Tag: music

Scottish Opera presents Double Bill at Lammermuir Festival and also in Glasgow and Edinburgh

On 4 September, Scottish Opera’s 2025/26 Season opens at Lammermuir Festival in East Lothian with a performance of two caustic comedies of infidelity: Maurice Ravel’s L’heure espagnole (marking 150 years since the composer’s birth) and William Walton’s The Bear.

This irresistible evening of musical mischief takes place at St Mary’s Parish Church in Haddington and is conducted by French opera expert Alexandra Cravero (Thérèse 2022.) Jacopo Spirei, who worked extensively with renowned opera director Sir Graham Vick, directs this new concert staging, reimagining these operas as short, comic television episodes. 

Designs are by the award-winning Kenneth MacLeod, who is also working with the Company this Season on Opera Highlights.

This concert continues Scottish Opera’s long-running partnership with Lammermuir Festival and demonstrates its commitment to exploring and championing lesser-known pieces by great composers.

There are further opportunities to see Ravel’s and Walton’s mini masterpieces at Theatre Royal Glasgow in October and Festival Theatre Edinburghin November.

These performances, supported byThe Scottish Opera Endowment Trust, feature former Emerging and Associate Artist and Education Artist-in-Residence Lea Shaw; Chloe Harris and Edward Jowle, returning as 2025/26 Emerging Artists; Company favourite Jamie MacDougall; and 2025/26 Emerging Artists Daniel Barrett and Luvo Maranti. They are accompanied by The Orchestra of Scottish Opera.

Ravel’s Spanish-influenced L’heure espagnole sees a turn from melodramatic to farcical. A clockmaker’s serially unfaithful wife must come up with increasingly creative ways to hide her lovers over 21 fast-paced scenes.

The Bear, a witty one-act opera by English composer William Walton based on a Chekhov play, finds a widow confronting her late husband’s legacy — and serial adultery — when a creditor comes knocking.

While the two composers’ sound worlds are unique, they both examine the workings of imperfect human hearts with wry empathy.

Jacopo Spirei said: ‘I wanted to explore how two women, one trapped in time, the other in mourning, fight to reclaim control of their own narratives. L’heure espagnole and The Bear may be comedies, but beneath the farce lies a sharp, emotional truth about independence, desire, and transformation.

‘By reframing L’heure espagnole and The Bear as if they were episodes in your Netflix queue, we hold up a screen to modern life, where emotions are edited, stories are bingeable, and even grief gets a promo. But what happens when women stop playing the roles they’ve been given?’

Alexandra Cravero said: ‘L’heure espagnole and The Bear are both about women in love and highlight the differences between Ravel’s French style and the British style of Walton.

“The French style invites us to savour the sensuality of orchestral colour, enhanced with a touch of Spanish elegance. In contrast, the British style surprises with its rhythmic intensity. Though composed 60 years apart, these two works humorously explore the complexities of love, across centuries and civilisations.’

James Waters, co-director of Lammermuir Festival said: ‘Over the last 8 years, our partnership with Scottish Opera has brought festival goers a fantastic variety of works and is always a much talked about highlight of the festival.

“This year, as the centrepiece of our tribute to Ravel in his 150th anniversary year, Scottish Opera’s concert staging of his one-act opera L’heure espagnole is certain to be a huge hit.

“In addition, this double bill promises more with Walton’s one-act chamber opera, The Bear. It’s a great programme, a night of operatic comedy and ravishing music and we look forward to being entertained and wowed once again.”

At the Glasgow and Edinburgh performances of the double bill, tickets start from just £23, and with 50% of seats on sale priced under £40, Scottish Opera ensures world-class opera remains accessible to everyone across Scotland.

In addition,£15 are tickets available for under-26s and students at every performance. Over 800 free tickets have been provided to schools since 2022, often introducing pupils to live opera for the first time, and over 1,600 free tickets have been distributed to New Scots communities across the Glasgow, Aberdeen, Inverness and Edinburgh. Free tickets are also available for schools, colleges, and community groups, with travel subsidies where needed.

In December, Scottish Opera’s Opera is Concert series continues at Usher Hall Edinburgh with Tchaikovsky’s Heroines & Heroes. This features selections from Eugene Onegin, Iolanta, and The Maid of Orleans conducted by Scottish Opera Music Director Stuart Stratford.

