Music Venue transformed by The National Lottery as Part of Everywhere At Once Festival
The National Lottery has transformed Carnegie Hall with a striking projection of Katie Tunstall’s iconic song lyrics – Suddenly I See – onto the side of the building where she performed early in her career, celebrating hometown pride as many venues face closure due to growing financial pressures.
This projection joins a nationwide activation that marks the launch of Everywhere At Once, shining a spotlight on the vital role independent venues play in nurturing emerging talent and shaping local cultural identity.
National Lottery players have been the biggest supporters of grassroots music, with over £1 billion raised for music related projects.
Full listings and ticket details for Everywhere at Once can be found here: www.everywherefest.com
Lyrics from KT Tunstall’s anthem ‘Suddenly I See’ were illuminated onto Carnegie Hall in Fife, close to where she grew up, and recipient of £77,000 in funding from The National Lottery. Members of the public were stopped in their tracks upon seeing the iconic song lyrics projected onto this iconic music venue to mark the Everywhere At Once festival.
Taking place on what would have been the Glastonbury Festival weekend of June 26 to 28, 2026, more than 400 grassroots music venues will stage hundreds of live music events under the banner of Everywhere At Once, making it the UK’s biggest festival.
The initiative, brought to life by a partnership between Music Venue Trust and The National Lottery, will create a national moment to celebrate the grassroots music ecosystem.
More than £1 billion has been raised for music related projects across the UK, helping support venues, festivals, emerging artists and community organisations – all made possible because of National Lottery players. This funding continues to play a vital role in protecting grassroots venues at a time when many face increasing financial pressure despite their enormous cultural importance.
Additional projections across the UK, include lyrics lighting up venues including 229 in London where Tinie Tempah performed the night his breakout single ‘Pass Out’ went to number 1 in the charts; Worcester’s The Marrs Bar, an early-stage venue for Becky Hill; and Empire Music Hall in Belfast where The Divine Comedy performed in their early days.
People feel a strong sense of pride and connection to artists from their local area, with hometown success stories becoming an important source of identity and celebration across the UK.
Music has long played a central role in shaping this cultural pride, including the connection of Katie Tunstall to Carnegie Hall in Fife. Grassroots venues are at the heart of these stories, providing essential spaces where emerging talent can develop while bringing communities together through shared live music experiences.
The projections capture this spirit, transforming the venues that helped launch careers into glowing symbols of local pride.
Alastair Ruxton, Chief Impact Office at Allwyn, operator of The National Lottery, said: “Across the UK, people feel a strong sense of connection to artists from their local area, with hometown success stories becoming an important source of identity and celebration.
“Grassroots venues are at the heart of these stories, providing essential spaces where emerging talent can develop while bringing communities together through shared live music experiences.
“These projections capture that spirit, they celebrate not just iconic artists and lyrics, but the grassroots venues and local communities that supported them from the very beginning. Because of National Lottery players, more than £1 billion has been raised for music related projects across the UK, helping these vital venues continue to nurture the next generation of talent.”
Everywhere At Once will take place across hundreds of venues nationwide, with more than 2,000 artists performing across a diverse range of genres.
As one of the biggest supporters of grassroots music, The National Lottery is helping power this unprecedented weekend championing independent venues, supporting emerging talent, and shining a light on the foundations of the UK music scene.
Funding includes collectives tackling gender inequality
Projects aiming to reduce gender inequality will benefit from the latest round of Creative Scotland’s Open Fund. 109 projects have received support in this latest round of National Lottery funding, including inclusive literature workshops and enlightening theatre work for young people.
Feminist Exchange Network (FEN)is a Glasgow-based collective of women and marginalised genders who use art and creative practice to explore how feminist economics relate to people’s everyday lived experiences.
At the heart of the FEN programme is a mobile library – a physical structure built in 2021 by artist Hannah Brackston.
Housing a growing collection of books and materials on feminist issues including economics, climate justice, health, labour and community care, the library was designed not only as a collection of resources, but as an artistic and social tool, a catalyst for conversation, collective thinking and creative response, across the communities it visits.
Over the coming months FEN will deliver a series of workshops and events for women and other marginalised genders in the local community, inviting them to explore and respond to the ideas in the library’s collection.
They will be running workshops at Romano Lav, Milk, Amina and with groups of New Scots, as well as a performance and film event as part of the Govanhill Carnival in August.
Ailie Rutherford, Artistic Director of Feminist Exchange Network said: “The funding we have received from Creative Scotland will allow us to deliver a programme of mobile library workshops, feminist exchanges and public events to bring artist-led, participatory activity to community venues across South Glasgow – creating accessible spaces to explore intersecting feminist issues relevant to local concerns such as care, health, labour, climate justice and alternative economic futures.”
