Tag: art

 Edinburgh-based tech artist Trevor Jones stages exclusive crypto event at Stirling Castle

Stirling’s majestic 12th-century castle is set to make history when it stages its first gathering of crypto enthusiasts and Bitcoin Angels this month. 

The ancient seat, where the infant Mary Queen of Scots was crowned, will embrace 21st-century technology at a Grand Party later this month (July 30) hosted by innovative artist Trevor Jones. 

Fine art graduate and painter, Trevor has worked at the intersection of art and technology for more than a decade, experimenting with QR code paintings and augmented reality (AR). When he invested in Bitcoin in 2017 it inspired a new creative direction, leading to his crypto-themed AR paintings and his emergence as a pioneer of non-fungible tokens (NFT) in art. 

The open-edition NFT derived from his painting The Bitcoin Angel broke sales records on its release last year generating $3.2M in 7 minutes and has become iconic in the NFT world. And now he’s hosting the Castle Party extravaganza to celebrate this exciting digital art movement and the unique worldwide community that has grown up around The Bitcoin Angel. 

Billed as the year’s most exclusive crypto event, with an exclusive Special Edition Castle Party 2022 NFT available only at the gathering, it will bring more than 300 guests to Scotland from 20 countries across North America, Europe, Australia and Asia.

 Trevor Jones said: “When searching the world for a venue one place felt right above all others: the beautiful Stirling Castle in the heart of Scotland. More than just a celebration, this is an opportunity to support Scotland, both by putting it on the map of the NFT world and through the charity that we have chosen to endorse.” 

The party, in partnership with 21CC Group and the Stirling Highland Hotel, will feature a range of entertainment including DJ RT, tribal drums and pipe band Clanadonia; sword-wielding warrior actors and performers from Combat International; sleight of hand from Jody Greig and Dusty the Magician; caricaturist Neil Kempsell; harpist Mary Macmaster; Pipe Major Kevin McLean, historical re-enactment group Living History Scotland and Royal Burgh of Renfrew Pipe Band. 

Sponsored by NFT whisky marketplace Metacask, Nova Finance digital asset investments, Tokenframe digital screens for NFT artwork, Saga cigars hand crafted in the Dominican Republic, and Apollo NFT, a leading NFT consulting firm and production studio, the Grand Party will also feature a Confessional Booth and ‘crypto clergyman’ for any crypto-sinners to unburden their soul. 

Adam Greenberg, Co-Founder, Nova Finance said: “Being invited to support Trevor’s event on home turf is both an honour and privilege. The world of blockchain has so much potential and bringing to life successes like The BItcoin Angel will only open up this space to many more people.  

“Nova’s calling into this arena was just like Trevor’s, to challenge the traditional finance system, empower individuals and give them access to high quality tools and opportunities that wouldn’t have been available previously.” 

Nim Siriwardana, Co-Founder, Metacask comments: “We’re delighted to be a part of this magical and historic event. What a venue, what a line-up, and what a day it promises to be.

“Having worked with Trevor on the record-breaking Macallan ’91 cask and Angel’s Share NFT auction, Metacask share a natural affinity for all things art, NFTs, and of course the Scottish staple, whisky. On that note, we’ll be armed with a choice selection of premium whiskies, so we look forward to enjoying a few drams with discerning guests at the bar… Slàinte!” 

To attend, each partygoer must own at least one Bitcoin Angel open edition NFT and giveaways on the night will include limited edition prints, an angel T-shirt, a Bitcoin Angel branded Saga cigar and the chance to win three original Trevor Jones paintings. One being an artwork created especially for the party, will also be on offer. 

Mickael Paris, Marketing Director at FinTech Scotland said: “Fintech is so much more than the use of new technology in the financial sector. With NFTs we have a perfect example of fintech innovation revolutionising one of the oldest and most established sectors, art.

