The Final Curtain?

QUARTER OF MUSIC AND THEATRE VENUES CONCERNED ABOUT CLOSURE

  • A quarter of music venues (27%) are concerned they may need to close down[1], as more than a third (35%) of business expenses go towards energy bills[2]
  • Many are running at half capacity (50%)[3], and have resorted to production cost cutting (17%)[4] and raising ticket prices by up to 25%[5]
  • Two in five (39%) have also found that customers are purchasing less expensive seats and buying fewer refreshments[6]
  • Three in five (60%) music venues say that energy bills are their top concern for the next year, above inflation rates and staff costs[7]
  • Uswitch for Business energy expert, Jack Arthur advises businesses to check the contract they are on and to review energy usage across all organisational levels.

Energy bills are taking the centre stage of concern for live performance venues, as energy bills make up more than a third of overall business costs, according to Uswitch for Business, the business energy comparison and switching service.

Performance venues are widely recognised as energy-intensive spaces, and the new research of UK music venues, concert halls and theatres shows over a quarter (27%) are concerned about potential closure due to rising costs.[1]

Air conditioning, heating, as well as extensive sound and lighting systems required to create immersive experiences for audiences are all adding towards total energy expenditure costs, with venues needing between 6 -1,000 kw to power low level concerts to major artist events[8].

Venues of all sizes report running at half capacity (50%) on average[3]. More than one in four (26%) sold fewer tickets this year, compared to last year. [9]

Consumers attending live performances are also more inclined to choose less expensive seats (39%) or buy fewer refreshments (39%)[6].

The show must go on: responding to the high energy costs

One in six (15%) venues report having to increase ticket prices[4], at an average of 25% per ticket to cover increased expenditure[5]. In addition, more than a quarter (27%) have also increased the prices of refreshments.[4]

Venues are also looking at new ways to reduce their energy output to directly tackle the problem. Training staff in energy efficiency measures (45%), switching to more energy efficient or LED lighting for both onstage and offstage (41%), and turning off, down or restricting air conditioning and heating (36%) are just some of the tactics. [4]

Nearly one in five (19%) are also choosing to only open their doors during peak times of the week, and 17% are using less energy intensive movable staging and production measures.[4]

But as energy prices continue to oscillate at high levels, three in five (60%) businesses are citing bills as their top concern for the next year, followed by inflation rates (41%) and staff costs (30%).[7]

Venues say they may have to make considerable changes if business costs were to increase further, especially as more than one in three (34%) state their business margins are now lower than before the cost of living crisis.[6]

Two in five (40%) fear they may have to make staff redundant to reduce costs, and one in three (35%) worry they may not be able to pay their energy bills on time.[1] Overall, 32% feel anxious about the future of the industry.[10]

Jack Arthur, energy expert at Uswitch for Business comments: “Live performances are central not only to the UK’s culture and entertainment sector, but also to the UK economy.

“While the sector has seen some recovery since the pandemic’s impact, the cost of energy has added new additional challenges.

“With higher utility costs taking the stage, venues need to be meticulous about how energy usage is being considered at all levels of their organisation – from the stage floor to sound production.

“Investing in more energy efficient appliances where possible may help to bring costs down, and prevent the final curtain for many.

“Music venues should also make sure they’re aware of their energy contract terms and end date, so they can shop around for the best rates at the time of renewal. Getting expert advice where needed and speaking to someone could help many businesses make significant savings.”

Elspeth McBain, Chief Executive of Lighthouse Poole Centre for Arts says: “Energy costs have been a major challenge to our venue, and indeed all venues in the last year, just as we were beginning to recover and get back on our feet following the devastating effect of the pandemic on culture and hospitality.

“In 2023 our electricity bill alone will increase by 200% and we are doing everything we can to meet this cost. However, this is on top of the significant increase in the cost of living which has increased our costs in all areas of the business and has also meant our audiences have less leisure spend available, restricting the number of times they can attend cultural events.

“Together, these factors have made it a testing time for organisations like ours and theatregoers alike. I am desperate for energy and living costs to come down so that we can keep bringing top class artists and productions to Poole, support local talent development, provide opportunities for cultural participation, and ensure that culture within our region continues to play a vital part in our community.”

