Edinburgh-based Lung Ha Theatre Company and touring theatre company Plutôt La Vie are pleased to announce their collaboration on An Unexpected Hiccup, a new play directed by Ian Cameron and Maria Oller and written by Michael Duke, based on a story by Ian Cameron and developed by the acting ensemble.
It is due to receive its World Premiere at The Studio in Edinburgh on 27 October.
Caught in a storm and miles from anywhere, Murdo decides to ask for the help of total strangers. But when he knocks on the door of a dark old house, the family inside seem to be expecting him. Whatever Murdo has stumbled upon, there’s no escaping it now. He steps into a long night of comic misunderstandings, sinister goings on and dangerous eccentricities.
Keep an eye on Kurt…Don’t worry about the noises in the cellar…And never ask Louisa why she’s crying…!
The play will feature Tim Licata from Plutôt La Vie working with Lung Ha Theatre Company performers Emma Clark, Emma McCaffrey, Nicola Tuxworth, Keith Watson, Gavin Yule and Ryan Duncan from the Lung Ha Theatre Company Support Team.
Ian Cameron said: “The original idea for this production grew from an experience I had many years ago which, although serious in itself, grew in my head into a dark comic farce about a rather dislocated family.
“This story became the catalyst for development by the company and the writer Michael Duke. What has been wonderful has been to see how the company has grown to own the story, and develop it through their imagination and humour, and this despite the constrictions of Covid!”
Maria Oller said:“An Unexpected Hiccup is the outcome of a long connection between Lung Ha Theatre Company and Plutôt La Vie. Farce, dark comedy and physical theatre is something that the actors at LHTC seems to enjoy and have a talent for.
“Combined with training on how to play farce, the actors have stepped up to master the skills required. Working together with Plutôt La Vie, playwright Michael Duke and the rest of the creative team has taken us from development weeks on Zoom, to a first face to face rehearsal and the return to the theatre room and very soon a performance in front of a live audience! This means more to us than just doing a show. We are back and on our first steps out of Covid! Hurray!”
Music for An Unexpected Hiccup is composed and performed by BAFTA Scotland award winning composer Andrew Cruickshank with set and costume design by one of Scotland’s leading artists in the field, Karen Tennent.
Lung Ha Theatre Company and Plutôt La Vie present the World Premiere of
An Unexpected Hiccup
A long night of comic misunderstandings, sinister goings on and dangerous eccentricities.
27 – 30 October 2021 (preview on 26th)
The Studio | 22 Potterrow, Edinburgh
Tickets from £10 available on capitaltheatres.com or by calling 0131 529 6000.
Edinburgh Festival Fringe gets underway with dynamic programme of over 700 in-person and online shows
Today, Friday 06 August, the world-renowned Edinburgh Festival Fringe officially comes to life with an exciting hybrid programme of over 700 in-person and online shows.
From 06 – 30 August, Edinburgh will once again be host to a diverse and exciting selection of work from the worlds of theatre, dance, circus, comedy, music, musicals and opera, cabaret and variety, children’s shows, spoken word, exhibitions, events and more.
This year’s Fringe also features a scaled-back programme of street events in managed locations; a range of community engagement work, including the return of Fringe Days Out; and a programme of activity for artists and arts industry professionals via Fringe Connect and Fringe Marketplace.
All work is being delivered in strict accordance with Scottish Government covid-19 guidance, to ensure a safe, secure and enjoyable festival for artists, audiences and residents. More information can be found below.
Commenting on the launch of the festival, Shona McCarthy, Chief Executive, Edinburgh Festival Fringe Society, said: “The Fringe is always a remarkable feat, but this year, it’s nothing short of extraordinary.
“In the face of complex restrictions and enormous challenges, the Fringe community has created a diverse and engaging programme of over 700 shows to entertain us, bring us joy, and ultimately, do what culture does best: tell stories that help us understand where we are, what we’ve been through, and where we need to go.
“I’m enormously proud of the artists, venues, creatives and workers that have made this festival not only possible, but safe, engaging and entertaining. It’s so good to be celebrating the Fringe again this August, and I’d like to thank every artist, producer, worker, audience member, funder, sponsor and supporter that has got us here today.”
Phoebe Waller-Bridge, President, Edinburgh Festival Fringe Society, said: “The Edinburgh Fringe is BACK! In an act of pure artistic heroism, the Fringe Society and thousands of artists, writers, dancers, actors, designers, comedians, musicians and creatives have fought to bring this festival back to the streets of glorious, glittering Edinburgh. We have a lot of time to make up for and this festival is more than ready for you.
“With hundreds of live and online events you can see as many shows in a week than you would have in the whole of last year and we are finally able to reconnect, inspire, surprise, and entertain each other like we used to. I have never wanted to have a leaflet thrusted at me more. We’re being offered a giant cultural sprinkler after a year of drought and I can’t wait to jump through it, shrieking, with you all.”
Benny Higgins, Chair, Edinburgh Festival Fringe Society, said: “The Edinburgh Fringe is a remarkable arts festival that has created an unparalleled legacy for the city and the country, and it will have an important part to play in how we move forward after such a difficult period.
“The cultural value that the Fringe holds is enormous, and its launch today is the first step on a long road to recovery – for the festival and for Scotland. We must all play our part in ensuring an inclusive, diverse, and accessible festival for the future, with wellbeing at its heart.”
Angus Robertson, Cabinet Secretary for Culture, Scottish Government, said: “A huge amount of work has gone on behind the scenes to support the return of these globally significant cultural events and the benefits they bring to Scotland in terms of tourism, trade and our place on the world stage.
“Edinburgh’s festivals were sorely missed last summer and their return is another step in the right direction and testament to the determination of festival organisers, along with the artists, venues and businesses involved. I’m delighted that the Fringe will be able to welcome back audiences and give festival goers something to cheer this year.”
