Joy as Fringe by the Sea programme announced

We’ve been working towards this momentous occasion for months now and it has been a herculean effort given the challenges we’ve faced putting on a festival that is both safe for our artists, staff and visitors and full of what we all need right now: joy.

We’re delighted to say that our FULL online programme has now gone live and you can leaf through it in your own time by clicking on the image to the right.

If you’re in East Lothian, our printed programme will drop with the next issue of the East Lothian Courier, out Thursday 8th July.

Tickets for all shows are on sale here.

WHAT’S NEW IN OUR PROGRAMME?

We’ve kept a few class acts up our sleeve until the big programme reveal and here are a few of them …

Mica Paris was an absolute sensation when she last performed at Fringe by the Sea in 2018 and she will be back this August after releasing Gospel, her first album in over a decade.

Fourteen year-old singer/songwriter from Bellshill, Connor Fyfe, is one to watch. His tour has completely sold out so get in quick! Connor will be supported by local indie band Bluetile.

The latest track from Edinburgh’s swim school ‘Anyway’ was featured in Spotify’s June New Music playlist. We’re expecting great things from this four piece whose debut EP will be landing next month.

Neu! Reekie! has been performing multi-arts extravaganzas around the world for over a decade and FBTS21 will see them joined on stage by a host of special guests including ex-Makar Liz Lochhead.

Maggie O’Farrell is the author of The Sunday Times no. 1 bestselling memoir I AM, I AM, I AM and eight novels including The Sunday Times bestseller HAMNET, ‘Immersive, at times shockingly intimate… ought to win prizes’ – Guardian. Maggie talks to Jennifer Crichton, editor and founder of The Flock.

It wouldn’t be Fringe by the Sea without a good dose of Phil and Aly! Together, they have established themselves as the epitome of excellence in the world of traditional music.

With their musical magic and quick-witted humour they will pull your emotional strings one moment and have you falling off the seat with laughter the next.

To be able to put on performances this year, we need more space than we usually would and so FBTS this year is spread out over the town in various open-air venues. How beautiful is this venue map, designed by our artist in residence, Eilidh Muldoon!

The North Berwick Trust Harbour Home is where you will be able to pick up tasty food and drink at our Streetfood Market and handcrafted wares at the Mactaggart & Mickel Makers’ Market. It’s also the place where a lot of the music will happen with the Lighthouse Live Stage hosting open mic talent daily from 12pm till late.

Up at the Lodge Grounds will stand the Belhaven Big Top and SSE Renewables Envirozone tent, the Glenkinchie Lowland Stage located at the library. Further afield, the newly-reopened Marine North Berwick Hotel will be putting on masterclasses on an array of subjects from crime-writing and brewing to baking and whisky.

The show simply wouldn’t go on without all our amazing supporters, from our sponsors to our volunteers and to everyone who buys a ticket and shows up.

So thank you one and all and we look forward to seeing you seaside next month!

Edinburgh projects share over £145,000 for creative development

Nine Edinburgh-based projects are sharing over £145,000 Scottish Government and National Lottery funds through Creative Scotland in the latest round of Open Fund awards.  

A digital drag show from Edinburgh drag queen, Mystika Glamoor; an exciting wave of music making focused on the arrival of COP26 on our shores from Oi Musica; a new writer mentoring programme from Wildfire Theatre;and new music from traditional music ensemble, The Whistlebinkies are among 45 projects across the country to be awarded over £732,000 last month.  

These funds are supporting a diverse range creative people, projects and organisations across Scotland to adapt and respond to the current changing circumstances brought about by Covid-19 and helping to sustain creative development at this challenging time. 

Featuring a variety of experimental local drag performers and LGBT+ performance art, GLAMOOR, THE KWEER KABARET which originated at Edinburgh’s The Street bar is moving online.  

Oskar Kirk Hansen, who will be hosting as his alter ego Mystika Glamoor, said: “This funding from Creative Scotland allows me to support myself as a full-time artist, and most importantly to give back to the wider community of LGBT artists in the line-ups of my shows throughout the rest of the year. 