With a cast including Lauren Fagan (Ainadamar 2022), Josef Jeongmeen Ahn (Don Pasquale 2024), and Natalia Kutateladze and Robert Lewis in their Company debuts, this concert features extended excerpts from three of the iconic Russian composer’s best works, which all centre complex and richly drawn women.

Eugene Onegin is a deeply moving tale of unrequited love and high society life; The Maid of Orleans is a romantic retelling of the story of Joan of Arc; and Iolanta, the last opera Tchaikovsky composed, is a dreamlike fairy tale of a blind princess discovering the world outside her isolated garden home. Allowing audiences to discover his music — which blended French and German influences with Russian traditions —  beyond The Nutcracker, this is the perfect winter night out.

L’heure espagnole & The Bear and Tchaikovsky’s Heroines & Heroes are supported by The Scottish Opera Endowment Trust and Friends of Scottish Opera.

Tickets for L’heure espagnole & The Bear, and Tchaikovsky’s Heroines & Heroes are available from www.scottishopera.org.uk

Double bill creative team

Conductor                               Alexandra Cravero

Concert Staging                      Jacopo Spirei

Designer                                  Kenneth MacLeod

Lighting Designer                    Andrew Burnside

Cast of L’heure espagnole

Concepción                             Lea Shaw
Torquemada                            Jamie MacDougall
Ramiro                                     Daniel Barrett*
Don Iñigo Gomez                    Edward Jowle*
Gonzalve                                 Luvo Maranti*

Cast of The Bear

Yelena Ivanovna Popova                    Chloe Harris*

Grigory Stepanovich Smirnov            Daniel Barrett*

Luka                                                    Edward Jowle*

*Scottish Opera Emerging Artist 2025/26

Performance Diary

Lammermuir Festival  

St Mary’s Church, Haddington 

4 September 7.30pm  

Theatre Royal Glasgow  

18 & 22 October 7.15pm  

Festival Theatre Edinburgh  

15 November 7.15pm  

Pre-show talks  – 22 October & 15 November  

Audio description / Touch Tours  – 22 October & 15 November 

What’s the story? Council issues advice ahead of Oasis capital gigs

With Rock ‘n’ Roll stars Oasis arriving in Edinburgh next week, the city council has released advice for residents, businesses, and visitors:

The sold-out shows taking place at Scottish Gas Murrayfield on Friday 8, Saturday 9 and Tuesday 12 August mark the band’s first appearance in the Capital since 2009 and are expected to draw Supersonic crowds of up to 210,000 fans over the three nights.

And we won’t just Roll with it. To keep the city running smoothly for everyone, planning has been underway for some time in collaboration with our partners. There has also been regular engagement with residents, particularly in the Murrayfield area to plan ahead and address any concerns.

As the fans Slide Away, we will be making sure key areas surrounding Murrayfield will be tidied up all three nights after each show. We will be dedicating extra litter collectors for Roseburn Park too.

City of Edinburgh Council Leader Cllr Jane Meagher, said: “Excitement is building in Edinburgh for Oasis Live 25 as it’s our turn to witness rock history. With all of our partners in the city we’ve been planning for this for some time to make sure we’re ready to welcome thousands of Oasis fans over three nights.

“There will be extra trains, trams, and buses to accommodate concert goers, along with those attending our summer festivals. With this in mind we urge you to plan ahead.

“We are keen for everyone to have an enjoyable experience, not only at the show, but on their way before and after. Whilst we relish hosting the biggest and best events and want everyone attending to truly enjoy themselves, it’s important that we remember our residents. We’ve had regular engagement with those living near Murrayfield to plan ahead and address any concerns.

“We ask that visitors are considerate and respectful of them whilst enjoying our fantastic capital city. We’re urging people to only travel to Murrayfield and the surrounding area if you have a ticket.”

To find out more, and for helpful information in the lead-up to the concerts, visit our dedicated events webpage.

Please also check the dedicated webpage of the Scottish Rugby Union with detailed advice for attendees.

