26th – 28th MAY, 7.30pm at Inverleith St Serf’s Church Centre, Clark Road
‘Early Bird’ tickets available with £1 off if bought during April!
Tickets available now at –https://www.stserfsplayers.org.uk/
26th – 28th MAY, 7.30pm at Inverleith St Serf’s Church Centre, Clark Road
‘Early Bird’ tickets available with £1 off if bought during April!
Tickets available now at –https://www.stserfsplayers.org.uk/
Underbelly has unveiled a further 47 shows joining this year’s Edinburgh Festival Fringe line-up. The 2022 list includes a range of performance royalty alongside up and coming talent set to take Edinburgh by storm.
Festival-goers can purchase tickets via the Underbelly website – www.underbellyedinburgh.co.uk.
Underbelly at the Edinburgh Fringe runs from the 3 – 29 August 2022 across four sites: George Square, Circus Hub on the Meadows, Cowgate and Bristo Square. The line-up includes:
Cabaret and Variety highlights
Born at the Edinburgh Festival in 2004 and subsequently travelling the world to international acclaim, La Clique is widely regarded as the original Spiegeltent cabaret show that created a genre of its own. A decade on from winning the Best Entertainment Olivier Award and fresh from performances in London and Singapore, La Clique promises to be a night of laughs, gasps, naughtiness and the best in international cabaret.
The Tiger Lillies are back. After years away, touring the world, the Olivier Award-winning godfathers of alternative cabaret celebrate their 30th anniversary with a triumphant return to the Fringe. Based on the seminal 18th century ‘Beggar’s Opera’, the band presents a new song cycle One Penny Opera, a world of greed, crime, poverty, and inequality. Expect immense beauty and outrageous comedy from the Grammy-nominated, street opera trio.
Two of the world’s leading alcohol experts, The Thinking Drinkers, return with a hilarious quiz show that gets the rounds in – in more ways than one. With a pen and question sheet in one hand and several world-class drinks in the other, join them on a uniquely absurd, fact-filled journey through time in Pub Quiz. Following a sell-out show in 2018, magician Tom Brace takes a trip down memory lane to Cluedo, Roald Dahl and one film in particular from 1985…with a brand-new magic show for all ages, Embrace the impossible!
Circus highlights
A dazzling showcase of superhuman strength, speed, skill and flight, Circus Abyssinia blends together an unmissable performance of breath-taking contortion, awe-inspiring acrobatics and mesmerising fire-juggling with a rocking, exuberant soundtrack. After touring internationally, including a sell-out run in New York, they return to the Scottish capital with their greatly anticipated new show, Tulu.
Comedy highlights
Ireland’s finest hip hop musical comedian, is coming back to the Udderbelly with his biggest show yet. Using his trademark blend of audience interaction and razor-sharp improvisation, Abandoman will take you on a magical journey, transforming the audience’s likes, loathes and daydreams into hit songs and captivating tales.
Celebrated stand-up star, and now RuPaul’s Drag Race Down Under judge, Rhys Nicholson is set to return with his unmissable Rhys! Rhys! Rhys!.
Edinburgh Fringe Best Newcomer nominee and new act of the year (NATYS) award winner Bilal Zafar returns with a brand-new show, CARE. Also joining the comedy line-up is Deirdre O’ Kane, there’s a point beyond burnout where all you can do is laugh, and shehas well and truly reached it. Don’t miss the star of Sky’s The Deirdre O’Kane Show and Moone Boy, and the voice of Gogglebox Ireland, as she returns to Fringe with Demented.
99 problems. 50 minutes. 1 woman. 1 spider suit. 30 seconds per problem. An insufficient number of solutions. If you currently have or have ever had problems, the new show from award-winning comedian and journalist Ange Lavoipierre: I’ve Got 99 Problems and Here’s an Exhaustive List of them is absolutely for you. This frantic yet beguiling display of self-pity is the holiday from your own problems you’ve been waiting for.
Jason Byrne is set to host a second show at this year’s Fringe. The Paddy Lama-Shed Talks is a one-man play where Jason Byrne brings the full life of Paddy Byrne to the stage playing his dad, keeping him alive in stories full of laughter and tears. Totally unlike anything we’ve seen before from the comedy legend.
Another award-winning Irish comedian, Aidan Greene, has stammered since he was four years old. He’s managed to make that funny. But what if he had never stammered at all? I Know What You Did Last Stammer questions how having a disability can shape a life by looking at a life without it.
Drunk Women Solving Crime is returning to the Fringe following a sell-out debut Fringe run in 2019, this is a true crime podcast with a twist…of lime. Each episode sees the boozed-up panel of hilarious hosts Hannah George, Catie Wilkins and Taylor Glenn welcome a top guest to test out their drunk detective skills and solve true crime cases.
Acclaimed stand-up Dan Cook returns with a brand-new show of high-energy, contemplative idiocy, Loud Bit, Quiet Bit, Loud Bit, Quiet Bit. Another comedy legend set to return this year is Garry Starr with Greece Lightning, where audiences and an overzealous idiot attempt to perform all of Greek Mythology in less than 60 minutes to save his Hellenic homeland from economic ruin.
Fringe favourite Paul Foot returns with Swan Power. Following appearances on ‘8 Out of 10 Cats Does Countdown’ on Channel 4 and ‘Breaking The News’ on BBC Radio Scotland, Paulis set to explore topics including Nanna on the rack, murdering Santas and interfering ambulance drivers (self-appointed busybodies!).
In its 4th year, Underbelly’s Big Brain Tumour Benefit returns for another stupendous evening of comedy to help fight against brain tumours. With previous year’s line-up including including Joel Dommett, Nina Conti, Russell Howard and Iain Stirling, this is the comedy event of the festival! Line-up announcements coming soon!
Theatre Highlights
Set to take the Fringe by storm is DESTINY. Following a teenage girl growing up on a Chippenham council estate: born below the breadline, desperate to see beyond the neighbourhood and find hope in hopelessness. Following sell-out Fringe runs in 2018 & 2019, Box Tale Soup returns with a new version of Swift’s incredible adventure: Gulliver tells tales of lands undiscovered and creatures unheard of, but is he really the same man who disappeared so long ago?
After a sold-out run, The B Collective returns with their exhilarating high-octane show Murder Ballads, adapted from the album by Nick Cave and the Bad Seeds. Weaving Cave’s outrageous songs into a darkly comic narrative, the performers take you through stories of betrayals, bar brawls and blood baths. With an interactive investigation involving karaoke, lip syncing and absolute bangers, Coming Out Of My Cage (And I’ve Been Doing Just Fine) is a theatre show to add to the top of your list this year. ‘Mr Brightside’ hasn’t left the UK charts in 18 years. How did it end up like this?
Children’s Shows highlights
The Gruffalo, the Giant and the Mermaid with Julia Donaldson is set to be a firm family favourite this year. Following a sell-out show in 2018, UK’s best-selling author Julia Donaldson returns with a brand-new show based on her much-loved books. Packed full of songs, puppetry, and audience interaction and with book signings after each performance, join Harry and Betty at their scarecrows wedding and see if the grumpy Go-Away Bird would like a friend after all.
As seen on Cbeebies’ ‘Maddie’s Do You Know?’ and CBBC’s Blue Peter and following the huge success of their YouTube family science show ‘Let’s Go Live’, Maddie and Greg can’t wait to challenge each other (and the audience!) in a battle of curiosity, creativity and silliness. Join them for an interactive family show packed with fun, facts, and supersized games at The Wonder Games with Maddie and Greg!
Underbelly at the Edinburgh Fringe runs from the 3 – 29 August 2022 across 19 venues and 4 sites; George Square, Circus Hub on the Meadows, Cowgate and Bristo Square. Further exciting programme details will be revealed in the coming months.