Councillor Amy McNeese-Mechan, the City of Edinburgh Council’s Culture and Communities Vice Convener, said:“The return of live August festivals events and performances truly reflects our city’s on-going recovery and, of course, our cultural DNA, and we’re delighted to see an exciting Edinburgh Festival Fringe programme.
“There’s no doubt it was greatly missed last year and it’s so lovely for our city to be welcoming audiences again to the Festivals this August. To everyone taking part, we ask you to continue to follow the safety guidance and to enjoy this year’s fantastic festival experiences safely.”
Barbara Smith, Managing Director of Johnnie Walker Princes Street, said:“As Johnnie Walker moves closer to opening the doors to our new venue on Princes Street, it’s fantastic to see Edinburgh continue to open up for cultural events, and for locals and visitors alike to enjoy the best that the city has to offer.
“The Fringe Festival will always be an important part of the city’s cultural calendar and the team at Johnnie Walker are delighted to once again support the Fringe Society in bringing the festival to life through our Fringe Club whisky bar on The Mound. We can’t wait to welcome visitors from home and away as they enjoy the best of what this world famous festival has to offer.”
In-person, online and on-demand shows
In 2021, audiences will be able to access a wide range of amazing Fringe shows through socially distanced in-person events, scheduled online performances and on-demand digital shows. Tickets and information for all kinds of registered Fringe shows – live, online, paid and free – can be found at edfringe.com.
Around 440 shows are taking place in person. Many shows are taking place in new, creative outdoor locations across Edinburgh, including a football ground, a car park and a racecourse.
Familiar Fringe operators such as Acoustic Music Centre, Assembly, Dance Base, French Institute, Gilded Balloon, Laughing Horse Free Festival, Monkey Barrel, PBH’s Free Fringe, Pleasance, Scottish Storytelling Centre, the Stand, theSpaceUK, Summerhall and Zoo are all taking part in this year’s festival with physical spaces in the city.
All in-person performances will be fully Covid compliant, following the latest guidelines on social distancing, mask wearing, ventilation and hygiene.
Currently, live events must operate at one-metre distancing. On 09 August, Scotland moves to level zero and restrictions on distancing will be dropped.
Every Fringe venue operates individually. For up to date information on capacity and distancing at individual Fringe shows, please check with the relevant venue.
In an exciting move for the festival, more than 260 shows are taking place online, providing a global platform for artists, while enhancing the Fringe’s commitment to accessibility and sustainability.
There will be two kinds of online events available this year: scheduled and on demand.
With scheduled shows, audiences can buy tickets as they would to a traditional in-person event. Shows will have a dedicated start and end time and are treated as an ‘appointment to view’ event. For on-demand shows, audiences can buy tickets to watch at their leisure.
Audiences can view Fringe shows on online platforms including the new Fringe Player streamed by Brightcove (NASDAQ: BCOV), the global leader in video for business.
Available via edfringe.com, this bespoke digital platform offers an easy-to-use viewing experience for audiences whilst giving artists a platform to present and showcase their work digitally. The player will be accessible to audiences from 06 Aug, with auto-subtitling built in. Both on-demand and scheduled online shows are available on this platform.
Where other platforms (such as Zoom, YouTube and Vimeo) are being used to host online work, information on how to access these is clearly provided at the point of purchase.
Online shows will be available to watch from August but can be pre-booked from today.
Street events
The city’s world-famous street events are returning this year, with a scaled-back programme of live performances.
A fantastic starting point for any Fringe-goer, events will run daily from 11.30am until 8.30pm in the High Street’s designated Fringe safe street performance area, West Parliament Square.
There will also be a programme of activity on the Mound, as well as additional opportunities for buskers and other street artists well known in the Fringe landscape.
All performances will be delivered in accordance with current and relevant Covid guidelines. Limits on audience numbers will be introduced in line with social distancing, and event details will be published online to audiences in advance to allow them to plan.
Strict hygiene measures will also be in place, including masks and sanitisation, to help everyone enjoy the events safely.
Community, access and learning
We are continuing to work alongside communities, venues and artists to ensure the Fringe is as inclusive as possible.
Our Fringe Days Out scheme is a long-term commitment by the Fringe Society to reach out to communities that have not traditionally engaged with the Fringe. Through this programme in 2021, we have delivered Fringe vouchers, Lothian bus tickets and access support through our 30+ community partners, including The Welcoming, The Citadel Youth Centre, Lothian Autistic Society, Vintage Vibes and Capability Scotland.
In response to some groups being unable to visit the festival in person, or being hesitant about attending, we are also continuing our Fringe in Communities programme. This will see street performers going out to locations across the city to perform during July and August.
The Fringe’s commitment to improving disabled access remains a priority. Customers with access requirements can use our Access Bookings system and search specific shows which are accessible such as relaxed, audio described, captioned and signed performances. Plus, a free personal assistant ticket is available for anyone who needs assistance to attend the Fringe. Customers can also search for shows in performance spaces with wheelchair access.
This year, we are once again providing sensory bags for children and adults on the autism spectrum. Each bag contain a fidget toy, earplugs, water bottle and a stress reliever. These items are designed to help users relax and overcome stressful or intense situations and are distributed to select partners across the city.
Our street events offering will see BSL interpretation on the West Parliament Square Stage on Saturday 21 August, and there will be a wheelchair accessible viewing area on the High Street throughout the festival.
We are also continuing Teachers’ Theatre Club, our partnership with Imaginate, which brings Edinburgh teachers to the Fringe. Each show seen will be followed by a group discussion with some of the artists and creative teams who made and/or presented the work, covering both the content of the show and how it could enhance and inform teaching practice.
And we’re making sure that Edinburgh’s schoolchildren can also take part in the Fringe fun by working with Gracemount High and selected Edinburgh primary schools to make sure they see Fringe shows too. .
Support for artists and arts industry
This year, the Fringe Society is hosting two digital platforms for artists and industry professionals: Fringe Connect and Fringe Marketplace.
