Three former EDA pupils return to Edinburgh for UK tour of Romeo and Juliet
Three aspiring Edinburgh dancers who landed dream roles with the internationally-renowned New Adventures Dance Company are back in the capital this week as cast members of the group’s production of Romeo & Juliet.
The local performers, Rory McLeod, Carla Contini, and Leonardo McCorkindale, all former pupils of leading dance school Edinburgh Dance Academy (EDA), are performing in the Scottish capital this week as part of the show’s international tour.
The Scottish trio have all been recruited by the iconic and ground-breaking New Adventures, set up by one of Britian’s most innovative choreographers, Sir Matthew Bourne.
22-year-old Rory joined the company in 2021 after attending Laine Theatre Arts dance school in Surrey and made his cameo appearance in New Adventure’s Nutcracker! in April last year.
Meanwhile, Leonardo, aged 20, and Carla (19) were taken on by the company earlier this year after graduating from Tring Park School for the Performing Arts in Hertfordshire. Their performance in Romeo and Juliet, which is currently on a UK tour before moving on to Europe and the US early next year, marks their New Adventures debut.
New Adventures has received numerous international awards and has won six Olivier Awards which recognise excellence in London’s professional theatre circuit. The company’s repertoire has inspired and thrilled millions of people worldwide.
During their five-day at the Festival Theatre, the three Edinburgh dancers were reunited with EDA’s Julie Mitchell and Jenny Inglis, both of whom were former dance teachers to the trio while they were growing up in the city.
Julie Mitchell said: “We are so delighted with the progress of our three former pupils, who are now part of this international production being staged by one of the world’s leading dance companies.
“While Rory, Carla, and Leonardo all developed their dance talent as youngsters, it has been their drive and commitment that has led them to becoming part of Matthew Bourne’s prestigious New Adventures company.
“We’ve very proud of all three and we wish them every success with their careers going forward.”
First look at the National Theatre of Scotland’s new production DRACULA: MINA’S RECKONING ahead of the show touring Scotland, Liverpool and Coventry in September and October 2023.
Character images of Mina Murray and Dracula released, alongside a glimpse into the rehearsal room with director Sally Cookson
Bram Stoker’s classic novel has been reimagined by writer Morna Pearson, set in the North-East of Scotland and brought to life by an all-female and non-binary ensemble
World Premiere
National Theatre of Scotland and Aberdeen Performing Arts in association with Belgrade Theatre, Coventry present
DRACULA: MINA’S RECKONING
Conceived by Morna Pearson and Sally Cookson
Story by Morna Pearson, Sally Cookson and Rosie Kellagher
Additional material devised by The Company
Written by Morna Pearson after Bram Stoker
Directed by Sally Cookson
Full cast: Natalie Arle-Toyne, Maggie Bain, Ailsa Davidson, Catriona Faint, Danielle Jam, Liz Kettle, Anne Lacey and Ros Watt.
Set and Costume Designer – Kenneth MacLeod, Composer – Benji Bower, Movement Director – Vicki Manderson, Lighting Designer – Aideen Malone, Video Designer – Lewis den Hertog, Casting Directors – Simone Pereira Hind CDG and Anna Dawson. BSL Performance interpreters Catherine King and Yvonne Strain.
Corporate Sponsor: Pinsent Masons
Touring the UK from Saturday 2 September to Saturday 28 October 2023,
Opening at His Majesty’s Theatre, Aberdeen and touring to Theatre Royal, Glasgow; Macrobert Arts Centre, Stirling; Eden Court, Inverness; Dundee Rep; Festival Theatre, Edinburgh, Belgrade Theatre, Coventry and Liverpool Playhouse from September to October 2023.
Opening Performance at His Majesty’s Theatre, Aberdeen on Thursday 7 September 2023.
“Protect your loved ains fae the claws o’ a beast.”
A thrilling new adaptation of Dracula by acclaimed Scottish playwright Morna Pearson, directed by Sally Cookson, is brought to stages across Scotland and England by the National Theatre of Scotland in a co-production with Aberdeen Performing Arts in association with Belgrade Theatre, Coventry.
Sally Cookson’s sweeping, atmospheric production of Morna Pearson’s bold new adaptation is relocated to Aberdeenshire and the wild beauty of North-East Scotland, acknowledging the area’s recently reported inspiration for Bram Stoker’s classic novel. To mark this, Dracula: Mina’s Reckoning opens at His Majesty’s Theatre in Aberdeen in September 2023 before touring to Glasgow, Stirling, Inverness, Dundee, Edinburgh, Coventry and Liverpool.
Set in a psychiatric hospital in Aberdeenshire in 1897, this unique Scottish adaptation places the character of Mina Murray at the centre of the action.
Mina seeks refuge at the hospital to escape the horrors she has experienced, retelling her encounters with the most terrifying of beasts: Dracula. Mina is joined by the patients, an all-women and non-binary ensemble, and together they tell a unique version of Bram Stoker’s legendary tale.
We are transported to a world where immortality and ultimate power is possible, even for women – but with terrible consequences.
The lead character of Mina is played by Danielle Jam, who recently toured with Kidnapped (National Theatre of Scotland) and James IV: Queen of the Fight, (Raw Material and Capital Theatres, in association with National Theatre of Scotland) and appeared in Wings Around Dundee (Dundee Rep) and is known to TV audiences for her roles in Scot Squad (BBC) and Molly and Mack (CBeebies).
She will be joined by Ailsa Davidson (Lucy and Elsie). Ailsa has performed in Heathers the Musical (Bill Kenwright & Paul Taylor-Mills) in London’s West End, Lipsync at the Edinburgh Festival Fringe (Cumbernauld Theatre), Elegies for Angels Punks and Raging Queens (Union Theatre) and Grease (UK & International Tour).
Liz Kettle takes on the role of Dracula, she was most recently seen on Scottish stages in Macbeth – An Undoing (Royal Lyceum Theatre Edinburgh) and has appeared in numerous roles on TV including Unforgotten IV, The Secret Life of Mrs Beeton, Doctors (BBC), Fracture (20th Century Digital / Disney), Honoria Glossop in Jeeves & Wooster, Inspector Morse, Rosemary & Thyme and Poirot.
They are joined by Natalie Arle-Toyne (Van Helsing and Titchy). Natalie’s recent theatre work includes Mrs Puntila and Her Man Matti, Arabian Nights, Rhinoceros (CATS Ensemble Award) at the Lyceum Theatre and The Lost Lending Library (Punch Drunk/Imaginate). Maggie Bain (Dr Seward and Georgina) has appeared in roles in theatre, TV, film and radio most recently on stage in Linck & Mülhahn (Hampstead Theatre), We’ll Meet in Moscow (Traverse Theatre), Dream (RSC) and on TV in I Hate Suzie (Sky) and Luther: The Fallen Sun (Netflix).
