Screen Scotland – The NEN – North Edinburgh News

Edinburgh-born musician Robbie Greig joins new BBC Gaelic quiz show

An Edinburgh-born musician will soon be appearing on screens across Scotland, as Robbie Greig takes part in BBC ALBA’s brand-new Gaelic quiz show, Mas Fhìor.

Marking BBC ALBA’s first step into high-energy studio gameshows, Mas Fhior (pronounced “masheer”) is a bold, home-grown Gaelic entertainment format produced in partnership with Glasgow-based BEEZR Studios and Screen Scotland.

Launching on BBC ALBA on Tuesday 17 February 2026, Mas Fhìor is a 12-part, fast-paced studio quiz where pairs of Gaelic-speaking contestants from across the UK must decide what’s true, what’s false and, crucially, who they can trust.

Taking its name from the Gaelic slang phrase meaning “as if”, the show tests confidence, credibility and quick thinking as the pressure builds and the truth becomes harder to spot.

Robbie is one of eight new faces who appear across the series as the show’s Pretenders – known in Gaelic as the Mas Fhìoraich – joining the action remotely from home and playing a key role in testing the instincts and judgement of the competing teams. Armed with convincing delivery and quick reactions, the Mas Fhiorach challenge contestants each episode to weigh up credibility as the game unfolds.

Music sits at the heart of Robbie’s life. A multi-instrumentalist who plays guitar, banjo, fiddle and sings, he performs full-time across three folk bands while also working regularly as a session musician and teacher. His career has taken him around the world, and his skill as a fiddle player was recognised with the Niel Gow Scottish Fiddle Award.

Born and brought up in Edinburgh, Robbie followed his passion for traditional music to Benbecula at just 16, studying for an HNC in Traditional Music Performance before going on to achieve a first-class honours degree in Applied Music. He has since settled in Glasgow, where he continues to thrive in Scotland’s busy traditional music scene. While rooted in Gaelic and traditional music, his listening tastes are wide-ranging, spanning African music, jazz and country pop.

Robbie Greig said: “Taking part in Mas Fhìor was a brilliant experience and completely different from anything I do day to day. It was really challenging trying to keep my story straight under pressure.

“It’s a fun and entertaining show and perfect for watching along and guessing who’s telling the truth.”

Recorded at Night Sky Studios in Coatbridge, North Lanarkshire, the series is hosted by popular BBC ALBA and BBC Radio nan Gàidheal presenter Niall Iain MacDonald, whose quick-witted, fast-talking style keeps the pace high and the pressure firmly on.

Produced by entertainment powerhouse BEEZR Studios and directed by quiz show veteran John Smith, Mas Fhìor adds to BBC ALBA’s ongoing commitment to original entertainment, while supporting the continued growth of Scotland’s screen sector.

Bill MacLeod, Commissioning Editor at BBC ALBA, said: “Mas Fhìor is an unapologetically entertaining quiz format – perfectly tailored for Gaelic viewers but with a universal appeal.

“Viewers will want to lean in and play along – all the while getting to know the quirky personalities of our regular panel of ‘Pretenders’. The new show really underlines our commitment to delivering original, high-production-value entertainment.

“We’re thrilled that the creative team at BEEZR Studios have developed this unique, home-grown format specially for BBC ALBA and we’re especially grateful for the support of Screen Scotland in its development and production.

“With a cast of amazing Gaels from across the country and a quick-witted, fast-talking host in the shape of Niall Iain, Mas Fhìor promises to be another example of world-class TV and original entertainment from Scotland.”

Alasdair MacCuish, Executive Producer at Beezr Studios:“Mas Fhìor was developed with BBC ALBA’s audience firmly in mind – a fast, fun quiz that rewards personality, quick thinking and a love of language as much as general knowledge.

“Working with BBC ALBA and Screen Scotland, Beezr has created an innovative and bold new format, which takes advantage new technology to bring scale and ambition. As a result, Mas Fhìor feels fresh and contemporary whilst being squarely rooted in communities across Scotland.”

Emily Orr from Screen Scotland said: “It’s fantastic to be able to support the team at BEEZR Studios to showcase their abilities across this new format and we can’t waitfor audiences to enjoy Mas Fhìor.”

Mas Fhìor will broadcast on BBC ALBA from Tuesday 17 February 2026, with new episodes airing weekly.

Film and Screen to become part of Scotland’s curriculum

For the first time pupils across Scotland, from age 3 to 18, will have the opportunity to study Film and Screen as a practical arts subject

Screen Scotland, with Education Scotland and Scottish Government has officially launched the national rollout of Film and Screen into Scotland’s Curriculum for Excellence.

Over the last three years, Screen Scotland has devised, designed and delivered a programme to test and evaluate the Film and Screen Curriculum, a curriculum for every level of formal Scottish Education for learners age 3 to 18.

