Percussionist Fang Zhang wins BBC Young Musician 2020

17-year-old percussionist Fang Zhang – born in China’s Henan province and a recent student of Chetham’s School of Music in Manchester – has been revealed as BBC Young Musician 2020.

The announcement was made during the broadcast of the competition’s Grand Final on BBC Four and BBC Radio 3 last nght, presented by BBC Young Musician regular Josie d’Arby,  organist and conductor Anna Lapwood, and star saxophonist Jess Gillam.

Fang Zhang (above, left) follows in the footsteps of 19-year-old American-born/UK-based pianist Lauren Zhang, who won the competition in 2018 and went on to perform in the UK and beyond, including a debut at the BBC Proms in 2018, and appearances as soloist with the BBC Scottish Symphony Orchestra, European  Union Chamber Orchestra, China National Symphony Orchestra, and Adelaide Symphony Orchestra – among others.

Previous BBC Young Musician winners include celebrated classical music stars such as cellist Sheku Kanneh-Mason, violinist Nicola Benedetti, and clarinettist Mark Simpson.  

A recent student at Manchester’s prestigious Chetham’s School of Music, which he joined in September 2018, Fang Zhang is a member of China Youth Percussion Orchestra, and thanks to this scheme he has been performing around the world since he was 11 years old.

Despite his young age, he has already won prizes at international percussion competitions all around the world, including USA, Japan, and his native China. Among his tutors are international percussion luminaries such as Royal Northern College of Music Deputy Director of Percussion Le Yu, and Chen ShaoLun, president of the Shanghai National Percussion Association.

Fang Zhang impressed the judging panel with a performance of one of the gems in contemporary marimba repertoire: Prism Rhapsody by Japanese composer and marimba innovator Keiko Abe. He was accompanied by the BBC Philharmonic conducted by Mark Wigglesworth. 

The panel was chaired by Chief Executive of Saffron Hall Angela Dixon, and included composer, clarinettist and BBC Young Musician 2006 winner Mark Simpson, composer Errollyn Wallen, Principal Conductor with the BBC National Orchestra of Wales Ryan Bancroft, and experimental composer and turntable artist Shiva Feshareki.

Taking place after a year-long delay due to the global pandemic, the socially-distanced BBC Young Musician 2020 Grand Final was filmed on Sunday 25 April at Manchester’s Bridgewater Hall without an audience in attendance.

The competition’s three finalists performed on stage with the BBC Philharmonic conducted by Mark Wigglesworth, performing with reduced  numbers to allow the required social distancing.

https://twitter.com/i/status/1387814009710256128

Fang Zhang says: “I am honoured and delighted to win BBC Young Musician 2020, and feel so lucky considering the talent of the other finalists.

“The BBC team is amazing and I want to thank them and my schools, Chetham’s School of Music and Qingdao Percussion College, for supporting me through the whole programme in every possible way.”

On Fang Zhang’s performance at the Grand Final, Angela Dixon says: “BBC Young Musician 2020 has been an outstanding competition, the standard has been incredibly high and all three finalists showed exceptional musicianship.

“Fang chose to perform on a single instrument, the marimba, but elicited a kaleidoscope of colours and expression from it that deeply moved the jury and presenters.  It was a privilege to be one of the few people to hear his performance live.”

Conductor Mark Wigglesworth says: “BBC Young Musician is always a glorious celebration of the future, but especially this year, it offers a much needed sense of optimism to everyone in the classical music world. 

“All three finalists have shown a tremendous passion and determination to maintain their commitment to the competition across a year of uncertain silence. They play with humility and respect but daring and personality too, encouraging all who hear them to look forward to more positive times ahead.”

The BBC Young Musician 2020 Final also featured exceptional performances by the winner of the brass final, 18-year-old French horn player Annemarie Federle from Cambridge, currently in her first year studying at the Royal Academy of Music in London; and 19-year old oboist Ewan Millar from Reading, Berkshire, who won the woodwind category. Ewan is now in his second year reading music at Oxford University.

Jan Younghusband, Head of BBC Music TV Commissioning says: ““BBC Young Musician competition is always a great celebration of incredible young talent. But this year in particular, with Covid restrictions still in place, broadcasting the grand final has had particular poignancy. 