Charlie Wood and Ed Bartlam, directors of Underbelly, said “After two scunnered years, we couldn’t be more delighted with our festival line-up which has something for everyone!
“The team have done a brilliant job in producing our most dynamic programme to date. With even more exciting acts still to come, watch this space for line-up announcements.”
Over 790 shows now available to browse online, with more to be announced monthly in the lead up to the Fringe’s 75th anniversary this August
Today, Thursday 07 April, the Edinburgh Festival Fringe Society is delighted to announce that tickets for a further 513 Edinburgh Festival Fringe shows are now available to browse and book at edfringe.com.
This is the second set of tickets to be released for 2022, with the first 283 shows revealed in March.
In total, there are 796 shows now available, with more set to be announced on Thursday 05 May and Thursday 09 June. The official programme launch will take place on Thursday 07 July.
The 75th anniversary of the Fringe takes place from 5th – 29th August 2022 and will feature an exciting range of shows, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events and more all featured in the programme so far.
Below is a small representative sample of shows available to book from today. The full list of shows released so far can be found at edfringe.com.
Theatre
At Pleasance, Today I Killed My Very First Bird follows a South-East London gangster who starts to lose his grip on reality when he’s forced to look back on his traumatic childhood. Theatre Royal Plymouth co-produce this “unflinching new play based on lived experience”.
In a world first, Irvine Welsh’s Porno has been adapted for the stage. 15 years after Trainspotting, what has become of Renton, Sickboy, Spud and Begbie?
Fills Monkey: We Will Drum You “blends pure joy and comedy with extraordinary musicianship, as two drummers fuse musical styles from rock to heavy metal, and Latin to jazz”.
And in Charlie Russell Aims to Please, Charlie wants to do a show in Edinburgh, and so attempts to “please absolutely everyone by trying to hit as many solo Fringe show tropes and styles as possible within an hour”.
At Gilded Balloon,Swallowed follows a young couple who are separated by an outbreak they cannot speak of. “Desire to connect meets fear of touch”. From emerging Scottish company, Frizz Theatre.
Eve: All About Her sees award-winning actor and cabaret artist Keith Ramsay “fuse spoken word and live music to deconstruct the concept of camp and queer mythology for a post-Stonewall generation”.
After a run in 2021, 1902 returns to Leith Arches. The multi award-winning work from Saltire Sky “takes an access-all-areas approach to working-class life in Scotland as we follow four young wannabe football hooligans in their quest to see Hibs win the Scottish Cup Final”.
At theSpaceUK, Beneath is “a dark and absurd commentary on the effects of climate change”. Four people are trapped under 100 metres of water after an environmental catastrophe. After months of just surviving, each character is forced to examine what their options are and what their futures hold.
And Hiya Dolly! is “the true story of how a cute, attention-seeking lamb became the most famous sheep in history – the world’s first cloned mammal.”
Les Dawson: Flying High is at Assembly. Jon Culshaw stars in in this new play from BAFTA and Olivier Award-winning writer Tim Whitnall and director Bob Golding. “Join Les as he summons forth a wealth of characters and incidents from his eventful life and career.”
Marrow follows a queer artist, who when “forced within the confines of his fabulous mind, takes a euphoric journey to heal”.
She Wolf is a winner of the 2022 Assembly ART Award and the Alpine Fellowship Theatre Prize. It’s a fierce, ferocious monologue “about getting f*cked over and fighting your way back”. Spoken by a woman hiding out at the zoo, this show “tears open questions of gender and class in a capitalist world”.
Sandcastles by Steve McMahon “depicts the tumultuous lifelong friendship of millennials Hannah and Beth”. An Assembly ART Award-winning piece from Brite Theater.
Destiny is at Underbelly. “Destiny dreams big… If J-Lo can make it out of the Bronx, then Destiny can make it off the Hill Rise estate.” A recipient of the Pleasance 2021 National Partnerships Award with Bristol Old Vic Ferment, this work follows a teenage girl growing up on a Chippenham council estate.
The Sian Clarke Experience is “an ode to every man who has belittled her, made her feel unsafe, objectified her, told her she can’t be funny, called her a slut, told her to smile more… a dark, twisted comedic piece full of aggression and discomfort, examining the constraints of a woman biting back.”
Lightweight is “the true story of a complicated young woman’s attempts to survive anorexia and maintain a debilitatingly positive attitude in post-9/11 New York City”. Winner of Best Festival Debut at United Solo Festival 2021, New York City.
The B Collective returns with their high-octane show, Murder Ballads, adapted from the album by Nick Cave and the Bad Seeds. “Explosive gig-theatre meets dark comedy cabaret as four actor-musicians invite you to O’Malley’s Bar in the town of Millhaven, 1882, in the wildest part of the old Wild West”.
At Greenside, Almost 13 is a solo drama about a young girl “surviving a hot, violent summer in Brooklyn”. Can she endure being caught between a disintegrating working-class family at home and racial violence on the streets? Award-winning theatre artist Joan Kane plays all 10 colourful Brooklynites.
And the one-woman show Caitlin is based on Dylan Thomas’s wife Caitlin Macnamara, as she tells the story of her “unfulfilled ambitions”, and her “booze-fuelled, infidelity-riddled marriage to poet”.
Comedy
Monkey Barrel have a roster of stand-up this year, including Catherine Bohart’s “blisteringly funny new stand-up show filled with horrendous life advice, cheery nihilism and reluctant self-discovery.”
Taskmaster winner and co-host of Dave’s Unforgivable Lou Sanders is “tour fresh and still yakking away… is this show the real vaccine?”
Edinburgh Comedy Award winner Sofie Hagen presents Fat Jokes: a show bursting with big jokes and fat punchlines.
And Liam Withnail returns with a new show, on the back of winning Amused Moose’s Outstanding Show Award in 2019.
Plus, Glasgow comedian Christopher Macarthur- Boyd is back, exploring “the end of the world and Italian food”.
The Stand is home to Omid Djalili. “After experimental Zoom gigs where he got muted by 639 people… the multi award-winning comedian and actor is now where he belongs, on a stage.”
Paul Sinha is back on tour and appearing at the Fringe. Audiences can “expect jokes and surprises” from the quizzer, comedian and broadcaster.
Meanwhile, Flat and the Curves sees “hilarious divas perform original songs exploring sex, scandal and sisterhood”.
Frankie Boyle is at Assembly with “ashow largely about politics, satirising whichever new leaders emerge from the irradiated rubble.”
For Nish Kumar, who returns with a new show, “it has been a period of upheaval and uncertainty with COVID and the political situation.” He promises we’ll be “amazed by his capacity to somehow take all these things personally.”
Julia Masil is appearing with “a debut solo comedy hour from the legs behind the sell-out hit show Legs. In this absurd homage to migration, a hungry clown from an Eastern European village voyages to America for a hot dog.”
And after his last Fringe appearance, Rich Hall “had to step away from Edinburgh and consider how to be less devastatingly funny.” In this return, he promises “to dial it back just a little”.
At Gilded Balloon, Best Newcomer nominee Maisie Adam has a brand-new show for 2022, Buzzed, “rammed with witty observations, high-octane energy and some right good jokes.”
Comedy magician Pete Firman returns to the Fringe with a new show. “Expect Pete’s trademark blend of laugh-out-loud comedy and jaw-dropping magic”.
And legendary fox Basil Brush has a brand-new show for the adults, following his sold-out 2019 Fringe debut. “The national treasure will bring more anarchy to the festival, featuring different guests daily.”
At Pleasance, Mind Mangler: Member of the Tragic Circle is “a new solo spectacular predicted to spiral into chaos as Mind Mangler attempts to read your mind.”
And in Mischief Movie Night, audiences are promised “an improvised movie live on stage”. Every show is different.
