Tag: programme

Summerhall Arts announces 36 more 2026 festival programme shows

Triple Fringe First winning extraordinaires Xhloe & Natasha, legendary comedian and theatremaker Adam Riches, and return of Comedy Award nominees The Creepy Boys, headline 36-strong second Summerhall Arts festival programme announcement – on sale now

  • Summerhall Arts announces 36 more shows in its 2026 festival programme, including 55% international artists, 24% artists of colour, 60% female, and 30% LGBTQI+ artists
  • Summerhall Arts is delighted to announce that back-to-back-to-back Scotsman Fringe First winners Xhloe & Natasha will be at Summerhall this festival, presenting their brand new show, Bigfoot Ripped My Dog In Half I Saw It
  • Adam Riches – Fringe legend, Edinburgh Comedy Award Winner, and creator of 2024 hit, Jimmy – returns to Summerhall with new solo show, The Captain
  • Summerhall Arts’ Mary Dick Award 2026, in collaboration with Birds of Paradise, goes to Patch of Blue and 3hc,who will premiere moving exploration of care, You and Me (and Whoever Comes Next)
  • The Autopsy Award, for artists working in Scotland, goes to Althea Young, who presents a humorous and horror-filled account of parental ambivalence in The Dreaming
  • The Meadows Award, for artists of colour from anywhere in the world, is presented to Palestinian multidisciplinary performance artist Fadi Murad, presenting Come Back Home
  • Edinburgh Comedy Award nominees The Creepy Boys return with acclaimed show, SLUGS, and new WIP show, Nude Parade
  • Other highlights include brand new shows or UK premieres from Salty Brine, Adam Lenson, 81 Productions, Magnetic North, Ballaro Dance, Lightning Rod Special, Sadiq Ali Company, OPE-N, and Ballet National Folklorique du Luxembourg

Show images available here

Home of boundary-pushing performance at the Edinburgh Festival Fringe, arts charity and year-round cultural hub Summerhall Arts today announces 36 more shows of the 2026 instalment of its renowned festival programme.

Summerhall continues to host diverse and intersectional work, with 60% of the shows female led, 24% led by artists of colour, and 30% featuring an LGBTQI+ narrative. Over 55% of artists and companies are international, bringing work from Scotland, Wales, Northern Ireland, Republic of Ireland, England, Canada, USA, Colombia, Italy, Greece, Germany, France, Netherlands Luxembourg, Malta, Denmark, Ukraine, Russia, Belarus, Afghanistan, Iran, Palestine, Taiwan, South Korea, Australia and New Zealand to Summerhall’s iconic performance spaces.

This roster of shows reflects an eclectic body of work spanning theatre, performance art, drag, cabaret, puppetry, dance, circus, pole, and comedy, encompassing themes that touch on identity of all forms, digital toxification and misinformation, ongoing conflicts and injustices across the world, mother-son relationships, conspiracies, why men are so odd, existing on the internet, the weight of personal heritage, public vs private apologies, and much more. Music is celebrated throughout the programme, from contemporary opera to Neutral Milk Hotel-inspired cabaret, Korean geomungo, gig theatre, and even one man singing the same song for an hour.

Summerhall Arts is delighted to announce that triple Fringe First winners Xhloe and Natasha will premiere a brand-new show at Summerhall this festival. Co-presented with Soho Theatre and SoHo Playhouse, the duo – described by The Scotsman’s Joyce McMillan as “the most compelling performers on the Fringe” – will perform Bigfoot Ripped My Dog In Half I Saw It. Combining precise choreography, absurdist clowning, and a nine-foot puppet, the show is a piercing exploration of conspiracy and misdirection.

Another legend of the Edinburgh Fringe, Summerhall is thrilled to welcome back Comedy Award winner Adam Riches with a brand new solo theatre show. After embodying fiery tennis player Jimmy Connors in his acclaimed, sell-out, smash-hit, Jimmy (Summerhall, 2024), Riches returns with The Captain – the true story of Captain Matthew Webb, the first man to ever swim the English Channel.

Summerhall Arts is excited to announce the winners of its three festival awards to help support artists to bring boundary-pushing work to the most critically acclaimed venue at the festival. The Mary Dick Award for UK-based d/Deaf or disabled artists, in collaboration with Birds of Paradise Theatre Company, goes to Patch of Blue (Cassie and the Lights) and 3hc, who will premiere You and Me (and Whoever Comes Next) – a potent, joyful and moving exploration of care written by disabled actor and writer Keron Day, and former care worker Alex Howarth, supported by Theatre Royal Plymouth.

The Autopsy Award for artists working in Scotland is awarded to Glasgow-based contemporary performance artist Althea Young who will premiere The Dreaming, a stirring blend of autobiography and fantasy that blends performance art, theatre, and choreography, to explore topics including mutant babies, alien insemination and the urge to reproduce.

The Meadows Award, for artists of colour from anywhere in the world, goes to Palestinian multidisciplinary performance artist Fadi Murad and his show, Come Back Home – a contemporary theatre work exploring ongoing grief, dispossession, and how the past continues to inhabit the present, which deals with self criticism, fear, and the unknown through the lens of absurdity. 

Summerhall Arts is also delighted to announce the return of several hit shows from past festivals. Edinburgh Comedy Award 2025 nominated Canadian slimeballsCreepy Boys (S.E. Grummett and Sam Kruger) return with their five-star anarchic fever dream about nothing, SLUGS (★★★★ – Financial Times, ★★★★ – Guardian, ★★★★ – Scotsman),and present a new work-in-progress, Nude Parade, which is like a live theatre version of the game of Operation – and it’s trans. Actor, writer, clown, comedian, and all-round nincompoop Scott Turnbull returns with his acclaimed 2025 ‘edutainment show’, Surreally Good; New Zealander’s premiere interactive theatre company Binge Culture return with their 2024 immersive hit, Werewolf, perfect for fans of The Traitors; and Summerhall-based Pickering’s Gin return with a revised version of its renowned immersive Speakeasy Experience.

