We can’t believe that in just FOUR WEEKS we will be welcoming you to Hidden Door 2022!
For our team of volunteers, the festival build begins in the next few days so stay tuned for some exclusive behind-the-scenes previews.
For now, let’s take a closer look at our first Friday night … a night of wild pop and songs for the soul; late night electro in the Basement; ghostly dancers in the debating chamber; powerful theatre and beautiful spoken words echoing down the corridors; eclectic art around every corner; hot street food and sunny terrace bars with stunning city centre views …
Budding artists and designers now have the chance to make their mark on a historic building in Edinburgh, with a piece of their commissioned art set to be displayed in the lobby of aparthotel group Native Edinburgh as part of their refurbishment plans.
Bringing sustainability and a sense of local place into their renovations, the exciting new community collaboration sees Native Edinburgh supporting Scottish designers ahead of their relaunch in May as a lifestyle destination.
Launching today (Monday, 14th March) the new initiative will give local designers the chance to take home £1000, on top of having their commissioned art or designs on display and becoming part of the hotel interiors.
Native is calling out artists with a keen eye on sustainability using wood carving – modern or traditional in the creation of their aesthetic objects to apply to win the commission fund. This is a rare chance to be part of the aparthotel’s stylish decor, and any designers are encouraged to send fill out this form with Native choosing the first successful designer of the fund by March 31st.
The Native Community Creations campaign will see each of their aparthotels in the UK collaborate with designers, artists, suppliers to run year-long creative programming on property that supports creativity and sustainability.
Nestled in the original fabric of Edinburgh’s historic New Town, an area of outstanding neo-classical and Georgian architecture, and a UNESCO world heritage site, Native Edinburgh is ensuring their interiors are as beautifully adorned as their exteriors, with this new competition open to all designers in Edinburgh and beyond.
Awarded double gold from Greengage’s ECOsmart programme in 2021, Native has embraced a road to recovery that targets sustainable travellers and an eco-friendly approach to operations.
Believing that by choosing sustainable accommodation you can, amongst other things, cut down your own carbon footprint without compromising on a comfortable and stylish stay, Native’s latest style elevation has even looked to the Scottish environment for inspiration.
With 82 apartments comprising studios, one bedrooms, and ground floor leisure, Native Edinburgh provides the flexibility and amenities of a design-led boutique hotel, coupled with the space, comfort and privacy of a home from home in the heart of the city.
Rani Saidi, head of marketing of Native Places UK said:“Collaboration is part of our fabric here at Native. We are always championing the independents in the cities we feature, and it’s now time to shine the spotlight on creatives.
“This new community initiative will support designers across the UK in our properties, and in Edinburgh, we will be marking our refurbishment with a collaboration with a local designer.
“With a £1000 prize fund, we are inviting creatives across Scotland to apply to our fund and help us bring a sense of community to our lobby in Edinburgh.”
The Community Initiative Fund is now open to designers and artists. The fund will close on 31 March 2022, with one designer picked to receive £1000 and their work commissioned for Native Edinburgh.
The positive role that art and creativity plays in enhancing our mental health and well-being is at the heart of activity taking place in communities across Scotland and backed by £800,000 of National Lottery and Scottish Government support in the latest round of Creative Scotland’s Open Fund awards.
Forging connection through music making and storytelling is central to Acorn Shed Music’s approach. In their latest project with partners Ceartas Advocacy and The Village Storytelling Centre, Songs from Here will bring together people living with dementia in East Dunbartonshire to create songs and stories based on lived experience.
Set up in 2017 with the aim of finding ways to use group songwriting to explore difficult conversations, Acord Shed Music’s Co-Founder, Carol Beckwith said: “Writing songs that emerge from individual and shared stories provides opportunities to take a more creative approach to exploring the experience of dementia and dementia care.
“We anticipate that as people begin to reveal their creative identities in this way they begin to understand that ‘voice’ is more than just the words that we say.”