Mark Davyd, CEO & Founder of the Music Venue Trust says: “We have seen an incredible explosion in energy prices right across the grassroots music venue sector in the last 12 months.

“The current situation is really on a knife edge, with venues essentially clinging on to the end of existing fixed term contracts and any new tariff effectively immediately creating a venue under threat of permanent closure.

“We desperately need some action from Ofcom and the Government to make the energy market work for music.”

The issue will be debated at the ‘Festival of Politics,’ which will be held in Edinburgh between Wednesday 9-11 August.

The panel, being held on the evening of the 11th, is entitled ‘Scotland’s Music Venues’ will examine why, despite Scotland’s worldwide reputation as a music nation, Grassroots Music Venues are under extraordinary financial pressures with many facing closure, and how politicians can step-up and help create security for these spaces.

Chaired by Michelle Thomson MSP, Convener, cross-party group on music, the panellists will include Scottish singer-songwriter Hamish Hawk, MVT COO Beverley Whitrick and major event professional Jim Frayling.

Entry to this event is £6 or £4 concessions – available here: https://www.festivalofpolitics.scot/…/scotlands-music…

Unless otherwise stated, all figures taken from omnibus research carried out by onepoll on behalf of Uswitch for Business.

This was an online poll of 100 entertainment venue decision makers in the UK. The research was conducted between 6th and 9th June, 2023.

  1. Respondents were asked ‘If costs of the business you work at were to increase to higher levels, which of the following do you believe could happen to the business?’, 40% said ‘it may have to make staff redundant’, 35% said ‘it might be unable to pay energy bills on time’, and 27% said ‘it may have to close down’.
  2. Respondents were asked ‘Please estimate the proportion of your total business expenses that can be attributed to energy bills?’, the average response was 35.2%.
  3. Respondents were asked ‘At what capacity (i.e., number of tickets sold) is the business you work at currently operating at for shows/performances?’, the average response was 50.4%.
  4. Respondents were asked ‘What actions is your business taking to deal with high energy costs?’, 45% said ‘training all staff in energy efficiency measures’, 41% said ‘switching to more energy efficient / LED lighting (onstage or around the venue), 36% said ‘turning off, down or restricting air-conditioning or heating’, 27% said ‘increasing prices of refreshments at venue bars’, 19% said ‘opening the venue only during peak times of the week, 17% said ‘using less moving staging and production during shows, and 15% said ‘increasing prices of tickets’.
  5. Respondents were asked ‘By what percentage have you had to raise overall prices?’, the average response was 25.1%.
  6. Respondents were asked ‘What effects has the cost of living / rising energy prices had on your business?’, 39% said ‘customers are buying less refreshments’, 39% said ‘customers are choosing less expensive seats when buying tickets, 34% said ‘our business margins are smaller than previously’, 19% said ‘less of a demand for on the day tickets’.
  7. Respondents were asked ‘What are your biggest concerns for your business in the next year?’, 60% said ‘energy bills’, 41% said ‘inflation rates’, 30% said ‘staff costs’, 27% said ‘customers reducing non-essential spending’.
  8. https://tseentertainment.com/electrical-needs-a-big-part-of-concert-production/
  9. Respondents were asked ‘Does your business currently have as many tickets sold compared to this time last year?’, 26% said ‘it has less tickets sold than this time last year’.
  10. Respondents were asked ‘Which of the following statements do you agree with’, 36% said ‘my business was just starting to recover from the impact of the pandemic, and now energy costs are providing an even worse challenge’, 35% said ‘I am hopeful that the price of energy will drop in the next 3-6 months’, and 32% said ‘I feel anxious about the future of the industry’.
  11. https://www.choura.co/small-vs-large-concert-venues-which-is-better/#:~:text=Mid%2Dsized%20music%20venues%20typically,capacity%20of%20less%20than%201%2C000. (small – less than 1,000 seats /  large – up to 20,000 seats)

National Youth Choir of Scotland proves it is among the best in the world 

National Youth Choir of Scotland

European Tour

25th – 30th July, 13th August 2023

Tickets are on sale now for National Youth Choir of Scotland’s (NYCOS) tour of Europe in late July. Widely acclaimed as one of the best choirs in the world, regardless of age, they are set to bring magical performances of Maurice Duruflé’s ethereal Requiem, Benjamin Britten’s ever popular Rejoice in the Lamb and American composer Stacy Garrop’s exploration of three types of love in Sonnets of Desire, Longing, and Whimsy.

