★ Two-part Vocal Programme officially begins in September 2024
★ TASTER DAY set for 5th May, including a Concert, Performance Classes, Coaching and Ensemble Work for ages 13 – 18, led by vocal experts
St Mary’s Music School, an established internationally recognised specialist music school based in Edinburgh’s West End, has announced an exciting new two-part expansion to their music education: theChanging Voices Programme and theSenior Vocal Programme.
These programmes will create opportunities for young singers who are interested in developing classical solo voice to the next level.
The Vocal Programmes are designed to support young aspiring singers in realising their potential. With a focus on expert coaching and teaching, these programmes run concurrently with the School’s academic classes, reinforcing the School’s reputation as a leader in shaping musical education.
Head of Voice Kate Aitken said: “The new vocal programmes at St Mary’s Music School are a fantastic and significant addition, not only to the School and its pupils, but to music education in Scotland.
“The programmes will give passionate young singers a place where they can thrive and hone their craft in a safe and supportive environment. Vocal education is not just about receiving great singing lessons, the creation of a complete programme for young singers will help to develop and inspire the next generation of singers: this has been a long time coming!”
To experience what the new programmes have to offer, a Vocal Taster Day will be held on 5 May 2024, opening the School’s doors to prospective pupils and their families who want to learn more about specialist vocal training for children aged 13 – 18.
With notable former pupils including Alexander Armstrong, Steven Osborne, Brìghde Chaimbeul, and Aaron Akugbo, the new Vocal Programmes expansion at St Mary’s Music School hopes to see wider pools of exciting new talent emerge to lead the upcoming generations of singers across Scotland and beyond.
Director of Music John Cameron said: “To add a comprehensive programme for singers to sit alongside the instrumental training we offer is hugely exciting and speaks to the ambition of the School.
“Early exposure to movement, drama, languages and poetry as well as singing lessons and ensemble work is key to the development of young singers whilst the voice settles and grows. We look forward to being able to offer this new programme and look forward to watching it grow.”
Scotland’s culture and creative sector will be helped to flourish on the world stage with the launch of Inspiring Connections: Scotland’s International Culture Strategy 2024-30, according to Culture Secretary Angus Robertson.
The strategy sets out the value of international activity to Scotland’s culture and creative sector. It recognises the importance of international engagement to learning, innovation and to the sector’s long-term sustainability.
Mr Robertson said: “Scotland’s culture and creative sector and our historic environment are internationally renowned. Our festivals, vibrant music scene and rich cultural heritage bring people from across the world to Scotland.
“The strategy sets out our vision for international engagement to be central to the long-term development of the sector. We are starting from a strong position, but we know that recent challenges have made international cultural engagement increasingly difficult.
“Developing international cultural connections will create new opportunities, make our culture and creative sector more vibrant and diverse, and help it to reach new audiences and markets across the world.”
Julia Amour, Director, Festivals Edinburgh, said: “Edinburgh’s Festivals are a place for Scotland and the wider world to exchange creative ideas, and this new International Culture Strategy recognises the importance of such an international outlook for artists, creatives and citizens across Scotland.
“We look forward to working with colleagues and Scottish Government on these ambitions to help strengthen our nation’s cultural fabric.”
The Edinburgh Festival Chorus will perform with the BBC Scottish Symphony Orchestra in Glasgow and Edinburgh in March 2024 to mark the 150th anniversary of Verdi’s Requiem
This will be the final chance to catch them before their performance at the Edinburgh International Festival in August
The performances also mark their first appearances since the appointment of their new Choral Director, James Grossmith, in 2023
The Edinburgh Festival Chorus are set to perform Verdi’s Requiem this month in Glasgow and Edinburgh, 150 years after its premiere in Milan in 1874. These performances also mark their first public performances since the appointment of James Grossmith as Choral Director in September 2023.
The performances, which take place on the 21st of March at Glasgow City Halls and the 24th of March at the Usher Hall in Edinburgh, will see the Chorus performing the Verdi’s highly operatic funeral mass with the BBC Scottish Symphony Orchestra, conducted by the orchestra’s Chief Conductor, Ryan Wigglesworth.