Catriona Faint (Jonathan and Annie) most recently performed in Enough of Him (National Theatre of Scotland). Anne Lacey (Mr Swails and Bella), who has worked extensively in theatre, film, TV and radio was recently on stage in Medea (National Theatre of Scotland at the Edinburgh International Festival), and Earthquakes In London (National Theatre); and on TV in Shetland (ITV). Ros Watt’s (Renfield and Katherine) previous includes Godot is a Woman (Silent Faces) at the Pleasance, Edinburgh.
Dracula is dripping with Morna Pearson’s trademark humour, theatricality, and her taste for the strange, the shocking and the grotesque. The production celebrates the novel’s gothic horror origins while, in a radical twist, it allows audiences to view the story through the eyes of Mina and the patients. Elements of the piece will be devised by the company.
The production features atmospheric, Gothic-inspired set and costumes designed by Kenneth MacLeod with video design by Lewis den Hertog, a dark, distinctive score from composer Benji Bower and visceral movement from Vicki Manderson.
Writer Morna Pearson said: “I was excited to adapt Dracula and place it in the familiar setting of the North-East, the place where my writing feels at home. I wanted to examine themes of our times – fear, trauma, and powerlessness – in ways the horror genre lends itself to.
With Stoker drawing influence from Cruden Bay, it felt appropriate to relocate the narrative to Aberdeen and Aberdeenshire, exploring the area and characters I find most inspirational.
There is room for more horror and stories from the North-East in theatre, so I am thrilled that my first large scale production is a bold retelling of Dracula set there.”
Morna Pearson was born in the North-East of Scotland, in Elgin, and is an award-winning Edinburgh-based playwright and screenwriter. Morna’s work for National Theatre of Scotland includes Darklands written as part of Interference trilogy and Clearing for Scenes for Survival. Other theatre work includes Let’s Inherit the Earth (Dogstar/Profilteatern); How to Disappear (Traverse) and Dr Stirlingshire’s Discovery (Lung Ha/Grid Iron). She was a recipient of the Meyer-Whitworth Award and her first short film, I Was Here, gained BAFTA Scotland and EIFF nominations for Best Short Film.
“One of the freshest, most fearless and taboo-busting voices to be heard anywhere right now” The Herald on The Artist Man and the Mother Woman
Sally Cookson is an Olivier award-winning director (A Monster Calls), an associate director at Bristol Old Vic and a collaborator with Travelling Light Theatre Company. Her theatre credits include Wonder Boy (Bristol Old Vic); A Monster Calls (The Old Vic/UK tour); The Lion, The Witch and The Wardrobe (West Yorkshire Playhouse/Bridge Theatre/UK Tour/Gillian Lynne) and Jane Eyre and Peter Pan (Bristol Old Vic/National Theatre).
“Audaciously inventive” *****The Guardian on Wonder Boy
Bram Stoker’s Dracula was first published in 1897 and has since been adapted into numerous films and plays. Stoker himself wrote the first theatrical adaptation, which was presented at London’s Lyceum Theatre on 18 May 1897 under the title Dracula, or The Undead. For years Dracula has been associated with Whitby and Transylvania, but recent research suggests that Aberdeenshire played a significant part in shaping the novel, and in particular Slains Castle which features an octagonal room like the one described by Stoker in Dracula’s Castle.
Touring from September to October 2023 to His Majesty’s Theatre, Aberdeen (previews Sat 2, Tues 5, Wed 6 Sept) Thurs 7 – Sat 9 Sept; Theatre Royal, Glasgow Wed 13 – Sat 16 Sept; Macrobert Arts Centre, Stirling Thurs 21 – Sat 23 Sept; Eden Court, Inverness Thurs 28 – Sat 30 Sept; Dundee Rep Thurs 5 – Sat 7 Oct; Festival Theatre, Edinburgh Wed 11 – Sat 14 Oct, Belgrade Theatre, Coventry (18 to 21 October) and Liverpool Playhouse (24 to 28 October).
Full tour information and creative credits and biogs here.
The cobbled streets of Edinburgh have been brought to life by the colour and vibrancy of The Trinidad and Tobago Defence Force Steel Orchestra.
The Orchestra are creating a carnival atmosphere each night with their performances at The Royal Edinburgh Military Tattoo and did the same at Victoria Street, wowing passersby with their spectacular outfits.
Set against the colour of the iconic Edinburgh street, the performers gave locals and tourists alike a glimpse of the colour of their performance at this year’s Tattoo Show, Stories.
The Tattoo is running until 26 August 2023 and tickets can be purchased at edintattoo.co.uk, on the phone on 0131 225 1188 or in person at the Tattoo Box Office at 1 Cockburn Street, Edinburgh.
THE ICONIC PURPLE COW AND ITS MOO-VELLOUS PROGRAMME RETURN FOR THE 23rd YEAR
Underbelly has officially opened the doors to its incredible venues and line-up at the Edinburgh Festival Fringe 2023, set to entertain locals and visiting crowds alike.
Last night, Underbelly’s iconic McEwan Hall got the party started with the official programme launch. Lucky guests sampled a flavour of what’s on offer this year with a spectacular mix of comedy, dance and circus.
The event was hosted by comedian Sooz Kempner and comedy crime podcasters Kathy and Stella opened the show with a number from their hit musical Kathy and Stella Solve A Murder.
Also performing were stand-up comic Emmanuel Sonubi, Untapped Theatre Award winners Dugsi Dayz, family entertainer Mario The Maker Magician, comedy dance act TUTU, circus troupe Sophie’s Surprise 29th, visionary acrobatics from Circa’s Peepshow, US Drag Race winner Monét X Change and world-class circus performers The 7 Fingers.
An eclectic programme of over 150 shows across the four venues offers everything from dazzling circus performers, awe-inspiring cabaret, captivating theatre, vibrant dance, fun-filled family entertainment, and side-splitting comedy – there’s truly something for everyone at Underbelly.
Underbelly’s Co-Directors Charlie Wood and Ed Bartlam said: “What a wonderful night for our opening event! It’s brilliant to be back in Edinburgh for 2023 and we’re so excited to open the doors to another incredible Underbelly programme.”
For those looking for a good deal, 2-for-1 tickets are available now for a range of shows on the 7th and 8th of August. Families can also make the most of a Book 2 Tickets get 1 Free deal on weekday viewings of the family programme (Aug 16 -28th).
