The shocking scale of Halloween-related waste

As Halloween fast approaches, many are preparing for the spooky season, with a 5,000% increase in UK searches over the past month for “Halloween costumes” and a 400% increase in searches for “pumpkin carving ideas”.

However, councils across the UK are warning of levels of waste caused by discarded pumpkins, plastic costumes, and decorations.

The experts at Rainbow Rubbish Removals therefore urge households to think green this Halloween, revealing exactly how much food and plastic waste occurs during this season and tips on how to to reduce waste this year.

The True Cost of Halloween: Equivalent of 83 million plastic bottles

An estimated 42% of UK consumers buy a pumpkin for carving, equivalent to roughly 30 million pumpkins purchased.

This results in more than 18,000 tonnes of edible pumpkins ending up in the bin. Since it can take up to 20 years for a pumpkin to break down in a landfill, the environmental impact is far greater than what most people realise.

As they decompose, pumpkins release methane, a powerful greenhouse gas that contributes to climate change. 

Every year, around seven million Halloween costumes are thrown away in the UK, which is an estimated  2,000 tonnes of plastic waste. About 83% of these outfits are made from polyester, a material that can take anywhere from 20 to 200 years to decompose. When these synthetic fabrics break down, they release microplastics and greenhouse gases, polluting the environment and harming wildlife. 

Miroslav Radov, waste expert at Rainbow Rubbish Removals commented: “Much of Halloween waste can easily be avoided. Most carved pumpkins are perfectly edible, yet millions are discarded instead of being cooked or composted.

“The popularity of single-use costumes and decorations also means tonnes of plastic end up in landfill after just one night’s use.

“With Halloween celebrations growing every year, the environmental impact is increasing, creating what councils are calling a ‘frightening trend’ of seasonal waste that puts further strain on local recycling and collection services.”

Councils calling for increased Halloween recycling

Local councils across the UK are urging residents to think twice before throwing away pumpkins, costumes, and decorations this Halloween.

Many are running pumpkin collection and composting schemes, while others are hosting costume swap events or providing dedicated recycling drop-offs for decorations. Before purchasing a brand new costume this year, check if your city offers a ‘swap shop’, as it’s a great initiative aimed at encouraging sustainable living, reducing single-use waste and helping families save money.

Emma Stokes, Worcestershire County Council’s Cabinet Member for the Environment, warns: “People might think leaving pumpkins out for wildlife is a good idea, but rotting pumpkins can actually harm animals, especially hedgehogs.

“We encourage everyone to enjoy their pumpkins to the fullest so try out some new recipes, or dispose of pumpkins responsibly by composting or repurposing.”

Giles Hughes, Chief Executive at West Oxfordshire District Council, said: “Switching from new shop bought costumes to making something from old clothing or buying second-hand is another way to be more sustainable.

“Charity shops, apps such as Vinted, and Facebook Marketplace will all have lots of options in the weeks leading up to Halloween.” 

How to make a difference at home:

Reducing Halloween waste doesn’t have to be difficult, as just a few simple swaps can make a far less damaging impact on the environment:

  • Compost your pumpkins – Cook the edible parts for soup or alternative recipes such as pumpkin pie, and compost the leftovers instead of binning them.
  • Reuse or swap costumes – Trade with friends or shop second-hand to cut down on single-use plastics.
  • Choose sustainable decorations – Opt for recyclable, reusable, or biodegradable materials instead of plastic-heavy decor.
  • Recycle right – Separate recyclable items like cardboard and bottles, and check your local council’s Halloween recycling guidance.
  • Plan your purchases – Buy only what you need and avoid excessive packaging or disposable partyware.
  • Get creative – Upcycle old clothes and household materials into unique DIY costumes and decorations.

Pedestrian critical following Ferrari collision

Policing officers are appealing for information following a serious road crash in Stennhouse.

The incident happened around 8.50pm last night (Saturday, 25 October, 2025) on Stenhouse Drive, just west of its junction with Stenhouse Grove, and involved a red Ferrari 488 Spider and a pedestrian.

Emergency services attended and the pedestrian, a 26-year-old man, was taken to hospital for treatment where he remains in a critical condition.

The road was closed to allow enquiries to be carried out and reopened around 12.20am on Sunday, 26 October, 2025.

Officers are appealing to anyone who may have witnessed the crash to assist.

Following enquiries, it is believed a white saloon type car was driving ahead of the Ferrari prior to the collision and may have witnessed what happened.