Between 25 and 30 July, the choir famed for its high-energy performances under the artistic direction of Christopher Bell performs this collection of rich choral work at St. Lawrence’s Parish Church in York as part of the Ryedale Festival; Église St. Eustache in Paris (yes, they are taking Duruflé to the French!), France; St. Rumbold’s Cathedral in Mechelen, Belgium; and St. Nicholaas Basilica in Amsterdam, Netherlands.

The choir then returns to Scotland’s capital to finish the tour in Edinburgh this August. Christopher Bell will be conducting all concerts with Michael Bawtree on organ.

For many singers being a part of NYCOS is a life-changing experience and this tour is set to be special for many members as they head into their last year as part of the ensemble. It is also one of the most experienced groups that NYCOS has toured, with the leavers now in their mid-twenties with up to 10 years of singing together under their belts.

In a cosmopolitan trip round the continent to capitals both ancient and modern, a particular highlight is set to be its concert in Paris, where Scotland’s young singers perform in the Église St. Eustache. Gregorian chant and the deep emotion of Duruflé’s writing combine in his Requiem to fill this beautiful 17th-century church with mesmerising and shimmering sound.

The choir’s summer culminates in a performance at the Edinburgh International Festival on Sunday 13 August in a favourite venue for them, the Usher Hall. NYCOS will be joined by the Royal Scottish National Orchestra, alongside former members of the choir – Cardiff Singer of the World 2017 Catriona Morison and member of Academia Teatro all Scala in Milan in 2019-20 Paul Grant – as soloists.

In a special open access session at 4pm preceding the concert, Christopher Bell – renowned for his expertise in music education – will give audiences a rare glimpse into NYCOS’ musicianship technique.

Masters of the Kodály method of music teaching devised by Hungarian musicologist Zoltán Kodály in the mid-20th century, Bell and 200 young singers will explore and explain the method which has been central to NYCOS’ work for 25 years in a typically sparky presentation, before performing their last concert of the tour.

Christopher Bell, Artistic Director of National Youth Choir of Scotland said: “The National Youth Choir of Scotland combines the best of singing with the energy, enthusiasm and passion of youth.

“Audiences, world renowned conductors and orchestras have been delighted to hear the quality of sound and experience the commitment of Scotland’s young people. Please join us for what promises to be five outstanding performances this summer.’’

Tickets for the European tour, including performances in York and Edinburgh, are on sale now https://www.nycos.co.uk/events/nycos-summer-europe-tour-2023/.

LISTINGS

Programme:

Duruflé Requiem

Britten Rejoice in the Lamb

Garrop Sonnets of Desire, Longing and Whimsy (except EIF)

Tuesday 25 July 2023

Ryedale Festival

3pm

St. Lawrence’s Parish Church, York 

Tickets

Thursday 27 July 2023

8pm Église St. Eustache

Paris, France

Tickets

Friday 28 July 2023

4pm

St. Rumbold’s Cathedral

Mechelen, Belgium

Tickets

Saturday 29 July 2023

8:15pm

St. Nicholaas Basilica

Amsterdam, Netherlands

Tickets

Sunday 13 August 2023

Edinburgh International Festival (with Royal Scottish National Orchestra)

5pm (with 4pm Kodály method demonstration)

Usher Hall, Edinburgh

Tickets

A different kind of Friday night out

Looking for an alternative Friday night out?

The Bongo Club are hosting an evening of yoga, dance and music with Dee McQueen Yoga – Breath & Movement.