Schools in 30 local authority areas across Scotland, including Shetland, Scottish Borders, Glasgow, Edinburgh, Dumfries and Galloway and Angus have been involved in this globally unique programme delivered to over 6000 children across early years, primary and secondary education.

Fi Milligan-Rennie, Head of Education – Screen at Screen Scotland said: “Screen Scotland’s film and screen curriculum creates democracy of opportunity for every child and young person to learn about the film and screen industries in Scotland, to understand how it works and most importantly to recognise that they can be part of it.

“Filmmaking, making television programmes or content online requires the ability to tell stories well, to persuade colleagues to work with you, to gather resources and plan ahead. It builds confidence and we have seen across the development period the tremendous positive impacts it has already had for pupils across Scotland.

“It is thanks to the enthusiasm, commitment and willingness to creatively experiment from schools across the country that we can now celebrate Film and Screen as a subject in its own right.”

The curriculum is endorsed by some of Scotland’s key acting, filmmaking and presenting talent, including James MacAvoy, Lucy Halliday, Mark Bonnar, Julie Wilson Nimmo, Edith Bowman, Chloe Pirrie, Martin Compston, Dougray Scott, Sanjeev Kohli, Mark Cousins and Lauren Lyle.

Neil Millar from Education Scotland said: “Over the last three years I have been proud to work with, and support, the inspiring work that has been undertaken in creating and facilitating the draft Film and Screen Curriculum across Scotland.

“From the outset, the educational and social impact of the pilot Film and Screen curriculum on schools, teachers and most importantly pupils, has been immense. The proof of this is in the curriculum work developed and showcased by the children and young people themselves.”

Laura Heggie, Teacher at Graeme High School said: “I’ve been so impressed…by how much the curriculum gives pupils ownership over their own learning. They’re so engaged and want to get it right that they are working and challenging each other within their film crews.

“I can hear them critiquing each other’s work and offering suggestions to improve as I walk round the room. This is unprompted by me. The development in their confidence and ability to contribute has really grown…as they have moved to working within the production groups.”

Kian McLear, S5 pupil at Drummond Community High School said: “Film and Screen has allowed me to express creativity with my fellow classmates, as well as giving me an in interest in the film industry as a whole.

“There’s a very good balance between practical work and analysis, and there’s never any lessons or practical tasks that drag on.”

James MacAvoy, Actor and Director said: “Teaching film and screen in schools is the most equitable way to engage in an art form, while demystifying something that can seem distant or inaccessible.

“It’s not just about the next generations of Scottish filmmakers, it’s about understanding the creative right to be seen and heard and making the space and time for that to happen, for every child in Scotland.”

Julie Wilson-Nimmo, Actor said: “I’m so happy that the Film and Screen curriculum is going on the school curriculum, when I was a young girl growing up in East Kilbride and I went to see my favourite film of all time Gregory’s Girl, I never thought I could be a part of that world, as an actor or behind the camera.

“The fact nursery, primary and secondary kids will be able to tap into this on their school curriculum is amazing. I’m 100% behind it.”

Education Secretary Jenny Gilruth said: “The arts are vital to the success of Scotland’s young people, inspiring them to develop a wide range of skills – film and screen learning is very much part of this story.

“The initial Film and Screen pilots demonstrated the innovation that lies at the heart of Scotland’s curriculum. This further roll out of support and advice to teachers across Scotland will help to support the continued growth of film and screen learning in our classrooms.”

Culture Secretary Angus Robertson said: “I’m delighted to welcome this world-first curriculum, which brings the magic of film and screen to the classroom for learners of all ages. In addition to encouraging untapped creativity, it will be instrumental in the career development of the next generation of Scottish film and screen talent.

“The Scottish Government is clear that a skilled, diverse workforce is essential to the continued success of our screen sector, which is set to be worth £1 billion to Scotland’s economy by 2030.

“Working with Screen Scotland, we are investing in Scottish skills and talent to ensure Scottish voices are represented throughout the production journey, and that this growth leaves a legacy of an ever-stronger crew base across Scotland.”

Opportunities in TV production

Are you based in Scotland, aged 18 or over, and looking to gain hands-on experience working behind the camera in TV?

The #HETVSkillsFund is partnering with Screen Scotland on this training programme offering aspiring trainees the chance to work across various departments on a TV production filming in Scotland!

Trainees will have the unique opportunity to learn directly from some of the industry’s top technicians and creatives, gaining essential skills and on-set experience.

Read more about the programme and apply now:

https://www.screenskills.com/…/80a44e3e-7869-4f64-a6b7…/

Applications close on 21 April 2025

Screen Scotland sets strategy to 2030

Six-year plan commits to backing emerging talent, production skills, film education, and the development of new audiences

Screen Scotland has today published a new strategy, setting out ambitious plans for the continued economic and creative growth of Scotland’s film and TV sectors across the next six years. 

Screen Scotland’s strategy seeks to further develop Scotland as a centre of global production, and a nation with its own vibrant, confident film and screen culture.