Verdi’s Requiem is a highly theatrical and epic Catholic funeral mass which was written following the death of Verdi’s Italian poet, philosopher and novelist, Alessandro Manzoni.
The Edinburgh Festival Chorus are often credited as being the “choral backbone” of the Edinburgh International Festival’s programme. The chorus was founded in 1965 and has run continually since then. It’s comprised of 130 singers from all walks of life from all around Scotland who are selected through an auditions process and rehearse weekly.
Since the creation of the Chorus, its singers have had the opportunity to perform alongside the likes of Leonard Bernstein and the London Symphony Orchestra, Marin Alsop and the São Paulo Symphony Orchestra, Herbert von Karajan’s Berlin Philharmonic and Gustavo Dudamel and the Los Angeles Philharmonic.
This is the last chance to see The Edinburgh Festival Chorus in concert before the Edinburgh International Festival in August, where the Chorus will perform Alexander Grechaninov’s Passion Week.
The Edinburgh International Festival unveils an expansive programme of world-leading opera, music, theatre and dance from 2-25 August 2024, when the original festival that defines Edinburgh as the world’s Festival City returns for another year.
This is the second year under the helm of Festival Director and Scottish violinist, Nicola Benedetti. ‘Rituals That Unite Us’ is the theme underpinning the 2024 Edinburgh International Festival, responding to an overwhelming desire for togetherness from artists and audiences following on from 2023’s question ‘Where Do We Go From Here?’.
From immersive beanbag concerts and virtual reality to drop-in rehearsals and a site-specific promenade opera, the 2024 programme is defined by a deepened commitment to creating a closer union between audiences and artists through innovative and informal experiences.
To reach the broadest possible audience, 50% of tickets for the 2024 International Festival will be sold at £30 or under, free tickets are available for young musicians, and £10 Affordable Tickets will be available for every performance in the 2024 programme.
Classical Music: Yuja Wang, Elim Chan, Marin Alsop, Jakub Józef Orliński, Alison Balsom, Hilary Hahn, Dame Sarah Connolly, Ian Bostridge, Steven Osborne, Nicola Benedetti, Maxim Emelyanychev, Sir Mark Elder, Sheku Kanneh-Mason, Sir Donald Runnicles, Gianandrea Noseda, Jennifer Stumm, Thierry Fischer, Philharmonia Orchestra, Bamberger Symphoniker, Ilumina, The Hallé, European Union Youth Orchestra
Opera: Malin Byström, Opéra-Comique, Komische Oper Berlin, Scottish Opera, Kirill Serebrennikov, Sir Andrew Davis, James Gaffigan, Saimir Pirgu, Golda Schultz
Theatre and Dance: Internationaal Theater Amsterdam, Jack Lowden, Crystal Pite, Grupo Corpo, Aakash Odedra, David Ireland, Vicky Featherstone, Stef Smith, 1927, Eline Arbo, Christiane Jatahy, Scott Silven, Teatro La Plaza
Contemporary Music: Cat Power, Bat for Lashes, Chilly Gonzales, Youssou N’Dour, The Magnetic Fields, The Grit Orchestra, Tirzah, Jordan Rakei, Balimaya Project, Endea Owens, Domo Branch Celtic Music: Breabach, Mànran, Ceilidh Trail, Cätlin and Marko Mägi, Finlay MacDonald and Ali Hutton, Goitse, VRï
Scottish companies and ensembles: Scottish Chamber Orchestra and Chorus, National Theatre of Scotland, Royal Lyceum Theatre Edinburgh, Scottish Opera, National Youth Choir of Scotland, Royal Scottish National Orchestra, BBC Scottish Symphony Orchestra, Edinburgh Festival Chorus, Scottish Ballet
From 2-25 August 2024, Edinburgh International Festival presents a hand-picked selection of leading international and local local artists in the world’s Festival City, with 24 days of world-class opera, dance, music and theatre.
The 2024 programme comprises 161 performances from over 2000 artists across 42 nations, all joined under the theme,‘Rituals That Unite Us’.