“I truly hope this is part of a turning point in Scottish drag that will make our community stand up for what it’s worth, so we can truly start to see ourselves as professionals.” 

Building on work in 2020 with musicians including Karine Polwart and Heather Macleod, Let it Grow is a new musical response to COP26 from Edinburgh-based artist-led music organisation Oi Musica

Oli Furness, Co-Director of Oi Musica said: “We are particularly excited about supporting youth creativity, about building connections across communities and creating a focus for grassroots and lifelong learning projects as they emerge from lockdowns and COVID restrictions.” 

New Voices from Wildfire Theatre is a digital project that will see the professional performance of up to ten pieces of new writing from new writers who will receive professional mentoring.  

Director Pauline Lockhart says: “This project will encourage untapped creativity and provide an exciting outlet for that talent. 

“It’s imperative that we give opportunity to these new voices and I’m really excited about the talent this project might uncover!” 

Unlocking John Cage’s Scottish Circus will see the world-premiere release in audio and video of American composer John Cage’s 1990 work Scottish Circus featuring the musicians of The Whistlebinkies for whom it was written.  

Whistlebinkies’ fiddle and concertina player Stuart Eydmann says: “It was an honour for the Whistlebinkies, and for Scottish music, when the distinguished 20th-century American composer John Cage created the work featured in this world-premiere DVD recording.”  

Iain Munro, CEO, Creative Scotlandsaid: “We are committed to supporting a diverse mix of artists and creative groups through the Open Fund, in communities throughout Scotland.

“Many of the projects supported will spark a timely discussion over issues such as climate change, as well as a commitment to greater inclusion of underrepresented groups in the arts.

“Thanks to the generosity of National Lottery players, who raise £30 million for good causes across the UK every week, and funding from the Scottish Government, these awards play an important part in enriching the lives of people throughout Scotland.” 

A full list of recipients of Open Fund awards is available on the Creative Scotland website

Climate Challenge: 1.5 Degree films to launch Summer 2021

Youth groups, schools, community organisations, activist groups and individuals of all ages, abilities and filmmaking experience will soon be invited to take part in a major Challenge to create 90‑second short films in response to climate change, to be screened in and around this November’s UN Climate Change Conference (COP26).

Led by Film Access Scotland with support from Screen Scotland and Keep Scotland Beautiful, the Climate Challenge: 1.5 Degree Films project will invite people to make films to share their thoughts and ideas about climate change and how it is affecting us as individuals, our surroundings, families and communities.

Local filmmaking training and support will be provided to groups in Scotland from film educators based in community hubs and within partner arts and cultural organisations. Regardless of background, age or filmmaking experience, anyone anywhere can submit a film to the Challenge, with resources available online to help people get started.

Films must be short, only 1.5 minutes long – like the hoped-for maximum limit on global warming of 1.5 degrees – and can be made using any technology, including smartphones and tablets.

Films will be available online, providing a platform for sharing views on climate change. Many will go on to be screened at fringe events in Glasgow during COP26 and there will be a special celebratory event in December where films will be awarded commendations and prizes.

Submissions from young people aged up to 25 years will automatically be entered into Film Access Scotland’s film festival in November.

Chief Executive of Film Access ScotlandNatalie Usher said “Global leaders will come together in Glasgow at COP26 to discuss urgent climate action to limit global warming to 1.5 degrees.

“This Challenge invites you to make 1.5 minute films to join the climate debate and help us create a collective snapshot of this response to climate change. Through the filmmaking support offered by the project, we want to connect people with arts and community organisations across Scotland in order to facilitate public engagement and awareness about climate change.”

Scott DonaldsonScreen Scotland’s Head of Film Education said: “We all have a huge stake in the outcome of COP26 and everyone has a story to tell about their relationship with the environment and climate crisis.