Daniel Sloss is at Just the Tonic and is doing a run of shows to work up some new material for his next tour.
Tom Stade is “trying to remember what was important before responsibility and fear got in the way” in his show.
Underbelly is home to Paul Foot, in which “Paul opens his beak and explores topics including Nanna on the rack, murdering Santas and interfering ambulance drivers.”
Jason Byrne recently lost his father, Paddy Byrne. In this one-man play, Jason brings his dad’s life to the stage, “keeping him alive in stories full of laughter and tears”.
In A Problem Shared, Myra DuBois “steps away from the songs and dedicates her attention to the dying art of conversation”.
Drunk Women Solving Crime returns to the Fringe. “This is a true crime podcast with a twist… of lime. Each episode sees the boozed-up panel of writer / comedian hosts Hannah George, Catie Wilkins and Taylor Glenn welcome a top guest to test out their drunk detective skills and solve true crime cases.”
The Scottish Comedy Festival has a host of Scottish stand-up, including five-time Scottish Comedian of the Year finalist Ross Leslie and a set from Gary Little on “life, relationships, the world!”
Laughing Horse is home to Nathan Cassidy, who presents “stand-up comedy on the death of the planet, the neglect of our leaders and the shield of blame from ourselves.”
PBH’s Free Fringe features Palindrome Fight!, which comprises five panelists, three audience suggestions, and thirty minutes of lurid palindrome history and standup comedy.
Music
Catch The Tiger Lillies at Underbelly. After years away touring the world, the “Olivier Award-winning godfathers of alternative cabaret celebrate their 30th anniversary with a triumphant return to the Fringe”.
Scottish/Danish folk duo The Quiggs are back at Acoustic Music Centre for an hour of folksong and fine singing.
Dougie Mackenzie and Brian Miller are performing together. Dougie is a traditional singer, drawn to Scots ballad language. Brian is a Scottish singer and guitarist.
Massaoke is back at Assembly. Join the house band, Rockstar Weekend, on “a euphoric, spandex-clad journey through the greatest smash hits of all time, accompanied by giant video lyrics and the whole crowd singing together”.
At Pleasance, Shona the Musical Choir is an African/Scottish group presenting original songs from African composer/playwright Neo Vilakazi. “Inspired by historical events around the Shona tribe in Africa and [the] socio-political turmoil of Robert Mugabe’s rule of Zimbabwe.”
Cabaret and Variety
Fascinating Aida are at Assembly. Their latest show is “jam-packed with hilarious songs (old and new), outrageous humour and an elegant charm that belies the biting satire and their potty mouths.”
In Soulful Magic, Britain’s Got Talent finalist Magical Bones returns to the Fringe, with a “brand-new hour of the most awe-inspiring and high-energy magic you’ll see this year.”
Following its sold-out 2019 Fringe premiere, the award-winning An Evening Without Kate Bush returns.Sarah-Louise Young and Russell Lucas “pay glorious homage to the music, fans and mythology of one of the most influential voices in music”.
La Clique are returning to the Fringe, with shows at Underbelly. A decade on from winning the Best Entertainment Olivier Award, this show “promises to be a night of laughs, gasps, naughtiness and the best in international cabaret”.
In More Jewish Chronicles (and Other Musical Stories), multi award-winning musical storyteller Daniel Cainer performs another collection of story-songs, following six off-Broadway runs and 15 Edinburgh Fringes.
PBH’s Free Fringe is home to Caspar Thomas: Sleight of Handkerchief. Having had plenty of time to practice, Caspar returns to the Fringe with a brand-new magic show.
Plus, Ash Pryce’s latest show features paranormal illusions, spooky magic and ghostly goings in the underground vaults of Edinburgh.
Dance, Physical Theatre and Circus
Railed is at Assembly. From the creators of Elixir (winner of Best Circus and Physical Theatre award at Adelaide Fringe 2018), “Railed is a western-themed circus spectacular, combining trademark physical talents, finely chiselled bodies and hilarious comic timing.”
International theatre-makers Same Same Collective are bringing drop dead gorgeous, which “combines movement, clowning and a whole lot of fruit.” Expect “intersectional, irreverent theatre, loosely based on Yukio Mishima’s Book of Anti-Chaste Wisdom”.
Circus Abyssinia: Tulu is at Underbelly Circus Hub. “Celebrating the first African woman to win Olympic gold, this showcase is inspired by the true tale of an Ethiopian icon, Derartu Tulu”. It promises “awe-inspiring acrobatics and mesmerising fire juggling with a rocking, exuberant soundtrack.”
At theSpaceUK, SMACK & Spektakel offers “an adventurous double bill of dance, refreshing the commentary on the empowered female body, while questioning the relationship between performance and identity”.
Children’s shows
At Pleasance, catch Shlomo’s Beatbox Adventure for Kids. World record-breaking beatboxer SK Shlomo has performed around the world with the likes of Bjork, Ed Sheeran and Rudimental. Here, Shlomo is “back on his mission to empower the next generation of superstar beatboxers to find their true voice, no matter who they are”.
Clowntown In Space @theSpace is at theSpaceUK. Canada’s award-winning clown band sparks the imagination in this space-themed show. “Full of live music, catchy singalongs, fun adventures and interactive comedy”.
Prehysterical is at Assembly. “A hilarious circus show for children and parents of all ages, following three foolish Neanderthals as they struggle to survive the harsh natural world.”
Meanwhile, Brotipo is “crazy Canadian circus for the young, premiering in Edinburgh after visiting 16 countries”. Watch as “two clowns touch the hearts of the audience and make them laugh through their quarrels, their acrobatics and their lonely moments.”
At Gilded Balloon, catch The Dark Room For Kids. You and your family are stuck inside a live-action video game! How will you escape? “An interactive adventure featuring terrible prizes and total mayhem.”
Fruit Flies Like a Banana: Kids! sees “music, theatre, dance and circus collide in this variety show where you choose the show order”.
In There’s Nothing Quite Like Spaghetti Bolognese!, join Penny “for an unforgettable dinner in this show that is fun for all the family. A piping-hot piece of brand-new children’s theatre that asks the question: Should you play with your food?”
Musicals
At theSpaceUK, Flesh is a “fast, furious and funny rock musical that takes a wry take on the story of Burke and Hare – Irish navvies induced by the Edinburgh medical elite to turn their hands to murdering for profit.”
And in About New Year’s Eve, “minutes before the clock strikes 12, a group of friends rediscover themselves and their goals for the new year.” This show “offers audiences a joyful and dramatic exploration of life through the eyes of young adults.”
The Edinburgh Festival Fringe Society has announced that the first set of shows for the 2022 Edinburgh Festival Fringe are available to book at edfringe.com.
The 75th anniversary of the Fringe takes place from 5th – 29th August 2022 and will feature an exciting range of shows, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events and more all represented in the programme.
Tickets for 283 shows have now been released, with more shows set to be announced on Thursday 07 April, Thursday 05 May and Thursday 09 June.
The official launch of the festival, including the reveal of the iconic printed programme, will take place in early July.
Below is a small representative sample of shows available to book now. The full list of shows released this month can be found at edfringe.com.
Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “It’s always a hugely exciting moment when the first set of Fringe shows are announced, and this year, it feels more important than ever to celebrate the breadth of creativity and freedom of expression that these shows represent.
“We know that so many artists are still recovering from the impact of the pandemic, and getting your tickets early is a brilliant way to support them at this vital time. It’s also an important investment in the value of culture and creativity, and with some shows offering free and Pay What You Can options, the Fringe remains an essential access point to culture for many.
“I can’t wait to see the programme continue to unfold as we get closer to August, and to see Edinburgh filled with live performance once again as we celebrate the 75th anniversary of this magnificent festival.”