The theme responds to an overwhelming desire for togetherness from artists and audiences following on from 2023’s question ‘Where Do We Go From Here?’.
Reasserting the value of shared experiences, the 2024 International Festival celebrates the practices, traditions and festivities that give us meaning and connect us – as a festival, a city, and as a society.
The second year under Festival Director and Scottish violinist Nicola Benedetti, the 2024 programme offers an increased range of innovative and informal audience experiences, designed to create closer union between artists and audiences.
Audiences can enjoy a virtual reality experience filmed within an orchestra, a site-specific promenade opera and, by popular demand, an expanded programme of beanbag concerts placing the audience among performers to experience music in a unique way.
The programme also features an all-ages family concert, a participatory dance and music work outside The Scottish Parliament, and post-show talks with artists in The Hub, returning with a bigger programme as the International Festival’s home and ‘green room’. This year the venue will be open to the public for informal dining, drop-in rehearsals and Up Late performances.
There is also a deepened commitment to reach the broadest possible audience, with 50% of tickets for the 2024 International Festival to be sold at £30 or under, thousands of free tickets available for young musicians, and £10 Affordable Ticketsavailable for every performance in the 2024 programme.
Year round, the International Festival offers three pathways for people of all ages and backgrounds to make the most of their creative potential and create a growing social impact in Scotland.
Underpinning the 2024 Festival is an ambition to deepen connections with young people, communities and the arts industry, from a youth takeover day and opportunities for emerging talent to a first-time partnership with an Edinburgh community space and pop-up performances in NHS healthcare settings.
Highlights of the programme include:
Two world premiere theatre productions from Scottish creatives: The Fifth Step, a thrilling new play written byDavid Ireland,directed by Finn den Hertogand starring BAFTA-nominated Scottish actor Jack Lowden; and the stage adaptation of Amy Liptrot’s bestselling memoir,The Outrun, brought to life by Oliver Award-winning playwright Stef Smith, director Vicky Featherstone and Edinburgh’s producing theatre, The Royal Lyceum Theatre Company.
Five extraordinary operas, of which three are staged and two are performed in concert, including Opéra Comique’s production of Bizet’s Carmen with Gaëlle Arquez in the title role; and Komische Oper Berlin’s production of Mozart’sThe Marriage of Figaro, directed by Kirill Serebrennikov. A new production of Stravinsky’sOedipus Rex by Scottish Opera takes over the National Museum of Scotland, performed in promenade with a 100-strong community chorus from across Scotland.
A two-part opening weekend exploring different ways of telling the same great story, with two distinct interpretations of the Passion: Latin American and Afro-Cuban musical styles mix with contemporary classical expressions inthe Scottish premiere of Osvaldo Golijov’sLa Pasión según San Marcos, and the BBC Scottish Symphony Orchestra, their Chief Conductor Ryan Wigglesworth and the Edinburgh Festival Chorus take on Johann Sebastian Bach’s masterpiece,the St Matthew Passion, in Mendelssohn’s 1841 version.
The return of beanbag concerts, inspired by Budapest Festival Orchestra’s founder Iván Fischer’s shows last year, with the audience seated on beanbags to experience classical music in a unique way. A variety of musical performances include family-friendly presentations from European Union Youth Orchestra with Gianandrea Noseda, and Barokksolistene’s The Alehouse Sessions, transforming the Usher Hall into a 17th-century English tavern, complete with sea shanties and folk-favourites.
The Opening Event – a large-scale outdoor opening event for 10,000 people evoking the mythology and history of Scotland’s rich heritage, in collaboration with single malt Scotch Whisky, The Macallan, with creative producer Pinwheel. Further details will be announced closer to the event.
The Philharmonia Orchestra in residency, including performances of Verdi’s Requiem (conducted by Santtu-Matias Rouvali) and the International Festival’s Closing Concert, Strauss’s Capriccio (conducted by Sir Andrew Davis), with Malin Byström. The Philharmonia also present the UK premiere of Julia Wolfe’s Fire in my Mouth, a multimedia performance conducted by Marin Alsop, with the National Youth Choir of Scotland.