“All of these musicians have shown that there is much to look forward to. We wish Fang – and all of our outstanding finalists – the best for the future, and we are delighted that audiences at home were able to join us for such a spectacular display of musicality and technique.”

BBC Young Musician Executive Editor, Paul Bullock says: “We will surely remember the 2020 edition of BBC Young Musician as a unique and ultimately very special one.

“The three finalists have shown extraordinary resilience over the past 12 months when it’s been difficult for us to tell them when and if the final would go ahead. To see and hear them perform last weekend alongside the BBC Philharmonic conducted by Mark Wigglesworth was both thrilling and deeply moving.

“Congratulations to Fang and all of the finalists and a thank to the musicians of the orchestra and Mark for their support and commitment. This is a BBC Young Musician Final like no other and we’re delighted that audiences at home can now share this experience – a celebration of the future and the joy of making music together.”

In addition to the coverage on BBC Four and BBC Radio 3, the BBC Young Musician 2020 Grand Final is now available on iPlayer for 12 months, and BBC Sounds for 30 days.

BBC Young Musician 2020 is managed and produced by BBC Studios Music and Entertainment Wales.

Stanley Odd celebrate release of new album with live recorded performance from Leith Theatre

Stanley Odd  

The Last Night In (a music film): STAY ODD live from Leith Theatre 

Date: 8th May 2021 @ 8.30pm 

Presented by Handsome Tramp Records in association with Creative Scotland

Tickets available here: https://bit.ly/2QNoQra 

Scottish hip-hop mainstays Stanley Odd have announced they will be playing a unique performance  of their latest album STAY ODD from the iconic main auditorium of Leith Theatre.

The band formed in  Leith over a decade ago. Now, four albums and almost twelve years later, the six-piece are returning  to the place where their journey began for a celebration of live music – and of Staying Odd.  

The band are known for their electric live performances and, although we cannot dance together just  yet, have decided to bring their explosive live show to fans’ living rooms.

The event will be ticketed  however – recognising the uncertain times that we’re living through – fans have the choice of four price  options. The standard price is £10, but fans will be offered an option of £5 – or nothing at all – to  ensure the gig is as accessible to all. An additional option of £20 will also be available to folks who  want to show some extra support. 

The album itself, described by BUZZ Magazine as the band’s “most accomplished work yet,”, was  recorded over a four-year period and showcases the sound of a band who are nothing but confident in  their Oddness.

STAY ODD takes the listener on a journey through the global news cycle on a stolen  bicycle, to a place where lying politicians are at odds with iconic female figures, and tales of witches  are interspersed with classic hip-hop. Each track is as truly unpredictable as the last. 

The album dropped on April 12th after being teased for over a year with the release of lead single  Where They Lie in February, and then another every six weeks since July. This stunning music film of  the band live from Leith Theatre is made possible by Creative Scotland’s Sustaining Creative  Development fund. 

The Last Night In was born out of the same desire to engage with their fans.

Frontman Dave Hook,  aka MC Solareye, says of the show: “Playing in this beautiful, semi-derelict space – on the floor in the  middle of the room – sort of represents all of the empty venues around the country just now.

The Last  Night In is a bittersweet celebration of live spaces as well as of STAY ODD getting played in full – start  to finish.” 

Connect with Stanley Odd: Facebook Instagram Twitter Bandcamp

Pictures: Danny Bonnar

‘Cautious but optimistic’

Fringe update from Chief Executive Shona McCarthy

Last week, we announced to Fringe participants that we’ll be opening show registration – for both online and in-person performances – on Wednesday 05 May, in advance of the Fringe taking place from 06 – 30 August.

This is an exciting moment for the Fringe Society; it means all the preparatory discussions we’ve been having – with artists, venues, government and all members of the Fringe community – can finally be translated into action, with visible results.

The positive response we had to last week’s announcement only confirms what I knew in my heart – that there are many people out there who are just as excited and eager as we are to see the Fringe return!

Of course, opening registration is only the start of this process – we are acutely aware of how difficult the last year has been for artists, and we’re doing everything we can to support them in making work this year and beyond.