In Search of Truth: Edinburgh International Festival unites artists and audiences

2025 THEME – THE TRUTH WE SEEK

  • The 2025 Edinburgh International Festival begins today with the first of more than 133 performances: the ultimate destination to experience world-class artists across music, theatre, opera and dance in creative and unconventional ways in Edinburgh this August.
  • Exploring the theme The Truth We Seek, more than 2,000 internationally renowned artists from across 42 nations, including a third of artists based in Scotland, will perform.
  • Upcoming highlights include: the world premiere of theatre blockbuster Make It Happen from James Graham, monumental 8-hour choral work The Veil of the Temple, an Australian reimagining of opera Orpheus and Eurydice featuring acrobatics, and the Scottish premiere of Nederlands Dans Theater, Simon McBurney and Crystal Pite’s Figures in Extinction.
  • To ensure that cost isn’t a barrier to cultural discovery, half the tickets for the 2025 International Festival will be sold at £30 or less, and £10 tickets have been made available for every performance across the programme. Tickets can be purchased from www.eif.co.uk.  

THE CURTAIN rises today on the 2025 Edinburgh International Festival, welcoming over 2000 artists from 42 countries to Edinburgh for a 24-day global celebration of world-class performing arts. 

The third year under Festival Director and celebrated Scottish violinist Nicola Benedetti, this year’s International Festival welcomes audiences to explore opera, music, theatre and dance through the lens of the theme The Truth We Seek, a journey into the elusive nature of truth in our personal and public lives.

This year’s programme invites audiences to experience bold, thought-provoking performances in fresh and unconventional ways. The opening weekend features large-scale participatory events The Big Singalong and The Ceilidh Sessions, celebrating the collective joy of singing and dancing outdoors in Princes Street Gardens, set against the iconic backdrop of Edinburgh Castle.

Elsewhere, the historic Old College Quad becomes the stage for the world premiere of Dance People, an outdoor dance performance, and a classic opera is reimagined with a twist in Orpheus and Eurydice, bringing together world-class musicians and performers with breathtaking acrobatics from Australia’s Circa.

The 2025 programme also opens up barriers to cultural discovery: more than 50,000 tickets are priced at £30 or less, £10 Affordable Tickets have been made available to all performances, and wide-reaching initiatives offer free tickets to NHS workers, young people and community groups to a range of Festival performances. 

Stand-out performances across the International Festival include: 

Make It Happen (1–9 August, Festival Theatre) 
The world premiere of a gripping new drama by James Graham, tackling the 2008 financial crisis in Edinburgh. Starring Brian Cox as Adam Smith and Sandy Grierson as Fred Goodwin, this timely co-production with the National Theatre of Scotland and Dundee Rep reframes the collapse of global markets through a distinctly Scottish lens.  

Opening Concert: The Veil of the Temple (2 August, Usher Hall) 
A spiritual epic: over 250 singers from the Edinburgh Festival Chorus, Monteverdi Choir and National Youth Choir of Scotland perform John Tavener’s The Veil of the Temple in its complete eight-hour form with the audience seated on beanbags. This year also marks the first performance in the Festival Chorus’s 60th anniversary year.  

Dance People (7–10 August, Old College Quad) 
Lebanese choreographer Omar Rajeh and Maqamat company present an open-air activation of dance, movement and activism. Performed outdoors in the heart of the city, it dissolves the lines between performance and real life. 

Orpheus and Eurydice (13-16 August, Edinburgh Playhouse) 
A highlight of the 2025 Festival’s opera programme, a fully staged Australian reimagining of Gluck’s Orpheus and Eurydice fuses together circus, acrobatics and world-class opera, in its European premiere.  

Figures in Extinction (22-24 August, Festival Theatre) 
Nederlands Dans Theater present the Scottish Premiere of Figures in Extinction in collaboration with Crystal Pite and Simon McBurney, confronting the hard truths about humanity’s impact on the world and art’s meaning in the face of mass destruction.  

The Hub, the International Festival’s headquarters on the Royal Mile, brings together a hand-picked variety of global musical styles and traditions, experienced up close in an intimate and informal performance space, including Up Late gigs from Alabaster DePlume (8 August) and Kathryn Joseph (9 August), and an interactive concert from Hanni Liang (7 August) inviting audience members to share their dreams, with a live response created on the piano. 

Events for families include Art of Listening for Families interactive workshops (4-9 August, Church Hill Theatre Studio), The Ceilidh Sessions (4 August, Ross Bandstand) and NYO2’s Family Concert (4 August, Usher Hall).  

Residencies bring London Symphony Orchestra, Poland’s NFM Leopoldinum and Carnegie Hall’s National Youth Orchestra 2 to Edinburgh for an extended, more sustainable stay that features multiple performances and community engagement. Highlight performances include NYO2’s Prokofiev’s Fifth Symphony, NFM with Bizet’s Carmen Suite and Beethoven and Shostakovich from the LSO, presented with insight from Sir Antonio Pappano and Festival Director Nicola Benedetti. 