A stellar dance and theatre offering full of UK, European and World Premieres with leading creatives and companies such as Internaational Theater Amsterdam, Crystal Pite, Kidd Pivot, Grupo Corpo, Aakash Odedra, National Theatre of Scotland, Jack Lowden, 1927, Teatro La Plaza, Émilie Monnet, Waira Nina, Christiane Jatahyand more.
The Bamberger Symphonikerin residence with conductor Jakub Hrůša for three performances that include works by Brahms, Dvořák and Hans Rott, and a family-friendly explainer event, Beyond the Score, taking a deep dive into Dvořák’s New World Symphony.
A final residency with Ilumina, the São Paulo-based artist collective founded by violinist Jennifer Stumm. Known for their model of 21st century creativity and artist-led advancement of diverse talent, their first visit to the International Festival sees them give two concerts with the audience seated on beanbags and two performances in The Hub.
Projects which go beyond the performances on stage with an ambition to create a growing social impact in Scotland through the performing arts, include: a first-time Community Connections Hub, inviting audiences to experience the Philharmonia Orchestra in Virtual Reality within their own community space; Culture Clubs bringing together community groups to explore ‘Rituals that Unite Us’ through a shared meal and performance; pop-up performances in NHS healthcare settings; a Youth Takeover Dayfor senior pupils in Edinburgh schools; and schools performances and workshops across music, opera, theatre and dance for secondary school pupils.
A contemporary music programme including gifted singer-songwriter Cat Power; indie-pop sensation Bat for Lashes; polymath composer and piano personality Chilly Gonzales;beloved orchestral-pop group The Magnetic Fields; one of the most famous voices in African music, Youssou N’Dour; the mighty 80-piece contemporary Scottish GRIT Orchestra; South London electronic singer-songwriter Tirzah; a blend of West African folkloric music, the sounds of Black London and the London jazz scene with Balimaya Project; and a signature mix of electronic and soul from New Zealand-born Jordan Rakei.
Leading soloists include Dame Sarah Connolly, Yuja Wang, Golda Schultz, Alison Balsom, Hilary Hahn, Jakub Józef Orliński, Sheku Kanneh-Mason, Ian Bostridge, Steven Osborne and more.
The Hub, the International Festival’s HQ on the Royal Mile, is once again home to the most intimate performances and discussions from virtuosic musicians sharing their respective culture, traditions and rituals through music and instrumentation. A programme of leading Celtic musicians includes Irish quintet Goitse, an International Festival debut from Welsh folk band VRï and the 25th anniversary of Fèis Rois’ Ceilidh Trail. Further across the globe, innovative musicians from Brazil, China, America, Egypt, Kyrgyzstan, Indonesia, West Africa and India come to Edinburgh in a truly international programme.
As part of the International Festival’s ongoing commitment to accessibility, the 2024 programme includes 25 accessible performances, including ten audio described performances, five BSL interpreted performances, and nine captioned performances.
The concession ticket for D/deaf, disabled and neurodivergent people is increased from 30% to 50% off all full price tickets, with options for a free essential companion ticket still available where required.
The types of accessible seating options held for members of the free Access Pass initiative has also been expanded to include aisle seats and seats with additional leg room, across all Festival venues.
General booking for the 2024 International Festival opens on Thursday 21 March, with tickets currently on-sale to Members and supporters.
Nicola Benedetti, Festival Director, Edinburgh International Festivalsaid: “As we join forces with the world’s greatest artists and bring them here to Edinburgh, we do so with a deeper dedication to our audience.
“This year the Edinburgh International Festival inaugurates new and reimagined rituals, honouring tradition and innovation, to bind us closer together. We invite you to seek and gather with us this August – there is always something new to discover.”
Culture and Communities Convener, Councillor Val Walkersaid: “It’s fantastic to see the 2024 programme for the Edinburgh International Festival. This promises to be a unique and exciting chapter in the Festival’s rich history with over 2000 of the world’s extraordinary artists performing here this August.”