Join them for DUSK, where you can experience a new wellness movement. Move your body through a glorious yoga practice to a DJ, reclaim the dancefloor, and still be home in time to pop your feet up on the sofa and get up early the next day. Or if you’re really feeling it, you could continue to party the night away!

📆 Friday 16th June

⏰ 7pm

📍The Bongo Club | 66 Cowgate | Edinburgh

Find out all about it on The Bongo Club website. ↩

➡thebongoclub.co.uk/event/dusk/

Virgin Hotels Edinburgh shines a light on up-and-coming artists

FREE ROOFTOP EVENTS – SUNSET SESSIONS

Virgin Hotels Edinburgh is kicking off the summer in style with its exclusive series of free rooftop events – Sunset Sessions.

Hosted on the hotel’s stunning rooftop terrace that boasts unbeatable views of the city’s Old Town and Edinburgh Castle, the spectacular events will showcase Scottish musical talent, including Beth Karp and Kohla, who will bring the ultimate summer ambience as the sun sets over Edinburgh’s iconic skyline.

Launching on the 9th of June and taking place every Friday and Saturday evening from 7:45pm to 9:45pm throughout summer, the free events are set to bring Edinburgh’s music community together and provide a platform for up-and-coming artists.

The Sunset Sessions will offer locals and music lovers alike with an unmatched experience: providing views that can’t be seen from anywhere else in the city, local artist performances and refreshing drinks. 

Better yet, blankets will be on hand so guests can cosy up whilst enjoying their favourite performers. After the sun sets, guests can enjoy more live entertainment, drinks and delicious food at Eve and Commons Club which will both be open till late.

The Sunset Session events nod to Virgin’s musical roots, with Virgin Hotels founder, Sir Richard Branson, starting independent record label, Virgin Records, back in 1972.

David Moth, Virgin Hotels Vice President of Operations and Interim General Manager of Virgin Hotels Edinburgh said: “We are thrilled to launch the highly anticipated Sunset Sessions at Virgin Hotels Edinburgh, as it promises to be an extraordinary experience for our guests.

“Our rooftop offers the absolute best vantage point to witness the sun as it sets over Edinburgh’s beautiful skyline and we’ve secured some of the very best up and coming musical talent from around Scotland to perform. We look forward to welcoming everyone to join us throughout the summer to enjoy unbeatable views, drinks and live entertainment”.

For more information, including the full line-up of performers, and to book free tickets please visit: https://virginhotels.com/edinburgh/events/

Sunset Sessions is just one of many events taking place at Virgin Hotels Edinburgh, including a host of seasonal activations and brand takeovers throughout the year.

To stay up to date with the latest news and events, follow Virgin Hotels Edinburgh’s channels on social media here: 

  • Instagram @virginhotelsedi
  • Twitter @virginhotelsedi

Letters: Protect your hearing this Summer

Dear Editor,

Summer is well and truly on its way, which means more opportunities to be outside with friends and family and listen to live music.

In all of the fun, we sometimes forget to look after our hearing health and how loud sounds are. A live concert or festival can often reach levels of 110 decibels. Repeated or long exposure to sounds at 85 decibels or above can cause hearing loss so it is important that whilst you are sipping that overpriced beer and singing along to your favourite artist you take care of your ears.

The good news is that there are some easy ways you can still enjoy yourself and keep your hearing protected: Carry earplugs with you and use them, the reusable kind designed for clubbers and musicians don’t muffle sound, just make it a bit quieter and can protect your ears.

Stay away from the speakers – the closer you are, the greater the risk of hearing damage. And take regular breaks from the loudest areas to give your ears a rest. We want everyone to have a great summer – and at the same time keep your hearing healthy for the future.

It is important to check your hearing regularly so join over 250,000 people and take the free, online Hearing Check by visiting rnid.org.uk

Crystal Rolfe

Associate Director for Health at RNID

Anton Du Beke announces a limited run at Edinburgh Festival Fringe

Anton du Beke, one of the country’s best-loved and most accomplished entertainers, has announced a special, limited run at the Underbelly’s McEwan Hall at the Edinburgh Fringe from 23rd – 28th August.