Theatre
At theSpace @ Surgeons Hall, acclaimed mystery maestros Highly Suspect return to the Fringe “with a new duo of hilarious and interactive murder mysteries, which you – the audience – must solve”. At the same venue, UK Underdog is a solo show based on true events in a London, Jewish boy’s life. “Bullied and humiliated at school, Steve Spiro realises his strength to move forward, but that ultimately comes at a price”.
BAFTA award-winner Jack Docherty is at Gilded Balloon with Nothing But: a darkly comic tale which grapples with lost youth, love, fatherhood, sex, secrets and truth.
At Underbelly, My Son’s a Queer (But What Can You Do?) is the “joyous, chaotic, autobiographical story of actor, writer and social-media sensation Rob Madge”.
Assembly has a range of theatre to book from today, including Watson: The Final Problem, in which Sherlock Holmes’ pal tells his tale of long-buried secrets; and Myra’s Story, in which a middle-aged, homeless Dublin street drinker relives her back story.
Comoedia at Greenside is a celebration of traditional Italian masked theatre, as the most famous characters of Commedia dell’arte come together in a one-man show. At the same venue, two women use nothing but their imaginations, a skull and some fancy scarves to bring together A Two Woman Hamlet.
At theSpace on North Bridge, GirlPlay is “an exploration of love and sex spun out in slam”. On a night of firsts, Lucy opens the door to a world of relationships and sex that she had only ever dreamt about. But is the reality all she had hoped it would be?
Online, Transatlantic is a true story of the French immigrant experience. “Cookie is taking care of the last of her uncle’s estate in New Mexico. As she goes through her family’s belongings, she goes on an emotional journey that echoes the many trips back and forth that she and her family have taken between France and the US.”
Plus, from award-winning writer Lita Doolan comes Audrey’s Art Club. “Audrey wants to know what doodling’s got to do with love and goes back to her lover’s childhood home to find answers.”
Comedy
The Stand has a wide roster of shows on sale today, including Seann Walsh: Is Dead, Happy Now? and Stewart Lee: Basic Lee – a work-in-progress show in which “Lee enters the post-pandemic era in streamlined stand-up mode”. Also catch rising Scottish star Gareth Waugh with Doozy and Jo Caulfield with Bad Attitude.
At Assembly, Fern Brady will be tackling big issues such as “death, shagging, marriage and ageing” in her show, Autistic Bikini Queen.
David O’Doherty is back with his show whoa is me and “all of the misplaced confidence of a waiter with no pad”, while Susie McCabe returns with a brand-new show. In Born Believer, the comedian has decided to leave cynicism behind to be an “all-new positive Susie (optimistic at best, positive is pushing it)”.
Jason Byrne is at Underbelly with Unblocked, as “the constipation of Covid has been cleared, live entertainment has been colonically irrigated and readied up for us all”. At the same venue, Foil, Arms and Hogg return to the Fringe with a mix of sketch comedy, audience participation and improvisation. Plus, Richard Stott: Afterparty sees the stand-up contemplate whether he’s missed the boat. “His friends have families, six-figure salaries and houses. He has a level-two food hygiene certificate and acid reflux.”
Gilded Balloon is home to double Edinburgh Comedy Award nominee Andrew Maxwell’s Krakatoa, as well as Justin Moorhouse’s brand-new show Stretch & Think, which “may contain yoga, getting older, Madonna, shoplifters, labradoodles, middle-aged cyclists, The Menopause, running, hating football fans but loving football, not drinking, funerals” and a lot more. Plus, catch Sian Davies,winner of Best Debut Show at Leicester Comedy Festival 2020 and Funny Women runner-up. Her show is all about time, growing up and finding your place in the world.
There’s a range of Laughing Horse shows available to book from today. Shows including Annie and Angela’s Disco Divorce Party: “a drag-infused comedy of musical mirth celebrating friendship and new beginnings”, and Comedy Queers: “a spicy late-night mix of outrageous queer comedians, cabaret and drag acts”. Plus, there’s stand up from the likes of Nathan Cassidy and Dave Chawner.
Fringe stalwart Nina Conti returns to Pleasance with The Dating Show, in which “finding true love can’t be promised, but big laughs are guaranteed”. And after a UK and Australia tour and an Amazon special, Taskmaster runner-up and accidental YouTube cult leader Mark Watson brings his show This Can’t Be It back to where it began (at last year’s “mini Fringe”).
Also on Pleasance’s bill is Angela Barnes: Hot Mess (“trying to live your best life, as it turns out, is really bloody hard”); Ivo Graham: My Future, My Clutter (“bumbling wordsmith and tripe factory returns to discuss three years of heavy-duty pranking / parenting / procrastinating since Dave’s 2019 nominations for Best Comedy Show and Joke of the Fringe”); and NewsRevue, which will return to the EICC to “parody politics in a post-pandemic world”.
At Just the Tonic, Daniel Sloss and Kai Humphries bring their hit podcast, Sloss and Humphries On The Road, to the festival. Plus, Fringe veteran Craig Hill returns with I Always Knew I Had It In Me, and rising Scottish star Connor Burns isat the festival with his show, Live, Laugh, Loathe.
At Queen’s Hall, Henning Wehn returns with It’ll All Come Out in the Wash: a show that promises to “give everything a good rinse and witness him wring sense out of the nonsensical”.
Music
At theSpaceTriplex, California-based Hip-Hop Orchestra, Ensemble Mik Nawooj (EMN), presents music from their new album, Death Become Life, which fuses hip-hop and classical (think full strings, woodwind, French horn and soprano).
There’s also a range of Night Owl Shows to choose from, including 007 Voices Of Bond (featuring hits such as Goldfinger, Skyfall, Diamonds are Forever, Live and Let Die and many more); Back to Black: The Music of Amy Winehouse (which promises to take you on a moving journey through a modern legend’s career); and California Dreams (featuring an immersive trip through California in the late 60s and 70s, with hits by The Mamas & The Papas, The Eagles, Joni Mitchell, Neil Young, The Byrds and more). All are happening at theSpace UK.
Acoustic Music Centre has a range of shows on sale from today. Acts include The Willow Trio: a band of three clarsach players – Sophie Rocks, Sam MacAdam, Romy Wymer – who will be presenting a mix of Gaelic music and original new work.
The Strange Valentines are a Nova Scotian folk duo, blending acoustic instrumentation and their signature stunning two-part harmonies to tell provocative stories.
Plus, up-and-coming harpist Romy Wymer presents traditional tunes from Scotland and Netherlands in her Fringe / AMC debut. Romy recently earned second place at the World Harp Competition (2021) and was a semi-finalist in the BBC Young Traditional Musician of the Year (2022).
Cabaret and Variety
Pleasance is home to West End star and multi award-winning magician Ben Hart, as he returns to Edinburgh with his show Wonder. Using only the simplest of props and the minds of the audience, Hart conjures a show that is “always amazing, sometimes shocking and shines a light into the darkest corners of your imaginations”.
Mat Ricardo is at Gilded Balloon with The Extraordinary Gentleman: “a unique, hilarious and unmissable one-man show” from the acclaimed variety artist.
Best of Burlesque is back at Assembly, with award-winning striptease, cabaret and variety from the 2022 Fringe, plus international special guests.
Dirty Tricks – How the Illusionati Rule the World is at Greenside. In this show, The Great Baldini demonstrates “how the illusionati rig elections, launder money and orchestrate assassinations: a wholly (im)plausible conspiracy theory”.
At theSpace @ Symposium Hall, Sue Kelvin stars in Bette Midler and Me: a tribute show to Midler, covering her life and songs from the perspective of a lifelong fan. Expect musical hits, plus highlights from Midler comedy routines and a puppet version of Beaches.
Dance, Physical Theatre and Circus
Underbelly Circus Hub returns to the Meadows this year, and with it comes Circa: Humans 2.0:“asymphony of acrobatics, sound and light”, described as “a tightly woven choreography of bodies, pulsing with music”.
