went on to become the best-selling art print in the UK. The work even inspired Banksy, whose reimagining of the painting sold in March 2025 for £4.3million. Vettriano is internationally recognised, with the likes of Jack Nicholson, Sir Alex Ferguson and Sir Tim Rice among collectors of his work.
Portrait of the Artist, painted in 1993, is an early self-portrait by Vettriano and was painted a year after The Singing Butler. It depicts the artist taking a break from painting at his Edinburgh flat where he had a studio. A dramatic depiction of light and shade sets the scene for a moment of contemplation. The artist’s paint-splattered clothes emphasise the task at hand.
The cinematic Homage to Fontana? was painted later in 1999. The title and slashes in the painted canvas reference the Argentine-Italian artist Lucio Fontana (1899–1968) whose slashed canvases of the 1950s and 60s blurred the distinction between two and three dimensions to create ‘an infinite dimension’.
Vettriano invites us to follow his act of contemplation in relation to what lies beneath the surface and beyond. The painting returned to Edinburgh in July 2025 after its inclusion in a Vettriano exhibition at the Palazzo Pallavicini in Bologna and is the largest of three versions of this composition.
Born Jack Hoggan, Vettriano grew up in the coastal mining village of Methil in Fife. After leaving school at 15, he followed his father down the mine, working as an apprentice engineer.
He later moved on to white-collar jobs in management services, taking up painting as a hobby in the 1970s when a girlfriend bought him a set of watercolours for his birthday.
From then on, Vettriano spent much of his spare time teaching himself to paint.
He learned by copying Old Masters, Impressionists, Surrealists and a plethora of Scottish artists, taking inspiration from studying the collection at Kirkcaldy Galleries. It was his experience living near Leven Beach which prompted him to make the decision: ‘I’m going to set some paintings on beaches.’
A figurative painter, Vettriano described his work as ‘more or less autobiographical.’ He worked from photographs of scenes he staged with models in his studio.
His paintings evoke the nostalgia of the 1940s and 50s and were often set, in the artist’s own words, in ‘sombre and sordid interiors’. Vettriano’s dramatic use of light and shade is a distinctive element of his work and heightens the stories of love, sex and betrayal in his paintings.
In the late 1980s he moved to Edinburgh and took his mother’s last name, Vettriano. The artist’s breakthrough came in 1988 when he submitted two works to the Royal Scottish Academy’s Annual Exhibition, with both works selling within the first day.
Subsequently he was courted by several galleries, with his first solo exhibition in Edinburgh in 1992. Soon, his works began to gather international acclaim, leading to exhibitions in London, Hong Kong, Johannesburg and New York.
The first major retrospective of his work was at Kelvingrove Art Gallery in 2013 and featured Homage to Fontanna?. The exhibition was record-breaking, attracting more than 136,000 visitors over its five-month run.
Imogen Gibbon, Head of Portraiture & Photography & Chief Curator at the National Galleries Scotland, said: ‘‘We’re thrilled to be welcoming visitors to the Portrait gallery to come and see Portrait of the Artist – by Jack Vettriano. It feels particularly significant that we are able to showcase a self-portrait to celebrate Vettriano’s contribution to Scottish culture on the anniversary of his death.
“This portrait and the subsequent work Homage to Fontana? will take their place on loan in The Modern Portrait display amongst the many other contemporary portraits of Scots who have made an impact at home in Scotland and internationally.
“National Galleries of Scotland extend our thanks to the artists estate, who came to us with this idea and supported us to make it happen’.”
Carolyn Osborne, Director, Jack Vettriano Publishing Limited, said: ‘Jack was known as The People’s Painter and it’s entirely fitting that the public will be able to see one of his paintings in such a beautiful setting within a mile of where it was painted.’
This weekend at the Portrait gallery in Edinburgh, take to the skies and see the world from above the clouds through the remarkable work ofAlfred Buckham: Daredevil Photographer.
From 18 October 2025 – 19 April 2026, meet the man behind some of the most iconic aerial photographs ever taken, marvel at the death-defying lengths he took to capture the perfect image and explore how his innovative techniques in the darkroom paved the way for modern technologies such as Photoshop and AI.
Free to visit at the National Galleries Scotland: Portrait, this will be the first major exhibition dedicated to Alfred Buckham and can only be seen in Scotland.
This exhibition will bring together over 100 photographs and objects including popular works from the Scottish national collection, alongside extensive archival material generously loaned by Alfred Buckham’s grandsons, Richard and John Buckham. Thanks to the support of the Buckham family, personal objects including letters, photographs and even the passport Alfred Buckham used will be put on public display for the first time.
A maverick of early aviation, Alfred Buckham (1879-1956) created his own unique style of photography by combining daring exploits in the air with innovation in the darkroom.
Born in London, Buckham learned his craft by teaching photography before joining the Royal Naval Air Service in 1916, a predecessor to the Royal Air Force.