In Edinburgh, Artlink is about to roll out a new programme of workshops, discussions, performances, installations, exhibitions and artist placements for people with complex disabilities.
Jan-Bert van den Berg, Director at Artlink, said: “Over the last two years amazing new creative relationships have formed between people with complex disabilities, their supports, and artists.
“As we emerge into a post lockdown world, we want to make sure that those people who have been hardest hit are included in influencing and shaping the new cultural landscape.
“Being Human supports a programme of creative work that harnesses the strengths and passions of all involved to make the most of what has been learnt.”
Becoming a dynamic hub of creative activity, Glasgow’s Good Vibrations supports people through communal music making, with a focus on the gamelan and Indian tuned percussion orchestra.
Hekate Papadaki, Executive Director of Good Vibrations explains: “Through communal music-making and other creative activities we support people who may have more limited access to participating in arts and culture – those from deprived areas and those with disabilities and mental health needs – to develop personal, social and music skills, self-confidence and positive self-identities.”
Paul Burns, Interim Director, Arts and Engagement Creative Scotland said: “The arts and creativity make an invaluable contribution to our health and wellbeing – both physically and mentally.
“Thanks to the generosity of National Lottery players, who raise over £30 million for good causes across the UK every week, and funding from the Scottish Government, these awards continue to address issues of mental and emotional wellbeing while also enriching the lives of people of all ages and backgrounds.”
A full list of Open Fund recipient awards is available on the Creative Scotland website.
Adult Education resuming a limited face to face programme – with a few courses starting at Leith Community Centre from 8th November for a 5 week term.
All precautions will be taken with distancing, mask wearing, sanitising and ventilation to Keep students and tutors safe. So the class can get on with being fun, informal and informative!
Courses available are:
Activity
LVL
Start date
Day
Time
Art(PR): Drawing & Painting – All – (8/11) – LCC12311N
ALL
08/11/2021
Monday
10:00 – 12:00
Yoga: Gentle – All – (9/11) – LCC65852N
ALL
09/11/2021
Tuesday
17:30 – 19:00
Russian – Beginner – (9/11) – LCC55512N
BEG
09/11/2021
Tuesday
15:00 – 17:00
Russian – Post Beginner – (9/11) – LCC55752N
PBG
09/11/2021
Tuesday
18:00 – 20:00
Writing Creative: Life Writing – All – (9/11) – LCC64652N
ALL
09/11/2021
Tuesday
18:30 – 20:30
Art(PR): Drawing & Painting – All – (10/11) – LCC12313N
ALL
10/11/2021
Wednesday
10:00 – 12:00
Yoga – All – (10/11) – LCC65753N
ALL
10/11/2021
Wednesday
17:30 – 19:00
Art(PR): Drawing & Painting – All – (10/11) – LCC12353N
ALL
10/11/2021
Wednesday
18:00 – 20:00
Discover: Archaeology Today – All – (11/11) – LCC32614N
ALL
11/11/2021
Thursday
15:00 – 17:00
Art(PR): Drawing & Painting – All – (12/11) – LCC12315N
You can book on our website: www.joininedinburgh.org – the courses will be available to view and book from today – Thursday morning.
Telephone enrolments will be available for 2 days on Thursday 21st October and Friday 22nd October this week from 10:00 – 16:00 by calling (0131) 469 3003 or (0131) 469 3005.
Courses will be charged at £41.25 for the standard fee and £16.50 for benefits, senior citizens and students.
The first exhibition dedicated to the Scottish artist John Henry Lorimer (1856-1936) will open at the City Art Centre in Edinburgh on Saturday 6 November.
Over the years, Scottish audiences have shown a lot of support for John Henry, voting Spring Moonlight at the Kirkcaldy Galleries and The Flight of the Swallows at the City Art Centre (above) as their favourite paintings in the galleries’ permanent collections. Both paintings will be included in the exhibition, along with many from private collections, some of which have not been on public display for several decades.
