This winter, Leith comes alive with creativity! We’re excited to be taking part again this year with our Winter Arts Markets.
It’s your chance to explore 20 inspiring creative venues filled with markets, open studios, exhibitions, workshops, talks, and pop-up events celebrating Leith’s vibrant artistic spirit.
Come and join us from Friday 5th to Sunday 7th December where over 120 handpicked local artists and makers will be selling their work.
With everything from clothes and textiles, glass and ceramics to paintings, prints and illustrations (and lots more), there’s something for everyone.
As well as the bustling market, there will be food and drink from the fully licensed Drill Hall Cafe (including mulled wine).
The perfect place to pick up a unique Christmas gift and support local artists at the same time.
Edinburgh’s new guide supports the creative journey of artists by identifying spaces and opportunities for support in the city
Following extensive engagement with artists, the guide sections and content were developed to provide information and tips to help navigate a new industry and home environment.
This also encourages networking, engagement with local communities and better understanding of the opportunities Edinburgh offers for creative collaborations and artistic ambitions.
Developed in partnership with Creative Edinburgh in response to growing diversity in the city, the online guide can be read in more than 130 languages. It comes after the recent addition of a translation and audio transcription functionality to the Council’s website.
Artists and creatives who have recently settled in the city can also benefit from subsidised premium membership and mentorship opportunities through Creative Edinburgh.
Culture and Communities Convener Margaret Graham said: “Thanks to our world-renowned festivals, heritage sites, and community art spaces, Edinburgh has attracted a culturally diverse community of artists over the centuries.
“There really is inspiration to discover all over the city so it’s no surprise that so many choose Edinburgh as the place to develop their careers.
“I’m delighted that we’re now able to give creatives and artists the opportunity to learn more about Edinburgh’s cultural life and the support available to them to ensure they have the best possible start in the city.”
Ola Wojtkiewicz, Executive Director at Creative Edinburgh, said: “Artists, makers, and creative practitioners are at the heart of what makes Edinburgh unlike any other city. For the past fourteen years, Creative Edinburgh has proudly supported thousands of creatives across the city—that’s why we exist as a charitable organisation.
“We’re especially proud to collaborate with the City of Edinburgh Council on the Multilingual Cultural Guide. As a multicultural and multilingual team ourselves, we deeply value the importance of welcoming artists from around the world and helping them thrive in Edinburgh. This spirit of inclusion is part of what makes the city so vibrant.
“As part of our ongoing partnership, we’re delighted to offer 25 fully funded Premium memberships and a series of tailored mentorship opportunities for artists from diverse heritage backgrounds.
“These initiatives are designed to help creatives navigate their careers in a new environment and make the most of the rich support available to them in Edinburgh.”
Marcin Krupa, visual artist and gallery curator, said:“I arrived in Edinburgh 12 years ago with a couple of hundred euros in my wallet. Right now, I work for an art school, and I am a gallery curator. It wasn’t always an easy journey, but I believe that in Edinburgh there is a great creative potential and a plenty of opportunities.
“I was able to achieve my dreams and financial independence thanks to generous people living here and thanks to various organisations that supported me.
“When I came to Edinburgh, I felt I was surrounded by people who are willing to help me. I felt accepted and became part of the local creative community.”
Royal Collection Trust hasannounced an artist residency in collaboration with Edinburgh College of Art (ECA) at The University of Edinburgh for the upcoming major exhibition Drawing the Italian Renaissance at The King’s Gallery, Palace of Holyroodhouse.
ArtistsPhoebe Leach and Dette Allmark, bothECA alumni, will be responding to the masterpieces on display and drawing in the Gallery throughout the exhibition’s run, with their creations forming a changing display for visitors.
The residency, which is the first at The King’s Gallery in Edinburgh, has been organised in partnership with ECA, a leading international art school within The University of Edinburgh that traces its history back to 1760.
Drawing the Italian Renaissance, which opens on 17 October 2025, will be the widest ranging exhibition of Italian Renaissance drawings in Scotland for over 50 years. Works by Leonardo da Vinci, Michelangelo, and Titian are among more than 80 works on display, with 45 drawings going on show in Scotland for the first time.
The residency programme will demonstrate how drawing remains a vital practice for artists today, just as it was for the artists of the Italian Renaissance.
Visitors to the exhibition will also be encouraged to take inspiration from the works on display and try their hand at drawing, with pencils and paper freely available in the Gallery.