I Am Not My Hair is a new dance-theatre work created for black and mixed-race girls aged 8-12 years old. The piece celebrates the history, cultural significance and creativity of black hair, highlighting both the pressures young people face to fit in and the power of embracing who they are.
Drawing on lived experience, the work responds to the lack of representation for young Black audiences in the performing arts. Through vibrant movement, music and storytelling, the piece will create a space where identity is honoured and individuality is celebrated.
The project aims to give young audiences the chance to see themselves reflected on stage, while inviting wider audiences to engage with the richness and meaning of Black hair culture, it aims to foster pride, understanding and a more inclusive artistic landscape.
Developed by Edinburgh-based French-Cameroonian musician, composer and singer-songwriter Marie-Gabrielle Koumenda, Creative Scotland funding will be used to support the development of a preview of the show, to be presented this autumn.
Multi-disciplinary artist Marie-Gabrielle Koumenda. Photo -Hen Hoose Collective.
Marie-Gabrielle Koumenda, Developer of I Am Not My Hair said: “The Open Fund will allow me to develop work that affirms Black identity and culture, and that offers joy, complexity and visibility.
“To me, this is the right moment to bring this work to the stage and that speaks directly to the experiences of Black communities, empowers young people and challenges the limited narratives traditionally seen in theatre. I want young Black and Mixed-Race girls to feel seen, valued, and understood by a wider audience.”
Matrescence is a three-month creative project from Glasgow Library of Synthesised Sound (GLOSS) co-founder and musician, Suzi Cook, exploring the profound physical and psychological shifts known as matrescence – the transition into motherhood. Drawing on her own and others’ experiences, Cook will weave their voices into layered compositions, in part inspired by communal voice traditions including Gaelic psalm singing. “I’m creating music that grows and transforms in real time,” Cook explains, “embracing chaos, paradox and tenderness – much like motherhood itself.”
Cook’s recordings will be processed through granular instruments and effects using their unpredictable textures as a metaphor for growth, surrender, and renewal. Developed over a residency of three months at GLOSS, the resulting body of work will form Cook’s first solo record to be released on her label, Full Ashram, with accompanying parallel artwork.
Part meditation on identity and interdependence and part sonic exploration of creativity within change, Matrescence marks a distinctive new contribution to Scotland’s experimental music landscape.
Musician and Gloss co-founder Suzi Cook. Photo by Lewis Cook.
Suzie Cook, Matrescence Project Lead and musician said: “The Open Fund has allowed me to create a flexible residency for myself: dedicated time to explore the themes of motherhood and matrescence, engage with the stories of other mothers and reconnect with a creative practice that necessarily quietened when I became a parent myself.
“Creativity looks and feels vastly different on the other side of becoming a mother. This residency is how I’ve finally been able to shape the time to respond to it.”
These Open Fund awards are among 109 individual grants made to artists and creative practitioners across Scotland in April 2026.
Other awards spanning artform and location in this round, include:
They Sent A Woman – recording artist Ella Munro will produce an album of Scots, folk and traditional song that centres on the stories and voices of women, both historical and contemporary with original songs included. The project will showcase lesser-known traditional music and highlight work by female songwriters, drawing attention to narratives that are often overlooked in the folk canon.
She Says No – a bold, stylistic monologue play where theatre, spoken word and electronic sound collide. The piece walks the line between liberty and sacrifice, celebrates female rage and asks whether women can ever find freedom in a patriarchal world. She Says No will be developed by SG Theatre Productions, with pilot performances at the Tron and Traverse theatres.
Feed Free – a pop-up exhibition by Hayley Hadden, organised in collaboration with the charity LLL Collective, portraying the realities, diversity, triumphs and challenges faced by breastfeeding mothers in Scotland.
Commenting on April’s Open Fund awards, Paul Burns, Director of Arts at Creative Scotland said: “The latest wave of awards expertly illustrates how creatives use Open Funding to champion important themes and rights like gender equality, creating access and representation right across Scotland.
“Thanks to support from The National Lottery, these forward-thinking initiatives will connect audiences to literature, devise original dance and theatre works, and produce boundary pushing experimental music.”
You can find the full list of awards in April on our website.
Community projects across Scotland have secured £990,000 funding in the latest round of Open Fund awards from The National Lottery through Creative Scotland.