We’ve reduced registration fees across all tiers by 25%, and removed the top tier entirely.

We’ve also announced the opening a Fringe Artist and Venue Recovery Fund: a £75,000 funding pot which is available to Fringe companies, creatives and venues to support projects that will enable a return to the Fringe in 2021 or 2022.

The fund will prioritise projects that seek to improve opportunities for access on the Fringe by underrepresented groups – you can find out more at edfringe.smartygrants.com.au/recoveryfund

There’s certainly a lot more still to be done, but we feel this is the first of many steps we can take to support artists returning to the Fringe.

I recognise that any eagerness to restart the Fringe must be tempered by a sense of caution and responsibility.

We continue to work closely with Scottish Government and the City of Edinburgh Council, and keep a close eye on official guidance as it emerges and develops, using it to inform every decision we make.

The most recent news indicates some easing of restrictions by the end of June, which is definitely encouraging, but if the last year has taught us anything it’s that things can change at very short notice, so for those dreaming fervently of a fun-packed summer in Edinburgh, we strongly recommend an attitude of cautious optimism at this stage. 

It’s also important to remember that this year’s Fringe won’t be the same as it was. Even as restrictions relax, we still expect to see some form of social distancing and other safety measures in Edinburgh this August.

Again, we’ll work with venues and other partners to figure out how best to use this information as it develops, creating clear guidance for audiences and participants. We also know that it will not be possible to produce our usual printed programme this year, though we are exploring alternatives.

While it is right and appropriate that we manage our expectations about a return to live performance, I am full of positive anticipation to see how Fringe artists channel their extraordinary creative energy into digital work at this year’s festival.

As happens with any seismic change in society, artists have responded to online life in brilliant and inventive ways, and I think it entirely correct that the Fringe – with its longstanding reputation for unleashing the creative spirit – showcases the best in digital inspiration as well.

Silver linings to the past year’s events are few and far between, but the increased availability of innovative, imaginative work – work that can be accessed virtually anywhere – is surely among them.

With this in mind, we’ve put a lot of time and energy into developing our digital infrastructure for this year’s Fringe. We’ve ensured that, whichever online platforms artists and venues want to use, we can support them to do it; they’ll also have access to our own innovative Fringe Player.

In addition, we’re creating an exciting new online events programme and meeting space to help artists and industry connect and collaborate, which we’re hoping to launch in summer. 

With the seeds of carefully laid plans now blooming into life, our goal – as ever – is to support Fringe participants.

As mentioned above, registration (and the wide range of benefits and services that come with it) will open in May, and will remain open right through to the end of the Fringe with no deadlines attached.

We’re also continuing to invest in our website so that audiences can search, browse and book shows as easily as ever, helping them find the artists whose work will resonate with them for years to come.

All of our plans are being made cautiously but optimistically, and as ever, public health will be our priority. But we can take heart in the fact that the Fringe is happening. And, whether online or in a venue, I can’t wait to see you there.

Shona

News from the Fringe

We are pleased to announce that show registration for Fringe 2021 will open on Wednesday 05 May

Artists and venues will be able to register Fringe shows right up until the end of the festival. The Fringe’s world-class programme will be available to browse and book at edfringe.com, with tickets going on sale for audiences in early summer.

As Scotland navigates its roadmap out of lockdown, much is still unknown about what the Fringe will look like this August. However, a range of scenarios are being prepared for, from socially distanced live events to digital offerings. 

The Fringe Society is supporting artists and audiences to find and book work online across a range of platforms, including the brand-new Fringe Player.

This online platform aims to bring some festival magic into homes across the world, while providing a secure platform for artists, companies and venues to host their shows. The platform is available to any registered 2021 Fringe show or venue to use if they wish.

Any live performance registered as part of the 2021 Fringe will be expected to adhere to public health guidance from the Scottish Government. 

Audiences can search, browse and buy tickets to both online and in-person work through edfringe.com. More details on individual shows and Fringe 2021 will be available in early summer.

Shona McCarthy, Chief Executive of the Fringe Society, said: “We’re delighted to be able to open registration for 2021. Of course, we’re still very much in planning mode as we await further updates from the Scottish Government, but this feels like a hugely positive step in the right direction.