An economic growth target of £1billion GVA within the Scottish economy is matched with an ambition to see that growth driven by new work from Scotland, devised, developed and produced by Scottish talent, sustaining rewarding and creative jobs across the country, at all career levels.

Building on the momentum in the industry since the creation of Screen Scotland in 2018, there will be a renewed focus on skills, talent and infrastructure development, supporting Scotland’s success as a centre of and destination for film and TV production.

Isabel Davis, Executive Director of Screen Scotland said: “We’re starting this new strategic period from a position of strength. Many of our films are now enjoying international recognition through A-list festival debuts and commercial distribution.

“The number and scale of films and TV series shooting year-round in Scotland has rapidly increased, employing Scottish crews, locations and facilities. These tremendous results have come about through a focussed work programme, close collaboration with industry and dedicated funding. We fully intend to build on this in order to continue to effect positive change in the Scottish film and TV sector.”

David Smith, Director of Screen Scotland said: “It’s a time of significant change in the film and TV sector globally.

“Screen Scotland’s work will always be responsive to the changing landscape, seeking fresh opportunities for Scotland’s people to make their mark globally in film and TV.

“The one thing that is certain is that audiences respond to compelling, well-told stories and under this strategy we are doubling down on creative origination, supporting Scotland’s creative talent to develop the skills, relationships, and opportunities they need to make their best work, alongside an understanding of how to bring those projects successfully to market.

“An area where Scotland is genuinely breaking new ground is our work developing “film and screen” as an arts subject in Scottish schools. That is a long-term investment that will have benefits well beyond the screen sector and kindle creative expression in the next generation.”

Key areas of focus include:  

Increasing the scale and ambition of film and TV content from Scotland

Prioritising ambitious, locally originated projects through targeted development funding, editorial support and production funding, and in training and development of Scotland-based talent. Screen Scotland already invests 90% of its annual budget in film and TV projects where there is a Scottish writer, director, producer or production company attached or on skills programmes for Scotland-based talent including crew.

Recent productions supporting Scottish talent include: The Outrun, co-written by Orkney-based writer Amy Liptrot, which premiered at Sundance in January; Scottish writer/director John Maclean’s Tornado which is currently in production in Scotland starring Jack Lowden; and the critically acclaimed BAFTA winning Aftersun from Scottish director Charlotte Wells and Edinburgh-based producer Amy Jackson.

Recent examples of talent development programmes include entertainment formats initiative, FormatLab, scripted producer development programme Film FastTrack and the BBC Scotland/Screen Scotland Emerging Directors Initiative.

Creating a sustainable centre of gravity for production from and in Scotland, with Scotland as a centre of global production

Building a full ecosystem that encourages a year-round pipeline of productions, both locally generated and inbound. Supporting crew and talent to live in Scotland in the confidence that they can have a sustainable career here.

Screen Scotland will provide leadership on Scotland’s training, brokering of relationships with industry, and enhancing investment in the skills base including through Screen Scotland’s role as a BFI Skills Cluster.

This work will involve supporting Scottish crews to be internationally competitive, bringing through new trainees, investing in ongoing professional development and looking at the wellbeing of the freelancer workforce in Scotland (e.g. Timewise and BECTU Vision were commissioned by Screen Scotland to undertake a research report on flexible working hours in the film and TV industry).

Work is also underway on this with trainee opportunities like Screen NETs and the rad TV trainee scheme, the Outlander: Blood of My Blood trainee programme supporting new trainees right across the Cumbernauld-based production, building on the hugely successful Outlander Trainee Scheme.

Exciting and inspiring Scottish audiences of the future

Ensuring that every corner of Scotland has access to cinema and a diverse range of screen content by supporting commercial operators, community owned-cinemas, touring operators (e.g. Regional Screen Scotland’s Screen Machine) and film clubs, in a way that not only enriches Scotland’s culture but also sustains its screen industry for generations to come.

Screen Scotland will also continue to support Scotland’s film festivals (e.g. Glasgow and Edinburgh Film Festivals and Sea Change Film Festival in Tiree) which showcase the rich tapestry of Scottish and international cinema, fostering cultural exchange and nurturing emerging talent.

Distribution will also be a priority in audience development, enabling filmmakers to reach audiences across Scotland and on an international stage, providing opportunities for Scottish talent to thrive in an increasingly competitive landscape.

Recent productions to be supported through Screen Scotland’s Distribution Fund include Hopscotch Films’ Janey, Adura Onashile’s stunning debut GIRL and BAFTA-nominated Is There Anybody Out There? co-produced by Glasgow-based Tigerlily Two.

Every child in Scotland having the opportunity to learn about film and tv making

Transforming film and screen education to ensure every child and young person in Scotland has the opportunity to make a film or programme during their school years.

Enabling children and young people across Scotland to feel that filmmaking is within their reach and is something they could be involved in either as creative practice or a career. This will help children and young people to begin to realise their potential as filmmakers.