Broadening access to culture and creativity lies at the heart of the Open Fund. November’s awards showcase this commitment with projects such as a solar-powered mobile theatre space bringing puppetry to Scotland’s most remote communities, Scots folktale workshops welcoming the nation’s new residents, a theatre residency in the Highlands offering transformative skills development and initiatives tackling gender barriers in the music industry.
Vision Mechanics is setting the stage for a new era of theatre with The Solar Stage – a travelling, solar-powered and carbon neutral performance space, designed to tour bespoke marionette puppets across the country. This self-sufficient mobile venue will bring live theatre to communities where cultural access may otherwise be limited-bringing creativity to peoples’ doorsteps.
With over 40 years dedicated to the art of marionette puppetry Vision Mechanics will use The Solar Stage to showcase their latest project, The Circus of Dreams, inspired by the magic of Edwardian and Victorian travelling circuses. Audiences can expect a fully immersive space, exploring the intricate craftsmanship behind each puppet and stepping into a world where puppetry meets sustainability.
Symon Macintyre, Artistic Director at Vision Mechanics said: “Creative Scotlland’s Open Fund has enabled us to create The Solar Stage, not simply a theatre, but a sculptural, solar-powered artwork that becomes home to the last touring marionette show in Scotland.
“This support allows us to bring a rare and fragile art form to communities that seldom experience it, while touring in a truly sustainable way. The fund is helping us preserve marionette heritage, nurture new artists, and share something magical with audiences across the country.” country.”
Folktales for New Scots is a vibrant community arts initiative designed to share Scotland’s rich storytelling tradition with those making Scotland their home.
Led by Beetroots Collective CIC,the project will deliver 24 interactive storytelling and art workshops across Edinburgh, Glasgow, Ayr and Peebles. Each session pairs a local storyteller with an arts workshop inspired by the chosen folktale, creating space for cultural exchange and artistic expression.
Marta Adamowicz and Robert Motyka, Directors and leading artists at Beetroots Collective CICsaid: “The Open Fund will provide us with the opportunity to foster new collaborations, explore artistic experimentation, and engage socially across diverse Scottish locations.
“Through these initiatives, we will welcome new participants and reach new audiences, thereby contributing to Scotland’s rich cultural landscape.
“Migrant communities will gain deeper insight into Scottish culture while sharing their own traditions, creating a meaningful exchange.”
Vivid Roots Collective is launching its Pilot Residency Project to empower Highland-based theatre makers with the skills and support to create original work.
Taking place across three venues in the north of Scotland, the residencies will offer local theatre makers the chance to develop new projects while participating in workshops and scratch nights, building regional connections and strengthening local theatre communities.
Vivid Roots will offer 11 public events, create paid opportunities for seven openly recruited artists, and casual work for mentors and workshop facilitators. In total, 29 artists will be involved with audiences across online and in-person events – bringing fresh creative energy to the Highlands
Laura Walker, CEO and Creative Producer at Vivid Roots Collective, said:“This funding has allowed us to make a huge transition as an organisation.
“We announced in the autumn that we would be moving away from a festival model so that we can support more artists across a year-long programme of events, and a wider area of delivery.
“This programme is all about supporting artists to invest in their own creative and professional development, with a big focus on delivery across multiple locations in the Highlands, which we have been working on since the beginning.”
Hen Hoose Collective is tackling gender-based barriers in the music industry with a 16-month programme of free, practical skills development initiatives for women and non-binary creatives.
The programme will offer writing camps, production workshops and career development sessions, while partnering with organisation such as Music Broth, We Are Here Scotland and One Groove to produce a collaborative project.
Participants will also have the opportunity to up-skill at a songwriting residency in Fife, working alongside acclaimed producer Dan Gautreau at First Cut Studios.
Tamara Schlesinger, founder and CEO of Hen Hoose said: “The funding from Creative Scotland Open Fund has been absolutely transformative.
“It has allowed us to uplift and support nearly 700 women and non-binary artists across Scotland through panels, workshops, mentoring, and collaborative songwriting projects … for so many, this fund has been genuinely life-changing, and we are incredibly grateful to be able to continue this work.”
These awards are among 50 individual grants made to artists and creative practitioners across Scotland in November 2025. Other awards spanning artform and location include:
Overcoming The “Invisible Women” Syndrome – a social and educational group based in Edinburgh providing older female writers with a safe, inclusive space to hone their craft, led by author Anne Hamilton.
Outer SpacesScotland Residency – collaborating with artists and the public in Aberdeen to explore our shared connection with nature. Insights gathered will shape an immersive exhibition designed to travel sustainably – using public transport – to underserved Scottish island communities.
The2026 Lammermuir Festival – taking place in East Lothian and Midlothian throughout September 2026, with a 12-day classical music programme.