For artist Phoebe Leach, who was raised in Lincolnshire and graduated from ECA in 2024, drawing has been critical to her work. As a painter and printmaker, she explores how people experience and interact with the world around them, with drawing allowing her to shed light on often unseen spaces.
Since October 2024, Phoebe has been documenting the work of the Department of Clinical Neurosciences at the Royal Infirmary of Edinburgh.
Drawing brain surgeries and operations from life, she has created a unique record of the unit’s surgical activities and the experiences of patients (above).
Phoebe Leach said: ‘It’s a real privilege to have the opportunity to be a part of this residency so early in my career, just a year after graduating.
“I’m looking forward to spending time with the works in the exhibition – studying the techniques of the Old Masters to refine my own technical drawing skills, while also creating contemporary interpretations in response.
“Most of all, I’m excited to record the activity of visitors and their interaction with the exhibition to create live response drawings in the Gallery space.”
Dette Allmark, who graduated from ECA with a degree in Tapestry in 2000 and a Master’s in Illustration in 2022, as well as spending a year at the Royal Drawing School in 2007, is an established artist, illustrator and writer who has been a long-term resident of Edinburgh.
Drawing forms the basis for all Dette’s work, but it has increasingly grown in importance for her as an art form in its own right.
It provides a way for her to process the world around her to make sense of her life and experiences, with much of Dette’s work exploring the narratives, myths and archetypes that surround women.
Dette is currently a visiting artist to Scottish Opera in Glasgow, observing and drawing from rehearsals and live performances.
Dette Allmark said: ‘The characters and worlds created by the Renaissance artists not only capture beauty, ignite awe and tell stories but also allow us to see that these artists scrutinised their world, the imagined world and its characters to understand more about themselves, humanity and spirituality.
“I draw to make sense of my experiences, and I hope the visitors will be inspired to revisit what it is to play with a pencil, lay their judgement aside and conjure up a visual world that is uniquely theirs.’
Professor Juan Cruz, ECA Principal, Edinburgh College of Art, The University of Edinburgh said: ‘We’re thrilled that alumni of Edinburgh College of Art will be involved in this landmark exhibition, bringing some of the greatest works of the Italian Renaissance to Scotland for the first time.
“Drawing, in many guises, continues to be a vital part of creative practice, and this residency offers a unique opportunity for our graduates to engage with these historic works in a live public setting. We look forward to seeing how they interpret and respond to the collection through their own creative lens.’
Lauren Porter, Senior Curator of Works on Paper and curator of the exhibition, said: ‘We are delighted to have Phoebe and Dette as the first artists in residence at The King’s Gallery in Edinburgh.
“Drawing was fundamental to the Italian Renaissance and the residency will show its continued importance while offering both artists the time to engage with and respond to the works in their own unique way. We hope that visitors will not only enjoy seeing the artists at work and their drawings on display, but also feel inspired to pick up a pencil and try their hand at drawing.’
Highlights of the exhibition’s accompanying programme of events will include a Gallery Late with music, crafts, and drop-in talks, and family workshops which will explore the exhibition through yoga, storytelling, and drawing.
The two artists in residence will take part in family and community group events, while also on select days offering drop-in support, advice and discussion on drawing in the Gallery.
Nearly 80 independent designers will descend on National Galleries Scotland: National in Edinburgh this weekend for a showcase of creative talent.
In what is their debut capital city event, Tea Green Events are holding their first ever market at the beautiful venue from Friday 23 to Sunday 25 August, returning with their festive market in November.
The markets’ arrival in Edinburgh is a fitting end to the Scottish company’s record-breaking run of summer markets to celebrate their 10th anniversary. Markets have also been held at Aberdeen Art Gallery, The Burrell Collection and Kelvingrove Art Gallery and Museum in Glasgow, V&A Dundee and Bowhouse in Fife.
Specialising in carefully curated markets within some of Scotland’s most stunning creative spaces, Tea Green Events was launched by Dundee jeweller Joanne MacFadyen who is holding a record 20 markets across Scotland this year, driven by increased demand from independent makers and the public.
Joanne said, “Our arrival at the National in Edinburgh represents a huge milestone for Tea Green Events and is a fitting finale to end our biggest ever summer run of markets which have been absolutely amazing.
“It’s extra special to be working within such a prestigious space in a superb location, a prospect I know the artists and designers are just as excited by.
“Because of the huge number of tourists visiting Edinburgh at this time, it’s a real privilege to be showcasing the very best of Scottish craftsmanship, beautiful hand-crafted pieces of work made by some truly talented individuals.