To achieve this, Screen Scotland has been working with the Scottish Government, Education Scotland, the SQA and screen education specialists across Scotland to develop a draft Film and Screen Curriculum to work towards Screen Education being embedded into the national curriculum as an expressive artform.

The draft curriculum is currently being tested in primary and secondary schools across Scotland through Screen Scotland’s pilot project, Screen Educator in Residence Programme.

Culture Secretary Angus Robertson said: “Screen Scotland has driven the remarkable transformation of Scotland’s screen sector and has played a pivotal role in developing every facet of our film and television industry, fostering growth and innovation at every turn.

“The impact of our thriving film and television industries cannot be overstated – they contribute millions to our economy and serve as a catalyst for job creation and talent development across the sector.

“As we look ahead, Screen Scotland’s forward-thinking strategy charts a course for inclusive and sustainable growth, prioritising talent development and industry expansion. We remain steadfast in our commitment to sustaining that phenomenal growth and our aim is clear: to position Scotland as a premier production base and a thriving hub for creative talent, making it an ideal place for world-class creatives to call home.”

Sean Connery Foundation sponsors new features Competition Prize at Edinburgh International Film Festival

The Sean Connery Foundation has come on board the 2024 Edinburgh International Film Festival (EIFF) to establish The Sean Connery Prize for Feature Filmmaking Excellence, a £50,000 award to a single filmmaker as part of a new features competition prize at the centre of the relaunched festival.

The Sean Connery Prize for Feature Filmmaking Excellence creates an exciting platform to showcase today’s most talented filmmakers by linking their success to the legacy of Scotland’s most famous global star.

From August 15-21, 10 world-premiere feature films will compete for the cash prize, to be determined by audience vote. Criteria for submitting films to the Festival can be found at www.edfilmfest.org and submissions are now open.

Paul Ridd, EIFF Festival Director said: ‘Sean Connery was a vital patron of EIFF, consistently showing up to support new talent and gracing countless red carpets. He loved Edinburgh and he loved the festival.

“We are thrilled to establish the prize to honour this iconic Scottish star and we are immensely moved by the generosity of The Sean Connery Foundation, an organisation which shares our respect for cinema history and excitement for its future.’

Stephane Connery, Sean Connery Foundation Chair has said: ‘From the moment we launched the Sean Connery Foundation, we have been focused on expanding opportunities for talented young people from Scotland to access rewarding careers in the film industry, particularly those who face disadvantage.

Investing in a revitalised Edinburgh International Film Festival is another piece of that puzzle, providing a local showcase for global talent, where young Scots can find inspiration, mentors, and role-models to fuel their own film-education journey.

“My only wish is that Sean could join us to award the prize himself; he would have loved it.’

Jason Connery, Sean Connery Foundation Ambassador has said: ‘Dad made it a priority to attend the Edinburgh Film Festival. He knew first-hand what it meant to work hard and struggle for opportunity. He also knew how hard it is to make an extraordinary film.

“With this prize, we link his legacy as a talent who rose from humble means to achieve global success with the next generation of artists forging that same path, and we do it by supporting the film festival he so loved, in the hometown he cherished.’

EIFF will also inaugurate a short film competition with a cash prize of £15,000. Prize title is to be revealed soon and submissions are now open.

Spanning 7 days, the relaunched EIFF will honour 70+ years of festival history, showcasing the very best talent in filmmaking in a re-energised format that is rooted in a local Scottish context whilst embracing the international diversity of creative expression.

The EIFF’s August fixture now runs in parallel to a host of creative festivals taking place in Edinburgh, including the Edinburgh International Festival and renowned Edinburgh Festival Fringe, which sells millions of tickets to cultural connoisseurs from around the world.

The EIFF will encourage general audiences, film buffs and industry professionals to make the trip this summer to Edinburgh, which is universally recognised as a place of beauty, history, discovery and adventure.

Helmed by Festival Director Paul Ridd and newly appointed Festival Producer Emma Boa, the team aims to create a world-class showcase for independent film and filmmaking talent.

Former Acquisitions Executive Ridd is supported by an expanding Board, including Chair, Andrew Macdonald of DNA Films, producer of the iconic Edinburgh-based film Trainspotting; Peter Rice, former Chairman of General Entertainment at Disney and President of 21st Century Fox; and Amy Jackson, producer of last year’s BAFTA award-winning indie, Aftersun. EIFF 2024 is supported by Screen Scotland.

More information will be released on the shape of the Festival, venues and more key strategic partners in the coming months.

Open the Doors!

Council to contribute £60,000 towards renewed Edinburgh Filmhouse

£60,000 will be contributed to Filmhouse (Edinburgh) Ltd supporting the return of the Edinburgh Filmhouse building at 88 Lothian Road, the city council has announced.

Following the collapse of Edinburgh Filmhouse’s parent charity, the Centre for Moving Image (CMI), in October 2022, the Council has been working closely with key stakeholders to secure a future for cultural cinema in the Capital.