Hailed as an exceptionally skilled flyer, he combined his talent for aviation with his passion for photography, resulting in remarkable endeavours and trailblazing images.
Based for most of his military career at RAF Turnhouse, now Edinburgh Airport, central Scotland became a natural playground for Buckham to refine his photographic techniques and let his imagination soar.
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Daredevil Photographer will chart his phenomenal story from his early photographic experiments in Scotland to exciting adventures in South America and look closer at the skilled and inventive ways he created his work.
Explore Scotland from the air and get a new perspective of well-known sights, just as Buckham himself would have. Daredevil Photographer celebrates the impact Scotland had on Buckham’s work through his images of recognisable landmarks including St Andrews Golf Links, Linlithgow Palace and the Wallace Monument in Stirling.
The exhibition will also feature several images of the Forth Rail Bridge, Buckham’s most photographed landmark. The iconic bridge was the subject of one of his first composite photographs and appeared on the 1918 RAF Turnhouse Christmas card, which will go on display alongside the original photography.
Daredevil Photographer will delve into the darkroom and uncover more about the creative processes used to bring Buckham’s unique images to life. After the First World War, Buckham began experimenting with composite photography; a technique where several negatives are used to create one photographic print.
While this wasn’t a new concept, composite photography added a layer of creative freedom to Buckham’s work, much like a very early form of Photoshop.
From his vast collection of glass negatives – he had over 2000 cloud images alone in his ‘cloud library’ – Buckham had the means to create images which became immersive, giving a unique sense of flying alongside these incredible aircraft while viewing the world below.
It was through the technique of composite photography that some of Buckham’s most famous works were born, including the iconic aerial view of Edinburgh (about 1920). This striking photograph shows a bi-plane hovering amongst wispy clouds above Edinburgh Castle, with Arthur’s Seat visible through the mist in the background, and the bustling city below.
For the first time, Edinburgh will be displayed alongside the camera and original glass negatives Buckham used to capture and create this much-loved image. Visitors will also be encouraged to get inspired and try their hand at creating their own composite creations through interactive exhibits.
Telling Buckham’s story through his own wordsand memories, Daredevil Photographer allows visitors to meet the courageous and humorous man behind the camera. Firsthand accounts of his incredible exploits in the air and ingenious creative methods on the ground will enhance his story and highlight his adventurous spirit:Ah! One was a rare daredevil in those days! (Alfred Buckham, The New York Times, 1930).
A free and unique immersive audio experience will bring Buckham’s world of flight and imagination to life through his own words. Hear Buckham’s grandson Richard give a voice to his grandfather’s memories and reflections on his daredevil persona.
Daredevil in every sense of the word, Buckham went to incredible feats to capture the perfect shot, which the exhibition will explore.
His preferred methods included standing in an open cockpit while mid-air, with his leg tied to the seat as a nod to safety. As a result, he experienced no less than nine crashes in his lifetime, one ending in a serious throat injury that cut his military career short.
However, he would not be deterred, describing his eccentric photography methods in a surprisingly relaxed way:
“It is not easy to tumble out of an aeroplane, unless you really want to, and on considerably more than a thousand flights I have used a safety belt only once, and then it was thrust upon me. I always stand up to make an exposure and, taking the precaution to tie my right leg to the seat, I am free to move rapidly, and easily, in any desired direction; and loop the loop; and indulge in other such delights, with perfect safety” – Alfred Buckham, The Camera, January 1927.
Daredevil Photographer will celebrate Buckham’s skill in the air through a range of his mesmerising photographs.
Encounter stunning images of the leading aircraft of the day, such as the Bristol Fighter, a two seated bi-plane designed for aerial reconnaissance, and the bizarre airships of the 1920s. See them soaring through the skies in all weathers, amongst an array of remarkable landscapes.
The exhibition will include one of his most well-known works, The Heart of the Empire (1923), on loan from the V&A Museum in London and displayed in Edinburgh for the first time.
The photograph follows a bi-plane as it glides across the London skyline, with landmarks such as Tower Bridge and the River Thames in view. Exhibited by the Royal Photographic Society in 1925, The Heart of the Empire secured Buckham’s position as one of Britain’s leading aerial photographers.
Experience the golden age of travel through Buckham’s portfolio of images spanning across the globe.
In 1931, a commission from Fortune Magazine took Buckham on an epic fifteen-week trip across the Americas, covering 19,000 miles and setting a world record.
Starting in New York City and taking the opportunity to capture the newly built Empire State Building, Buckham photographed his intrepid journey from the United States to the tip of South America to share with the world.
Daredevil Photographer will chart Buckham’s incredible journey, from expansive views of Christ the Redeemer in Rio De Janeiro and the snowy caps of the Andes Mountains to perilous scenes of smoking volcanic creators in Guatemala and Mexico.