“We’ll have everything from jewellery and prints to knitwear, letterpress stationery and ceramics, truly something for everyone!”
One of the designers preparing to set out her stall is Fiona McIntosh of Edinburgh-based Tessuti Scotland, who makes a range of hand-dyed and silk-screened accessories.
Fiona, who launched her business in 1985, said, “I’ve been involved with Tea Green right from the beginning and, although I used to exhibit in London, the Tea Green markets have replaced the need to do that. In fact, they have become my main platform for face-to-face selling.
“When you work alone, it’s always brilliant to get out there and meet new people. It also reminds you why you do what you do! As well as positioning me in front of my target audience, they’re a great way to make new business connections and meet other creatives including local stockists who are looking for new lines to sell in their shops.”
Meanwhile, Jo Walker of Jo Walker Ceramics, who originally studied jewellery design at Edinburgh College of Art, added, “Tea Green markets have made a huge difference to the way craft is portrayed in Scotland.
“In the past, art and craft have been viewed as two distinct things, with art on a pedestal and craft seen as something you tinker away with at a kitchen table. The markets have boosted the status of craft and elevated it to a presence it deserves.
“People are starting to see how much goes into making things, how much skill is involved.”
Isabella Miller, Director of Audience at National Galleries of Scotland said, “We are so excited to welcome the Tea Green’s Summer Market and all of the amazing independent designers to the National.
“We are thrilled that we can offer the beautiful surroundings of the National gallery to showcase the talents of these incredible creatives and support Scottish businesses.
“We hope this will offer something a little different for our visitors to enjoy and that people will pop in to browse the stalls then explore the art. There will be something for everyone to discover during a day out at the National!”
Exciting FREE annual open studios event returns to Out of the Blue Abbeymount
Featuring over 30 artists from paintings to photography and mosaics to fashion
Meet the makers, watch demonstrations and get the chance to win an original piece of art in a free raffle
Out of the Blue Abbeymount Studios are delighted to be opening their doors to the public again this spring for another exciting Open Studios weekend onSaturday 20th & Sunday 21st May from 12noon – 5pm.
Come along to see their creative spaces, meet the makers and browse a wide range of original artworks and gifts. Everything is handmade by local designers and makers here in the heart of Edinburgh.
Fine art / painting / ceramics / illustration / animation / mosaics / fashion / textiles / photography
There will be FREE art/craft/animation demonstrations and workshops taking place over the two days, plus a FREE raffle featuring exclusive prizes donated by Abbeymount Studios artists.
With over 30 artists and creatives taking part, there really is something for everyone. Artists include wildlife painter Kirsten Mirrey whos work for the past five years has focussed on both exotic and endangered wildlife in a highly realistic style.
Award-winning filmmaker Holly Summerson is one of several animators taking part. Her work includes short films, music videos, projections for events, interactive online art and community workshops. The world of textiles and fashion are also covered with the work of ByJenByre. She specialises in creating one of a kind reimagined fashion from vintage second hand materials.
The poster for the Open Studios weekend was designed by resident children’s print designer Blythe Mackenzie of Little Yellow Scribbles who will also be taking part on the 20th and 21st. Little Yellow Scribbles is a children’s textile brand specialising in vibrant, illustrated textile accessories and clothing.
Out of the Blue Abbeymount Studio Manager Bob Guilianotti says: “We’re delighted to be opening the doors of Abbeymount to the public again for our Open Studios weekend.
“There’s an exciting choice of artists and makers to meet as well as the chance to explore this historic building. It’s a chance to meet our resident artists and makers as they demonstrate their work and discuss their inspirations.”
Details of the Open Weekend, as well as a list of participating artists and makers can be found on the Abbeymount Studios website.
Twenty-four Scotland based Hip Hop artists working in music, visual arts, dance, drama, literature, and screen have received bursaries totalling more than £31,000 thanks to a growing nationwide programme of support designed to strengthen and sustain Scotland’s thriving Hip Hop community.
From Turriff to Dumfries, Angus to Aberdeen, the bursaries are backing DJ workshops, the development of new EPs, singles, albums and music videos; dedicated writing, producing, audio engineering and dance training, the creation of new Hip Hop web series’, provision of DJ equipment and the roll out of new events.
Artist, producer, lyricist Queen of Harps (Anise Pearson – pictured above) is in development on a new EP and music video; Angus’ NoQuestion (Connor Metcalfe) is working on an instrumental beats album offering open-source material for future collaborations; and Tristyn Jay Trustler’s forthcoming album – created in memory of their mother, will form the basis for a new theatre production.