The one-hour show, An Afternoon with Anton du Beke, will see Anton joined by singer, Lance Ellington, as well as a live band and a company of dancers to create an afternoon filled with song, dance and a lot of laughter. 

Anton will share some hilarious behind-the-scenes stories from across his career, including some memorable moments from the last twenty series of Strictly Come Dancing which saw him become a household name.

With his inimitable quick wit, he’ll respond to questions from the audience, as well as performing some of his favourite songs and enthrall audiences with the glittering dancing that he has become synonymous with.

Anton said: “Performing at The Edinburgh Fringe has long been an ambition of mine and I am absolutely thrilled to be there this year – it’s a dream come true and it’s going to be really special.

“We’ve been warming up for you with our countrywide tour earlier this year and together with Lance, our amazing musicians and dancers, we are going to create a truly unforgettable experience for Edinburgh. 

“It’s a one-of-a-kind celebration full of laughter, music and dance – it’s the perfect way to spend an hour in the afternoon – come and have some fun!”

Tickets are now available for purchase exclusively through the Underbelly website – underbellyedinburgh.co.uk/event/an-afternoon-with-anton-du-beke

The nation’s favourite TV judge, NTA winner Anton Du Beke, best known for his charismatic performances on the hit BBC show, will be joined by Lance Ellington, an acclaimed vocalist known for his soulful voice and dynamic stage presence.

Lance has been a regular featured vocalist on Strictly Come Dancing for over a decade, and his powerful performances have captivated audiences worldwide. He has worked with many of the world’s top recording artists, including Sting, Michael Jackson and Tina Turner, as well as performing at London’s famous Ronnie Scott’s Jazz Club many times.

Together, Anton and Lance are set to create a spellbinding experience for audiences, with their combined talents and electrifying stage presence.

AN AFTERNOON WITH ANTON DU BEKE at the Edinburgh Fringe will also feature a live band whose credits range from working on West End shows, to performing with The Royal Philharmonic Orchestra, to recording and performing with international artists such as Dame Shirley Bassey, Andrea Bocelli, Queen and more!

Underbelly’s Head of Programming, Marina Dixon, said, “We are beyond delighted to have Anton and his team join us for six special shows this August. 

“The show, featuring comedy, dancing, incredible live music, all told through the eyes of Strictly Come Dancing legend, Anton Du Beke, promises to be an afternoon out to remember. We hope you can join us.”

As well as the special Edinburgh Fringe performances, the tour also visit several cities across the UK, including London, Birmingham, Manchester, Glasgow, and Cardiff, among others.

LISTINGS                                         

AN AFTERNOON WITH ANTON DU BEKE & FRIENDS

Underbelly, Bristo Square (McEwan Hall)
13:30 (65 mins)
Aug 23-28 (£24.00 / £22.00 concession)
Genre: Cabaret and Variety, Dance, Comedy

Strictly Come Dancing legend and judge, Anton Du Beke, takes to the stage with his with his live band, a guest singer and his dancers; expect a fab-u-lous afternoon of song, dance and laughter.

Performing some of his favourite songs and dances that have inspired his career throughout his life, expect behind the scenes stories from his time on Strictly that will have you laughing out loud.

Don’t miss this special opportunity to get up close and personal with the King of the ballroom!

Tickets are on sale now – underbellyedinburgh.co.uk/event/an-afternoon-with-anton-du-beke

Underbelly Social Media
Instagram:  www.instagram.com/underbellyedinburgh
Twitter: www.twitter.com/FollowTheCow
Facebook:  www.facebook.com/underbellyedinburgh

For more information about AN EVENING WITH ANTON DU BEKE, including tour dates, venues, and ticketing details, visit www.antontour.com

Tomorrow: Granton Summer Festival

The weather forecast is looking good for the Summer Festival tomorrow at Granton Parish Church from 10am – 4pm.

Food all day from breakfast rolls in the morning, soup at lunchtime and finishing off with a burger BBQ at 3pm. Music from Granton Youth and Ukranian folk singers

Food available all day breakfast rolls in the morning, soup at lunchtime and finishing off with a burger BBQ at 3pm.