Also on the Meadows, Hotel Paradiso is “an irresistibly colourful, loud and fun show for all the family” from contemporary circus company, Lost in Translation. Featuring circus skills, physical comedy, theatrical storytelling and slapstick, this show “sees the staff family tackle the scheming banker as he tries to possess the Hotel Paradiso”.
Cirque Berserk! is at Pleasance. Showcasing “traditional circus thrills and skills”, Cirque Berserk! combines “contemporary cirque-style artistry with adrenaline-fuelled stunt action”, as “this astoundingly talented international troupe includes over 30 fearless acrobats, aerialists and daredevil stuntmen”.
At Assembly, Muse is a circus piece which attempts to answer the question, “what does it mean to be a woman?” Plus, The Black Blues Brothers sees “five extraordinary acrobats perform their comedy tribute to the cult movie The Blues Brothers”. Expect breathtaking jumps, fire, somersault routines, human pyramids and more.
Intambo is at Greenside. This show features Ruciteme Karyenda Culture de Buyenzi: a group of Burundian drummers, founded in 1987. Starting with 27 members, the members range in age from 8 to 50, and they will be performing an old, traditional Burundi dance that used to be played for the Kings.
Also at Greenside is Éowyn Emerald & Dancers. Éowyn presents Your Tomorrow: “an entertaining and deeply intimate jazz dance for two performers”.
Children’s shows
Peppa Pig – My First Concert is at Assembly. This interactive introduction to a live orchestra is “an accessible, exciting concert designed for the youngest audience members, with Aurora Orchestra.”
Also at Assembly, Yellow Bird Chase follows “a clownish maintenance crew” who find a magical bird and a mad chase begins. Appropriate for the whole family and accessible to deaf and hard-of-hearing audiences.
Plus, from the creative team behind the Hairy Maclary show, young audiences can now see all three of Nick Sharratt’s Shark in the Park books live on stage.
At Pleasance,The Smeds and the Smoos is an exciting adaptation of the award-winning book by Julia Donaldson and Axel Scheffler. On a far-off planet, Smeds and Smoos can’t be friends. So when a young Smed and Smoo fall in love and zoom off into space together, how will their families get them back?
At Underbelly, the Amazing Bubble Man Louis Pearl is back. Louis “explores the breathtaking dynamics of bubbles, combining comedy and artistry with audience participation and enough spellbinding bubble tricks to keep everyone mesmerised”.
Fox Tales: The Pied Piper is at theSpace @ Surgeons Hall. In this family puppet show, Hans the Storyteller, Reynard the Fox and Gripp the Raven give “a hilarious new telling of the classic fairy tale, The Pied Piper of Hamelin”. Expect “jokes, ridiculous rhymes, mischief and nonsense”.
At the same venue, Den of Enquiry “is a fun, light-hearted show that gets kids talking about democracy”.
Musicals
In Soho Boy at theSpace @ Symposium Hall, “young, trendy Spencer leaves home and hits Soho like a whirlwind in a journey of love, laughter, heartbreak and happiness”. This work is a “modern tale of the gay scene, which can be harsh and lonely, surrounded by glamour, sex and songs”.
At theSpace @ Niddry St, Julie: The Musical is an original, new musical telling the life and adventures of historical LGBTQ+ icon Julie D’Aubigny. “One of the first public figures to live as an openly bisexual woman, she seduced nuns, dueled multiple men at once, burnt down convents, was bribed by princes, innovated opera – all before she turned 30.”
Now in its 10th year, The Improv Musical is at Gilded Balloon. Each show is a completely improvised, never-before-seen musical on its opening, and closing, night.
At Greenside, Raft follows four women, seemingly trapped on a raft in the middle of the ocean, hunted by a mystical sea monster. “An original one-act musical around abuse, bravery and friendship.”
Leading entertainment industry training programme and talent management, Stagebox, has announced audition dates taking place across the nation from April 2022.
The annual search sees experts audition passionate performers aged 8-18 years old from across the country (and internationally), offering successful members the chance to benefit from world class training and opportunities in a contemporary supercharged industry accelerator for musical theatre, television and film.
Last year’s auditions saw the Stagebox team meet thousands of performers from across the UK and beyond, and this year they anticipate similar interest. This year, auditionees will be able to select whether they are auditioning for an acting or musical theatre membership and their audition day will see them be put through their paces in this discipline.
Many young performers training at Stagebox have already landed dream roles on stage and screen, thanks to the expert training and management.
Stagebox has secured their clients major lead talent screen roles in Oscar nominated and Emmy award winning productions, including Peaky Blinders (Netflix), Sex Education (Netflix), Robin Robin (Netflix), Ted Lasso (Apple TV+), Avenue 5 (HBO), The Power (Amazon Studios), Pistol (Disney +), BAFTA anthology Superdad (Channel 4), Gentleman Jack (Netflix/HBO), Lagging (BBC) and many more.
Stagebox management clients also continue to star in West End and UK Tour musicals including Frozen, Matilda the Musical, School of Rock, Annie, The Grinch, Mary Poppins and Tina the Musical to name a few.
To further the opportunities for their clients, Stagebox Management has also brokered agency partnerships stateside, working alongside Innovative Artists, Paradigm Talent, Luber Roklin Entertainment, Gravity Hill, KMR, Maverick and more.
Commenting on the upcoming 2022 auditions, Stagebox’s General Manager, Jasmine Quinlan Gardner, said: “We are so excited to begin our nationwide search for the stars of today and tomorrow.
“We are proud of our inclusive, diverse and extraordinarily talented community and we can’t wait to meet those who will join us on the journey.”
Kirsti Bagger, Head Agent at Stagebox, adds: “At Stagebox, the training is second to none, preparing our young stars for careers on the stage and screen. 2021 was one of our most successful years ever with Stagebox Management clients wrapping on global award-winning feature films and television series and critically acclaimed theatre productions.
“We’re committed to making auditions for Stagebox free as part of our ongoing dedication to inclusivity in the arts. We only open for auditions once a year, and we’re excited to see our 2022 auditionees’ incredible new talent!”
These auditions are guaranteed to fill up fast and limited spaces apply. To register your spot for your preferred audition date, please visit the Stagebox website to apply.
To find out more about Stagebox, please head to: https//www.stagebox.uk/
*Auditions will adhere to all necessary COVID-19 guidelines.
We regret to inform you that we & the producers of White Christmas have had to make the very difficult decision to cancel all remaining dates of the musical.
If you’ve tickets to an affected performance your point of purchase will contact direct with refund details.
On behalf of the producers, company and crew of the show as well as the entire venue team, thank you for your patience and understanding during this difficult time – your continued support is much appreciated.
Take a walk through Edinburgh Old Town with none other than Charles Dickens as the boundaries between the past and present collide.
Get to know the man who invented Christmas and witness the conception of a Christmas classic which changed the world. This is a quirky promenade performance led by an excitable Dickens-obsessed tour-guide. ‘What the Dickens?’ runs from 13th December to 19th December 2021.
Stravaig Theatre aims to excite its audience and connect them with their heritage. Edinburgh inspired history and they want to tell the story.
The audience will meet their tour guide at 7pm or 9pm outside Canongate Kirk. There are two showings each day across the week 13th-19th
“Some of you might already have noticed the faint glow in the sky above us. If my calculations are correct then tonight, the lines which separate the past from the present, the here from the there, the living from the departed are at their weakest…” – Holly the Tour Guide.
Out for his evening stroll in 1841, Mr. Charles Dickens ponders an absurd inscription on a gravestone. The last thing he is expecting is to be visited by otherworldly spirits from 2021.