Edinburgh’s Werd (Andrew Devine), who’s using his bursary to develop a new album in collaboration with local producers, said “Sunny Govan’s always been a cornerstone in showcasing and supporting Hip Hop in Scotland.
This funding will allow anyone to progress doing what they love while easing financial concerns. I’m proud to be included and given the chance to push myself and others I work with and I encourage all independent acts to learn about these great opportunities on offer.”
Steg G of Sunny Govan Radiosaid: “These bursaries are an important step towards improving access to arts funding and support for new and existing Hip Hop adjacent artists to develop their skills and talents.
“Hip Hop’s energy, artistry and community spirit is alive and thriving in Scotland. It’s a culture, a movement, and a way of life. The ambition, the appetite is palpable and now we’re working together with partners to put the infrastructure and opportunities in place that will help sustain and grow Scotland’s vibrant and diverse scene.”
121 mentoring with legendary Hip Hop Artist Steg G, Talent Manager and Creative Producer Mobo Agoro or DJ and Producer K4CIE also features this year, alongside availability of additional access costs.
Jenny Tipton, Place, Partnerships & Communities Officer at Creative Scotland said: “Now in its second year, we’re excited to be able to provide refreshed opportunities for Scotland’s growing Hip Hop community and pleased to be able to offer increased provision, additional mentoring opportunities and further access support for each bursary.
“In a time of increased uncertainty for the creative sector, small bursary programmes like these are more important than ever to support artists to develop their careers and provide sustained opportunity across the multi art form genre that is Scottish Hip Hop. It’s with thanks to The National Lottery that we’re able to continue to support this programme.”
Artist
Project Summary
Location
Amount £
Karin Bezchlebova
DJ workshops for women in hip hop, supporting guest women DJs to deliver sessions.
Glasgow
£1,500
Gracia Brill
6 track EP for CrayTwinz that also documents the creative process via video so that it can be shared with other artists as a resource.
Dunbar
£1,000
Steven Buckby
Hip Hop writing and producing workshops for women over 21 in Polmont Prison.
Fife
£1,478
AJ Crawford
Two new singles with accompanying music videos.
Glasgow
£1,500
Sean Cosgrove
Web series showcasing young Scottish MCs in a cypher format with artist as DJ.
Glasgow
£1,000
Ibrahim Dikko
Collaborating with local videographer to develop music video for new music release.
Glasgow
£1,035
Andrew Divine
New album for Werd (SOS) working with local producers.
Edinburgh
£1,500
Yas Farzan
Filmed DJ sets showcasing 4 under-represented Hip Hop artists in Scotland.
Glasgow
£1,050
Rowena Gatenby
Equipment to support artists development in DJing, and MCing.
Aberdeen
£1,500
Lewis Linich
Audio engineering workshops for early career audio engineers and producers.
Glasgow
£1,500
Connor Metcalfe
16 track instrumental project by NoQuestion creating an open source beats material for future collaboration.
Angus
£879
John Lee Miller
5 track EP that highlights theme of mental health.
Glasgow
£1,000
Andre Muvuti
7 tracks with 7 Scottish producers focusing on spoken word pieces to be developed into music.
Glasgow
£1,500
Ian Nijdam
Producing a collaborative Hip Hop EP with artists based across Scotland.
Glasgow
£1,250
Anise Pearson
Develop new EP and music video for Queen of Harps.
Edinburgh
£1,000
Harry Raitt
3 track release, with recording, mixing, artwork and visuals collaborating with Scottish based creatives.
Turriff
£1,500
Jordan Robertson
Collection of music videos to support development of work.
Glasgow
£1,000
Alexander Romance
Live music event supporting under-represented artists in Hip Hop.
Dumfries and Galloway
£1,150
Joe Rosenthal
Music video for band AROMA collaborating with rapper Skittles.
Glasgow
£1,500
Nadia Sewnauth
Midgierakers Unite Dance workshops in collaboration with Shelltoe Mel, offering sessions for women and young people to learn different Hip Hop Dance styles.
Dumbarton
£1,500
Sarah-Jayne Simpson
2 tracks exploring contemporary life in the North East of Scotland.
Aberdeen
£1,262
Faris El Sheikh
Working with producer Stu Brown and filmmaker Meray Dinar and contemporary dancer to develop a new song, music video and dance piece.
Glasgow
£1,500
TJ Trusler
Album created in their mother’s memory, that will form the basis for a theatrical production.