“Through the work being created across the various digital platforms, including the Fringe Player, artists have a brilliant opportunity to reach audiences and communities all over the world. I look forward to seeing how our Fringe creatives use these platforms in 2021 and beyond.”

The Edinburgh Festival Fringe will take place from 06 – 30 August 2021. 

“Welcome back to live performance, welcome back to your Festival.”

The Edinburgh International Festival will welcome audiences back to live performance with temporary outdoor pavilions throughout the city this summer:

We are thrilled to announce our reimagined Festival for 2021, marking the return of live performance to Scotland’s capital city after over a year of silenced theatres and concert halls.

Taking place from 7 to 29 August, the 2021 International Festival will use bespoke, temporary outdoor pavilions in iconic, easily accessible spaces throughout the city to safely reunite our artists and audiences to rediscover the magic of live performance.

Our temporary outdoor pavilions, found at three locations including Edinburgh Park and the University of Edinburgh’s Old College Quad, will feature covered concert stages and socially distanced seating to create a beautiful setting for audiences to safely enjoy live music, opera and theatre once more.

The health and safety of the entire Festival community is at the heart of our plans for this year’s festival. That’s why we are working with the Scottish Government, City of Edinburgh Council and other relevant authorities to implement appropriate Covid safety measures.

These will include shorter performances with no intervals, physical distancing, regular cleaning and contactless ticketing.

We will publish full details of our security and safety measures in the coming months.

While we are looking forward to the prospect of bringing the Festival City to life once more, we appreciate that not everyone will be able to attend our performances in person this year.

To ensure that everyone can enjoy a slice of the magic, wherever they are in the world, we will release a selection of high-quality streamed performances, free of charge, during each week of the Festival.

Since Edinburgh’s summer festivals in 2020 were officially cancelled a year ago, we have received extraordinary support from so many people.

As our Festival Director Fergus Linehan says, “We are hugely grateful to the artists who have agreed to come on this journey with us, the stakeholders, donors, and sponsors who have stood by us through a tough year and our audiences who have cheered us along throughout. We look forward to sharing full details of the programme in early June.”

Full details of our 2021 programme, which spans opera, orchestral and chamber music, theatre and contemporary music, will be announced on Wednesday 2 June.

Priority booking for International Festival members opens on Tuesday 1 June before general booking opens on Friday 11 June.

Welcome Back

We are delighted to announce that in August 2021, the Edinburgh International Festival will return to live performance.

Connecting with others is more crucial now than ever. For that reason, we have continued to engage with communities across Edinburgh and further afield during the pandemic, bringing performances and opportunities to schools, families and socially isolated people. These projects are an integral part of the International Festival’s identity, and we will continue them and expand their scope as 2021 progresses.

We are proud of the streamed and broadcast works we have brought you over the past year. These projects have helped us experiment and evolve, and they will continue as a vital element in our work and engagement. But a Festival is at its heart a gathering, a celebration of community and shared purpose. The time is right to take the first careful steps back to live performance.

We are hugely grateful to the artists who are coming on this journey with us; to the stakeholders, donors and sponsors who have stood by us through a tough year; and to our audiences who have cheered us along throughout. We are excited by the prospect of seeing you all at the 2021 Edinburgh International Festival.

Welcome back to your Festival!

The International Festival team

Cumnock Tryst celebrates success of local composer Michael Murray as RSNO announce inclusion of Psycho-Scherzo in ‘Scotch Snaps’

  • Michael Murray’s Psycho-Scherzo will be performed as part of the RSNO’s ‘Scotch Snaps’ series on 23 April 2021
  • Michael, who works as a night warden, has been composing since he was 9 and in 2017 and 2019 his work was performed at The Cumnock Tryst

At a time when hope is in the air, yet good news remains at a premium, The Cumnock Tryst are delighted to celebrate the success of local night warden and classical composer Michael Murray.

Michael, who turns 40 next month and works as a night warden for the Ayr central shopping centre, composed oboe solo Psycho Scherzo in 2019 and is over the moon that it will be performed on 23 April as part of the Royal Scottish National Orchestra’s (RSNO) 2021 Chamber Series.

