BBC teams across England, Scotland, Wales and Northern Ireland are calling on audiences to nominate their local heroes for the Make a Difference Awards, which will span the entire UK for the first time
BBC teams across England, Scotland, Wales and Northern Ireland are calling on audiences to nominate their local heroes for the Make a Difference Awards.
For the first time, the awards will span the entire UK, with BBC Radio Scotland, BBC Radio Wales, BBC Radio Cymru, BBC Radio Ulster/Foyle and BBC Radio nan Gaidheal all joining the search for community heroes. All stations will be part of this annual celebration of kindness, alongside all 39 local BBC radio stations in England.
There are also two new categories introduced this year: The Young Hero Award, which will honour an individual under the age of 16 who has made a significant positive impact in their community, and The Active Award, which will recognise individuals or groups who have used physical activity or sport to improve the lives of those in their community.
Nominations are open now with Kevin Duala from BBC Radio Merseyside kicking the proceedings off live on The One Show yesterday. Morning Live will once again support the Community Group Award.
Listeners can nominate their local heroes in eight categories (see below). Since the awards began in 2022, thousands of listeners have nominated people from where they live who go that extra mile for their communities. The aim is to shine a light on these every day, unsung heroes. Nominations close at 5pm on Monday 31st March.
Winners will be announced at Make a Difference Awards events hosted by local and national BBC radio stations across the country in September.
Rhodri Talfan Davies, BBC Director of Nations, said: “For the first time, BBC Make a Difference will celebrate the achievements of community heroes right across the UK – inspirational individuals and teams who go the extra mile to strengthen our villages, towns and cities.
“It’s a wonderful celebration of the human spirit and I can’t wait to hear the remarkable stories of those nominated.”
For a full list of categories, see below – and details of how to nominate someone – go to bbc.co.uk/makeadifference, where you can also see full Terms and our Privacy Notice.
Nominations are open now and close at 5pm on Monday 31st March.
Make A Difference – Categories 2025
The Volunteer Award: awarded to an individual who makes a notable difference to their community by giving their time voluntarily to help others.
The Young Hero Award: awarded to someone under 16 who has made a positive impact in their community or achieved something exceptional.
The Great Neighbour Award: awarded to an individual who helps to make the neighbourhood a better place to live or work in, either on a regular basis or through a single act of kindness.
The Active Award: awarded to an individual or group of people who have used physical activity or sport as a way of improving the lives of those in their community.
The Animal Award: awarded to either a remarkable animal that improves people’s lives, or an individual or group of people who improve the welfare of animals.
The Green Award: awarded to an individual or group of people who improve or conserve their local environment.
The Fundraiser Award: awarded to an individual or group of people who have gone the extra mile to raise funds for a good cause.
The Community Group Award: awarded to a group of people who have helped to change the lives of others within their community. Supported by the BBC daytime show Morning Live.
New cast, musicians, and creatives announced for KELI, the debut play from Ivor Novello Award-winning composer Martin Green (Lau).
Based on personal stories from the critically acclaimed BBC Radio 4 series ‘Love, Spit and Valve Oil’
WORLD PREMIERE
National Theatre of Scotland and Lepus Productions present
KELI
A play by Martin Green
Written and music composed by Martin Green
Directed by BryonyShanahan
Cast: Liberty Black (Keli), Karen Fishwick (Jayne), Olivia Hemmati (Amy/Saskia), Billy Mack (Willie Knox)and Phil McKee (Brian).
Performing Musical Director – Louis Abbott and small brass ensemble –
Stacey Ghent, Flugelhorn; Hanna Mbuya, Tuba and Karen Fishwick, Euphonium
Set and Costume Designer – Alisa Kalyanova, Sound Designer – George Dennis, Lighting Designer – Robbie Butler, Casting Director –Anna Dawson
Touring Scotland from Saturday 10 May to Saturday 14 June 2025.
Previews at Macrobert Arts Centre, Stirling before opening at the Lyceum Theatre, Edinburgh and touring to Dundee Rep Theatre; Perth Theatre and Tramway, Glasgow from May to June 2025.
Opening performance at the Lyceum Theatre, Edinburgh on Thursday 15 May 2025.