“I was lucky enough to meet with Trevor a few months ago and was inspired by his story. It is fantastic for Scotland to be hosting the most exclusive crypto event this year and a real testament to the country’s vibrant fintech cluster.  I’m looking forward to joining him and his guests at Stirling Castle.” 

For more details and a full list of entertainment, please visit: 

https://www.trevorjonesart.com/castleparty2022/

Hidden Van Gogh self-portrait discovered by National Galleries of Scotland

Sensational find to go on display in Edinburgh this summer

The National Galleries of Scotland has discovered what is almost certainly a previously unknown self-portrait by Vincent van Gogh.

Believed to be a first for a UK institution, the mysterious image was revealed by an x-ray taken when art conservators examined Van Gogh’s Head of a Peasant Woman of 1885 ahead of the forthcoming exhibition A Taste for Impressionism (30 July–13 November) at the Royal Scottish Academy, Edinburgh. Visitors will be able to see the amazing x-ray image for the first timethrough a specially crafted lightbox at the centre of thedisplay.

Hidden from view for over a century, the self-portrait is on the back of the canvas with Head of a Peasant Woman and is covered by layers of glue and cardboard. NGS experts believe these materials were applied ahead of an exhibition in the early twentieth century. Van Gogh often re-used canvases to save money. However, instead of painting over earlier works, he would turn the canvas around and work on the reverse.

It may be possible to uncover the hidden self-portrait, but the process of removing the glue and cardboard will require delicate conservation work. Research is ongoing as to how that can be done without harming Head of a Peasant Woman.

Until then, the world can enjoy the tantalising discovery through a ghostly and utterly compelling x-ray image. It shows a bearded sitter in a brimmed hat with a neckerchief loosely tied at the throat. He fixes the viewer with an intense stare, the right side of his face in shadow and his left ear clearly visible.

Professor Frances Fowle, Senior Curator of French Art at the National Galleries of Scotland, said: “Moments like this are incredibly rare. We have discovered an unknown work by Vincent van Gogh, one of the most important and popular artists in the world.

“What an incredible gift for Scotland, and one that will forever be in the care of the National Galleries. We are very excited to share this thrilling discovery in our big summer exhibition A Taste for Impressionism, where the x-ray image of the self-portrait will be on view for all to see.”

The condition of the underlying self-portrait is not known but, if it can be uncovered, it is expected to help shed new light on this enigmatic and beguiling artist.

Later in date than the Head of a Peasant Woman, the hidden painting is likely to have been made during a key moment in Van Gogh’s career, when he was exposed to the work of the French impressionists after moving to Paris. The experience had a profound effect and was a major influence on why he adopted a more colourful and expressive style of painting – one that is so much admired today.

Head of a Peasant Woman entered the NGS collection in 1960, as part of the gift of an Edinburgh lawyer, Alexander Maitland, in memory of his wife Rosalind. Dating from an early period in Van Gogh’s career, the painting shows a local woman from the town of Nuenen in the south of the Netherlands, where the artist lived from December 1883 to November 1885.

Painted in March or April 1885, it seems to be a likeness of Gordina de Groot (known as Sien) who was a model for Van Gogh’s early masterpiece The Potato Eaters of 1885 (Van Gogh Museum, Amsterdam). Her facial features, white cap and simple work clothes are sketched in oil, using broad brushstrokes and earthy colours typical of French realist artists such as Jean-François Millet, whom Van Gogh greatly admired.

In 1886 the artist moved to Paris to be closer to his brother Theo, who was an early supporter of the Impressionists. Exposed to the work of this revolutionary group of artists, Van Gogh lightened his palette and experimented with broken brushwork.

At the studio of Fernand Cormon, where he took classes in painting, he met avant-garde artists such as Henri de Toulouse-Lautrec and Emile Bernard. He also encountered the work of Georges Seurat and Paul Gauguin, under whose influence he began to paint more expressively, using brighter colours.