Launched last month, Fringe Connect is an exciting new year-round platform, designed to bring Fringe artists together with peers and members of the arts community.
Described as ‘part social network, part events space’, Fringe Connect gives users the opportunity to populate their own profile with information about their professional experiences and interests (both Fringe-related and otherwise).
Registered users will have access to exciting industry news and opportunities, alongside access to year-round digital events aimed at supporting and facilitating professional development.
Guests and speakers during the Fringe include Lyn Gardner, Andrew Miller, Amy Conachan, Tarek Iskander, Jo Clifford and Richard Jordan, plus many more.
And after a successful pilot year in 2020, Fringe Marketplace has returned for2021. This dedicated showcase platform aims to connect arts industry delegates all over the world with professional and tour-ready artists.
The work that will appear on the platform has been selected by Fringe venue programmers and assessed by Fringe associates: an independent cross-genre industry experts who have experience and understanding of the Fringe.
Work with strategic partners
The Fringe Society is delighted to be working with three strategic partners this year: Something to Aim For, Parents and Carers in Performing Arts and Somewhere EDI. All three partnerships help us to better support and engage with significant groups of participants and understand the barriers they might be facing at the Fringe.
Something to Aim For is the charity devoted to supporting public health and (re)building social fabric through the creative industries.
Parents and Carers in Performing Arts work to promote best practice employment and support for parents and carers in the performing arts sector.
Somewhere EDI is a platform for positive LGBTQ+ culture, learning and activism, championing and empowering LGBTQ+ people to be out and visible in business, culture and in wider society.
Johnnie Walker
The Fringe Society is delighted to be working with Johnnie Walker for a third year. 2021 sees the return of the popular Fringe Club, a dedicated bar space for visitors to the festivities for the entire duration of the festival. Located on the Mound, an exciting spot with live street performances, the bar will once again serve a number of delicious highballs, cocktails and drams for guests in the dedicated whisky lounge.
Festival-goers will also have the chance to win exclusive prizes through the Johnnie Walker Ticket prize giveaway. Prizes include complimentary highballs at the Fringe Club, bottles of Johnnie Walker Blue Label, £20 vouchers for shows at the Fringe and tour tickets to Johnnie Walker Princes Street. With each ticket bought via the Fringe, customers can click on the ticket banner in their booking confirmations to be entered into the prize draw.
Edinburgh Gin
2021 is the first year of our exciting new partnership with Edinburgh Gin, who are working to support Fringe artists affected by the pandemic.
The team have collaborated with Fringe Society president Phoebe Waller-Bridge to create a special limited-edition bottle, which captures the wonder of Edinburgh through the lens of Fleabag.
Every penny of profit will go towards a new fund, being run in partnership with the Fringe Society, which will support artists to create and bring work to the Fringe. More than £150,000 is hoped to be raised.
Sponsors and supporters
As a charity, the work of the Edinburgh Festival Fringe Society would not be possible without the valuable support of our partners, sponsors and funders. We are delighted to be working with Johnnie Walker for the third year running as our official whisky partner.
We are proud to be partnering with the newly opened St James Quarter and are excited to be working with them this year and beyond.
We are excited to be partnering with Crowdfunder again through our FringeMakers fundraising platform, supporting Fringe artists and venues with vital fundraising efforts.
We have teamed up with Rare Birds Books to a create a limited-edition book bundle with books selected by the women behind three of the Fringe’s most iconic venues; Rowan Campbell, the General Manager of Summerhall, Dani Rae, the General Manager of Assembly and Katy Koren, who co-runs Gilded Balloon. Proceeds of the sale of this bundle will support go directly to supporting Fringe artists bring work to the Fringe.
We would also like to thank Lothian Buses for their continued support of our Fringe Days Out programme.
We’re thrilled to welcome Edinburgh Gin on board as Official Gin of the Fringe and look forward to working with them.
We are grateful for funding through the PLACE Programme, a partnership between the Scottish Government -through Creative Scotland -the City of Edinburgh Council and Festivals Edinburgh; Scottish Government for Made in Scotland through the Festivals Expo Fund -managed through Creative Scotland -and the continued support of the City of Edinburgh Council. Thanks also to Scottish Government for funds from their Get into Summer campaign.
We are grateful for funding from the Pivotal Event Business Fund, the SCVO Adapt and Thrive programme, the Foyle Foundation and the UK Government to enhance our digital capabilities.
Our thanks also to the Paul Hamlyn Foundation, the Pump House Trust and the Turtleton Charitable Trust.
With thanks to EventScotland and City of Edinburgh Council for supporting Street Events.
Thank you to Brightcove, our streaming partners, for their support in delivering the Fringe Player.
Our thanks also to our Fringe Angels, Patrons, Friends and supporters whose passion and generosity made a real difference this year.
World leading festivals begin bounce back from impact of COVID-19
Edinburgh’s world-leading summer festivals are back, with their recovery from the impact of the COVID-19 pandemic supported by more than £5.4 million from the Scottish Government.
The Edinburgh Festival Fringe opens today, followed by the Edinburgh International Festival (EIF), with the Edinburgh Art Festival already open.
The Edinburgh International Book Festival will open a new chapter in a new venue on August 14, and the Edinburgh International Film Festival will welcome audiences from August 18.
The Scottish Government’s Gateway process has also allowed a small number of flagship events with national significance to take place in 2021, with limited numbers of spectators and subject to health advice, and both the EIF and the Fringe will stage events as part of the process.
Cabinet Secretary for Culture Angus Robertson said: “Edinburgh’s festivals are back – a significant moment for these landmark, world-leading events, and for our nation’s capital.
“The festivals were sorely missed last summer, and their return is a major step in the right direction as well as testament to the determination of festival organisers, along with the artists, venues and businesses involved.