Best known as the virtuoso accordionist in the visionary folk trio Lau, Martin Green has spent the past two years on an odyssey deep into the world of brass bands, culminating in this staging of KELI, marking its world premiere as a stage play. Making his professional debut as a playwright, Green was inspired by conversations he had for the BBC Radio 4 series ‘Love, Spit and Valve Oil’.
KELI will feature brass band music from Green’s acclaimed album SPLIT THE AIR. Each performance will feature a live brass band performance from a leading Scottish brass band or ensemble of leading brass band players.
National Theatre of Scotland and Lepus Productions are delighted that Whitburn band and Kingdom Brass will be part of this Scottish tour, sustaining ongoing relationships with Scottish brass bands and the communities they represent.
Whitburn Band, one of Scotland’s leading brass bands, was formed in the heart of the coal mining area of West Lothian in 1870 originally serving as an outlet for members of the mining community to perform at local parades and gala days. The Band has been Scottish Champion 22 times, competes throughout the UK and Europe, and performs regularly at major Scottish events. Recent performances include Celtic Connections and the Edinburgh International Festival.
Kingdom Brass was formed in 1999, after the amalgamation of the Cowdenbeath and the Kelty & Blairadam Bands. In the same year, the band competed for the first time at the Fife Championships and swept the boards. Since then, the band has competed locally and nationally winning numerous trophies and is established as one of Scotland’s top bands. The band performs at concerts, bandstand events, and local Gala days.
Liberty Black will play the titular role of Keli in her professional theatre debut and Karen Fishwick plays her mother Jayne. They are joined by Phil McKee as band leader Brian, Billy Mack who plays 135-year-old ex-miner and town hero Willie Knox and Olivia Hemmati playing multiple roles.
LibertyBlack is in her final year at the Royal Conservatoire of Scotland. She performs and writes music and toured the UK with a band. Royal Conservatoire of Scotland credits include: The Cosmonauts Last Message…, Uncle Vanya and Romeo and Juliet.
Karen Fishwick previously appeared in Our Ladies of Perpetual Succour, National Theatre of Scotland and Live Theatre’s smash hit musical production which toured internationally and had a run in London’s West End. Theatre credits include Romeo and Juliet and The Merry Wives of Windsor (Royal Shakespeare Company) and 101 Dalmations (Regents Park Open Air Theatre). Karen’s screen appearances include Outlander (Sony/Starz) and Call the Midwife (BBC).
Billy Mack is an award-winning actor, previously appearing in The Cheviot, The Stag and The Black, Black Oil and The Enemy (National Theatre of Scotland). Recent theatre and TV/film credits include Men Don’t Talk (Genesis Theatre Company), Only Child (Happy Tramp/BBC) and On Falling (Sixteen Films).
Phil McKee has worked extensively across theatre, film and TV. Previous work with National Theatre on Scotland includes Mary Stuart and Dunsinane (National Theatre of Scotland/RSC/Royal Lyceum Theatre). Screen credits include Clash of the Titans (Gorgon Films), The Rig (Amazon) and Deadwater Fell (Channel 4).
Olivia Hemmati trained at Bristol Old Vic Theatre School where she was a finalist for the Carleton and Hobbs Award 2024. Olivia is making her professional stage debut in KELI.
The production features a brass ensemble of musicians led by Stacey Ghent on flugelhorn with Hanna Mbuya on tuba alongside Karen Fishwick on the euphonium.
Stacey Ghent is a hard of hearing actress and musician raised in South Shields. Stacey’s TV/screen and theatre credits include a role as a teacher of the deaf in Coronation Street (ITV); A Thousand Blows (Disney+); Brassed Off and Blonde Bombshells of 1943 (Octagon Bolton/Theatre by the Lake, Keswick/Stephen Joseph, Scarborough).
Tuba player Hanna Mbuya is a member of Mercury-nominated 10-piece seed, Chineke! Orchestra and Nu Civilisation. Other collaborations have included those with artists
Anna Meredith, Jon Batiste and Soweto Kinch, in addition to appearances with horn sections alongside artists including Solange, Joy Anonymous and Arlo Parks. Recent work in theatre includes Richard III (2024) & Hansel and Gretel (2024) at Shakespeare’s Globe.
Performing Musical Director for KELI,Louis Abbott, is a multi-instrumentalist and singer and the songwriter for the chamber-pop band Admiral Fallow. Recent theatre work includes his role as co-musical director on the award-winning A Giant on the Bridge (Edinburgh Festival Fringe 2024). As a musician, drummer, engineer and producer Louis has collaborated with some of Scotland’s finest musicians including King Creosote, Camera Obscura and Eddi Reader.