Further highlights include the Tate Galleries’ portrait of the artist’s younger brother Sir Robert Lorimer, A.R.A., as a Boy and the Musee d’Orsay’s painting Grandmother’s Birthday. Also known as Benedicte Grandmother’s Birthday, the first painting by a Scottish artist to be bought by the French Government, is displayed with one of the chairs that features in the painting, designed by architect and furniture designer Sir Robert Lorimer. The painting was last exhibited at the Musee d’Orsay in 1989, alongside paintings by Millet, Whistler and Morisot.
Co-curator Charlotte Lorimer said: “While artists such as Claude Monet and Edgar Degas pushed the boundaries of painting and were rejected by traditional galleries and the Paris Salon, John Henry developed a more classical style and won medals from the Salon and praise from critics.
“History tends to remember the rebels. But there is also a place for the quiet craftmanship of artists such as John Henry.”
Co-Curator David Patterson added: “Here at the City Art Centre, we are really excited to be hosting the first ever major exhibition dedicated to the work of John Henry Lorimer.
“His work, which is so often overlooked in favour of his more radical contemporaries, is technically brilliant and his elegant interiors and light-filled landscapes will uplift everyone’s spirits during the winter months.
Culture and Communities Convener Councillor Donald Wilson, said: “I’m delighted that the City Art Centre is able to showcase this fantastic exhibition of the rarely seen works of John Henry Lorimer.
“It’s incredible to think this is the first exhibition dedicated to him since his passing in 1936. Reflections: The Light and Life of John Henry Lorimer will take visitors on a journey of his work through five themes of light, identity, family, femininity and home. Not only will it be an opportunity to celebrate his work, there are pieces from both public and private collections, the majority of which have not been on public display in decades!”
Culture and Communities Vice Convener Councillor Amy McNeese-Mechan said: “We’re excited to be exhibiting the first retrospective of John Henry’s work.
“A technically gifted, but somewhat forgotten artist, this is a chance for audiences to discover his work and learn about the artist himself and the role he played in Scottish art history. Alongside the exhibition there will be a programme of events and we look forward to revealing more details soon.”
In order to protect and maintain the safety of our visitors and staff, the City Art Centre has introduced a range of safety measures and procedures throughout the venue, including a one-way system, installation of screens at reception, hand sanitiser stations, extra barriers and signage. Staff will be wearing face coverings while offering visitors a very warm, socially distanced welcome.
Reflections: The Light and Life of John Henry Lorimer at the City Art Centre opens on Saturday 6 November 2021, and runs until 20 March 2022.
Admission is free.
Reflections: the Light and Life of John Henry Lorimer has been generously supported by The Lorimer Society, The Inches Carr Trust, The Binks Trust, The East Fife Members Centre and all those who contributed to our crowdfunding campaign.
After a year that’s taken its toll on parents’ and children’s physical and mental health, we’re all longing for a bit of rest and relaxation.
But the school holidays can leave children’s learning brains a little too relaxed. So with the Tokyo Olympics in full flow, keep the kids’ brains sharp with these Games-themed activities from former primary school teacher Abby Milnes of education champs PlanBee:
Learn about…
… time zones
There is an eight-hour time difference between the Games and the UK. This is a great opportunity to teach your children about time differences between countries and why they exist. Challenge your children to work out what time they will need to turn on the TV if they want to watch an event live (hypothetically of course; some of the events may be broadcast in the early hours of the morning in the UK!).
Download this FREE Time Zones Map to help teach your children about Time Zones.
… measuring time
Many of the Olympic events are measured and scored against how long it takes to complete the event. Events under a minute such as the 100m sprint, 200m kayak, team sprints in cycling etc will provide suitable contexts for younger children to think about when measuring time. Older children may like to take on slightly longer events.
This PlanBee lesson may help teach your younger child about measuring time.