Intimate morning recitals at The Queen’s Hall return with artists including María Dueñas, Mark Simpson and Richard Uttley and Bomsori Kim and Thomas Hoppe and spectacular evening orchestral concerts at Usher Hall with NCPA Orchestra from Beijing and pianist Bruce Liu, the Monteverdi Choir and the Budapest Festival Orchestra. 

Edinburgh International Festival Director, Nicola Benedetti said: “This year’s International Festival is a bold invitation to question the world around us – to seek, challenge and reflect on truth through the extraordinary lens of live performance.

“We’re honoured to welcome artists and audiences from across the globe to Edinburgh, and we remain deeply committed to making that experience more accessible than ever. Whether you’re here for an intimate recital, a powerful play, a mass singalong or an eight-hour choral epic, you’ll encounter connection, curiosity, and the power of great art to shift perspectives.

“This year’s Festival offers the possibility of truly transformational encounters and I look forward to sharing this with you.”

Councillor Margaret Graham, Culture and Communities Convener said: “Each year the International Festival offers a real variety of innovative and striking art and performance. 2025 is no different, with the programme encouraging Deep Thinkers, Social Butterflies, The Curious and Romantics.

“The range, from outdoor ceilidhs to epic opera, means there is truly something for everyone, bringing together world class performers from around the globe and here in Scotland. There are several different price options that will let even more people discover the magic of the International Festival too. These include Young Musician’s Pass, Tickets for Good and substantial discounts for art workers and under 30s.” 

Multi-Artform Manager at Creative Scotland, Lorna Duguid, said: “The Edinburgh International Festival continues to be a beacon for artistic excellence and cultural exchange, bringing the world to Scotland and showcasing Scotland to the world.

“This year’s theme, The Truth We Seek, speaks powerfully to the times we live in- inviting artists and audiences alike to explore, question and connect through extraordinary performances.

“With a third of this year’s programme featuring artists based in Scotland and an unwavering commitment to accessibility, the International Festival exemplifies how world-class culture can be both globally relevant and locally rooted.”

Tickets to world-class performances across a hand-picked programme of music, theatre, opera and dance at the Edinburgh International Festival in August 2025 are available at www.eif.co.uk.  

BBC ALBA celebrates 21 years of Belladrum with exclusive coverage

BBC ALBA is bringing the best of The Belladrum Tartan Heart Festival to viewers, live from the Belladrum Estate in Kiltarlity across the weekend (from Thursday 31 July to Saturday 2 August).

Presenters Fiona MacKenzie and Niall Iain MacDonald will lead audiences through the festival with exclusive coverage featuring live performances from established and emerging artists.

Known for its unique and diverse showcase of music and the arts, Belladrum attracts tens of thousands of visitors, and this year is no exception with headliners including Texas, Supergrass and Paul Heaton.

Other chart-topping acts set to perform, and appear on BBC ALBA, across the weekend include Tom Walker, Natasha Bedingfield, Example and The Hoosiers. And Scottish artists are well represented with folk rock and pop favourites Skipinnish, Kassidy, Rianne Downey and Tide Lines.

The 2025 festival will also provide a platform for local musicians building a name for themselves, including 17 year old swing singer Michael Lewis from Newtonmore, who has recently secured a musical residency at a renowned music venue in Texas, USA.

Accordion playing sensation and Britain’s Got Talent semi-finalist RuMac will perform on the Garden Stage, having recently made an appearance in Danny Boyle’s new film, 28 Years Later.

Kicking off the coverage on BBC ALBA will be Falasgair – the six-piece up-and-coming contemporary trad band who won this year’s Belladrum Tartan Hearts Festival talent search.

The band, who hail from Skye and take their name from the Gaelic word for seasonal heather burning, will take to the Belladrum main stage from 4pm on Thursday 31 July with their high-energy take on traditional Scottish music. 

Belladrum 24. BBC ALBA Pics Trevor Martin

Ahead of their Belladrum debut, Finn MacPherson of Falasgair, said: “Having attended Belladrum quite a few times since I was young, I never thought I’d see myself on the main stage playing alongside my pals so it’s a pretty surreal feeling.

“We’re incredibly grateful to everyone who voted for us — we couldn’t have done it without the amazing support from our family, friends, and the local community. It really shows the strength of the music scene here.