Through his death-defying adventures and stunning photographs, Buckham expanded public understanding of the world, creating an exciting legacy which continues to capture imaginations today.
Louise Pearson, curator of photography at the National Galleries of Scotland says: “Alfred Buckham’s eye-catching photograph of Edinburgh is one of the most popular artworks in the National Galleries of Scotland collection.
“This enthralling image becomes even more intriguing when you learn that it is a darkroom jigsaw – a composite photograph made through a combination of technical skill and creative vision.
“Alfred Buckham: Daredevil Photographer tells the remarkable story of this maverick of early aviation whose adventures took him from aerial reconnaissance photographer to intrepid explorer via numerous loop the loops.”
Alfred Buckham: Daredevil Photographer isa free exhibition at National Galleries Scotland: Portrait, opening on 18 October 2025.
Over 40 independent designers will descend on National Galleries Scotland: Portrait in Edinburgh for a showcase of creative talent.
Now in its 11th year, Tea Green Events has become a major platform for independent Scottish designers, drawing thousands of visitors to its markets across the country.
Following the success of Tea Green Events’ markets at National Galleries Scotland: National last year, this is the market’s debut event at the Queen Street venue, taking place on Saturday 9 and Sunday 10 August 2025 (10am-5pm).
This year’s markets will also come to V&A Dundee, Bowhouse in the East Neuk of Fife, Aberdeen Art Gallery and both Kelvingrove Art Gallery and Museum and The Burrell Collection in Glasgow.
Specialising in carefully curated markets within some of Scotland’s most stunning creative spaces, Tea Green Events was launched by Dundee jeweller Joanne MacFadyen in 2014.
Joanne said, “The Portrait is a truly spectacular space and the perfect backdrop to show off the cream of Scotland’s creative talent, including many designers and makers who live and work in and around the capital.
“Due to the large number of tourists visiting Edinburgh at this time, the market will also put Scotland’s design talent on a global stage, where we can showcase the very best of Scottish craftsmanship.
“With everything from jewellery and prints to knitwear and ceramics, these beautiful hand-crafted pieces of work are made by some truly talented individuals who I know are looking forward to this amazing opportunity”.
Amongst the designers and makers preparing to set out their stalls are a number of Edinburgh College of Art graduates, including illustrator and paper artist, Laura Sayers.
Laura commented, “Turning up at a market can sometimes be quite alienating for folk like me who spend a lot of their work life alone, but the community of makers and the customers that come along are always so warm and welcoming.
“It’s been encouraging for me to see my own work looking and feeling at home alongside some of my favourite small businesses who are all making such high-quality, handmade products.
“As a result, I feel spurred on to make more wholehearted work to mirror the high standards of the other artisans, and the markets give me direction and something to aim for, particularly in the slow summer months.
“There’s also something special about that human interaction and living online means that you’re often craving a space for these conversations. I always come away feeling refreshed and excited for what’s next.
“Edinburgh was a beautiful city to study in, and my time at the College of Art really shaped and laid foundations for the work I make today. I’m always more than happy to return to soak up some more inspiration, and the Portrait Gallery has been one of my personal favourite spots for a long time.
“Making it a base for my artwork for a couple of days is a real pleasure.”
National Galleries of Scotland’s Director of Audience, Isabella Miller, said, “We can’t wait to welcome the makers back to the National Galleries of Scotland following the amazing success of the Tea Green market at the National gallery last summer and winter.
“This time around we’re hosting the market in the stunning surroundings of the Portrait gallery in the centre of Edinburgh. Visitors can explore the market under the bedazzling stars in the world-famous Great Hall.
“The decadent and ornate backdrop of the Portrait is the perfect setting for visitors to feel fully enveloped in the spirit of the market. Beautiful hand-crafted designs, in a beautiful hand-crafted building, what’s not to love!
“The Portrait is dedicated to exploring various aspects of the Scottish story, so where better to also showcase the talents of the incredible market creatives and support Scottish businesses. We hope this will offer something a little different for our visitors to enjoy and that people can browse the stalls then explore the art, or pop into the café to relax and enjoy some delicious food.
“There will be something for everyone to discover during a day out at the Portrait.”
Dr Maria Maclennan, Senior Lecturer at Edinburgh College of Art, added, “It’s always wonderful to follow our graduates’ creative journeys as they grow and flourish into confident and established designer-makers.
“Communities and markets like Tea Green are ever-important platforms for our alumni in realising their ambitions, connecting with fellow creatives, and showcasing the breadth, diversity, and quality of work emerging from Scottish art colleges.
“At ECA, we strive to create opportunities for our students locally, nationally, and internationally; however, it is always particularly rewarding when graduates decide to remain in and around Edinburgh, and to further champion and grow Scotland’s vibrant creative landscape and economy.”