More returning Summerhall favourites include multi-award-winning theatre-maker and director Adam Lenson, who achieved acclaim for his debut solo show Anything That We Wanted to Be in 2023. Adam premieres Is it too late now to say sorry? – a new collision of gig, storytelling, and autobiographical investigation which psychologises the apology, both personal and public. And Buzzcut Productions (Bark Bark, 2024) return with their signature blend of live camera work, puppetry, and a live score to premiere The Wreck, a new show about two siblings diving a shipwreck and discovering the fate of their family’s seaside nightclub.

Exciting Scotland-based artists will also take to Summerhall’s stages this August,  including two shows from this year’s Made in Scotland Showcase: playwright and drag artist Nelly Kelly, in collaboration with Sanctuary Queer Arts, premieres TRANSMISSION – a darkly-comedic blend of DIY cabaret and political theatre exploring Scotland’s shift from world-leading on LGBTQI+ rights to fertile ground for the anti-trans movement; and circus and aerial specialists Sadiq Ali Company (The Chosen Haram) premiere Tell Me – a bold fusion of dance and circus offering a fresh perspective on life with HIV.

Award-winning Edinburgh-based company Magnetic North present We Will Hear The Angels – an atmospheric and poignant exploration of the strange state of melancholy, evoked from the power of sad music. Performed by five-actor musicians – Apphia Campbell, Mia Scott, Greg Sinclair, Daniel Padden and Nicholas Bone – it combines words, movement and music in a soundscape that includes Hank Williams, Orange Juice, Etta James, Bach, and more. Glasgow-based Euan Munro presents Playback, a tragicomic true story about a child YouTuber featuring his own childhood vlogs.

In the movement and dance strain of the programme, Summerhall is honoured to be welcoming the world-famous Ballet National Folklorique du Luxembourg, led by their flamboyant new Director, Mr Chevalier. The Great Chevalier will see the unpredictable director, hailed as the ‘Bad Boy of Folklore’, perform some emblematic classics, including the iconic Pigeon Dance.

Summerhall Arts Fringe Producer and Programmer, Tom Forster, commented: “With the Fringe landscape ever changing, Summerhall Arts believes we should challenge ourselves as a venue to innovate year-on-year to the same frequency that we demand of artists.

“To match demand for intimacy with the audience, the Main Hall’s end-on format after 14 years will be reimagined in horseshoe format for Festival 2026. A specific request made by Ballet National Folklorique du Luxembourg Artistic Director, Monsieur Chevalier; it is the only layout that can host the renowned Pigeon Dance, and, since the International Festival couldn’t accommodate his request, we at Summerhall Arts proudly stepped in.

“Boasting an infinity ceiling clearance of 6 meters, leading to a stunning ceiling mural by John Kindness, this new vision for our largest venue will make the Main Hall the most beautiful venue in the city – giving artists and Mr Chevalier a backdrop they deserve.”

Concept images of new Main Hall horseshoe format

Tamsin Shasha returns to Summerhall for the first time since her Fringe First-winning Everything I See I Swallow (2019), bringing Forgive Me – a highly personal show about a hyperactive mother and a gaming-obsessed son, which fuses pole performance, video projection and song. Sweat meets spectacle in New York City-based company, Ballaro Dance’s UK premiere of TWELVE: Going The Distance– a 47-minute contemporary dance work divided into 12 three-minute “rounds”, which is set in a boxing gym and unfolds with the intensity of a title bout. The Taiwan Season returns to Summerhall with the UK premiere of Seed Dance Company’s The Wall, a dynamic, emotionally provocative quintet packed with restless and urgent precision.

An immersive highlight is Daydreams from 81 Productions – producers of the acclaimed durational theatre installation, Mother Has Arrived (★★★★★ – The Stage’s 50 Top Shows of 2025). An innovative, cinematic work about insomnia, Daydreams involved 3D projection, performance and an ominous soundscape to lock audiences into a sleepless loop where headlines and half-dreams collide.

Summerhall Arts has a growing comedy presence at the Fringe, and this continues in 2026 with Laurie Stevens, known for her 2025 hit character show, David’s One-Man Band (F*ck You, Steven), who this year presents her theatrical debut: An Evening with Gerald Lloyd-Davies. Laurie performs as Lloyd-Davies – an ageing straight Welsh actor, aspiring national treasure and quintessential luvvie. Another star character comedy turn sees actor, artist, and drag king Tessa Parr premiere I AM JOHNNY, performing as very, very male performance poet, Johnny the Biblical Rapper. Co-produced by Camden People’s Theatre, I AM JOHNNY is an unsettling, absurd and hilarious interrogation into the fragile bones of the patriarchy.

Gaulier-trained clown and home-trained OnlyFans content creator Jessica Aszkenasy presents TITCLOWN: daddy’s little girl – a clown show about boobs, the father wound women hold in society,  and why it’s so hard to live laugh love with heterosexual men – and features a lifesize Henry VIII doll. Finally, award-winning comedian Conk and Quiet Riot bring a conceptually simple show: Man Sings The Same Song Over And Over Again For An Hour. Which song? You’ll need to come and find out.