“It’s particularly encouraging to see initiatives such as making free tickets available for young musicians, and £10 Tickets available for all performances.
“Given we are in the midst of a challenging cost of living crisis and our festivals have a key role in providing us all with opportunities to enjoy exceptional and entertaining experiences, these will hopefully contribute towards the goal of choice and access for everyone in our city.
“The International Festival is an integral part of the Capital’s cultural calendar and as a Council we’re proud to support it.”
Kaukab Stewart, Scottish Government Minister for Culture and International Development, said: “As we raise the curtain on another Edinburgh International Festival, we’re reminded of the power of art to unite and inspire us all.
“More than 2,000 artists from 42 countries will exhibit their talents, and these extraordinary performances from a diverse range of cultures and traditions reaffirms Scotland’s place as the perfect stage to host major events.
“As the new Minister for Culture, I’m proud to welcome the world to Scotland for the International Festival, and I’m looking forward to enjoying an abundance of exceptional entertainment taking place on our doorstep.”
Arts and Heritage Minister Lord Parkinson said: “For more than three quarters of a century, the Edinburgh International Festival has provided a platform for the world-class music and performing arts we are so proud to have in this country, as well as for brilliant artists and musicians from across the globe.
“The millions of people who flock to Edinburgh to enjoy and take part in it each year enrich our lives and fuel our shared economy. That’s why the UK Government is so proud to support it.
“The arts have a unique power to bring us together, and to help us see the world through others’ eyes. I’m delighted that, this year, the International Festival will focus on the rituals that unite us – and look forward to seeing the diverse and dynamic work that theme inspires.”
Iain Munro, Chief Executive, Creative Scotlandsaid: “Nicola Benedetti continues to drive the Edinburgh International Festival programme forward in her second year as Director with another inspired artistic offering.
“This year’s thematic focus on unity and togetherness provides opportunities to blur the lines between artist and audience, promoting connection and communal experience in our increasingly divided world.
“The International Festival continues to earn its reputation as a shining light in the global cultural calendar by uniting people through great art.”
Further programme information by genre:
Classical Music
Edinburgh International Festival welcomes the world’s top orchestras and musicians for 22 spectacular symphonic concerts at Usher Hall and 19 intimate morning recitals at The Queen’s Hall. The symphonic concert series revolves around residencies from three outstanding orchestras and ensembles.
Offering unique perspectives on how we experience a contemporary symphony orchestra, these residencies allow for a more profound engagement with Edinburgh communities, from primary school pupils to emerging artists, extending the orchestra’s presence beyond Usher Hall.
This approach also lowers the environmental footprint for each performance by the visiting artists.
Scottish schools to take centre stage in just two weeks
THE COUNTDOWN is on for 99 schools set to compete in one of the nation’s biggest piping and drumming events.
On Sunday 10th March, 99 schools in Scotland will blow up a storm at the Scottish Schools Pipe Band Championship (SSPBC), with participating schools joining from all over Scotland, from the Highlands to Ayrshire.
Entries are also now officially open for the competition’s coveted Eilidh MacLeod Endeavour Award – an award honouring the young Manchester Arena attack victim from Barra, who would have turned 21 last month.
The Championships was launched in 2013, as part of a nationwide drive by the Scottish Schools Pipes and Drums Trust (SSPDT) to revive dwindling access to the instruments – despite evidence of multiple positive benefits.
Alexandra Duncan, Chief Executive of SSPDT, said: “The Championships are a huge day in the piping calendar and this, the 10th Championships, will be bigger than ever.
“We’re very grateful to East Ayrshire Council for hosting the event and working closely with us in order to bring the fun-filled day back to Ayrshire. As the big day gets closer, we can’t wait to welcome 99 schools to what is always an incredible, music-filled celebration.”
Featuring 85 performances across the day, the event will be hosted by East Ayrshire Council and see pipe bands, quartets and freestyle ensembles go head-to-head at the William McIlvanney Campus in Kilmarnock on 10 March 2024. Expert judges will adjudicate eight categories, ranging from Debut to Novice Juvenile.