Commenting on November’s Open Fund awards, Paul Burns, Interim Director of Arts at Creative Scotland said: “This group of awards demonstrates the ingenious ways organisations are ensuring all parts of society and all areas of Scotland have access to culture.
“Thanks to the support of National Lottery players, communities across the country will be able to enjoy award-winning musical performances, experience innovative new theatrical environments and learn new skills, as well as developing their own creativity.”
The 2025 Soundhouse Winter Festival returns from Thursday 27 November to Monday 1 December at the Traverse Theatre in Edinburgh, thanks to support from The National Lottery through Creative Scotland.
The festival showcases musicians either from, or based in Scotland, and runs over St Andrews Day and the Fair Saturday weekend. The programme includes some of Scotland’s finest jazz, and trad musicians, a showcase of emerging new musicians, music workshops for adults and young people, and a silent film accompanied by live music.
Headliners include experimental folk band Constant Follower led by songwriter Steven McAll playing tracks from their latest album Let the Healing Begin which has recently been added to the long list for the Scottish Album of the Year (SAY) award, 2024’s Scottish Jazz Vocalist of the Year Niki King; genre blending spoken word artist, rapper, and rising star Bee Asha; andguitarist Chris Amer and his Sextet (Matt Carmichael, Fergus McCreadie, Gus Stirrat, Stephen Henderson and Mhairi Marwick) performing music from their new collection Making Peace With What Is.
In addition, award-winning Scottish composer and guitarist Graeme Stephen will present his score for the 1927 silent film Metropolis, performedby Stephen on guitar and a classical string quartet lead by Fiona Winning on viola.
The quartet is completed by Tom Hanky (violin), George Smith (violin) and Robert Irvine (‘cello). Graeme will also be giving a non-participatory masterclass in Developing Concepts for Composition, Improvisation and Practice, for learners to explore creative ways to turn their ideas into compositions.
Other highlights over the weekend include harpist and lead vocalist Dara Dubh performing fan favourites and new tracks with Tony McVey on drums, Eve Simpson on keys/vocals and Brad Phillips on doublebass.
Multi-instrumentalist and folk singer Cahalen Morrison performing songs from his forthcoming album with his freshly minted trio; and jazz saxaphonist Rachel Duns, whose music ranges from blues and soul, to thepsychedelic sounds of the 1960s.
Over the weekend, audiences will also be treated to an afternoon concert from Scottish/Egyptian instrumentalists and composers The Ayoub Sisters who rose to stardom after their debut album premiered at No.1 in the Official Classical Charts.
Plus, three emerging artists playing in this year’s Spotlight concert, showcasing the very best up and coming jazz musicians in Scotland.
They include guitarist and double bass player Timmy Allan who won the BBC Scotland Young Jazz Musician of the Year Award in 2024 and this year’s Alan McAuley Jazz Award; The Ewan Johnston Trio formed of pianist Ewan Johnston, Christopher Quinnon on bass and Roan Anderson on drums; and the Milele Collective a young five-piece making waves on the Scottish scene with their jazz, latin and afro grooves.
In addition, cellist and improvisor Simone Seales will be giving an Improvisation Workshop for beginners on how to make sound without musical notation, open to amateur or experienced instrumentalists, vocalists or musicians from any other discipline.
Douglas Robertson and Jane-Ann Purdy, co-producers said:“After last year’s multi-genre celebration of the Scottish music scene, we are delighted to be back for our second annual Soundhouse Winter Festival.
“We’ll be presenting jazz, pop, rap, classical, soul, funk, folk, trad, and many points where those categories intersect. It will be heartwarming, life affirming and a great antidote to the November blues. We extend a warm welcome to all: come and be part of Edinburgh’s great music-loving community.“
Alan Morrison, Head of Music at Creative Scotlandsaid: “The closes and wynds of the capital are about to come alive as the Soundhouse Winter Festival returns to Edinburgh with another excellent array of rising stars and familiar faces.
“This compact and perfectly curated programme offers plenty of opportunities to discover new talent across an extended weekend in November, with must-see gigs each and every day.
“Organised by the same people as Edinburgh’s rejuvenated Tradfest, the quality of music is guaranteed to be top-level, with something to suit all tastes.”
Grab FREE tickets to watch Nicolas Cage thriller The Surfer ahead of its official release date
• Free preview screenings of The Surfer in over 100 cinemas across the UK ahead of its official release. Part of Escapes, encouraging all to experience the beauty of their local independent cinema
• Escapes is now offering screenings over two dates The Surfer preview on Monday 28 and Tuesday 29 April
• Over 110,000 free cinema tickets have been claimed to date through the Escapes initiative, which began in February 2024
Escapes, supported by the BFI awarding National Lottery Funding, continues its mission to bring independent cinema to audiences across the UK with its next major screening event over two dates in April.