Edinburgh
£1,500
David Wark
Collaborating with Big City Brains in Copenhagen, two dance artists from the popping scene in Glasgow will travel to Copenhagen to meet this dance collective and develop a sustainable model of artist development for dancers.
A unique group to help blind and partially sighted people find work in the performing arts has been launched in Edinburgh.
Visually Impaired Creators Scotland (VICS) will inspire established and aspiring artists with sight loss through sharing ideas, collaborative performances, workshops and supportive monthly meetings.
It’s founder Kirin Saeed, a trained professional actor who lives in Leith, was partially sighted until the age of eleven when she then lost most of her remaining vision. “I can just about make out a bit of light and dark now,” she says.
Kirin, herself, was inspired by Extant, a theatre company for people with sight loss that she worked with for six years in London.
“I don’t think there are really any major barriers to actors and performers with a visual impairment apart from the ones that other people create,” she says. “I don’t think memorising a script is a barrier. I don’t think getting around the stage is a barrier. The biggest one is just getting opportunities to perform, trying to infiltrate the industry.
“But how do you communicate the message to theatrical agents, the musical companies? How do you push the message out that people with a vision impairment can still have talent? That’s what our group wants to try and open up. To create a network where we can support each other and promote the work we do when we can get it.”
VICS will run a series of exciting and fun taster-workshops in February open to all visually impaired people aged 18 and over to improve performance-skills and develop new ones.
The workshops will take place at Crannie Community Centre, 9 Cranston Street, Edinburgh on February 18th and 25th and Match 11th from 11am to 3pm. Transport expenses and lunch will be provided.
“Places are limited so first come, first serve,” emphasises Kirin. “You are the performers of the future and we would be delighted to meet you! Come along to try out exercises that explore sound, movement, music and your own experiences in a safe and warm environment.”
You can also call VICS on 07770614747 and they’ll call you back to chat.
And before then you can enjoy a ‘Cabaret In The Dark’ by VICS, with songs, comedy and activities, all in complete darkness! The one-hour entertainment is taking place on Friday, February 10th, at 4 Duncan Place, Edinburgh EH6 8HW.
From nervous beginnings, and the rewarding elation of performing at the Fringe for the first time, to the butterflies of finding new or everlasting love. The Fringe Society is delighted to share amazing moments gathered from artists and audiences, from the past 75 years of the Edinburgh Festival Fringe.
Anecdotes have been gathered over the last few months and include memories such as the excitement of bumping into a favourite celebrity, to taking inspiration from a performance and setting out on a new career journey.
“I first discovered street performing at the Edinburgh Fringe. I was there for the first Fringe Sunday in 1981 and that’s where I first saw a street band called Pookiesnackenburger (from whom Steve McNicholas and Luke Cresswell later became STOMP) who played huge gigs on the street. That got me interested in street performing.” Eddie Izzard
“Whilst here I met a guy who was working at the same venue, we hit it off… 19 years later we are married, have two girls, two cats and we both work in the arts and cultural sector in Edinburgh. I would just like to say thank you to the Fringe for positively changing my life.” Sharon May
“I love the unexpected, the chaos, the anarchy of the Fringe. Trying to find your way through the programme knowing that while you’ll see excellent shows, you’ll always miss other great ones; talking to strangers while queuing up about their favourite performances so far and sharing yours; watching the audience and actors mix … All of this with the dramatic and incredibly beautiful backdrop that is Edinburgh, a perfect place for the festival.” Uta Bretsch
“We have attended the Fringe every year since 1998 and it is something of an obsession for us. So much so that we decided to get married there… in secret.”Richard Brownsecret
“Edinburgh Fringe has been a highlight of our summer since we moved to Edinburgh in 2013, an opportunity for our whole family to indulge in culture and the arts together, to dip our toes into new experiences and deep dive into some familiar favourites. Come rain or shine, we pack our rucksacks and disappear into the crowd and into another world of magic and endless possibilities.” Julia Whitaker
“It’s just great being part of it; it’s the biggest arts event in the world. It’s the only place to be in August – the two years I didn’t go at all, I just felt like my friends were having a big party and I decided not to go. I would feel like I was in the wrong place, not being in Edinburgh.” Arthur Smith
“This year will be our 20th visit since first coming up to see our son in a college production. Every time is magical, trying to take in as many diverse shows as we can.”Merlyn Anne Goudie
“There is no place in the world like Edinburgh Fringe in August. The energy is fantastic and you feel alive doing what you love, during the height of summer.”Clare Harrison Mccartney
“To this day I have met lifelong friends and some of the most inspirational people at the Edinburgh Fringe having participated in more than 10 Fringes. The Fringe tests your resolve, your patience, your abilities and your energy. Yet it also rewards you with an amazing experience that will forever leave a mark on your soul.”Paul Perez
Shona McCarthy, CEO of the Edinburgh Festival Fringe Society, said: “It has been an absolute joy to read memories from audiences and artists from across the years, and it is testament to the resilience of this great festival, and all those who have played a part in building it, that it is celebrating its 75th anniversary this year.