“Film Access Scotland’s open access Film Challenge will inspire people to learn more about the climate crisis, promote greater public engagement with environmental issues and support people across Scotland to make films and have their voices heard at the COP26 and beyond.”

Barry Fisher, CEO of Keep Scotland Beautiful said: “To become a Net Zero Nation, the people of Scotland need to be supported to understand the Climate Emergency and identify actions we can take as individuals and as a nation to tackle it.

“Our experience working with people across Scotland is that ordinary citizens are some of the best climate change communicators, sharing messages in culturally relevant ways that resonate with their own friends, families and communities.

“That’s why we are delighted to be a partner in this project, giving a voice to people across Scotland and encouraging action on climate change at every level.”

If you are a representative of a group based in Scotland that would like to submit your expression of interest in participating, email info@filmaccess.scot.  To keep up to date with latest developments, use #90SecondClimateFilms and visit Film Access Scotland.

Full details about the Climate Challenge: 1.5° Films project including eligibility criteria and submission deadlines will be announced in July 2021.

Hidden Door Festival heads to Granton Gasometer

MAIN PICTURE: Fabio Scalici Photography

Hidden Door Festival 2021 is heading to Granton Gasworks, with the festival taking place in the shadow of the historic gas holder. The site at West Shore Road will be transformed into an outdoor celebration of music, visual art, theatre, dance and spoken word from 15 – 19 September 2021.

Organisers plan on building two stages for music performances, lighting up the gas holder to create a dramatic backdrop, with sculptures displayed throughout the site.

The large, open space will allow Hidden Door 2021 to be flexible, adapting to comply with the  coronavirus restrictions in place at the time.

Over five days, the event will showcase the work of at least 30 graduates, four site artists, eight dance groups and two theatre companies, highlighting some of the best emerging talent in Scotland.

An old pencil drawing of Don Quixote and Sancho Panza sitting on their horses, by Wilhelm Marstrand.

David Martin, Creative Director of Hidden Door, said: “Taking on the site of the Granton Gasworks is an exciting opportunity for Hidden Door to adapt, as we need to, in order to start bringing live events back to the city. We are used to working in the nooks and crannies of disused buildings, so moving to a big open site like this is really liberating!

“We are designing the event so that there will be enough space for everyone to be safe and to be able to accommodate social distancing if we still need to work with those restrictions, but the epic nature of the site, with the incredible gas tower landmark looming over us, means we will be able to create a spectacle and an atmosphere, and bring about the wow-factor that our audience expects from a Hidden Door venue. 

“We can’t wait to get on site and start turning it into a creative and joyful showcase of Scotland’s emerging talent. Early career artists and performers have been so badly affected by the pandemic, so they are front and centre for this event, and we are looking forward to showing how much talent there is to celebrate.”

Edinburgh College, who occupy the area close to the Gasworks where the festival will be held, are enthusiastically welcoming the festival on to the site. As well as opening the gates to Hidden Door, they hope to use the festival as a training opportunity for students on a number of courses.

Jakki Jeffery, Head of Creative Industries at Edinburgh College, said: “It’s fantastic that Hidden Door have chosen this site close to the iconic Granton Gasworks to host their 2021 festival.

“It will be wonderful to see the space transformed to showcase creative talent which we hope our students can play a part in, and take inspiration and experience from to boost their future careers.” 

Tickets

Tickets are available via www.hiddendoorblog.org/tickets or from Citizen Ticket. Once the full programme is announced, ticket holders will be able to select which days they would like to attend.

Open Fund awards support for creative Edinburgh-based projects

27 Edinburgh-based projects are sharing in over £607,000 of National Lottery and Scottish Government funding through Creative Scotland in the March and April rounds of Open Fund awards.

Designed to support creative people, projects and organisations across Scotland to adapt and respond to the current changing circumstances brought about by Covid-19, awards made through the Open Fund are helping to sustain creative development at this challenging time.