Highlights include:
For one night only in McEwan Hall Underbelly’s fifth Big Brain Tumour Benefit will host a massive line-up of Fringe stars in a raucous evening of comedy to help the fight against brain cancer. This year’s performers include Frank Skinner, Ivo Graham, Chloe Petts, Adam Kay, Hal Cruttenden, Lara Ricote and Emmanuel Sonubi, with more acts still to be announced! All box office income goes directly to The Brain Tumour Charity.
At McEwan Hall, join TUTU on a “hugely entertaining and hilarious” (BroadwayBaby) tribute to dance, where comedy and incredible dance skills intertwine seamlessly to delight crowds of all ages. Featuring an all-male cast of six dancers decked out in flamboyant costumes, this show is a humorous celebration of dance in all its glory… Yes, a bare-chested tutu-clad man can perform a stunningly graceful pointe solo!
Taking over McEwan Hall, Havana Street Party is an exhilarating explosion of urban movement direct from Cuba; Sara Pascoe’s Success Story flies in for one night only; Foil Arms and Hog: Hogwash, the Fringe favourites returns with a five-star comedy for an exclusive limited run; Drag Race double crown winner Monét X Change shares anecdotes and opinions on life in the tireless comedy Life Be Lifein’; and You Can’t Stop the Beat the Fringe’s ultimate musical theatre party night out.
In the iconic upside-down purple cow, the Udderbelly, Mario The Maker Magician brings robot magic direct from New York, with a wild and original family show; Choir! Choir! Choir! is a show where the crowd is the star and you’ll be harmonising to well-known classics in no time and a home-grown Drag Race winner joins the line-up in their debut solo tourDanny Beard & Their Band.
At Cowgate, Underbelly’s new, late night comedy experience is BATSU!Currently a hot ticket in New York and Chicago, audiences join comedy warriors testing their wits to avoid electric shocks, paintballs, giant chickens and other jaw-dropping punishments. Bill’s 44th – a poignant puppet tragicomedy for adults, called “Buoyant, mesmerizing, joy-inducing” as the New York Times Critics Pick; and identical twins Patrick and Hugo McPherson return with Pear: But Braver, after the smash-hit success of Pear in 2022.
The winners of the Untapped award, in partnership with New Diorama Theatre, Concord Theatricals and Nouveau Riche; It’s A Motherf**king Pleasure at Bristo Square, a witty satirical delight straight off the back of a smash-hit London run; Dugsi Dayz is a heart-warming tribute to The Breakfast Club, subverting Somali folktales and exploring friendships; and One Way Out, a powerful drama about four friends on the cusp of adulthood, exploring young British Caribbeans’ experiences of the Windrush crisis.
Over in Circus Hub, East London’s The Revel Puck Circus make their Fringe debut with an exhilarating new show The Wing Scuffle Spectacular; Aloft returns with Brave Space after selling out their innovative 2022 season and also presents Sanctuary, a punk-rock cabaret with a revolving line-up of internationally renowned circus artists backed by a live band.
For six dates only, McEwan Hall hosts An Afternoon with Anton Du Beke and Friends. The Strictly Come Dancing legendary judge takes to the stage with a live band, a guest singer and his dancers. Performing some of his favourite songs and dances that have inspired his career, expect behind the scenes stories from Anton’s time on Strictly.
Matt Forde will bring his hugely successful podcast The Political Party to McEwan Hall for one show only on Friday 18th August. Matt will be joined by one of the most charismatic, compelling, and outrageous politicians in Britain – Deputy Labour Leader Angela Rayner as she delves into her political career during this special live podcast.
CIRCUS, CABARET + VARIETY
Underbelly’s Circus Hub celebrates the daring and the different. The 7 Fingers present their world premiere of Duel Reality – circus on a whole new theatrical level – a must for fans of Romeo and Juliet and wondrous acrobatics.
Alongside Sanctuary and The Wing Scuffle Spectacular is Brave Space, a stunning, all-female piece of physical theatre that paints a picture of the world we want to live in and Reclaim which draws the audience close to examine life and imagine a sustainable future. Set in Circus Hub’s Spiegeltent, The Beauty, it features circus and acrobatics interwoven with two cellists and a live opera singer.
In addition to their debut solo tour showDanny Beard & Their Band, join RuPaul’s Drag Race UK winner Danny Beard and their best friend, DJ Billy Andrew for a very special live recording of their hilariously camp podcast Gossip Gays for one night only in Bristo Square. And, for four dates only (4th – 8th Aug), get involved with Drag & Draw, the art class with a difference, featuring lip syncs, audience interaction and drag queens.
Experience the extraordinary as Suhani Shah, the world’s highest-subscribed mentalist, brings her Edinburgh debut Spellbound to Bristo Square. India’s most famous mind reader has captivated global audiences with her charismatic persona, linguistic deception and comedic charm – an unforgettable evening is guaranteed!
MUSIC & MUSICALS
There is exciting music and musical programming, across all four venue hubs. You Can’t Stop The Beat is a party for musical theatre fans, turning McEwan Hall into a sing-along celebration of all your favourite shows; The Magnets, famously the UK’s number one acapella group; catch the sensational five-voice sound machine to relive the magic of the greatest musicians of all time; and one part sermon, one part purge and three parts house party, House Of Life is a travelling musical cult collective with one mission; to get you happy, at any cost.
With a host of 5-star reviews in their wake, the acclaimed Sheep Soup company promise to achieve their goal.
Debut show 2020 The Musical is a joyful new musical, celebrating human resilience in every form, depicting the true, uplifting stories of everyday heroes and turning the events of 2020 into a heart-warming party (and unlike Downing Street, everyone’s invited); God Catcher reimagines the story of a woman turned to a spider as punishment from the Ancient Greek Gods, exploring the legacies of truth and bravery through catchy tunes and heartfelt lyrics; tender musical Fabulett 1933, sees a liberal queer society in Berlin protest as the authorities close off every opportunity for freedom and expressionism; We’ll Have Nun Of It is a masterpiece, blending contemporary pop, soul and funk music into a unique new musical that navigates the angst and joy of Ireland in the sixties; and Tinkisa nostalgic love-letter to our past selves through the eyes of a very familiar fairy.
THEATRE
Joining Bill’s 44th and the Untapped award winners; The Way Way Deep, blends bold storytelling, spoken word and original music, by sell-out playwright Patrick McPherson, previous writing includes The Man and Colossal; in his Fringe debut, star of stage and screen Declan Bennett brings Boy Out The City, telling a raw survival story of a man in his search for identity, throwing us into a turbulent world of toxic masculinity, homophobia and men’s mental health.