Continuing the musical theme, Summerhall is delighted to welcome acclaimed New York-based drag queen, Salty Brine (Stage Fringe Five, 2024). This festival, in his genre-defying cabaret style, he sets his sights on combining Neutral Milk Hotel’s In the Aeroplane Over the Sea and Anne Frank’s The Diaries of a Young Girl, in HOW STRANGE IT IS (The Neutral Milk Hotel Show).

In the #DANISH showcase, groundbreaking combiners of opera and physical theatre OPE-N present Laughing Out Lonely – a thrilling new solo opera about the faceless existence of life on the internet by composing team Matilde Böcher and Asger Kudahl, with a tour de tour performance from acclaimed countertenor Morten Grove Frandsen. Finally, in PLASTIC, geomungo artist Kim Minyoung merges the traditional Korean instrument with media art, expanding its possibilities into new territories.

Summerhall Arts is also delighted to welcome two uncategorizable shows from the city of Philadelphia to Edinburgh. Koan Brothers – aka Mason Rosenthal, Sohrab Haghverdi, and Benjamin Rosenthal – will present Foriegner, a dizzying solo, anti-identity, anti-comedy, avant-clown show that follows one asylum seeker’s attempt to win an O1-B visa, awarded to individuals of artistic brilliance.

And from Lightning Rod Special, the creators of Fringe First winning Underground Railroad Game (2018) comes Lions, an unsentimental two-hander part-clown show, part-eulogy about fathers, life on hold with corporations after death, and the myths of what it means to be great men.

Also from the US, LA-based multidisciplinary artist, performer and film critic, Gregory Nussen brings a metatheatrical piece about the politics of storytelling and truth, loosely inspired by Italo Calvino’s lf On a Winter’s Night A Traveler. A solo show without a fourth wall, QFWFQ (pronounced “kfwoofk”) touches on everything from architecture, jazz, gender identity and the Israel-Palestine conflict.

Staying on politics and identity – in the #DANISH showcase, Danish-Israeli artist Boaz Barkan brings Our Other Organ, a dissection of antisemitism and its impact on Jewish identity, which culminates in the creation of a “new Zionist body” and its structures of violence and domination. Atop a mortuary table, Barkan digs into a living body to uncover a new organ – the place where racism resides.

Summerhall Arts also welcomes two shows from Ireland. Joy Nesbitt’s Julius Caesar Variety Show scrutinises both the theatre sector and the exploitation of identity in a play that sees a Black actor, a Woman actor, and a Straight White Male actor compete to impress a respected director set on reinventing a Shakespeare play in “unorthodox” ways. And Martha Knight’s new play, The King of All Birds, utilises both voice and vocoder to explore our shared history with the sky: the years it remained untouched, the first ventures into it, and our endless climbing up.

Continuing the animal theme, Hotter Project (makers of 2023 hit, The Last Show Before We Die (★★★★★ – The Guardian), in association with Speakerphone Productions and Soho Theatre, will premiere HAM – a kinky eco-hijacking of Hamlet about meat, madness, and the power of shame that twists the classic high-brow tragedy into a sordid wrestle between a vegan and a sausage-lover.

Finally, from Lyn Gardner-recommended double act ‘Britney’ – aka Ellen Robertson (Vladimir, Mickey 17, The Pale Horse) and Charly Clive (Pure Rooster, Pure, The Lazarus Project) – comes Jitters, a brand new two-hander about ownership, tradition, and the all-important ‘L’ word of any relationship: leverage. And contemporary storyteller and theatremaker Nathan Jonathan takes us back to Y-2-K with They’re Just Small Town (Northern) Lads – a funny and heartfelt solo show about growing up mixed-race in a Northern-industrial-town. Expect gelled quiffs and flip-up phones in an exploration of identity, class and belonging at the turn of the millennium.

These 36 new shows are now on sale. They join seven shows that went on sale in February: As Far As We Know (YESYESNONO), GOOD ENOUGH? (HIMHERANDIT), LANDSFRAU هموطن (Mariann Yar), PUTTANA (Beatrice Festi and TeatroEETS), SAND (Kook Ensemble), Tether (Wonder Fools and Theatre SAN), and Tomatoes Tried to Kill Me but Banjos Saved My Life (Keith Alessi).

The next and final Summerhall Arts festival programme announcement will be on Wednesday 6th May, before the commencement of the Edinburgh Festival Fringe 2026 from 6th –31st August.

Tickets on now: festival.summerhallarts.co.uk

PICTURE (TOP): Clockwise from top left: Salty Brine (Credit: Alex Brenner), Forgive Me, Adam Riches: The Captain (Credit: Matt Stronge, Design: Will Andrews), Come Back Home, The Dreaming (Credit: Tiu Makkonen), Bigfoot Ripped My Dog In Half I Saw It (Credit: Morgan Mcdowell), You and Me (and Whoever Comes Next) (Credit: Patch Studio), & TRANSMISSION (Credit: Tiu Makkonen).

Edinburgh Art Festival

When: Wed 6 August

Time: 10am – 12pm (noon)

Where: The EAF25 Pavilion. Located at Outer Spaces, 45 Leith St, EH1 3AT and then across the city to visit partner venues and artists across the city including Linder, Mike Nelson, Wael Shawky, Andy Goldsworthy and Jonathan Baldock. 

Save the date as the UK’s largest annual festival of visual art returns to Edinburgh this August (7th—24th) with a packed programme of exhibitions, events, and collaborations taking place across the city for the three week festival — the biggest of its kind in the UK. 

More information on this year’s programme:

Opening EAF25 is Linder’s A kind of glamour about me at the Royal Botanic Garden Edinburgh, a large-scale performance coinciding with her retrospective Danger Came Smiling at the same venue.  Further new commissions include film work by CJ Mahony and Lewis Hetherington, and long-term research projects with Trans Masc Studies. Closing EAF25 is BORNSICK, a new performance co-commissioned with Serpentine by Lewis Walker, a London-born queer, non-binary artist working with the extremes of movement.