Following the success of previous free screenings, Escapes is excited to announce The Surfer, starring Academy Award-winner Nicolas Cage, as its highly anticipated next film, with free previews available nationwide on Monday 28th and Tuesday 29th April ahead of its official release in the UK (UK release date 09.05.25).
Directed by Lorcan Finnegan, The Surfer tells the gripping story of a man who returns to the sun-drenched beach of his childhood, hoping to share the joy of surfing with his son.
However, his visit takes a dark turn when he is confronted and humiliated by a group of powerful locals. As tensions rise with the searing heat of the summer, he is drawn into an escalating conflict that will push him to the very edge.
Featuring an intense lead performance by Nicolas Cage, alongside Julian McMahon as the formidable antagonist, The Surfer is a psychological thriller packed with sun, surf, and suspense.
Escapes is shining a spotlight on the charm and uniqueness of independent cinema, and has provided over 110,000 free cinema tickets across the UK since it launched in February 2024.
From Nottingham’s Savoy Cinema, the only pre-Second World War cinema still standing in the city, to Whitley Bay’s Jam Jar, Glasgow’s Omniplex, and many more, Escapes will be screening The Surfer at over 100 cinemas nationwide on both Monday 28 April and Tuesday 29 April.
Whether you’re looking to share a memorable experience with loved ones or simply enjoy a feel-good film, this screening promises to be a fantastic evening of entertainment, celebrating the magic of independent films and cinemas across the UK.
With past successful screenings including heartwarming dramedy The Penguin Lessons with Steve Coogan, family friendly favourite The Sloth Lane, and inspiring biopic Mr. Burton, Escapes continues to spotlight the power of independent storytelling. Whether you’re a longtime Nicolas Cage fan or simply looking for an unforgettable night at the movies, this screening promises to be an electrifying cinematic event.
There is just one day to go before the brand new Soundhouse Winter Festival kicks off in Edinburgh, thanks to support from The National Lottery through Creative Scotland.
The programme is packed with big names and up and coming bands from across Scotland including award winning feminist rock goddess Megan Back, who hasrecently returned from gigs in California, performing tracks from her new album out next year; and impulsive punk/rock n’ roll multi-instrumentalist Callum Easter performing with his full band the Roulettes and special guest indie/folk soloist Iona Zajac.
They will be headliningalongside some of Scotland’s finest jazz and trad musicians including Fergus McCreadie, Su-a-Lee, Duncan Chisholm, Hamish Napier, and Donald Shaw; a screening of silent film The Rugged Island: A Shetland Lyric accompanied by music composed by multi-instrumentalist Inge Thomson and fiddle player Catriona Macdonald; and live performance poetry with Edinburgh’s previous Makar Hannah Lavery accompanied by music from Kate Young.
Callum Easter & The Roulettes who play the Queen’s Hall, Edinburgh on Monday, 2 December with special guest Iona Zajac
The festival’s programme also includes early evening concerts at the Traverse with Nicole Smit performing some cool jazzy numbers with her Quintet (Vid Gobac on drums, Cameron Bradley on piano, Dave Toule guitar, and Kassandra E’Silva on saxophone); Gaelic singer-songwriter Rachel Walker performing with one of the country’s foremost folksingers and accompanists Aaron Jones; Edinburgh-based poetic psychedelic supergroup Acolyte (Ruairidh Morrison on bass, Gloria Black on synth and backing vocals, Daniel Hill on percussion and led by award-winning poet and spoken word artist Iona Lee); and acclaimed singer songwriter Victoria Hume, joined by long-term collaborator Chris Letcher.
Plus, there will be a showcase of emerging new jazz musicians including the Rosalind Orr Trio, TAO and C.A.L.I.E; a masterclass with jazz pianist Fergus McCreadie; and two workshops -Gaelic lullabies with Rachel Walker, and jazz saxophone with one of Scotland’s leading jazz instrumentalists Helena Kay.
Jane Ann Purdy and Douglas Robertson, producers of the Soundhouse Winter Festival said: “We are thrilled to be presenting a five-day festival of live ‘music from Scotland’ at this time of year.
“There are so many world class musicians working here right now that we were literally spoilt for choice. We hope the Soundhouse Winter Festival will not only be a chance for music lovers to hear some of their favourite live bands, but also a chance to hear some of the best up and coming artists of the moment.”