In the summer of 1887 Van Gogh was experimenting with painting portraits, using friends and also himself as a model. Theo was out of town and unable to assist financially, so Van Gogh re-used canvases to save money. Van Gogh died in 1890 and his brother followed six months later, at which point the artist’s entire oeuvre was left to Theo’s widow, Jo Van Gogh-Bonger.

Probably around 1905, when the Peasant Woman was lent to an exhibition at the Stedelijk Museum, Amsterdam, the decision was made to stick the canvas down on cardboard prior to framing. At this date the Peasant Woman was evidently considered more ‘finished’ than the Van Gogh self-portrait.

The painting changed hands several times and in 1923 was acquired by Evelyn St. Croix Fleming, whose son, Ian, became the creator of James Bond. It was not until 1951 that it came to Scotland, having entered the collection of Alexander and Rosalind Maitland.

Neil Hanna Photography www.neilhannaphotography.co.uk 07702 246823

Once revealed, the hidden self-portrait will be part of a group of several such self-portraits and other works painted on the back of earlier canvases from the Nuenen period.

Five examples are in the Van Gogh Museum, Amsterdam. Others in the Metropolitan Museum of Art, New York; the Wadsworth Atheneum Museum of Art, Hartford, Connecticut; and the Kunstmuseum Den Haag.

Records in the Van Gogh Museum confirm that in 1929 the cardboard was removed from three of their Nuenen pictures by the Dutch restorer Jan Cornelis Traas, revealing the portraits on the verso.

Pictures: Neil Hanna

Collective announces Satellites Programme 2022 participants

We are delighted to announce the participants of Satellites Programme 2022 following our open call and selection process earlier this spring.

Satellites is Collective’s development programme for emergent creative practitioners based in Scotland and lies at the core of our mission and creative vision. We aim to support participants to better understand and navigate the sector; equipping them to sustain a creative practice and foster criticality through peer development and reflection. 

This year’s practitioners were selected by artist Rabiya Choudhry, curator Sara Greavu, and writer and artist Jeda Pearl:

Thomas Abercromby

Thomas is a Glasgow-based artist and curator. His work often focuses on complex questions concerning gender, race, sexuality and class, and centres around the challenging of societal power structures. Recent projects include The School of Abolition; You’re Never Done, and the Glasgow Seed Library.

Kaya Fraser

Kaya is a multi-disciplinary artist based in Perth. Kaya works with analogue photography, film, writing and sound to explore the rose-tinted memories of working-class upbringings – her own included. Kaya has worked with Creative Dundee on the Full Picture commissions and held the position of Socially Engaged Artist in Residence 2021 at Mount Stuart, Isle of Bute.

Matthew Rimmer

Matthew is a Glasgow-based artist who creates succulent and vibrantly coloured sculptures, drawings and paintings concerned with the ideologies of nature. He also explores the relationship between plastic and queerness. Recent exhibitions and events include Shocked Quartz, Ugly Duck, London (2022); First Outing, Abingdon Studios, Blackpool (2021), and Air Diving, 16 Nicholson Street, Glasgow (2021).

Rabindranath X Bhose

Rabindranath X Bhose is an artist and writer based in Glasgow. He graduated from the School of the Damned D.I.Y. MFA in 2019. His work centres around sacred transness, spiritual transformation, and (healing from) trauma. Recent projects include In Touch, Embassy Gallery (2021) and group show Platform: 2020, Edinburgh Art Festival (2020).

We are excited to support these practitioners over the coming months. Some of the new works produced will be presented as public events, exhibitions, publications and workshops: watch this space!

Hidden Door Festival: 4 weeks to go!

We can’t believe that in just FOUR WEEKS we will be welcoming you to Hidden Door 2022!

For our team of volunteers, the festival build begins in the next few days so stay tuned for some exclusive behind-the-scenes previews.