EAF25 will be based in a new central EAF25 Pavilion, supported by Outer Spaces, bringing together new works and residencies. Here, Lewis Hetherington and CJ Mahony’s installation will draw intimate connections between Scottish queer people across the span of the country’s history.  

Memory Is A Museum, an EAF-commissioned ongoing research project by Trans Masc Studies traces the histories of masculine-leaning gender diversity in Scotland. EAF’s support of emerging artists continues with Hamish Halley, the first recipient of the new Early Career Artist-in-Residence Award, with an installation at The People’s Story Museum. The Pavilion will also host screenings of My Blood Runs Purple, an experimental short film by Ria Andrews and Jj Fadaka.

Alice Rekab’s Let Me Show You Who I Am unfolds across billboards, examining legacies of migration and strategies of survival within the family unit, with a focus on intergenerational experiences of Irish, Black and Mixed-Race life, co-commissioned with Liverpool Biennial. Brandon Logan presents Little Low Heavens, an intimate collection of paintings, curated for the domestic spaces of Bard in Leith. Más Arte Más Acción’s Around a Tree from EAF24 will return permanently for EAF25 activated by performance from trans-Indigenous artist and biologist UÝRA.

The UK premiere of Voiceless Mass by Diné/Navajo and composer Raven Chacon will take place at St Giles Cathedral as a collaboration between EAF and Fruitmarket. 

JUPITER RISING X EAF will return for a one-night-only music and art festival, with line-up including TAAHLIAH, Florence Peake, Roxanne Tataei, and Ponyboy. At Blackie House Library and Museum’s RING OF TRUTH brings together visual artists, musicians, and writers in response to the enigmatic Music of the Spheres manuscript.

Fruitmarket will present a new body of work by Mike Nelson, known for his immersive, absorbing installations that entirely transform spaces. Talbot Rice Gallery will present a solo exhibition by Wael Shawky, following his representation in the Egyptian Pavilion at the Venice Biennale in 2024. At Stills Centre for Photography is an extensive collection of photos from Siân Davey’s series, The Garden. Jonathan Baldock is set to bring queer folklore to Jupiter Artland new sculptural work that combines earthly delights with surreal mythologies to bring together new stories. Alongside this, a new film by Guy Oliver traces social, cultural and personal histories and interrogating notions of masculinity. 

Ingleby Gallery will present Mirror Matter, a first major UK show of work from Aubrey Levinthal. The Scottish Gallery will present Victoria Crowe at 80: Decades, an exhibition showcasing a powerful collection of new paintings, which reflect six decades of Crowe’s working career. 

Sett Studios present FRIENDS WITH BENEFITS, inviting the local artist community to participate in a salon-style exhibition, and Get in Loser, We’re Going to Sett Studios, showcasing the work of studio-holders as collaborators in a non-hierarchical art space. The Travelling Gallery will be presenting SEEDLINGS: DIASPORIC IMAGINARIES, a group exhibition exploring new ways to connect with our worlds through other-than-human perspectives. 

Edinburgh Sculpture Workshop presents Beachheads by Louise Gibson, an exhibition of monumental sculpture crafted from the detritus of late capitalism and work by Megan Rudden which explores the idea of the ecotone, a transitional space between two states. Edinburgh Printmakers will display work by Robert Powell, a multidisciplinary printmaker and the work of Aqsa Arif, whose printmaking, textile, sculpture and film explores elements of Pakistani folklore. 

Collective presents Fire on the Mountain, Light on the Hill, the first solo presentation in Scotland by visual and performance artist Mercedes Azpilicueta. At Royal Botanic Garden Edinburgh  Fungi Sessions marks the première of Hannah Read’s albums The Fungi Sessions, and at Dovecot Studios, IKEA: Magical Patterns explores six decades of groundbreaking textile design.

At City Art Centre is John Bellany: A Life in Self-Portraiture which  captures the span of an extraordinary life and career through the lens of the artist’s own eyes and Out of Chaos: Post-War Scottish Art 1945—2000, a range of artworks from the permanent collection. The National Galleries of Scotland hosts a major retrospective by sculptor Andy Goldsworthy and an exhibition conceived by acclaimed artist and filmmaker Steve McQueen, Resistance, which explores how acts of resistance have shaped life in the UK, and the powerful role of photography in documenting and driving change.

At Edinburgh College of Art, Tipping Point and Authenticity Unmasked explore how artists can help us more wisely respond to AI. The King’s Gallery will showcase Royal Portraits: A Century of Photography, an exhibition that charts the evolution of royal portrait photography from the 1920s to the present day. 

Full EAF25 Programme 

LIFTFEST: What’s On

LIFTFest Day Details – What’s On! 🌞

🎉 LIFTFEST – Saturday 19th July, 12–5pm

📍 At LIFT@MMC – EVERYONE WELCOME!

Come along for a fun-filled family day packed with:

👠 Kidz Fashion Show – 1.30pm

🎧 All-Day Outdoor Disco

🎯 Games Galore – 5 shots for £3

🎟️ Tombola

🌭 Hot Dogs, Hamburgers & Pauline’s Special Pasta

🧁 Home Baking Stall

🖌️ Arts & Crafts

🕺 Character Meet & Greet – Spiderman, Bluey, Stitch, LOL Dolls, Paw Patrol & Elsa

🎈 Bouncy Chute & Inflatable Football Darts

🎨 Tattoos & Hair Braiding

… and much, much more!