Today (22nd October), 587 community groups across Scotland are celebrating a share of £19.3 million from The National Lottery Community Fund. The funding set to power up local projects comes as the National Lottery prepares to celebrate its 30th birthday next month.
Across Edinburgh, 55 groups are picking up grants totalling £1.7 million. Among them are Citadel Youth Centre in Leith (£166,909), CHAI (£73,120) LifeCare in Stockbridge (£40,696) and Granton’s Empty Kitchens Full Hearts (£19,972).
From historic walled gardens to derelict playgrounds, some of the successful projects will help people reconnect with nature and each other.
They include Friends of Granton Castle Walled Garden who receive £10,000 to host events and gardening sessions at this unique historic site.
Local people have campaigned for eleven years to save the abandoned medieval garden from commercial development. The last vestiges of a once grand estate (the 15th century castle collapsed in 1928), the garden itself had been neglected, for decades.
Like the plot from the beloved children’s novel “The Secret Garden”, Isla Brown led a group of local volunteers, to re-discover and to revive the lost garden of Granton.
“It was thrilling to finally have the keys. When we opened the gate the garden was completely covered with bindweed and brambles. It was so overgrown that it felt like walking into a small woodland, though the old paths remained clear enough to guide us through the wild.”
Isla and her team immediately set about reviving the Garden.
“We’ve planted apple trees as part of our efforts to restore the garden’s fruit-growing heritage. As a botanist, I’ve identified and catalogued the wildflowers that naturally grow here and we make a concerted effort to ensure none are lost as we work to increase biodiversity.
“Bees and butterflies are also thriving in the garden.
“It’s surprising how many people say they never knew the garden was here because it’s so hidden from view. It really is a secret garden. We also harvest produce from the garden and donate it to local organizations like Pilton Community Health Project and Fresh Start, who use the food for community meals.”
The garden may have been lost in the twentieth century but a hundred and sixty years ago, the “lost Garden of Granton” was very much on the map. Isla said.
“We have records of tourists arriving by boat in Granton, staying at a nearby hotel, and visiting the garden. We even have a 17th-century doocot (dovecote) on the site.
“The first gardening manual published in Scotland, The Scots Gardner (1683), includes detailed instructions for setting up a kitchen garden. We’ve tried to follow some of those instructions ourselves, adding a historical twist to our modern gardening efforts.
“Looking to the future, we’d love to plant more native flowers, like snowdrops and primroses, and continue caring for the lovely old roses that date back to the garden’s market garden era. This place has an incredibly rich history, and it’s delightful to see it coming back to life.”
Mental health support charity Growing Matters also acquired a lease on an historic walled garden attached to Gilmerton House, an 18th-century estate in East Lothian.
Today, the charity receives an award of £10,100 to build a pond which they plan to supply with fresh water by restoring a historic well on the site. Once completed the pond will enhance the garden’s biodiversity and host pond dipping sessions for local children.
The once verdant Victorian garden had been left wild and neglected for decades. Once they got the keys in 2016 the group quickly set to work clearing the brambles and bringing the garden back to life.
Gary Biggar, 59, is one of the volunteers helping to regenerate the garden. He said: “The garden has become a safe haven for many in the community.
“Our project offers a tranquil, non-judgmental space where people can reconnect with nature and build mental resilience. After the sessions, we gather for tea and cake and a chat. It’s a chance for people to come together and not feel isolated.”
Gary like many of the volunteers loves learning about the history of the garden: “We discovered an old report from the Caledonian Horticultural Society, dating back to 1885. It detailed an apple and pear congress in Edinburgh where a gardener from Gilmerton presented a new apple variety, named Lady Kinloch, which was met with high praise. This suggests that the garden likely had an orchard in the past.”
With a focus on sustainability the group have added several features to the garden including a herb garden, alongside vegetable plots, a polytunnel, a native tree forest and a bee area with six hives. They have also built an open-fronted craft shelter, where they host workshops in willow weaving and beekeeping.
Commenting on the funding Gary said: “None of this would have been possible without the support of National Lottery funding.
“We celebrated this achievement with our community during our recent open day, marking the occasion with flags and festivities.”
Disability charity, get2gether are another of the lucky groups. They have secured an incredible £195,000 to run social events, exercise classes and workshops for adults with disabilities.
The group works to reduce social isolation and increase the resilience, emotional wellbeing and self-determination of its members.
Natalie aged, 37, regularly attends events hosted by the group. Natalie said: “Before joining get2gether I was stuck in a pretty lonely, confusing and isolated life.