The programme also pioneers wonderfully current topics with shows such as; PLEASE LEAVE (A Message), a devised piece set in a karaoke bar on Yucca Mountain, where a group of scientists are experimenting with time travel, in which ClusterFlux can give a fearful yet joyous address of the impending climate crisis; Temporarily Yours, a journey into sexuality and prostitution, a show made from true stories and earnest questions, pondering our body, soul and relationships; and The Brilliance of Broken Glass, a true story about rising from rock bottom, exploring the aftershock of a medical crisis and championing laughter as the ultimate medicine.
Solo show, Pleasure Little Treasure, takes us back to the downfall of the Soviet Union; a story about growing up in the first strip club in Estonia during the tumultuous 1990; My Dad Wears A Dress is a hilarious yet sincere one-woman show about growing up with a trans female parent; Life With Oscar is a tragicomic satire set in the underbelly of Hollywood (no pun intended); and Looking For Giants is a perplexing and seductive tale about self-discovery, from emerging theatre company That What’s Wild.
In Bristo Square, The Gaffer explores how the beautiful game can turn ugly quickly. Football manager Shaun Woods discovers his private life is set to make the back and front pages. For Shaun, the game doesn’t last 90 minutes, it’s a battle with no full-time whistle. Performed by Fringe First Award winner Chris Larner, this new short play written by acclaimed journalist Rob Crossan is not to be missed.
Ringer is Hughie Shepherd-Cross’s fifth Fringe production, a comedy that sees a heartthrob actor’s reputation left in the hands of his feckless double; winner of Dublin Fringe’s Bewley’s Little Gem award, Frigid is a tender coming-of-age comedy about sexuality in early 2000s Dublin, performed alongside a live DJ; extremely silly, and extremely ruthless The Death of Molly Miller is a pitch-black satire on our world of influencers, inequality and addiction; with performers from The Wardrobe Ensemble, International House of Vape:Redefining Theatre Experience goes where no brand has gone before in a new corporate venture; The Four Worst Things I’ve Ever Done is a wild ride of confessions and consequences; and pitch-black comedy BUTCHERED is a dynamic physical theatre piece with a killer soundtrack, this absurd thriller is set in the kitchen where dreams come to die.
COMEDY
Joining Sara Pascoe in the comedy programme; Pear: But Braver sees identical twins Patrick and Hugo McPherson return after the 2022 hit show Pear, a riotous hour of sketch comedy by two brothers heralded as “like Reeves and Mortimer” (The Recs). Joining them in Cowgate is Adam Riches as hereturns to the Cow Café with a site-specific show; Adam Riches is The Guys Who, a fresh take on the guys who you meet everywhere.
Sounds Like… is a unique improvisational panel show, from Doc Brown and quick-witted wordsmith hosts, based around rhyme and rap with special guests from the world of music and comedy. It’s seriously funny, stupidly clever and addictive.
The Retreat is a camp variety number that mimics a corporate event, questioning our toxic workplace methods, brought to you by stars of Parks and Recreation and Glow including UK songstress Kate Nash and featuring a rotation of incredible and iconic comedy names.
The programme features some special limited-run shows throughout August. Mr Thing, favourites at the Fringe, returning for two nights only to celebrate all the best bits from the past five years; Drag Queens vs Zombies, as Haus of Dench’s monstrous hit returns from the dead for two nights only, as drag superstars Kate Butch and Crudi Dench try to save the audience of their cabaret show from a gruesome death in a camp comedy horror; and Werewolf: Live appears for one night only in a charity spectacular.
An all-star line-up of comedians backstab, manipulate and fight for survival in this cult gameshow; with previous guests including Rose Matafeo, Nish Kumar, Ed Gamble, and plenty more, you know it’s going to be a wonderful kind of chaos.
Meanwhile in Bristo Square, Perrier Award winning Will Adamsdale:Show of Just Songswill regale audiences with the ballad(s) of a man adrift in the modern age (though enjoying heated car seats), for tales of CD hoarding, failed citizen’s arrests and a film career playing murdered schoolteachers, medieval lookouts, and Nigel Havers’ son.
For six nights only at McEwan Hall “Broadway’s greatest comic storyteller” (Deadline) Mike Birbiglia brings his show The Old Man & The Pool to the Edinburgh Fringe. Chronicling his coming-of-middle-age story Mike presents his tale of life, death, and a highly chlorinated YMCA pool that will resonates with audiences ages 12 to 112.
Kelly McCaughan’s show exposes the impossible standards of the confines of religion in Catholic Guilt; performed by US comedian Lane Kewderis and directed by Matt Gehrin; Sex Job is an empowering show about the good, bad and often hilarious ups and downs of being a sex worker, following the inside life of a financial dominatrix; Holly Spillar’sHole is a muff-busting comedy about sex, pain and the brain, showcasing one woman’s determination in the face of a tough diagnosis.
For one night only on 24th August, Bristo Square welcomes the Straight Comedian of the Year ‘Grand Final’ where crowds will bear witness to the epic conclusion of ex-gay comedian Simon David‘s search to find the UK’s funniest heterosexual.
The biggest breeders of the Fringe will battle it out for the title and a Fiat 500. Following a sell-out run in 2022, 4 x Fringe Awards winning clown comic Garry Starr returns for five dates only (23rd-27th) with Greece Lightning. Starr will perform all of Greek Mythology – never before has Medusa been looser, Achilles more sillies, or Uranus so heinous – an anarchic masterclass not to be mythed!
Healing King Herod is a wild, interactive, drag-clown therapy session featuring improvised songs, political parody and cult-like rituals where Herod, famed for massacring innocents, now leads a self-development pyramid scheme, and; Jeromaia Detto: MUSH, nominated for Best Comedy at Sydney Fringe, is a whimsical and absurd clown show, with five stars all round; Max Norman invites you to cross the seven seas with him on a night of nautical nonsense, with piratical puns, 90’s nostalgia and the ultimate audience prize in A Pirate’s Life For Me; and award-winning MANBO is a dead-sexy action-hero mission filled with chaos.
For the theatrical comedy fans out there, Rosalie Minnitt presents Clementine, a debut character comedy-drama involving a hilariously unhinged quest to find love set roughly ‘in the past’; in Dead Dad Show Simon David tackles the ‘dead dad’ cliché, in a show, directed by Fringe First winner Chris Larner, with dangerously high levels of heart; struggling to make sense of a breakup, Sophie hires a life coachin Sophie Santos… Is Codependant and 2022 Best Comedy winner from Hollywood Fringe, A Terrible Show For Terrible People is a raunchy, absurdist physical comedy with 2 spoken words “for perverts, feminists and your mom (not mutually exclusive).”