🌟 20% of everything raised goes to a charity chosen by Brenda’s family.

💛 The rest helps us keep the centre open and supporting the community.

🕚 Don’t miss the walkthrough at 11am, then stay and enjoy the full day!

#LIFTFest

#MuirhouseTogether

#FamilyFunDay

#LIFTCommunity

#SummerCelebration

#SupportLocal

#LIFTAtMMC

Clive Myrie and Prof Danny Dorling to appear at the 2025 Festival of Politics

The Scottish Parliament’s Festival of Politics returns this August with a three-day programme of over 30 events, taking place in Holyrood, the home of Scottish politics between Wednesday 20 to Friday 22 August 2025.

BBC journalist Clive Myrie will appear as part of the line-up this year, in conversation with the Deputy Presiding Officer Liam McArthur MSP where he will discuss his incredible 30-year broadcasting career.

Professor Danny Dorling, renowned social geographer, will explore the impact of politics on the UK’s housing, education, poverty and inequality levels, and will offer robust solutions on how to address these challenges of our age.

In addition, our Festival programme features leading experts from the worlds of politics, the arts, business, the media and the third sector. With events on topics tackling some of the big issues facing Scotland, the UK and the world such as the use of AI, peace in the Middle East, how we tackle misogyny and our use of technology.

The Presiding Officer of the Scottish Parliament the Rt Hon Alison Johnstone MSP said: “This year’s Festival promises lively debates, thought-provoking panels and inspiring voices tackling some of the most pressing social, political and environmental issues of our time.”

In addition, there is a lively free programme of entertainment, exhibitions and even a robot in the Festival Café Bar.

Tickets can be booked now on our website:

Book tickets

Most events will be available to view on our YouTube channel after the Festival has finished for those unable to attend in-person.

Festival of Politics 2025

The Festival of Politics Returns for 2025!

Be part of the conversation at The Scottish Parliament’s Festival of Politics, happening 20 to 22 August 2025 at Holyrood.

This year’s festival promises lively debates, thought-provoking panels, and inspiring voices tackling the most pressing social, political, and environmental issues of our time. Whether you’re passionate about climate justice, equality, or the future of democracy, we welcome you to join us and have your say.

What to expect:

  • 30 events across three days
  • Leading thinkers, activists, and politicians
  • Set within the unique architecture of the Scottish Parliament
  • Tickets from just £5
  • The chance to put your question to the experts
Newsletter subscriber exclusive offer 
As a newsletter subscriber, you’re among the first to know that tickets have just gone on sale.
We’d also like to offer you an exclusive deal – use the discount code WeLoveFOP during checkout to get 50% off!
Book tickets now

North Edinburgh Community Festival Set to Shine!

West Pilton Park will come alive on Saturday, 17th May, from 12:00 to 5:30 PM, as the much-anticipated and award-winning North Edinburgh Community Festival enters its fourth year.

Known for its vibrancy, inclusivity, and celebration of local talent, this year’s festival promises to be bigger, brighter, and more colourful than ever before. With over 10,000 attendees expected, it’s an unmissable event for the entire community.

Festival Highlights

This year, the festival will host over 160 local organisations, charities, and community groups, offering a kaleidoscope of activities—from hair braiding and glitter tattoos to boxing and dodgeball, from live music programmed by Granton Youth and Tinderbox to dance performances and pop-up dance mobs from Edinburgh College, and from Edinburgh Fringe Festival street performers to North Edinburgh Arts for all things arts and crafts. 

North Edinburgh Arts and Imaginate have once again collaborated creating commissioned performances that will be performed by local children and young people from the North Edinburgh Youth Arts Collective.

As well as running their jam packed arts and crafts tent for families; their Art for Grown Ups, Arts & Dance and CREATE groups are all planning to join the festival parade en route as it passes by the Macmillan Hub. 

We’ll be hosting North Edinburgh’s very own ‘Crufts’ with our first ever ‘Scruffs’ Dog Show – with 6 categories to enter and prizes up for grabs including North Edinburgh’s waggiest tail!

This is hosted by Audrey Coltart of Branniffmhor Cockers, a seasoned professional in dog competitions, and a respected judge!

Whatever your interest, we’ve got it all!

The festival remains free to attend, with 90% of activities free of charge, ensuring accessibility for everyone. While food vans and items will be available for purchase, the festival aims to keep costs low for attendees.

Key Projects Spotlight

The North Edinburgh Community Festival will feature three major projects that celebrate local food, culture, diversity and artistic expression:

THE TATTIE PROJECT

  • Celebrating the humble potato, this collaborative initiative includes over 10 local organisations such as Lauriston Farm and R2. Residents will engage in activities like growing, harvesting, cooking, and distributing potatoes.
  • In the food demonstration tent, six local home cooks will share potato recipes from their cultures, highlighting the diversity of local cuisine.
  • Scran Academy and Empty Kitchens, Full Hearts will serve up 2,000 free hot baked potatoes with toppings, ensuring everyone gets a delicious taste of this staple food.
  • While we regret the absence of RRT this year due to budget cuts, we remain grateful for the 5,000 free meals they’ve provided at past festivals.

THE NORTH EDINBURGH COMMUNITY CHOIR

A festival legacy project, the choir unites over 100 young people from Pirniehall, St. David’s, Forthview and Craigroyston Primary Schools and Craigroyston High School as well as Tinderbox Music Club to perform at the festival.

Earlier this year, these students had the opportunity to perform with international megastar Ed Sheeran alongside Tinderbox Orchestra at the West Pilton Neighbourhood Centre. Their performance will include his hit song, Bad Habits!