Sergeant Grant Hastie said: “We are appealing to anyone who was in the area around the time of this incident to please contact us with any information that may assist.

“In addition, anyone with CCTV or dash-cam footage is asked to get in touch.”

Anyone with information is asked to contact Police Scotland via 101 quoting reference 3121 of 25 October, 2025.

Poverty Alliance: This is just the start

SCOTLAND DEMANDS BETTER

Change for the better happens when people stand together and demand it. That is why thousands of people took to the streets of Edinburgh yesterday to say with one voice that we demand better – better than poverty, better than inequality and better than divisive, hateful narratives that seek to pit our communities against one another.

Trade unions, faith groups, community organisations and charities stood shoulder to shoulder with people from across Scotland to demand fair work, strong public services and dignified social security.

It was a showcase to our political decision makers at all levels that we are tired of waiting for change on the injustice of poverty, and we are standing together to demand action.

This isn’t the end. It is the start of a movement, together in hope and solidarity, for a better Scotland for all of us.

THE POVERTY ALLIANCE

WICKED INSPIRED: Halloween at The Ivy Edinburgh

This spooky season, take a stroll down the yellow brick road and into The Ivy On The Square, Edinburgh as it transforms into The Ivy Emerald City. With a magical dessert, perfectly pink and gloriously green cocktails, Halloween is not to be missed this year at The Ivy.

From 25th October, The Ivy in Edinburgh will be serving up a wickedly delicious dessert, perfect for rounding off a meal this spooky season. Crafted exclusively for the occasion, The Emerald City Apple sees a chilled apple parfait perched on a golden blondie bed with milk foam, accompanied by a raspberry coulis.

Complete with a green witch’s hand and a cloud of candy floss, the dessert is an indulgent and enchanting treat for guests with a sweet tooth.

A hand reaching for an apple in a bowl

AI-generated content may be incorrect.

Sip like a “Good Witch” or a “Bad Witch” with The Ivy’s spellbinding cocktails

Carefully crafted by The Ivy Collection’s expert team of mixologists, this Halloween sees a duo of delicious cocktails launch to celebrate the season:

Bound to be a popular choice for those with a taste of something tart but sweet, the Rhubarb Bubble sees Ketel One vodka, Rhubarb Mead and Doppelgänger Aperitivo blended with a touch of vanilla and served with a magical sprinkling of raspberry sugar dust.

Meanwhile, the Emerald Magic Margarita is definitely a good deed, combining Casamigos tequila with Beesou Honey liqueur and matcha cold brew with a dash of lime and geranium syrup – a dusting of Tajin on the rim casting a spell of heat.

A glass with a drink in it

AI-generated content may be incorrect.A glass with a green drink and ice cubes

AI-generated content may be incorrect..

Guests are invited to book their table [here] to avoid disappointment.

Dream job up for grabs as Prezzo Italian searches for first-ever Chief Tasting Officer 

To celebrate the launch of its newly opened George Street restaurant, Prezzo Italian is offering food lovers the chance to land what might just be the city’s tastiest new role of ‘Chief Tasting Officer.’

Pizza enthusiasts and pasta fans are invited to apply for the honorary position, which will see one lucky recruit enjoy a free main dish every week of the year. The Chief Tasting Officer will spend their time sampling Prezzo Italian’s signature dishes, from handmade pizzas to indulgent pastas, and sharing their thoughts on flavours, combinations and menu favourites. 

Ideal candidates will have a genuine love of Italian food, a passion for flavour, and the ability to spot the perfect pizza topping or pasta pairing. Whether you’re a self-confessed foodie or simply never say no to a slice, this could be the dream role for you. 

Naddy Onions, Marketing Director of Prezzo Italian, said: “With the opening of our new Edinburgh restaurant, what better way to celebrate than by giving one lucky Scot the chance to step into a role created just for them.

“The Chief Tasting Officer role is our way of inviting a passionate foodie to join the Prezzo Italian family, enjoy a signature dish every week, and help us share our love of Italian cooking with the city.”

The new restaurant, located at135 George St, is open seven days a week from 12-10pm and seats up to 250 guests across two floors and an outdoor terrace. Guests can expect a wide-ranging menu of handmade pizzas and pastas, burgers, grill dishes, indulgent desserts and handcrafted cocktails.

Applications for the Chief Tasting Office are now open via this link until Sunday 16th November

Prezzo Italian also operates in Glasgow’s Braehead shopping centre and Aberdeen’s Union Square, with further expansion planned across the UK, including Central London.