Edinburgh-based artists and creative practitioners include:

The Cymera Festival – an annual celebration of Science Fiction, Fantasy and Horror (SFFH) writing, bringing together writers and readers to share ideas, create stories and share insights.

Cymera is the first of its kind in the UK, and 2021 is its third instalment.  Due to the ongoing pandemic, the programme will once again be digital.

Festival organiser Ann Landmann said: “We are excited to return to the digital space from 3rd to 6th June 2021. Thanks to the funding from the Creative Scotland Open Fund, #Cymera21 is a jam-packed weekend and our most international programme yet, with speakers joining us from all around the world.

“From internationally bestselling authors to Scottish debuts, our programme is a smorgasbord of Science Fiction, Fantasy and Horror writers to suit all tastes.”

The Dance Audition! is a new interactive online performance piece. Inspired by A Chorus Line, the 1985 American musical drama film, The Dance Audition! will be choreographed by Dance Ihayami’s Artistic Director, Priya Shrikumar using popular Indian dance forms.

Audience members will be encouraged to follow the journey of performers, learn the choreography and participate as a judge to identify the dancers for the final 5-minute dance creation, choreographed by Priya.

ChoreographerPriya Shrikumar (top) said: “Now is the best and in a way a positive time for this form (Indian dance) to be viewed and enjoyed by a larger audience – something accessible and enjoyable.

“It will bring colour and wonder to a world which is a bit colourless at the moment, due to the pandemic.”

Re·creation: A Creative Opportunity for Queer Poets is a new work from Edinburgh-based writers Éadaoín Lynch and Alycia Pirmohamed, with independent publisher Stewed Rhubarb Press.

This project will identify and commission Covid-affected queer creatives to write poems, develop their craft, build a community of poets, and be published in a landmark poetry collection.

The project leads are also the co-editors of the anthology, planned for publication in summer 2022. Éadaoín Lynch is an early career researcher with a PhD in poetry from the University of St Andrews; Alycia Pirmohamed is co-founder of the Scottish BAME Writers Network, and winner of the Edwin Morgan Poetry Award 2020.

The collection is planned to include 30 poets: 10 commissions, and 20 selections from an open call for submissions. Workshops, 1-to-1 mentorship, and a round-table feedback session will be provided as part of the project. More information can be found on the website here: https://recreation-anthology.co.uk/ 

Project lead, Éadaoín Lynch says: “The project title has its roots in play, refreshment, recovery, restoration, invigoration, and creating, all of which are long overdue in a Covid-affected world, particularly for those in the LGBTQIA+ community.”

Funding has also been awarded to Edinburgh-based visual artist Alison Grant for a period of research to develop a new body of work looking at coastal communities across the 11,000 miles of Scotland’s shores.

From Viking graffiti artists who anchored in the best fishing areas to the contemporary work of today’s Blue Carbon visionaries, the project will look at best practice from the past to inform how we consider our coastlines in the future.

Visual artist Alison Grant says: “I am delighted to have received funding from Creative Scotland for 11000 Miles, a project conceived during lockdown this winter.

“It is important at this time of climate crisis to look locally to our own coastline for sustainable solutions to some of the problems we have created. I want to engage with these issues to use my creativity to communicate ideas, not just to as wide an audience as possible but also to our local communities, to look anew at our relationship with the sea.”

Strategy: Get Arts. 35 Artists Who Broke the Rules is a new work from Studies in Photography (part of the Scottish Society for the History of Photography).

Edited by Christian Weikop, Senior Lecturer, Edinburgh College of Art (ECA), this book will be the first print publication to consider the formation of the ground-breaking exhibition Strategy: Get Arts (SGA), staged at ECA in 1970, when thirty-five German post-war artists (including Joseph Beuys, Gerhard Richter, Blinky Palermo, Klaus Rinke, and Günther Uecker) staged a provocative takeover of ECA, transforming the college into a ‘total work of art’ through their ‘actions’ and installations.