“My life has changed in so many amazing ways since joining. I now have a supportive community around me where I’m seen as a whole person. get2gether gave me a safe space to learn who I am and recognise my worth.
“Since joining get2gether I have gained some huge achievements that I never thought possible for me. I am now doing a college course. I never thought I’d be able to do that. The group has made me realise that I do have a future and a place in the world. I have so many good things to say about get2gether, it’s hard to get it across. It has changed my life.”
Commenting on today’s funding from The National Lottery Community Fund Director of get2gether, Mojca Becaj said: “This funding enables us to continue creating inclusive and accessible social events that foster connections and empower adults with disabilities to lead fulfilling lives.
“Thanks to the Lottery funding, we can further enhance our members confidence and increase community engagement, making a real and lasting impact on our members’ lives.”
The Royal Scots Regimental Trustwere also recipients of funding, being awarded £2,982 to create an interactive exhibition in partnership with Hearts Football Club.
The exhibition will explore the local people including Hearts players who were impacted by the First World War. The exhibition will be held at Tynecastle in the European Suite and will support the football club’s 150th celebrations.
Colonel Martin Gibson OBE DL, Lead from The Royal Scots Museum Outreach Teamcame up with the idea for the project. “I was determined to reach out from our Regimental Museum in Edinburgh Castle to engage with the Edinburgh community, by telling the unique story of The Royal Scots 373 years of service.
“Hosted by Hearts FC as part of the Club’s 150th Celebrations, our interactive exhibition focussed on soldiers stories, many who were from the local area. Visitors of all ages came along and were reminded of the close synergy between the Regiment and Hearts, originating from the outbreak of the Great War in 1914 when Hearts players were the first to be allowed to enlist, and the famous McRae’s Battalion was raised in Edinburgh. The National Lottery funding enabled our dedicated team of volunteers to design and produce real quality displays.”
Retired Regimental Sergeant Major, Gordon Lumsden, 73, from West Lothiancontributed to the exhibition.“I shared my military story with the really interested visitors who clearly enjoyed the exhibition experience.
“It was good to bring our story to the heart of where we used to recruit. I met several people from our former recruiting area whose family had served in The Royal Scots.”
Announcing the £19.3 million package of grants, Kate Still, Scotland Chair of The National Lottery Community Fund, said: “This November, the National Lottery celebrates its 30th birthday. For three decades, communities have come together, supporting one another and transforming lives through National Lottery funding—a truly inspiring achievement.
“National Lottery players can take pride in knowing that their contributions have helped groups like get2gether and The Royal Scots Regimental Trust to support people to lead more fulfilling and connected lives.”
National Lottery players raise over £30 million a week for good causes across the UK. Thanks to them, last year (2023/24) The National Lottery Community Fund awarded over half a billion pounds (£686.3 million) of life-changing funding to communities across the UK, supporting over 13,700 projects to turn their great ideas into reality.
Creative Scotland has taken the difficult decision to close the Open Fund for Individuals to new applications due to the Scottish Government being unable to confirm release of £6.6m in Grant-in-Aid budget in the current financial year, 2024-25.
The Fund will close to new applications from 2pm on Friday 30th August 2024.
Creative Scotland planned to apply £3m of the £6.6m budget to support the Open Fund for Individuals in 2024-25, alongside £3m of National Lottery income.
Without confirmation of release of this budget, Creative Scotland does not have enough funds available to support all the funding routes that we currently provide, as set out in our Annual Plan for 2024-25.
All currently submitted Open Fund for Individuals applications will be processed as per the published Guidance. The National Lottery Open Fund for Organisations remains open.
Iain Munro, CEO of Creative Scotland said: “The level of uncertainty regarding the provision of Grant-in-Aid budgets from the Scottish Government is creating critical problems for the ongoing support we can provide to Scotland’s culture sector.
“This decision to close the Open Fund for Individuals is not one we would have wanted to take but is unavoidable without the funding from the Scottish Government being available.
“Like everyone working in Scotland’s culture and creative sector, we understand the extreme pressures on public finances but want to see longer term budget certainty from the Scottish Government, including the additional £100m announced in October 2023, details of which have yet to emerge.”
Starcatchers, Scotland’s arts and early years organisation based in Wester Hailes, have travelled to France this week to present their acclaimed co-production with SUPERFAN, “Little Top” at Les p’tites tommettes festival in Creil, France.
The show launches the Scottish showcase for the British Council’s UK-France, ‘Together We Imagine’, Spotlight on Culture, which is building artistic collaborations and celebrating the cultural links between the UK and France throughout this year.