THE FESTIVAL PARADE

Pulse of the Place, Edinburgh Carnival and Edinburgh Jazz and Blues Festival leads the way with the festival’s largest and most colourful parade yet.

Featuring vibrant costumes, masks, and performances, the parade will embody the theme of rainbows.

Starting at North Edinburgh Childcare, it’s a 1-mile journey into West Pilton Park. The parade departs NEC at 1030am and will reach the park at 12noon to kick off the festivities.

Expect up to 12 dance groups to bring the vibe.

Over 200 families and groups will participate including Oaklands School, LACAE and North Edinburgh Childcare.

Parade participants are welcome to join at the start or en route.

Entertainment Across Three Stages

This year, the festival will feature three unique stages:

  • Main Stage: Showcasing local community music groups and organisations such as Fischy Music, Ama-zing Harmonies, Tinderbox Tuesday Hub, Rhythms of India and Edinburgh Ukrainian Choir
  • Indoor Stage – North by North West: A platform for emerging young singers and bands including All the Wrong People, The Clamz, Bows and Bridges and Abigail Kerner
  • Carnival Stage: Hosting parade participants’ dazzling live performances including Passion 4 Fusion, Street Mash, Sol de Peru and Angie Disney’s Silent Disco!

The North Edinburgh Community Festival is a celebration of collaboration, creativity, and community spirit. Whether you’re attending for the music, activities, food, or simply to soak in the vibrant atmosphere, this event has something for everyone.

Join Us

When: Saturday, 17th May, 12:00 PM – 5:30 PM
Where: West Pilton Park, Edinburgh
Cost: Free entry

Mark your calendars, bring your friends and family, and experience the magic of the North Edinburgh Community Festival! We can’t wait to see you there!

New sculpture encouraging more women to pursue engineering roles comes to Scotland

Edinburgh Science Festival, the world’s first festival of science and technology, is pleased to partner with the Royal Academy of Engineering to this year host acclaimed artist Kelly Anna’s sculpture ‘What Makes an Engineer?’ which represents engineer Alice Kan who played a key role in the manufacture of the Covid-19 vaccine. 

The sculpture will be displayed at City Art Centre as part of DiscoveryLab, its first display outside of London. Created to mark National Engineering Day 2024, the sculpture was part of an art project to celebrate inspirational engineers and represents Alice Kan, a mechanical engineer who played an important role in the manufacture of the Oxford-AstraZeneca vaccine.

Starting with a production line and team of one, Alice led efforts to grow the team, develop the process, set up manufacture and produce 100 million doses for use in the UK. Her work continues today developing Ebola vaccines. 

The pivotal question – what makes an engineer? – rings as strongly today as ever before with women still making up only 15.7% of UK engineering workforce – down from 16.5% in 2023 – and a lack of visible role models is seen as a key factor in why fewer women are considering a career in engineering. By showcasing a story as inspiring as Alice Kan’s, Kelly Anna’s sculpture champions the fact that engineering is for everyone. 

The sculpture encapsulates Alice’s remarkable journey, achievements, and personal resilience in engineering and vaccine production.

The central, dynamic figure of Alice stands strong with an empowered posture, symbolizing her resilience, leadership, and unwavering determination. Alice is shown looking upward, representing hope, optimism, and her visionary approach to the future.

The statue is constructed from various blocks and shapes, representing her ability to build teams and overcome obstacles.

These blocks embody persistence and inclusiveness—demonstrating how diverse perspectives come together to create strength.

An accompanying QR code will take visitors to an augmented reality experience created by Atlantic Productions.  

Edinburgh Science Festival is the first and still one of Europe’s biggest science festivals, taking place over the Easter holidays, between 5 and 20 April.

With the 2025 theme of Spaceship Earth, the Festival continues its years-long commitment to Programming for the Planet. It urges everyone to live like an astronaut, a battle to learn from the constraints of living on a space station where resources are impossibly constrained, and every gram of material and watt of energy is precious. 

Edinburgh Science Director and CEO, Hassun El-Zafar said: “When programming our Festival we focus on ways to combine art and science, as art is often the most powerful way to bring science to life.

“By engaging the imagination, complex concepts or scientific achievements become all the easier to understand. We’re delighted that the Royal Academy of Engineering has chosen our Festival to showcase What Makes an Engineer? for the first time outside of London – a chance for all our visitors, young and old, to be inspired by Alice Kan’s work saving lives as an engineer.” 

Dr Hayaatun Sillem CBE, CEO of the Royal Academy of Engineering, said: “Engineering is driven by countless unsung heroes and teams who shape our world in profound ways every day.

“the UK, modern engineers—despite their remarkable contributions to our society—remain noticeably absent from public statues and artworks. I am delighted we can bring this sculpture of Alice Kan to Edinburgh Science Festival and I hope it will help to inspire young people to join this creative, rewarding profession, which improves lives every day.” 

The worlds of STEM and arts also combine in this year’s Festival programme for a selection of genre-defying events. Hear exclusive first readings at Sci-Fi Futures (8 April), a creative collision of science fiction and science fact, bringing together Scottish writers Martin MacInnes, L R Lam and Eris Young, and Professor of Applied Space Technology and Scotland’s leading space expert Prof Malcolm Macdonald.

This exciting collaboration between Edinburgh Science Festival and Edinburgh International Book Festival commissioned three brand new writings envisioning a utopian future truly living within our means.

Theoretical physicist and industrial musician Prof Bob Coecke is here to open our minds and ears with Quantum Music (10 April). Bob illustrates how the coming quantum revolution can be used to compose new kinds of music and will “play his guitar on a quantum computer”. In The Sound of Galaxies (16 April), an interactive sound-forward session, you’ll listen to galaxy data and gain a deeper appreciation for the innovative ways scientists explore the Universe. 