“The skill, the craft, is in controlling the pressure.”
KELItells the story of a fiery, sharp-witted teenager in a former mining town. Coal means little to Keli, but the mines left music in the blood of this place.
As the best player her brass band has ever had, music is easy. Everything else is a fight. Feeling trapped in small-town life, pressure mounts.
When the chance to change everything arises, can Keli keep a lid on it all?
Marking 40 years since the miners’ strikes and featuring a sharp, hilarious script and live brass score by Ivor Novello winner Martin Green, KELI is a gripping show about community, creativity, and the power of music.
Touring Scotland in 2025, the show will reach audiences across the country who belong to communities that were hugely affected by the miners’ strike of 1984-85.
Green’s journey began by chance near his home in Midlothian. Following a poster advertising ‘BRASS IN THE PARK’, he discovered a self-sustaining world of music-making that – like the folk tradition – had retained its social function and was part of the warp and weft of the communities that performed it.
The fictional play has evolved from the critically acclaimed BBC Radio 4 series Love, Spit and Valve Oil which explored the phenomenon of modern brass banding and featured interviews with members of brass bands. These interviews have inspired aspects of the characters in the play. In 2022 KELI was commissioned by The Royal Lyceum Theatre, Edinburgh as a three-part audio drama.
“KELI is a hard story about the limitations placed on working-class lives, capturing teenage desperation, depression and fulfilment through music…forces of dialogue, music and folklore harmonise to a riveting final episode.” The Guardian (on the audio drama, KELI)
Martin Green is a multi-award-winning musician and Ivor Novello winning composer. As a member of Lau, he has won four BBC Radio 2 Folk Awards for Best Group an unprecedented four times. In 2014 he received a Paul Hamlyn Foundation Award for Artists in recognition of his talent as a composer. In 2019 he won the Ivor Novello award for his large-scale installation Aeons that was part of The Great Exhibition of the North.
Most recently Martin has gone on to create critically acclaimed work for BBC Radio 4 exploring different communities all over the UK and their relationship with music. These have reached millions of listeners and been highly commended by Association of International Broadcasters.
Martin shared the stage with Whitburn Band as part of Celtic Connections at Tramway in early 2024 – “a profoundly moving affair” ***** The Scotsman.
Martin is the Artistic Director of Lepus Productions, who are co-producing KELI with National Theatre of Scotland, marking the first time the companies have collaborated.
Bryony Shanahan directs, marking her NTS debut. Previously Bryony was Joint Artistic Director of the Royal Exchange Theatre, Manchester, and most recently directed the acclaimed, Same Team – A Street Soccer Story for the Traverse Theatre. Other notable productions include Bloody Elle (Edinburgh Festival Fringe, Soho Theatre and West End) and also for the Royal Exchange Theatre, No Pay? No Way! Beginning, Let The Right One In, Nora: A Doll’s House, Wuthering Heights, Queens of the Coal Age, Weald, and Nothing.
Martin Green, writer and composer, said: “To be making KELI with National Theatre of Scotland and Bryony Shanahan forty years on from the Miners’ Strike, feels absolutely right; an incredible team of visionary people. Perfect.”
Bryony Shanahan, director, said: “My introduction to this project was that it was about a 17-year-old called Keli – foul-mouthed, hilarious and a virtuoso flugelhorn player – who finds herself in a disused coal mine with a 150-year-old Marxist miner after the strangest night of her life.
“Oh, and that it features a live brass band. I was in! I am so thrilled to be working with National Theatre of Scotland, Lepus and Martin Green to bring KELI to life.
“It’s a story about community, legacy and above all, music and I can’t wait to invite audiences into Keli’s remarkable world and heart.”
KELI was developed with National Theatre of Scotland and The National Theatre, London’s Generate programme and was originally commissioned as an audio drama by The Royal Lyceum Theatre, Edinburgh. BothKELI andSPLIT THE AIRwere developed with the support of Creative Scotland and The Space.Development of KELI was also supported by Freedom Festival, Hull. The music forKELI, Split the Air, was originally commissioned by PRS Foundation for the New Music Biennial at The Southbank Centre, and UK City of Culture.