British Council launches international artistic residency programme for those affected by war and conflict

Initiative will provide vital support and creative sanctuary for artists from conflict-affected regions

The British Council, in partnership with Arts Council England, Creative Scotland and Arts Council of Wales/Wales Arts International, today announces the launch of a major new residency programme designed to support artists and cultural professionals whose work has been impacted by war and conflict.

The programme will see nine artists and cultural professionals from Lebanon, Yemen, Palestine, and Ukraine undertake residencies at leading cultural institutions across England, Scotland, Wales and Northern Ireland.

The initiative builds upon a successful pilot project held in Scotland in 2023 during the UK/Ukraine Season of Culture, which was delivered by the British Council in partnership with Creative Scotland and Ukrainian Institute.

Starting this month and running until July 2026, the residencies will take place at prominent institutions renowned for their expertise in supporting artists across diverse art forms, from contemporary art to literature and film.

Each residency will last between four and twelve weeks, tailored to meet the specific requirements of both the host organisation and the visiting creative professional.

The programme aims to provide creative practitioners from countries affected by war and conflict with essential quiet time, care, and connections within the UK cultural sector.

This support is designed not only to nurture their individual practice and build their networks, but also to strengthen the communities they work with in their home countries.

Host organisations participating in the programme include Ulster University/Belfast Film Festival (Northern Ireland); Llenyddiaeth Cymru | Literature Wales (Wales); Edinburgh Sculpture Workshop (Scotland); Cove Park (Scotland); Moniack Mhor (Scotland); Pier Arts Centre (Orkney Island, Scotland); Delfina Foundation (England); ACME Studios (England); and Baltic Centre for Contemporary ArtEngland).

The programme also offers host organisations a valuable opportunity to expand their understanding of new cultural contexts, demonstrate solidarity with fellow artists, and develop expertise in supporting colleagues working under extremely challenging conditions.

It also helps connect participants to the wider arts sector, offering fresh insights that can spark new collaborations – benefiting not only the individuals involved but also enriching the host institutions and the sector more broadly.

This initiative reflects the British Council’s commitment to supporting international cultural exchange and providing support for artists whose creative work continues despite the pressures of conflict and displacement.

Artist Yasmine Rifaii, who will be hosted at Cove Park, said: “I have been craving distance from the noise of cities for a while now, so that I may sit with myself and let my thoughts brew into formation.

“The Cove Park residency came at the right time. I look forward to immersing myself with both the silence of nature, and the presence of fellow artists seeking the same experience.”

Anastasiya Gruba, who will be hosted by Ulster University, said: “This residency gives me the opportunity to complete a new version of the script for my tragicomic feature film Women Suicide Season, which I hope will be my feature directorial debut.

“I’m especially excited that the Belfast Film Festival will take place during my stay – it’s a wonderful chance to connect with the Northern Irish film community and international industry professionals.

“And I must admit, I’ve always dreamed of seeing the stunning landscapes of the Emerald Isle firsthand! There’s so much to do, and I can’t wait to dive in.

“I’m truly grateful to the British Council, Belfast Film Festival, and Ulster University for making this possible.”

Tania Rodionova, who will be hosted by Literature Wales, said: “Being a cultural manager doesn’t always allow for having time and space for my personal creative work. And life in Ukraine during the war time makes it even harder.

“So, my expectations for the residency in Ty Newydd is mainly to have this special space however my professional interest in local literature organisations and future cooperation opportunities cannot be ignored!”

Ruth Mackenzie, Director of Arts at the British Council said: “This residency programme recognises that supporting these artists and creatives is about building bridges across our global arts community and contributing to peace and prosperity.

“Just as the British Council was established in 1934 to support artists and creatives in countries across the world in the face of political danger, we continue this mission today. This programme provides space for artistic practice while strengthening the communities these artists support and nourish in their home countries.”

Laura Mackenzie-Stuart, Head of International at Creative Scotland said: “We are delighted to continue this residency programme through our on-going partnership with the British Council.

“The pilot programme in 2023 provided vital access to creative opportunity for artists in Ukraine at a time when accessing facilities in their home country was a huge challenge.

“The five selected artists made Scotland their home for a few weeks but left having made friends and colleagues for life. We wish the next (expanded) round of artists the same creative joy and success in their residencies across the UK.”