• LIVE MUSIC FROM GRANTON YOUTH MUSIC & UKRANIAN MUSIC GROUP

• Children’s crafts

• games and activities

• Craft stalls

• sewing workshop

• Quiet spaces to chill out

• FUN for the whole family

Hidden Door Festival: Opening Night

TONIGHT’S EVENT NOW SOLD OUT

Thank you to everyone who came along last night – we had a blast!

Here’s a few nice things people said online:

“Best gig ever!”
“Absolutely brilliant this year”
“My tip – make sure you get to the sub-basement floor”
“Another amazing venue. Totally blown away”
“Amazing immersive performances”

Here’s a few pics from the night – 4 more days to come down and explore!

PS Friday night has just SOLD OUT – grab your tickets for the other nights whilst you can.

FRIDAY PROGRAMME:*

1:00pm – Doors Open (free entry until 5pm)
6:00pm – The Environments Open (on a loop until late)
6:15pm – Berta Kennedy (Music, Cabaret Stage)
6:30pm – The Micro Band (Music, Loading Bay Stage)
7:00pm – Bibi June (Spoken Word, Poetry Stage)
7:15pm – Azamiah (Music, Cabaret Stage)
7:30pm – Fiona Robertson (Spoken Word, Poetry Stage)
7:30pm – Flasher (Music, Loading Bay Stage)
8:30pm – AKU! (Music, Cabaret Stage)
8:30pm – Jay Whittaker (Spoken Word, Poetry Stage)
8:30pm – Solar Panel (Music, Basement)
9:00pm – Butch Kassidy (Music, Loading Bay Stage)
9:30pm – Exterior (Music, Basement)
10:00pm – Hot 8 Brass Band (Music, Cabaret Stage)
10:00pm – Samedia Shebeen (Music, Club Space)
11:30pm – BUTHO THE WARRIOR (Music, Club Space)
11:45pm – O. (Music, Cabaret Stage)
1:00am – Close
BUY TICKETS FOR TONIGHT

Local focus on music line-up for Edinburgh’s raceday

Prestigious event calls on racegoers to get suited and booted for dancing 

A TRIO of popular bands will ensure excitement levels at one of Scotland’s most anticipated racedays are kept high once on-track competition comes to a close. 

Musselburgh Racecourse has unveiled the musical line-up set to get the Edinburgh Cup crowd jumping, featuring popular local and Scottish talent. 

Taking to the stage will be Edinburgh-based bands The Zebra Three and Chameleon Lady, who will help get racegoers moving and singing along at the After-Race Party. Completing the line-up will be The Soundtrax, one of Scotland’s most popular party bands. 

Aisling Johnston, Commercial Manager at Musselburgh Racecourse, said: “This year’s Edinburgh Cup is a real celebration of all things Edinburgh. 

“We can’t wait to welcome everyone to the racecourse, and with such great musical talent on display, The Edinburgh Cup promises to be full of entertainment and one not to miss. 

“The bands offer a wide and entertaining range of music that we think those attending will love. We can’t wait to see the performers take to the stage for an hour after the last race takes place and provide some excellent music.” 

Edinburgh Gin’s long-term partnership with the East Lothian course features again this year – with the upcoming 2023 event providing many an experience for gin and cocktail fans to match the high-quality racing on display. 

Along with tasty refreshments, those attending can expect a celebration of Edinburgh’s best culinary delights to go with the  7 thrilling races, with a total of £139,000 up for grabs in prize money. 

Revellers are also being encouraged to dress to impress as a host of photo opportunities are located around the racecourse, with prizes up for grabs for people who share their images on social media. 

Headlining the after-party will be folk rock band, Chameleon Lady, who is fronted by singer Cameron Middlemass. 

Speaking on playing at the event, Cameron said: “To be asked to headline the After-Racing Party is a privilege, we’re excited and looking forward to performing. 

“It’s our first proper headline gig at Musselburgh Racecourse and we’re excited, the punters are great so it will be a good Saturday. 

Speaking on why people should come to the raceday, Cameron added: “Musselburgh Racecourse has more of a community vibe, so much is going on with food and bars, if you’re someone who isn’t that big on racing there is so much there anyway for you to be excited by.” 