Throughout the pandemic, the RSNO has been leading the way in presenting work in new ways for their international audiences and ‘Scotch Snaps’ is an online Chamber Music series celebrating five living Scottish composers.  

Michael Murray, Composer, said: I was both shocked and delighted when I heard that the RSNO would perform Psycho-Scherzo as one of their Scotch Snaps, and as part of this season’s Chamber Music Series in April this year.

“After all the disappointment caused by the pandemic, the cancellation of live events and in particular The Cumnock Tryst, it felt like a sign that things were looking up.”

“I have noticed during lockdown that more people have been buying my work online, which is perhaps partly due to performers having time to explore what’s out there, and potentially add to their existing repertoires. So, for me at least, there has been a sliver silver lining, although like everyone else, I can’t wait for things to return to some sort of normality and to be able to go and enjoy live music together again in the same space.”

Michael discovered a love for composing at the tender age of nine after he was gifted a guitar, and he first came to the attention of The Cumnock Tryst’s founder and award-winning composer Sir James MacMillan when he took part in a masterclass at Cumnock Academy when Michael was fifteen.

Since then (and despite his meteoric rise to classical music fame) James has kept a keen eye on Michael and his music and included his work in the Cumnock Tryst festival line up in 2017 and 2019.

Sir James MacMillan, founder of the Cumnock Tryst, said: “Myself and the whole Cumnock Tryst team are absolutely delighted for Michael and we can’t wait to tune in to Psycho-Scherzo when it is performed by the RSNO on the 23 April as part of their 2021 digital programme.

“I discovered that Michael had a passion for composing when I hosted a masterclass at his school, the same school I went to, and he has continued to impress me with his commitment to and love for it over the years.

“This is a tough time for musicians, for everyone in the arts, but hopefully there is light at the end of the tunnel and I for one cannot wait to hear Michael’s pieces once again performed live.”

Edinburgh Festivals welcome £1 million UK Government support

Edinburgh Festivals – the biggest combined festivals in the country – will benefit from £1 million from the UK Government this year

Half a million pounds will fund a new digital platform to promote UK talent and content to both international and domestic producers

£500,000 will be made available for Festival organisers to increase their digital capabilities

The UK Government will fund two new projects to expand the digital potential of the Edinburgh Festivals with £1 million investment, Culture Secretary Oliver Dowden has announced.

The Edinburgh Festivals are the biggest combined festivals in the UK, attracting audiences of nearly 5 million every year, generating £313 million for Scotland’s economy alone, and providing unparalleled opportunities for artists across the country. 

Last year many shows at the Edinburgh Festivals had to move online due to the coronavirus pandemic. 

The challenge of moving to a combination of physical and online events, and the increased demand for British virtual cultural content around the globe, revealed the need to expand the Edinburgh Festivals’ digital capabilities as part of the cultural sector’s post-Covid recovery. 

The UK Government is providing £1 million in funding for digital improvements that will enable more ways for people to virtually access the events across the country, increase opportunities for UK artists and ensure Edinburgh’s landmark events will continue to be major contributors to the UK’s economy and cultural landscape. 

The 11 festivals in the Festivals Edinburgh event portfolio will be able to apply for a share of a new £500,000 fund which will support innovative virtual solutions to the challenges of commissioning, producing and promoting festival programmes in an increasingly digitised cultural sector.

The funding will help encourage collaboration between events and develop hybrid events with live and digital elements. 

Another £500,000 will be provided to create a new digital platform that will help national and international buyers and producers search for talent and content from the festivals’ hugely varied programmes, which showcase thousands of artists and performers every year, and promote the work of British artists and performers around the world. 

The funds will be available to Festivals Edinburgh this financial year. Events with live audiences at limited capacities in Scotland will return no earlier than 17 May, and further details about the planning for this year’s Edinburgh Festivals will be released in due course.

This funding builds on £100,000 previously awarded to the Edinburgh Fringe Festival in 2018 to better connect UK artists with international producers. As part of ongoing support for culture in Edinburgh, the UK Government provided £10 million for the Dunard Centre, through the Edinburgh and South East Scotland City Region Deal.