The time voyagers accidentally give the famed author an existential crisis and its up to you to help put history back in order. A once in a lifetime meet and greet with history; with a little Christmas magic thrown in for good measure, come with us, on a journey to Christmas Past.
Charles Dickens is played by Marc McKigen while the tour is led by Kiera Manson. “What the Dickens?” is directed by Stravaig’s Emma McNeill and written by Scott Thomas.
After sell-out shows, at Edinburgh’s Horror Festival, Stravaig Theatre is excited to launch their first Christmas show.
You can follow the production of ‘What the Dickens?’ at facebook.com/stravaigtheatre or follow on Instagram @stravaigtheatre.
Tickets are £8 for adults with concessions available at £5.
They can be purchased from Eventbrite by searching – What the Dickens? Or from the following web-link:
https://www.eventbrite.co.uk/e/what-the-dickens-immersive-christmas-show-tickets 215620636127
Edinburgh Multicultural Festival, funded by the City of Edinburgh Council, promotes local and international multicultural artists.
It engages local audiences through music, dance, poetry, storytelling and visual arts that represent Edinburgh’s diverse cultures, including African, Asian and Eastern European.
The aim of the festival is to better engage local, both BAME and indigenous, residents with local multicultural arts provision as well as promote diversity through shared experiences.
It is also to create a platform for BAME artists to share their talent, culture and artistic endeavours with other local artists and local audiences. It is seen as a unique opportunity for multicultural artists based in Edinburgh to share stages and experiences as well as encourage greater collaboration across arts disciplines.
The festival takes place across different venues in the North of Edinburgh, which is recognised as one of the most diverse areas in Edinburgh.
Edinburgh Multicultural Festival is produced by African Connections CIC is a community interest company based in Scotland. It provides benefit to African and UK-based artists and communities as well as African and UK-based arts and culture groups and organisations.
African Connections CIC celebrates diversity and creates connections between African and other communities by means of sharing cultures, creative ideas, skills and experiences.
The company plans to establish information, guidance, events and trading centres showcasing quality African products and creatives productions with the aim of creating opportunities for all communities in Scotland and beyond to share and engage in cultural experiences.
The Grand Reveal Part 1 | Literary and Visual Art
1 October 2021 | granton:hub
Join us for an art exhibition featuring the work of Harriet Mould, Jose Luis Cote and Kate Soltan and creative writing and visual literacy workshops.
12:00-13:30 The Land of Punt: Reading and Creative Writing Workshop with Joan Hephzibah and Ebony Pollard (ages 7-12)
13:45-15:30 Imagination in Motion: Visual Literacy Workshop with Kate Soltan and Magda Adamow (all ages)
16:00-17:00 Person Behind Picture: Exhibition and Panel Discussion with Visual Artists Harriet Mould, Jose Luis Cote and Kate Soltan (all ages)
All events are free but ticketed.
https://www.eventbrite.co.uk/…/edinburgh-multicultural…
The Grand Reveal Part 2: Edinburgh Multicultural Festival LIVE!
Programme 2 OCTOBER 2021: DANCE, POETRY AND NEW WRITING FOR STAGE & FILM – PASS
Acting, Musical Theatre, Technical Theatre & Costume for Stage (PASS) Theatre at Edinburgh College (Granton Campus) will be home to exciting dance, theatre, poetry and stand-up comedy work presented by Scotland-based diverse artists on 2 October 2021.
With this programme we would like to present the work of artists at different stages of their creative careers and promote collaboration and exchange of skills and practice. Join us for three showcase events with the focus on DANCE, POETRY and NEW WRITING for THEATRE, FILM and STAND-UP featuring Divine Tasinda, Tuflamencoo with Inma Montero and Danielo Olivera, Fronteiras Theatre Lab, Lubna Kerr, Sean Wai Keung and Jinling Wu, and Raheema Sayed.
The Grand Reveal Part 3: Edinburgh Multicultural Festival LIVE!
Programme 3 OCTOBER 2021: MUSIC
Starbank Park nestled in the Newhaven Harbour area of Edinburgh will be a stage for Scotland’s diverse MUSIC stars on 3 October 2021!
Let’s celebrate the festival finale day with intimate instrumental music experiences and big band and sound performances on the main stage.
The Edinburgh Multicultural Festival is delighted to present Mio Shudo, Alec Cooper and Roo Geddes followed by The Spinning Blowfish, Mother All Mighty, Los Chichanos and Shona the Musical Choir.
12:00 – 13:30 Musical Musings feat. instrumental music performed by harpist Mio Shudo, sitarist Alec Cooper and fiddler Roo Geddes will soothe your soul and take you on a journey into the sounds and stories of sea-bound people of Japan, South Asia and Ireland. [Entrance: Upper Grounds at Laverockbank Road]
14:00 – 19:00 StarDome21: Edinburgh Multicultural Festival Finale at Starbank Park with big bands and bigger sound. The Spinning Blowfish, Mother All Mighty, Los Chichanos and Shona the Musical – Band and Choir will grace the StarDome21 Finale Stage with an eclectic mix of Trad and Folk to Neo Soul / Hip Hop / R’n’B.
From Africa to South America, and back to Scotland, the finale concert will satisfy your music buds and fill your heart with joy. Not all goodbyes should be sad! [Entrance: Lower Grounds at Starbank Road]
Book your tickets in advance!https://www.eventbrite.co.uk/…
Edinburgh-based Lung Ha Theatre Company and touring theatre company Plutôt La Vie are pleased to announce their collaboration on An Unexpected Hiccup, a new play directed by Ian Cameron and Maria Oller and written by Michael Duke, based on a story by Ian Cameron and developed by the acting ensemble.
It is due to receive its World Premiere at The Studio in Edinburgh on 27 October.
Caught in a storm and miles from anywhere, Murdo decides to ask for the help of total strangers. But when he knocks on the door of a dark old house, the family inside seem to be expecting him. Whatever Murdo has stumbled upon, there’s no escaping it now. He steps into a long night of comic misunderstandings, sinister goings on and dangerous eccentricities.
Keep an eye on Kurt…Don’t worry about the noises in the cellar…And never ask Louisa why she’s crying…!
The play will feature Tim Licata from Plutôt La Vie working with Lung Ha Theatre Company performers Emma Clark, Emma McCaffrey, Nicola Tuxworth, Keith Watson, Gavin Yule and Ryan Duncan from the Lung Ha Theatre Company Support Team.
Ian Cameron said: “The original idea for this production grew from an experience I had many years ago which, although serious in itself, grew in my head into a dark comic farce about a rather dislocated family.
“This story became the catalyst for development by the company and the writer Michael Duke. What has been wonderful has been to see how the company has grown to own the story, and develop it through their imagination and humour, and this despite the constrictions of Covid!”
Maria Oller said: “An Unexpected Hiccup is the outcome of a long connection between Lung Ha Theatre Company and Plutôt La Vie. Farce, dark comedy and physical theatre is something that the actors at LHTC seems to enjoy and have a talent for.
“Combined with training on how to play farce, the actors have stepped up to master the skills required. Working together with Plutôt La Vie, playwright Michael Duke and the rest of the creative team has taken us from development weeks on Zoom, to a first face to face rehearsal and the return to the theatre room and very soon a performance in front of a live audience! This means more to us than just doing a show. We are back and on our first steps out of Covid! Hurray!”
Music for An Unexpected Hiccup is composed and performed by BAFTA Scotland award winning composer Andrew Cruickshank with set and costume design by one of Scotland’s leading artists in the field, Karen Tennent.
Lung Ha Theatre Company and Plutôt La Vie present the World Premiere of
An Unexpected Hiccup
A long night of comic misunderstandings, sinister goings on and dangerous eccentricities.
27 – 30 October 2021 (preview on 26th)
The Studio | 22 Potterrow, Edinburgh
Tickets from £10 available on capitaltheatres.com or by calling 0131 529 6000.