High-energy band The Soundtrax band members have also spoken about their excitement to play at The Edinburgh Cup. The band’s singer, Angus Johnston, said: “We are super excited to be performing for the Musselburgh crowd. 

“Getting to perform for big crowds on big occasions is what every musician aspires to achieve. Couple that with what we are sure will be an electric atmosphere, thanks to some top-class racing, and it should be an amazing day. 

“Our music is all energy, we are an out and out party band, and our goal is always to get people dancing. If you fancy a boogie today, then come and boogie with us!” 

The Soundtrax guitarist Jim O’Neil added: “We’re going to get off the stage into the crowd, onto the dance floor and dance with people, we’ll get conga lines on the go, and it will be maximum party mode. 

“Days like this at the races are the best kind of gigs, they are just the most fun.” 

Returning to the stage will be Dalkeith based The Zebra Three, who will kick up some nostalgia as they play pop rock and rare cheese from the 60’s and 70’s. 

Singer and guitarist James Mackintosh said: “We’re delighted to be performing at such a great scene, it’s always a great atmosphere, especially if the weather is good, which makes for a great day. 

“It’s all about the atmosphere, when people come to the races, everyone is in a good mood. 

The band also comprises of Kenny Hutchison on bass and vocals, along with his son Robbie Hutchison who plays on drums. 

Speaking on the father-son duo playing together, James said: “Robbie is a very accomplished drummer, it’s just great that he wants to play with two older guys!” 

The Zebra Three will be kicking off the day between 11:30 to 13:05, followed by The Soundtrax between races from 13:20 to 16:40 and Chameleon Lady headlining the After-Party following the last race, from between 16:55-18:00. 

Revellers can benefit from £5 saving per person when tickets are purchased before 12pm on 2nd June, with gate admission costing £40 for adults and £25 for concessions. Children aged 17 and under go free when accompanied by a paying adult. 

Gates open at 11.30am, with provisional times for the first race at 1.15pm and the last race at 4:50pm. 

Musselburgh Racecourse provides year-round racing action, with 27 race days across the flat and jump racing seasons, including weekend, midweek, and evening. 

For further information on the Edinburgh Cup and to book tickets now, visit: 

https://www.musselburgh-racecourse.co.uk/view-fixture/the-edinburgh-cup-2023

Out Of Her Mouth: Written by women, about women, for women

Dunedin Consort, Hera and Mahogany Opera come together to breathe life into 300 year-old ‘operas’ that have never been staged in Britain before

23 June – 12 July 2023 

Findhorn, Glasgow, Edinburgh, York, London 

Élisabeth Jacquet de la Guerre Cantates Bibliques: ‘Judith’, ‘Rachel’ & ‘Susanne’ 

Carolyn Sampson, Anna Dennis, Alys Mererid Roberts – Sopranos 

Modern English translations by Toria Banks 

Directed by Mathilde Lopez 

Élisabeth Jacquet de la Guerre’s biblical cantatas are extraordinary historical jewels. Written by a woman, about women, for women, they tell bold, unflinching tales about love, marriage, tragedy and adultery, each one a tiny opera in all by name. 

These breath-taking miniatures – in new English translations by Toria Banks and directed by Mathilde Lopez – will receive their UK premieres more than 300 years after they were composed. 

Out Of Her Mouth will be performed in atmospheric, accessible settings that champion the ability of women to tell their own stories and narrate their own experiences from the Highlands of Scotland to central London. 

Translator, Producer & Joint Artistic Director, Hera Toria Banks said: “I’ve been thinking about this project since I first read and heard the Cantates Bibliques, particularly those that tell knotty stories about Biblical women, because while there are exceptions, complex narratives about female experience are pretty rare in the operatic canon.” 

But as much as the stories themselves, it’s also about the way they’re told, with a single female singer holding the stage in an authoritative way, and presenting the different characters including the men.  

Toria Banks added: “I think you can feel Jacquet de la Guerre’s confidence and ease as a mature composer in these pieces. Within each one there’s a lot of musical variety and a fascinating relationship between teller and tale, characterised by nuance and irony and all sorts of subtle shifts of tone. They’re very fleet of foot, which feels very contemporary.” 