It will be the city’s first dedicated new space for music and the performing arts in 100 years. Scotland also received £97 million from the UK Government’s Culture Recovery Fund to provide support for the nation’s arts and cultural sectors. 

Lothian MSP candidate for Edinburgh Southern, Miles Briggs, said: “This funding from the UK government is a very welcome investment into the arts and supporting the Edinburgh festival.

“It has been an exceptionally challenging year for artists and performers, many of whom have needed to adapt to virtual audiences.

“This investment will pave the way for hybrid Edinburgh Festival performances, which will allow people around the globe to see the creativity and talent on show in Edinburgh.”

Oliver Dowden, Culture Secretary, said: “Edinburgh’s Festivals have long been a springboard for the very best of British talent and a vital part of culture in Scotland and the UK.

“The UK Government’s investment will promote it to a worldwide audience online, helping the UK’s biggest combined festival build back better from the pandemic.”

“This is on top of £97 million we provided last year to the Scottish Government to support Scotland’s arts organisations through the pandemic. Like everyone else, I look forward to our fantastic arts and culture coming back better than ever before, as soon as it is safe to do so.”  

Iain Stewart, UK Government Minister for Scotland, said: “Edinburgh is world-famous for its festivals, bringing wider benefits to Scotland’s economy, tourism and arts sectors.

“We know the last 12 months have been difficult for the culture sector. This £1 million funding boost will support organisations to improve their digital capabilities and engage with audiences here in Scotland and further afield.”

Sorcha Carey, Chair, Festivals Edinburgh, said: “While live events in Edinburgh will remain the backbone of our world-class festivals, it’s crucial that we enhance our digital operations and so we’re delighted with this incredible support from the UK Government which will help reposition our work, and the work of creatives, across the digital world.”

Sir James Macmillan, Composer, said: “I’m delighted and encouraged to see this significant and notable support being given to the Edinburgh Festivals at this crucial point.

“The arts have been seriously affected by the pandemic and it is wonderful that the UK Government is showing its tangible commitment to culture in Scotland by investing in one of Scotland’s and Britain’s most important arts organisations.”

Book Now! Live in Leith starts this Saturday

Live in Leith:

March 20th: Connor Fyfe and Retro Video Club

March 27th: Ransom FA and Nova Scotia the Truth

April 3rd: The Ninth Wave and Lucia & The Best Boys

Tickets (£11.50) on sale now at https://bit.ly/LIVEINLEITH  

Picture: Rory Barnes

#liveinleith

Twitter/Facebook: @LeithTheatre

Instagram: @leiththeatre

Hosted by BBC Radio Scotland’s Vic GallowayLive in Leith streams over three consecutive Saturdays – starting this weekend with Bellshill boy Connor Fyfe and Edinburgh-based Retro Video Club – via the online platform DICE.

At the age of 14, Connor Fyfe is the youngest artist ever to sell out King Tut’s in Glasgow, finding out that he had done so on the day of his 14th birthday. He started playing guitar around the age of 8 and song-writing around the age of 12. He picked up the harmonica aged 11 back when he was a regular on the Scottish open-mic scene, playing it on stage the same day that he had bought it. Connor was due to support Kaiser Chiefs last year.

Edinburgh outfit Retro Video Club have been a band since 2015 but after a year spent refining their sound they took off on the local and then the national scene in 2017, selling out The Liquid Rooms twice, 3 nights at Sneaky Pete’s (a record for the venue) and the Assembly Rooms amongst others.

Their most recently released single ‘Checkmate’ came out this month. They have supported the likes of BastilleThe Vaccines and We Are Scientists.

Quotes:

“We’ve known about this venue for years and obviously it’s derelict (…) so to be able to somewhat play it is good enough the now. To be honest I’ve never actually been in before (…) It just makes you want to play here. It’s like an academy…it’s kind of like the O2 Academy, it has that kind of vibe. We just need to have it.” – Sam McGill, Retro Video Club

“I’ve not been in a venue for a long time, especially one as grand as this…so it feels strange to be honest – but in a good way.”   – Lucia Fairfull, Lucia & The Best Boys

Un. Real. It’s so nice (Leith Theatre). I can’t believe I’ve never been here before.” – Millie Kidd, The Ninth Wave

“This place is amazing. Obviously, I didn’t know what to expect when I first came in and I’m like ‘woah’. Can’t wait to fill this place up.” – Ransom FA

“I like a bit of reverb on my mics but you don’t even need to ask for it in here. It’s just a nice big hall.” – Connor Fyfe   

The New Normal: Enjoy first organ concert of the year from home

Freemasons’ Hall has announced its first Organ Concert of 2021, which will take place on 30 March at 7pm.