Challenge your child to see how many things they can do within the same time as it took an athlete to complete their event. For example, the Olympic record for running 100m was 9.63 seconds set by Usain Bolt at the 2012 Olympics. How many blocks can your child stack in this time? How many ticks can they do on a sheet of paper? After showing children how to read the amount of time on a stopwatch, get them to time each other and take it in turns to see who can beat the record in your own events.
… measuring distance
Other Olympic events such as long jump, javelin, shot put and discus are scored and measured using distance.
Using a metre ruler or measuring tape, challenge your children to take part in a long jump event. They can take a run-up, or go from a standing jump. Mark where the back of their foot landed and help your child measure how far they jumped!
… averages
Some events such as gymnastics are scored by a judges panel. Each judge gives the performance a score which is then averaged out to give a final score. Challenge your child to take individual judges scores and find the average score by adding them up and dividing the total by the number of individual scores.
… variables
“I wonder… do you run faster on grass or concrete?” Challenge your children to think about conducting simple investigations with “I wonder…?” questions like the one above. Younger children may need help with timing but they should be able to make verbal conclusions with you such as “I ran faster on the concrete”.
Older children (7+) should be encouraged to think scientifically. Is it fair if you wear sandals to run on the grass, but running shoes on the concrete? No, they should be the same. What about the distance you run?
Other things they could test:
● Do I run faster wearing trainers, or when I’m barefoot?
● Will I jump further with a run-up?
● Will I jump further with a long run-up or a short run-up?
● Does someone with longer legs jump further?
… pentathlons
What’s the difference between a triathlon, a pentathlon and a decathlon? The number of events! (This is also a perfect opportunity to look at the prefixes tri- pent- and dec- to mean three, five and ten e.g. tri-angle, tri-cycle, pent-agon etc.)
Challenge your children to come up with their own events for a family tri, pent or decathlon! They don’t have to be Olympic events, just a number of events that an athlete will be timed to complete. They don’t even have to be sport related: Who will be the fastest person to put on their socks? Who will be the overall winner?
… drawing figures
Do you have a budding artist in the ranks? Why not challenge them to draw their favourite athlete from the Olympics. Up the challenge by asking them to draw the figure in motion as they complete their event.
Having held the Games before in 1964, Tokyo already had venues to host different Olympic events. The newly built National Stadium was finished in November 2019. Challenge your child to investigate its design, including the different ways it has been designed to be eco-friendly.
Work together to create your own model of an Olympic stadium, making sure there’s enough room for a track and spectators.
… map skills
Some of the cycling events in the Olympic Games require a set route to be planned out over a certain area. Print out a map of your local area and identify where you are and any areas they are not allowed to go to. Together, plan out a cycling route for your own Olympic cycling event. You could repeat the route several times to try and beat your personal best!
Beware: If you are riding on roads, make sure your child can ride confidently on them and is aware of safety rules.
… clothing design
Take a look at the designs for the athletes’ kits. How is the country represented in the design? What functionality does there need to be? This could link nicely with investigating the different countries’ flags.
Edinburgh Art Festival officially gets underway, running from 29 July – 29 August 2021. The 17th edition brings together over 35 exhibitions and new commissions in visual art spaces across the city, complemented by an online programme of events and digital presentations.
Following last year’s cancellation and an exceptionally challenging period for the creative sector, this year, more than any, we are proud to cast a spotlight on the uniquely ambitious, inventive and thoughtful programming produced each year by Edinburgh’s visual art community.
This year’s programme continues to place collaboration at its heart, with a series of festival-led commissions and premieres devised and presented in close partnership with leading visual arts organisations and a specially invited programme of new commissions curated in partnership with an Associate Artist.
All our festival venues will be following the latest Scottish Government Covid guidelines to ensure visitor safety, and we will be keeping our website regularly updated on what audiences can expect during their visit.
Highlights from the 2021 Festival Programme
Our festival-led programming features major new commissions and presentations by leading international artists, including the UK & European premiere of Lessons of the Hour by Isaac Julien in partnership with National Galleries of Scotland; and two new festival co-commissions, with work by Sean Lynch in collaboration with Edinburgh Sculpture Workshop; and a sound installation by Emeka Ogboh with Talbot Rice Gallery.