Can arid lands be spaces for new ecological world-making? Desert Future (11 April) is a film screening of Wanuri Kahiu’s Pumzi and discussion explores climate fiction, environmental humanities, history of science and Black/Africana studies. 

The Edinburgh Conservation Film Festival (19 April) is a celebration of conservation stories from around the world that will inspire, engage, and inform you about some of the many projects helping to protect the world’s biodiversity. 

Visit Dynamic Earth’s Planetarium for Planetarium Lates: Earth From Above (10 – 12 April & 17- 19 April) to enjoy an evening of extra-terrestrial entertainment as they screen some of your favourite science films including Gravity, Apollo 13 and The Martian.

More STEAM highlights here

Edinburgh Science is a world expert in producing live science events and the 2025 Festival is the prime example of the power of bringing people together to explore the fascinating world of science, technology, engineering and maths and arts.

Tickets are on sale now on edinburghscience.co.uk.

2025 programme in a PDF form here

By Creating We Think – Celebrating Patrick Geddes

Saturday, 22 February 2025

To celebrate the life and learnings of revolutionary 19th and 20th century Scottish social thinker Patrick Geddes, the Scottish International Storytelling Festival in partnership with the Sir Patrick Geddes Trust is holding a day of workshops, screenings, talks and discussions as part of Edinburgh’s 900 programme on Saturday, 22 February.

PastedGraphic-4.png

Patrick Geddes by Kenny Hunter on display at the Scottish Storytelling Centre

The day looks to the future, structured around Geddes’ key sayings including ‘By Creating We Think’ and combining ideas with practical initiatives that can open pathways into ecology, culture and creativity to create a city rich in local, national and international identities. 

Speakers include environmental artists Kenny Munro and Claudia Zeiske; Murdo MacDonald who is a leading writer and original interpreter of Patrick Geddes; environmentalist and nature writer Mandy Haggith; Bengali storyteller Neel Debdutt Paul; Samuel Gallacher who is Director of Sottish Historic Buildings Trust and has had close involvement with the ideas and legacy of Geddes; and many other writers, activists and thinkers.

Patrick Geddes was an ecologist and town planner who believed that our future lies in the merging of the natural world with human culture. He also championed the need for science and society to work together, citizen action, creative learning, and the need for green space.

Donald Smith, Director of the Scottish Storytelling Festival and Programmer of ‘By Creating We Think’ said: “Geddes would have loved to be at this event.

“His method was to bring people together and let the ideas and passions flow. Of course in a sense he will be there, and I can’t think of anyone more important to have at Edinburgh’s 900th celebrations.”

Samuel Gallacher, Director of Scottish Historic Buildings Trust said: “Geddes’ revolutionary thinking has influenced more than a century of practice, and yet still, his ideas and methods have still so much to offer to society today as we reflect, as Geddes did in his own time, on our rapidly changing world.”

‘By Creating We Think’ is supported by the City of Edinburgh Council as part of Edinburgh’s 900th year celebrations and The Sir Patrick Geddes Memorial Trust. It will be the final event in the Scottish International Storytelling Festival’s programme of over 40 community events across the city that have been attended by more than 1600 people. 

By Creating We Think
Saturday 22 February from 10.30am to 5pm
Scottish Storytelling Centre, 43-45 High Street, Edinburgh EH1 1SR. 

A day of talks, workshops, screenings and lively discussion to celebrate the life and learnings of revolutionary 19thcentury Scottish social thinker Patrick Geddes,

The event is ticketed on a ‘pay as you can’ basis.

For more information visit https://scottishstorytellingcentre.online.red61.co.uk/event/913:5814/913:25318/

Programme 

By Leaves We Live

Introduction and hosting by Andrew Bachell, environmentalist and Chair, Traditional Arts and Culture Scotland. 

Re-Naturing a Nation:Mandy Haggith, poet, novelist and nature writer. Greening the City: Bridgend Farmhouse with John Knox and Will Golding.

Think Global, Act Local

Cultures in Conversation: environmental artist Kenny Munro and storyteller/writer Neel Debdutt Paul explore a web of connections between Patrick Geddes and India. 

Cultures in Conversation: Tom Hubbard writer and researcher; Claudia Zeiske, environmental artist, producer and community curator; and Iliyana Nedkova Curator of the Traditional Dance Forum of Scotland, explore a web of connections between Geddes, France and Europe. 

Place, Work, Folk

Remaking and restoring – a participative session led by Claudia Zeiske, environmental artist, producer and community curator.

By Living We Learn

Geddes, Tagore and Education – the work of Stewart A Robertson and Bashabi Fraser introduced by Donald Smith

The Making of Books: By Publishing We Think – Murdo MacDonald, Art Historian and Essayist.

A Geddes Future in Edinburgh’s Old Town Sam Gallacher, Scottish Historic Buildings Trust

By Creating We Think Final ProgrammeDownload

Scottish International Storytelling Festival kicks off next week

18 – 31 October 2024

There’s just one week to go before the world’s largest celebration of storytelling begins. 

The 35th Scottish International Storytelling Festival’s packed programme of over 130 events, taking place in Edinburgh and across Scotland, kicks off next Friday 18 October thanks to support from Creative Scotland and the Scottish Government’s Festivals EXPO Fund. 

Since it began in 1989, the festival has been building bridges between cultures, artists and audiences through the power of storytelling. This year, to mark its 35th year, which coincides with 35 years since the fall of the Berlin Wall, the festival has invited international storytellers from the Storytelling Arena in Berlin to join them, and share stories and films from their divided and reunified city. 