For more information about Tea Green Markets and the programme of events, visit:
A special, one-off exhibition at the Portrait gallery in Edinburgh will chart the remarkable reign of King James VI and I, marking the 400-year anniversary of his death. Explore over 140 rare objects, many displayed together for the first time. Tickets are on sale now.
The World of King James VI and I will take visitors on afascinating journey through the complex lifeof a king who changed the shape of the United Kingdom. From 26 April until 14 September 2025, uncover more about this often-misunderstood monarch through ornate paintings, dazzling jewels, lavish textiles, and rare book and manuscripts, alongside some of the most iconic historical portraits from Scotland’s national collection.
Discover tales of friendship, family, feuds and ambition and dive deeper into the life of King James through key moments in his reign including his early childhood, the infamous Scottish witch trials, the Union of the Crowns, the treasonous Gunpowder Plot and early colonial ventures overseas.
This exhibition will not only bring King James’s story to life, but it will transport visitors into the world in which he lived and ruled, celebrating craft, visual arts, literature and performance from the 16th and 17th centuries.
Son of Mary, Queen of Scots, successor to Elizabeth I and the first monarch to rule over Scotland, England and Ireland, King James was born in Edinburgh Castle on 19 June 1566 during one of the most turbulent periods in Scottish history.
Following his mother’s forced abdication in 1567, James was crowned king of Scotland at just 13 months old. Religious reform and noble power struggles dominated his early reign, however his accession to the English throne in 1603 saw him become the uniter of kingdoms.
The World of King James VI and I will offer new perspectives on the King’s life by drawing on themes of contemporary relevance including national identity, queer histories and spirituality and belief.
Meet some of the most famous faces of the period through key artworks from Scotland’s national collection. Uncover more about his family ties and his closest confidants, and see striking portraits of Mary, Queen of Scots, his wife and Queen Consort, Anna of Denmark, and his father, Henry, Lord Darnley.
Accompany James as he grows from an orphaned boy king to established ruler of nations through a range of portraits and objects which document his life, loves and achievements.
The exhibition will give visitors the rare opportunity to view objects that were owned, or associated with King James, including books from his library and gifts he presented to his favourites, such as an intricate silver watch and a 17th-century penknife believed to have belonged to his son, Prince Henry Frederick. Skillfully hand-painted manuscripts by the Edinburgh-based writer and artist Esther Inglis, which were dedicated to the king and members of the court, will also be on display for the first time.
Embrace the pageantry and ceremony of the Jacobean court through sumptuous dress, jewellery, objects and designs from the 16th and 17th centuries. Come up close to original textiles, including a beautifully constructed ladies’ waistcoat on loan from the Fashion Museum in Bath. Embroidered with delicate flowers and adorned with ribbon fasteners, this stunning example of courtly fashion brings to life the lavish outfits depicted in the portraits on display.
The impressive Eglington Jewel (1610), on loan from The Fitzwilliam Museum, will also feature in the exhibition alongside related artworks. A rare surviving example of work by Edinburgh jeweller George Heriot, it comprises of a miniature portrait of Anna of Denmark enclosed in a crimson enamel case and adorned with the Queen’s initials set in diamonds beneath an imperial crown.
Visitors will be given the unique opportunity to view this exquisite jewel alongside a portrait of Lady Anne Livingstone, Countess of Eglinton (1612) in which she can be seen wearing the jewel.
Delve into the belief system in Scotland during a time where spirituality, healing and folklore were entwined with strict religious views. The World of King James VI and Iwill include an early example of the revolutionary King James Bible, on loan from the National Library of Scotland.
The King ordered a new translation of the Bible in 1604, with the version on display dating to 1611. Along with his deeply religious beliefs James was very superstitious and fixated on the occult, particularly the perceived practice of witchcraft.
His beliefs lead him to become instrumental in the origins of the Scottish witch trials. Amongst a variety of objects related to witchcraft will be an original copy of Daemonologie (1597), also from the National Library of Scotland.
This book was written by King James himself and documented the evils of Satan and the covens of witches who acted on his behalf. Daemonologie would go on to set a standard for identifying and persecuting thousands of people, mostly women, as witches, causing lasting notoriety to King James’s legacy.
Travel across the seas to explore James and his government’s reach into North America and East Asia in the 17th century as the exhibition uncovers Jacobean trading ventures and early colonisation projects.
The establishment of the first British colony on North American soil took place under James’s reign. In May 1607 the king granted a warrant to The Virginia Company and The Virginia Colony was founded on the indigenous lands of the Powhatan people called Tsenacommacah.
The colony base was named ‘Jamestown’ in the King’s honour. These colonial projects and settlements lead to the displacement and objectification of many indigenous peoples. Artworks and objects on display will include a print of the Powhatan woman Pocahontas, loaned by The British Museum.