“The stories that have been shared with our team highlight the impact the Fringe can have on inspiring young people, captivating audiences, and being the place to be every August.
“From childhood memories, to the transformational affect the festival has had on artist careers, we thank each person for taking the time to share their favourite Fringe memory.”
We encourage the public, and those performing at this year’s Fringe to share their own memory on social media and tag it #FringeMoments.
We are delighted to announce the participants of Satellites Programme 2022 following our open call and selection process earlier this spring.
Satellites is Collective’s development programme for emergent creative practitioners based in Scotland and lies at the core of our mission and creative vision. We aim to support participants to better understand and navigate the sector; equipping them to sustain a creative practice and foster criticality through peer development and reflection.
This year’s practitioners were selected by artist Rabiya Choudhry, curator Sara Greavu, and writer and artist Jeda Pearl:
Thomas is a Glasgow-based artist and curator. His work often focuses on complex questions concerning gender, race, sexuality and class, and centres around the challenging of societal power structures. Recent projects include The School of Abolition; You’re Never Done, and the Glasgow Seed Library.
Kaya is a multi-disciplinary artist based in Perth. Kaya works with analogue photography, film, writing and sound to explore the rose-tinted memories of working-class upbringings – her own included. Kaya has worked with Creative Dundee on the Full Picture commissions and held the position of Socially Engaged Artist in Residence 2021 at Mount Stuart, Isle of Bute.
Matthew is a Glasgow-based artist who creates succulent and vibrantly coloured sculptures, drawings and paintings concerned with the ideologies of nature. He also explores the relationship between plastic and queerness. Recent exhibitions and events include Shocked Quartz, Ugly Duck, London (2022); First Outing, Abingdon Studios, Blackpool (2021), and Air Diving, 16 Nicholson Street, Glasgow (2021).
Rabindranath X Bhose is an artist and writer based in Glasgow. He graduated from the School of the Damned D.I.Y. MFA in 2019. His work centres around sacred transness, spiritual transformation, and (healing from) trauma. Recent projects include In Touch, Embassy Gallery (2021) and group show Platform: 2020, Edinburgh Art Festival (2020).
We are excited to support these practitioners over the coming months. Some of the new works produced will be presented as public events, exhibitions, publications and workshops: watch this space!
Collective is delighted to present Acts of Observation, a group show by artists and writers Ana García Jácome, Jeda Pearl Lewis, Abi Palmer and Simon Yuill. The new exhibition spans our entire site and is presented as a series of solo presentations, or ‘acts’, throughout our different buildings, spaces, and online.
Dynamic in form and content, the artists brought together present a diverse range of works including film, interactive installation, writing and architectural interventions.
Acts of Observation directly questions, contextualises and challenges how we negotiate institutional language and spaces, and how disability is represented. The participating artists articulate and politicise notions of recovery and offer visions of positive, inclusive futures.
Artworks on display include: interactive installation Crip Casino by Abi Palmer, where absurdist poetic diagnoses are delivered by the spirit of Elvis reimagined as a medical practitioner; two film works by Ana García Jácome – It’s Like She Had Never Existed and The [ ] History of Disability in Mexico, new poetry by Jeda Pearl which questions how we are observed and which bodies are seen as sublime; and a new text work by Simon Yuill, expanding the text works produced for the artist manifesto Not Going Back to Normal.
Join us on Saturday 25 September, 2 – 4pm, to celebrate the opening of the exhibition, including a live poetry reading by Jeda Pearl Lewis. This is an open event and all are welcome.
Much of the event will take place outdoors in our new ‘Play Shelter’ so please dress for the weather! Numbers inside the exhibition spaces will be monitored in line with social distancing advice so a short wait may be required.
Please RSVP by booking a free ticket on Eventbrite.
Friday 5th December | 5pm – 9pm
£3 / £1 Concessions / Free for under 12’s.
https://outoftheblue.pulse.ly/ati1ac0xls