Set in a specially designed ‘little top’ circus tent the show is designed to create a magical first circus experience for babies aged 0-18 months. At a time in their development when young children are discovering their own physicality, and the pleasures and perils of gravity, Little Top invites babies to experience all the fun of the circus.
Rhona Matheson, CEO of Starcatchers, is delighted to bring Little Top to France: “Little Top will transport you to a playful, joyous, upside down, topsy-turvy world where people can fly, patterns fill the air, and anything is possible.
“We are excited to present our award-winning show, a co-production with SUPERFAN, at Festival Premières Rencontres.”
The festival appearance strengthens Starcatchers’ partnership with French arts company Compagnie ACTA, following their recent Erasmus+ collaboration exploring topics around artistic awakening in early childhood.
The two organisations have already collaborated to share research findings and exchange best practices in arts for early years. Starcatchers and Compagnie ACTA presented research at PREMIERES RENCONTRES festival 2024’s European Forum in March. The Early Childhood Principles were developed by Starcatchers, Compagnie ACTA, 2turvenhoog and LaSala Teatre.
Rhona Mathesoncontinues: “We are very grateful to the British Council’s UK-France Spotlight Fund for this invaluable opportunity to strengthen our international connections.
“It’s a huge privilege to showcase Scottish work on this platform as we deepen our understanding of what artistic experiences can mean for very young audiences.”
Starcatchers is one of six Scottish-based awardees to receive over £100,000 in funding from the Spotlight on Culture Fund programme, funded with partners including Creative Scotland and the National Lottery.
Their festival presentation is part of a wider celebration of UK-France cultural partnerships happening throughout 2024, coinciding with major events like the Paris 2024 Olympics.
Norah Campbell, Head of Arts, British Council Scotland added:“What a wonderful opportunity for very young children to experience the magic of physical theatre for the first time. An excellent example of how through cultural exchange, artists can come together to share groundbreaking research and performance.
“We’re proud to help bring this innovative work to France, a fabulous start to the UK-France Cultural spotlight activity for this year.
“All the projects are now helping to maintain vital links between Scotland and France, and creatives across both countries are coming together to connect, collaborate and form lasting relationships.”
The National Lottery Open Week returns for Spring 2024
As a recipient of National Lottery funding, the National Museum of Flight in East Fortune is inviting players to visit for free on 16 and 17 March.
This March, The National Lottery, in its 30th year, will once again be saying thank you to players for the £30 million they raise for good causes every week with National Lottery Open Week.
The focus this year is on encouraging the nation to try something new, by offering an array of free entry and special offers at hundreds of National Lottery funded venues across the UK.
From Saturday 9 – Sunday 17 March 2024, anyone with a valid online or retail National Lottery ticket, Scratchcard or Instant Win Game can enjoy a low-cost day out thanks to special offers at hundreds of National Lottery-funded venues and attractions.
There is something to excite everyone this year. Whether you fancy delving into the past at historical houses, castles and museums, embracing nature in all its glory at wildlife hotspots reliving iconic moments at famous sports venues or enjoying a culture fix at an array of art galleries, theatres and other creative spaces.
On Saturday 16 and Sunday 17 March the National Museum of Flight is offering free entry to National Lottery players. Visitors to the Museum must book a ticket online in advance of their visit and bring along both their admission ticket and lottery ticket or scratch card.
Steve McLean, General Manager at the National Museum of Flight said: “We’re delighted to be taking part in The National Lottery Open Week again this year. We’ve been fortunate to receive National Lottery funding, which has enabled us to redevelop two of our Second World War hangars.
“These spaces tell the stories of military and civil aviation, from the first use of air-to-air weapons in 1914 and drone warfare in the 21st century, to flying for fun and connecting distant communities.
“We’re thrilled to have the opportunity say thank you to everyone who has supported us by buying a National Lottery ticket and we’re looking forward to welcoming them at the National Museum of Flight.”
To view all venues and offers that are available throughout The National Lottery Open Week, visit www.nationallotteryopenweek.com.
Darren Henley, Chief Executive of Arts Council England and Chair of the National Lottery Forum said: “In our 30th year, we’re delighted to mark the return of The National Lottery Open Week 2024.
“The UK is brimming with exciting things to see and do – from historical landmarks and cultural treasures to sports venues and natural landscapes. We want players to get out and experience something new by taking advantage of the low-cost and free days out at venues across the country during National Lottery Open Week.
“This is our way of saying thank you to the players who raise an incredible £30 million each week for Good Causes, supporting venues and projects across the arts, sports, community and heritage sectors.”
Terms and conditions and booking instructions across special offers will vary, check the individual offer listing for details.