The option to support a renewed Filmhouse was included in the report agreed by the Culture and Communities Committee on May 11 2023, as part of a wider allocation of resources committed to the sector for the financial year 2023/24.

As a result of positive project development updates over the past few months, the Council has committed this support. The Council will continue to monitor progress in the coming months and work with Filmhouse (Edinburgh) Ltd, Screen Scotland, the Scottish Government, and other partners.

Culture and Communities Convener, Councillor Val Walker said: “We’re delighted to see the progress of the fundraising campaign and to be in a position to contribute as a Council.

“Crucially, this funding is in-budget and has been agreed by elected members. Alongside the wider stakeholder group, we look forward to our continued dialogue and working with Filmhouse (Edinburgh) Ltd.

“We’re committed to having a home for cultural cinema in the heart of the city and for the wider sector going forward. Edinburgh is rightly one of the great cultural cities of the world and cultural cinema is a key part of this landscape.”

The Directors of Filmhouse (Edinburgh) said: “This is fantastic news and everyone who has their heart in the campaign will want to thank the City of Edinburgh Council for this tangible commitment to opening the doors of Filmhouse once more.

“Filmhouse, as a cultural institution that celebrates the art of film alongside the other artforms supported in Edinburgh, aims to re-open as soon as the total necessary funds have been raised.

“We plan to provide the broad range of cultural cinema that the city is lacking just now, as well as to host the diverse group of specialist and community film festivals which have been missing their longstanding home on Lothian Road.

“The funds are needed for a full refurbishment of the cinemas and public areas, including the much-loved cafe-bar.”

Director of Screen Scotland, David Smith said: “Screen Scotland and City of Edinburgh Council have worked together across the last year to support the return of the Filmhouse.

“It is a vital resource for Edinburgh and Scotland; providing a home for filmmakers, film lovers and film festivals, and a hub for film education. Its absence is keenly felt by us all, and Screen Scotland continues to work for its revival.

“It’s return would signify not just the reopening of a cinema, but the return of a vital home for the artform.”

Drummond Community High School takes leading role in new film and screen education programme

Pupils in Edinburgh and at secondary schools across Scotland are learning all about filmmaking as part of a curriculum development programme being run by Screen Scotland.

Experienced film and screen educators are working with teachers in schools in Edinburgh, Argyll and Bute, Inverness, Dundee and Shetland to teach young people about practical film making and the wide range of work that goes into making film and screen content.

The work is another step toward Screen Scotland’s ambition to introduce film and screen as an expressive arts subject* within the Scottish school curriculum. This second phase of development activity builds on work testing the innovative new curriculum that took place in nursery and primary schools earlier in the year.

Fi Milligan-Rennie, Screen Scotland’s Head of Education said: “Screen Scotland is working towards film and screen education being available for every child in Scotland, in every school in Scotland and this expansion of the pilot programme into secondary schools is an important step on the way.

“The new Film and Screen curriculum is bringing filmmaking, as an expressive arts subject, into every classroom in our pilot schools. By engaging with the process of practical filmmaking pupils will learn about content creation, the craft and technical elements of making film and screen content, build skills as visual storytellers and develop capacities as collaborative and creative individuals and through the practice of film and screen production.”

Screen Scotland, which drives development of all aspects of Scotland’s film and TV industry, through funding and strategic support, is working with a wide range of partners on the programme, including the SQA, Education Scotland, the BFI, Industry Partners, and the Scottish Government. 

Neil Millar, Senior Education Officer for Expressive Arts, Culture and Creativity at Education Scotland said: “Education Scotland has been delighted to actively support the development of the pilot Film and Screen curriculum within the Expressive Arts offering of Scotland’s Curriculum for Excellence.

“The educational and social impact of the pilot curriculum on schools, teachers and most importantly pupils, has been immense and I have been privileged to see the curriculum ‘in action’ across the country.

“This added dimension to Scotland’s curriculum builds on the vision and principles of Curriculum for Excellence as well as enabling the future-focussed knowledge and skills development that will sustain economic growth and drive accessibility and inclusion in a sector that is often seen as exclusive.”

Award-winning Director Mark Cousins said: “I can hardly believe these new plans for teaching film in Scotland.

“Cinema remains one of the world’s most vivid cultural forms but has always been under-taught.  One of Scotland’s best movie directors, Alexander Mackendrick, knew that film education was crucial. One of our greatest contemporary filmmakers, Lynne Ramsay, greatly benefited from film education.

“Now a new scheme will embed film education in schools? For kids as young as 3?  We’ve wanted this for decades because it’s the best way to democratise film, to create new directors, to enrich Scottish visual culture.

“Scotland had a late start in film history.  This imaginative, immensely valuable new programme will help us get ahead.”

Screen Scotland…Forthill Primary School ….Pic Paul Reid

David Smith, Director of Screen Scotland added: “If we want young people across Scotland to feel confident in making films and screen content, and exploring that as a potential career, it’s important that they get every opportunity to make films and learn about filmmaking.