Macrobert Arts Centre, Stirling (preview Sat 10 May); Lyceum Theatre, Edinburgh (previews Tues 13 to Wed 14 May) Thurs 15 to Sat 17 May; Dundee Rep Thurs 22 to Sat 24 May; Perth Theatre Wed 4 to Sat 7 June; Tramway, Glasgow Wed 11 to Sat 14 June 2025.
On social: #KELI
Access info: There will be audio described, captioned performances and touch tours in Edinburgh, Dundee, Perth and Glasgow. There will also be integrated BSL interpreted and chilled performances on offer. All performances will be autism-friendly.
Theatre for a Fiver tickets are also available for 14-to-26 years and those on low-income benefits at the venues above.
An OPEN LETTER from ALISON NOLAN, chief executive officer of the Scottish Library and Information Council (SLIC)
Did you know that over the past decade, 53 public libraries across Scotland have closed their doors for good – without replacement ?
The same public libraries which provide essential access to trusted information and education for all, which ignite a lifelong love of reading from early years, and which serve as warm, welcoming spaces where everyone is welcome without any expectation to spend. The same public libraries which, time and again, deliver enormous value to communities across the country, only to find themselves at risk when budgets are debated.
I’ve written to councillors across Edinburgh, before crucial budget decisions are made for the next financial year, to remind them what investment in public libraries truly means.
At the Scottish Library and Information Council (SLIC), the advocacy body for Scotland’s network of over 500 public and mobile libraries, we understand the delicate financial situation that councils must navigate but we would urge those considering cuts to their library services to think again.
It’s no secret that the cultural sector is under unprecedented pressure but the narrative that austerity measures justify these cuts is shortsighted. This isn’t just a story of diminishing buildings and bookshelves; it’s a story of lives disrupted.
These closures are deeply felt because libraries represent so much more than the sum of their parts. Public libraries remain the most popular service local government delivers. Closing these doors means cutting off opportunities — a cost far greater than any savings achieved.
Libraries are proven to deliver significant economic and social returns, with research from Suffolk Libraires revealing a £6.95 return of economic benefit for every £1 invested through improved literacy, better mental health and stronger communities. And of course, when this investment figure is flipped, we see that the closure of public libraries will result in the community losing out on £6.95 of economic and social benefit for every £1 that is invested elsewhere.
The troubling trend of closures and cuts to library services across the country all too often disproportionately affects rural communities, exacerbating existing inequalities by stripping away vital access to education, digital resources and safe spaces for social interaction.
For these communities, libraries are not a luxury but a necessity. They provide essential services to support job applications, digital literacy training and social connection. To lose them is to deepen the isolation already felt by many.
Ask yourself: where else can citizens turn for support with their health, finances and employment? Libraries do it all under a single roof. They make real change to people in communities right across Edinburgh and play a central part in how the council brings about change.
Libraries drive forward crucial national agendas including preventative health – with the Health on the Shelf research report showing they save NHS Scotland £3.2m every year, bridging the digital divide by offering free access to PCs, Wi-Fi and digital support for a range of essential services, and fostering social cohesion by hosting a diverse range of community events. And this is all in addition to their core function: to encourage reading and provide a range of trusted reference materials.
As cuts and closures loom across the country, we’re urging local decision-makers to prioritise sustainable investment in libraries. Cutting library budgets is a false economy. The cost of losing libraries extends far beyond financial savings, impacting education, mental health and community cohesion. But it’s not just closures that we’re concerned about.
The slow, salami-slicing effect that has been seen over recent years, with opening hours cut – decreasing by 13%, on average – budgets slashed and staffing numbers reduced is felt across communities, with 1 in 3 voicing fears that their whole service is at risk.
Where councils have embraced the importance of libraries, the benefits are clear. 22 out of the 32 local authorities have not made any cuts to their library services in the last decade; instead, they are choosing to invest in their future, from creating learning hubs which have seen unprecedented loan figures, to developing dedicated ‘Maker Spaces’, reinforcing the role that libraries play as the originators of the sharing economy by offering access to emerging technology, such as 3D printers and laser cutters, as well as sewing and embroidery equipment.
In a recent survey from the Association of Public Libraries in Scotland, over 93% agreed that using the public library improves their quality of life, reminding us of the immense value that a public library holds, evolving to meet the needs of modern Scotland with the emergence of whole-community assets that can be used by educators, small businesses, community groups, and individuals to help people right across Edinburgh achieve their potential, while retaining their fundamental purpose: to connect, inspire and empower.