Featuring essays by academics, senior National Galleries of Scotland staff, and those involved in curating the exhibition, the publication will include photographs by Monika Baumgartl, George Oliver, and Richard Demarco, many never seen before.

Alex Hamilton says: “As Chair and Co-Editor of Studies in Photography, I am delighted to be able to publish this book. The exhibition held for me, particular importance as one of the gallery assistants.

“It changed many people’s lives… After 50 years and during the anniversary of the birth of Joseph Beuys we are delighted that the amazing stories behind this ground-breaking event can finally be revealed.”

The work is due to be published later in 2021.

These examples are some of the 105 projects in total that have been awarded over £2.3million of National Lottery and Scottish Government funding through Creative Scotland in the latest rounds of Open Fund awards. 

A full list of recipients of Open Fund awards is available on the Creative Scotland website.

Iain Munro, CEOCreative Scotland said: “Thanks to the generosity of National Lottery players, who raise £30 million for good causes across the UK every week, alongside equally welcome funding from the Scottish Government, these Open Fund awards are helping artists, creative organisations and communities to develop and share their work, and to keep culture and creativity at the heart of people’s lives as we look to recover from the challenges of the pandemic.”  

Edinburgh International Children’s Festival is back!

The Edinburgh International Children’s Festival is back, from 25 May – 6 June.

This year’s hybrid Festival consists of a digital programme (available to watch 25 May-6 June) and a mostly outdoor programme presented over the Festival’s two weekends (29-30 May and 5-6 June). 

The Digital Programme includes a mixture of streamed performances which you can watch at any time during the Festival and innovative digital interactions presented live over Zoom (book now).

Family Encounters programme presents FREE innovative performances and activities mostly outdoor. 

Events will take place in the stunning Royal Botanic Garden (book now), as well as in site-specific venues (book now).

You can find out what to expect at this year’s Festival here.

Collective re-opens

All of Collective’s indoor spaces have re-opened!

We’re excited to present new We’re excited to present new exhibition  Boredom>Mischief>Fantasy>Radicalism>Fantasy by Christian Newby in our City Dome (no booking required).

In the Hillside exhibition space, Satellites Programme participant Holly McLean’s film If you get the knees right the rest should follow re-opens (pre-book here).

All of our grounds, shop, takeaway coffee Kiosk, and restaurant The Lookout will also be open so make some plans and let us welcome you back to Calton Hill. Opening hours are 10am-4pm Thurs-Sun throughout May, and 10am-5pm Tues-Sun from 1 June.

Collective’s events programme also resumes this month.

Join us on Zoom, at 7pm on Thursday 20 May, for a screening and discussion with Holly McLean and Frances Stacey on Holly’s evolving series of filmed portraits of women.

On site we are hosting our next Collective PLAY event – Warp/Weft, 22-24 May. Tickets are free but limited and selling fast!

We’re really looking forward to fully opening our doors to visitors again.

Social distancing measures will be in place to keep you safe – if you have any concerns or questions about visiting Collective drop us a line at mail@collective-edinburgh.art

News from the Fringe

We are pleased to announce that show registration for Fringe 2021 will open on Wednesday 05 May

Artists and venues will be able to register Fringe shows right up until the end of the festival. The Fringe’s world-class programme will be available to browse and book at edfringe.com, with tickets going on sale for audiences in early summer.

As Scotland navigates its roadmap out of lockdown, much is still unknown about what the Fringe will look like this August. However, a range of scenarios are being prepared for, from socially distanced live events to digital offerings. 

The Fringe Society is supporting artists and audiences to find and book work online across a range of platforms, including the brand-new Fringe Player.

This online platform aims to bring some festival magic into homes across the world, while providing a secure platform for artists, companies and venues to host their shows. The platform is available to any registered 2021 Fringe show or venue to use if they wish.

Any live performance registered as part of the 2021 Fringe will be expected to adhere to public health guidance from the Scottish Government. 

Audiences can search, browse and buy tickets to both online and in-person work through edfringe.com. More details on individual shows and Fringe 2021 will be available in early summer.