“Already a huge amount of work has gone on behind the scenes to support the return of these globally significant cultural events and the benefits they bring to Scotland for our culture, for tourism, for trade and our place on the world stage.
“I’m delighted to welcome the Edinburgh Festivals’ return and see the world’s leading festival city come back to life in 2021.”
Chair of Festivals Edinburgh Sorcha Carey said: “The support of the Scottish Government and its agencies has been crucial to the very survival of our world-famous festivals, and we’re deeply grateful.
“All those who’ve worked tirelessly and are now able to manage a careful restart will be delighted to reconnect the people of Scotland with the live culture they’ve so badly missed.
“We want to support the vision of the First Minister and her team that culture will be at the heart of recovery, and we look forward with hope that Edinburgh’s peak festivals season can mark a turning point for Scotland’s culture sector.”
120 young people from Edinburgh create multi-artform production
Strange Town, one of Scotland’s leading theatre companies for young people, is delighted to announce that their large scale multi-artform project – theatre, movement, spoken word, film, sound – ‘Generation Z: The Future is Unwritten’, will culminate in a live promenade performance and video installation event at Out of the Blue Drill Hall, Dalmeny Street on Friday 18 and Saturday 19 June.
Despite the challenges of Covid-19 restrictions throughout the five-month project, Strange Town’s most ambitious production to date has involved more than 120 of Edinburgh’s young people (aged 8 -18), with support from the company’s emerging playwrights (aged 18-25) and directors; and guided and mentored by industry professionals.
Using the stimulus, ‘Can Young People Change the World?’, ‘Generation Z: The Future is Unwritten’ has been created by, and will be performed by, members of the eight Strange Town Youth Theatre Groups from across the city.
The members of Strange Town Youth Theatre responded to the stimulus with work addressing a range of topics including isolation, technology, identity, generational division, Black Lives Matter, climate change, ideal society/world, protest, kindness, having your voice heard and Covid-19.
In order to maximise the opportunities audiences will have to experience the live performance and video installation, the 60-minute promenade event will be presented to 20 socially distanced audience members three times a night in three separate spaces.
The whole audience will come together to experience a live performance from just six actors before being split into two separate groups to watch film and listen to audio material.
Additionally, a site specific eight-minute video will be projected on a wall next to the St. Andrew, Ukrainian Catholic Church of Our Lady of Pochaev, on Dalmeny Street, which will include a specially choreographed movement piece. This will also be be a ticketed event for socially distanced audiences.
On 26 and 27 June there will be an opportunity to pay to view a film of the live event together with a variety of additional video, audio and written material developed by the groups.
The eight groups have met for weekly online digital drama workshops and face-to-face creative sessions, where possible, to explore the question and to create, write, film and record material. The groups have also worked together with members of the new Strange Town Young Writers Group who have both developed the work the groups have devised and written their own additional scenes.
As well as theatre, choreography and movement has played a big part in the project. 70 young people from the company got involved in a professionally choreographed movement piece, reflecting on the stimulus. This involved Zoom rehearsals and everybody recording their final performance on their mobile phones.
Rehearsals for the live performance are now underway with a drastically reduced number of actors working to strict guidelines, while video and sound design and editing is nearing completion
The Creative Scotland funding has also enabled Strange Town to employ a full technical team and additional production staff that include film editors, projection mappers, sound designers, a choreographer and production designer.
Steve Small, co-creative director of Strange Town and producer of ‘Generation Z: The Future is Unwritten’, said: “The Gen Z project is a testament to the hard work put in by everybody involved in the company.
“Despite the challenges and difficulties of the pandemic, watching the enthusiasm, skill and pride with which the production team has undertaken this task and having seen how the young people have adapted and risen to the challenge, as well as the range and quality of the work they’ve produced, it’s impossible not to feel massively encouraged. Despite the dark days of the lockdown restrictions, we hope better days are coming. People will always find a way to be creative.
“Thanks to the funding from Creative Scotland, Generation Z: The Future is Unwritten’s mix of indoor and outdoor and digital work means that everyone will be able to enjoy it wherever they are. We hope it will create some much-needed hope and enjoyment for 2021.”
JEFF WAYNE’S MUSICAL VERSION OF ‘THE WAR OF THE WORLDS’ ALIVE ON STAGE!
THE MULTI-AWARD WINNING MASTERPIECE RETURNS IN 2022
FIRST GUEST ARTISTS ANNOUNCED: STEPS’ CLAIRE RICHARDS as Beth, The Parson’s Wife & STRICTLY COME DANCING’S KEVIN CLIFTON as The Artilleryman
RETURNING: LIAM NEESON as The Journalist in 3D Holography & Composer JEFF WAYNE Conducting.
FINAL CAST MEMBERS TO BE ANNOUNCED SOON
TICKETS ON SALE NOW WHO: The War Of The Worlds WHAT: The Life Begins Again Tour 2022
One of the most trailblazing arena tours of all time, Jeff Wayne’s Musical Version of ‘The War of The Worlds’ – Alive on Stage! returns to arenas throughout the UK in 2022.
Steps’ and stage star Claire Richards makes her debut as Beth, The Parson’s Wife. With Steps,Claire has amassed fourteen Top 5 singles (including three Number 1’s), and three multi Platinum albums, including 20 million in record sales and seven sold-out arena tours.
Claire is often our TV screens, including The One Show, Loose Women, Celebrity Big Brother and Popstar to Operastar, and her 2019 solo album, My Wildest Dreams, hit the UK Top 10.
Claire said: “I am so thrilled to be joining the cast of Jeff Wayne’s The War of The Worlds for their 2022 Arena tour. To be a part of such an iconic production is so exciting, and I’m really looking forward to getting back out on the road next year.”
Strictly and West End star Star Kevin Clifton will debut as The Artilleryman. Kevin has thrilled audiences in the West End and across the UK, starring in ‘Rock of Ages’, ‘Dirty Dancing the Musical’ and ‘The Wedding Singer’.