“This has come at a great time for us a band as we’re recording our debut album and will release it later this year. We’re looking forward to kicking off the festival in a traditional manner – with the pipes!”

Belladrum talent search judge Robert Robertson, lead singer of Tide Lines who are due to perform on Saturday, added: “It’s brilliant that the festival will be opened by a young, island band playing traditional music with such dynamism and energy – they will have the place bouncing!”

True to its longstanding support of Scottish artists, BBC ALBA supported the search which provides a platform to propel newcomers into the country’s celebrated music scene.

Calum McConnell, commissioning editor at BBC ALBA, said: “Falasgair are a brilliant, young traditional band whose star is definitely on the rise and we’re proud to support emerging talent like this as part of our wider Belladrum partnership.

“This year’s coverage promises to capture the colour, energy and incredible talent that makes this festival so special. From headline sets to hidden gems, BBC ALBA will bring audiences at home the very best of Belladrum 2025 live across the weekend and on demand on BBC iPlayer. Whether you’re tuning in for the trad, the pop or something a little different, it’s going to be an unforgettable few days.”

Belladrum festival producer, Dougie Brown, said: “Belladrum is more than just a music festival — it’s a celebration of creativity, community and culture, all set against the stunning Highland backdrop.

“We’re marking our 21st birthday with a line-up that brings together household names, rising stars and a few surprises along the way so whether it’s your first time or your fifteenth, there’s always something new to discover.

“And with BBC ALBA bringing the magic to screens across the country, even more people can share in the Belladrum buzz.”

For those unable to attend, tune into BBC ALBA and BBC iPlayer for its live annual coverage with exclusive broadcasts across the weekend.

Watch live or on demand from Thursday 31 July: Belladrum on BBC ALBA

Opera Highlights tour unites four singers and a pianist in one-of-a-kind show this autumn

Saturday 22 November: Traverse Theatre, Edinburgh 7.30pm

Tickets are now on sale for the new production of Scottish Opera’s Opera Highlights, which hits the road from 2 October to 22 November, bringing world-class opera to 17 communities across the country.

The audience will follow the story of four very different characters, watching how their personal relationships intertwine at the office party.

With no shortage of messy romance and an unforgettable work soiree, this will be a night of opera to remember!

Performing in this one-of-a-kind show, created specifically for Scottish Opera each season, are 2025/26 Emerging Artists mezzo-soprano Chloe Harris and tenor Luvo Maranti, along with soprano Ceferina Penny and baritone James Geidt, both making their Company debuts. Accompanying the singers on piano is Music Director Meghan Rhoades, Emerging Artist Repetiteur.

Transforming smaller venues into a local opera house, the show travels to East Kilbride, Ayr, Gartmore, Brechin, Ellon, Crail, Castle Douglas, Melrose, Crawfordjohn, Birnam, Nairn, Lochinver, Glenuig, Castlebay (a return visit following the Company’s Opera Highlights performance in February being cancelled due to bad weather), Lochranza, Johnstone, and Edinburgh.

Scottish Opera’s extensive touring programme is one of the largest of any European opera company, ensuring performances are within reach of as many of Scotland’s dispersed population as possible.

Over 4000 people of all ages attended the Spring Opera Highlights tour this year, with audience members commenting how it was ‘wonderful that Scottish Opera comes to some of the more remote and rural areas’, bringing the show ‘to our doorstep’.

The show’s Director is Emma Doherty who last worked with Scottish Opera on the Outreach & Education show, The Giant’s Harp, and was Assistant Director in 2024 on Oedipus Rex and Marx in London! Designs are by the award-winning Kenneth MacLeod, who worked on last Season’s Opera Highlights.

The playlist cleverly combines a fabulous collection of much-loved classics with a treasure trove of lesser-known pieces. These include music from Leoncavallo’s Pagliacci, Gounod’s Romeo and Juliette, Massenet’s Werther, Handel’s Alcina, Strauss II’s Die Fledermaus and Samuel Barber’s one-act opera, A Hand of Bridge.

These operatic snapshots are curated by Fiona MacSherry, Scottish Opera’s Head of Music. All are sung in English or an English translation, making the story immediate and accessible for the audience.

Director Emma Doherty said: ‘I am delighted to be directing the next Opera Highlights tour, which showcases some beautiful music and deals with the themes of forbidden love and deception. In the show, designed by the brilliant Kenneth MacLeod, audiences can expect to see four colleagues with complicated love triangles who are gearing up for their office party!’ 