“Many feel that a career in film or TV is beyond their reach, somehow reserved for other people. That’s far from true and we want to give them the knowledge and experience they will need to realise their ambitions whatever background they have, wherever they live.

“A film crew has so many different roles within it, good jobs that pay well but also really rewarding, creative jobs. We want everyone to feel it’s something they can feel confident doing. This, in turn, will continue Scotland’s growth as a thriving centre for film and screen, bringing proven economic benefits to the country.”

Cabinet Secretary for Culture Angus Robertson said: “The Scottish Government believes culture is for all and this Film and Screen education programme will be an accessible pathway for Scotland’s next generation of filmmakers to pursue.

“We believe the development of the programme will provide a fresh opportunity for young people to learn the skills that could lead to a fulfilling and successful career in a thriving film and TV industry – a platform to showcase authentic Scottish storytelling and creativity.

“The Scottish Government will continue to work with Screen Scotland, and partners in the education sector, including Education Scotland and SQA to boost screen education across formal and informal education settings – it really will be an exciting programme to be involved with.”

New Schools Fund to expand film and screen education across Scotland

Work to embed film and screen education within the Scottish schools’ curriculum took a step forward today with the launch of new funding from Screen Scotland.

Available to early years, primary and secondary schools, the new Schools Screen Education Fund has been created to support programmes of work with the potential to develop increased understanding of the potential of screen education and support the provision of screen education and the new curriculum in a school setting.

Schools can apply for grants up to £5000 to test an element of the draft Film and Screen curriculum with classes from Early Years to S3, or to design and deliver screen education projects for schools.

Also going live today, is Screen Scotland’s refreshed Screen Education Fund which offers grants of between £500 – £20,000 to projects that support the provision of screen education in a variety of formal, informal and non-formal settings – schools, colleges, universities, cinemas, film festivals, libraries, media access centres and Local Authorities – aimed at developing increased understanding of the potential of screen education.

Fi Milligan-Rennie, Head of Education – Screen at Screen Scotland said: “Developing Film and Screen as an expressive art focuses on enabling pupils to make a film, rather than solely study the history or theory of film.

“This is core to Screen Scotland’s work to widen participation in film and screen production, cultivate a skilled screen workforce and develop the screen professionals needed to carry forward Scotland’s film culture.

“At the same time, the values and benefits of film and screen education reach far beyond careers. Engagement in film and screen activity strengthens fusion skills, supports attainment in other subjects and improves health and wellbeing. Film and Screen is the dominant language of our culture and Screen Scotland is committed to ensuring the democracy of opportunity to learn that language.”

The launch took place in tandem with Screen Scotland’s Screen Educators in Residence Programme. Over the past months, Screen Educators have been deep at work in primary and secondary schools in Argyll and Bute, Dundee, Edinburgh, Inverness and Shetland, testing the draft curriculum; trialling new learning and hands-on opportunities to develop students understanding, appreciation and practical knowledge of film and screen production.

Welcomed by Scotland’s Educators, independent production companies and Scottish screen stars like Outlander’s Sam Heughan, the ultimate aim of the two-year pilot programme is to introduce film and screen within the Scottish curriculum from Early Years through to Senior Phase.

Full details about the Funds and how to apply are available on the Screen Scotland website: https://www.screen.scot/funding-and-support/funding/screen-education-fund

New report finds economic impact of the Screen Industry in Edinburgh grows to £97million

1,820 FTE Roles Across the Region

Studio growth enabled inward film and HETV production spend to increase by 110%, driving increases in employment and economic value in Scotland’s screen sector 
Overall production spend in Scotland grew by 55%, including content made by Scotland-based producers

Screen Scotland has published latest figures evidencing continued growth in the value of Scotland’s film and TV industries to the country’s economy including in Edinburgh. 

Commissioned by Screen Scotland and produced by Saffery Champness and Nordicity, the independent report which looks at The Economic Value of the Screen Sector in Scotland in 2021 finds that significant growth was found in all areas of production, particularly inward investment film and High-End TV (HETV) production: 

Inward investment film and HETV production spend increased by 110%, from £165.3 million in 2019 to £347.4 million in 2021.
In total, an estimated £617.4 million was spent on the production of film, TV and other audiovisual content in Scotland in 2021, compared to £398.6 million in 2019, up 55% compared to 2019*.
This included content made by Scotland-based producers, producers based outside of Scotland filming in Scotland and Public Service Broadcasters (PSBs) commissioned content.

The employment impact in Scotland’s production sub-sector rose from 5,120 full time equivalent jobs (FTEs) in 2019 to 7,150 FTEs in 2021, a 39% increase. The employment impact across Scotland’s entire sector increased at a lower rate, by 5.6%, from 10,280 FTEs in 2019 to 10,940 FTEs in 2021 – with the covid impacts in that year on employment in the cinema exhibition and screen tourism accounting for the difference.