Taken captive by the English colonists when hostilities between the Powhatans and the settlers escalated into conflict, Pocahontas was converted to Christianity and married to an English tobacco merchant John Rolfe. Pocahontas and Rolfe travelled from Virginia to England in 1617.
The print shows Pocahontas aged 21, dressed in Jacobean fashions, which she may have worn when she was presented at court to King James and Queen Anna. Pocahontas died in England and is buried in the cemetery of St George’s Church in Gravesend, Kent.
Experience the great loves and relationships that influenced King James’s time as monarch, from his marriage to Anna of Denmark, to his role as a father to Prince Henry Frederick, Princess Elizabeth and the future King Charles I.
The exhibition will also shed light on the King’s own identity and his role within contemporary queer culture, through exploring his relationships with his court favourites.
Personal letters and portraits will spotlight King James’s inner circle and favoured courtiers, including George Villers, 1st Duke of Buckingham and Robert Kerr, 1st Earl of Somerset, with whom he established close, intimate relationships and who harnessed great influence over his reign.
Thanks to a collaborative research project funded by The University of Edinburgh visitors to the exhibition will have the opportunity to be immersed in the sounds, sights and even the smell of King James’s world.
In collaboration with Dr Catriona Murray (The University of Edinburgh) and the historic scent designer Clara Weale, a bespoke scent has been created especially for The World of King James VI and I. Inspired by a 17th-century apothecary list, also on display, this unique aspect of the exhibition will allow visitors to experience the scent of the Jacobean court.
The World of King James VI and I at the Portrait gallery will be a unique exhibition experience, painting famous historical figures in a new light and connecting the people of the past with the people of today.
The exhibition is yours to discover at National Galleries Scotland: Portrait from Saturday 26 April 2025.
Have you heard the exciting news? Café Portrait is open again with a fresh new look!
Join us for a quick bite or a leisurely brunch in The Nook, our new and tranquil dining space. Enjoy signature dishes prepared right in our kitchen, inspired by the beautiful Portrait gallery’s artworks.
The menu will include delicious food made from fresh, seasonal ingredients, with everything prepared onsite. Under the guidance of Head Chef Alec, new signature dishes have been crafted, inspired by the gallery’s artwork.
One standout from The Nook’s menu is the Smokie Hash, a vibrant dish of smoked haddock, sweet potato hash, poached egg, wilted kale, spinach, grilled vine tomato, and cava beurre blanc.
It’s inspired by John Bellany’s Queen Street Café painting, which hangs in the Café and prominently features fish.
We’ve missed you, and we’re excited to welcome you back from 10am-4:30pm, daily. See you soon!
National Galleries of Scotland has announced an unmissable programme of free and ticketed exhibitions set to take over the National, Portrait and Modern galleries in Edinburgh throughout 2025.
From striking installations in Andy Goldsworthy: Fifty Yearsto time travelling into The World of King James VI and I, taking to the skies with Alfred Buckham: Daredevil Photographer, a celebration of 250 years of JMW Turner with Turner in January: Ireland’s Vaughan Bequest and more.
There will be a sensational array of art to enjoy in the Scottish capital next year. Ticketed exhibitions can be booked online now What’s on | National Galleries of Scotland
From 26 July until 2 November 2025, immerse yourself in a major large-scale exhibition by Andy Goldsworthy. Andy Goldsworthy: Fifty Years will take over the upper and lower galleries in the Royal Scottish Academy building for the summer. Based in Scotland, Goldsworthy (born 1956) is internationally famous for his extraordinary work with natural materials.
The exhibition will span five decades of creation with over 200 works including photographs, sculptures, and expansive new installations. Goldsworthy will also create several major new works onsite at the Royal Scottish Academy building especially for Andy Goldsworthy: Fifty Years. This spectacular summer exhibition is sure to be one of the most talked-about of the year – and it is showing only in Edinburgh.
Next spring at the Portrait, travel back in time and be immersed in The World of King James VI and I. Son of Mary, Queen of Scots, successor to Elizabeth I and the first monarch to rule over Scotland, England and Ireland, get to know King James (1566 – 1625) and step into the world in which he lived, ruled and changed forever.
Marking the 400-year anniversary of King James’s death, this exhibition will chart his remarkable reign through stories of friendship, family, feuds and ambition. Drawing on themes with contemporary relevance, including national identity, queer history, belief and spirituality, The World of King James VI and Iwill be an enriching journey through the complex life of a King who changed the shape of the United Kingdom.
Over 100 objects will be on display, including ornate paintings, dazzling jewels, lavish designs and important loans from galleries across the UK, celebrating craft and visual art from the 16th and 17th centuries. From 26 April – 14 September 2025 come and be fully immersed in the sights, sounds (and even smells) of the period, connecting the people of the past with the people of today. Tickets are on sale now.