Today, Friday 06 August, the world-renowned Edinburgh Festival Fringe officially comes to life with an exciting hybrid programme of over 700 in-person and online shows.
From 06 – 30 August, Edinburgh will once again be host to a diverse and exciting selection of work from the worlds of theatre, dance, circus, comedy, music, musicals and opera, cabaret and variety, children’s shows, spoken word, exhibitions, events and more.
This year’s Fringe also features a scaled-back programme of street events in managed locations; a range of community engagement work, including the return of Fringe Days Out; and a programme of activity for artists and arts industry professionals via Fringe Connect and Fringe Marketplace.
All work is being delivered in strict accordance with Scottish Government covid-19 guidance, to ensure a safe, secure and enjoyable festival for artists, audiences and residents. More information can be found below.
Commenting on the launch of the festival, Shona McCarthy, Chief Executive, Edinburgh Festival Fringe Society, said: “The Fringe is always a remarkable feat, but this year, it’s nothing short of extraordinary.
“In the face of complex restrictions and enormous challenges, the Fringe community has created a diverse and engaging programme of over 700 shows to entertain us, bring us joy, and ultimately, do what culture does best: tell stories that help us understand where we are, what we’ve been through, and where we need to go.
“I’m enormously proud of the artists, venues, creatives and workers that have made this festival not only possible, but safe, engaging and entertaining. It’s so good to be celebrating the Fringe again this August, and I’d like to thank every artist, producer, worker, audience member, funder, sponsor and supporter that has got us here today.”
Phoebe Waller-Bridge, President, Edinburgh Festival Fringe Society, said: “The Edinburgh Fringe is BACK! In an act of pure artistic heroism, the Fringe Society and thousands of artists, writers, dancers, actors, designers, comedians, musicians and creatives have fought to bring this festival back to the streets of glorious, glittering Edinburgh. We have a lot of time to make up for and this festival is more than ready for you.
“With hundreds of live and online events you can see as many shows in a week than you would have in the whole of last year and we are finally able to reconnect, inspire, surprise, and entertain each other like we used to. I have never wanted to have a leaflet thrusted at me more. We’re being offered a giant cultural sprinkler after a year of drought and I can’t wait to jump through it, shrieking, with you all.”
Benny Higgins, Chair, Edinburgh Festival Fringe Society, said: “The Edinburgh Fringe is a remarkable arts festival that has created an unparalleled legacy for the city and the country, and it will have an important part to play in how we move forward after such a difficult period.
“The cultural value that the Fringe holds is enormous, and its launch today is the first step on a long road to recovery – for the festival and for Scotland. We must all play our part in ensuring an inclusive, diverse, and accessible festival for the future, with wellbeing at its heart.”
Angus Robertson, Cabinet Secretary for Culture, Scottish Government, said: “A huge amount of work has gone on behind the scenes to support the return of these globally significant cultural events and the benefits they bring to Scotland in terms of tourism, trade and our place on the world stage.
“Edinburgh’s festivals were sorely missed last summer and their return is another step in the right direction and testament to the determination of festival organisers, along with the artists, venues and businesses involved. I’m delighted that the Fringe will be able to welcome back audiences and give festival goers something to cheer this year.”
Councillor Amy McNeese-Mechan, the City of Edinburgh Council’s Culture and Communities Vice Convener, said: “The return of live August festivals events and performances truly reflects our city’s on-going recovery and, of course, our cultural DNA, and we’re delighted to see an exciting Edinburgh Festival Fringe programme.
“There’s no doubt it was greatly missed last year and it’s so lovely for our city to be welcoming audiences again to the Festivals this August. To everyone taking part, we ask you to continue to follow the safety guidance and to enjoy this year’s fantastic festival experiences safely.”
Barbara Smith, Managing Director of Johnnie Walker Princes Street, said: “As Johnnie Walker moves closer to opening the doors to our new venue on Princes Street, it’s fantastic to see Edinburgh continue to open up for cultural events, and for locals and visitors alike to enjoy the best that the city has to offer.
“The Fringe Festival will always be an important part of the city’s cultural calendar and the team at Johnnie Walker are delighted to once again support the Fringe Society in bringing the festival to life through our Fringe Club whisky bar on The Mound. We can’t wait to welcome visitors from home and away as they enjoy the best of what this world famous festival has to offer.”
In-person, online and on-demand shows
In 2021, audiences will be able to access a wide range of amazing Fringe shows through socially distanced in-person events, scheduled online performances and on-demand digital shows. Tickets and information for all kinds of registered Fringe shows – live, online, paid and free – can be found at edfringe.com.
Around 440 shows are taking place in person. Many shows are taking place in new, creative outdoor locations across Edinburgh, including a football ground, a car park and a racecourse.
Familiar Fringe operators such as Acoustic Music Centre, Assembly, Dance Base, French Institute, Gilded Balloon, Laughing Horse Free Festival, Monkey Barrel, PBH’s Free Fringe, Pleasance, Scottish Storytelling Centre, the Stand, theSpaceUK, Summerhall and Zoo are all taking part in this year’s festival with physical spaces in the city.
All in-person performances will be fully Covid compliant, following the latest guidelines on social distancing, mask wearing, ventilation and hygiene.
Currently, live events must operate at one-metre distancing. On 09 August, Scotland moves to level zero and restrictions on distancing will be dropped.
Every Fringe venue operates individually. For up to date information on capacity and distancing at individual Fringe shows, please check with the relevant venue.
In an exciting move for the festival, more than 260 shows are taking place online, providing a global platform for artists, while enhancing the Fringe’s commitment to accessibility and sustainability.
There will be two kinds of online events available this year: scheduled and on demand.
With scheduled shows, audiences can buy tickets as they would to a traditional in-person event. Shows will have a dedicated start and end time and are treated as an ‘appointment to view’ event. For on-demand shows, audiences can buy tickets to watch at their leisure.
Audiences can view Fringe shows on online platforms including the new Fringe Player streamed by Brightcove (NASDAQ: BCOV), the global leader in video for business.
Available via edfringe.com, this bespoke digital platform offers an easy-to-use viewing experience for audiences whilst giving artists a platform to present and showcase their work digitally. The player will be accessible to audiences from 06 Aug, with auto-subtitling built in. Both on-demand and scheduled online shows are available on this platform.
Where other platforms (such as Zoom, YouTube and Vimeo) are being used to host online work, information on how to access these is clearly provided at the point of purchase.
Online shows will be available to watch from August but can be pre-booked from today.
Street events
The city’s world-famous street events are returning this year, with a scaled-back programme of live performances.
A fantastic starting point for any Fringe-goer, events will run daily from 11.30am until 8.30pm in the High Street’s designated Fringe safe street performance area, West Parliament Square.
There will also be a programme of activity on the Mound, as well as additional opportunities for buskers and other street artists well known in the Fringe landscape.
All performances will be delivered in accordance with current and relevant Covid guidelines. Limits on audience numbers will be introduced in line with social distancing, and event details will be published online to audiences in advance to allow them to plan.
Strict hygiene measures will also be in place, including masks and sanitisation, to help everyone enjoy the events safely.
Community, access and learning
We are continuing to work alongside communities, venues and artists to ensure the Fringe is as inclusive as possible.
Our Fringe Days Out scheme is a long-term commitment by the Fringe Society to reach out to communities that have not traditionally engaged with the Fringe. Through this programme in 2021, we have delivered Fringe vouchers, Lothian bus tickets and access support through our 30+ community partners, including The Welcoming, The Citadel Youth Centre, Lothian Autistic Society, Vintage Vibes and Capability Scotland.
In response to some groups being unable to visit the festival in person, or being hesitant about attending, we are also continuing our Fringe in Communities programme. This will see street performers going out to locations across the city to perform during July and August.