The event, being held virtually, will showcase the magnificent Willis pipe Organ, which resides in the Grand Temple of Freemasons’ Hall in London, an art deco masterpiece completed in 1933.

The concert is to be given by Carl Jackson, MVO, director of music at the Chapel Royal, Hampton Court Palace.

He studied at the Royal Academy of Music and he has held organ scholarships at Downing College, Cambridge as well as his current base of Chapel Royal.

Before his current role at Hampton Court Palace, Mr Jackson taught at Goldsmiths’ College and he has held positions at Croydon Minster and St Peter’s, Eaton Square.

He has also appeared regularly on television with the Chapel Royal choir and features with them on CDs. He was appointed MVO in the 2012 New Year Honours list.

Dr David Staples, Chief Executive of the United Grand Lodge of England, commented: “It is an honour to welcome Carl Jackson to perform for our first Organ Concert of 2021.

“The various lockdowns the country has faced during the pandemic have left many people feeling isolated and lonely. The virtual concert will bring world-class music and joy into people’s homes whilst also giving the audience an opportunity to take in some of the stunning architecture of our headquarters here in London.”

The concert will be held at Freemasons’ Hall, which was designed as a pentagon to suit the irregular area in which it is located. Built in the central courtyard of the splendid art deco building, the Grand Temple is rich with multi-coloured details of blue, gold and white.

While enjoying the concert online, attendees will be able to experience the splendor of the Grand Temple, including the majestic 1.25-tonne organ with its ornate pipes as well as the stunning mosaics that surround the ceiling.

The original organ was installed in 1933 by Henry Willis, the third generation of an extended family line of organ builders. It originally had three manuals and 43 stops, giving a total complement of some 2,220 pipes, and was the last big organ built by the Willis firm.

After 80 years it was in need of a complete renovation, which was carried out in Durham by Harrison & Harrison in 2014 and included the cleaning, repairing and re-voicing the existing mechanisms, as well as mounting a new case of some 400 pipes on the east wall.

Free tickets are available to book via: 

https://event.bookitbee.com/32027/freemasons-hall-organ-concert-30th-march-2021-carl

Scottish Ensemble put wellness centre stage

Free Events in Partnership with Maggie’s

Scottish Ensemble is putting wellness centre stage with brand new events aimed at enhancing wellbeing through both music, and techniques and tools aimed at helping people find calm.

At a time when so many are struggling in terms of their mental health – coping with working from home, home-schooling, loneliness and even bereavement – SE launch Breathe: Music and Your Mind with Maggie’s, three events inspired by their longstanding relationship with the charity.

Supporting and developing their brilliant work with people with cancer and their families by bringing live music into their centres, which they have been doing since 2016, SE are taking their music and mindfulness sessions online with three free, one-hour events on Sunday 28 March at 3pm and Tuesday 30 March at both 2pm and then again at 5.30pm.

The ensemble will continue to share its trademark music for strings alongside reflections from Maggie’s Lead Psychologist, Lesley Howells, on how we can all use music in our daily lives to help us feel better.

Listening to music is one of the easiest ways to enhance well-being and the ensemble are encouraging audiences from all over the world to join them in escaping the rigmarole of the daily grind and restrictions and to help restore focus in an undeniably tumultuous world.

Young people’s mental health is also at risk due to the pressures and anxieties stemming from the pandemic, so the ensemble has also programmed a Maggie’s event for schools on Monday 29 March at 12.30pm.

Like the events for adults yet tailored to the needs of school age children  (years P6-S6) this event will address the types of stresses these young people might be encountering, while perhaps also introducing them to new music.