In 2025 the National Galleries of Scotland will commemorate the 250th birthday of beloved British artist JMW Turner (1775 – 1851) with a once in a lifetime, free exhibition. For the first time, visitors will be able to marvel at over 30 Turner watercolours from Dublin.
Turner in January: Ireland’s Vaughan Bequest at the Royal Scottish Academy building will be one-off special take on the keenly awaited and much-loved annual tradition. Spanning the breadth of Turner’s career, visitors can roam through sweeping seascapes, dramatic landscapes and spectacular cities, many displayed in their original frames.
As part of this special partnership, the Turner works from the Scottish national collection will go on display at the National Gallery of Ireland allowing visitors in both Scotland and Ireland to connect with works from the Henry Vaughan Bequest they don’t often get to see.
There will be another two new and exciting projects making their way to the Moderns in 2025. From next summer you can explore your collection at Modern One with a series of new free displays showcasing magnificent and diverse works of 20th and 21st century art belonging to the people of Scotland.
This includes an opportunity to see compelling works from ARTIST ROOMS, the national touring collection cared for jointly by the National Galleries of Scotland and Tate. Discover the bold and varied self-portraits of Robert Mapplethorpe, immerse yourself in Louise Bourgeois’s evocative practice, and be captivated by the works of Helen Chadwick in a new ARTIST ROOMS display.
Chadwick’s Self Portrait (1991) from Scotland’s national collection will feature alongside the major sculptural installation, Piss Flowers (1991-2), which will be lent by Tate having recently been donated as part of the D.Daskalopoulos Collection Gift.
Explore this powerful new presentation of the nation’s superb contemporary and modern collection from 12 July 2025. A further exhibition taking place at Modern Two will be announced in early 2025.
The centenary of revered Scottish artist Ian Hamilton Finlay (1925 – 2006) will also be marked in a new free display of his work at Modern Two from 8 March to 26 May 2025. A visionary in his craft, Ian Hamilton Finlay harnessed the power of collaboration throughout his career, drawing on the expertise of fellow makers and creators to bring his artistic visions to life.
Hailed as a poet, sculptor, printmaker, gardener and provocateur, his practice covered a wide range of media, reflected in this display through over 30 sculptures, installations and prints as well as extensive archival materials, all from Scotland’s national collection.
Moving into the autumn at the Portrait, take to the skies and see the world from above the clouds through the remarkable work of Alfred Buckham: Daredevil Photographer.
A trailblazer in his field, Buckham (1879 – 1956) soared above the realms of what was thought to be possible in 20th century photography and aviation.
From 18 October 2025 – 19 April 2026, meet the man behind some of the most iconic aerial photographs, marvel at the death-defying lengths he took to capture the perfect image and explore how his innovative techniques paved the way for modern technologies such as Photoshop and AI.
Explore the imaginative Your Art World exhibition at the National, showcasing the inspirational works of young artists from all over Scotland aged 3 – 18-year-olds. The exhibition is a celebration of what happens when young people are encouraged to be wildly creative.
Discover installations from school and community groups who have worked alongside the National Galleries of Scotland. Or even view the creations of the young people in your own life.
With the opportunity to upload artwork online via the website, anyone aged 3-18 can see their own digital submissions on screen in the gallery. Immerse yourself in the imagination of these young artists from 10 May to 2 November 2025.
Anne Lyden, Director-General at the National Galleries of Scotlandsaid: “We’re really excited to announce our 2025 public programme, which is packed full of fantastic exhibitions.
“Breathtaking installations at the Royal Scottish Academy, soaring above the clouds at the Portrait gallery, and modern and contemporary highlights from your national collection at the Moderns.
“Whether you want to be inspired, find a moment of calm or share a joyful experience with friends – there’s so much to discover at the National Galleries of Scotland.”
Exhibition dates:
Turner in January: Ireland’s Vaughan Bequest:1- 31 January 2025 | FREE | National Galleries Scotland exhibition at the Royal Scottish Academy building
Ian Hamilton Finlay: 8 March – 26 May 2025 | FREE | National Galleries Scotland: Modern Two
The World of King James VI & I: 26 April – 14 September 2025 | Tickets £4-£9 | National Galleries Scotland: Portrait
Your Art World: 10 May – 2 November 2025 | FREE | National Galleries Scotland: National
ARTIST ROOMS: Opening 12 July 2025 | FREE | National Galleries Scotland: Modern One
Andy Goldsworthy: Fifty Years: 26 July – 2 November 2025 |Tickets £5-£19 | National Galleries Scotland exhibition at the Royal Scottish Academy building
Alfred Buckham: Daredevil Photographer: 18 October 2025 – 19 April 2026 | FREE | National Galleries Scotland: Portrait
OPENING SATURDAY: National Galleries of Scotland acquires bloody exciting performative artwork by Beagles and Ramsay to Celebrate 40 Years of Scotland’s Photography Collection
Celebrating 40 Years of Scotland’s Photography Collection
This October the National Galleries of Scotland is partying like it’s 1984 with Celebrating 40 Years of Scotland’s Photography Collection, at the Portrait gallery from 26 October 2024 – 16 March 2025.