AAA Stand up and AAA Stand Up Late, return with brand-new line-ups of comedians, including Ross McGrane, Ridwan Hussain, Josh Elton and Sachin Kumarendran, having sold out Edinburgh from 2005-2022, it’s filled with clever wordplay, whimsical observations, and mischievous twists.
For those who are intrigued by games of social deduction, Blood on the Clocktower: Liveis a night of gothic chaos and carnage, featuring a revolving cast of comedians.
More stand-up includes Charlotte Fox encountering a series of crooked and macabre characters in her dark and manic comedy; Ouroboros The Return. Robo Bingo by Foxdog Studios, an interactive show for people who don’t want to talk to anyone; Alice Cockayne is unhinged and outrageously funny in the clowning drama I Showered Before I Came; Chris Turner shares stories of touring with Cirque Du Soleil and his newborn child in Vegas, Baby!; Sara Schaefer teaches how to unlock potential in this perfect mockery of a seminar, Going Up; Maggie Crane’s darkly funny Side by Side, an autobiographical story about family and disability. Internet sensation Josh Baulf with new show Bulldog; Paddy McDonnell in Paddy McDonnell Live, a show full of tales of everyday life; Dan Rath, discussing the ups and downs of neurodivergence in All Quiet Carriage Along The Inner Western Line;Ed Gaughan brings his first solo show in 18 years,Words and Music, with stories, clowning around and plenty of surprises; and award-winning comedian Leif Oleson-Cormack, who pushes confessional stand-up to its limits in The Disney Delusion.
Is laughter really the best medicine? The ‘Recovery Through Comedy Show’ sets out to prove it is, as a group of Armed Forces veterans, and a currently serving female member of the Armed Forces, bring their unique comedy to the Edinburgh Festival Fringe on 11th and 12th August at Lady Haig’s Poppy Factory.
The performers are all graduates of an innovative veterans’ programme developed by the Royal British Legion. The programme uses comedy techniques to promote resilience, and support mental health and wellbeing. Although they had no previous experience, the participants have been supported to create their own original stand-up comedy sets and received rave reviews for their earlier performances.
This will be the first time Poppyscotland, the nation’s leading Armed Forces charity, has hosted a Fringe event and follows the refurbishment of the historic Lady Haig Poppy Factory building.
Poppyscotland’s Director, Austin Hardie, said: “We’re very proud to be able to bring the ‘Recovery through Comedy Show’ to this year’s Fringe. Not only is it very funny, the show also gives a voice to veterans in a new and inspiring way that challenges preconceptions.
“At Poppyscotland, we provide support for current and former members of the Armed Forces and their families in whatever way works best for them. Initiatives like ‘Recovery through Comedy’ show that there are many ways to help them overcome whatever challenges they face.”
The free, ticketed show will be at Lady Haig’s Poppy Factory in Warriston on Friday 11th and Saturday 12th August, with performances at 2pm and 6pm each day. Capacity is limited so guests are encouraged to secure their tickets as early as possible.
Dance Base Scotland and Edinburgh International Festival have announced the 24 dance artists taking part in an Artistic Development Week this month.
Hailing from across Scotland and eight African countries, the dancers will come together at Dance Base in Edinburgh to connect, collaborate, and network with their international peers. Expertise in dance disciplines range from contemporary to hip-hop, Bhuto, to Indian classical dance.
Supported by the British Council, the development programme will take place in the run-up to the significant performance of Pina Bausch’s The Rite of Spring / common ground[s] in August.
A highlight of the Edinburgh International Festival, the performance marks the first collaboration between the Pina Bausch Foundation (Germany), École des Sables (Senegal) and Sadler’s Wells (UK).
The artistic development week will be led by Artistic Director of Dance Base, Tony Mills and will focus on daily classes and work in small groups where the participants can take part in reflections and conversations with a focus on creation and artistic devising.
The aim of the project is for the Scottish and international artists to connect and share practice, opening themselves to new techniques and creative approaches. They will have the opportunity to network with national and international peers and to create work together.
Amy Robertson, a dance artist from Edinburgh and one of the twelve Scottish participants is delighted to be involved in the international festival. She said: “Learning and sharing practice on international platforms is such a valuable part of our development and I’m really looking forward to all that comes out of this week.
“With a lot of work being made in smaller constellations of artists, working with 12 colleagues from across Scotland and artists from wider international communities is sure to be a rich and valuable experience for all involved.”
Also from Scotland, dance artist Suzi Cunningham adds:“This is an incredible opportunity to connect people from across continents and to learn from the artistry and passion of others.
“I am extremely excited about making new connections and having this opportunity to truly dance without limitations, and in ways I don’t allow myself or don’t usually seek out in my practice”.
Speaking ahead of the development week, Tony Mills, Artistic Director for Dance Base said about the collaboration:“We are beyond excited to be able to host 24 artists from Scotland and across Africa as part of a collaboration with Edinburgh International Festival and their professional artist development programme.
“Dancers who will be performing as part of the Ecole des Sables & Sadler’s Wells production of the Rite of Spring, will meet and connect with a range of Scottish dance artists to share practice and build relationships for one week.
“This is a unique moment that will be taking place under our roof at Dance Base. In Scotland, it is a rare occasion when this many professional independent dance artists can get together and get busy. I want to say a huge thanks to EIF for trusting us as collaborators. I personally cannot wait to get stuck in!”
Roy Luxford, Creative Director, Edinburgh International Festival added: “The International Festival at its core promotes the exchange of ideas to deepen understanding between cultures through performance.
“Creating this platform of exchange between Scottish professionals and dancers from The Rite of Spring company is a special Festival moment, and together with our partners the British Council and Dance Base we can continue our commitment to artistic exchange and development.
“I look forward to this exciting week at Dance Base ahead of the performances of The Rite of Spring/ common ground[s] at The Playhouse Theatre this August”.
Speaking about the artistic development week, Norah Campbell from British Council Scotland concluded:“Building platforms for international connection is at the heart of what we do at the British Council, and we’re delighted to help bring these amazing dance artists together – putting a spotlight on local and global talent, helping them all to reach new, international audiences.
“I’ve no doubt the experience will spark new ideas and will allow all the artists to build strong networks for the future.”
The Gift has been presented with the award for best Production for Children and Young People at the 20th annual Critics’ Awards for Theatre in Scotland. The awards ceremony which took place on Sunday 11th June at Traverse Theatre, saw Capital Theatres take home their first ever CATs award for the production.