Dafydd Rhys, Chief Executive of Arts Council of Wales, said: “This programme embodies the spirit of collaboration that sits at the heart of Arts Council of Wales’s work, and in terms of international connections, the work of our international arm Wales Arts International.

“Through our partnership with Literature Wales, we’re delighted to take part in this initiative to create a space of care and creative exchange, linking Wales with artists whose stories speak to our shared humanity across borders.

“The residency will give Tania time to develop her practice and share her experiences, while enriching Wales’s own literary community with fresh perspectives on resilience, language and the role of art in uncertain times.”

Simon Mellor, Deputy CEO Arts Council England, said: “Arts Council England is proud to be a partner in this important residency scheme, offering artists coming from places of conflict the opportunity to make new connections and to build new networks of support.

“We are particularly glad to join with our sister agencies in extending this initiative across the whole UK, building a body of relationships between creatives and communities both here and in Ukraine.”

Springfield Golf Society marks 43 years of fundraising for Scotland’s children

The Springfield Golf Society celebrated an incredible 43 years of fundraising for Scotland’s national children’s charity at its annual golf tournament at Linlithgow Golf Club on Sunday 12 October.

This year’s event brought together more than 100 players and sponsors as part of a proud tradition of enjoying friendly competition while helping raise vital funds for Children First.

Founded in 1982 by four golf-loving neighbours from the Springfield Estate in Linlithgow, Frank Donnelly, Bill Thomson, Bobby Adair and George McKellar, the golf society began its charitable journey in 1986, raising a modest £45 for Children First, then known as the Royal Scottish Society for the Prevention of Cruelty to Children.

That first effort sparked a legacy that has now raised over £150,000, helping Children First provide practical, emotional and financial support to children and families when they need it most.

Frank Donnelly, now 81, is the last surviving founding member and remains a cherished figure in the society.

Reflecting on the early days and how it started with a golf professional running a competition to see who could raise the most money for charity, Frank said: “Being fathers ourselves, myself and the other three co-founders chose Scotland’s national children’s charity when we entered that first competition.

“We didn’t win that day, but we went on to do many, many fundraisers for Children First over the years and it’s become a great tradition. I’m proud that the society has grown since those early days and of every one of the past and current members who have played a huge part in raising funds for a worthy cause, which the local community has really got behind. The rest as they say is history.”

Frank’s wife, Cathie Donnelly also plays a key role, captaining the Springfield Ladies Golf Society, which was formed 25 years ago and has significantly contributed to the fundraising total.

While the society has held a variety of fundraisers over the years from whisky tastings to afternoon teas, the annual tournament at Linlithgow Golf Club remains the society’s flagship event.

This year’s competition featured sponsorship on all 18 holes and player entry fees that included donations to Children First.

Michelle Supple, Director of Fundraising, Marketing and Communications at Children First, praised the society’s enduring commitment to supporting the charity. She said “Our heartfelt thanks go to both sections of the Society and every single person involved in fundraising for Children First at Springfield Golf Society over the past four decades. Their dedication means the world to us.

“Their incredible efforts have raised over £150,000 to help protect Scotland’s children and give them a brighter future.”

To donate to Children First go to www.childrenfirst.org.uk/donate

FINAL WEEK: Touch Woods exhibition at Edinburgh’s Central Library

HILLSIDE ART GROUP’s EXHIBTION RUNS UNTIL 31st OCTOBER

Hello friends,

I’m letting you know that our art group’s new exhibition, TOUCH WOODS, is in the last week

📅 Thursday 2nd – Friday 31st October 2025

📍 Art & Design Department, Central Library, George IV Bridge, Edinburgh.

This time we’ve been exploring the theme of the forest. The works include paintings, clay footprints, sculptures, and imaginative tactile pieces. Visitors are welcome to touch and experience the art — something that is especially important to us as visually impaired artists.

It would mean a lot if you could come along, spread the word, or even bring a friend.

We have a selection of fridge magnets that are availible for donation and all proceeds will go to our materials fund.

Hope to see you there!

💚Hillside Art Group facebook page – https://www.facebook.com/hillsideartgroup

Youtube Alan McIntyre Studio Art channel – https://www.youtube.com/channel/UCRXJKjXf67BktrsTmhwd-sA

My Music Youtube – neonmyth channel – https://www.youtube.com/@neonmyth

INSTAGRAM – @alanmcintyrestudio

Alan McIntyre

Hillside Visual Impaired Art Group is a weekly meeting point for those who wish to practise their creative skills though visually impaired.