The Championship is independently organised by the Scottish Schools Pipes and Drums Trust (SSPDT). It carries the support of the Royal Scottish Pipe Band Association (RSPBA) but is not a RSPBA competition.
SSPDT believes that every pupil should have the chance to learn the pipes and drums on the same basis as other school instrumental tuition.
The national charity was formed with the belief that pipe bands are much more than a musical pastime; they help young people develop life and employability skills such as teamwork, resilience and perseverance, community spirit, self-confidence, camaraderie and a sense of discipline and dress.
The charity’s founders also recognised that where community pipe bands were folding or had an aging membership, tuition in schools could create younger new players to join them, and thus help safeguard Scotland’s musical heritage.
This year’s music programme for Edinburgh Tradfest is now on sale.
More festival events including film, storytelling, book launches and workshops will be announced at the Edinburgh Tradfest 2024 full programme launch on Wed 13 March at 10am at the Traverse Theatre in Edinburgh. (save the date – full details to follow)
VALTOS | NORDIC FIDDLERS BLOC | THE FRETLESS | BIRDVOX | TRIPTIC | DAIMH | JULIE FOWLIS | LENA JONSSON & BRITTANY HAAS | MARTIN SIMPSON
This year’s festival programme includes a fantastic line-up of live music at the Traverse and various venues across Edinburgh, thanks to continued support from The National Lottery through Creative Scotland, and the William Grant Foundation.
Opening the Festival on Friday 3 April at the Queen’s Hall is VALTOS which has taken the trad and electronic music world by storm. The band led by Daniel Docherty and Martyn MacDonald will be joined by award-winning singer/songwriter Josie Duncan and more special guests to be announced.
Birdvox (Inge Thomson, Charlotte Printer, Jenny Sturgeon, Sarah Hayes) headline Traverse 1 on Thu 9 May.
Over the 11 days of the Festival there will be live music and workshops involving more than 100 musicians, including velvet harmonies from fresh new electro-trad band Birdvox (Inge Thomson, Charlotte Printer, Jenny Sturgeon, Sarah Hayes); Triptic formed from three members of Moishe’s Bagel (Greg Lawson, Phil Alexander and Mario Caribe), Canada’s finest fiddle quartet The Fretless joined by award-winning folk singer-songwriter Madeleine Roger; Scandi-fiddlers Nordic Fiddlers Bloc (Olav Luksengård Mjelva, Kevin Henderson and Anders Hall);Gaelic supergroup Dàimh; multi-award winning acoustic and slide guitar master Martin Simpson; raucous fiddle folk duo Lena Jonsson from Northern Sweden and Brittany Haas from Northern California; and, one of Scotland’s best loved traditional music stars Julie Fowlis who will play at the festival’s closing concert in the Assembly Rooms with special guests Laura Wilkie and Ian Carr.
There will also be soloists and new emerging musicians performing every night in Traverse 2 including LA-based singer-songwriter Alice Howe (appearing with Freebo), multi-award-winning singer/harpist/composer Rachel Newton; electrofolk fiddle player Frankie Archer who won the 2023 Christian Raphael Prize and has featured on Later…With Jools Holland; piper Malin Lewis; jazz-crossover folk duo Norman&Corrie; Simon Bradley Trio (Simon Bradley, Anna-Wendy Stevenson, Michael Bryan); virtuoso musicians Simon Thoumire and Dave Milligan; Irish fiddler and bilingual singer ClareSands; and BBC Radio Scotland’s Young Traditional Musician of the Year finalist 2024 Evie Waddell.
This year’s special commission is Everyone’s Welcome to Edinburgh curated and arranged by award-winning fiddler Robbie Greig, with new and old tunes, and songs hailing from the capital city.
Robbie will be joined for the gig by some of the most talented musicians in Scotland – Ciaran Ryan, Duncan Lyall, Hannah Rarity, Jenn Butterworth, and Signy Jakobsdottir.
Returning in 2024 is the festival’s popular Rebellious Truth lecture presented in collaboration with Celtic and Scottish Studies at the University of Edinburgh.