While on tour with Opera Highlights, Scottish Opera is running school and community workshops, with more details to be announced soon. At these free ‘How to stage an opera’ interactive sessions, those attending will learn about the process of powerful storytelling through opera, using scenes from the tour as inspiration.

The creative team will explore how music can illustrate dramatic context on stage, and the mechanics of staging and directing scenes from an opera.

Participants learn how singers use their voices and stage techniques to generate atmosphere and create mood to develop character, and how basic props can support the time, location and even the weather in which the story is unfolding.

These sessions, lasting approximately one hour, are open to all ages, and no previous experience is required.

Opera Highlights goes on the road again in Spring 2026, when Emerging Artist Repetiteur Toby Stanford accompanies singers including Emerging Artists Daniel Barrett and Kira Kaplan with Alexandria Moon and Connor James Smith. 

The tour runs from 3 February to 14 March, with performances in Glasgow, Tillicoultry, Helensburgh, Town Yetholm, Newton Stewart, Dunlop, Dalmally, Dornie, Stornoway, Gairloch, Newtonmore, Banchory, Fraserburgh, Cromarty, Orkney, Wick, Lairg, and Bathgate.

Opera Highlights is supported by Friends of Scottish Opera and JTH Charitable Trust.

 Tickets are on sale now at Opera Highlights 2025/26 | Scottish Opera

Oasis fans who missed out on tickets can ‘Roll With It’ to Fort Kinnaird

Fans who missed out on tickets to see Oasis at Murrayfield this summer can still enjoy the iconic anthems at Fort Kinnaird on Sunday 10th August, thanks to a free live performance by popular tribute band ‘Oasus’.

Oasus is set to bring the classic Wonderwall, Live Forever and Don’t Look Back in Anger anthems to the centre for the many fans who tried and failed to get tickets to the Scottish leg of the tour, coming to Murrayfield on Friday 8th August, Saturday 9th August and Tuesday 12th August.

This two-hour live gig will take over Fort Kinnaird’s Summer Stage near Pizza Hut, promising all the swagger, sound and 90s nostalgia of the real deal – minus the ticket fees and stadium crowds. Whether you’re a die-hard Gallagher fan or just fancy a fun Sunday with the family, it’s a brilliant way to soak up the buzz set to sweep the city. 

Liam Smith, centre director at Fort Kinnaird, said: “There’s so much excitement around the Oasis reunion gigs at Murrayfield, so it’s only right that we bring a bit of that buzz to Fort Kinnaird too.

“Oasus are a brilliant tribute act and their free show is the perfect chance for Oasis fans of all ages to get involved in the action. It’s a great way to spend a Sunday – grab a bite, enjoy the music and make a proper day of it with friends or family. Definitely Maybe also pick up an iconic bucket hat while you’re here too!”

The event is just one of the free events running at Fort Kinnaird this summer, designed to offer visitors of all ages memorable, free experiences.

This includes character visits between 11am – 4pm from Aloha Alien on Sunday 27th July, and a Wicked Duo on Saturday 2nd and Sunday 3rd of August.

With more than 70 shops, a seven-screen ODEON cinema, and dining favourites including Wagamama, TGI Fridays and Nando’s, there’s something for everyone – whether you’re after a day of retail therapy, tasty food, or dancing to your favourite 90s bangers.

The centre is easy to reach too, just off the A1 with 2,600 free parking spaces and good public transport links.

For more details and to plan your day at Fort Kinnaird, please visit: 

https://www.fortkinnaird.com/event/lights-camera-summer

OperaVision to stream Scottish Opera’s double bill of Trial By Jury and A Matter of Misconduct

The sprightly double bill of Scottish Opera’s new staging of Gilbert & Sullivan’s Trial by Jury and the world premiere of Emma Jenkins and Toby Hession’s A Matter of Misconduct! will be available to watch on OperaVision from 3 August for six months.

The production opened in May at Theatre Royal Glasgow, before touring to Festival Theatre Edinburgh and Opera Holland Park, with Trial by Jury directed by John Savournin, and A Matter of Misconduct! directed by Laura Attridge. Both operas are conducted by Toby Hession, and designs are by takis.

The film of the double bill was produced for the freeview streaming platform OperaVision by Gemma Dixon of Maestro Broadcasting, who also directed the A Matter of Misconduct! film, with Jonathan Haswell directing the film of Trial by Jury. Audio production was by Floating Earth Ltd., and the recording was made at a Festival Theatre Edinburgh performance.