For now, let’s take a closer look at our first Friday night … a night of wild pop and songs for the soul; late night electro in the Basement; ghostly dancers in the debating chamber; powerful theatre and beautiful spoken words echoing down the corridors; eclectic art around every corner; hot street food and sunny terrace bars with stunning city centre views …

See the full 12-hour Friday programme and book ticket

Native Edinburgh announces Community Creation Initiative

£1000 fund now open to designers

Budding artists and designers now have the chance to make their mark on a historic building in Edinburgh, with a piece of their commissioned art set to be displayed in the lobby of aparthotel group Native Edinburgh as part of their refurbishment plans. 

Bringing sustainability and a sense of local place into their renovations, the exciting new community collaboration sees Native Edinburgh supporting Scottish designers ahead of their relaunch in May as a lifestyle destination.

Launching today (Monday, 14th March) the new initiative will give local designers the chance to take home £1000, on top of having their commissioned art or designs on display and becoming part of the hotel interiors.

Native is calling out artists with a keen eye on sustainability using wood carving – modern or traditional in the creation of their aesthetic objects to apply to win the commission fund. This is a rare chance to be part of the aparthotel’s stylish decor, and any designers are encouraged to send fill out this form with Native choosing the first successful designer of the fund by March 31st.

The Native Community Creations campaign will see each of their aparthotels in the UK collaborate with designers, artists, suppliers to run year-long creative programming on property that supports creativity and sustainability. 

Nestled in the original fabric of Edinburgh’s historic New Town, an area of outstanding neo-classical and Georgian architecture, and a UNESCO world heritage site, Native Edinburgh is ensuring their interiors are as beautifully adorned as their exteriors, with this new competition open to all designers in Edinburgh and beyond. 

Awarded double gold from Greengage’s ECOsmart programme in 2021, Native has embraced a road to recovery that targets sustainable travellers and an eco-friendly approach to operations.

Believing that by choosing sustainable accommodation you can, amongst other things, cut down your own carbon footprint without compromising on a comfortable and stylish stay, Native’s latest style elevation has even looked to the Scottish environment for inspiration. 

With 82 apartments comprising studios, one bedrooms, and ground floor leisure, Native Edinburgh provides the flexibility and amenities of a design-led boutique hotel, coupled with the space, comfort and privacy of a home from home in the heart of the city.

Rani Saidi, head of marketing of Native Places UK said: “Collaboration is part of our fabric here at Native. We are always championing the independents in the cities we feature, and it’s now time to shine the spotlight on creatives. 

“This new community initiative will support designers across the UK in our properties, and in Edinburgh, we will be marking our refurbishment with a collaboration with a local designer. 

“With a £1000 prize fund, we are inviting creatives across Scotland to apply to our fund and help us bring a sense of community to our lobby in Edinburgh.”

The Community Initiative Fund is now open to designers and artists. The fund will close on 31 March 2022, with one designer picked to receive £1000 and their work commissioned for Native Edinburgh.

To apply now, enter here. 

New creative projects helping mental health and wellbeing

The positive role that art and creativity plays in enhancing our mental health and well-being is at the heart of activity taking place in communities across Scotland and backed by £800,000 of National Lottery and Scottish Government support in the latest round of Creative Scotland’s Open Fund awards.

Forging connection through music making and storytelling is central to Acorn Shed Music’s approach. In their latest project with partners Ceartas Advocacy and The Village Storytelling Centre, Songs from Here will bring together people living with dementia in East Dunbartonshire to create songs and stories based on lived experience.

Set up in 2017 with the aim of finding ways to use group songwriting to explore difficult conversations, Acord Shed Music’s Co-Founder, Carol Beckwith said: “Writing songs that emerge from individual and shared stories provides opportunities to take a more creative approach to exploring the experience of dementia and dementia care.

“We anticipate that as people begin to reveal their creative identities in this way they begin to understand that ‘voice’ is more than just the words that we say.”