According to the research, undertaken by Saffery Champness and Nordicity as a follow-up to their recent study of 2019, growth is in large part due to sector development work undertaken since Screen Scotland’s formation in 2018, including significant skills development work and the opening of new or expanded studio facilities, particularly FirstStage Studios in Edinburgh, where Prime Video’s The Rig (which has returned to Scotland to film series 2) and Anansi Boys were filmed, and the expansion of The Pyramids in West Lothian, home to another Prime Video HETV series, Good Omens 2.

These studio facilities have made Scotland an even more attractive place to film, opening in time to catch the global post pandemic boom in production**.   

Alongside film and TV development and production, the wide-ranging study analyses the economic contribution of the full screen sector value chain – film and TV development and production, animation, VFX and post-production, film and TV distribution, TV broadcast, film exhibition – and extends into the supply chains that provide services at each stage of the content process, including facilities, equipment, transport, catering and accommodation. 

Beyond that direct supply chain, the study looks at where the screen sector stimulates economic activity elsewhere in the Scottish economy: screen tourism, the education and training sectors and infrastructure.   

In total, the screen sector in Scotland contributed Gross Value Added (GVA) of £627 million to Scotland’s economy in 2021, providing 10,930 full time equivalent (FTE) jobs, up from £568 million and 10,940 FTEs in 2019. GVA is the standard measure used by the Office for National Statistics (ONS) and other national statistical agencies for measuring the monetary value of economic activity and the economic performance of industries.   

Isabel Davis, Screen Scotland’s Executive Director said: “The growth in all forms of production in Scotland between 2019 and 2021 is a phenomenal result.  It shows us that public investment via Screen Scotland in infrastructure, development, production and skills development, combined with attractive levels of production incentive are the catalyst for a successful industry. 

“Now is the time to build on these newly created jobs and growth with a sustained funding commitment towards skills development, attraction of large-scale productions and a focus on the development of locally originated film and television.  Screen Scotland is committed to delivering further growth, working hand in hand with the commercial production and studio sectors. 

“This will rely upon sustained funding and support in order for Scotland to seize the opportunities ahead of it and see that growth trajectory continue.”

Authors of the Report, Stephen Bristow, Partner, Saffery Champness LLP and Dustin Chodorowicz, Partner, Nordicity noted further significant Report findings: “The doubling of Scotland’s annual level of inward investment film and high-end TV production between 2019 and 2021, was nearly three times the 39% growth rate experienced by the UK as a whole, according to published BFI statistics.

“In addition, Scotland’s screen sector GVA rose by 9.7% in those two years – well ahead of the 1.2% increase in nominal GVA (i.e. not adjusted for the effects of price inflation) posted by Scotland’s overall economy during that period.”

Wellbeing Economy Secretary, Neil Gray said: “This report highlights another banner year for Scotland’s screen sector, which is all the more significant for the jobs, investment and economic growth it has delivered. The scale of the return to the Scottish economy from the investment in screen production is remarkable.

“Beyond film and TV, this report also highlights how our tourism, hospitality and construction sectors have benefitted from this investment through screen tourism, catering contracts, and infrastructure expansion, and the supply chains that support these activities.

“The efforts of Screen Scotland have been key to this result and we are committed to working with them and the sector to ensure this growth and the wider benefits being delivered can continue.”

Bob Last, who’s FirstStage Studios in Leith has housed Prime Video’s Anansi Boys and The Rig, and where the second series of The Rig is currently filming, said: “We at FirstStage Studios are excited to have created a facility that helps our customers and their creatives realise ambitious visions for audiences both local and global.

“We are pleased to have rapidly built relationships with, in particular Amazon Prime Video, enabling us to play a part in anchoring more of this global industry and its varied employment opportunities in Scotland and Leith.

“We thank all those who have chosen to make our facility their creative home and especially the crews whose hard work we witness daily, every one of them is a part of the good news today’s Screen Scotland report outlines.”

As a highly experienced Scotland-based film and HETV producer, and currently producer on The Rig, Suzanne Reid commented: “As I progressed in my career the higher-level productions I wanted to work on just didn’t exist in Scotland, in part due to a lack of studio facilities – so I had to head to England and Wales for this type of work.

“It has been wonderful to be working back at home and to be able to work alongside our brilliantly talented Scottish crew on such a highly ambitious series. While it may have been a very successful couple of years for the Scottish Film and TV industry, we need to keep pushing for more high-end productions to be based in Scotland so we can continue to grow our talent base and keep them working at home.”

A summary of the key findings including case studies, can be found here: Case studies | Screen Scotland

The report can be read in full here : https://www.screen.scot/funding-and-support/research/economic-value-of-the-screen-sector-in-scotland-in-2021/economic-value-of-the-screen-sector-in-scotland-in-2021

Edinburgh International Film Festival reveals 2023 programme

Special edition of EIFF runs from 18 – 23 August

Full programme announced of 24 new feature films, 5 retrospective titles, 5 short film programmes, and an outdoor screening weekend including 7 further features in a six-day celebration of bold and eclectic cinema at the heart of the world’s biggest celebration of arts.