Out Of Her Mouth is directed by Mathilde Lopez, a freelance director and the artistic director of August 012 theatre company.  

Mathilde Lopez said: “These are three stories about sex and power and ultimately the perpetuation of patriarchy. We are narrating the heroic moments in the lives of three women from the bible: Susanne, Rachel and Judith who endure and overcome different but equally perilous situations. 

“Surprising and complex, these baroque vignettes display varied dilemmas and moral contortions but all have in common the very recognisable fear, solitude and violence generated by constant unwanted sexual attention, harassment and objectification. Our women are all kneaded by male violence and the thousand years of abuse that comes with having a female body. 

“In Out Of Her Mouth we are presenting these three pieces together as variations on female oppression. Performed by 3 different singers, 4 musicians, 5 watermelons and 7 large blue rolls, we are staging the one long story of accumulated frustrations, anger, wounds and violences of Susanne, Rachel and Judith and lay it bare for the audience to see.  

“There will be knives, watermelons and destruction – with regular cleaning and resetting.” 

In writing an English version Banks set out to preserve the sinuous quality in the dynamic relationship between singer and story and audience.

“I think I’m always trying to translate ‘faithfully’, but you do have to be faithful to a number of different things at once.

“There are the original words (by Antoine Houdar de la Motte), but also I think you owe something to the central characters and their plausibility and wholeness as women, and to the emotional shape of the music which is aiming at effects on an audience that is very different to the one originally imagined (we can’t all be Louis XIV). And everyone deserves a clear, singable, idiomatic text.” 

It’s definitely a feminist project. But it’s not just about performing music by women. That’s important, but ‘Yay for women!’ isn’t enough. It’s a show about three women characters who are all trying to exercise agency and live fully in really constrained circumstances.

The actions they take, and the things that they bear, living under patriarchy come at a cost to themselves. There’s real power and beauty in hearing that expressed. 

The three characters and stories are told by three fabulous sopranosCarolyn Sampson immerses us in the story of Judith, Anna Dennis in that of Rachel and Alys Mererid Roberts brings us the story of the young Susanne.  

Throughout Out Of Her Mouth the three partners have sought to create opportunities for professional development, offering support and mentoring to an artist appointed by open call to each area of the production. 

Dunedin Consort has appointed Katarzyna Kowalik as harpsichordist, Hera has engaged Welsh soprano Alys Mererid Roberts, and Mahogany Opera has appointed Mathilde Lopez to the directorial team. 

Working with Mahogany Opera on Dido’s Ghost in 2021 marked the beginning of a wonderful new partnership for Dunedin Consort. 

Dunedin Consort’s Chief Executive, Jo Buckley commented: “It was a real meeting of minds, where we discovered a shared passion for exploring new ideas, pushing our boundaries, and opening up the world of opera in brilliant and creative ways.

“So, we are thrilled to be partnering with Mahogany Opera again for Out Of Her Mouth, and to be working with Hera for the very first time, particularly given their specialism in representing stories told by and about women.”  

This project marks the culmination of Dunedin Consort’s 22/23 season and is the perfect way to bring it to a close. Bringing early music to life and in fresh and insightful ways is at the heart of Dunedin Consort’s mission.  

Jo Buckley added: We want to spark curiosity in our listeners, and what could be more thrilling than Élisabeth Jacquet de la Guerre’s biblical cantatas, now 300 years old and never before staged in the UK?

“Composed by a woman, about women, for women, these powerful miniature operas deserve to be far better known – and we can’t wait to give them the prominence they deserve across Scotland, in York and in London this summer.” 

Making their work as accessible as possible to both audiences and performers drives all three ensembles. The potential to enjoy Out Of Her Mouth will be widened with the use of creative captions, audio description introductions and the film of it will be released later this year as part of National Centre for Early Music’s online Christmas festival. 

Out Of Her Mouth is a partnership between Dunedin Consort, Hera, Mahogany Opera and the National Centre for Early Music.