In a new approach for the festival, we are delighted to collaborate with Glasgow based artist, film-maker and programmer, Tako Taal as Associate Artist. Responding to the festival’s invitation to reflect on themes and ideas emerging from Isaac Julien’s Lessons of the Hour, Taal has invited new commissions for public and digital spaces, by a new generation of artists living and working in Scotland: Chizu Anucha, Sequoia Barnes, Francis Dosoo, Thulani Rachia, Camara Taylor and Matthew Arthur Williams.
We will also see the return of Platform, the festival’s annual showcase supporting artists in the early stages of their careers to make and present new work – with Jessica Higgins, Danny Pagarani, Kirsty Russell and Isabella Widger invited to create new work for Platform: 2021 at Institut français d’Ecosse.
There will also be chance to discover new generation artists at some of our partner galleries across Edinburgh, including the work of Satellite participant Alison Scott at Collective, Sekai Machache at Stills, Andrew Gannon at Edinburgh Sculpture Workshop and gobscure at Edinburgh Printmakers.
Solo presentations across the capital include Christine Borland at Inverleith House, Royal Botanic Garden Edinburgh, Alberta Whittle and Rachel Maclean at Jupiter Artland, Frank Walter at Ingleby Gallery, Ian Hamilton Finlay at The City Art Centre, Sonia Mehra Chawla at Edinburgh Printmakers, Jock McFadyen at Dovecot Studios and a major exhibition by the artist Karla Black for the newly developed and reopened Fruitmarket and Alison Watt at The Scottish Portrait Gallery.
This year’s edition will also feature important retrospectives and major survey shows including The Galloway Hoard: Viking-age Treasure at National Museum of Scotland, Victoria & Albert: Our Lives in Watercolourat The Queen’s Gallery and Archie Brennan at Dovecot Studios.
Edinburgh’s commercial galleries present a richly diverse offering including; a new group show from Arusha Gallery and Ella Walker, Shaun Fraser and Will Maclean at The Fine Art Society, Leon Morrocco at Open Eye Gallery and the centenary of the birth of Joan Eardley is marked with an extensive new show at The Scottish Gallery.
The festival is also planning a series of digital events, to include artist and curator conversations, bespoke tours through the programme, events and activities for families and community groups, as well as newly commissioned work for digital space.
Sorcha Carey, Director, Edinburgh Art Festival said: “Festivals have always offered a space for gathering, and this year more than any, we are proud to come together with partners across the city to showcase the work of artists from Scotland, the UK and around the world.
“Some exhibitions are newly made in response to the seismic shifts of the past year; others are the result of many years of planning and careful research; but all are the unique, authentic, and thoughtful products of our city’s extraordinarily rich visual art scene.
“The past year has revealed how precarious things can be for artists and creative freelancers, as well as for the institutions and organisations that support the production and presentation of their work.
“As our summer festival season gets underway, and we look forward to welcoming audiences safely back to the festival and our city, now more than ever we need the space for community and reflection that art and artists can provide.”
Culture Minister Jenny Gilruth said: “Edinburgh Art Festival shines a spotlight on the ambitious, inventive and thoughtful work being produced by Scotland’s visual arts community.
“I am pleased to see that the 17th edition of the Edinburgh Art Festival has brought together over 35 live exhibitions and new commissions, including a series of creative new works by six Scottish artists supported by £135,000 from the Scottish Government’s Festivals Expo Fund.
“A further £215,000 has been awarded through our PLACE programme to provide greater opportunities for artists at the beginning of their careers. I look forward to seeing the results of the Festival’s work during this challenging time.”
For more information, please visit www.edinburghartfestival.com or follow the festival on Facebook, Twitter and Instagram @EdArtFest #EdArtFest #ArtUnlocks