Specially designed for children aged between 2 and 5 years old, The Gift isa story about how often, the wrapping paper, cardboard boxes and bubble wrap reveal playfulness, creativity and imagination – the true gift! The Festive show isbursting with energy, acrobatic dance, textures, sounds and colour to create a multi-sensory wonderland from the left-over boxes, ribbons and wrapping.
The Gift is a commission by Capital Theatres, Aberdeen Performing Arts and Eden Court, and a co-production between Barrowland Ballet and Capital Theatres for its 2022 presentation,
Natasha Gilmore, Artistic Director of Barrowland Ballet and creator of The Gift said:“It was such a privilege to sit in The studio at Capital theatre watching the Gift over Christmas with all these families enjoying going to the theatre together.
“A reminder of the joy of theatre and what a unique and memorable experience it is.”
Fiona Gibson, CEO of Capital Theatressaid: “It was an absolute privilege to witness the impact and joy The Gift brought to young audiences and their families in The Studio last Christmas and we are thrilled Barrowland Ballet and Natasha Gilmore’s wonderful work has won a CATs award this year.
“Collaborating with Eden Court and Aberdeen Performing Arts for this commission has been a real pleasure and sits at the heart of our vision to support and develop Scottish talent.
“This is of particular significance for Capital Theatres as The Gift marks the first time we’ve commissioned new work for young children in our studio as well as our first CATs award as a producer.”
Ben Torrie, Director of Programming and Creative Arts of Aberdeen Performing Arts said: “It has been a real joy working with our friends at Capital Theatres and Eden Court on the joint commission, which has resulted in the creation of three fantastic productions.
“The innovative model makes the most of our collective resources, provides stability for venues and artists, as well as ensuring that more young audiences across Scotland get to experience top quality theatre.
“Everyone at Aberdeen Performing Arts is thrilled for Barrowland Ballet in receiving this much-deserved accolade, and we can’t wait to welcome the awarding-winning production of The Gift to the Lemon Tree this Christmas.”
Susannah Armitage, Eden Court Senior Producer said:“The Gift is a beautiful piece of festive dance theatre for children that had our young audiences transfixed.
“It was a joy to collaborate with the ever brilliant Natasha and Barrowland Ballet as part of our co-commissioning and co-producing partnership with Aberdeen Performing Arts and Capital Theatres.”
Kevin Clifton hits the dance floor at top Edinburgh performance school
LUCKY musical theatre and dance students were treated to an unforgettable experience as performers from Strictly Ballroom the Musical took a break from touring to host a samba masterclass.
Students from The MGA Academy of Performing Arts welcomed Kevin Clifton, BBC Strictly Come Dancing star, along with the talented Poppy Blackledge and MGA graduate Kieran Cooper who all shared their expertise and insights during an exclusive and energetic session.
This special visit provided a fantastic opportunity for students to engage and learn from renowned professionals helping inspire the next generation of talents through sharing techniques, knowledge, and valuable insights into the audition process.
Kevin Clifton, who featured in seven series of the hit BBC show, finally winning in 2018 with his now long-term partner, Stacey Dooley, said: “I loved being at MGA because we weren’t just trying to teach a bit of dancing and the technique behind it but also show the students the audition process.
“For our show, it takes a lot of letting go in terms of everyone’s inhibitions and really going for it in the room. I feel everyone really committed to it which was really lovely to see.
“To be honest at that age I probably wouldn’t have committed to letting go like that, so it was really great to see and it’s been great to spend time with such a talented bunch.”
It’s an exciting time for the academy, as it is set to move its headquarters to Livingston in the coming months, to enable it to triple its student intake and broaden its educational offering to 11 BA degrees, two postgraduate Masters degrees and strengthen foundational courses that offer opportunities for aspiring performers.
Poppy Blackledge, a talented performer and integral part of the ‘Strictly Ballroom the Musical’ cast, also graced the MGA Academy with her presence. Students had the privilege of learning from her expertise and witnessing first hand the incredible skills that have earned her a place on the international stage.
The visit from MGA BA Hons Musical Theatre graduate Kieran Cooper created a sense of pride and inspiration within the student community.
Kieran’s journey from MGA Academy to performing in a prestigious production like ‘Strictly Ballroom the Musical‘ showcased the exceptional training and opportunities provided by MGA Academy.
Kieran said: “I started MGA in 2013 to study the Musical theatre course, graduating in 2016. I really enjoyed my time there, mainly because everyone is so friendly and welcoming.
“I had never sung or danced before but everyone was just so encouraging, looking back I can honestly say they were some of the best years of my life.
“It was great to bring Kevin and Poppy from Strictly Ballroom along and we did a little samba routine from the beginning of the show, and everyone was amazing.
“I knew the talent level at MGA is high, but we were shocked at just how good the students were today. Everyone was amazing and it’s been great fun.”
The students were able to witness the magic of ‘Strictly Ballroom the Musical’ as they enjoyed the unforgettable performance based on Baz Luhrmann’s acclaimed film. Directed by the famous Strictly Come Dancing judge Craig Revel Horwood, this production brought the glitz and glamour of ballroom dancing to life, leaving an indelible impression on the aspiring performers.
Reece Hannah, a current musical theatre student at MGA Academy, shared her excitement about the visit, saying, “It was a truly incredible experience to have Kevin Clifton, Poppy Blackledge, and Kieran Cooper here at MGA Academy.
“Learning from industry professionals and seeing Kieran’s journey from MGA to performing in a West End production was truly inspiring. It has motivated me to pursue my dreams with even greater passion and determination.”
The visit from esteemed stars of ‘Strictly Ballroom the Musical’ further reinforces MGA Academy’s reputation as a leading institution for performing arts education that provides a platform for aspiring performers to remain in Scotland while studying at a level equivalent to prestigious London colleges.
Founded in 2015 in Balgreen, West Edinburgh it will move its headquarters to a dedicated 30,000 square foot campus in Livingston, allowing it to triple its student intake and expand its educational programme.
To find out more about MGA Academy of Performing Arts, visit:
Dunedin Consort, Hera and Mahogany Opera come together to breathe life into 300 year-old ‘operas’ that have never been staged in Britain before
23 June – 12 July 2023
Findhorn, Glasgow, Edinburgh, York, London
Élisabeth Jacquet de la Guerre Cantates Bibliques: ‘Judith’, ‘Rachel’ & ‘Susanne’
Carolyn Sampson, Anna Dennis, Alys Mererid Roberts – Sopranos
Modern English translations by Toria Banks
Directed by Mathilde Lopez
Élisabeth Jacquet de la Guerre’s biblical cantatas are extraordinary historical jewels. Written by a woman, about women, for women, they tell bold, unflinching tales about love, marriage, tragedy and adultery, each one a tiny opera in all by name.