Now, he’ll be returning to the stage in 2022 for this exciting role. Kevin is best known as a Pro Dancer on BBC One’s, ‘Strictly Come Dancing’ being the only pro dancer to ever dance in four consecutive finals.
Kevin said “I am unbelievably excited to be joining the cast of Jeff Wayne’s The War Of The Worlds. In 2022 this particular story could not be more relevant. After so long without live performance, what better experience could there be than this spectacular arena production complete with a full live onstage orchestra and special effects. ‘Life Begins Again!’ “
Based on HG Wells’ dark Victorian tale, it remains a firm favourite to millions around the world.
In 2006 TWOTW was considered a cutting edge production with six trucks filled to the brim. In 2022, marking a momentous 16 years of touring, the production will be up to 12, and with it, a host of ingredients and special effects that will challenge and excite the senses for audiences of all ages, all set to Jeff’s iconic score.
FEATURING:
The iconic 3-tonne, 30-foot tall Martian Fighting Machine firing real-flame Heat Rays at the audience.
The 8-piece Black Smoke Band and symphonic ULLAdubULLA strings.
Leaf drops over the audience.
Mixed live in Surround Sound.
Giant bridge from the lip of the stage out over the audience.
Three panoramic screens featuring 2 hours of cutting edge CGI & Video content.
The incineration of a Cast member in full view of the audience.
NEW FOR 2022:
The Flaming Man
Callum O’Neil as ‘The War of The Worlds’ author, HG Wells – in Sight and Sound.
Otherworldly special effects!
Jeff said: Why are we calling this The Life Begins Again Tour? It’s certainly a name appropriate for the times we have been living through since the first lockdown in 2020, caused by the pandemic. But ironically, the title comes from a musical phrase in my original 1978 double-album just as Humanity learns that the Martians, with all their superior intelligence, incredible machines and weaponry, hadn’t foreseen one particular thing – the common cold, and the bacteria that caused it. And in a sneeze, they were gone!
Now from all over Britain, mankind began returning to their homes. Life was beginning again. By 2014 I decided that original musical phrase should be expanded into a full song, performed by all the characters we have met along the way, and it has appeared in every tour and production since.
HG Wells conceived his story’s ending with Human bacteria defeating the invading alien force. But how could he have possibly known, that over 120 years later, a virus born on Earth, would appear and reap havoc on innocent people of all ages, colour and ethnicities, world-wide. Let us hope, that like HG’s Martians, this horrible disease is being truly defeated, as life will begin again.”
JEFF WAYNE’S MUSICAL VERSION OF ’THE WAR OF THE WORLDS’ – A SUMMARY
Jeff Wayne’s double album was originally released by CBS Records in 1978 featuring Richard Burton,the Moody Blues Justin Hayward, David Essex, Julie Covington, the It has enjoyed huge success and critical acclaim across the globe with over 16 million records sold and spending over 330 weeks in the UK Album Charts (to date) plus achieving two International hit singles – ‘Forever Autumn’ and ‘The Eve of The War’.
It has been Top 10 in 22 countries and Number 1 in 11 of them. In 2012 the New Generation double album was released and featured an expanded story-line with a new cast including: Liam Neeson, Take That’s Gary Barlow, Joss Stone and Kaiser Chief’s Ricky Wilson..
Jeff’s Musical Version has also won two prestigious UK Ivor Novello Awards, the US Best Recording in Science Fiction and Fantasy (the judges included Alfred Hitchcock, George Lucas and Steven Spielberg), as well as winning for Jeff, Classic Rock’s ‘Showman of The Year’ Award following the debut arena tour in 2006.
Jeff Wayne’s Musical Version of ‘The War of The Worlds’ has grown into a true classic, acquiring new generations of devoted followers since its original release.
It has now been seen in London’s West End, a chart-topping 5-hour Audible Audiobook featuring Michael Sheen, Taron Edgeton and Theo James, and in 2019 opened at London’s Old Metal Exchange Jeff Wayne’s The War of The Worlds: The Immersive Experience and winning the THEA Award, the ‘Oscar’ of the interactive world. Now Covid compliant, it is re-opening again from May 22.
The 2006 DVD topped the UK Music DVD Charts for 7 consecutive weeks and was seen for a year on Sky Arts TV, and the 2012 DVD also enjoyed great success.
TOUR DATES
MARCH 2022
23 NOTTINGHAM MOTORPOINT ARENA 24 BIRMINGHAM RESORTS WORLD ARENA 26 CARDIFF MOTORPOINT ARENA* 27 BRIGHTON CENTRE 28 BRIGHTON CENTRE 29 BOURNEMOUTH INTERNATIONAL CENTRE 30 BOURNEMOUTH INTERNATIONAL CENTRE
APRIL 2022
01 MANCHESTER AO ARENA 02 GLASGOW THE SSE HYDRO 03 LEEDS FIRST DIRECT ARENA 05 HULL BONUS ARENA 06 LIVERPOOL M&S ARENA 07 NEWCASTLE UTILITA ARENA 09 LONDON THE O2*
Smith and Brant Theatricals and Ambassador Theatre Group Productionsare today delighted to announce a new production of Fatal Attraction, based on the classic Paramount Pictures Corporation film.
The thrilling new play will embark on a major UK Tour in 2022, opening at the Brighton Theatre Royal on Tuesday 14th January 2022, before touring to Theatre Royal, Newcastle; King’s Theatre, Edinburgh; Theatre Royal, Bath; Theatre Royal, Nottingham; Alexandra Theatre, Birmingham; New Theatre, Cardiff; Everyman Theatre, Cheltenham; Richmond Theatre, Richmond; Royal and Derngate, Northampton; Waterside Theatre, Aylesbury; Theatre Royal, Glasgow and York, Grand Opera House.