Shona McCarthy, Chief Executive of the Fringe Society, said: “We’re delighted to be able to open registration for 2021. Of course, we’re still very much in planning mode as we await further updates from the Scottish Government, but this feels like a hugely positive step in the right direction.

“Through the work being created across the various digital platforms, including the Fringe Player, artists have a brilliant opportunity to reach audiences and communities all over the world. I look forward to seeing how our Fringe creatives use these platforms in 2021 and beyond.”

The Edinburgh Festival Fringe will take place from 06 – 30 August 2021. 

“Welcome back to live performance, welcome back to your Festival.”

The Edinburgh International Festival will welcome audiences back to live performance with temporary outdoor pavilions throughout the city this summer:

We are thrilled to announce our reimagined Festival for 2021, marking the return of live performance to Scotland’s capital city after over a year of silenced theatres and concert halls.

Taking place from 7 to 29 August, the 2021 International Festival will use bespoke, temporary outdoor pavilions in iconic, easily accessible spaces throughout the city to safely reunite our artists and audiences to rediscover the magic of live performance.

Our temporary outdoor pavilions, found at three locations including Edinburgh Park and the University of Edinburgh’s Old College Quad, will feature covered concert stages and socially distanced seating to create a beautiful setting for audiences to safely enjoy live music, opera and theatre once more.

The health and safety of the entire Festival community is at the heart of our plans for this year’s festival. That’s why we are working with the Scottish Government, City of Edinburgh Council and other relevant authorities to implement appropriate Covid safety measures.

These will include shorter performances with no intervals, physical distancing, regular cleaning and contactless ticketing.

We will publish full details of our security and safety measures in the coming months.

While we are looking forward to the prospect of bringing the Festival City to life once more, we appreciate that not everyone will be able to attend our performances in person this year.

To ensure that everyone can enjoy a slice of the magic, wherever they are in the world, we will release a selection of high-quality streamed performances, free of charge, during each week of the Festival.

Since Edinburgh’s summer festivals in 2020 were officially cancelled a year ago, we have received extraordinary support from so many people.

As our Festival Director Fergus Linehan says, “We are hugely grateful to the artists who have agreed to come on this journey with us, the stakeholders, donors, and sponsors who have stood by us through a tough year and our audiences who have cheered us along throughout. We look forward to sharing full details of the programme in early June.”

Full details of our 2021 programme, which spans opera, orchestral and chamber music, theatre and contemporary music, will be announced on Wednesday 2 June.

Priority booking for International Festival members opens on Tuesday 1 June before general booking opens on Friday 11 June.

Welcome Back

We are delighted to announce that in August 2021, the Edinburgh International Festival will return to live performance.

Connecting with others is more crucial now than ever. For that reason, we have continued to engage with communities across Edinburgh and further afield during the pandemic, bringing performances and opportunities to schools, families and socially isolated people. These projects are an integral part of the International Festival’s identity, and we will continue them and expand their scope as 2021 progresses.

We are proud of the streamed and broadcast works we have brought you over the past year. These projects have helped us experiment and evolve, and they will continue as a vital element in our work and engagement. But a Festival is at its heart a gathering, a celebration of community and shared purpose. The time is right to take the first careful steps back to live performance.

We are hugely grateful to the artists who are coming on this journey with us; to the stakeholders, donors and sponsors who have stood by us through a tough year; and to our audiences who have cheered us along throughout. We are excited by the prospect of seeing you all at the 2021 Edinburgh International Festival.

Welcome back to your Festival!

The International Festival team

Edinburgh Festivals welcome £1 million UK Government support

Edinburgh Festivals – the biggest combined festivals in the country – will benefit from £1 million from the UK Government this year

Half a million pounds will fund a new digital platform to promote UK talent and content to both international and domestic producers

£500,000 will be made available for Festival organisers to increase their digital capabilities

The UK Government will fund two new projects to expand the digital potential of the Edinburgh Festivals with £1 million investment, Culture Secretary Oliver Dowden has announced.