These breath-taking miniatures – in new English translations by Toria Banks and directed by Mathilde Lopez– will receive their UK premieres more than 300 years after they were composed.
Out Of Her Mouth will be performed in atmospheric, accessible settings that champion the ability of women to tell their own stories and narrate their own experiences from the Highlands of Scotland to central London.
Translator, Producer & Joint Artistic Director, Hera Toria Banks said: “I’ve been thinking about this project since I first read and heard the Cantates Bibliques, particularly those that tell knotty stories about Biblical women, because while there are exceptions, complex narratives about female experience are pretty rare in the operatic canon.”
But as much as the stories themselves, it’s also about the way they’re told, with a single female singer holding the stage in an authoritative way, and presenting the different characters including the men.
Toria Banks added: “I think you can feel Jacquet de la Guerre’s confidence and ease as a mature composer in these pieces. Within each one there’s a lot of musical variety and a fascinating relationship between teller and tale, characterised by nuance and irony and all sorts of subtle shifts of tone. They’re very fleet of foot, which feels very contemporary.”
Out Of Her Mouth is directed by Mathilde Lopez, a freelance director and the artistic director of August 012 theatre company.
Mathilde Lopez said: “These are three stories about sex and power and ultimately the perpetuation of patriarchy. We are narrating the heroic moments in the lives of three women from the bible: Susanne, Rachel and Judith who endure and overcome different but equally perilous situations.
“Surprising and complex, these baroque vignettes display varied dilemmas and moral contortions but all have in common the very recognisable fear, solitude and violence generated by constant unwanted sexual attention, harassment and objectification. Our women are all kneaded by male violence and the thousand years of abuse that comes with having a female body.
“In Out Of Her Mouth we are presenting these three pieces together as variations on female oppression. Performed by 3 different singers, 4 musicians, 5 watermelons and 7 large blue rolls, we are staging the one long story of accumulated frustrations, anger, wounds and violences of Susanne, Rachel and Judith and lay it bare for the audience to see.
“There will be knives, watermelons and destruction – with regular cleaning and resetting.”
In writing an English version Banks set out to preserve the sinuous quality in the dynamic relationship between singer and story and audience.
“I think I’m always trying to translate ‘faithfully’, but you do have to be faithful to a number of different things at once.
“There are the original words (by Antoine Houdar de la Motte), but also I think you owe something to the central characters and their plausibility and wholeness as women, and to the emotional shape of the music which is aiming at effects on an audience that is very different to the one originally imagined (we can’t all be Louis XIV). And everyone deserves a clear, singable, idiomatic text.”
It’s definitely a feminist project. But it’s not just about performing music by women. That’s important, but ‘Yay for women!’ isn’t enough. It’s a show about three women characters who are all trying to exercise agency and live fully in really constrained circumstances.
The actions they take, and the things that they bear, living under patriarchy come at a cost to themselves. There’s real power and beauty in hearing that expressed.
The three characters and stories are told by three fabulous sopranos: Carolyn Sampson immerses us in the story of Judith, Anna Dennis in that of Rachel and Alys Mererid Roberts brings us the story of the young Susanne.
Throughout Out Of Her Mouth the three partners have sought to create opportunities for professional development, offering support and mentoring to an artist appointed by open call to each area of the production.
Dunedin Consort has appointed Katarzyna Kowalik as harpsichordist, Hera has engaged Welsh soprano Alys Mererid Roberts, and Mahogany Opera has appointed Mathilde Lopez to the directorial team.
Working with Mahogany Opera on Dido’s Ghost in 2021 marked the beginning of a wonderful new partnership for Dunedin Consort.
Dunedin Consort’s Chief Executive, Jo Buckley commented:“It was a real meeting of minds, where we discovered a shared passion for exploring new ideas, pushing our boundaries, and opening up the world of opera in brilliant and creative ways.
“So, we are thrilled to be partnering with Mahogany Opera again for Out Of Her Mouth, and to be working with Hera for the very first time, particularly given their specialism in representing stories told by and about women.”
This project marks the culmination of Dunedin Consort’s 22/23 season and is the perfect way to bring it to a close. Bringing early music to life and in fresh and insightful ways is at the heart of Dunedin Consort’s mission.
Jo Buckley added: We want to spark curiosity in our listeners, and what could be more thrilling than Élisabeth Jacquet de la Guerre’s biblical cantatas, now 300 years old and never before staged in the UK?
“Composed by a woman, about women, for women, these powerful miniature operas deserve to be far better known – and we can’t wait to give them the prominence they deserve across Scotland, in York and in London this summer.”
Making their work as accessible as possible to both audiences and performers drives all three ensembles. The potential to enjoy Out Of Her Mouth will be widened with the use of creative captions, audio description introductions and the film of it will be released later this year as part of National Centre for Early Music’s online Christmas festival.
Out Of Her Mouth is a partnership between Dunedin Consort, Hera, Mahogany Opera and the National Centre for Early Music.
Scottish Opera, Royal Scottish National Orchestra, Scottish Chamber Orchestra and more of Scotland’s premier musical institutions offering a fantastic array of career-enhancing prizes to be won at the National Final of Scottish Young Musicians Solo Performer of the Year 2023
Incredible support received from the big names in the Scottish musical community who are offering prizes to the next generation of Scotland’s musicians performing at Scottish Young Musicians Solo Performer of the Year on Sunday 21 May 2023, including all three of Scotland’s national music companies.
Young people from 30 of Scotland’s Local Authorities, covering 99% of the school-aged population, are competing against each other to be crowned the second ever Solo Performer of the Year.
An expert panel of adjudicators will bring expertise from across a spectrum of musical genres.
The national final will take place at the Royal Conservatoire of Scotland and will be hosted by broadcaster and celebrated singer Jamie MacDougall, with Nicola Benedetti providing special welcome video.
Scottish Young Musicians, Scotland’s festival of music competitions, gives young musicians from around the country the chance to compete to win career-enhancing prizes, perform live on a national stage in front of internationally renowned judges, and push their skills like never before.
In 2023, 30 local authorities covering 99% of Scotland’s population are taking part inScottish Young Musicians Solo Performer of the Year, giving opportunities to more young people who would like to compete in Scotland’s only music competition where funding and expertise is offered to every school and Local Authority.
The competition was open to all young musicians who go to school in Scotland, whatever age or standard. Each area has selected their best local soloist to compete at the National Final at the Royal Conservatoire of Scotland on Sunday 21 May 2023. In addition, 20 of Scotland’s independent schools have competed to select a finalist. (A link to a live document containing the full list of all 31 young musicians participating in the final can be found in Notes to Editors.)