The Fringe’s commitment to improving disabled access remains a priority. Customers with access requirements can use our Access Bookings system and search specific shows which are accessible such as relaxed, audio described, captioned and signed performances. Plus, a free personal assistant ticket is available for anyone who needs assistance to attend the Fringe. Customers can also search for shows in performance spaces with wheelchair access.
This year, we are once again providing sensory bags for children and adults on the autism spectrum. Each bag contain a fidget toy, earplugs, water bottle and a stress reliever. These items are designed to help users relax and overcome stressful or intense situations and are distributed to select partners across the city.
Our street events offering will see BSL interpretation on the West Parliament Square Stage on Saturday 21 August, and there will be a wheelchair accessible viewing area on the High Street throughout the festival.
We are also continuing Teachers’ Theatre Club, our partnership with Imaginate, which brings Edinburgh teachers to the Fringe. Each show seen will be followed by a group discussion with some of the artists and creative teams who made and/or presented the work, covering both the content of the show and how it could enhance and inform teaching practice.
And we’re making sure that Edinburgh’s schoolchildren can also take part in the Fringe fun by working with Gracemount High and selected Edinburgh primary schools to make sure they see Fringe shows too. .
Support for artists and arts industry
This year, the Fringe Society is hosting two digital platforms for artists and industry professionals: Fringe Connect and Fringe Marketplace.
Launched last month, Fringe Connect is an exciting new year-round platform, designed to bring Fringe artists together with peers and members of the arts community.
Described as ‘part social network, part events space’, Fringe Connect gives users the opportunity to populate their own profile with information about their professional experiences and interests (both Fringe-related and otherwise).
Registered users will have access to exciting industry news and opportunities, alongside access to year-round digital events aimed at supporting and facilitating professional development.
Guests and speakers during the Fringe include Lyn Gardner, Andrew Miller, Amy Conachan, Tarek Iskander, Jo Clifford and Richard Jordan, plus many more.
And after a successful pilot year in 2020, Fringe Marketplace has returned for2021. This dedicated showcase platform aims to connect arts industry delegates all over the world with professional and tour-ready artists.
The work that will appear on the platform has been selected by Fringe venue programmers and assessed by Fringe associates: an independent cross-genre industry experts who have experience and understanding of the Fringe.
Work with strategic partners
The Fringe Society is delighted to be working with three strategic partners this year: Something to Aim For, Parents and Carers in Performing Arts and Somewhere EDI. All three partnerships help us to better support and engage with significant groups of participants and understand the barriers they might be facing at the Fringe.
Something to Aim For is the charity devoted to supporting public health and (re)building social fabric through the creative industries.
Parents and Carers in Performing Arts work to promote best practice employment and support for parents and carers in the performing arts sector.
Somewhere EDI is a platform for positive LGBTQ+ culture, learning and activism, championing and empowering LGBTQ+ people to be out and visible in business, culture and in wider society.
Johnnie Walker
The Fringe Society is delighted to be working with Johnnie Walker for a third year. 2021 sees the return of the popular Fringe Club, a dedicated bar space for visitors to the festivities for the entire duration of the festival. Located on the Mound, an exciting spot with live street performances, the bar will once again serve a number of delicious highballs, cocktails and drams for guests in the dedicated whisky lounge.
Festival-goers will also have the chance to win exclusive prizes through the Johnnie Walker Ticket prize giveaway. Prizes include complimentary highballs at the Fringe Club, bottles of Johnnie Walker Blue Label, £20 vouchers for shows at the Fringe and tour tickets to Johnnie Walker Princes Street. With each ticket bought via the Fringe, customers can click on the ticket banner in their booking confirmations to be entered into the prize draw.
Edinburgh Gin
2021 is the first year of our exciting new partnership with Edinburgh Gin, who are working to support Fringe artists affected by the pandemic.
The team have collaborated with Fringe Society president Phoebe Waller-Bridge to create a special limited-edition bottle, which captures the wonder of Edinburgh through the lens of Fleabag.
Every penny of profit will go towards a new fund, being run in partnership with the Fringe Society, which will support artists to create and bring work to the Fringe. More than £150,000 is hoped to be raised.
Sponsors and supporters
As a charity, the work of the Edinburgh Festival Fringe Society would not be possible without the valuable support of our partners, sponsors and funders. We are delighted to be working with Johnnie Walker for the third year running as our official whisky partner.
We are proud to be partnering with the newly opened St James Quarter and are excited to be working with them this year and beyond.
We are excited to be partnering with Crowdfunder again through our FringeMakers fundraising platform, supporting Fringe artists and venues with vital fundraising efforts.
We have teamed up with Rare Birds Books to a create a limited-edition book bundle with books selected by the women behind three of the Fringe’s most iconic venues; Rowan Campbell, the General Manager of Summerhall, Dani Rae, the General Manager of Assembly and Katy Koren, who co-runs Gilded Balloon. Proceeds of the sale of this bundle will support go directly to supporting Fringe artists bring work to the Fringe.
We would also like to thank Lothian Buses for their continued support of our Fringe Days Out programme.
We’re thrilled to welcome Edinburgh Gin on board as Official Gin of the Fringe and look forward to working with them.
We are grateful for funding through the PLACE Programme, a partnership between the Scottish Government -through Creative Scotland -the City of Edinburgh Council and Festivals Edinburgh; Scottish Government for Made in Scotland through the Festivals Expo Fund -managed through Creative Scotland -and the continued support of the City of Edinburgh Council. Thanks also to Scottish Government for funds from their Get into Summer campaign.
We are grateful for funding from the Pivotal Event Business Fund, the SCVO Adapt and Thrive programme, the Foyle Foundation and the UK Government to enhance our digital capabilities.
Our thanks also to the Paul Hamlyn Foundation, the Pump House Trust and the Turtleton Charitable Trust.
With thanks to EventScotland and City of Edinburgh Council for supporting Street Events.
Thank you to Brightcove, our streaming partners, for their support in delivering the Fringe Player.
Our thanks also to our Fringe Angels, Patrons, Friends and supporters whose passion and generosity made a real difference this year.
Edinburgh’s world-leading summer festivals are back, with their recovery from the impact of the COVID-19 pandemic supported by more than £5.4 million from the Scottish Government.
The Edinburgh Festival Fringe opens today, followed by the Edinburgh International Festival (EIF), with the Edinburgh Art Festival already open.
The Edinburgh International Book Festival will open a new chapter in a new venue on August 14, and the Edinburgh International Film Festival will welcome audiences from August 18.
The Scottish Government’s Gateway process has also allowed a small number of flagship events with national significance to take place in 2021, with limited numbers of spectators and subject to health advice, and both the EIF and the Fringe will stage events as part of the process.
Cabinet Secretary for Culture Angus Robertson said: “Edinburgh’s festivals are back – a significant moment for these landmark, world-leading events, and for our nation’s capital.
“The festivals were sorely missed last summer, and their return is a major step in the right direction as well as testament to the determination of festival organisers, along with the artists, venues and businesses involved.
“Already a huge amount of work has gone on behind the scenes to support the return of these globally significant cultural events and the benefits they bring to Scotland for our culture, for tourism, for trade and our place on the world stage.
“I’m delighted to welcome the Edinburgh Festivals’ return and see the world’s leading festival city come back to life in 2021.”
Chair of Festivals Edinburgh Sorcha Carey said: “The support of the Scottish Government and its agencies has been crucial to the very survival of our world-famous festivals, and we’re deeply grateful.
“All those who’ve worked tirelessly and are now able to manage a careful restart will be delighted to reconnect the people of Scotland with the live culture they’ve so badly missed.
“We want to support the vision of the First Minister and her team that culture will be at the heart of recovery, and we look forward with hope that Edinburgh’s peak festivals season can mark a turning point for Scotland’s culture sector.”