With the increase in pressure on everyone’s mental health, we could all do with taking some time out for ourselves and these special performances will help viewers find new ways to listen and give them a taste of how to channel music to sweep away daily pressures.

William Norris, Interim Chief Executive at Scottish Ensemble said: “These free events give people a much-needed opportunity to switch off, step back, and put their own wellbeing centre stage. 

“Maggie’s Centres are at the forefront of the quest to improve mental wellbeing with music and conversation, and the way they resiliently continue to improve the lives of so many every single day is truly inspiring.

“We’re delighted to be working with them again to help bring the soothing and stress-relieving power of music to as many people as possible, and can’t wait to see what this partnership brings in the future.”

In addition to these events, Scottish Ensemble continue to promote innovation and collaboration with 2021 digital programme as they announce new film First Light with celebrated Guest Director Max Baillie.

Premiering online on Thursday 29 April at 7.30pm (and available to view online thereafter for ticket holders until midnight on Monday 7 August) First Light is a collaboration between SE and self-described cross-pollinator, soloist, chamber musician, improviser and member of Lodestar Trio and ZRI, Max Baillie.

First Light is an uplifting concert featuring works by Haydn, Vivaldi, Jessie Montgomery, Steve Martland and Max Baillie himself, performed by SE musicians Kate Suthers, Kana Kawashima, Tristan Gurney, Laura Ghiro and George Smith on violin, Jane Atkins and Andrew Berridge on viola, Alison Lawrance and Naomi Pavri on cello, Diane Clark on bass and Jan Waterfield on the harpsichord.

Bringing life and energy to audiences via their screens, First Light signals the transition from darkness to brighter times and Max will lead viewers on a journey through joyful, uplifting and optimistic music, bursting with luminosity.

From Jessie Montgomery’s explosive Starburst, through the tempestuousness of a new string ensemble arrangement of Haydn’s ‘Fifths string quartet to Vivaldi’s vivacious Concerto Grosso in G minor, the programme presents a visual and sonic dialogue between old and new, between the human and the natural, between darkness and light.

Working with Flux Video to create a striking film, Scottish Ensemble invite audiences old and new to join them online to re-energise. Created under Covid-secure conditions First Light was filmed in the Engine Works, Glasgow; a venue that brings the tradition of Glasgow’s proud industrial history and blends it with a modern, contemporary and visionary concept.

William Norris, Interim Chief Executive at Scottish Ensemble, said: “First Light symbolises the transition that we are all going through right now, both in terms of slowly coming out of restrictions and also the changing of the seasons.

“Max brings a unique creative flare to everything he does, and his music-making reflects our values around innovation, reaching new audiences and promoting cross pollination of sounds and styles; it has been a privilege to have worked with him.

“We really hope our audiences, both new and existing, enjoy tuning in.”

Max Baillie, First Light Guest Director, said: It was an absolute pleasure working with Scottish Ensemble to create First Light, which to me symbolises positivity and hope as we look towards spring and the rest of 2021. 

“We have all had to adapt over the past 12 months and to be able to work with such a forward thinking, adaptable and innovative organisation was a hugely refreshing and rewarding experience. I really hope that audiences the world over enjoy First Light as much as I enjoyed making it.”

First Light Ticket Details

Single ticket: £10 (+b/f of £1.37)

Household ticket: £20 (+b/f of £2.15)

Available from www.scottishensemble.com

First Light Credits

Filmed at the Engine Works, Glasgow by Flux Video

DOP / Director: Richard Watson

Music Director: Max Baillie

Music Recording and Mixing: Jonathan Green

Camera Operators: Stuart Edwards, Ray Bird

Scottish Ensemble

Director / Violin: Max Baillie

Violin: Kate Suthers, Kana Kawashima, Tristan Gurney, Laura Ghiro, George Smith

Viola: Jane Atkins, Andrew Berridge

Cello: Alison Lawrance, Naomi Pavri

Bass: Diane Clark

Harpsichord: Jan Waterfield

Made possible with support from:

Creative Scotland

Glasgow City Council

RPS Audience Fund in association with the Rachel Baker Memorial Charity

Eternity’s Sunrise by Steve Martland

By arrangement with Schott Music Ltd.

“Starburst” by Jessie Montgomery