These services are a source of inspiration, but they remain the exception rather than the rule. To fulfil this potential, they need more than goodwill — they need sustainable funding.
No other community asset can deliver the vast economic and social benefits that a thriving public library service can, and so we would urge decision-makers to prioritise investment in their communities.
Anything less would be a failure we cannot afford.
ALISON NOLAN
Chief executive officer of the Scottish Library and Information Council (SLIC)
Scotland’s councils continue to face severe financial pressures. The need to consult with communities, clearly communicate the impact on local services, whilst working together to shape and deliver urgently needed transformation, is more important than ever.
Councils closed a budget gap of £759 million during 2023/24, but this required them to make further and deeper savings.
Reflecting on the state of council finances in that financial year, the Accounts Commission reports many councils made savings or used reserves to deliver services within budget and offset a 3.3% real-terms reduction in revenue and income.
Using reserves to routinely balance budgets isn’t sustainable and risks financial sustainability.
Despite an overall increase in funding in 2024/25 and a further funding increase announced for the year ahead, intensifying demand for services, greater borrowing and depleting reserves pose ongoing challenges.
In 2023/24 councils borrowed more to invest in buildings and infrastructure, whilst Scottish Government money to support capital investment continued to decline. Council borrowing increased by over £400 million and almost all councils now face higher levels of debt and annual interest costs.
This investment is vital, however, in supporting spending on key areas including new schools and housing projects, whilst reducing the risk of buildings becoming unusable and impacting services still further.
Jo Armstrong, Chair of the Accounts Commission, said: “Scotland’s councils face a challenging future, with significant financial risks and uncertainties.
“This has been compounded by pressures out with their control, including ever-increasing demand on services and inflation. An expected increase in funding for the year ahead doesn’t cancel out the urgent need for transformation, at a pace and depth we’ve not yet seen.
“With services already being impacted, councils must be clear with communities the scale of financial challenge being faced. Working with communities to deliver differently is vital.”
BBC ALBA is kicking off its Hogmanay 2024 celebrations with a nostalgic feel, as footage from a bygone era is uncovered in a new hour-long documentary, Faodail : Found Film.
With content spanning over 50 years, the footage recovered by the Faodail | Found Outer Hebrides Film Archive project shows daily life in the Outer Hebrides, from the 1930s through to the 1980s, paying homage to the heritage of the local communities.
The lost films give viewers a glimpse of everyday experiences living on the islands, including crofting, education and domestic life.
In the 1970s, filmmaker Annie MacDonald even managed to capture footage of a flamingo that had landed on Loch Ordais in Bragar.
With films made by Annie, along with more than a dozen other filmmakers, the archive has now managed to preserve a bank of footage to showcase to contemporary audiences, bringing the content to Gàidhealtachd and global screens for years to come.
Andy Mackinnon from the Faodail Film Archive, part of Taigh Chearsabhagh Museum & Arts Centre, commented: “Through crowdfunding efforts, we have been fortunate enough to be able to digitise these collections of indigenous 8mm film footage that will now be showcased to BBC ALBA viewers this Hogmanay.
“While most of this footage has never been seen by contemporary audiences before, the film collection donated to the project will no doubt bring back fond memories of the Outer Hebrides for many viewers.
“With some footage now over 90 years old, it is remarkable that these indigenous filmmakers at the time had the foresight to capture day-to-day living in the Outer Hebrides. This vital footage is now helping us in our understanding of the social history of the Outer Hebrides and the preservation of Hebridean culture.”
Faodail : Found Film, produced by UistFilm,is currently available on BBC iPlayer in four 15-minute short episodes. The episodes will premiere as an hour-long documentary on BBC ALBA on Tuesday 31 December at 8.30pm (in Gaelic with English subtitles).
Local pubs deliver invaluable socio-economic value, ministers must act to save them, says new report
Government must give pubs which serve as the beating hearts of their communities greater support with tax rebates to safeguard the nation’s locals as vital social lifelines, a report from the think-tank Localis has urged.
According to polling undertaken by YouGov for the report, 75 percent of people felt the impact of pubs to community life to be positive. When asked if pubs are important in bringing people together, more than four-in-five (81 percent) of British adults agreed they are, with just 14 percent feeling that they are not.
