Renowned director/designer team Renaud Doucet and André Barbe return to Scottish Opera this autumn with their acclaimed production of Giacomo Puccini’s ravishing classic, La bohème.
Opening on 11 October at Theatre Royal Glasgow, the production tours to Aberdeen, Inverness and Edinburgh and features an innovative dual-time concept that moves between the flea markets of 1920s Paris and the modern-day French capital.
It takes inspiration from the Jazz Age of Josephine Baker, the American dancer, singer, actress, spy and civil rights activist.
This Barbe & Doucet show is full of their trademark colour, character and style, and tells the story of four struggling bohemians, reimagined as part of the ‘Lost Generation’, the collection of writers and artists drawn to Paris after World War I, whose lives are changed when they meet a seamstress called Mimì.
A blossoming romance becomes short-lived when they discover that Mimì is ill. Struggling to survive in the lavish yet unforgiving city, these charismatic characters are met with the harsh realities of poverty and fortune.
The design emphasises the contrast between the colourful carnival atmosphere and the starving artists’ lives, creating a production that balances sentimentality with the bustling energy of Paris across different eras.
Scottish Opera Music Director, Stuart Stratford, who is celebrating ten years with the Company, conducts Hye-Youn Lee (pictured) (La traviata 2024)as Mimì, a role she originated in the 2017 production of La bohème.
Also in the cast are Mario Chang as Rodolfo in his Scottish Opera debut, Roland Wood (The Strauss Collection 2025) as Marcello, Rhian Lois (The Merry Widow 2025) as Musetta, Callum Thorpe (Oedipus Rex 2024) as Colline, Emerging Artist Edward Jowle (Trial by Jury & A Matter of Misconduct! 2025) as Schaunard and Jamie MacDougall (Trial by Jury & A Matter of Misconduct! 2025) as Alcindoro / Benoît.
Barbe & Doucet, who last worked with Scottish Opera on the 2024 production of Donizetti’s Don Pasquale said: ‘The story of La bohème is one we can all relate to.
“It seemed important to us to explore the theme of illness since, as a society, we are all under the weather at the moment and in need of healing. The flea market setting represents a little bit of what we are up against today – we seem to live life too fast, and, through antiques, people get a sense of going back to a less hectic time.
“This opera is not about nostalgia –La bohème is not a museum piece – the story is timeless. Along with meeting new artists, we look forward very much to revisiting the production with Hye-Youn Lee with whom we had so much pleasure collaborating on the original staging.”
With tickets starting from just £23 – £26.50, and 40% of all seats priced under £50, Scottish Opera ensures world-class opera remains accessible to everyone across Scotland.
In addition, £15 tickets are available for under-26s and students at every performance. Over 800 free tickets have been provided to schools since 2022, often introducing pupils to live opera for the first time, and over 1,600 free tickets have been distributed to New Scots communities across Glasgow, Aberdeen, Inverness and Edinburgh.
Free tickets are also available for schools, colleges, and community groups, with travel subsidies where needed.
To bring even more opera to Scottish audiences, La bohème is presented alongside the double bill of Maurice Ravel’s L’heure espagnole and William Walton’s The Bear. These concert stagings of two caustic comedies of infidelity are performed on the La bohème set and conducted by French opera expert Alexandra Cravero (Thérèse 2022). The director is Jacopo Spirei, and designs are by Kenneth MacLeod.
Opening on 18 October in Glasgow before touring to Edinburgh, these shows feature a cast that includes current and former Emerging Artists.
Specially created Access performances of La bohème run alongside the mainstage productions in Glasgow and Edinburgh.
With Dementia Friendly values at their core, Afternoon Access performances are for those who enjoy a more relaxed opera experience. Tickets are priced at just £12.50 (free for carers), and these performances are open to all, including those who may be living with dementia or Long COVID, more comfortable at a shorter show, struggling to get to evening performances, or would simply benefit from the more relaxed atmosphere.
Those who wish to discover more about how La bohème was created can attendPre-show Talks in all four cities on the tour, which delve into the detail of the opera. Tickets are free but should be booked in advance.
Audience members with a visual impairment can enjoy the full opera experience at Audio-described performances, which have a live commentary describing the action on stage without compromising the music.
At these performances, there are also free Touch Tours of the set, and a live audio introduction before the start of the performance.
La bohème is supported by The Scottish Opera Syndicate.
You can follow Scottish Opera on BlueSky, Instagram, Facebook, Tik-Tok and You Tube @ScottishOpera
Creative team
Conductor Stuart Stratford & Toby Hession
Stage Direction, Sets & Costumes Barbe & Doucet
Lighting Designer Guy Simard
Cast
Mimì Hye-Youn Lee
Rodolfo Mario Chang
Marcello Roland Wood
Musetta Rhian Lois
Colline Callum Thorpe
Schaunard Edward Jowle
Alcindoro / Benoît Jamie MacDougall
Performance Diary
Theatre Royal Glasgow
11 • 15 • 21 • 23 • 25 October 7.15pm
19 October 3pm
Relaxed Access performance 24 October 3pm
His Majesty’s Theatre, Aberdeen
30 October 7.15pm
1 November 3pm
Eden Court, Inverness
6 November, 7.15pm
8 November, 5pm
Festival Theatre Edinburgh
14 • 18 • 20 • 22 November 7.15pm
16 November 3pm
Relaxed Access performance 21 November 3pm
Pre-show talks
23 October, 1 November, 8 November, 20 November
Audio description / Touch Tours
19 October, 1 November, 8 November, 16 November
MUSIC ON THE MEZZANINE RETURNS