Fatal Attraction is the latest grip-the-edge-of-your-seat thriller from the producers of the acclaimed tours of Patrick Hamilton’s Gaslight and Patricia Highsmith’s Strangers on a Train.
Fatal Attraction is written by James Dearden, who based the stage play on his Oscar-nominated screenplay, which in turn was adapted from his 1980 short film, Diversion.Loveday Ingram will direct the production with a full casting announcement to follow.
One of the most iconic films of the era, Fatal Attraction was one of 1987’s highest grossing US Box Office release, securing six major Oscar nominations at the following year’s Academy Awards, including: Best Actress for Glenn Close’s mesmerising depiction of urbane sophisticate Alex Forrest, Best Supporting Actress (Anne Archer), Best Writing Adapted Screenplay (James Dearden), Best Director (Adrian Lyne), Best Editing, and Best Picture.
Michael Douglas – at the peak of his Hollywood powers – was omitted from the list only as he was nominated elsewhere in the Best Actor category for his role as Gordon ‘greed is good’ Gecko in Wall Street, which he went on to win.
Fatal Attraction’s success was such that the film inspired a generation of psychosexual thrillers in the years that followed.
When happily married New York attorney Dan Gallagher, meets charming editor Alex Forrest on a night out in the city, they both commit to a night of passion they can’t take back. Dan returns home to his family and tries to forget the mistake he has made, but Alex has different ideas. Dan’s about to discover that love is a dangerous game, and Alex has only one rule; you play fair with her, and she’ll play fair with you.
Loveday Ingram trained with John Barton at the RSC and was previously Associate Director at Chichester Festival Theatre. Loveday’s credits include: The Rover, The Merchant of Venice (Royal Shakespeare Company); Henry V, Julius Caesar (Storyhouse); Baskerville: A Sherlock Holmes Mystery (Liverpool Playhouse/National Centre for the Performing Arts, China); My One and Only (Piccadilly Theatre/Chichester). Nominated for 4 Olivier Awards and Evening Standard Award); The Blue Room (also Chichester), When Harry Met Sally (Theatre Royal Haymarket); Bedroom Farce (Aldwych Theatre); Three Sisters, Pal Joey (nominated for TMA and Barclay Best Musical Awards), Dead Funny, Insignificance (Chichester Festival Theatre); Macbeth (Theatre Severn); Richard III (Nottingham Playhouse/York Theatre Royal); These Shining Lives (Park Theatre); Rockabye (Beckett Centenary Festival/Gate Theatre Dublin/Barbican); Boston Marriage, Hysteria (Irish Times Award) (Project Theatre Dublin); Outlying Islands, Lettice and Lovage (Bath Theatre Royal); The Messiah (National Theatre of Brent/Bush Theatre). Opera credits include All About Love (Linbury Studio); Brittain’s Rape of Lucrece (BAC) and Barber’s Vanessa (Lyric Hammersmith). Music Video includes This Time It’s Forever (Women’s Aid).
Tipped to be provocative and gripping in equal measures, Fatal Attraction is a tale of seduction and suspense that asks the question; what happens when desire becomes deadly?
Renowned talent management and theatre training programme, Stagebox, will be hosting its Edinburgh auditions at Dance Base, Scotland’s National Centre for Dance, on Sunday (16th May 2021).
If you know a young performer aged 8-18 years old who is looking to take their talent to the next level, Stagebox is inviting auditionees to take to the stage at this weekend’s in-person audition workshops.
Successful talent will enjoy the exclusive award-winning performance training programme during the school holidays, as well as benefitting from the talent management at Stagebox.
For the first time, auditions are free of charge, with Stagebox founders keen to encourage everyone with a love of theatre to come along and audition.
Stagebox recently released a video featuring its Edinburgh cast performing an original medley from Disney’s The Little Mermaid on YouTube, so hopeful auditionees can envision just what it’s like to be part of the Stagebox world. The video has already amassed an impressive 5,000 views in less than a week.
With Stagebox alumni starring on stage and screen, many securing lead roles for Disney, Netflix, in the West End and beyond, Stagebox offers rising stars the chance to train smart, build industry connections and gain unrivalled opportunities in theatre, television and film.
Stagebox’s General Manager, Jasmine Quinlan Gardner, said: “It’s been a turbulent period for the performing arts industry to say the least, and we’re so delighted to be holding the free auditions in Edinburgh.
“Stagebox is about opportunity, and we’re thrilled to be celebrating the country’s budding talent.”
Kirsti Bagger, Head Agent at Stagebox said: “We’re looking to meet new performers with passion, ambition and star quality.
“We’re very passionate about accessibility and inclusivity which is why we’re removing audition fees this May – we welcome children from all backgrounds, from newcomers all the way up to advanced level and we can’t wait to see what the young people of Edinburgh have to offer!”
These auditions are guaranteed to fill up fast and limited spaces apply. To register your spot for the Edinburgh audition date, please visit Eventbrite.
Last week, we announced to Fringe participants that we’ll be opening show registration – for both online and in-person performances – on Wednesday 05 May, in advance of the Fringe taking place from 06 – 30 August.
This is an exciting moment for the Fringe Society; it means all the preparatory discussions we’ve been having – with artists, venues, government and all members of the Fringe community – can finally be translated into action, with visible results.
The positive response we had to last week’s announcement only confirms what I knew in my heart – that there are many people out there who are just as excited and eager as we are to see the Fringe return!
Of course, opening registration is only the start of this process – we are acutely aware of how difficult the last year has been for artists, and we’re doing everything we can to support them in making work this year and beyond.
We’ve reduced registration fees across all tiers by 25%, and removed the top tier entirely.
We’ve also announced the opening a Fringe Artist and Venue Recovery Fund: a £75,000 funding pot which is available to Fringe companies, creatives and venues to support projects that will enable a return to the Fringe in 2021 or 2022.
The fund will prioritise projects that seek to improve opportunities for access on the Fringe by underrepresented groups – you can find out more at edfringe.smartygrants.com.au/recoveryfund.