In Edinburgh, Artlink is about to roll out a new programme of workshops, discussions, performances, installations, exhibitions and artist placements for people with complex disabilities.

Jan-Bert van den Berg, Director at Artlink, said: “Over the last two years amazing new creative relationships have formed between people with complex disabilities, their supports, and artists.

“As we emerge into a post lockdown world, we want to make sure that those people who have been hardest hit are included in influencing and shaping the new cultural landscape.

“Being Human supports a programme of creative work that harnesses the strengths and passions of all involved to make the most of what has been learnt.”

Becoming a dynamic hub of creative activity, Glasgow’s Good Vibrations supports people through communal music making, with a focus on the gamelan and Indian tuned percussion orchestra.

Hekate Papadaki, Executive Director of Good Vibrations explains: “Through communal music-making and other creative activities we support people who may have more limited access to participating in arts and culture – those from deprived areas and those with disabilities and mental health needs – to develop personal, social and music skills, self-confidence and positive self-identities.”

Paul Burns, Interim Director, Arts and Engagement Creative Scotland said:  “The arts and creativity make an invaluable contribution to our health and wellbeing – both physically and mentally.

“Thanks to the generosity of National Lottery players, who raise over £30 million for good causes across the UK every week, and funding from the Scottish Government, these awards continue to address issues of mental and emotional wellbeing while also enriching the lives of people of all ages and backgrounds.”

A full list of Open Fund recipient awards is available on the Creative Scotland website.

Scottish Studies at Drylaw Neighbourhood Centre

Wednesdays mornings from 10am – 12 noon for six weeks.

First session is Wednesday 3rd November.

To book your place call Drylaw Neighbourhood Centre on 315 4989 or email info@drylawnc.org.uk

Adult Education face to face courses are starting back

Photography class at RFYC

Adult Education resuming a limited face to face programme – with a few courses starting at Leith Community Centre from 8th November for a 5 week term.  

All precautions will be taken with distancing, mask wearing, sanitising and ventilation to Keep students and tutors safe. So the class can get on with being fun, informal and informative!  

Courses available are:  

Activity LVL Start date Day Time 
Art(PR): Drawing & Painting – All – (8/11) – LCC12311N ALL 08/11/2021 Monday 10:00 – 12:00 
Yoga: Gentle – All – (9/11) – LCC65852N ALL 09/11/2021 Tuesday 17:30 – 19:00 
Russian – Beginner – (9/11) – LCC55512N BEG 09/11/2021 Tuesday 15:00 – 17:00 
Russian – Post Beginner – (9/11) – LCC55752N PBG 09/11/2021 Tuesday 18:00 – 20:00 
Writing Creative: Life Writing – All – (9/11) – LCC64652N ALL 09/11/2021 Tuesday 18:30 – 20:30 
Art(PR): Drawing & Painting – All – (10/11) – LCC12313N ALL 10/11/2021 Wednesday 10:00 – 12:00 
Yoga – All – (10/11) – LCC65753N ALL 10/11/2021 Wednesday 17:30 – 19:00 
Art(PR): Drawing & Painting – All – (10/11) – LCC12353N ALL 10/11/2021 Wednesday 18:00 – 20:00 
Discover: Archaeology Today – All – (11/11) – LCC32614N ALL 11/11/2021 Thursday 15:00 – 17:00 
Art(PR): Drawing & Painting – All – (12/11) – LCC12315N ALL 12/11/2021 Friday 10:00 – 12:00 
Dressmaking – Beginner – (12/11) – LCC33515N BEG 12/11/2021 Friday 14:00 – 16:00 
Jewellery: Silver – Intermediate – (11/11) – NCC45914N INT 11/11/2021 Thursday 11:00 – 13:00 
Jewellery: Silver – Intermediate – (11/11) – NCC45924N INT 11/11/2021 Thursday 14:00 – 16:00 

You can book on our website: www.joininedinburgh.org – the courses will be available to view and book from today – Thursday morning. 