Step back in time to the 1980s when the National Galleries of Scotland officially began its world-class photography collection.
Explore over 100 art works from Scotland’s national photography collection, dating from the 1840’s to the present day in this free-to-visit exhibition.
Marvel at historic photographs, visit some famous faces and discover an exciting range photographic styles in this eclectic celebration of the nation’s photography collection.
To mark the opening of the exhibition, National Galleries of Scotland has announced the acquisition of an artwork consisting of photographs, film and performance by Glasgow-based artists Beagles and Ramsay.
Sanguis Gratia Artis (Black Pudding Self-Portrait) is a performance piece which features a black pudding self-portrait made from Beagles and Ramsay’s blood.
Exploring the boundaries of the self-portrait, a pint of blood is extracted from each artist and then used to create two black puddings. While the act of making the puddings is central to the artwork, the piece exists beyond the performance with three photographs and a film that has recorded an earlier cooking session.
Sanguis Gratia Artis, translation: blood for the sake of art,will go on display at the Portrait gallery for the first time at National Galleries of Scotland in Celebrating 40 Years of Scotland’s Photography Collection.
The display is made up of 3 photographs including of the artists, black puddings and the ingredients, alongside the recipe for making the black puddings.
Commissioned by the Henry Moore Foundation and Grizedale Arts in 2004 for the exhibition Romantic Detachment at PS1 MoMA, New York, the work was a departure from figurative self-representation. Discover how they bring this art to life in their performance in early 2025 at the Portrait gallery in Edinburgh.
John Beagles and Graham Ramsay have been collaborating since 1996, while also independently teaching at Edinburgh College of Art (Beagles) and Glasgow School of Art (Ramsay).
Working across various media from photography, sculpture and painting to performance and video, much of their work employs self-portraiture as a way to engage with issues of contemporary culture and societal anxieties. They explore subjects such as political disenfranchisement, consumerism and the cult of celebrity.
Alongside Beagles and Ramsay’s display Celebrating 40 Years of Scotland’s Photography Collection showcases the very best of Scotland’s ever growing, 55,000 artwork strong photography collection.
Marking this magnificent milestone, the exhibition reflects on all that has been accomplished in the last four decades and looks to the future.
In the 1980s recognition of photography as an artform was growing rapidly as museums and galleries around the world were looking to establish and grow their collections.
National Galleries of Scotland were no different. Having begun collecting photography in the late 19th century, it was in 1984 that the National Galleries of Scotland collection was formally established.
A world-renowned photography collection, it is regarded as one of the best in the UK. Due to its original remit to collect the very best of Scottish and international photography, the collection has developed over the last 40 years to have global reach.
This lively exhibition explores the major themes, subjects and processes from throughout the history of photography, including works by major photographers such as Julia Margaret Cameron, Robert Mapplethorpe and Annie Leibovitz.
Highlighting the enticing and universal nature of photography, the exhibition will include six themes; portraiture, landscape, documentary photography, archives, inclusion and experimentation.
Find portraits of famous Scots such as, Andy Murray, The Proclaimers, Jackie Kay and David Tennant as well as fun and vibrant portraits such as Viviane Sassen’s In Bloom.
Celebrating the connectivity and nostalgia that photographs bring to people worldwide, the exhibition looks at how this incredible artform can be traced through generations of Scottish photographers and schools of photography. Embracing the eclectic nature of photography, vibrant displays will create interesting contrasts and connections between historic and contemporary images.
Discover how the ideas and subject matters that started with David Octavius Hill and Robert Adamson in the 1840s continues to be photographed centuries later with different and modern cameras.
Take pride in the influential alumni of Scottish photography schools whose connections extend around the world, making Scotland a significant home to photography.
Explore the idea of what makes a photograph, reflecting on changing technology and taking a look at artists who are pushing the boundaries of what we might have traditionally thought of as a photograph.
Get a deeper understanding of how photographers have explored the themes of landscape and environment change including a new acquisition by American, Sant Khalsa combining photography and sculpture.
Displayed alongside early Scottish photographs by John Muir Wood, showcasing the beautiful shapes created by trees. This offers a fascinating look at how these two artists explore the same subject matter in completely different ways.
Discover works by revered international photographers, with exceptional photographs from the ARTIST ROOMS collection, jointly owned by the National Galleries of Scotland and Tate.
The exhibition draws a selection of works by globally renowned artists, such as Robert Mapplethorpe and Diane Arbus. This will also be the first time the National Galleries of Scotland has shown work from the ARTIST ROOMS collection by Don McCullin, one of the world’s greatest photojournalists.