There’s certainly a lot more still to be done, but we feel this is the first of many steps we can take to support artists returning to the Fringe.
I recognise that any eagerness to restart the Fringe must be tempered by a sense of caution and responsibility.
We continue to work closely with Scottish Government and the City of Edinburgh Council, and keep a close eye on official guidance as it emerges and develops, using it to inform every decision we make.
The most recent news indicates some easing of restrictions by the end of June, which is definitely encouraging, but if the last year has taught us anything it’s that things can change at very short notice, so for those dreaming fervently of a fun-packed summer in Edinburgh, we strongly recommend an attitude of cautious optimism at this stage.
It’s also important to remember that this year’s Fringe won’t be the same as it was. Even as restrictions relax, we still expect to see some form of social distancing and other safety measures in Edinburgh this August.
Again, we’ll work with venues and other partners to figure out how best to use this information as it develops, creating clear guidance for audiences and participants. We also know that it will not be possible to produce our usual printed programme this year, though we are exploring alternatives.
While it is right and appropriate that we manage our expectations about a return to live performance, I am full of positive anticipation to see how Fringe artists channel their extraordinary creative energy into digital work at this year’s festival.
As happens with any seismic change in society, artists have responded to online life in brilliant and inventive ways, and I think it entirely correct that the Fringe – with its longstanding reputation for unleashing the creative spirit – showcases the best in digital inspiration as well.
Silver linings to the past year’s events are few and far between, but the increased availability of innovative, imaginative work – work that can be accessed virtually anywhere – is surely among them.
With this in mind, we’ve put a lot of time and energy into developing our digital infrastructure for this year’s Fringe. We’ve ensured that, whichever online platforms artists and venues want to use, we can support them to do it; they’ll also have access to our own innovative Fringe Player.
In addition, we’re creating an exciting new online events programme and meeting space to help artists and industry connect and collaborate, which we’re hoping to launch in summer.
With the seeds of carefully laid plans now blooming into life, our goal – as ever – is to support Fringe participants.
As mentioned above, registration (and the wide range of benefits and services that come with it) will open in May, and will remain open right through to the end of the Fringe with no deadlines attached.
We’re also continuing to invest in our website so that audiences can search, browse and book shows as easily as ever, helping them find the artists whose work will resonate with them for years to come.
All of our plans are being made cautiously but optimistically, and as ever, public health will be our priority. But we can take heart in the fact that the Fringe is happening. And, whether online or in a venue, I can’t wait to see you there.
Edinburgh Festivals – the biggest combined festivals in the country – will benefit from £1 million from the UK Government this year
Half a million pounds will fund a new digital platform to promote UK talent and content to both international and domestic producers
£500,000 will be made available for Festival organisers to increase their digital capabilities
The UK Government will fund two new projects to expand the digital potential of the Edinburgh Festivals with £1 million investment, Culture Secretary Oliver Dowden has announced.
The Edinburgh Festivals are the biggest combined festivals in the UK, attracting audiences of nearly 5 million every year, generating £313 million for Scotland’s economy alone, and providing unparalleled opportunities for artists across the country.
Last year many shows at the Edinburgh Festivals had to move online due to the coronavirus pandemic.
The challenge of moving to a combination of physical and online events, and the increased demand for British virtual cultural content around the globe, revealed the need to expand the Edinburgh Festivals’ digital capabilities as part of the cultural sector’s post-Covid recovery.
The UK Government is providing £1 million in funding for digital improvements that will enable more ways for people to virtually access the events across the country, increase opportunities for UK artists and ensure Edinburgh’s landmark events will continue to be major contributors to the UK’s economy and cultural landscape.
The 11 festivals in the Festivals Edinburgh event portfolio will be able to apply for a share of a new £500,000 fund which will support innovative virtual solutions to the challenges of commissioning, producing and promoting festival programmes in an increasingly digitised cultural sector.
The funding will help encourage collaboration between events and develop hybrid events with live and digital elements.
Another £500,000 will be provided to create a new digital platform that will help national and international buyers and producers search for talent and content from the festivals’ hugely varied programmes, which showcase thousands of artists and performers every year, and promote the work of British artists and performers around the world.
The funds will be available to Festivals Edinburgh this financial year. Events with live audiences at limited capacities in Scotland will return no earlier than 17 May, and further details about the planning for this year’s Edinburgh Festivals will be released in due course.
This funding builds on £100,000 previously awarded to the Edinburgh Fringe Festival in 2018 to better connect UK artists with international producers. As part of ongoing support for culture in Edinburgh, the UK Government provided £10 million for the Dunard Centre, through the Edinburgh and South East Scotland City Region Deal.
It will be the city’s first dedicated new space for music and the performing arts in 100 years. Scotland also received £97 million from the UK Government’s Culture Recovery Fund to provide support for the nation’s arts and cultural sectors.
Lothian MSP candidate for Edinburgh Southern, Miles Briggs, said:“This funding from the UK government is a very welcome investment into the arts and supporting the Edinburgh festival.
“It has been an exceptionally challenging year for artists and performers, many of whom have needed to adapt to virtual audiences.
“This investment will pave the way for hybrid Edinburgh Festival performances, which will allow people around the globe to see the creativity and talent on show in Edinburgh.”
Oliver Dowden, Culture Secretary, said:“Edinburgh’s Festivals have long been a springboard for the very best of British talent and a vital part of culture in Scotland and the UK.
“The UK Government’s investment will promote it to a worldwide audience online, helping the UK’s biggest combined festival build back better from the pandemic.”
“This is on top of £97 million we provided last year to the Scottish Government to support Scotland’s arts organisations through the pandemic. Like everyone else, I look forward to our fantastic arts and culture coming back better than ever before, as soon as it is safe to do so.”