Polling carried out for the report showed 68 percent of British adults felt that pubs help combat loneliness in their local area. Among pro-community activities supported by local pubs, nearly half (44%) of people were aware of pub events that bring the community together, a quarter (25%) knew of local pubs that supported charitable causes and 17 percent knew of local pubs that supported vulnerable people in their area.
The research identified from case studies taken pubs across the country some dominant themes on how the sector supports local people and communities, namely by:
combatting isolation
supporting local causes
reflecting local culture
bringing local business together
supporting community through generations.
Pollsters also found that among social uses of pubs in the last three months, more than half of the population (51%) had met a friend in one, while nearly two-in-five (37%) of people had visited the pub to meet up with family, a quarter (25%) had enjoyed Sunday lunch in one and 10% of the public had attended a pub-held birthday party in that timespan. In addition, six percent of the public had used pubs for dating purposes and 13% watched a sporting event.
A key recommendation of the report calls for the re-establishment of a Minister for Pubs post to co-ordinate a cross-government taskforce responsible for long-term strategy for the British pubs sector and to lead on help with tax and regulation, alongside an emergency fund for energy bill support.
The report authors also make the case for business rates rebates for those pubs which take on socially valuable roles such as foodbanks or in providing warm spaces for vulnerable people, with a call for a modest £4m cashpot to help 1,000 pubs to diversify at a cost of a mere £4,000 per pub.
Localis head of research, Joe Fyans,said: “Across Britain, pubs have consistently played a pivotal role in knitting communities together and promoting social cohesion.
“Pubs are the beating heart of many communities, playing multifaceted roles in local daily life. This is why the decline of pubs is cause for great concern. With each closure, both tangible and intangible voids are left behind.
“The lessons are clear: pubs, in all their forms and across all locations, remain integral to British social cohesion as hubs of activity, community, and social capital. This makes their presence all the more crucial as community safety nets and beacons of light, offering a lifeline hope for many people looking for a real sense of local belonging.”
Emma McClarkin, chief executive of the British Beer and Pub Association,said: ““The stories highlighted in this report truly are just a snapshot of the hugely positive impact pubs have in communities across the country every single day.
“There are few businesses that can say they add both social and economic value and pubs are delivering that value in neighbourhoods from Lanarkshire to Liskeard, and everywhere in between. Pubs provide solace to people in tough times and a place to celebrate in others and to lose them would have a serious impact on people’s lives.
“With closures continuing to rise and pubs under threat from further duty and business rates cost hikes we hope the Government will seriously consider the proposals put forward by this report so the foundations can be laid to help pubs continue to do this brilliant work in their communities long into the future.”
Becky Barnett who runs The Lamb Inn in Swadlincote, which features in the report,said: “We support our local community in a number of ways, including offering free food and drinks to people on Wednesday mornings. People can come into the pub, have a free hot meal, and in winter, sit by our log fire in comfy chairs, no questions asked.
“When times are tough, we want to be a place where people can come for help and local people have been incredibly grateful of us opening our doors at no cost. At the same time, we also face challenges with high energy bills and other rising costs so it’s a scary time for our business as well, we want to continue to provide a non-judgemental warm space for people but we’re facing our own difficulties as well.”
Pub is The Hub chief executive, John Longden,said: “Pubs and publicans are the heroes at the heart of community life that provide essential local services and activities that create social value.
“They are a lifeline for many rural areas providing vital local services and activities such as village stores, allotments and community cafes as well as offering a safe space to tackle the major societal issue of loneliness.
“Pub is The Hub now estimates 1,000 more pubs and local areas could benefit from services if they can be directly supported in the future to diversify.”
A Holyrood Committee has published a new report highlighting the challenges in supporting culture to thrive within communities across Scotland.
The report from the Parliament’s Constitution, Europe, External Affairs and Culture Committee found that while progress has been made in implementing a place-based approach to culture, there are still “several significant challenges” facing local and national government that need to be addressed to “realise the ambitions” of the Scottish Government’s culture strategy.
The Committee concluded that the “cross-cutting” nature of the challenges facing Scotland’s culture sector requires “a whole-system approach” across different levels of government.
During the inquiry the Committee gathered evidence on best practice and barriers to cultural participation within different communities across Scotland, with visits to Wester Hailes and Craigmillar , Dumfries, and Orkney.