Telephone enrolments will be available for 2 days on Thursday 21st October and Friday 22nd October this week from 10:00 – 16:00 by calling (0131) 469 3003 or (0131) 469 3005. 

Courses will be charged at £41.25 for the standard fee and £16.50 for benefits, senior citizens and students.  

Fiona Henderson

Reflections: The Light and Life of John Henry Lorimer

Saturday 6 November 2021 to Sunday 20 March 2022

The first exhibition dedicated to the Scottish artist John Henry Lorimer (1856-1936) will open at the City Art Centre in Edinburgh on Saturday 6 November. 

Reflections: The Light and Life of John Henry Lorimer sees almost 50 oil paintings, watercolours, sketches and objects come together in celebration of the artist’s skill and creativity. 

Over the years, Scottish audiences have shown a lot of support for John Henry, voting Spring Moonlight at the Kirkcaldy Galleries and The Flight of the Swallows at the City Art Centre (above) as their favourite paintings in the galleries’ permanent collections.  Both paintings will be included in the exhibition, along with many from private collections, some of which have not been on public display for several decades. 

Further highlights include the Tate Galleries’ portrait of the artist’s younger brother Sir Robert Lorimer, A.R.A., as a Boy and the Musee d’Orsay’s painting Grandmother’s Birthday. Also known as Benedicte Grandmother’s Birthday, the first painting by a Scottish artist to be bought by the French Government, is displayed with one of the chairs that features in the painting, designed by architect and furniture designer Sir Robert Lorimer. The painting was last exhibited at the Musee d’Orsay in 1989, alongside paintings by Millet, Whistler and Morisot. 

Co-curator Charlotte Lorimer said: “While artists such as Claude Monet and Edgar Degas pushed the boundaries of painting and were rejected by traditional galleries and the Paris Salon, John Henry developed a more classical style and won medals from the Salon and praise from critics.

“History tends to remember the rebels. But there is also a place for the quiet craftmanship of artists such as John Henry.”

Co-Curator David Patterson added: “Here at the City Art Centre, we are really excited to be hosting the first ever major exhibition dedicated to the work of John Henry Lorimer.

“His work, which is so often overlooked in favour of his more radical contemporaries, is technically brilliant and his elegant interiors and light-filled landscapes will uplift everyone’s spirits during the winter months. 

Culture and Communities Convener Councillor Donald Wilson, said: “I’m delighted that the City Art Centre is able to showcase this fantastic exhibition of the rarely seen works of John Henry Lorimer.

“It’s incredible to think this is the first exhibition dedicated to him since his passing in 1936.  Reflections: The Light and Life of John Henry Lorimer will take visitors on a journey of his work through five themes of light, identity, family, femininity and home.  Not only will it be an opportunity to celebrate his work, there are pieces from both public and private collections, the majority of which have not been on public display in decades!”

Culture and Communities Vice Convener Councillor Amy McNeese-Mechan said: “We’re excited to be exhibiting the first retrospective of John Henry’s work.

“A technically gifted, but somewhat forgotten artist, this is a chance for audiences to discover his work and learn about the artist himself and the role he played in Scottish art history.  Alongside the exhibition there will be a programme of events and we look forward to revealing more details soon.”

In order to protect and maintain the safety of our visitors and staff, the City Art Centre has introduced a range of safety measures and procedures throughout the venue, including a one-way system, installation of screens at reception, hand sanitiser stations, extra barriers and signage. Staff will be wearing face coverings while offering visitors a very warm, socially distanced welcome.

Reflections: The Light and Life of John Henry Lorimer at the City Art Centre opens on Saturday 6 November 2021, and runs until 20 March 2022.

Admission is free.

Reflections: the Light and Life of John Henry Lorimer has been generously supported by The Lorimer Society, The Inches Carr Trust, The Binks Trust, The East Fife Members Centre and all those who contributed to our crowdfunding campaign.