After much anticipation, the full list of prizes for the competition can now also be announced, with some of the UK’s leading musical institutions and orchestras taking part. New for this year, Scottish Opera are offering the best vocalist and runner up vocalist a day with Scotland’s national opera company, including a special tour of the rehearsal and production facilities and the chance to meet some of the artists, artisans and support staff who make, stage, promote and present Scottish Opera’s productions.
Royal Scottish National Orchestra has offered the prize of a bespoke experience which would include time to meet with its CEO, Alastair Mackie, and a meeting with a player of the prize-winner’s choice. This prize also includes attending a rehearsal and a pair of concert tickets.
Scottish Chamber Orchestra is offering a bespoke experience including time to meet with their CEO, Gavin Reid, a meeting with a player of choice, the opportunity to attend a rehearsal, and a pair of concert tickets.
Other orchestras and ensembles offering prizes include The Dunedin Consort, one of the world’s leading Baroque ensembles, who are offering concert tickets, an invitation to attend a rehearsal, and some one-to-one time with a player.
Scottish Ensemble, Glasgow’s pioneering string orchestra has offered a competitor the opportunity to attend a rehearsal, 2 tickets for a performance and the chance to meet Scottish Ensemble staff and/or performers to get an insight into music careers and opportunities.
The Cumnock Tryst, founded by Sir James MacMillan, is offering a finalist the opportunity to perform a solo recital in its year-round programme in 2024-25.
The Royal Conservatoire of Scotland, host of the national final, is offering the winner of the solo competition a coaching session with the relevant head of department, participation in a masterclass, and a studio recording session with an accompanist provided, giving the winner a quality recording that could be used for auditions. The Conservatoire is also providing two runners up a coaching session with the relevant heads of department and participation in a masterclass.
Trinity Laban Conservatoire of Music and Dance, recognised as an innovative world leading institution, is offering a winner an immersive bespoke day reflective of their musical interests and aspirations.
This will include a private lesson, a professional studio recording, along with a variety of opportunities such as observing masterclasses, attending performances, and other special events.
Trinity has a leading reputation for musical theatre and jazz which could present a unique opportunity for a winner in these genres. All travel and accommodation costs will be included along with an overnight stay for both the winner and their chaperone.
Haydock Music, a specialist music store in Milngavie, Glasgow, Band Supplies, one of the leading Brass & Woodwind Suppliers in the UK, and The Wind Section, who are also one of the UK’s leading musical instrument retailers, are all offering voucher prizes for some of the finalists. Stringers of Edinburgh, the UK’s leading online retailer for violinists, violists and cellists is offering the prize of a BAM Case for the most promising in the competition.
The Corner Shop PR, leading Arts PR agency based in Edinburgh, is offering half a day of media and social media training which will cover everything from interview training to how to best utilise your social media accounts for a professional career in music.
As previously announced, the overall winner of the national competition will also receive a stunning sculpture by Alexander Stoddart, the King’s Sculptor in Ordinary, of the Maid of Morven playing the Clarsach.
Scottish Young Musicians will also gift the winner of Solo Performer of the Year £1,000 to be spent on activities or items to further their musical career. Two runners up will receive a prize of £250 each also to be used for musical activities.
Ursula Jones OBE, in memory of the virtuoso trumpeter Philip Jones CBE who founded one of the world’s most celebrated brass ensembles, has donated £250 to the most promising solo brass player, to be spent on music related activities.
Ursula will also be at the final to present the Brass Ensemble of the Year trophy and cash prize to Stranraer Brass. East Lothian Council Instrumental Music Service Senior String Ensemble, who won the overall Scottish Young Musicians Ensemble of the Year, will also be presented with their cash prize and trophy, and both ensembles will perform at the final in an all-expenses paid trip.
Deciding the winners of all of these outstanding prizes will be an adjudication panel of musical experts.
Scottish Young Muscians, Glasgow, 2022
John Logan, Head of Brass at RCS, will be chairing the panel of adjudicators. He will be joined by Sarah Ayoub of the multi-instrumental composing and performing duo the Ayoub Sisters, who were discovered by Mark Ronson and are recognised internationally for their chemistry on stage and ability to unite different musical genres and cultures together through their unique compositional style.
Internationally renowned soprano Judith Howarth will also sit on the panel as the vocal specialist judge, and Heather Nicol, Head of Woodwind at Royal Conservatoire of Scotland, will be the woodwind specialist judge.
Ross Leighton of Fatherson fame completes the judging line-up, bringing expertise from his career in the alternative rock scene, having toured with bands such as Biffy Clyro, Panic! at the Disco and Enter Shikari.
The final will be presented by singer and broadcaster Jamie MacDougall, who will meet with all the young performers backstage beforehand, and feature a special video welcome by international classical violinist Nicola Benedetti.
Alan Kerr, Chair of Scottish Young Musicians, said: “I’m delighted to see Scottish Young Musicians build on the firm foundations achieved in its first year to now cover 99% of the country.
“The support we’ve had from the Scottish music community and from further afield has been incredible. The reach we have made into Scotland’s communities has benefited countless students, enhancing their performance abilities and life-skills, useful whether they want to pursue a career in music or elsewhere. Our goal is to go even further next year.”
Jane Davidson, Director of Outreach and Education at Scottish Opera, said: “Scottish Opera is delighted to be part of this year’s Scottish Young Musicians Competition and we look forward to welcoming the winners in the vocalist category to a special tour of our rehearsal and production facilities to meet some of the artists, artisans and support staff who make, stage, promote and present our productions.
“The competition, as well as the preceding heats at local authority level across Scotland, are a wonderful way to encourage the next generation of performing artists and further proof, if any were needed, that music and the performing arts continue to be celebrated as an crucial element of school life.”
Ross Leighton, frontman of Fatherson and one of this year’s adjudicators, said:“I can’t wait to be a part of this year’s judging panel! I’m always blown away with the amount of talent Scotland has and to witness this stage of these young musicians’ careers is an honour.
“This competition is the perfect opportunity to display their unique abilities and join a community that will encourage a new era of Scottish creativity, which is super inspiring and I’m really looking forward to hearing them do their thing!”
Juliet Robertson, winner of Scottish Young Musicians Solo Performer of the Year 2022, said:“Winning the Scottish Young Musicians Solo Performer of the Year was incredible and led on to so many amazing opportunities including being on Penny Smith’s show on Scala Radio, visiting 10 Downing Street for Burns Night, playing in several concerts and I am attending an international piano summer school soon.
“It has been an absolutely incredible journey and a life-changing experience. The finals day was great and inspiring so I really hope that all of this year’s performers enjoy it too!”