Members also heard from a wide range of stakeholders, many of which agreed on the importance of cultural work being grounded in local communities, as outlined in the Scottish Government’s culture strategy.
The report’s findings outline the need for “much greater prioritisation in practice” being placed on community-led culture, which it says should be “at the heart” of the sector.
It also suggests the potential of existing community empowerment mechanisms, which could be used to improve place-based cultural delivery at the local level.
The Committee also noted that the funding of community-based cultural organisations and projects, local government cultural services, and of publicly owned community spaces where cultural activity can take place have all been put under pressure.
The financial constraints within the current economic environment are identified as posing a “significant challenge” to the successful implementation of place-based cultural policies, with the Committee calling on the Scottish Government to set out how it will “accelerate the implementation of innovative approaches to the funding of the culture sector”, an issue it will pursue further through its forthcoming pre-budget scrutiny.
The Committee also raised its concerns that some cultural and community assets were said to be becoming “less available, less affordable, and at risk of closure”, recognising that “the loss of community spaces is likely to impact on the access to culture for those communities”.
The report urges the Scottish Government to address these challenges and incorporate the Committee’s findings and recommendations into the forthcoming refresh of the Culture Strategy Action Plan and Budget 2024-25.
Commenting on the report, Committee Convener, Clare Adamson MSP said:“Through our work on this inquiry, we have seen first-hand the positive impact of place-based cultural work in communities across Scotland.
“Support for community-led culture can help enrich the cultural landscape and further empower local communities, particularly those which face the greatest barriers to participating in cultural life.
“However, the Committee’s report has clearly demonstrated that while progress has been made, there are significant challenges facing both national and local government in delivering Scotland’s ambitions for a place-based approach to culture.
“We urge the Scottish Government to take our findings and recommendations on board as it refines its forthcoming Culture Strategy Action Plan and its Budget for 2024-25 to ensure that culture can thrive in our local communities.”
Community groups can bid for grants to develop entrepreneurial ideas
A fund to help inspire more entrepreneurs to start or scale up their businesses has been relaunched.
The Ecosystem Fund is being widened this year to include initiatives encouraging young people to consider entrepreneurship from an early age. Applications providing access to support services for under-represented groups including women or those from disadvantaged areas will also be considered.
Community groups, non-profit making organisations, industry bodies, colleges and universities are amongst organisations invited to bid for funding to help boost entrepreneurial activity across Scotland. Grants of up to £50,000 will be available.
Projects could include:
showcasing Scotland’s start-ups globally to attract talent, investment and strategic partners
networking events allowing founders, investors and partners to share expertise and foster connections
training, mentorship and identifying growth opportunities by providing funding for staff, equipment, meeting places or programmes for start ups
encouraging entrepreneurs who support fair work and environmental good practice to make a positive impact on communities
the promotion of learning and teaching in entrepreneurship
tackling barriers or discrimination preventing women and other social groups from accessing support
Wellbeing Economy Secretary Neil Gray said: “This expanded funding will build on Scotland’s international reputation as one of the best places in the UK to do business and help make an impact across the business community.
“Despite representing less than 1% of businesses, start-ups generate more than half the value of all small and medium-sized businesses. The fund will spark innovation while fulfilling our potential to nurture many more inventive new start-up companies and driving sustainable growth.
“We need to instil enthusiasm for business and entrepreneurship at all levels from an early age, which is why I encourage collaborative proposals from a wide range of sectors to enable connections and exchange of ideas. In so doing, we can help those who establish businesses to improve lives – such as advancing renewable energy technologies or creating apps that help tackle food waste.
“The Ecosystem Fund is an important step, but we must make further progress expanding entrepreneurial access and opportunity – ensuring that everyone, no matter their background, has the chance to fulfil their potential.
“Together we can remove barriers and open up access and opportunity to budding entrepreneurs across Scotland. By uniting the business community around this goal, we can create a wellbeing economy which is fair, green and growing.”
Chief Entrepreneur Mark Logan recommended measures to support new businesses in his August 2020 Scottish Technology Ecosystem Review.
Mr Logan said: “Just as it takes a village to raise a child, it takes a vibrant entrepreneurial ecosystem to raise a start-up.
“The Ecosystem Fund recognises and supports the vital enabling work of our ecosystem-building organisations. It will accelerate Scotland’s journey towards being an internationally recognised Start-up Nation.”