First performed in 1875, Trial by Jury (a co-production by Scottish Opera, D’Oyly Carte Opera and Opera Holland Park), was the first major hit from the partnership of WS Gilbert and Arthur Sullivan. Set around a classic case of broken vows – the defendant having literally left the claimant at the altar – the trial bubbles over with emotion, humour, and downright chaos, leaving the jury divided. How will they decide between the charming yet swindling defendant and the utterly captivating claimant?

This production, which marks 150 years of Gilbert & Sullivan’s collaboration with D’Oyly Carte Opera, formed upon the first performance of Trial by Jury, has a fabulous comic cast which includes Richard Suart (The Gondoliers & Utopia, Limited 2021), Jamie MacDougall (Albert Herring 2024) and 2024/25 Emerging Artists Kira Kaplan (Opera Highlights 2025), Chloe Harris (Opera Highlights 2025) and Edward Jowle (The Makropulos Affair 2025).

It is performed alongside Emma Jenkins and Toby Hession’s A Matter of Misconduct!, a new co-commission and co-production by Scottish Opera and D’Oyly Carte Opera.  

Following the crowd-pleasing political satire In Flagrante, also by Jenkins and Hession, which premiered on the 2023/24 Opera Highlights tour, A Matter of Misconduct! tells the story of how when a scandal threatens to break about the front runner in a bloody leadership campaign, a lawyer is needed to prevent information from reaching the press. Sylvia Lawless from the firm Lawless, Lawless, Lawless and Crook must find the loopholes in this modern take on unsavoury behaviour. 

Jamie MacDougall stars in this daring new operetta, alongside 2024/25 Emerging Artists Ross Cumming, Kira Kaplan, Chloe Harris and Edward Jowle.

Launched in 2017, OperaVision – curated by Opera Europa, the European association of opera companies and festivals – streams performances from all over the world, allowing viewers to watch productions from the greatest European opera houses from the comfort of their own home. As well as full-length performances shown with subtitles, it features extracts, interviews and behind the scenes footage.

Scottish Opera General Director Alex Reedijk said: ‘We are absolutely thrilled that our film of Trial by Jury & A Matter of Misconduct! will reach global audiences through OperaVision this summer.

‘We hope viewers all over the world enjoy this brilliant double bill, and it’s a great opportunity to share the exceptional artistry of Toby Hession and Emma Jenkins, and directors John Savournin and Laura Attridge, as well as the talented cast and The Orchestra of Scottish Opera.’ 

In 2019, in a very important first for Scottish Opera, Stuart MacRae and Louise Welsh’s Anthropocene was featured on the platform, followed in 2023 by the Company’s production of another Gilbert & Sullivan classic, The Gondoliers.

It has been watched more than anything else since Christmas 2023, amassing almost 70,000 views to date.Audiences praised the production calling it ‘magnificent’, ‘truly first rate’ and ‘superb’.

Karen Stone, Opera Europa Executive Director said:‘Scottish Opera is respected internationally for the quality of its productions, its commitment to creating new work and its dedication to serving many communities across Scotland.

“I am delighted that the double-bill of Trial by Jury & A Matter of Misconduct! will find new audiences across the world through Opera Europa’s streaming platform. “We look forward to Scottish Opera becoming a more regular contributor to OperaVision, which showcases all the vibrancy of opera-making in Europe today.’ 

Executive Producer Gemma Dixon said: ‘Producing the fabulous Trial by Jury & A Matter of Misconduct! double bill for streaming on OperaVision was a real joy.

‘Our job is always to cherish a production and tell the story through the lens, matching the quality of what we see on stage with what we put on the screen.

“The beauty of our work is in capturing the extra details, the story beats, reactions and facial expressions that can be missed in the auditorium when watching from a distance, and they are in abundance here! The quality of both productions and the superb cast and production teams made the job easy for us.

‘Although both productions are brilliant on screen, A Matter of Misconduct! was particularly fun to direct because of the level of detail in the musical score, the witty libretto and the close interplay between the score, libretto and action. I’ve tried to highlight these moments and replicate the energy and comedy of the production in the choice of framing and the timing of camera shots.’

Trial by Jury & A Matter of Misconduct! are available to watch from 6pm BST (7pm CET) on 3 August at https://operavision.eu/en

Trial by Jury is supported by the Michael Bishop Foundation, Lord Glendonbrook and the D’Oyly Carte Charitable Trust.