Iain Stewart, UK Government Minister for Scotland, said:“Edinburgh is world-famous for its festivals, bringing wider benefits to Scotland’s economy, tourism and arts sectors.
“We know the last 12 months have been difficult for the culture sector. This £1 million funding boost will support organisations to improve their digital capabilities and engage with audiences here in Scotland and further afield.”
Sorcha Carey, Chair, Festivals Edinburgh, said: “While live events in Edinburgh will remain the backbone of our world-class festivals, it’s crucial that we enhance our digital operations and so we’re delighted with this incredible support from the UK Government which will help reposition our work, and the work of creatives, across the digital world.”
Sir James Macmillan, Composer, said:“I’m delighted and encouraged to see this significant and notable support being given to the Edinburgh Festivals at this crucial point.
“The arts have been seriously affected by the pandemic and it is wonderful that the UK Government is showing its tangible commitment to culture in Scotland by investing in one of Scotland’s and Britain’s most important arts organisations.”
Capital Theatres, Scotland’s largest theatre charity, has thanked the public for its incredible support of the theatres through its Crowdfunder campaign, an urgent appeal for support launched last month.
The Crowdfunder closed at noon yesterday having raised £86,900 from 1670 people, more than doubling its original target of £35,000.
Capital Theatres, which operates Edinburgh’s much-loved King’s Theatre, Festival Theatre and The Studio had asked for donations to help ensure its three city centre theatres can re-open when it is safe to do so, and to ensure continued access to creativity and the arts for the most vulnerable communities during COVID-19.
The money raised through this outpouring of love and affection for the organisation and its theatres will be put to great use protecting the core staff of the theatres, maintaining the heritage buildings and preparing for a March re-opening should government restrictions, public safety and science allow.
A series of rewards proved extremely popular with supporters, especially opportunities to get behind the scenes with the tech team at the theatres, enjoy a glass of fizz with Elaine C Smith or a chat about theatre voices with Ian Rankin over zoom, an illustrated limited edition poem about the King’s Theatre by King’s Ambassador Alexander McCall Smith, and the opportunity to appear in the next panto!
Fiona Gibson, CEO of Capital Theatres said: “All of us here at Capital Theatres are very humbled by the response from the public to our appeal. We know we still have a long way to go to reopen our doors, but an incredible show of support like this, with wonderful comments and memories shared, clearly demonstrates what our theatres mean to so many.
“It gives us all the passion, energy and determination we need to ensure we survive this crisis through bringing back great shows to our stages when we can and to support our community throughout. A huge, huge thank you to everyone who made this possible with your incredibly generous donations. We can’t wait to welcome you back over our doors when it’s safe for us to do so.
“A huge thank-you too to our King’s Ambassadors, our national companies Scottish Opera and Scottish Ballet and to Birmingham Royal Ballet as well as our corporate partners for their in-kind support of the campaign, and to all of our stakeholders for their beautiful words of encouragement and support.”
Other members of the Capital Theatres staff team added their thanks as news of the scale of donations was shared.
“I was blown away watching all the rewards get snapped up and our total just soar and soar. It truly brought home a sense of belonging to, and our value in the community both at home and afar! I’m looking forward to seeing all of you soon. Thank you for your support!” commented Mark Pringle, Head Flyman
Cat Sheridan, Learning and Participation Coordinator, said: “I am so overwhelmed by the incredible support for Capital Theatres and our ‘Raise The Curtain’ programme, without which none of our digital engagement sessions, with our wonderful participants, would be possible.
And Joanna Miller, Head of Marketing added: “We have been overwhelmed at the outpouring of love for the theatres from the 1670 donors and the generosity of our Friends, customers, Edinburgh’s arts community and the city’s residents. This money will help us to provide entertainment and inspiration during this current pandemic whilst our venues are closed. Thank you from the bottom of our hearts.”
Capital Theatres is currently actively campaigning to receive emergency Government funding at the same level as other publicly supported theatres, which would allow the theatres to continue to play a vital part in Edinburgh’s year-round thriving arts scene and support the local and national economy.
A petition calling on the Scottish Government to recognise the scale of emergency facing Capital Theatres on Change.org has secured 12,667 signatures to date and is still open for those looking to lend their voice to its campaign.
The money raised through the Crowdfunder is a fantastic support for Capital Theatres. Those who missed the Crowdfunder but would like to support the theatre charity’s work can still donate at www.capitaltheatres.com
#SaveOurTheatres and #AfterTheInterval
Just a few of the comments received on the Crowdfunder page:
Lynne said: “I love the panto very much and was always going to donate but the chance to BE IN the panto was too good to pass up! Wishing you all the best.”
Martin said: “A building, team and company I love. They have welcomed, supported, cajoled and helped me develop as an amateur stage manager.️”
Jennifer said: “Life is so poor without live arts and culture. I miss you very much and am desperately hoping you survive this ongoing lengthy crisis.”
Linda said: “Theatres give so much joy and pleasure and we really need to know they will survive this terrible pandemic. Here to support you in your time of need.”
Evelyn said: “No question our theatres are worth preserving, and the artists and technicians working in the theatre should be supported, not only because the theatre is their livelihood, but also because the arts are actually vital to our well-being (and make life so much more interesting!). I have missed the fun and buzz of live performances (not to mention the cancelled festivals!) and I look forward to the day the doors open again!”
Mairi said: “The Festival Theatre holds a special place in my heart; I’ve been coming here since it opened in 1994 and it is one of the things I have most missed over the last six months.”
June said: “We can’t let this happen – everything is a venue in the Festival, but if we are still to be internationally renowned as a city of culture we must have theatres of international standard, with their own Edinburgh heritage. (And there is no panto in the world like it!)”
Susan said: “My whole family has been coming to The Kings panto for nearly 30 years, never missed it once! Would be gutted if my kids couldnt carry on the tradition! Our best night of the year! Good luck! X️️”
And as Jo succinctly said: “Long live the King’s!”