Other international guests also invited to perform this year include Jeeva Raghunath who will be sharing stories from the folk lands of India, and Irish guest storyteller and broadcaster Nuala Hayes who founded the Dublin Storytelling Festival.

Nuala will be joined by Irish musician Aoife Granville for two events celebrating the life of storyteller, seanchaì and author Peig Sayers who lived most of her life on The Great Blasket Island off the coast of south-west Kerry.

They will also be entertaining audiences with Stories and Songs from Ireland at the Aberdeen & Beyond Storytelling Festival (22 Oct); in Edinburgh as part of the main programme (23 Oct); and as guests at the Wild Goose Festival in Dumfries (18-25 Oct); thanks to support from Culture Ireland.

Storyteller James MacDonald Reid who performs Cath Gailbheach nan Eòin The Desperate Battle of the Birds with electric cellist Ryan Williams in Edinburgh (22 Oct)  and Tobermory (25 Oct) this festival. Photo credit Neil Hanna.

Unmissable Gaelic highlights this festival include, the premiere of Cath Gailbheach nan Eòin The Desperate Battle of the Birds told by Scottish storyteller James MacDonald Reid in English and Gaelic throughout.

This classic Gaelic folk tale will be shared in the traditional manner  by James but with a contemporary twist, as it will be intertwined with live electric cello music by Scottish-Korean musician Ryan Williams.

Plus, experimental folk duo Burd Ellen will premiere their new multi-media performance Òran Mhòirwhich explores the Gaelic lore of the intertidal zone and mixes costume, film, folk song, electronic sounds and field recordings, with stories told by Eileen Budd from Angus.

Eileen will also be in Angus as part of the festival’s Go Local programme in November, for a weekend of crafts from the glens, Halloween history and folklore, and fireside ghost tales at Balintore Castle.

Performers from The Dream of Al-Andalus with L/R Omar Afif, Inés Álvarez Villa, Danielo Olivera, Director Jelena Bašić and Sef Townsend – premieres Sat 19 Oct at 8pm

Other events not to miss include The Dream of Al-Andalus, told by Sef Townsend and Inés Álvarez Villaand accompanied by flamenco guitarist Danielo Olivera and Moroccan musician Omar Afif. Al-Andalus was a vibrant era of cultural diversity in mediaeval Spain, where the interplay of Muslim, Christian and Jewish cultures sparked an artistic and intellectual renaissance. These cultures are fully represented by this group of artists who aim to evoke Al-Andalus, not as a relic of the past, but as an inspiration for a more tolerant future.

The Festival’s opening weekend also coincides with the October school holidays and there are plenty of family friendly events for children this year including; face painting, crafts, storytelling and songs presented by the Beltane Fire Society for Samhuinn; the premiere of a new sensory version of the traditional tale The Bouncy Billy Goats Gruff, suited to children with additional needs, their families and friends with storyteller Ailie Finlay and artist Kate Leiper; A Jaunt Round Auld Reekie with the Ceilidh Crew n’ Co performed with stories, music, comedy and puppetry; and a retelling of an ancient border ballad in Into the Woods: In the Footsteps of Thomas the Rhymer narrated by celebrated actor Julia Munrow and with music composed by multi-instrumentalist John Sampson and played by Pete Baynes.

Actor Julia Munrow narrates a new take on the ancient Border ballad of Thomas the Rhymer, with Pete Baynes and John Sampson

This year there is also a great selection of Edinburgh 900 events to look forward to, including a visit to St Catherine’s ‘Oily Well’ in Gracemount, known for its healing properties with storyteller Jane Mather, and an opportunity to join storytellers Jan Bee Brown and Beverley Casebow at the National Library’s exhibition exhibition Renaissance: Scotland and Europe, 1460-1630 to hear true and traditional tales of Stars, Secrets and Sea Monsters. 

In addition, Edinburgh will celebrate 20 years since its designation as the world’s first UNESCO City of Literature, with a conference from 22-25 October, which aims to bring together all the subsequent cities of literature in the network, and connect them to writers and literary organisations in the city.

Global Lab returns with four online workshops exploring intangible cultural heritage; present day Gaza through the voices of children and young people; stories from India; and Scotland as a slaver nation.

In addition, the festival’s in person workshop programme kicks off in week one with Emotional Literacy with Storytelling with Peter Chand,  adult ADHD through the lens of folktales with Jacqueline Harris in Slowing Down to the Speed of Light which is also part of the Festival’s latest podcast series Another Story;  and how stories can break down inhibitions, build cooperation and celebrate difference in Telling Across the Divide with storyteller Sef Townsend.

The Scottish International Storytelling Festival runs from Friday, 18 October to Thursday 31 October. Tickets to family events cost just £5 per ticket.

For those planning on attending multiple events, the Festival Supporter Pass offers discounted tickets to many live festival events, online and at the Scottish Storytelling Centre, as well as a discount at the Scottish Storytelling Centre’s bookshop, Haggis Box Café and an invitation to the Festival launch event.

To purchase tickets and browse the full programme, visit sisf.org.uk

October Break at Drumbrae Library

Hellooooo!! The October break is only a week away and we have fantastic events running through the week!

All are free and there is no need to book 😃 See you there!

You might be wondering… what is Pokémon day? Well I’ll tell you!

We are going to have a scavenger hunt around the library with 3D printed Pokémon and once you’ve found the Pokémon and spell out the secret word, you’ll get a prize! There are only 70 prizes to give out so you’ll have to be speedy!

There will also be lures placed on all the Pokéstops surrounding the library in Pokémon Go so be sure to catch ’em all!