The group is based at the RNIB Scotland’s headquarters in Edinburgh.

New composition to premiere at Railway 200 celebration event

LNER has been announced as sponsor of the world premiere of a new music composition celebrating 200 years of the modern railway called ‘Engine Shed’.

The piece, composed by Shildon-born Edinburgh-based composer Deborah Shaw (aka AURORA ENGINE), will be performed by the Linlithgow String Orchestra at a free public concert on Sunday 9 November 2025.

The project is supported by the charity Making Music and their ‘Adopt a Music Creator’ programme.

As well as supporting Railway 200, the concert also celebrates the 10th anniversary of the founding of the string orchestra and 90 years of the charity Making Music.

The concert will take place at the historic St. Michael’s Parish Church, Linlithgow with the performance starting at 7pm on Sunday 9 November 2025.

You can book your free tickets via the orchestra’s website here

Deborah Shaw, the composer of the new celebratory piece of music, is from the historic railway town of Shildon, situated on the original route of the Stockton and Darlington Railway, which is front and centre of this year’s celebratory Railway 200 events. Her new striking work explores Scotland’s rail history through music while amplifying often unheard voices.

Commissioned through Making Music’s ‘Adopt a Music Creator’ initiative and developed in collaboration with the Linlithgow String Orchestra, their musical director Bill Jones, and with mentorship from composer Ailie Robertson, the composition explores sounds of the railways, whilst reimagining stories of trains, industry, and identity.

Deborah explains: “The piece incorporates snippets of archival recordings and field sounds from the steam engine ‘Twizell’ which was built by Robert Stephenson & Company and is now lovingly cared for by the Tanfield Railway. Orchestral cues are directed with authentic LNER guards whistles and traditional railway hand signals.

“This new composition is so much more than a celebration of trains, I wanted my work to shine a light on the underrepresented voices in both rail and music, from women and marginalised workers to African American railroad traditions.”

Edinburgh-based harpist, songwriter and sonic artist Aurora Engine  (Deborah Shaw) releases her new single ‘Coal Dust’, the first from an upcoming EP  ‘Railway Queen‘ exploring women’s roles in industrial towns 

 LISTEN HERE

WAV MP3 HERE

VIDEO SHORT TEASER HERE

Raw, mechanical textures intertwine with harp, electronics, and voice, creating a sonic landscape that merges the industrial and magical. The EP has been written, recorded and produced by Deb mixing  collected industrial sounds. 

‘Coal Dust’ single draws inspiration from women like the Winterton Sisters early pioneers in railway signalling engineering, as well as the countless women who kept domestic and emotional labour turning while industrial progress was built around them.

Field recordings from steam trains collected by Deborah herself can be heard as a steady undercurrent, collected from railways towns where she was brought up. Lyrics blend nursery rhymes with story of labour and graft.

Funded by Stockton and Darlington Railway for Rail 200 celebrations, and PRS Foundation

Aurora Engine www.auroraengine.com

Aurora Engine / Deborah Shaw is a composer, harpist and pianist based in Edinburgh originally from CO. Durham.

Fusing real instruments, voice and progressive electronica, her work encapsulates a singular and striking sonic landscape. Currently with Hen Hoose as a mentee, recent performances include Celtic Collections, Belladrum and Hidden Door Festival.

Her 2024 work Flutter  about women and Torette’s syndrome is being programmed at CRYPTIC  2026. 

‘Magical and Delicate’ Tom Robinson BBC 6 Music

‘Splendid….mellifluous harp playing elegantly woven around electronic fizzles…dark magic abounds’ – Electronic Sound Magazine (Feb 2024)

COSLA launches Holyrood Election 2026 Manifesto

For our communities to live well locally, councils are essential. Councils provide safer communities, housing, roads and transportation, education, social work and social care, environmental health, trading standards, mental health services, advice services, employability, recycling and waste services, libraries, leisure facilities and many more vital services that support and create opportunities for every community in Scotland.

This manifesto sets out what local government needs from Scottish Government to continue to serve local communities and enable us all to live well locally.

Our key asks are grouped under six priority areas, divided into ‘enabling priorities’ focusing on key levers at our disposal (finance, workforce and democratic powers) which enable delivery of our ‘outcomes-focused priorities’ (future generations, thriving places and thriving communities).

We need Scottish Government to work together with local government, as equal partners, to deliver lasting change and improve outcomes.