The Edinburgh Festivals are the biggest combined festivals in the UK, attracting audiences of nearly 5 million every year, generating £313 million for Scotland’s economy alone, and providing unparalleled opportunities for artists across the country. 

Last year many shows at the Edinburgh Festivals had to move online due to the coronavirus pandemic. 

The challenge of moving to a combination of physical and online events, and the increased demand for British virtual cultural content around the globe, revealed the need to expand the Edinburgh Festivals’ digital capabilities as part of the cultural sector’s post-Covid recovery. 

The UK Government is providing £1 million in funding for digital improvements that will enable more ways for people to virtually access the events across the country, increase opportunities for UK artists and ensure Edinburgh’s landmark events will continue to be major contributors to the UK’s economy and cultural landscape. 

The 11 festivals in the Festivals Edinburgh event portfolio will be able to apply for a share of a new £500,000 fund which will support innovative virtual solutions to the challenges of commissioning, producing and promoting festival programmes in an increasingly digitised cultural sector.

The funding will help encourage collaboration between events and develop hybrid events with live and digital elements. 

Another £500,000 will be provided to create a new digital platform that will help national and international buyers and producers search for talent and content from the festivals’ hugely varied programmes, which showcase thousands of artists and performers every year, and promote the work of British artists and performers around the world. 

The funds will be available to Festivals Edinburgh this financial year. Events with live audiences at limited capacities in Scotland will return no earlier than 17 May, and further details about the planning for this year’s Edinburgh Festivals will be released in due course.

This funding builds on £100,000 previously awarded to the Edinburgh Fringe Festival in 2018 to better connect UK artists with international producers. As part of ongoing support for culture in Edinburgh, the UK Government provided £10 million for the Dunard Centre, through the Edinburgh and South East Scotland City Region Deal.

It will be the city’s first dedicated new space for music and the performing arts in 100 years. Scotland also received £97 million from the UK Government’s Culture Recovery Fund to provide support for the nation’s arts and cultural sectors. 

Lothian MSP candidate for Edinburgh Southern, Miles Briggs, said: “This funding from the UK government is a very welcome investment into the arts and supporting the Edinburgh festival.

“It has been an exceptionally challenging year for artists and performers, many of whom have needed to adapt to virtual audiences.

“This investment will pave the way for hybrid Edinburgh Festival performances, which will allow people around the globe to see the creativity and talent on show in Edinburgh.”

Oliver Dowden, Culture Secretary, said: “Edinburgh’s Festivals have long been a springboard for the very best of British talent and a vital part of culture in Scotland and the UK.

“The UK Government’s investment will promote it to a worldwide audience online, helping the UK’s biggest combined festival build back better from the pandemic.”

“This is on top of £97 million we provided last year to the Scottish Government to support Scotland’s arts organisations through the pandemic. Like everyone else, I look forward to our fantastic arts and culture coming back better than ever before, as soon as it is safe to do so.”  

Iain Stewart, UK Government Minister for Scotland, said: “Edinburgh is world-famous for its festivals, bringing wider benefits to Scotland’s economy, tourism and arts sectors.

“We know the last 12 months have been difficult for the culture sector. This £1 million funding boost will support organisations to improve their digital capabilities and engage with audiences here in Scotland and further afield.”

Sorcha Carey, Chair, Festivals Edinburgh, said: “While live events in Edinburgh will remain the backbone of our world-class festivals, it’s crucial that we enhance our digital operations and so we’re delighted with this incredible support from the UK Government which will help reposition our work, and the work of creatives, across the digital world.”

Sir James Macmillan, Composer, said: “I’m delighted and encouraged to see this significant and notable support being given to the Edinburgh Festivals at this crucial point.

“The arts have been seriously affected by the pandemic and it is wonderful that the UK Government is showing its tangible commitment to culture in Scotland by investing in one of Scotland’s and Britain’s most important arts organisations.”