A Matter of Misconduct! is supported by Scottish Opera’s New Commissions Circle.

Trial by Jury creative team and cast

Conductor                                           Toby Hession

Director                                               John Savournin

Choreographer                                    Kally Lloyd-Jones

Designer                                              takis

Lighting designer                                Ben Pickersgill

The Learned Judge                            Richard Suart

The Plaintiff                                         Kira Kaplan*

The Defendant                                    Jamie MacDougall

Counsel for The Plaintiff                     Chloe Harris*

Usher                                                  Edward Jowle*

A Matter of Misconduct! creative team and cast

Conductor                                           Toby Hession

Director                                               Laura Attridge

Designer                                              takis

Lighting designer                                Ben Pickersgill

Roger Penistone                                 Ross Cumming*

Sandy Hogg                                        Jamie MacDougall

Cherry Penistone                                Chloe Harris*

Sylvia Lawless                                    Kira Kaplan*

Hugo Cheeseman                               Edward Jowle*

*Scottish Opera Emerging Artist 2024/25     

Shoreline Session at The Pitt

Buzzin’ for the next version of Shoreline Sessions down @thepittmarket on Friday 1st August! Now, since so many of you have asked, for a formal open mic session in the first 45 minutes! Get down early and sign up!

Featuring @hush.edinburgh , @jameslowsings , @roisin_music27 , and @robert_21graham – this ones not to be missed!

GY x

#grantonyouth

#thepittmarket

#shorelinesessions

#grantonyouth2025

#grantonyouthsummerprogramme2025

#grantonyouthmixtapeclub

GreenFox Energy powers up Party at the Palace with Scotland’s first solar festival stage 

This summer, Party at the Palace is hitting a high note for the planet. Thanks to renewable energy pioneers GreenFox, the festival will host Scotland’s first solar-powered festival stage, the GreenFox Energy Breakthrough Stage, twinning clean energy and the joy of live music. 

Over 7,000 music lovers will head to Bonnytoun Farm in Linlithgow on Saturday, 2, and Sunday, 3 August and, for the first time, a large part of the festival will be sun-powered. 

The new solar setup will supply sound, lighting, and equipment using a combination of solar panels and battery storage. The battery will be fully charged with green energy generated in the days before the event. 

The system is expected to produce up to 100 kilowatt-hours of clean energy over the weekend. This is enough to power an average UK home for about 10 days and will prevent around 20 kilograms of CO₂ emissions. 

“Festivals are full of energy – and now we’re bringing the renewable kind too,” said Eddie Curran, co-founder of GreenFox Energy. 

“It’s brilliant to now be part of the action and help power a festival that’s such a big part of the local community.” 

In a world where most festivals still rely on diesel generators, the GreenFox initiative proves solar power is a viable, vibrant alternative and a great fit for a family-friendly, future-focused event like Party at the Palace. 

Eddie added, “It’s a small step with a big message: at Party at the Palace alone, switching to solar saves around 20 kg of CO₂ and that’s just one stage, at one festival. 

“If every festival across the UK did the same, we could save over 12.8 tonnes of emissions each year. It shows how small changes, delivered at scale, start to really add up.  

“This is just the beginning, and we’re excited to explore even more ways to make Party at the Palace a leader in sustainable, low-impact events in the future.” 

Now in its 11th year, Party at the Palace continues to grow and so does its commitment to doing things differently. 

“We’re always looking for ways to make the festival better, not just for the fans, but for the planet too,” said John Richardson, director of Party at the Palace. 

“We’re very much a family festival so it’s important to us to help create a better future for the next generation. We are passionate about leading by example, both through our work in the local community and encouraging people to make more eco-friendly choices.  

“That’s why bringing in solar power with GreenFox Energy is such a proud moment. It’s a simple idea to use the sun’s power to drive our second stage but one that shows small changes can make a big difference – and it’s fine to start with what is doable now, with the goal to build on it in the future.” 

Headliners for this year’s festival include Boney M and Squeeze, alongside a vibrant lineup on the GreenFox Energy Stage with standout performances from Laurie Wright, Forgetting the Future, and Pistol Daisys. 

Festival goers can also plug into the movement by showing their Party at the Palace ticket to get 15% off solar installations with GreenFox Energy*. 

For more information visit: Solar Energy Company UK | GreenFox Energy