Scotland is known as a centre for documentary photography and the exhibition will celebrate this with a medley of the best documentary photographers who have made work in Scotland.
Weaving in some old favourites and new acquisitions this will highlight photographers such as Alfred Eisenstaedt, Eve Arnold, David Hurn, Joseph Mackenzie and Bert Hardy. A wall of Hill & Adamson’s Newhaven fisherwomen will mark an important moment in the development of documentary photography not just in Scotland but in the history of the medium.
Looking to the next 40 years, the exhibition also focuses on acquisitions from the last decade which address issues such as equality, inclusion and diversity. National Galleries of Scotland actively seek opportunities to broaden representation across the collection and the exhibition highlights this as a priority area for collecting in the future.
Representation of female photographers has been a recent priority, with work by artists including Chrystel Lebas, Wendy McMurdo, Chloe Dewe Mathews and Arpita Shah entering the collection.
Anne Lyden, Director-General at the National Galleries of Scotland, said: ‘Photography is a cornerstone of the National Galleries of Scotland, accounting for almost half of the entire collection.
“It is with great delight that we celebrate the medium with this impressive and engaging exhibition drawn entirely from the vast holdings of the nation’s collection.
“Over the course of the last forty years many photographers, collectors, donors, curators, and enthusiasts have contributed to this important world-class collection which belongs to the people of Scotland.
“We are excited to celebrate this anniversary with our visitors through such a dynamic display.’
Louise Pearson, Photography Curator at the National Galleries of Scotland, said: ‘The 40th anniversary is the perfect moment to draw from the full breadth of Scotland’s photography collection.
“This vibrant and fun exhibition includes photographs of famous Scots and works by photographers who have become household names.
“It opens many possibilities in making connections across our country’s photography collection, sharing highlights as well as celebrating lesser-known works.
“We want visitors to join us in celebrating the collection and take pride in Scotland’s contribution to photography worldwide.’
This exhibition is funded by The Morton Charitable Trust and the players of People’s Postcode Lottery
This October the National Galleries of Scotland is partying like it’s 1984 with Celebrating 40 Years of Scotland’s Photography Collection, at the Portrait gallery from 26 October 2024 – 16 March 2025.
Step back in time to the 1980s when the National Galleries of Scotland officially began its world-class photography collection. Explore over 100 art works from Scotland’s national photography collection, dating from the 1840’s to the present day in this free-to-visit exhibition.
Marvel at historic photographs, visit some famous faces and discover an exciting range of what makes a photograph in this eclectic celebration of the nation’s photography collection.
Celebrating 40 Years of Scotland’s Photography Collection marks this magnificent milestone, reflecting on all that has been accomplished in the last four decades and looking to the future. In the 1980s recognition of photography as an artform was growing rapidly as museums and galleries around the world were looking to establish and grow their collections.
National Galleries of Scotland were no different. Having begun collecting photography in the late 19th century, it was in 1984 that the National Galleries of Scotland collection was formally established.
A world-renowned photography collection it is regarded as one of the best in the UK, its breadth and quality matches those of London institutions such as the V&A and National Portrait Gallery, London. Due to its original remit to collect the very best of Scottish and international photography, the collection has developed over the last 40 years to have global reach.
Now over 55,000 artworks strong the ever-growing collection is showcased in this lively exhibition which explores the major themes, subjects and processes from throughout the history of photography. Including works by major photographers such as Julia Margaret Cameron, Robert Mapplethorpe and Annie Leibovitz.
Highlighting the enticing and universal nature of photography, the exhibition will include six themes; portraiture, landscape, documentary photography, archives, inclusion and experimentation.
Find portraits of famous Scots such as, Andy Murray, The Proclaimers, Jackie Kay and David Tennant as well as fun and vibrant portraits such as Viviane Sassen’s In Bloom.
A newly acquired work consisting of photographs, film and performance by Glasgow-based artists Beagles & Ramsay will be on display for the first time.
The Sanguis Gratia Artis (Black Pudding Self-Portrait), is a performance piece alongside photographs where the artists make black pudding out of their own blood to explore the boundaries of the self-portrait.
Celebrating the connectivity and nostalgia that photographs bring to people worldwide, the exhibition looks at how this incredible artform can be traced through generations of Scottish photographers and schools of photography.
Embracing the eclectic nature of photography, vibrant displays will create interesting contrasts and connections between historic and contemporary images. Discover how the ideas and subject matters that started with David Octavius Hill and Robert Adamson in the 1840s continues to be photographed centuries apart with different and modern cameras.
Take pride in the influential alumni of Scottish photography schools whose connections extend around the world, making Scotland a significant home to photography.
Explore the idea of what makes a photograph, reflecting on changing technology and taking a look at artists who are pushing the boundaries of what we might have traditionally thought of as a photograph.
Roddy Scott Photography