This year it will feature a talk and performance by legendary folk musician and broadcaster Archie Fisher which will be in-person andlive-streamed.
Also returning is the ETF Spotlight showcasing four of the most exciting new artists emerging in folk and traditional music today – Scots song and tunes trio ELIR , clarinet and accordion duo AnnaScott and Ciorstaidh Chaimbeul from the Isle of Skye, the freshly formed folk trio Beatha (Iona Reid, Cam Lawson and Kenneth MacFarlane), and virtuoso solo guitarist Miguel Girão.
And, finally Hands Up For Trad’s very own #WorldPlayAStrathspeyDay annual concert is back on Saturday 4May, the day when people all around the world are invited to record, video and upload themselves playing a strathspey to social media.
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “Every year we spend the run up to Edinburgh Tradfest searching for the very best traditional musicians from across Scotland, across the world and across the generations.
“There is such a wealth of talent out there. We hope you will find some of your favourite artists represented and some future favourites to try. We can’t wait to share this year’s festival with you.”
The full programme for this year’s Edinburgh Tradfest including events at the Scottish Storytelling Centre, the Folk Film Festival, and the Edinburgh Folk Club will be launched on Wednesday 13 March and will include an unmissable line-up of talks, adult and children’s music workshops, ceilidhs, films, and storytelling thanks to continued support from The National Lottery through Creative Scotland, and the William Grant Foundation.
Edinburgh Tradfest 2024 will run from Friday 3 May – Monday 13 May. For tickets and more information visit edinburghtradfest.com
A record 73 schools bands will take centre stage at the 10th Scottish Schools Pipe Band Championships on 10th March.
The Championships, the largest event of its kind in the world, sees schools pipe bands, freestyle groups and quartets gather to celebrate young musical talent.
Alex Duncan, CEO of the organising charity, said: “The Championships has been going from strength to strength since the start in 2013. There is something for every level; quartets for beginners right up to Juvenile grade for bands at the top of their game.
“The freestyle competition is very popular where any style of music and any combination of instruments go, as long as they include the pipes. This year sees 17 freestyle bands ready to battle it out in March.”
The event will take place on Sunday, March 10, 2024 at the William McIlvanney Campus in Kilmarnock.
David Johnston, Convenor of the SSPDT, said: “The Championships are one of the highlights of many schools’ calendars and we can’t wait to welcome everyone. Also, anyone wanting to start a pipe band in their school is also very welcome to come and see what can be achieved.
“It’s always a special day at the Championships. The team at East Ayrshire Council which is hosting the event at the William McIlvanney campus are superb and will help make it a very enjoyable day.
“Pipe bands build confidence, resilience, friendships, perseverance and other skills that help young people succeed in life. Teachers are still seeing the effects of the pandemic on young people, and more than ever recognise how pipe bands support wellbeing and wider achievement.”
The Championship is independently organised by the Scottish Schools Pipes and Drums Trust (SSPDT). It carries the support of the Royal Scottish Pipe Band Association (RSPBA) but is not a RSPBA competition.
Provost Jim Todd, East Ayrshire Council said: “The pipes will be calling us to Kilmarnock Academy at the William McIlvanney Campus on Sunday 10 March for the Scottish Schools Pipe Band Championships.
“It is a real honour to be hosting the competition, which is now in its tenth year, and to welcome young people and their families from all over Scotland to East Ayrshire.
“I will be there to enjoy the music and cheer on our young people. The standard of performance last year was exceptional and I can’t wait to celebrate the wealth of talent that I am sure will be taking to the stage this year.”
The Scottish Schools Pipes and Drums Trust was formed with the belief that pipe bands are much more than a musical pastime; they develop life and employability skills such as teamwork, resilience and perseverance, self-confidence, camaraderie and a sense of discipline and dress.
The charity also recognises that in parts of Scotland the pipes and drums are not taught in state schools and where community pipe bands have disappeared too, the fragile cycle of teaching and learning traditional music is being lost.
The charity awards grants to towards tuition and other band-related costs, lends bagpipes and concert chanters free of charge, and runs paid apprenticeships for aspiring tutors.