Complementing the previously announced Opening Night film ‘Silent Roar’, the Festival presents a selection rich with new voices. Amongst the festival’s 11 debut features, the Festival is delighted to champion a new generation of UK talent.

Scottish productions include 5 feature films and 19 short films, including the World Premiere presentations of six freshly commissioned documentaries in the Bridging The Gap Documentary Short Films programme.

Closing Night film ‘Fremont’ caps an international selection that includes work from celebrated arthouse directors Kelly Reichardt, Ira Sachs, Cauleen Smith, and Christian Petzold, and showcases enticing work from Argentina, Brazil, China, Denmark, France, Germany, Hong Kong, India, Japan, South Korea, and the United States.

American independent cinema is celebrated in a retrospective of four films made by rebellious filmmaking voices in the 1980s and 1990s, while Shane Meadows’ ‘Dead Man’s Shoes’, which had its World Premiere at EIFF in 2004, is given a Retrospective Gala presentation.

Five feature films will be presented as World Premieres, and the Festival also sees the launch of The Lynda Myles Project, including a discussion event on the living legacy of Myles’ contributions to film culture, and a special work-in-progress preview of new documentary, ‘The Lynda Myles Project: A Manifesto’.

Placing an emphasis on deeper engagement for audiences, Encounters is a new series of discussion events place dialogue at the centre of the Festival and positioning cinema in conversation with other artforms.

Themes across the film programme include: incisive works of non-fiction activism; films making thrilling use of genre to explore social, sexual and psychological issues; films made by artists; LGBTQIA+ stories; a lip-smacking selection of animation; and category-defying films that are just damn stylish and entertaining.

Listings will go live on the EIF website from 10am on Thursday 6 July with tickets going on sale midday on Friday 7 July via https://www.eif.co.uk/edfilmfest

Edinburgh International Film Festival (EIFF), which this year is hosted by Edinburgh International Festival, has today announced the programme for its special 2023 edition.

The hand-picked programme celebrates the work of exceptional local and global filmmakers ensuring the flame of independent cinema burns bright for future generations of passionate film fans.

EIFF is pleased to be working with its cinema venue partners Vue Edinburgh Omni and Everyman Edinburgh at the St James Quarter, while the Old College Quad at the University of Edinburgh is the beautiful setting for a weekend of outdoor screenings, Cinema Under the Stars, offering audiences a welcoming selection of films set to make the heart sing.

This year’s Edinburgh International Film Festival programme has been brought together by a team of programmers led by Kate Taylor, Programme Director of the Festival, including feature film programmers Rafa Sales Ross and Anna Bogutskaya, and short film programmers Abigail Addison, Lydia Beilby and Holly Daniel. Alongside Taylor, the EIFF Team is led by Executive Producer Tamara Van Strijthem and Festival Producer Emma Boa.

EIFF is supported by Screen Scotland, and enhanced engagement activities are supported by the Scottish Government’s Festivals Expo Fund alongside the PLaCE Programme (a partnership between the Scottish Government, City of Edinburgh Council and the Edinburgh Festivals).

Kate Taylor, Programme Director, Edinburgh International Film Festival, said: “With this year’s vivid film selection the EIFF programme team has favoured the bold, drawn to filmmakers with searching perspectives and style to burn.

“Designed for an eclectic spectrum of film fans, and defined by a love of independent cinema, this compact programme shines a light on new talent, and offers a smashing six-day journey for the EIFF’s passionate audiences.”

Isabel Davis, Executive Director of Screen Scotland said: “EIFF has put exceptional debut filmmakers front and centre, from Johnny Barrington’s Silent Roar, Rodger Griffiths’ Kill’, to Ella Glendining’s Is There Anybody Out There? alongside an impeccable curation of internationally acclaimed work.

“The infectious energy of Edinburgh in August is palpable in the EIFF team and we’re excited for audiences to discover this year’s wonderful programme.”

Francesca Hegyi, Chief Executive, Edinburgh International Festival, said: “A festival is a gathering of perspectives in a moment in time that reflect the world around us.

“This year, the Edinburgh International Festival is proud to host the return of this forward-looking programme from the Edinburgh International Film Festival, and support these moments of curiosity and connection that imbue our festival city each August.”

Culture Secretary Angus Robertson said: ““I’m delighted to see so much Scottish and international film talent represented in this year’s Edinburgh International Film Festival programme.

“The Scottish Government is proud to support the festival with £155,000 from the PLaCE Fund – run jointly with the City of Edinburgh Council – and £59,000 from our Expo Fund. They both support Scottish talent development particularly emerging film programmers and mid-career writers in the case of our Expo Fund.”

Edinburgh International Film Festival runs from Friday 18 to Wednesday 23 August 2023.

#EdFilmFest

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